\n\t\t\n\t\n\n\n
管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會臺灣分會理事長與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
\n\n\n\n
\n\t\t |
管風琴家|Sean Jackson (4、5月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
\n\n\n\n
\n\t\t |
管風琴家|陳相瑜(6月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
\n\n\n\n
\n\t\t |
1-4月場 主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
\n\n\n\n
5-6月場 主持人|呂岱衛
\n\n資深音樂工作者,古典音樂台FM97.7《蒙德里安調色盤》節目主持人,
自從2014年起,所主持的廣播節目《蒙德里安調色盤》連續九年獲得文化部優質廣播節目之補助,締造國內廣播節目接受文化部補助的紀錄。除廣播主持外也在全國各地開辦了多場大型系列講座,並策畫了台中國家歌劇院《佰元音樂會》系列音樂會以及《風靡世界、歌舞全球-音樂劇沙龍講座》以及首屆奇美音樂節的演出。同時也在各縣市文化局、兩廳院以及國內各大樂團的邀請下舉辦了各式音樂專題講座,至今累積的數百場講座中以深入淺出的內容中暢談音樂、透析人生,不僅為愛樂者打開了音樂之門,同時也拓展了生命的深度與廣度。
\n\n\n\n
\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
\n\n\n\t\t |
\n\t\t |
\n\t\t\t 1/3(三)14:30-15:30 \n\n\t\t\t【管風琴新年派對】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 說到衛武營最有名的樂器,除了榕樹廣場那知名的公共鋼琴以外,就是音樂廳裡那亞洲最大的管風琴了。在今年度的《探索管風琴音樂》系列中,我們將從《新年派對》開始與大家一同走進管風琴的音樂世界。 \n\n\t\t\t在這場音樂會中,我們將聽到大家所熟悉的貝多芬《歡樂頌》,只不過這次是由管風琴改編出截然不同的風貌,相信絕對會讓大家耳目一新。此外,古典音樂中最為浪漫甜蜜的《愛的禮讚》以及李斯特博大艱深的《以巴赫為名的前奏與賦格曲》,這些都是適合陪伴大家度過新年的精彩作品。在這場音樂會中,觀眾們更能躍上舞台,近距離欣賞音樂家們演奏管風琴的風采。 \n\n\t\t\t新的一年,那讓我們在充滿歡樂、希望與愛的管風琴音樂中互道新年快樂吧! \n\n\t\t\t\n\n\t\t\t 約翰.盧特:觸技曲「7」 \n\n\t\t\t艾爾加:愛的禮讚,作品12 \n\n\t\t\t弗雷德里克・斯旺改編:貝多芬第九號交響曲《快樂頌》 \n\n\t\t\t衛斯理:《詠歎調和嘉禾舞曲》 \n\n\t\t\t克雷格 · 塞拉 · 蘭:D大調低音號的弦律,作品15 \n\n\t\t\t李斯特:以巴赫為名的前奏與賦格曲,S. 260 \n\n\t\t\t保羅・菲改編:《快樂頌》觸技曲,改編自貝多芬第九號交響曲 \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 2/21(三)14:30-15:30 \n\n\t\t\t【管風琴古典永恆的愛】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在管風琴的世界裡,宗教音樂彰顯的是虔誠與聖潔的信仰,而在世俗音樂中卻也常用管風琴來營造永恆的愛。從孟德爾頌的第三號管風琴奏鳴曲開始便能感受到愛的希望與喜悅,接下來的幾首小品從德佛札克的《幽默曲》到貝多芬的《給愛麗絲》,無一不是古典音樂中耳熟能詳的經典名曲。這些樂曲在管風琴的改編詮釋中更能體會到古典音樂的多元性與管風琴的豐富性。此外,這場音樂會十分難得讓觀眾以零距離體驗的方式親近管風琴,感受管風琴無與倫比的魅力。 \n\n\t\t\t就讓我們在這場音樂會中一起聽見管風琴中的愛與永恆吧! \n\n\t\t\t\n\n\t\t\t 孟德爾頌:第一樂章,選自A大調第三號管風琴奏鳴曲,作品65 | \n\t\t
\n\n
\n\t\t\t 3/20(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 若要說到古典音樂裡史上最知名的管風琴大師,那絕非音樂之父巴赫莫屬了。巴赫在世時便以當代最傑出的管風琴師之名享譽全歐,而且巴赫不只會彈管風琴,更會鑑定、維修管風琴,當時在日耳曼境內只要有哪座城市裡的教堂有新的管風琴製造完成,都會聘請巴赫蒞臨調校,以求能讓這座管風琴發揮良好的性能與音色。雖然我們無法回到三百年前的巴洛克時代聆聽巴赫為我們演奏管風琴,但我們仍能透過巴赫的作品了解他的天才與偉大,同時也能體悟管風琴音樂的博大精深。 \n\n\t\t\t在這場音樂會中,您可在音樂廳內透過不同角落聆聽管風琴美妙豐富的琴音,體驗仙樂飄飄四處聞的美好境界。 \n\n\t\t\t\n\n\t\t\t 巴赫:c小調前奏曲與賦格,作品549 \n\n\t\t\t巴赫:《善牧羊群》,作品208 \n\n\t\t\t巴赫:《醒來吧,那聲音在呼喚我們》,作品645 \n\n\t\t\t巴赫:D大調前奏曲與賦格,作品532 \n\n\t\t\t巴赫:降E大調前奏曲與賦格《聖安妮》,作品552 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 4/10(三)14:30-15:30 \n\n\t\t\t【舞動管風琴】 \n\n\t\t\t※客席演奏家:Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 管風琴,是現代鋼琴發明前歷史最悠久、也最具代表性的鍵盤樂器,而鋼琴則是當今樂器之王,同時也是最普遍、也最具表現力的樂器。試想:若時空交錯,讓管風琴與鋼琴相互合作,那會呈現什麼樣的音響與效果?在這場音樂會中,我們除了將嘗試讓這兩項以往「王不見王」的樂器同台發聲,同時也精選法國作曲家法朗克、德布西與拉威爾等人的知名作品,以獨特的音響顛覆您對鍵盤樂器的想像,讓管風琴綿延豐潤的厚實與鋼琴晶瑩剔透的靈動交融在豐富多采的法式風情裡。 \n\n\t\t\t\n\n\t\t\t 杜布瓦:降B大調大合唱曲 \n\n\t\t\t戈登.楊:古典風格前奏曲 \n\n\t\t\t法朗克:前奏、賦格與變奏曲 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 - 第三首 \n\n\t\t\t勒菲比赫-維利:降E大調《退場樂》 \n\n\t\t\t拉威爾 :《波麗露》舞曲 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n'}],onShelf:!0,sliders:[{type:"image",key:"2492cb91b46c7d025c14529f22353dee",title:"2024【探索管風琴音樂】1-6月"}],related:[],title:"2024【探索管風琴音樂】1-6月",cover:"fae133f6938893e3c8a7a22f374bb0ba",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2024年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2024【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t\n\n
走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。
\n\n若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n\n衛武營特別邀請臺灣管風琴協會理事長、美國華盛頓大學音樂博士劉信宏設計獨家節目,搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的觀看視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n\n
\n 2024上半年活動場次表
\n\t\t\t 5/15(三)14:30-15:30 \n\n\t\t\t【管風琴電影之旅】 \n\n\t\t\t※客席演奏家:Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 電影配樂是當今最受歡迎的新興音樂種類之一,古今中外名列經典的電影,其配樂多半佔有功不可沒的地位。甚至許多雋永旋律更是只要一響起,馬上就讓人聯想到那讓人印象深刻的場景與畫面。在這場音樂會裡,管風琴家將化身為電影配樂大師,為您帶來一首首深植人心的經典樂曲,從莫利克奈的《教會》、《新天堂樂園》到阿根廷探戈大師皮亞佐拉的探戈舞曲;從《綠野仙蹤》裡的〈彩虹彼端〉到動感緊湊的《不可能的任務》。喔對了!還有近日才改編成電影上映的知名電玩主角《超級瑪利歐》,都將在這場音樂會中獻聲。 \n\n\t\t\t想要一探管風琴活潑俏皮卻又深情雋永的多變性格嗎?請來聆聽這場音樂會,相信一定讓您耳目一新! \n\n\t\t\t\n\n\t\t\t 哈羅德.阿倫:《在彩虹彼端》選自電影《綠野仙蹤》 \n\n\t\t\t《超級瑪利歐》幻想曲,劉信宏改編 \n\n\t\t\t《電影選曲》幻想曲,尚傑生改編 \n\n\t\t\t《感人的顏尼歐》電影音樂,劉信宏改編 \n\n\t\t\t《皮耶佐拉精選》,劉信宏改編 \n\n\t\t\tBEGIN:淚そうそう《淚光閃閃》主題曲,劉信宏改 \n\n\t\t\t拉羅.西夫林:《不可能的任務》電影音樂精選,尚傑生改編 \n\n\t\t\t拉赫曼尼諾夫《帕格尼尼主題狂想曲》選自電影《似曾相識》 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 6/12(三)14:30-15:30 \n\n\t\t\t【動物狂歡齊步走】 \n\n\t\t\t※客席演奏家:陳相瑜 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 管風琴音色千變萬化眾所皆知,在同一架琴中,可以藉由改變音栓的方式變化音色。而這樣特別的機制讓管風琴擁有了獨一無二的戲劇效果,光是一架管風琴就能獨當一面、做到一整組管弦樂團才能達到的效果。但如果讓管風琴來演奏聖桑最富童趣的《動物狂歡節》,那又會什麼樣新奇的感受呢?在這場音樂會裡,我們除了聽見膾炙人口的《動物狂歡節》外,還有陳泗治充滿田園鄉村風情《臺灣素描》的〈水牛背上的八哥〉。在這些音樂裡我們不僅能更深入了解管風琴的各種音樂變化,也能體會管風琴從巴洛克時期的巴赫經典作品到當代作曲家陳泗治作品與時俱進的音樂演進。 \n\n\t\t\t一場音樂會就能讓你對管風琴音樂博古通今,何樂而不為?現在就趕緊走進音樂廳來欣賞這難得的演出吧! \n\n\t\t\t\n\n\t\t\t 艾爾加:第四號《威風凜凜進行曲》,作品39 \n\n\t\t\t華格納:〈結婚進行曲〉 ,選自《羅恩格林》 \n\n\t\t\t聖桑:《動物狂歡節》選曲 \n\n\t\t\t陳泗治:《台灣素描》選曲 \n\n\t\t\t巴赫 :〈善牧羊群〉,選自清唱劇《狩獵》,作品208 \n\n\t\t\t孟德爾頌 :〈結婚進行曲〉,選自《仲夏夜之夢》,作品61 \n\n\t\t\t魏多:f小調第5號管風琴交響曲,作品42/1 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n\n
好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
\n\t\t |
\n\n
藝文支持
\n\n\n\t\t |
\n\n
文化部校外文化體驗
\n\n\n\t\t |
本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\t\t |
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
\n\n\n\n
\n\t\t |
Guest Organist|Sean JACKSON (Apr, May)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
\n\n\n\n
\n\t\t |
\n\n
Guest Organist|CHEN Hsiang-yu (June)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
\n\n\n\n
\n\t\t |
Host|Abby CHU (Jan, Feb, Mar, Apr)
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
\n\n\n\n
\n\n
Host|David LU (May, June)
\n\nAccomplished Music Professional
\n\nHost of Mondrian’s Palette on Classical FM97.7; introductory speaker for programs at the National Symphony Orchestra, National Taiwan Symphony Orchestra, Taipei Symphony Orchestra, National Taichung Theater, and National Theatre and Concert Hall; nominee for seven Golden Bell Awards; and winner of the Best Non-Mainstream Program Award and Best Non-Mainstream Program Host Award at the 52nd Golden Bell Awards
\n\n\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
\n\n\n\n
As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
\n\n\n\n
Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time. Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
\n\n\n\n
\n\n
\n"},{reference:[],type:"content",name:"Past sessions",content:""}],onShelf:!0,sliders:[{type:"image",key:"2492cb91b46c7d025c14529f22353dee",title:"2024【探索管風琴音樂】1-6月"}],related:[],title:"2024【Explore the Pipe Organ】January-June",cover:"fae133f6938893e3c8a7a22f374bb0ba",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Discount
\n\n\n\n
Besides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
\n\n\n\n
In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
\n\n\n\n
So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
\n\n
\n Programs
\n\t\t\t 1/3(Wed)14:30-15:30 \n\n\t\t\t【New Year's Organ Party】 \n\n\t\t\t※Close-up Show \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t When it comes to Weiwuying's most famous instruments, aside from the Public Piano in Banyan Plaza, the organ (Asia's largest), located in the Concert Hall, has quite a reputation. For this year's Explore the Pipe Organ series, we will start our stroll into this grand instrument's realm with the New Year’s Organ Party. \n\n\t\t\tAt the concert party, we will hear BEETHOVEN's ever familiar Ode to Joy, but played on the organ, as it will be an all-new breathtaking experience. Then, two of the most romantic pieces of classical music, ELGAR's Salut d'amour and LISZT's profound Prelude and Fugue on the Name B-A-C-H, are perfect additions for celebrating the arrival of the new year. What's more, members of the audience will be permitted onto the stage to enjoy the performance up close! \n\n\t\t\tLet's come together to wish each other a happy new year and immerse ourselves in hope/love-inducing music! \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 2/21(Wed)14:30-15:30 \n\n\t\t\t【Eternal Love - Classical Organ】 \n\n\t\t\t※Close-up Show \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t In religious music, the organ manifests a sense of piety and holiness, and in secular music, it is often used to create a feeling of eternal love. First, MENDELSSOHN's Sonata No. 3 will let you feel the hope and joy of love, followed by several smaller works, including DVOŘÁK's Humoresques and BEETHOVEN's Für Elise, all of which are familiar classics. The organist's interpretation of these pieces will exhibit the diversity of classical music and the organ's wealth of sound. What's more, members of the audience will get the extremely rare opportunity to watch the performance up close to truly feel the incomparable magnificence of this instrument! \n\n\t\t\tCome and experience the love and eternal bliss of the organ! \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 3/20(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 \n\n\t\t\t※Musical Chairs \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t The most famous classical organist is without a doubt BACH, long known as the "father of classical music." While alive, he was viewed throughout Europe as the greatest organist, but his skill didn't stop there: he could calibrate and repair organs too. In the German cities of his day, whenever a church got a new organ, he was invariably hired to come tune it and make sure it was ship-shape with just the right timbre. We can't go back 300 years to the Baroque era and listen to him play for us, but we can gain an understanding of his talent and greatness through his music while getting a taste of the breadth and depth of the organ. \n\n\t\t\tNo matter where you sit in the Concert Hall for this event, the beauty and richness of the instrument's sound will envelop you and carry you off to a veritable wonderland. \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 4/10(三)14:30-15:30 \n\n\t\t\t【Dancing Organ】 \n\n\t\t\t※Organist|Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t The organ is the most iconic keyboard instrument with the longest history before the modern piano. Meanwhile, the piano is today's "king of the instruments" and the most common and expressive one. So what if we brought the two together…? At this concert, where we'll undertake such a bold, unheard-of experiment, we're going to completely overturn your ideas on keyboard instruments with a unique show of famous pieces by French composers FRANCK, DEBUSSY, and RAVEL that will display the reverberating, rich tone of the organ and the crystal-clear vitality of the piano. \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 5/15(三)14:30-15:30 \n\n\t\t\t【Cinematic Organ】 \n\n\t\t\t※Organist|Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t Incidental composition for film is one of the most popular forms of music. For most of silver-screen history, such music has played indispensable roles in classic films from all over the world. Upon hearing the first few notes of melodies from certain films, people often immediately think of the unforgettable scenes from which they hail. At this concert, the organ will bring you to those scenes with songs that have been inscribed into our memories, including pieces from Ennio MORRICONE's music for The Mission and Nuovo Cinema Paradiso to a medley of Argentine tango guru Astor PIAZZOLLA's work, and from The Wizard of Oz's "Somewhere over the Rainbow" to the pumping theme song of Mission: Impossible. And let's not forget the theme for the hit video game (and now movie) Super Mario Bros! \n\n\t\t\tIf you want to see the organ's capacity for both deep sentiment and lively playfulness all in one show, this concert, sure to be like no other in organ history, is for you! \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 6/12(三)14:30-15:30 \n\n\t\t\t【Animal Carnival】 \n\n\t\t\t※Organist|CHEN Hsiang-yu \n\n\t\t\t※Musical Chairs \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t Everyone knows the organ's timbre can take on a multitude of demeanors through the use of its stops, which is what makes the instrument so uniquely dramatic and gives it the capacity to do what an entire orchestra is capable of. What if we performed popular movements from SAINT-SAËNS' childlike The Carnival of the Animals on the organ? We'll also hear CHEN Si-zhi's idyllic Taiwan Sketches. In this music, we can gain a deeper understanding of the many faces of the organ while enjoying a range of music from classical Baroque pieces by BACH to the contemporary, ever-advancing music of CHEN. \n\n\t\t\tAt just this one (albeit extraordinary) concert, the magical evolution of the organ from centuries past to the present day will unfold before your eyes, so what's keeping you from reserving seats? \n\t\t\t | \n\t\t
\n\n
Arts Supporting
\n\n\n\t\t |
\n\n
\n\n
\n\n
\n',team:""},createdAt:1695907127,updatedAt:1714963560,updatedBy:"翁玉芬",host:!0},{_id:"6525fae0c9cbd6000827f87a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1710070200,discrete:[{time:1710070200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1200,1600,2e3,2400,3e3,3600],link:"https://www.opentix.life/event/1699046109617557505"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3a7db2ffa6d871cce629df9fd979531f",title:"《絢麗系列 — BOMSORI小提琴獨奏會》"}],related:[],title:"《絢麗系列 — BOMSORI小提琴獨奏會》",cover:"35d599428cff7156d5d0291091b7e307",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2024年巴哈靈感推出「絢麗系列」,匯集當代最具影響力的新生代獨奏家,他們卓越的音樂表現與非凡的舞台魅力帶來振奮人心的傳承與革新。本次邀請榮獲多項國際小提琴大賽獎項–金本索里(Bomsori Kim),與臺灣觀眾分享她精湛且情感豐沛的小提琴演出。
\n\nBomsori出生於韓國,畢業於首爾國立大學,師從小提琴名師金永旭;之後獲美國茱莉亞音樂學院碩士學位和藝術家文憑,師從羅森伯格和柯普斯。
\n\nBomsori除了為第62屆ARD國際音樂大賽的獲獎者,也是柴科夫斯基國際大賽、伊莉莎白女王國際大賽、西貝流士國際小提琴大賽...等多項國際大賽獎項得主。2020年,她獲得柏拉圖學院基金會頒發的第四屆藝術家獎。演出足跡遍及全球重要場館,包括維也納金色大廳、柏林愛樂樂團音樂廳、紐約卡內基音樂廳和林肯中心等。
\n\n初次訪臺的Bomsori,將在2024年3月10日以及3月13日於高雄衛武營國家藝術文化中心音樂廳和國家音樂廳演出,期待為臺灣的觀眾帶來她精湛的技藝、清澈溫暖的琴音!
\n\n\n\n
演出曲目
\n\n舒曼:A 小調第 1 號小提琴奏鳴曲
\n\n柴科夫斯基:美好地方的回憶冥想曲
\n\n柴科夫斯基:詼諧圓舞曲
\n\n席曼諾夫斯基:夜曲與塔朗泰拉舞曲
\n\n德布西:G 小調小提琴奏鳴曲
\n\n維尼奧夫斯基:浮士德幻想曲
\n\n\n\n
演出暨製作團隊
\n\n小提琴|BOMSORI
\n\n鋼 琴|伊利亞.拉什科夫斯基
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3a7db2ffa6d871cce629df9fd979531f",title:"《絢麗系列 — BOMSORI小提琴獨奏會》"}],related:[],title:"The Magnificent Series — BOMSORI Violin Recital",cover:"35d599428cff7156d5d0291091b7e307",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In 2024, the Bach Inspiration "Magnificent Series" concerts will be launched again, bringing the most influential young soloists of our time together. Their outstanding musical performance and extraordinary stage charm bring exciting inheritance and innovation. Bomsori Kim, who was invited this time, was born in South Korea. In addition to winning the 62nd ARD International Music Competition, Bomsori is a prize winner of the Tchaikovsky International Competition, Queen Elisabeth Competition, International Jean Sibelius Violin Competition, Bomsori has appeared at numerous venues worldwide, such as Musikverein Golden Hall in Vienna, Berliner Philharmoniker, Carnegie Hall,etc. Bomsori, who is visiting Taiwan for the first time, will perform at the National Kaohsiung Center for the Arts on March 10th , and at the Taipei National Concert Hall in Taipei on March 13th.
\n\n\n\n
Program
\n\nRobert Schumann: Violin Sonata No. 1 in A minor, Op. 105
\n\nPyotr Ilyich Tchaikovsky: Meditation from "Reminiscences of a Beloved Place" for Violin and Piano, Op. 42, No.1
\n\nPyotr Ilyich Tchaikovsky: Valse Scherzo Op. 34
\n\nKarol Szymanowski: Nocturne and Tarantella, Op. 28
\n\nClaude Debussy: Sonata in G Minor
\n\nHanryk Wieniawski: Fantasia on Themes from Gounod’s Faust, Op. 20
\n\n\n\n
Creative and Production Team
\n\nViolin|BOMSORI
\n\nPiano|Ilya Rashkovskiy
\n\n\n\n
\n',team:""},createdAt:1696987872,updatedAt:1697015599,updatedBy:"林蔚行",host:!1},{_id:"652f4011117b8d0007454a7a",catalogs:["64812f1feb9a240007c8c8c7","5fe2bffdde1961000737545c","65fa586c27df72000ad07c63","5aec4184b01ea6000520f633"],dateTime:{first:1709292600,discrete:[{time:1709292600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3,2400,2800],link:"https://www.opentix.life/event/1718917715890212865"}},attachment:{key:"f34c3ded3a0b386426e1aeaa2f109521",name:"貝多芬《費黛里歐》歌劇音樂會 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa9480ae241d77ba02a5e59ac4c41110",title:"貝多芬《費黛里歐》歌劇音樂會"}],related:[{from:"programs",key:"6539fec46baf590008123b1e",title:"《瘋迷24貝多芬》"},{from:"programs",key:"6539d4286baf590008123406",title:"歌劇女皇喬伊斯.狄杜娜朵《伊甸園》"}],title:"貝多芬《費黛里歐》歌劇音樂會",cover:"75b803469f652bce19dd25c37ba37779",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
貝多芬的唯一歌劇作品不容錯過
\n\n刻劃人性正義戰勝黑暗精湛之作
\n\n\n\n
「在我所有孩子裡,這是讓我經歷最多產前陣痛,又帶來最多憂慮的一個。」
\n\n\n\n
就在過世前不久,貝多芬曾如此形容《費黛里歐》,他命運多舛的唯一歌劇。畢竟他從選題就耗費苦心,寫作一改再改,演後又繼續改版。無論過程有多苦,貝多芬始終沒有放棄。或許正是身為父母,他知道這個孩子擁有何其特別的資質,更包含自己精神意志最重要的一部分。
\n\n\n\n
貝多芬不是沒想過其他題材,還一度考慮莎士比亞《馬克白》。《費黛里歐》劇情是當時流行的「救援歌劇」,這位講求原創的大師其實沒道理跟風寫作。之所以念念不忘,在於女主角蕾歐諾拉的「永恆女性」與「理想女性」形象深深觸動人心,崇高道德戰勝陰險謀害的劇情更使他大受激勵。或許,貝多芬也被自己譜出的音樂感動:誰能聽了男主角在牢中慷慨激昂的痛苦悲鳴而不深受震撼?誰能聽了囚犯合唱所呈現的人性光輝而不覺熱淚盈眶?當蕾歐諾拉排除萬難,千鈞一髮之際持槍恫嚇惡賊;當冤情洗雪,正義終於戰勝邪惡,眾人歡聲高唱之時,又有誰能不為之激動,和音樂一起熱血沸騰?《費黛里歐》有太多美好迷人段落,千金嚴肅中甚至還有一兩莞爾,安排獄卒之女愛上女扮男裝、勇闖死牢救夫的蕾歐諾拉,喜感笑料妙趣橫生,值得一聽再聽、一看再看。
\n\n\n\n
即使已翻修數次,《費黛里歐》仍和一般熟悉的「歌劇」略有不同,更像是有角色的長篇交響樂。貝多芬習慣以器樂手法處理聲樂,歌手因此面臨巨大挑戰,得對付刁鑽又折磨人的艱難唱段。但《費黛里歐》以其高貴的音樂品質而始終為人看重,不只名列貝多芬最重要的創作,也屬於最重要的歌劇。此次簡文彬率領長榮交響樂團與台北愛樂合唱團,加上翁若珮與王典等國內頂尖聲樂陣容、金馬影帝莫子儀跨界演出,必然精采可期。想要真正深入貝多芬,絕對不可不知《費黛里歐》!(文|焦元溥)
\n\n\n\n
演前導聆
\n\n2024/3/1(五)19:00 音樂廳三樓大廳
\n\n\n\n
文章閱讀
\n\n►Call cue青少年《費黛里歐》:快來認識貝多芬唯一的歌劇作品
\n\n\n\n
相關節目
\n\n2024/3/2(六)17:00-3/3(日)17:00
\n\n\n\n\n\n
周邊活動
\n\n2024/2/24(六)14:30
\n\n\n\n\n\n
演出暨製作團隊
\n\n指揮|簡文彬
\n\n費南多|曾文奕
\n\n皮查洛|趙方豪
\n\n弗洛雷斯坦|王典
\n\n蕾歐諾拉|翁若珮
\n\n洛可|謝銘謀
\n\n瑪彩琳娜|林雯華
\n\n賈奇諾|林義偉
\n\n說書人|莫子儀
\n\n樂團|長榮交響樂團
\n\n合唱團|台北愛樂合唱團
\n\n\n\n
\n\t\t |
\n\n
在地藝文支持夥伴
\n\n\n\t\t |
柯珀汝 | \n\t\t
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa9480ae241d77ba02a5e59ac4c41110",title:"BEETHOVEN's Fidelio - Opera in Concert"}],related:[],title:"BEETHOVEN's Fidelio - Opera in Concert",cover:"75b803469f652bce19dd25c37ba37779",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Performed in German with both Mandarin and English surtitles.
\n\t"This is the one child that subjected me to the greatest labor pains and anxieties."
\n\nWith these words, BEETHOVEN described Fidelio, his sole opera imbued with a tumultuous destiny, shortly before his passing. Indeed, he invested immense effort in choosing the theme, persistently refining the composition, and even implementing further revisions following performances yet never relented despite the strenuous processes. Perhaps, as a creator, he recognized the exceptional qualities encapsulated within this creation, which resonated with an integral aspect of his spirit and willpower.
\n\nHowever, BEETHOVEN did consider alternative themes such as that of SHAKESPEARE's Macbeth. The storyline of Fidelio emerged as a prominent example of rescue operas during that era. As a maestro who valued originality, he had no inclination to conform to compositional trends. His lingering fascination with Fidelio can be attributed to the female protagonist, Leonora, whose depiction as the "eternal and ideal woman" resonated deeply with audiences. The tale of moral nobility triumphing over deceitful schemes also profoundly inspired BEETHOVEN. Perhaps, his own compositions moved him as well. How could one listen to the passionate, agonizing cries of the male protagonist within his prison cell and not experience the emotional impact? Who could remain unaffected when faced with the radiant humanity expressed by the prisoners' chorus, causing tears to shed? When Leonora surmounted countless obstacles and, in the face of imminent peril, brandished a gun to challenge the villains; when injustice was eradicated and justice ultimately prevailed over evil, leading to a jubilant chorus, who could remain unmoved by the stirring spectacle, their emotions ignited in harmony with the music? Fidelio encompasses numerous exquisite and enthralling moments. Even amidst its gravitas, there are instances of lightheartedness. The subplot where the jailer's daughter falls in love with Leonora, who disguises herself as a man and courageously infiltrates the prison to rescue her husband, injects the work with a touch of humor and amusement. It merits repeated listens and viewing, offering an experience that is endlessly fulfilling.
\n\nEven after numerous revisions, Fidelio retains a subtle uniqueness distinguishing it from conventional operas with which people are familiar; it resembles more of a symphony enlivened by characters. BEETHOVEN's penchant for treating vocals with instrumental techniques places soloists in an arduous position as they wrestle with intricate and demanding vocal passages. Nonetheless, Fidelio has consistently garnered acclaim for its distinctive musical quality. It not only ranks high amongst BEETHOVEN's most significant work but also as one of the foremost operatic achievements. In this rendition led by CHIEN Wen-pin, the Evergreen Symphony Orchestra and the Taipei Philharmonic Chorus collaborate with exceptional domestic vocal talents WENG Jo-pei and Fernando WANG along with MO Tzu-yi, who won the Golden Horse Award for Best Leading Actor, to deliver a spectacular performance. For those genuinely seeking to immerse themselves in the essence of BEETHOVEN, disregarding Fidelio would be a grave oversight! (Written by CHIAO Yuan-pu)
\n\n\n\n
Pre-talk
\n\n2024/3/1(Fri)19:00 Concert Hall 3F Lobby
\n\n\n\n
Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nDon Fernando|TSENG Wen-i
\n\nDon Pizarro|CHAO Fang-hao
\n\nFlorestan|Fernando WANG
\n\nLeonore|WENG Jo-pei
\n\nRocco|HSIEH Ming-mou
\n\nMarzelline|LIN Wen-hua
\n\nJaquino|LIN Yi-wei
\n\nNarrator|MO Tzu-yi
\n\nOrchestra|Evergreen Symphony Orchestra
\n\nChorus|Taipei Philharmonic Chorus
\n\n\n\n
\n\t\t |
\n\n
Cultural Development Partner
\n\n\n\t\t |
柯珀汝 | \n\t\t
\n',team:""},createdAt:1697595409,updatedAt:1710905553,updatedBy:"林蔚行",host:!0},{_id:"6530cef7117b8d0007458f7e",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1709965800,discrete:[{time:1709965800},{time:1709983800},{time:1710052200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3,2400,3e3],link:"https://www.opentix.life/event/1722198633217355777"}},attachment:{key:"afea7dc975e237137005415fe0588919",name:"《野村萬齋狂言劇場》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fe69530845732a9ae93952a46d76480",title:"《野村萬齋狂言劇場》"}],related:[{from:"programs",key:"6538c36f7550150008fc3ae6",title:"日本傳統戲曲 《瞳座乙女文樂》"},{from:"programs",key:"6535ea3bfaff850007bca75f",title:"四把椅子劇團《好事清單》不插電版"}],title:"《野村萬齋狂言劇場》",cover:"0f9472321094243e198dd12d747e1095",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※野村萬齋簽名板(印刷簽名)兌換提醒:於早鳥期間(2023/12/5-2023/12/19中午前)購買「原價2000元以上票券(不含青年席),可於購票場次現場兌換(每張票券限換一份)。 \n\t\t\t | \n\t\t
\n\n
「狂言」為日本四大古典四大戲劇之一,不僅獲聯合國教科文組織認定為無形文化資產,更是日本傳統及當代表演藝術的重要根基;以詼諧的對話,日常的取材與人物,略為諷刺誇張的肢體表現,用貼近常民的特色,發展成最受歡迎的傳統表演藝術演出。
\n\n本次由野村大師率領團隊再度訪臺,獨家於衛武營帶來經典以及新作演出。經典段子《附子》描寫嚴肅主人與脫線家僕之間巧妙鬥智中,同時帶著詼諧滑稽的往來互動,令人不由得會心一笑。
\n\n新作《鮎》(香魚)則是講述與生俱有觀測面相預知未來的漁夫才助,與遠走他鄉的年輕人小吉之間的不解之緣,巧妙運用狂言特有的舞台語彙表現,更為狂言表演開啟新的世界觀。此作品為2017年日本國立能樂堂委託製作作品,並於此行首次海外演出。
\n\n\n\n
演前導聆
\n\n2024/3/9(六)14:00 戲劇院二樓大廳
\n主講人:池澤夏樹(《鮎》編劇)
2024/3/9(六)19:00 戲劇院二樓大廳
\n主講人:池澤夏樹(《鮎》編劇)
2024/3/10(日)14:00 戲劇院二樓大廳
\n主講人:黃資絜(國立中山大學劇場藝術學系助理教授)
\n\n
周邊活動
\n\n\n\n\n\n\n\n
文章閱讀
\n\n►Call cue青少年《野村萬齋狂言劇場 》: 說到狂言,你一定要認識野村萬齋
\n\n\n\n\n\n
演出暨製作團隊
\n\n狂言師|野村萬齋、石田幸雄、深田博治、高野和憲、月崎晴夫、中村修一、內藤連、飯田豪、野村裕基、福田成生
\n\n囃子|竹市學、吉阪一郎
\n\n\n\n
技術監督|福田純平
\n\n舞台監督|木村光晴
\n\n舞台技術|小栗直人
\n\n燈光設計|杉本公亮
\n\n燈光技術|丸山武彦、小池みのり
\n\n音響執行|小笠原康雅
\n\n音響技術|相樂恭平
\n\n製作人/劇團經理|清水薫
\n\n\n\n
團隊介紹
\n\n萬作之會
\n\n萬作之會狂言劇團由野村萬作創立,現由野村萬作(二世)與兒子野村萬齋(二世)共同領導,兩人承襲了250年來的傳統戲劇家學。自1957年劇團首次參加巴黎國際戲劇節以來,野村萬作在世界各地巡演和舉辦講座,持續向國際觀眾分享狂言之美。延續父親的使命,野村萬齋不僅長年演出狂言,並致力探索狂言作為當代表演藝術形式的可能性。野村萬作是日本政府選定的人間國寶。野村萬齋及石田幸雄被指定為日本重要非物質文化財產持有人。
\n\n\n\n
野村萬齋
\n\n野村萬齋生於1966年,師承名列人間國寶的祖父野村萬藏(六世)及父親野村萬作(二世),三歲時初次登台。
\n\n野村萬齋的舞台作品不限於日本傳統戲曲的狂言及能劇,他也在數部希臘悲劇及莎劇製作中擔任要角,例如蜷川幸雄《伊底帕斯王》和強納生.肯特《哈姆雷特》。亦演出日本電影鉅作,例如黑澤明《亂》、滝田洋二郎《陰陽師》及樋口真嗣與犬童一心合導的《無用男之城》。
\n\n除了耕耘其豐富的表演志業,他也熱衷執導融合經典與當代、東方與西方的劇目。2002年,其新編狂言《錯誤的狂言》改編自莎劇《錯中錯》至美國及倫敦環球劇院巡演。2005年起執導《國盜人》(改編自《理查三世》)、《竹林中》、《鏡冠者》,《敦-山月記.名人傳》(改編自作家中島敦之作)更獲得朝日賞及2005年紀伊國屋演劇賞導演/作曲獎。
\n\n2013年,野村萬齋與著名攝影師杉本博司合作傳統劇目《三番叟》,由日本文化協會與古根漢美術館共製,於古根漢大廳演出。同年與日本文化協會共製《馬克白》,野村萬齋亦在劇目中擔任主角。
\n\n野村萬齋曾獲藝術祭新人賞、藝術選獎文部科學大臣新人賞。他亦是日本重要非物質文化財產:能劇狂言類持有人;野村萬齋自2002年至2022年擔任世田谷公立劇院藝術總監,並自2021年起擔任石川縣立音樂堂邦樂總監。
\n\n\n\n
池澤夏樹
\n\n作家、詩人、翻譯家。1945年生於北海道帶廣,1975-1976年居住在希臘,1994-2004年長住於沖繩,現居長野縣安曇野市。旅居希時期臘起,以詩章、翻譯文學為起點,開始了他的執筆創作生涯。
\n\n1987年發表的小說Still Life獲得第98屆(1988年)芥川獎,1993年《梅西亞斯‧吉里的垮台》マ(シアス・ギリの失脚) 榮獲谷崎潤一郎獎,2000年《運花的小妹》(花を運ぶ妹)榮獲毎日出版文化賞等,透過清晰的思考和反覆探索自然和人類的關係,創作出許多作品。
\n\n2014年起啟動全著作數位化之「impala e-books」計畫,繼《池澤夏樹:個人編輯 世界文學全集》全30冊後,續刊《池澤夏樹:個人編輯 日本文學全集》全30冊。譯作有庫爾特‧馮內古特(Kurt Vonnegut)的《茫茫黑夜》(Mother Night)等。
\n\n年少時代起熱愛日本人間國寶、狂言師——野村萬藏(六世),多次觀賞野村萬藏的舞台表演,從此踏入狂言的世界。本次上演的狂言曲目《鮎》(香魚),為其改編自國外民間故事為靈感創作的同名短篇小說。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
贊助單位|公益財團法人日本台灣交流協會
\n\n\n\n
在地藝文支持夥伴
\n\n\n\t\t |
柯珀汝 | \n\t\t
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fe69530845732a9ae93952a46d76480",title:"《野村萬齋狂言劇場》"}],related:[],title:"Kyogen with Mansai NOMURA",cover:"0f9472321094243e198dd12d747e1095",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
As one of Japan's 4 major classical theatres, Kyogen serves as a vital foundation for traditional and contemporary performing arts in Japan and is recognized as an intangible cultural heritage by UNESCO. Characterized by its humorous dialogues, everyday themes, and slightly satirical, exaggerated physical performances, Kyogen's close connection to the general public has solidified its place as one of the most popular traditional performing arts.
\n\nMaster Mansai NOMURA and his team return to Taiwan for an exclusive show at the National Kaohsiung Center for the Arts (Weiwuying) with both classic and new works. The classic Busu cleverly portrays the witty exchange between a stern master and his mischievous servant, evoking hearty laughter.
\n\nThe new Ayu tells the tale of Saisuke the fisherman, who is gifted with the ability to predict the future through facial expressions, and Kokichi, a young man fleeing his homeland. It ingeniously employs the unique stage vocabulary to open up a new world of Kyogen performance. This piece was commissioned by Japan's National Noh Theatre in 2017 and is making its international debut on this tour.
\n\n\n\n
Pre-talk
\n\n2024/3/9(Sat)14:00 Playhouse 2F Lobby By Natsuki IKEZAWA
\n\n2024/3/9(Sat)19:00 Playhouse 2F Lobby By Natsuki IKEZAWA
\n\n2024/3/10(Sun)14:00 Playhouse 2F Lobby By HUANG Tzu-chieh
\n\n\n\n
Creative and Production Team
\n\nPerformers|
\n\nMansai NOMURA, Yukio ISHIDA, Hiroharu FUKATA, Kazunori TAKANO, Haruo TSUKIZAKI, Shuichi NAKAMURA, Ren NAITO, Go IIDA, Yuki NOMURA, Shigeo FUKUTA
\n\n\n\n
Musicians|
\n\nManabu TAKEICHI, Ichiro KICHISAKA
\n\n\n\n
Technical Director|Jumpei FUKUDA
\n\nStage Manager|Mitsuharu KIMURA
\n\nStage Crew|Naoto OGURI
\n\nLighting Design|Kohsuke SUGIMOTO
\n\nLighting Crew|Takehiko MARUYAMA、Minori KOIKE
\n\nSound Technical|Yasumasa OGASAWARA
\n\nSound Crew|Kyohei SAGARA
\n\nPorducer / Company Manager|Kaoru SIMIZU
\n\n\n\n
Teams Introduction
\n\n\n\n
THE MANSAKU-NO-KAI KYOGEN COMPANY
\n\nThe Mansaku-no-Kai Kyogen Company was founded by Mansaku NOMURA II, and is now led by Mansaku and his son, Mansai II, member of a distinguished familial theatrical line that boasts a 250-year-history. Since the company's first tour abroad to the Paris International Theater Festival in 1957, Mansaku has been a pioneer in sharing the art of kyogen with international audiences, giving performances and lectures throughout the world. Continuing his father's mission, Mansai performs kyogen extensively, and is committed to exploring the possibilities of kyogen as a contemporary of Japan as a Living National Treasure. Mansai NOMURA and Yukio ISHIDA, have been designated as holders of Important Intangible Cultural Property.
\n\n\n\n
\n\n
Mansai NOMURA
\n\nMansai NOMURA was born in 1966 and studied under his father Mansaku II and his late grandfather Manzo VI (both Living National Treasures). He made his stage debut at the age of three.
\n\nHis acclaimed performances go far beyond those of traditional kyogen and noh actors – he also played the title roles of Oedipus, directed by Yukio NINAGAWA, and Hamlet, directed by Jonathan KENT. He has starred in hit Japanese movies such as Akira KUROSAWA's Ran, Yohjro TAKITA's Onmyoji and Isshin INUDO and Masatsugu HIGUCHI's The Floating Castle [2012]. As well as acting, he is committed to directing plays that merge classic and contemporary, east and west. In addition to his own creations of "new" kyogen pieces including The Kyoden of Errors, based on Shakespeare's The Comedy of Errors, which toured to London's Globe Theatre in 2002 and to the U.S. in 2005, his directing credits include Kuni-nusu-bito ( from Richard III), Yabu no Naka ( In a Thicket), Kagamikaja (Mirror Servant) and Atsushi (from the late Atsushi NAKAJIMA's Sangetsu-ki and Meijinden), for which he was awarded the Asahi Performing Arts Award and the Kinokuniya Theatre Award in 2005 for direction and composition.
\n\nIn 2013, Mansai performed in the traditional piece SANBASO, divine dance, a collaboration with world-renowned visual artist Hiroshi SUGIMOTO that was co-presented by the Japan Society and the Solomon R. Guggenheim Museum and took place in the Guggenheim rotunda. Mansai also brought to the Japan Society his production of Macbeth in the same year, in which he directed and played the title role.
\n\nHe has received the National Arts Festival New Artists Award and the Ministry of Education's Art Encouragement Prize for New Artists. Mansai holds the distinction of important intangible Cultural Property: Nohgaku. He had been the Artistic Director of Setagaya Public Theatre since 2002 to 2022, and Director of Hogaku (Japanese traditional music) in Ishikawa Ongakudo since 2021.
\n\n\n\n
Natsuki IKEZAWA
\n\nWriter, poet, and translator. IKEZAWA was born in 1945 in Obihiro, Hokkaido. During 1975-1976 he lived in Greece, and lived in Okinawa during 1994-2004. Currently, he is based in Azumino, Nagano. From the period in Greece, he started his writing career with poetry and literature translation.
\n\nHis novel Still Lives, published in 1987, won the 98th Akutagawa Prize in 1988, and The Navidad Incident: The Downfall of Matías Guili was awarded the Tanizaki Prize in 1993, followed by A Burden of Flowers winning the Mainichi Publishing Culture Award in 2000. With lucid thinking and repeated exploration of the relationship between nature and humans, IKEZAWA has created plenty of works.
\n\nSince 2014 he has commenced the "impala e-books", a plan of digitalizing his full works. After the publication of the 30 volumes of The Complete Anthology of World Literature Edited by Natsuki IKEZAWA, he continued to publish the 30 volumes of The Complete Anthology of Japanese Literature Edited by Natsuki IKEZAWA. His translated works include Mother Night by Kurt VONNEGUT, among others.
\n\nEver since his youth, he has been a fan of Kyogen actor Manzo NOMURA (the Sixth), one of the Living National Treasures of Japan. Having frequently seen live performances of Manzo NOMURA onstage, he stepped into the field of Kyogen. Ayu, a piece presented in the program, is based on IKEZAWA's same-titled short story adapted from foreign folklore.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
Sponsored by Japan-Taiwan Exchange Association
\n\n\n\n
Cultural Development Partner
\n\n\n\t\t |
柯珀汝 | \n\t\t
英國每日電訊報(The Telegraph)評論:青春版《牡丹亭》「如同置身於一場精彩的中國文化盛宴之中。」是湯顯祖四百多年的風華夢。
\n\n\n\n
掀起崑曲熱潮的新美學之作
\n\n20年原班底經典全本再現
\n\n給青春一堂最美的崑曲體驗課
\n\n\n\n
演出編排
\n\n3/15(五)19:30 上本〈夢中情〉
\n\n3/16(六)19:30 中本〈人鬼情〉
\n\n3/17(日)14:30 下本〈人間情〉
\n\n\n\n
跨越400多年的愛情神話,明代劇作家湯顯祖最膾炙人口的作品—《牡丹亭》,描寫名門閨秀杜麗娘與書生柳夢梅一段跨越生死的纏綿戀曲。
\n\n《牡丹亭》故事講述大家閨秀杜麗娘和書生柳夢梅的生死之戀,是一齣歌頌青春、愛情與生命的劇作,劇作家田漢甚至作詩:「杜麗如何朱麗葉,情深真已到梅根。何當麗句鎖池館,不讓莎翁在故村。」認為其媲美羅密歐與茱麗葉的淒美愛情。
\n\n「崑曲無他,得一美字:唱腔美、身段美、詞藻美。」這是當代文學巨擘白先勇先生對崑曲的讚嘆。青春版《牡丹亭》由白先勇、蘇州崑劇院攜手兩岸文化及戲曲精英全新打造,並親自擔任總製作人及藝術總監,遵循只刪不改原則,用新時代的審美觀、現代劇場的概念,以傳統作為根基,保留戲曲寫意抽象的空間,以簡馭繁,以古老的傳統樣式、純正的崑劇風貌,將傳世經典以青春靚麗的形式呈現在世人面前,重現「中國文學最美麗的一則愛情神話」。
\n\n2004年,歷時一整年規劃、製作排演的青春版《牡丹亭》在臺北國家戲劇院首演,由崑曲界巾生魁首汪世瑜、旦角祭酒張繼青(1938-2022)擔任藝術指導,由沈豐英、俞玖林擔綱詮釋杜麗娘與柳夢梅,兩岸三地團隊悉心打造。吸引無數年輕人進劇場觀劇,受邀至世界各地展演。歷時20年,超過400場的演繹,青春版《牡丹亭》正是風華正茂的20年。首演時青春逼人、活力四射,到如今演技及唱功日臻成熟,作品呈現出雍容大氣的成熟之美。
\n\n英國每日電訊報(The Telegraph)評論:青春版《牡丹亭》「如同置身於一場精彩的中國文化盛宴之中。」是湯顯祖四百多年的風華夢,2024年,青春版《牡丹亭》將以原班底為大家帶來青春版《牡丹亭》二十週年版本,讓這奼紫嫣紅開遍你我的心中。
\n\n\n\n
本劇精選27折,分為上中下三本,連續三天演出全本。
\n\n上本〈夢中情〉
\n\n南宋時期,南安太守杜寶家教森嚴,獨生女杜麗娘嫻靜嬌美,一天與侍女春香私出遊園,觸景生情,因感成夢,夢中與俊逸書生柳夢梅相會於牡丹亭,兩人繾綣纏綿。夢醒後麗娘情思綿綿,抑鬱成疾。她自知不起,便對鏡自畫春容,並題詩記夢,終傷情而死。
\n\n\n\n
中本〈人鬼情〉
\n\n麗娘鬼魂在地府受判官審問。判官查姻緣簿得知麗娘與柳夢梅日後有姻緣之份,放她出枉死城。另一邊廂,果有書生柳夢梅寄寓南安,偶拾麗娘寫真,心生愛慕,情深感動麗娘魂。二人穿透陰陽同拜天地成婚。柳為愛冒死開墳,麗娘為柳郎回生。
\n\n\n\n
下本〈人間情〉
\n\n因怕開棺事發遭官府捉拿,柳夢梅與麗娘避難臨安,寓居杭州,因柳赴考在即,二人新婚燕爾,乍又分離。柳夢梅歷盡艱辛,尋訪岳丈岳母,卻反遭杜父誤為盜墓賊人拷打羈押。幸得夢梅高中狀元,金鑾殿上,杜府闔家歡喜重聚。
\n\n\n\n
演前導聆
\n\n2024/3/15(五)18:50 歌劇院二樓大廳
\n\n2024/3/16(六)18:50 歌劇院二樓大廳
\n\n2024/3/17(日)13:50 歌劇院二樓大廳
\n\n主講人:白先勇(青春版《牡丹亭》總製作人暨藝術總監)
\n\n\n\n
講座
\n\n1/7(日)15:00
\n\n\n\n3/1(五)19:00
\n\n\n\n\n\n
演出暨製作團隊
\n\n主創團隊
\n\n原著|明.湯顯祖
\n\n總製作人/藝術總監|白先勇
\n\n製作人|蔡少華、樊曼儂
\n\n藝術指導|汪世瑜、張繼青
\n\n總導演|汪世瑜
\n\n導演|翁國生
\n\n總統籌|林琳
\n\n統籌|俞玖林、唐榮、周雪峰、杜昕瑛
\n\n劇本整編|白先勇、華瑋、張淑香、辛意雲
\n\n音樂總監/唱腔整理改編/音樂設計|周友良
\n\n美術總監|王童
\n\n副導演|張天樂
\n\n導演助理|馬佩玲
\n\n舞台設計|王孟超
\n\n燈光設計|黃祖延
\n\n舞蹈設計|吳素君、馬佩玲
\n\n服裝設計|王童、曾詠霓
\n\n唱念指導|姚繼焜、毛偉志、周秦
\n\n舞台監督/舞台技術指導|李強
\n\n書法|董陽孜
\n\n繪畫|奚淞
\n\n攝影|許培鴻
\n\n顧問|古兆申、朱棟霖、周秦、鄭培凱(以姓氏筆畫排序)
\n\n舞蹈排練指導|呂佳
\n\n舞蹈排練助理|趙穎
\n\n英譯字幕|李林德
\n\n音譯劇碼|陳毓賢
\n\n\n\n
領銜主演|沈豐英、俞玖林
\n\n\n\n
共同主辦|衛武營國家藝術文化中心、群動藝術有限公司
\n\n冠名贊助|
\n\n\n\t\t |
\n\n
藝術家介紹
\n\n江蘇省蘇州崑劇院
\n\n江蘇省蘇州崑劇院作為崑曲發源地的專業院團,堅持古老的傳統樣式,純正的崑劇風貌,在全國崑劇院團中獨樹一幟。繼「傳」字輩之後,相繼培養「繼」、「承」、「弘」、「揚」、「振」五代蘇州崑劇人。王芳摘取中國戲劇梅花獎二度梅殊榮,沈豐英、俞玖林、周雪峰亦榮獲梅花獎。近十年來成功打造了青春版《牡丹亭》、《長生殿》、中日版《牡丹亭》、《玉簪記》、《西施》、《爛柯山》、《紅娘》、《滿床笏》、《白兔記》、《白羅衫》、《白蛇傳》等品牌劇目,成為崑劇界乃至文化界的一件盛事。在傳承藝術經典的同時,弘揚優秀傳統文化,煥發了崑曲藝術的時代青春,成就了崑曲文化現象。
\n\n\n\n
總製作人暨藝術總監/白先勇
\n\n臺灣文學作家,旅美學人夏志清曾讚譽其為「當代中國短篇小說家中的奇才,五四以來,藝術成就上能與他匹敵的,從魯迅到張愛玲,五、六人而已。」曾創辦《現代文學》雜誌。著有短篇小說《寂寞的十七歲》、《台北人》、《紐約客》、 散文集《驀然回首》、長篇小說《孽子》、話劇劇本《遊園驚夢》等。多部小說被改編為電影電視及舞台劇,作品還被譯成英、法、德、意、荷、日等多種文字。
\n\n自詡「崑曲義工」,近年致力於推動崑曲新美學,其製作之青春版《牡丹亭》、新版《玉簪記》在海內外均得到極高贊譽。2006年,青春版《牡丹亭》美西巡演十二場,反應空前熱烈,媒體稱為1930年自梅蘭芳赴美演出後,中國傳統戲曲對美國知識界最大一次衝擊。青春版《牡丹亭》曾在海內外三十多所高校巡演,吸引數十萬青年學生觀眾,在華人世界造成崑曲復興運動。
\n\n編著《白先勇說崑曲》、《奼紫嫣紅牡丹亭:四百年青春之夢》、《色膽包天玉簪記:琴曲書畫崑曲新美學》、《牡丹情緣——白先勇的崑曲之旅》等。
\n\n\n\n
演員/沈豐英 飾 杜麗娘
\n\n國家一級演員。工五旦,「揚」字輩。師從華文漪、張靜嫻、胡錦芳等老師,2003年拜著名崑劇表演藝術家張繼青為師。上海戲劇學院(MFA)藝術碩士。曾榮獲第23屆戲劇梅花獎、第十屆文華表演獎;中國首屆崑劇藝術節表演獎;第四屆中國崑劇藝術節「優秀青年演員表演獎」;第五屆中國崑劇藝術節「優秀表演獎」;第十屆中國藝術節表演獎;2007年「全國崑曲優秀青年演員展演」十佳演員獎;第五屆江蘇省戲劇節「優秀表演獎」,同年,隨溫家寶總理訪日,作為中國崑曲代表演出;赴法國參加由聯合國教科文組織的「中國非物質文化遺產藝術節」唯一代表崑曲的演出。
\n代表作有:青春版《牡丹亭》、新版《玉簪記》、《西廂記》、《長生殿》、《朱買臣休妻》等。
\n\n
演員/俞玖林 飾 柳夢梅
\n\n國家一級演員。工小生,「揚」字輩。師從岳美緹、石小梅等老師,2003年拜著名崑劇表演藝術家汪世瑜為師。南京大學(MFA)藝術碩士。曾榮獲第23屆中國戲劇梅花獎;中國首屆崑劇藝術節表演獎;第四屆、第五屆中國崑劇藝術節優秀表演獎;「全國崑曲優秀青年演員展演」十佳演員獎、十佳論文獎,名列榜首;第五屆江蘇省戲劇節優秀表演獎;首屆紫金京崑藝術紫金獎•表演獎;第三屆江蘇省文華獎——文華表演獎;首屆「蘇州市文華獎•藝術展演季」文華榮譽獎;第八屆蘇州市文學藝術獎。
\n代表作有:青春版《牡丹亭》、新版《白羅衫》、新版《玉簪記》、《西廂記》和蘇劇《花魁記》等大戲,以及《牧羊記•望鄉》、《長生殿・驚變》、《佔花魁・湖樓》等經典折子戲。
\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
合作夥伴:高雄春天藝術節
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6f316640d72cd6036acd9a848f0217f0",title:"台積電經典饗宴—白先勇青春版《牡丹亭》二十週年慶演"}],related:[],title:"TSMC - The Peony Pavilion —The Youth Version by PAI Hsien-yung",cover:"b7bc8300a826f7e7a4a2bcabff47f3b1",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Sections
\n\n3/15(Fri)18:50: Chapter 1
\n\n3/16(Sat)18:50: Chapter 2
\n\n3/17(Sun)13:50: Chapter 3
\n\n\n\n
The Peony Pavilion – The Youth Version, a classic in Kunqu opera of our time.
\n\nThe acclaimed production seamlessly blends the traditional art of Kunqu with modern aesthetics to recreate the 400-year-old romantic love legacy.
\n\nThe Peony Pavilion– The Youth Version is a story of love and about love. The libretto is based on the Ming drama The Peony Pavilion, the magnum opus of the great Ming dynasty dramatist, TANG Xian-zu, and arguably the most famous of all Kunqu operas, is a poetic musical about undying love. A story line rivaling Romeo and Juliet. Structurally, the current production is condensed into 27 episodes presented in three parts. The full-length performance lasts for three consecutive days. Such an extended running time would allow fans of Kunqu to immerse themselves in the wonderfully aesthetic world of the genre. As Mr PAI Hsien-yung said, "Kunqu is, in a nutshell, about 'beauty' – the beauty of words, the beauty of dance, the beauty of music and the beauty of humanity. It is a comprehensive art form that showcases beauty."
\n\nCurated by the renowned novelist, PAI Hsien-yung, who will also be the Chief Producer, the production brings together leading names in cultural and artistic circles of China. Their collaboration marks a synthesis of heritage and innovation and instils the joy and life of youth into the art of Kunqu. Between its premiere in 2004 and today, The Peony Pavilion – The Youth Version has allowed us to witness the revival and perpetuation of the art form and to feel our resonation with traditional culture.
\n\nNot only does the music base itself on the vocal styles of the original version and traditional set tunes, but the original lyrics are also fully adopted. Meanwhile, the production is an ingenious mix of music, singing and dance. While it retains the poetic finesse of Kunqu, its staging seamlessly blends classical charm with modern appeal, as shown in the portrayal of characters and in the technical aspects, which mark a synthesis of heritage and innovation, and instil the joy and life of youth into the art of Kunqu.
\n\n20 years after the premiere, SHEN Feng-ying and YU Jiu-lin, both China Theatre Plum Blossom Award winners, are revisiting the Taiwan stage. During this time, they have honed and improved their art through more than 400 performances on tour, and have morphed from their juvenile greenness to the consummate artistry of mature actors. Together, they bring again in Taiwan the death-transcending love story of DU Li-niang and LIU Meng-mei.
\n\n\n\n
Pre-talk
\n\n2024/3/15(Fri)19:00 Opera House 2F
\n\n2024/3/16(Sat)19:00 Opera House 2F
\n\n2024/3/17(Sun)14:00 Opera House 2F
\n\n\n\n
Creative and Production Team
\n\nOriginal Work|TANG Xian-zu
\n\nGeneral Producer|PAI Hsien-yung
\n\nProducers|LIN Lin Libretto
\n\nAdaptation|PAI Hsien-yung, HUA Wei, CHANG Shu-hsiang, HSIN Yi-yun
\n\nArtistic Director|WANG Shi-yu, ZHANG Ji-qing(d.)
\n\nChief Director|WANG Shi-yu Director | WEN Guo-sheng
\n\nMusic Director|ZHOU You-liang
\n\nArtistic Supervisor|WANG Toon
\n\nCostume Design|WANG Toon, TSENG Yung-Ni
\n\nStage Design|Austin M.C. WANG
\n\nLighting Design|WONG Choo-yean
\n\nChoreographer|WU Su-chun, MA Pei-ling
\n\nAssistant Director|MA Pei-ling
\n\nSinging director|YAO Ji-kun
\n\nCalligraphy|TONG Yang-tze
\n\nGraphic Artist|SHI Song
\n\nPhotographer|HSU Pei-hung
\n\n\n\n
Lead Performers|SHEN Feng-ying, YU Jiu-lin
\n\n\n\n
Co-presenter|National Kaohsiung Center for the Arts (Weiwuying)、CREATIVE PERFORMING ARTS CO., LTD.
\n\nPerformer|Suzhou Kunqu Opera Theatre of Jiangsu
\n\nTitle Sponsor|
\n\n\n\t\t |
\n\n
Team Introduction
\n\nSuzhou Kunqu Opera Theatre of Jiangsu
\n\nAs a professional performing arts company located in the birthplace of the Kunqu art form, the Suzhou Kunqu Opera Theatre of Jiangsu stands out among the other troupes through its efforts to uphold the age-old traditional format and the unadulterated style and features of Kunqu Opera. Its first generation of veteran actors adopted 'chuan' as the middle character of their stage names. From then on, it has trained up five generations of artists in the Suzhou stylistic school of Kunqu Opera, whose middle characters in their stage names are 'Ji', 'Cheng', 'Hong', 'Yang' and 'Zhen'. WANG Fang won the high honour of being presented the China Theatre Plum Blossom Award twice. Other artists who have won the Plum Blossom Award include SHEN Feng-ying, YU Jiu-lin and ZHOU Xue-feng. The company has, in the last decade or more, made landmark achievements in not only the Kunqu Opera circle but also the cultural milieux in general through the creation of their signature productions such as The Peony Pavilion – The Youth Version, The Palace of Eternal Life, The Peony Pavilion – Botantei Sino-JapaneseVersion, The Great Beauty Xi Shi, The Tale of the Jade Hairpin, Scepters Piling on the Couch, The White Silk Gown, The Legend of the White Snake, The Story of the Pipa, etc. While the company has contributed to the perpetuation of the art form and its classical repertory, at the same time it has continued to make Kunqu a timeless art and Kunqu Opera a cultural phenomenon.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
Partner: Kaohsiung Spring Arts Festival
\n',team:""},createdAt:1697702464,updatedAt:1711330594,updatedBy:"林蔚行",host:!1},{_id:"6535cb6f60c443000752a0d3",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11","64812f1feb9a240007c8c8c7"],dateTime:{first:1711175400,discrete:[{time:1711175400},{time:1711261800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500,2e3],link:"https://www.opentix.life/event/1730145187372503041"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ae04e8c28fe8b8c25567091b25fd1c6",title:"Hung Dance - Birdy"}],related:[],title:"翃舞製作 賴翃中《羽人》",cover:"3d43c1dbf945e088fe3ab65bacad16fe",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'\n\n
外亞維儂藝術節20場演出全數完售!
\n\n舞出面對限制仍奮力飛翔的生命。觀眾盛讚:「作品非凡!我們被鳥帶領到天空。」
\n\n\n\n
當代舞跳出當代的限制與自由 法國觀眾每天來候補也要看到的臺灣作品
\n翻轉西方神話與東方傳統戲曲 如詩之舞跳出人與國的飛翔軌跡
\n\n
「所有的自由飛翔,都是從限制開始的?」
\n\n《羽人》以舞為筆,如水流暢、如詩深邃地回答這個提問,2023年盛夏,舞作在世界三大藝術節──法國外亞維儂藝術節登台,20場演出滿座完售,40度熱浪也無法阻止觀眾排隊候補。
\n編舞家賴翃中2017年將雙人版《羽人》投向國際編舞大賽,獲得多個獎項並展開國際巡演,那時的《羽人》在舞裡毫不掩藏掙脫桎梏的飛翔渴望。
\n多年後《羽人》長成8人版長篇舞作,在世界繞了一圈,回頭看著搖搖晃晃卻仍努力飛行的眾人與國度,賴翃中重新看待「限制」,梳理西方神話與東方傳統的元素,翻轉再揉合,將傳統戲曲中象徵權力的「翎子」運用得靈活滑順,如筆如刀,不再是有身份的人才能配戴;「藤桿」是去掉槍頭的花槍,架出浮動的牢籠與限制。
\n當代舞跳當代事,看亂流時代裡翼如何散為羽、羽如何聚成翼,往心之所向飛行。
\n\n
演後座談
\n\n2024/3/23(六) 演出結束後於戲劇院觀眾席
\n講者:賴翃中 、Sandra(小斯) |YouTube「驚奇玩起來AmazingTalker Show」主持人
2024/3/24(日) 演出結束後於戲劇院觀眾席
\n講者:賴翃中 、古名伸老師|第二十一屆國家文藝獎得主
\n\n
工作坊
\n\n►羽人 X 翃舞技巧身體工作坊 | 翃舞製作排練總監 鄭伊涵
\n\n\n\t\t |
2/25 (日) 14:00-16:00 衛武營排練室
\n\n報名費用:800元
\n\n\n\n\n\n
演出暨製作團隊
\n\n編舞者|賴翃中
\n\n排練總監|鄭伊涵
\n\n作曲|許家維
\n\n服裝設計|Summer LIN
\n\n技術統籌暨燈光設計|蔡詔羽
\n\n舞台監督|林貞佑
\n\n燈光技術指導|吳以儒
\n\n執行製作|黃珮婕
\n\n行政統籌|陳元瑜
\n\n舞團經紀、行銷溝通|張歆宜
\n\n文案設計|李微潤
\n\n舞者名單|鄭伊涵、李冠霖、黃立捷、郭爵愷、吳欣潔、何姿妏、陳婷渝、鄭媙
\n\n\n\n
團隊介紹
\n\n藝術總監暨編舞家|賴翃中
\n\n賴翃中,畢業於高雄左營高中舞蹈班、國立臺北藝術大學舞蹈系。
\n\n2016年參加文化部舞躍大地舞蹈創作比賽,以四首作品拿下金牌獎、兩個優選及佳作,成為舞躍大地歷年來第一位同時得到四個獎項的編舞者。
\n\n2017至2018年間,賴翃中將作品投件至各大國際編舞競賽,在數百件作品中脫穎而出,獲得13項國際編舞競賽大獎與接連的藝術節邀約,展開翃舞製作的國際巡演。
\n\n賴翃中的作品以自由和限制為核心,靈感源於日常生活,並融合太極元素,打造獨特的舞蹈風格。作品包括《無盡天空》、《再見》、《嶙峋》和《羽人》等,都體現這一精神。其中《再見》入圍台新藝術獎,並在英國愛丁堡藝穗節和澳洲阿德萊德藝穗節贏得九項五星評論;2022至2023年,《再見》和《羽人》在法國外亞維儂藝術節都創下20場滿座完售的佳績。
\n\n\n\n
翃舞製作
\n\n2017年,編舞家賴翃中創辦翃舞製作,團名「翃」象徵自由翱翔的精神。成團以來不懈創作,努力透過國際巡演傳達來自臺灣的藝術,也致力促進青年創作力的國際連結,2019年創立「漂鳥舞蹈平台」,支持新銳編舞,並提供製作與巡演機會,推動國際合作,為臺灣舞蹈領域帶來新氣象,促進臺灣舞蹈發展。
\n\n翃舞專注於舞者訓練、發展舞者能力與作品思維的交互瞬間,因應創作概念需求來發展舞蹈訓練系統、結合傳統太極元素找尋當代思維與舞蹈之間的平衡。
\n\n翃舞希冀以作品啟發和感動觀眾,並走入社區邀請大眾與我們一同在舞蹈中自由翱翔。
\n\n\n\n
\n\n
本作品獲得2023 FACP—Clare C. & Friends Fellowship首獎
\n\n本團隊獲選2023-2024年Taiwan Top 演藝團隊
\n\n\n\n
主辦單位:翃舞製作
\n\n贊助單位:國家藝術文化基金會、高雄市政府文化局
\n\n協辦單位:衛武營國家藝術文化中心
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ae04e8c28fe8b8c25567091b25fd1c6",title:"Hung Dance - Birdy"}],related:[],title:"Hung Dance - Birdy",cover:"3d43c1dbf945e088fe3ab65bacad16fe",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
Contemporary dance transcends modern constraints and liberties – a Taiwanese creation so compelling, French audiences queue for standby tickets every day.
\n\nReinterpreting Western myths and Eastern traditional opera, this dance, akin to poetry, charts the soaring journey of individuals and nations.
\n\n\n\n
"Is every free flight born from a restriction?"
\n\nBirdy uses dance as a brush, offering a flowing and a poetically-profound answer to this question. In the summer of 2023, the performance graced the stage at one of the world's three major arts festivals, the Festival Off Avignon in France. It sold out for all 20 shows; even 40-degree heatwaves couldn't deter audiences from queuing for standby tickets.
\n\nChoreographer LAI Hung-chung first introduced the duet version of Birdy to international choreography competitions in 2017. It garnered multiple awards and embarked on an international tour, embodying an unapologetic desire for flight, unburdened by constraints.
\n\nYears later, Birdy evolved into an octet production, circling the globe. As it gazes back at those who persistently navigate the unsteady skies of life and nation, LAI reevaluates the concept of "restriction." He combs through elements of Western mythology and Eastern tradition, turning them over and melding them together. The traditional headdress symbolising authority, the "Lingzi," is used with graceful agility, akin to a brush and as sharp as a knife. It is no longer reserved solely for those of high stature. The "vine pole" is a spear without a head, constructing a floating cage and constraint.
\n\nContemporary dance confronts contemporary issues, witnessing how, in times of turbulence, wings scatter into feathers, and feathers gather into wings, flying toward the heart's true direction.
\n\n\n\n
Post-talk
\n\n2024/3/23(Sat), 3/24(Sun) After performance at Playhouse
\n\n\n\n
Creative and Production Team
\n\nChoreographer|LAI Hung-chung
\n\nRehearsal Director|CHENG I-han
\n\nComposer|HSU Chia-wei
\n\nCostume Designer|Summer LIN
\n\nTechnical Coordinator & Lighting Designer|TSAI Chao-yu
\n\nStage Manager|Lin Chen-Yu
\n\nLighting Technician|WU Yi-ru
\n\nExecutive Producer|Huang Pei-jie
\n\nAdministrative Coordination|CHEN Yuan-yu
\n\nCompany Agent & Marketing Communication|CHANG Hsin-i
\n\nCopywriting|Fion LEE
\n\nDancers|CHENG I-han, LEE Kuan-ling, HUANG Li-chieh, KUO Chueh-kai, Wu Shin-jie, HO Tzu-wen, CHEN Ting-yu, CHENG Wei
\n\n\n\n
Team Introduction
\n\nArtistic Director and Choreographer|LAI Hung-chung
\n\nLAI Hung-chung, a graduate of the Dance Division at Kaohsiung Municipal Tsoying Senior High School and the Department of Dance at National Taipei University of the Arts.
\n\nIn 2016, he participated in the Ministry of Culture's "Creative Dance(舞躍大地)" competition, winning four gold awards, two honorable mentions, and one excellent work, making him the first choreographer in the history of the "Creative Dance(舞躍大地)" competition to receive four awards simultaneously.
\n\nBetween 2017 and 2018, LAI submitted his works to various major international choreography competitions. Standing out among hundreds of entries, he garnered 13 major awards in international choreography competitions and consecutive invitations to festivals, launching international tours of his choreographed works.
\n\nLAI Hung-chung's works revolve around the themes of freedom and constraint, drawing inspiration from daily life and incorporating elements of Tai Chi to create a distinctive dance style. His repertoire includes BOUNDLESS, See You, Formless Erosion and Birdy, all embodying this spirit. See You was nominated for the Taishin Arts Award and received nine five-star reviews at the Edinburgh Festival Fringe in the UK and the Adelaide Fringe Festival in Australia. From 2022 to 2023, both See You and Birdy achieved sold-out success with 20 performances each at the Festival Off Avignon in France.
\n\n\n\n
Hung Dance
\n\nIn 2017, choreographer LAI Hung-chung founded Hung Dance, with the name and meaning of "Hung" symbolising the spirit of soaring freedom. Since its inception, the company has been tirelessly creating and striving to convey Taiwanese art through international tours. It is also committed to fostering international connections for young creative talents. In 2019, the "Stray Birds Dance Platform" was established to support emerging choreographers, providing opportunities for production and touring, promoting international collaboration, and bringing new vitality to the field of dance in Taiwan, thus advancing the development of Taiwanese dance.
\n\nHung Dance focuses on the interactive moments between dancer training, developing dancers' abilities, and conceptualising works. It develops a dance training system according to the requirements of creative concepts, integrating traditional Tai Chi elements to find a balance between contemporary thinking and dance.
\n\nHung Dance aspires to inspire and move audiences through its works and invites the public to join us in soaring freely in the world of dance, both on stage and in the community.
\n\n\n\n
\n\n
Sponsored by the 2023 FACP—Clare C. & Friends Fellowship
\n\n\n\n
Presenter:Hung Dance
\n\nSponsor: National Culture and Arts Foundation、Bureau of Cultural Affairs, Kaohsiung City Government
\n\nCo-organiser: National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
\n',team:""},createdAt:1698024303,updatedAt:1709863177,updatedBy:"林蔚行",host:!1},{_id:"6535d2eafaff850007bca334",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1710502200,discrete:[{time:1710502200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1722549790744080385"}},attachment:{key:"fc908d94a6273834bb98ed4741e1f7e2",name:"【2024衛武營管風琴音樂節】《舒密特與他的朋友們-經典巴洛克之夜》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd5b525fc29954675837092cdc51bfd2",title:"【2024衛武營管風琴音樂節】《舒密特與他的朋友們-經典巴洛克之夜》"}],related:[],title:"【2024衛武營管風琴音樂節】《舒密特與他的朋友們-經典巴洛克之夜》",cover:"8e9d5069aa69fa936413e220d6a6b364",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2024年3月15日(五)19:30於衛武營音樂廳演出之《舒密特與他的朋友們-經典巴洛克之夜》 ,演出曲目異動,第一首曲目【韓德爾:《水上音樂》組曲第二號,HWV 349】 ,因故更換為【韓德爾:D大調組曲,HWV 341】 \n\t\t\t | \n\t\t
\n\n
開幕音樂會將透過與不同樂器的搭配,來呈現管風琴的多種風貌。管風琴室內樂曲包括:韓德爾的D大調組曲;威廉.弗利德曼.巴赫的長笛奏鳴曲;李斯特的《前奏曲》。獨奏部分,包括了最著名的巴赫d小調觸技曲與賦格,以及鋼琴獨奏的巴赫d小調半音階幻想曲與賦格。
\n\n擔任管風琴演奏的是音樂節藝術總監克利斯蒂安・舒密特。舒密特曾於衛武營五週年慶登台演出,舞台魅力令人印象深刻。他將攜手曾獲葛萊美獎提名的鋼琴家約瑟夫.穆格、德國西南廣播交響樂團長笛首席塔蒂亞娜.胡蘭德。此外,也邀請臺灣知名小號演奏家侯傳安合作。
\n\n若說小號與管風琴是黃金組合,音色璀璨華麗;長笛與管風琴表達的便是木管樂器的溫柔靈動;管風琴跟鋼琴則是大器風範的王者對決。管風琴,可以氣勢磅礴,也可以細膩溫柔,讓我們一起來體驗管風琴的風情萬種!
\n\n\n\n
演前導聆
\n\n2024/3/15(五)19:00 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n韓德爾:D大調組曲,HWV 341(改編給小號與管風琴)
\n\n魏多:長笛組曲,作品 34
\n\n巴赫:d小調觸技曲與賦格,BWV 565
\n\n威廉.弗利德曼.巴赫:e小調長笛奏鳴曲,BR WFB B 17
\n\n巴赫:d小調半音階幻想曲與賦格,BWV 903
\n\n李斯特:第三號交響詩《前奏曲》,S. 97(改編給管風琴與鋼琴)
\n\n\n\n
演出暨製作團隊
\n\n管風琴|克利斯蒂安・舒密特
\n\n長笛|塔蒂亞娜・胡蘭德
\n\n鋼琴|約瑟夫・穆格
\n\n小號|侯傳安
\n\n\n\n
藝術家介紹
\n\n管風琴│克利斯蒂安・舒密特
\n\n克利斯蒂安.舒密特在與賽門.拉圖指揮下的柏林愛樂首次登台合作,以及在薩爾茲堡音樂節演出後,便成為全球炙手可熱的管風琴家之一。在2021/22樂季中,舒密特獲選為蘇黎世音樂廳管絃樂團的「焦點音樂家」,並與指揮家帕佛.賈維合作,啟用了該音樂廳的新管風琴。
\n\n舒密特近期不僅在洛杉磯愛樂邀請下於迪士尼音樂廳首次登台,也在丹尼爾.巴倫波因的指揮下與柏林國家歌劇院管絃樂團共同演出,並和克里斯多福.艾森巴赫合作錄製亨德密特的第七號室內樂。本樂季中,他則將攜手指揮帕佛.賈維,與費城管絃樂團首次合作,並再次回到迪士尼音樂廳舉辦獨奏會。
\n\n舒密特曾在漢堡易北愛樂廳、柏林音樂廳、維也納金色大廳、萊比錫布商大廈以及蒙特婁交響樂廳舉辦獨奏會;更曾與菲利浦.赫爾維格、雅庫.胡薩、馬雷克.亞諾夫斯基、丹尼爾.巴倫波因,以及帕佛.賈維與曼弗雷德.霍內克等指揮家合作。舒密特亦經常作為獨奏會的協奏者,曾與瑪格達蓮娜.柯澤娜、馬提亞斯.赫夫斯、湯瑪斯.漢普森和馬提亞斯.葛納等人連袂演出。
\n\n舒密特曾與德意志留聲機公司合作,為「巴赫333年冥誕紀念」計畫錄製兩張CD,並與女高音瑪格達蓮娜.柯澤娜合作錄製聲樂與管風琴演奏的專輯。在2013年,他以魏多管風琴交響曲作品42第3首及作品69的錄音作品,獲得回聲音樂古典獎。
\n\n舒密特目前任教於鹿特丹的科達茨藝術大學。他曾在巴黎、波士頓及薩爾布魯根等地學習管風琴,也曾擔任多項比賽的評審團成員。他也是班貝格交響樂團的首席管風琴家。
\n\n\n\n
長笛│塔蒂亞娜・胡蘭德
\n\n獲評論家讚譽為「長笛界帕格尼尼」的塔蒂亞娜.胡蘭德,曾獲德國古典音樂大獎的肯定,並自卡內基音樂廳的首演以來,即躋身最優秀長笛演奏家之列。她曾和柏林愛樂合奏德布西《牧神的午後前奏曲》,獲柏林主要報社評為「驚為天人的牧神」。在2023/24樂季中,除將在易北愛樂廳演出,並與德國廣播愛樂進行巡演,也將延續與鋼琴家奧利弗.特林德的CD合作,並完成一系列小巴赫與黑夫蒂作品的錄音。
\n\n胡蘭德從2000年起擔任西南廣播交響樂團的長笛首席,常受邀擔任其他交響樂團的客座長笛家,並定期與當代傑出指揮合作,包含布隆斯泰特、杜達美、艾森巴赫、于特福許、吉爾伯特、霍內克、胡薩、佩特連科、沙隆年、桑德林以及提勒曼。
\n\n胡蘭德在獲得1996年布拉格之春國際音樂比賽首獎、贏得1997年神戶國際長笛大賽和1999年紐約東西國際選拔賽後,即成為炙手可熱的老師及評審。她是德國音樂大賽及日本琵琶湖國際長笛大賽的評審之一,也是德國曼海姆音樂暨表演藝術大學的長笛教授。
\n\n\n\n
鋼琴│約瑟夫・穆格
\n\n約瑟夫・穆格廣泛的作品演繹及獨特的藝術氣質體現在他創新的演出以及獲獎唱片,讓人想起鋼琴樂的黃金時期。他優游於世界舞台,曾獲《留聲機》古典音樂大獎、兩個國際古典音樂大獎,也被提名葛萊美獎。
\n\n2022/2023樂季中,穆格前往柏林音樂廳、阿姆斯特丹皇家大會堂、科隆愛樂廳、威格摩爾音樂廳等地及音樂節與各大樂團合作。他收錄舒曼及布拉姆斯作品的專輯曾獲頒「金音叉獎」。
\n\n穆格在阿姆斯特丹皇家大會堂的「鋼琴大師」系列、莫斯科國際音樂廳、馬林斯基劇院、法蘭克福舊歌劇院、斯圖加特劇院、漢堡萊斯音樂廳及鹿特丹的多倫音樂廳的演出中建立了名聲。
\n\n他豐富的演奏經歷使其有機會跟各地樂團和知名指揮合作,包括愛樂管絃樂團、哈雷管絃樂團、蒙特婁大都會交響樂團、赫爾辛基愛樂樂團、斯圖加特愛樂、布拉格愛樂,以及指揮家亞尼克‧聶澤-賽金、馬提亞斯.平沙爾與麥可・桑德林。
\n\n穆格曾獲「羅斯柴爾德集團獎」,並在2009年被選為史坦威藝術家。他現居於盧森堡,是該國近郊「康茲音樂節」創辦人之一。
\n\n\n\n
小號│侯傳安
\n\n12歲開始學習小號,進入新加坡國立大學就讀並獲小號學士學位後,進入新英格蘭音樂院就讀,師事波士頓交響樂團小號演奏家Benjamin WRIGHT,於2013年獲得碩士文憑,同年錄取寇蒂斯音樂學院演奏家文憑;返國後隨即考上國立臺灣交響樂團小號首席。他曾和新加坡交響樂團、馬來西亞愛樂、波士頓室內交響樂團、漢堡歌劇院樂團等合作演出。2018年考取漢堡音樂戲劇大學,隨Matthias HÖFS學習並於2021年取得最高演奏文憑。
\n\n傳安的比賽經歷豐富,包括世界小號協會獨奏比賽第二名、韓國濟州國際銅管大賽 Final Rround、Ellsworth Smith International Trumpet Solo Competition準決賽、全美小號獨奏大賽冠軍、第16屆柴可夫斯基大賽小號前四強,並為兩屆奇美藝術獎得主。他的音樂充滿熱情與活力,擁有鮮明的個人特色、嫻熟的吹奏技巧。法國小號獨奏家Eric AUBIER讚賞他為「擁有最銳利技巧及最高穩定性的小號演奏家」,在美國小號大賽中也獲評論為「最撼動人心的小號演奏。」
\n\n傳安近年積極投入室內樂與教學,現任教於國立臺灣藝術大學音樂系銅管專任助理教授。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
在地藝文支持夥伴
\n\n\n\t\t |
\n\t\t |
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd5b525fc29954675837092cdc51bfd2",title:"【2024衛武營管風琴音樂節】《舒密特與他的朋友們-經典巴洛克之夜》"}],related:[],title:"【2024 Weiwuying Organ Festival】SCHMITT and His Friends- One Night in Baroque Classics",cover:"8e9d5069aa69fa936413e220d6a6b364",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-7-262-6666. | \n\t\t
\n\n
This concert will be chamber music with organ, in which different instruments—trumpet, flute, and piano—are used to showcase the many faces of the organ. The pieces to be performed include HANDEL's Suite in D Major, W. F. BACH's Flute Sonata in e minor, and LISZT's Les Préludes for organ and piano. The concert also features solo performances, including BACH's famous Toccata and Fugue in d minor, as well as his Chromatic Fantasia and Fugue for piano.
\n\nThe organist is Christian SCHMITT, the Artistic Director of the Weiwuying Organ Festival, who made his first visit to Weiwuying in 2023. The pianist is Grammy nominated Joseph MOOG, and the flutist is Tatjana RUHLAND of the Principal Flute of SWR Symphony Orchestra. Additionally, HOU Chuan-an, acclaimed trumpet player from Taiwan, has also been invited to perform at the festival.
\n\nThe combination of trumpet and organ can be considered a perfect match of bright, brilliant timbre, while the combination of flute and organ delivers the gentle grace of woodwind instruments and the combination of organ and piano shows an energetic clash between the two kings of instruments. The pipe organ can be both exuberant and sentimental. Join us to experience the different qualities of organ music!
\n\n\n\n
Pre-talk
\n\n2024/3/15(Fri)19:00 Concert Hall 3F Lobby
\n\n\n\n
Program
\n\nG. F. HANDEL: Suite in D Major, HWV 341 (Arranged for Trumpet and Organ)
\n\nC. WIDOR: Suite for Flute and Piano, Op. 34
\n\nJ. S. BACH: Toccata and Fugue in d minor, BWV 565
\n\nW. F. BACH: Flute Sonata in e minor, BR WFB B 17
\n\nJ. S. BACH: Chromatic Fantasia and Fugue in d minor, BWV 903
\n\nF. LISZT: Les Préludes, Symphonic Poem No. 3, S. 97 (Arranged for Organ and Piano)
\n\n\n\n
Creative and Production Team
\n\nOrgan|Christian SCHMITT
\n\nFlute|Tatjana RUHLAND
\n\nPiano|Joseph MOOG
\n\nTrumpet|HOU Chuan-an
\n\n\n\n
Artists Introduction
\n\nOrgan│Christian SCHMITT
\n\nSince his debuts with the Berlin Philharmonic under Sir Simon RATTLE and at the Salzburg
\n\nFestival, Christian SCHMITT has become one of the world's most sought-after organists. In the 2021/22 season, he was "Artist in Focus" of the Tonhalle Orchestra Zurich where he inaugurated the new organ at the Tonhalle with conductor Paavo JÄRVI.
\n\nSCHMITT recently debuted at Walt Disney Concert Hall presented by the Los Angeles
\n\nPhilharmonic, performed with the Staatskapelle Berlin conducted by Daniel BARENBOIM, and recorded HINDEMITH's Chamber Music No. 7 with conductor Christoph ESCHENBACH. This season he debuts with the Philadelphia Orchestra with conductor Paavo JÄRVI and returns to Los Angeles for a recital at Walt Disney Concert Hall.
\n\nSCHMITT has performed as a recitalist at the Elbphilharmonie Hamburg, Konzerthaus Berlin, Wiener Musikverein, Gewandhaus Leipzig, and Maison Symphonique Montréal. He has performed under conductors including Philippe HERREWEGHE, Jakub HRŮŠA, Marek JANOWSKI, Daniel BARENBOIM, Paavo JÄRVI, and Manfred HONECK. A frequent recital collaborator, SCHMITT has additionally performed with Magdalena KOŽENÁ, Matthias HÖFS, Thomas HAMPSON, and Matthias GOERNE.
\n\nFor Deutsche Grammophon, SCHMITT recorded two CDs for the project "Bach 333 - Die neue Gesamtausgabe" and an album of works for voice and organ with soprano Magdalena KOŽENÁ. In 2013, he was awarded an ECHO Klassik for his recording of WIDOR's organ symphonies, Opp. 42, 3 and 69.
\n\nSCHMITT is on the faculty at Codarts University Rotterdam. SCHMITT studied organ in Paris, in Boston, and in Saarbrucken and has been a member of the jury for numerous competitions. SCHMITT is the Principal Organist of the Bamberger Symphoniker.
\n\n\n\n
Flute│Tatjana RUHLAND
\n\nOnce called the "PAGANINI of the flute" by a critic, OPUS KLASSIK winner Tatjana RUHLAND has numbered among the most acclaimed performers of her instrument at least since her Carnegie Hall debut. When she performed DEBUSSY's Prélude à l'après-midi d'un faune with the Berlin Philharmonic, she was described as "a fabulous faun" by Berlin's leading newspaper and highly acclaimed by the audience. In the season of 2023/2024 she will be performing recitals and flute concertos at Elbphilharmonie Hamburg and on a concert tour with Deutsche Radio Philharmonie, continue her artistic collaboration on her latest CD with pianist Oliver TRIENDL and complete a recording series with music by C. Ph. E. BACH and David Philip HEFTI.
\n\nBeing the solo flutist of the SWR Radio Symphony Orchestra Stuttgart since 2000, she is a frequent guest in other major orchestras as well and is performing regularly with the great conductors of our time, including Herbert BLOMSTEDT, Gustavo DUDAMEL, Christoph ESCHENBACH, Peter EÖTVÖS, Alan GILBERT, Manfred HONECK, Jakub HRŮŠA, Kirill PETRENKO, Esa-Pekka SALONEN, Michael SANDERLING and Christian THIELEMANN.
\n\nWinning the First Prize at the Prague Spring International Competition (1996) as well as being a laureate of the prestigious Kobe International Flute Competition (Japan, 1997) and the East & West International Auditions (New York, 1999), Tatjana RUHLAND has become a sought-after teacher and jury member, f.e. at the German Music Competition and the Biwako International Flute Competition (Japan). Also she is professor for flute at the Mannheim University of Music and Performing Arts in Germany.
\n\n\n\n
Piano│Joseph MOOG
\n\nInnovative programmes and an award-winning discography portray Joseph MOOG's extensive repertoire and characterize his unique artistic personality evoking the Golden Age of piano music. Awarded the Gramophone Classical Music Award, two International Classical Music Awards and nominated for a Grammy, MOOG feels at home on the world's leading stages.
\n\nThe 2022/2023 season takes MOOG to major concert halls, festivals and ensembles, including Konzerthaus Berlin, Concertgebouw Amsterdam, Cologne Philharmonie and Wigmore Hall. His album containing SCHUMANN's Paganini Etudes and BRAHMS' Paganini Variations was awarded the "Diapason d'Or".
\n\nHe gained his reputation as a soloist at concerts within the legendary Meesterpianisten series at Amsterdam’s Concertgebouw, at the Moscow International House of Music, at the New Ross Piano Festival in Ireland, the Fribourg International Concert Series, Mariinsky Theatre Auditorium, Alte Oper Frankfurt, Münchner Gasteig, Liederhalle Stuttgart, Laeiszhalle Hamburg and at De Doelen Rotterdam.
\n\nMOOG's extensive concert repertoire has resulted in his collaboration with distinguished orchestras all over the world. He performed with the Philharmonia Orchestra, Hallé Orchestra, Orchestre Métropolitain de Montréal, Helsinki Philharmonic, Stuttgart Philharmonic, Prague Philharmonic, Moscow Radio Symphony Orchestra, Dortmund and Bochum Philharmonic and German Radio Philharmonic Orchestra. He also enjoys working regularly with world renowned conductors Yannick NÉZET-SÉGUIN, Matthias PINTSCHER, Thomas SONDERGAARD, Andrey BOREYKO, Michael SANDERLING, Lawrence FOSTER and Philippe ENTREMONT.
\n\nMOOG received the award of the "Prix Groupe de Rothschild" and was designated a Steinway Artist in 2009. He is a founding member of the "Konz Musik Festival" near Luxembourg where he now resides.
\n\n\n\n
Trumpet│HOU Chuan-an
\n\nChuan-an started learning the trumpet with his father at the age of 12. He completed his bachelor's degree with a full scholarship at Yong Siew Toh Conservatory of Music (Singapore), and master's degree at New England Conservatory under the tutelage of Benjamin WRIGHT. Thereafter, he served as Principal Trumpet of the National Taiwan Symphony Orchestra from 2013-2022. He has also appeared as Guest Artist in numerous performances and recording sessions with orchestras in Hamburg, Boston and Taiwan, as well as with Hamburg Opera, Boston Chamber Orchestra, and Malaysian Philharmonic Orchestra. In 2021, Chuan-an completed his Konzertexamen at Hochschule für Musik und Theater Hamburg under Matthias HÖFS.
\n\nIn addition to orchestral and solo performances, Chuan-an has participated in many international competitions, including semi-final 4 trumpets of XVI Tchaikovsky Competition, 1st Prize winner of 2013 USA National Trumpet Competition, winner of 2013 Jeju International Brass Competition, finalist in the 2012 Ellsworth Smith International Trumpet Solo Competition, 1st Prize in the 2010 Conservatory Concerto Competition and 2nd place in the 2009 International Trumpet Guild Solo competition.
\n\nChuan-an is currently Assistant Professor at National Taiwan University of Arts and also ambassador of Schilke trumpet.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
Cultural Development Partner
\n\n\n\t\t |
\n\t\t |
\n',team:""},createdAt:1698026218,updatedAt:1710467901,updatedBy:"林蔚行",host:!0},{_id:"6535dbe460c443000752a3af",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1710570600,discrete:[{time:1710570600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200],link:"https://www.opentix.life/event/1725110528718004225"}},attachment:{key:"eb440750d9bfce221fd749f000035ca8",name:"【2024衛武營管風琴音樂節】《魔幻舞動》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"be2f5c7d18077d74ed0edd3f9cb64472",title:"【2024衛武營管風琴音樂節】《魔幻舞動》"}],related:[],title:"【2024衛武營管風琴音樂節】《魔幻舞動》",cover:"54f3fff0f3f0ab43184e3369a46fa007",site:{isOther:!0,site:"65ee5e3f69b9960008c3a2a9",other:"屏東演藝廳音樂廳"},cautions:'
本場音樂會下半場播放之默片為保護級影片,涉及打鬥、竊盜等畫面,建議未達6歲之兒童不宜觀賞,6歲以上未達12歲之兒童需父母、師長或成年親友陪伴輔導觀賞。
\n\t本節目演出中同步錄影。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'《魔幻舞動》演出曲目顛覆一般對管風琴神聖莊嚴的刻板想像,展現活潑動感、輕鬆歡樂的一面。上半場由荷蘭管風琴家阿特・貝爾沃夫帶來一系列管風琴跨界演奏的舞蹈音樂,包括:阿根廷作曲家皮亞佐拉多首膾炙人口的探戈舞曲,史特拉汶斯基的探戈舞曲、芭蕾舞劇《火鳥》選曲,以及荷蘭作曲家西蒙.霍爾特最著名的《頑固音型之歌》等。
\n\n曾經是演奏家必備的即興表演能力,在現今講究忠於原譜、精確演奏的古典樂界幾乎式微,所幸管風琴仍然保有這悠久寶貴的傳統,即興演奏不僅仍用於教會崇拜,管風琴也曾是默片時代不可或缺的配樂角色。下半場音樂廳將搖身一變成為電影院,由鹿特丹聖勞倫斯大教堂管風琴家哈約・波勒馬帶領大家穿越時空回到上世紀初,配合默片電影即興演出,透過現場即興演奏感受當下的真實,再現默片的年代風華。
\n\n\n\n
演前導聆
\n\n2024/3/16(六)14:00 屏東演藝廳音樂廳
\n\n\n\n
演出曲目
\n\n皮亞佐拉:《任性》(阿特・貝爾沃夫改編給管風琴)
\n\n巴赫:b小調賦格曲/皮亞佐拉:《賦格與神秘》(阿特.貝爾沃夫改編給管風琴)
\n\n史特拉汶斯基:《探戈舞曲》(1953年版)(阿特・貝爾沃夫改編給管風琴)
\n\n皮亞佐拉:《告別諾尼諾》(阿特・貝爾沃夫改編給管風琴)
\n\n西蒙.譚.霍爾特:《頑固音型之歌》,片段 95
\n\n皮亞佐拉:《遺忘》(阿特・貝爾沃夫改編給管風琴)
\n\n史特拉汶斯基:〈搖籃曲〉、〈終曲〉,選自《火鳥》組曲(莫里斯.貝斯理改編給管風琴)
\n\n\n\n
默片《福爾摩斯二世》即興配樂
\n\n\n\n
演出暨製作團隊
\n\n管風琴|阿特・貝爾沃夫、哈約・波勒馬
\n\n\n\n
合辦單位:屏東縣政府文化處
\n\n\n\n
藝術家介紹
\n\n管風琴│阿特・貝爾沃夫
\n\n阿特.貝爾沃夫是一位熱情且多才多藝的音樂家,他喜歡策劃能激動人心且富有開拓精神的音樂會。除了對古典樂曲充滿熱情,貝爾沃夫也持續為管風琴樂界尋找新的道路與表演形式。為此,他不僅經常與影像藝術家亞普.德魯斯汀合作,也與土耳其德爾維希舞舞者卡迪爾・索努克搭檔,以譚.霍爾特名曲《頑固音型之歌》共同創作《東方遇上西方》的演出,更推出《我的心》這檔結合管風琴與探戈音樂的製作。
\n\n身為管風琴演奏家,貝爾沃夫經常擔任鹿特丹愛樂樂團、南荷蘭愛樂樂團和班貝格交響樂團的嘉賓,在國內外的音樂會和音樂節上表演,並自2012年起擔任荷蘭布雷達聖母教堂的管風琴家。
\n\n他曾在鹿特丹音樂學院學習管風琴、合唱指揮及教會音樂,並在海牙皇家音樂學院與伯特‧馬特學習即興創作,再前往巴黎師從瑪麗-克萊兒‧亞蘭、在德國北部師從哈洛德‧沃格爾,繼續深造管風琴,並在巴黎獲得演奏精湛獎之後完成修業。
\n\n目前,貝爾沃夫任教隸屬於科達茨藝術大學的鹿特丹音樂學院。自1994年以來,他一直擔任管風琴和編曲教授。
\n\n2003年,貝爾沃夫獲頒法國學術院藝術、科學與文學的銀質獎章,以表彰他對法國管風琴文化的貢獻。
\n\n\n\n
管風琴│哈約・波勒馬
\n\n來自荷蘭鹿特丹的管風琴家兼作曲家哈約.波勒馬,是鹿特丹聖勞倫斯大教堂內、荷蘭最大管風琴的管風琴師。
\n\n波勒馬於1998-2005年間於歐洲各地贏得許多國際管風琴競賽。2009年時更獲頒巴黎藝術與科學教育促進學會銀質獎章,以表彰其演繹法國管風琴音樂的成就。
\n\n波勒馬身兼管風琴演奏家、講師以及作曲家,在其20年的職涯中,抱持向更多民眾推廣管風琴的想法,波勒馬不斷創作不同形式的樂曲,從廣為人知的樂曲到現代風格的曲式,以期吸引古典樂與實驗音樂樂迷的關注。他的演奏曲目廣泛,涵蓋揚.彼得松.史威林克、巴赫的樂曲到當代作品,也特別關注梅湘和20世紀的法國管風琴音樂。
\n\n除了獨奏演出外,波勒馬也時常與合唱團及演奏樂團合作,並接受作曲委託。近期,他為管風琴、合唱團、獨唱者及打擊樂共演的創作《莊嚴彌撒》,已完成專輯錄製並獲得廣大好評。此外,波勒馬亦任教於鹿特丹科達茨藝術大學,並在國際間開設教授演繹與即興演奏的大師班,也經常擔任國際管風琴競賽的評審。
\n\n\n\n
在地藝文支持夥伴
\n\n\n\t\t |
\n\t\t |
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"be2f5c7d18077d74ed0edd3f9cb64472",title:"【2024衛武營管風琴音樂節】《魔幻舞動》"}],related:[],title:"【2024 Weiwuying Organ Festival】A Fantasy of Dance",cover:"54f3fff0f3f0ab43184e3369a46fa007",site:{isOther:!0,site:"65ee5e3f69b9960008c3a2a9",other:"Pingtung Performing Arts Center Concert Hall"},cautions:'
The silent film played in the second half of this concert is a protected film, containing fighting and theft scenes. It is recommended that children under 6 years old not watch it. Children over 6 years old and under 12 years old need to be accompanied by parents, teachers or adult relatives and friends to watch.
\n\tSimultaneous recording during the performance of this program.
\n\tA Fantasy of Dance program will depart from the religious and solemn nature of stereotypical organ music and showcase the instrument's playful and fun side. The first part of the concert performed by Dutch organist Aart BERGWERFF will consist of dance music pieces performed on organ, including famous tango pieces composed by PIAZZOLLA, Tango, and a selection from The Firebird composed by STRAVINSKY, as well as Dutch composer Simeon ten HOLT's most popular work Canto Ostinato.
\n\nAlthough improvisation was once considered a requirement among concertists, it is a quality scarcely found in today's classical music that seeks to remain faithful to original compositions and give accurate performances. Thankfully, this practice can still be found in organ music, in which in addition to the spontaneous performances still given in church services, organs also played the indispensable role of musical accompaniment in the silent film era. Therefore in the second half of the concert, the Concert Hall will transform into a movie theater as organist Hayo BOEREMA of the St. Lawrence Church in Rotterdam takes the audience on a journey back to the beginning of the 20th century. With his improvised live performance accompanying the silent film, BOEREMA will guide the audience to feel the reality of the here and now and relive the glory of the silent era.
\n\n\n\n
Pre-talk
\n\n2024/3/16(Sat)14:00 Pingtung Performing Arts Center Concert Hall
\n\n\n\n
Program
\n\nA. PIAZZOLLA: Revirado (Arranged for Organ by Aart BERGWERFF)
\n\nJ. S. BACH: Fugue in b minor / A. PIAZZOLLA: Fuga y Misterio (Arranged for Organ by Aart BERGWERFF)
\n\nI. STRAVINSKY: Tango (1953 version) (Arranged for Organ by Aart BERGWERFF)
\n\nA. PIAZZOLLA: Adiós Nonino (Arranged for Organ by Aart BERGWERFF)
\n\nSimeon ten HOLT: Canto Ostinato, Section 95
\n\nA. PIAZZOLLA: Oblivion (Arranged for Organ by Aart BERGWERFF)
\n\nI. STRAVINSKY: "Berçeuse" and "Finale" from The Firebird Suite (Arranged for Organ by Maurice BESLY)
\n\n\n\n
Soundtrack Improvisation with Silent Movie Sherlock Jr.
\n\n\n\n
Creative and Production Team
\n\nOrgan|Aart BERGWERFF, Hayo BOEREMA
\n\n\n\n
Co-presenter: Cultural Affairs Department of Pingtung County Government
\n\n\n\n
Artists Introduction
\n\nOrgan|Aart BERGWERFF
\n\nAart BERGWERFF is a passionate and versatile musician. He loves exciting and adventurous programming. On the one hand, Aart has a passion for the classical repertoire and on the other, he likes to search for new ways and forms in organ culture. For example, he regularly collaborates with Dutch video artist Jaap DRUPSTEEN. With the Turkish Dervish dancer Kadir SONUK, he created the performance East meets West, set to music from Canto Ostinato by Simeon ten HOLT. Another example is the production Mi Corazón, in which organ and tango dance meet.
\n\nBERGWERFF has been organist of the Grote of Onze-Lieve-Vrouwe-Kerk in Breda since 2012. As a concert organist, he frequently performs at concerts and festivals at home and abroad.
\nAs a teacher, BERGWERFF is connected to the Rotterdam Conservatory, part of Codarts,University for the Arts. There he has been professor for organ and arranging since 1994.
\nAs organist, he is often a guest of the Rotterdam Philharmonic Orchestra, the Philharmonie Zuid-Nederland and the Bamberger Symphoniker.
BERGWERFF studied organ, choral conducting and church music at the Rotterdam Conservatory. At the Royal Conservatory, The Hague, he studied improvisation with Bert MATTER. He continued his organ studies in Paris with Marie-Claire ALAIN and in northern Germany with Harald VOGEL. He concluded his studies in Paris by obtaining the Prix de Virtuosité.
\n\nIn 2003, he was awarded the silver medal of the Société Académique "Arts, Sciences et Lettres" for his achievements in French organ culture.
\n\n\n\n
Organ|Hayo BOEREMA
\n\nAward-winning and internationally acclaimed organist and composer, Hayo BOEREMA, from Rotterdam, The Netherlands, is the organist titular of the largest organ of The Netherlands: the Markussen organ of the St. Lawrence Church in Rotterdam.
\n\nAs a prolific performer, BOEREMA won various international organ contests in Europe during 1998-2005. In 2009, he was awarded the Silver Medal of the Academic Society for Education and Encouragement of the Arts and Sciences in Paris for his achievements as a performer of French organ music.
\n\nFostering the organ to be introduced and appreciated by a wider audience, is what inspires Hayo BOEREMA as organist, lecturer and composer. In his musical interpretations, BOEREMA is always motivated to look for contrast and color in compositions of both established and contemporary composers to involve a traditional classical music audience as well as a more experimentally curious audience. BOEREMA's repertoire stretches a long time period. It includes Jan Pieterszoon SWEELINCK and BACH as well as more contemporary composers, with a particular interest in Olivier MESSIAEN and French organ music from the 20th century.
\n\nAs a performer, BOEREMA often joins forces with choirs and orchestras. Additionally, he is regularly commissioned to compose. One of his major compositions, his Solemn Mass (Messe Solennelle), a composition for organ, choir, vocal soloist and percussion, was recorded recently and received with wide acclaim.
\n\nIn addition to his performances, BOEREMA is professor of organ at Codarts Conservatory at Rotterdam. He gives master classes in interpretation and improvisation internationally. Also, he is welcomed as a jury member at various international organ competitions.
\n\n\n\n
Cultural Development Partner
\n\n\n\t\t |
\n\t\t |
\n',team:""},createdAt:1698028516,updatedAt:1710467877,updatedBy:"林蔚行",host:!0},{_id:"6535e12a60c443000752a4cb",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1710657e3,discrete:[{time:1710657e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1719996310627160065"}},attachment:{key:"603482d95dd011c81f3cc267bbe31cd8",name:"【2024衛武營管風琴音樂節】《名家盛會-黃金協奏曲》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4e0a1a18e1d6e4b729fea7a22fd98cb8",title:"【2024衛武營管風琴音樂節】《名家盛會-黃金協奏曲》"}],related:[],title:"【2024衛武營管風琴音樂節】《名家盛會-黃金協奏曲》",cover:"654af54f6fcda5149990b4e57fee164d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'管風琴音色豐富洪亮,足以媲美一個交響樂團,再加上樂器的稀少性,不論是作曲家的創作,或是演奏家與樂團的排練,都面臨不小的挑戰,因此管風琴的協奏曲目寥寥可數。音樂節的壓軸音樂會,卻以前所未有的規格推出三首管風琴協奏曲,以及長笛、鋼琴各自與管絃樂團的演出,以饗愛樂大眾。
\n\n三首管風琴協奏曲風格迥異,編制也大不相同,法國作曲家紀堯姆.康內松於2020年創作的《安魂協奏曲》採大型樂團編制;萊因貝格爾的管風琴協奏曲,寫給弦樂團及三把法國號;皮亞佐拉《阿空加瓜山》協奏曲,則是手風琴與樂團的改編版本。此外,法朗克的交響變奏曲,以及夏米娜德的D大調長笛小協奏曲,都是令人喜愛卻別具特色的作品。五位頂尖演奏家同台競技,並由衛武營藝術總監簡文彬親自指揮,率領高雄市交響樂團共襄盛舉,精銳盡出,精彩可期。
\n\n\n\n
演前導聆
\n\n2024/3/17(日)14:00 音樂廳三樓大廳
\n\n\n\n
演後簽名會
\n\n本場音樂會演後將於音樂廳三樓大廳進行簽名會,音樂節藝術總監暨管風琴家舒密特、管風琴家貝爾沃夫及波勒馬、長笛家胡蘭德與鋼琴家穆格將一同出席。
\n※每人限索取每位藝術家簽名一次,簽名物件限現場販售之節目冊、衛武營周邊商品及藝術家相關專輯(專輯限參與錄製之藝術家簽名)。
\n※簽名會於音樂會正式曲目演出結束後開放排隊,歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
\n\n
演出曲目
\n\n萊因貝格爾:F大調第一號管風琴協奏曲,作品 137
\n\n夏米娜德:D大調長笛小協奏曲,作品 107
\n\n紀堯姆.康內松:《安魂協奏曲》(亞洲首演)
\n\n法朗克:交響變奏曲
\n\n皮亞佐拉:〈中板〉與〈急板〉,選自《阿空加瓜山》協奏曲(阿特.貝爾沃夫改編給管風琴)
\n\n\n\n
安可曲:
\n\nMarcel DUPRÉ: Souvenir, Op. 65bis
\n\n\n\n
演出暨製作團隊
\n\n指揮|簡文彬
\n\n管風琴|哈約・波勒馬、克利斯蒂安・舒密特、阿特・貝爾沃夫
\n\n長笛|塔蒂亞娜・胡蘭德
\n\n鋼琴|約瑟夫・穆格
\n\n高雄市交響樂團
\n\n\n\n
藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。
\n\n1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
\n\n\n\n
管風琴|哈約・波勒馬
\n\n來自荷蘭鹿特丹的管風琴家兼作曲家哈約.波勒馬,是鹿特丹聖勞倫斯大教堂內、荷蘭最大管風琴的管風琴師。
\n\n波勒馬於1998-2005年間於歐洲各地贏得許多國際管風琴競賽。2009年時更獲頒巴黎藝術與科學教育促進學會銀質獎章,以表彰其演繹法國管風琴音樂的成就。
\n\n波勒馬身兼管風琴演奏家、講師以及作曲家,在其20年的職涯中,抱持向更多民眾推廣管風琴的想法,波勒馬不斷創作不同形式的樂曲,從廣為人知的樂曲到現代風格的曲式,以期吸引古典樂與實驗音樂樂迷的關注。他的演奏曲目廣泛,涵蓋揚.彼得松.史威林克、巴赫的樂曲到當代作品,也特別關注梅湘和20世紀的法國管風琴音樂。
\n\n除了獨奏演出外,波勒馬也時常與合唱團及演奏樂團合作,並接受作曲委託。近期,他為管風琴、合唱團、獨唱者及打擊樂共演的創作《莊嚴彌撒》,已完成專輯錄製並獲得廣大好評。此外,波勒馬亦任教於鹿特丹科達茨藝術大學,並在國際間開設教授演繹與即興演奏的大師班,也經常擔任國際管風琴競賽的評審。
\n\n\n\n
管風琴|阿特・貝爾沃夫
\n\n阿特.貝爾沃夫是一位熱情且多才多藝的音樂家,他喜歡策劃能激動人心且富有開拓精神的音樂會。除了對古典樂曲充滿熱情,貝爾沃夫也持續為管風琴樂界尋找新的道路與表演形式。為此,他不僅經常與影像藝術家亞普.德魯斯汀合作,也與土耳其德爾維希舞舞者卡迪爾・索努克搭檔,以譚.霍爾特名曲《頑固音型之歌》共同創作《東方遇上西方》的演出,更推出《我的心》這檔結合管風琴與探戈音樂的製作。
\n\n身為管風琴演奏家,貝爾沃夫經常擔任鹿特丹愛樂樂團、南荷蘭愛樂樂團和班貝格交響樂團的嘉賓,在國內外的音樂會和音樂節上表演,並自2012年起擔任荷蘭布雷達聖母教堂的管風琴家。
\n\n他曾在鹿特丹音樂學院學習管風琴、合唱指揮及教會音樂,並在海牙皇家音樂學院與伯特‧馬特學習即興創作,再前往巴黎師從瑪麗-克萊兒‧亞蘭、在德國北部師從哈洛德‧沃格爾,繼續深造管風琴,並在巴黎獲得演奏精湛獎之後完成修業。
\n\n目前,貝爾沃夫任教隸屬於科達茨藝術大學的鹿特丹音樂學院。自1994年以來,他一直擔任管風琴和編曲教授。
\n\n2003年,貝爾沃夫獲頒法國學術院藝術、科學與文學的銀質獎章,以表彰他對法國管風琴文化的貢獻。
\n\n\n\n
長笛|塔蒂亞娜・胡蘭德
\n\n獲評論家讚譽為「長笛界帕格尼尼」的塔蒂亞娜.胡蘭德,曾獲德國古典音樂大獎的肯定,並自卡內基音樂廳的首演以來,即躋身最優秀長笛演奏家之列。她曾和柏林愛樂合奏德布西《牧神的午後前奏曲》,獲柏林主要報社評為「驚為天人的牧神」。在2023/24樂季中,除將在易北愛樂廳演出,並與德國廣播愛樂進行巡演,也將延續與鋼琴家奧利弗.特林德的CD合作,並完成一系列小巴赫與黑夫蒂作品的錄音。
\n\n胡蘭德從2000年起擔任西南廣播交響樂團的長笛首席,常受邀擔任其他交響樂團的客座長笛家,並定期與當代傑出指揮合作,包含布隆斯泰特、杜達美、艾森巴赫、于特福許、吉爾伯特、霍內克、胡薩、佩特連科、沙隆年、桑德林以及提勒曼。
\n\n胡蘭德在獲得1996年布拉格之春國際音樂比賽首獎、贏得1997年神戶國際長笛大賽和1999年紐約東西國際選拔賽後,即成為炙手可熱的老師及評審。她是德國音樂大賽及日本琵琶湖國際長笛大賽的評審之一,也是德國曼海姆音樂暨表演藝術大學的長笛教授。
\n\n\n\n
鋼琴|約瑟夫・穆格
\n\n約瑟夫・穆格廣泛的作品演繹及獨特的藝術氣質體現在他創新的演出以及獲獎唱片,讓人想起鋼琴樂的黃金時期。他優游於世界舞台,曾獲《留聲機》古典音樂大獎、兩個國際古典音樂大獎,也被提名葛萊美獎。
\n\n2022/2023樂季中,穆格前往柏林音樂廳、阿姆斯特丹皇家大會堂、科隆愛樂廳、威格摩爾音樂廳等地及音樂節與各大樂團合作。他收錄舒曼及布拉姆斯作品的專輯曾獲頒「金音叉獎」。
\n\n穆格在阿姆斯特丹皇家大會堂的「鋼琴大師」系列、莫斯科國際音樂廳、馬林斯基劇院、法蘭克福舊歌劇院、斯圖加特劇院、漢堡萊斯音樂廳及鹿特丹的多倫音樂廳的演出中建立了名聲。
\n\n他豐富的演奏經歷使其有機會跟各地樂團和知名指揮合作,包括愛樂管絃樂團、哈雷管絃樂團、蒙特婁大都會交響樂團、赫爾辛基愛樂樂團、斯圖加特愛樂、布拉格愛樂,以及指揮家亞尼克‧聶澤-賽金、馬提亞斯.平沙爾與麥可・桑德林。
\n\n穆格曾獲「羅斯柴爾德集團獎」,並在2009年被選為史坦威藝術家。他現居於盧森堡,是該國近郊「康茲音樂節」創辦人之一。
\n\n\n\n
高雄市交響樂團
\n\n樂在,你也在。
\n\n—年輕的樂團堅定向前行
\n\n高雄市交響樂團是一個年輕有活力的樂團。1981年成立,2009年與高雄市國樂團基金會整併為「財團法人高雄市愛樂文化藝術基金會」,由時任文化局長史哲出任首屆董事長。現任董事長為高雄市文化局長王文翠,執行長為朱宏昌,駐團指揮楊智欽及吳曜宇。成立迄今,樂團以高雄代表自許,不斷的與國際級指揮與名家大師們合作共鳴,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅。
\n\n2009年起迄今,樂團擔任高雄春天藝術節重要演出角色,成功打響「高雄春天藝術節草地音樂會」及全本歌劇製作品牌;同時持續受邀參與衛武營國家藝術文化中心自製節目,精湛演出受國內樂壇及樂迷一致肯定。在國際舞台上,樂團足跡遍及多個國際城市;近期亦受邀赴日本金澤參加貝多芬音樂節及香港「台灣月-樂見台灣」音樂會演出。逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
合作夥伴:高雄春天藝術節
\n\n\n\n
在地藝文支持夥伴
\n\n\n\t\t |
\n\t\t |
\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4e0a1a18e1d6e4b729fea7a22fd98cb8",title:"【2024衛武營管風琴音樂節】《名家盛會-黃金協奏曲》"}],related:[],title:"【2024 Weiwuying Organ Festival】A Matinee with Masters - Concerto Classics",cover:"654af54f6fcda5149990b4e57fee164d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The rich and booming timber of the organ is comparable to that of an orchestra. However, the instrument's scarcity poses quite a challenge for composers creating new pieces, or for soloists rehearsing with an orchestra; as a result, organ concertos are very few in number. The grand finale of Weiwuying Organ Festival brings performances on a never-before-seen scale, featuring three organ concertos as well as pieces for flute, piano and orchestra in a feast for music lovers.
\n\nThe three organ concertos to be performed vary in the styles and instrumentations. These concertos are: Guillaume CONNESSON's Concerto da Requiem, composed for a grand symphony orchestra; RHEINBERGER's Organ Concerto No. 1, arranged for strings and three French horns; PIAZZOLLA's Aconcagua Concerto, rearranged from the version for bandoneon. The concert also features FRANCK's Symphonic Variations and CHAMINADE's Concertino for Flute, Op. 107, both pieces are unique and loved by the audiences. Five world-class musicians will perform on the same stage, along with the Kaohsiung Symphony Orchestra, conducted by CHIEN Wen-pin, Artistic Director of Weiwuying. With all the talents involved, this performance is definitely one to look forward to.
\n\n\n\n
Pre-talk
\n\n2024/3/17(Sun)14:00 Concert Hall 3F Lobby
\n\n\n\n
Program
\n\nJ. RHEINBERGER: Organ Concerto No. 1 in F Major, Op. 137
\n\nC. CHAMINADE: Concertino for Flute and Orchestra in D Major, Op. 107
\n\nGuillaume CONNESSON: Concerto da Requiem (Asia Premiere)
\n\nC. FRANCK: Symphonic Variations for Piano and Orchestra
\n\nA. PIAZZOLLA: "Moderato" and "Presto" from Aconcagua, Concerto for Bandoneon, Strings and Percussion (Arranged for Organ by Aart BERGWERFF)
\n\n\n\n
Encore Pieces:
\n\nMarcel DUPRÉ: Souvenir, Op. 65bis
\n
Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nOrgan|Hayo BOEREMA, Christian SCHMITT, Aart BERGWERFF
\n\nFlute|Tatjana RUHLAND
\n\nPiano|Joseph MOOG
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded a master's degree at the National University for Music and Performing Arts Vienna.
\n\nCHIEN joined the Deutsche Oper am Rhein (Düsseldorf / Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan). 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete Der Ring des Nibelungen by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was winner of the "National Award for Arts" in 2014.
\n\n\n\n
Organ|Hayo BOEREMA
\n\nAward-winning and internationally acclaimed organist and composer, Hayo BOEREMA, from Rotterdam, The Netherlands, is the organist titular of the largest organ of The Netherlands: the Markussen organ of the St. Lawrence Church in Rotterdam.
\n\nAs a prolific performer, BOEREMA won various international organ contests in Europe during 1998-2005. In 2009, he was awarded the Silver Medal of the Academic Society for Education and Encouragement of the Arts and Sciences in Paris for his achievements as a performer of French organ music.
\n\nFostering the organ to be introduced and appreciated by a wider audience, is what inspires Hayo BOEREMA as organist, lecturer and composer. In his musical interpretations, BOEREMA is always motivated to look for contrast and color in compositions of both established and contemporary composers to involve a traditional classical music audience as well as a more experimentally curious audience. BOEREMA's repertoire stretches a long time period. It includes Jan Pieterszoon SWEELINCK and BACH as well as more contemporary composers, with a particular interest in Olivier MESSIAEN and French organ music from the 20th century.
\n\nAs a performer, BOEREMA often joins forces with choirs and orchestras. Additionally, he is regularly commissioned to compose. One of his major compositions, his Solemn Mass (Messe Solennelle), a composition for organ, choir, vocal soloist and percussion, was recorded recently and received with wide acclaim.
\n\nIn addition to his performances, BOEREMA is professor of organ at Codarts Conservatory at Rotterdam. He gives master classes in interpretation and improvisation internationally. Also, he is welcomed as a jury member at various international organ competitions.
\n\n\n\n
Organ|Christian SCHMITT
\n\nSince his debuts with the Berlin Philharmonic under Sir Simon RATTLE and at the Salzburg Festival, Christian SCHMITT has become one of the world's most sought-after organists. In the 2021/22 season, he was "Artist in Focus" of the Tonhalle Orchestra Zurich where he inaugurated the new organ at the Tonhalle with conductor Paavo JÄRVI.
\n\nSCHMITT recently debuted at Walt Disney Concert Hall presented by the Los Angeles Philharmonic, performed with the Staatskapelle Berlin conducted by Daniel BARENBOIM, and recorded HINDEMITH's Chamber Music No. 7 with conductor Christoph ESCHENBACH. This season he debuts with the Philadelphia Orchestra with conductor Paavo JÄRVI and returns to Los Angeles for a recital at Walt Disney Concert Hall.
\n\nSCHMITT has performed as a recitalist at the Elbphilharmonie Hamburg, Konzerthaus Berlin, Wiener Musikverein, Gewandhaus Leipzig, and Maison Symphonique Montréal. He has performed under conductors including Philippe HERREWEGHE, Jakub HRŮŠA, Marek JANOWSKI, Daniel BARENBOIM, Paavo JÄRVI, and Manfred HONECK. A frequent recital collaborator, SCHMITT has additionally performed with Magdalena KOŽENÁ, Matthias HÖFS, Thomas HAMPSON, and Matthias GOERNE.
\n\nFor Deutsche Grammophon, SCHMITT recorded two CDs for the project "Bach 333 - Die neue Gesamtausgabe" and an album of works for voice and organ with soprano Magdalena KOŽENÁ. In 2013, he was awarded an ECHO Klassik for his recording of WIDOR's organ symphonies, Opp. 42, 3 and 69.
\n\nSCHMITT is on the faculty at Codarts University Rotterdam. SCHMITT studied organ in Paris, in Boston, and in Saarbrucken and has been a member of the jury for numerous competitions. SCHMITT is the Principal Organist of the Bamberger Symphoniker.
\n\n\n\n
Organ|Aart BERGWERFF
\n\nAart BERGWERFF is a passionate and versatile musician. He loves exciting and adventurous programming. On the one hand, Aart has a passion for the classical repertoire and on the other, he likes to search for new ways and forms in organ culture. For example, he regularly collaborates with Dutch video artist Jaap DRUPSTEEN. With the Turkish Dervish dancer Kadir SONUK, he created the performance East meets West, set to music from Canto Ostinato by Simeon ten HOLT. Another example is the production Mi Corazón, in which organ and tango dance meet.
\n\nBERGWERFF has been organist of the Grote of Onze-Lieve-Vrouwe-Kerk in Breda since 2012. As a concert organist, he frequently performs at concerts and festivals at home and abroad.
\n\nAs a teacher, BERGWERFF is connected to the Rotterdam Conservatory, part of Codarts,University for the Arts. There he has been professor for organ and arranging since 1994.
\n\nAs organist, he is often a guest of the Rotterdam Philharmonic Orchestra, the Philharmonie Zuid-Nederland and the Bamberger Symphoniker.
\n\nBERGWERFF studied organ, choral conducting and church music at the Rotterdam Conservatory. At the Royal Conservatory, The Hague, he studied improvisation with Bert MATTER. He continued his organ studies in Paris with Marie-Claire ALAIN and in northern Germany with Harald VOGEL. He concluded his studies in Paris by obtaining the Prix de Virtuosité.
\n\nIn 2003, he was awarded the silver medal of the Société Académique "Arts, Sciences et Lettres" for his achievements in French organ culture.
\n\n\n\n
Flute|Tatjana RUHLAND
\n\nOnce called the "PAGANINI of the flute" by a critic, OPUS KLASSIK winner Tatjana RUHLAND has numbered among the most acclaimed performers of her instrument at least since her Carnegie Hall debut. When she performed DEBUSSY's Prélude à l'après-midi d'un faune with the Berlin Philharmonic, she was described as "a fabulous faun" by Berlin's leading newspaper and highly acclaimed by the audience. In the season of 2023/2024 she will be performing recitals and flute concertos at Elbphilharmonie Hamburg and on a concert tour with Deutsche Radio Philharmonie, continue her artistic collaboration on her latest CD with pianist Oliver TRIENDL and complete a recording series with music by C. Ph. E. BACH and David Philip HEFTI.
\n\nBeing the solo flutist of the SWR Radio Symphony Orchestra Stuttgart since 2000, she is a frequent guest in other major orchestras as well and is performing regularly with the great conductors of our time, including Herbert BLOMSTEDT, Gustavo DUDAMEL, Christoph ESCHENBACH, Peter EÖTVÖS, Alan GILBERT, Manfred HONECK, Jakub HRŮŠA, Kirill PETRENKO, Esa-Pekka SALONEN, Michael SANDERLING and Christian THIELEMANN.
\n\nWinning the First Prize at the Prague Spring International Competition (1996) as well as being a laureate of the prestigious Kobe International Flute Competition (Japan, 1997) and the East & West International Auditions (New York, 1999), Tatjana RUHLAND has become a sought-after teacher and jury member, f.e. at the German Music Competition and the Biwako International Flute Competition (Japan). Also she is professor for flute at the Mannheim University of Music and Performing Arts in Germany.
\n\n\n\n
Piano|Joseph MOOG
\n\nInnovative programmes and an award-winning discography portray Joseph MOOG's extensive repertoire and characterize his unique artistic personality evoking the Golden Age of piano music. Awarded the Gramophone Classical Music Award, two International Classical Music Awards and nominated for a Grammy, MOOG feels at home on the world's leading stages.
\n\nThe 2022/2023 season takes MOOG to major concert halls, festivals and ensembles, including Konzerthaus Berlin, Concertgebouw Amsterdam, Cologne Philharmonie
\n\nand Wigmore Hall. His album containing SCHUMANN's Paganini Etudes and BRAHMS' Paganini Variations was awarded the "Diapason d’Or".
\n\nHe gained his reputation as a soloist at concerts within the legendary Meesterpianisten series at Amsterdam's Concertgebouw, at the Moscow International House of Music, at the New Ross Piano Festival in Ireland, the Fribourg International Concert Series, Mariinsky Theatre Auditorium, Alte Oper Frankfurt, Münchner Gasteig, Liederhalle Stuttgart, Laeiszhalle Hamburg and at De Doelen Rotterdam.
\n\nMOOG's extensive concert repertoire has resulted in his collaboration with distinguished orchestras all over the world. He performed with the Philharmonia Orchestra, Hallé Orchestra, Orchestre Métropolitain de Montréal, Helsinki Philharmonic, Stuttgart Philharmonic, Prague Philharmonic, Moscow Radio Symphony Orchestra, Dortmund and Bochum Philharmonic and German Radio Philharmonic Orchestra. He also enjoys working regularly with world renowned conductors Yannick NÉZET-SÉGUIN, Matthias PINTSCHER, Thomas SONDERGAARD, Andrey BOREYKO, Michael SANDERLING, Lawrence FOSTER and Philippe ENTREMONT.
\n\nMOOG received the award of the "Prix Groupe de Rothschild" and was designated a Steinway Artist in 2009. He is a founding member of the "Konz Musik Festival" near Luxembourg where he now resides.
\n\n\n\n
Kaohsiung Symphony Orchestra
\n\nWherever there is music, there is you.
\n\n- A young orchestra moving forward with determination.
\n\nFounded in 1981; officially renamed the "Kaohsiung Symphony Orchestra" (KSO) by 2000. In April 2009, the Kaohsiung Symphony Orchestra and the Kaohsiung Chinese Orchestra were integrated into the "Kaohsiung City Philharmonic Culture and Arts Foundation" with the current Kaohsiung City Deputy Mayor, SHIH Che, took up the post of the first President.The present chairperson of Foundation is WANG Wen-tsui, Director of Kaohsiung City's Bureau of Cultural Affairs. CHU Hung-chang is the CEO of Foundation,and the resident conductors are YANG Chih-chin and WU Yao-yu. Taking pride as the music ambassador of Kaohsiung City, the KSO has collaborated with a variety of prestigious conductors and renowned artists. The KSO strives to incorporate classical and cross-border performances into their repertoire, permeated with their unique passion. The KSO creates high-quality themes for the fans of music.
\n\nRecently, the orchestra has played a pivotal role in the Kaohsiung Spring Arts Festival and successfully established the reputation of the "Grassland Concert" and the full-scale opera productions, also frequently be invited to participate in Weiwuying Presented Programs of National Kaohsiung Center for the Arts (Weiwuying). On the international stage, KSO has been successively invited to perform in the USA, Macao, Nanking, Shanghai, Qingdao, Suzhou, Singapore, and Beijing. Lately, KSO was invited to the Beethoven-themed Spring Green Music Festival in Kanazawa, Japan, as well as Hong Kong's Taiwan Culture Festival. KSO will keep taking the international-level orchestra as the goal of self-enhancement and growth, steadily stepping beyond countries and borders, and moving forward firmly.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
Partner: Kaohsiung Spring Arts Festival
\n\n\n\n
Cultural Development Partner
\n\n\n\t\t |
\n\t\t |
\n',team:""},createdAt:1698029866,updatedAt:1710725668,updatedBy:"林蔚行",host:!0},{_id:"6539fec46baf590008123b1e",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:170937e4,discrete:[],type:"continuous",continuous:{time:[1698310800],endTime:[1698310800],start:1709308800,end:1709395200}},activity:{type:"ticket",ticket:{price:[600,1e3,1200],link:"https://www.opentix.life/event/1725466004731813889"}},attachment:{key:"14f4e28726fe01cca2f62caf4faff47e",name:"《瘋迷24貝多芬》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[{reference:[],type:"content",name:"音樂廳節目",content:'
被譽為「不朽九大」的貝多芬交響曲,不但是樂迷必聽的經典,更是全世界古典音樂會最常演出的曲目。但要24小時內從第一號一路演到第九號,不夠《瘋迷》還真的做不到!音樂廳節目【管絃樂系列】以「九大」為主體,第一日下午以第一號與第二號的初露鋒芒之作開場,接著被視為開啟浪漫時期的第三號《英雄》,加上兼具古典秀麗的第四號,直至第五號《命運》夜半敲門,第二日中午再從第六號《田園》的恬淡鄉景喚醒大家,充分暖身後以第七號與酒神歌舞,到第八號的秀麗高峰,最終以第九號《合唱》的波瀾壯闊收尾。透過九首交響曲,貫穿貝多芬的創作演進與昇華精神!
\n\n在進入子夜的魔幻時刻,爵士鋼琴家陳若玗將連續三年與觀眾相約音樂廳,在【琴迷貝多芬】裡用搖擺與即興鬆動經典旋律,展現您沒聽過的貝多芬樣貌;
\n\n表演廳的兩個主軸系列【精選室內樂】與【獨奏曲集錦】,也趁著凌晨悄然前來音樂廳,在葡萄園式觀眾席的圍繞下,演出弦樂四重奏、鋼琴奏鳴曲、管樂六重奏與鋼琴三重奏等精巧曲目,感受小編制樂曲的真摯情感。
\n\n與去年相同,衛武營特別在《瘋迷24貝多芬》音樂廳場次推出「時段票」,不論是想在下班下課後趕緊加入的「日落場」,或是一窺音樂廳夜半時分的「月光場」,以及睡飽充電直接感受一整日的「白晝場」,歡迎大家適性前來,共處各自精采。
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"表演廳節目",content:'
交響曲巨作固然能撼動觀眾,但能最觸動底心的,還是小編制作品。表演廳的【精選室內樂】,安排貝多芬室內樂最高傑作的六首晚期弦樂四重奏,加上被後世認為是「最偉大樂章」的《大賦格》,四把弦樂器拉出無窮盡的大千世界,值得兩百年後的我們諦聽省思;另外精挑鋼琴三重奏與四重奏,以及融合管樂編制的六重奏與小夜曲,展現貝多芬少見的絢麗華彩;大提琴奏鳴曲與弦樂三重奏,則靈巧地襯托弦樂四重奏,呼應作曲家的早期樂思。
\n\n【獨奏曲集錦】系列,當然不可忽視的就是被稱為「鋼琴新約聖經」的貝多芬鋼琴奏鳴曲,本次《瘋迷》先是挑選了帶有「標題」的眾人熟悉作品:《悲愴》、《月光》、《華德斯坦》,皆是令人傳頌不已、一聽過癮的膾炙人口曲目(至於《熱情》、《給泰瑞莎》、《告別》則請移駕至音樂廳)。
\n\n最終擺出鋼琴作曲史上最艱難的巨作:第28至32號的晚期鋼琴奏鳴曲,對演奏者與聆聽者來說,皆是一大挑戰。貝多芬在創作時已幾乎雙耳失聰,反而讓他超越樂器本身極限,寫出心中最理想的樂音。在萬物寂靜的狀態裡,貝多芬究竟聽到了什麼樣的音響?又想傳達出什麼樣的訊息?貝多芬揮灑最後的生命力量,成就了這幾首鋼琴奏鳴曲,值得觀眾細細品嚐。
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"音樂廳3F大廳",content:'
貝多芬的精神力貫穿他生涯所有的音樂,做為聽眾也需要卯足全力,音樂廳3F大廳也不會讓大家閒著,五場【貝多芬Talk & Show】系列,將以兩場講座補足作曲家生涯與創作歷程,豐富大家對於貝多芬的知識,呼應廳內的演出實況;三場室內樂則以編號第一號的鋼琴三重奏,以及備有標題《春》與《克羅采》的兩首小提琴奏鳴曲,展現早期貝多芬的輕鬆寫意,歡迎大家或坐或臥,毫無壓力地舒適聆聽。
\n\n半夜若是不成眠,3F大廳也將放映電影,即便是後人的想像與演繹,還是能一窺貝多芬的立體樣貌,如何改變音樂世界!
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"公共鋼琴限定計畫",content:'
公共鋼琴限定計畫:《復刻樂聖的熱情》
\n\n活動時間:3/2(六)17:00-23:00;3/3(日)08:00-17:00
\n\n※配合《衛武營劇場藝術體驗教育計畫:瘋迷24貝多芬 體驗課程》學生快閃活動,公共鋼琴於3/3(日)14:50-15:20暫停開放。
\n\n\n\n
貝多芬的32首鋼琴奏鳴曲,標誌著音樂發展史上,鍵盤作品的重要巔峰,成為一代又一代鋼琴大師挑戰的經典;而他的多首鋼琴小品,曲曲是一方天地,反映音樂藝術中熠熠閃耀的人性光輝。
\n\n\n\n
衛武營公共鋼琴,在《瘋迷24貝多芬》節目期間,備有多首貝多芬鋼琴作品樂譜,無論鋼琴初心者,或深藏不露的鋼琴好手,邀集貝多芬的狂粉,奏出貝多芬的狂熱!歡迎你呼朋引伴來公共鋼琴彈一曲!
\n\n\n\n
\n'},{reference:[],type:"content",name:"生成式AI貝多芬",content:'
和 AI 貝多芬尬聊 24 小時
\n\n想和 AI 貝多芬馬拉松式聊天 24 小時嗎 ? 衛武營與NEC合作推出生成式AI貝多芬,在《瘋迷24貝多芬》活動期間,和樂迷們盡情尬聊。
\n\n深夜時段,與AI貝多芬同框合照,上傳到你喜愛的IG、FB,還有機會獲得「貝多芬送歡樂送咖啡」濾掛包。時光有限,早來瘋迷早歡樂。
\n\n\n\n
展示地點:
\n\n音樂廳1樓前廳
\n\n三樓樹冠大廳(音樂迴廊前)
\n
\n展示時間:
3/2(六)16:00-3/3(日)17:00
\n\n\n\n
貝多芬送歡樂頌咖啡包兌換辦法
\n\n期間限定 : 3/2(六)23:00-3/3(日)05:00
\n\n兌換辦法 :
\n\n※歡樂頌咖啡包贈品數量有限,兌完為止。
\n\n※主辦單位保有最終修改、變更、活動解釋及取消本活動之權利,若有相關異動將會公告於網站, 恕不另行通知。
\n\n\n\t\t |
\n\n
合作夥伴
\n\n\n\t\t |
\n\t\t |
\n\t\t |
\n'}],onShelf:!0,sliders:[{type:"image",key:"392d4ec1f05947786f286de576d4c955",title:"《瘋迷24貝多芬》"}],related:[{from:"programs",key:"652f4011117b8d0007454a7a",title:"貝多芬《費黛里歐》歌劇音樂會"},{from:"programs",key:"658a4b9f9923780008bd89ec",title:"【武營來跳舞】瘋迷24貝多芬特別場《Dancing in the midnight》"},{from:"programs",key:"6577cf764800f500081a3da0",title:"【武營來開槓】瘋迷24貝多芬攻略"},{from:"programs",key:"6556bfec9a468f0007541d40",title:"【創意學習工作坊】貝多芬的無懼與自由"},{from:"news",key:"656ee073b124dd00095c6e11",title:"《瘋迷24貝多芬》達人認證BINGO卡"},{from:"news",key:"657c11d8c976c700078fccd8",title:"《瘋迷24貝多芬》閉幕抽獎!送你去「鶴宮寓HOK HOUSE」住一晚"}],title:"《瘋迷24貝多芬》",cover:"7edf247e600465af1d337fad2a82d2a0",site:{isOther:!0,site:"",other:"衛武營(音樂廳、表演廳、音樂廳3F大廳、公共鋼琴)"},cautions:'
《瘋迷》系列再度登場!過去兩年,衛武營以一天的時間,邀請觀眾徜徉在舒伯特與莫札特的樂音之中,一同在音樂廳與表演廳「過夜漫遊」。2024年,在眾人的千呼百喚之下,本系列要迎來無人不知、無人不曉的古典音樂超級巨星──貝多芬!
\n\n\n\n\n\n
\n\n
1770年出生於德國波昂,貝多芬以56年的生命,打破音樂家僅是「服務王公貴族」的窠臼,提升至獨立藝術家的新高度。多元寬闊的創作領域,每一項皆有劃時代突破,後世作曲家無不受其影響,晚年失聰後仍創作不輟,更證實了貝多芬的音樂,真正是「為自己而寫」!
\n\n3月2日下午五點起,《瘋迷24貝多芬》要依照編號順序帶來被譽為「不朽的九大」全本交響曲,同時更精選弦樂四重奏、器樂奏鳴曲、鋼琴三重奏等重要作品,加上午夜限定的爵士改編版,讓大家一起在衛武營音樂廳、表演廳與各個開放空間,為貝多芬跨越三世紀的樂思創意與旋律力量,深深撼動底心。
\n\n\n\n
票價
\n\n\n\t\t\t 24小時一票到底: \n\n\t\t\t
| \n\t\t\t\n\t\t\t 音樂廳時段票: \n\n\t\t\t單一時段 400元 \n\n\t\t\t
| \n\t\t
立即購票 | \n\t\t
\n\n
《瘋迷24貝多芬》入場手環
\n\n本活動為一人一票,憑票券於廳院入口處驗票後兌換手環入場,入場後請依各票種兌換指定顏色手環。
\n\n►了解更多
\n\n\n\n
達人認證BINGO卡
\n\n凡購買《瘋迷24貝多芬》「24小時一票到底」票券,即可至兌換處獲得達人認證BINGO卡1張,達成指定條件即可兌換對應獎勵。
\n\n►了解更多
\n\n\n\t\t |
\n\n
閉幕抽獎!送你去「鶴宮寓HOK HOUSE」住一晚
\n\n憑達人認證BINGO卡可參加抽獎。中獎的幸運兒,將由《瘋迷24貝多芬》送您到鶴宮寓 HOK HOUSE有書房住一晚,並享有美味的雙人份早餐(價值新臺幣5,880元)。
\n\n►了解更多
\n\n\n\t\t |
\n\n
誠品書店衛武營限定店 閱讀不打烊
\n\n2024/3/2(六)23:00-3/3(日)05:00活動期間誠品會員單筆消費滿1,000元贈100元電子抵用券(活動詳情以店內現場文宣為準,誠品書店保有活動更改與異動之權利)。
\n\n※誠品書店衛武營限定店將於2024/3/2(六)11:00開店,持續營業至3/3(日)20:00。
\n\n►了解更多
\n\n\n\t\t |
\n\n
相關節目
\n\n2024/3/1(五)19:30
\n►貝多芬《費黛里歐》歌劇音樂會
\n\t\t |
\n\n
市集
\n\n\n\n\n\t\t |
\n\n
周邊活動
\n\n2024/2/24(六)14:30
\n►【創意學習工作坊】貝多芬的無懼與自由
2024/3/2(六)14:00
\n►【武營來開槓】瘋迷24貝多芬攻略
2024/3/2(六)23:45、3/3(日)02:30
\n►【武營來跳舞】瘋迷24貝多芬特別場《Dancing in the midnight》
\n\n
3/2(六)20:00-3/3(日)12:00
\n所丘家居 SOCH X 無限卡 VIP LOUNGE
專屬衛武營無限卡會員的休憩空間,讓你有如身處在自家般的自在感受,歡迎前來體驗所丘家居的溫馨魅力。
\n\n\n\n\n\t\t |
\n\n
2/20(二)至3/10(日)止
\n憑《瘋迷24貝多芬》、貝多芬《費黛里歐》節目票券至老江紅茶牛奶指定直營門市【鳳山維新店】【鳳山青年店】消費,即可享指定商品「 火腿蛋吐司+紅茶牛奶(任意杯型),以上可單選及組合」9折優惠。
\n\n
演出暨製作團隊
\n\n音樂廳演出團隊
\n\n指揮|劉孟灝、廖元宏、葛諾.舒馬富斯/女高音|林雯華/次女高音|翁若珮/男高音|王典/男低音|曾文奕/極地之光管弦樂團、對位室內樂團、長榮交響樂團/合唱團|台北愛樂合唱團/爵士鋼琴|陳若玗/鼓|潘查克/南台灣室內樂協會(依出場序)
\n\n\n\n
音樂廳3F大廳演出團隊
\n\n講師:沈雕龍|南台灣室內樂協會
\n\n\n\n
表演廳演出團隊
\n\n南台灣室內樂協會
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
在地藝文支持夥伴
\n\n\n\t\t |
柯珀汝 | \n\t\t
\n\n
\n\t\t\t 停車資訊 \n\n\t\t\t3/2(六)-3/3(日)《瘋迷24貝多芬》活動持票觀眾停車費率計費為單日24小時最高上限160元,說明如下: \n\n\t\t\t
\n\n\t\t\t 貼心提醒: \n\n\t\t\t
| \n\t\t
\n\n
\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[{reference:[],type:"content",name:"Concert Hall",content:'
Known as the "Nine Immortal Symphonies," BEETHOVEN's symphonies are not only cherished classics for music enthusiasts but also some of the most frequently performed repertoire in classical concerts worldwide. To tackle the entire set, from Symphony No. 1 to Symphony No. 9, in just 24 hours, is an audacious feat, which one must be truly "daring" to undertake. These symphonies will form the backbone of the "Great Orchestral Works" programs in the Concert Hall. On the first day, the musical journey commences with the first and second symphonies, followed by the iconic Symphony No. 3 Eroica, often regarded as the genesis of the Romantic era. The day unfolds with the classically enchanting Symphony No. 4, and as night falls, Symphony No. 5, often referred to as Fate Symphony, resounds through the hall. As the sun rises on the second day, the audience is transported to a tranquil rural landscape with Symphony No. 6, aptly named Pastoral Symphony. Following this tranquil warm-up, Symphony No. 7 brings exuberance and dance, BEETHOVEN likening himself to Bacchus, the god of wine. The program reaches the pinnacle beauty of Symphony No. 8 before culminating in the grandeur of Symphony No. 9, the Choral Symphony. Through this musical journey spanning nine symphonies, BEETHOVEN's creative evolution and spirit of sublimation are vividly portrayed.
\n\nAs the clock strikes midnight, jazz pianist CHEN Jo-yu will grace the Concert Hall stage for the third consecutive year. In her performance for "In Love with BEETHOVEN - Midnight Jazz," she will employ the enchantment of swing and improvisation to breathe new life into classic melodies, unveiling a side of BEETHOVEN that you've never experienced before.
\n\nDuring the early morning hours, the two primary series from the Recital Hall, "Selected Chamber Music" and "Solo Works Collection," unfolding gracefully on the vineyard-style auditorium stage in the Concert Hall. These performances will feature delicate compositions for smaller ensembles like string quartets, piano sonatas, wind sextets, and piano trios, evoking heartfelt emotions.
\n\nJust like the previous year, Weiwuying will once again offer "8-hour Concert Hall Tickets" for the Concert Hall's program. Whether you prefer attending the "Sunset Session" after work or school, catching a glimpse of the mesmerizing "Moonlight Session," or enjoying the "Daytime Session" after a full night's sleep, there's an option for everyone. We invite you to choose your preference, join us, and share in this joyous experience together.
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"Recital Hall",content:'
While symphonies can certainly move audiences, it's often the smaller-scale works that have the most profound impact on their hearts. In the "Selected Chamber Music" series at the Recital Hall, you'll have the opportunity to experience six of BEETHOVEN's late-period string quartets, celebrated as some of his most exceptional chamber music masterpieces, along with the renowned Grosse Fugue, which is regarded as "the greatest movement" by later generations. The quartet of string instruments weaves a boundless tapestry of sound, providing a listening experience that continues to resonate and provoke contemplation even two centuries later.
\n\nFurthermore, the series carefully selects piano trios and quartets, along with sextets and serenades that combine wind instruments, showcasing BEETHOVEN's dazzling and vibrant creativity. The inclusion of the cello sonata and string trio complements the string quartet, echoing the composer's early creative ideas.
\n\nIn the "Solo Works Collection" series, BEETHOVEN's iconic piano sonatas, often referred to as the "Piano New Testament," take center stage. This time, 24 hours BEETHOVEN features some well-known works with distinctive titles: Pathétique, Moonlight, and Waldstein are all beloved compositions that have garnered endless praise and captivated listeners upon each hearing. (As for Appassionata, À Thérèse, and Les Adieux, you'll find them featured in the Concert Hall.)
\n\nAt last, we approach the formidable masterpieces in the history of piano composition: the late piano sonatas, specifically Nos. 28 to 32. These represent a challenge that stretches the abilities of both the performer and listeners. Remarkably, BEETHOVEN undertook the composition of these works while grappling with near-total deafness, a circumstance that paradoxically enabled him to surpass conventional boundaries and give voice to the purest music from his soul. In this realm of quietude, what sounds did BEETHOVEN perceive? What messages did he wish to impart? With unwavering determination, BEETHOVEN channeled his last reserves of vitality into crafting these piano sonatas, making them a treasure worthy of contemplation by the audience.
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"Concert Hall 3F Lobby",content:'
BEETHOVEN's profound spirit permeates his entire musical oeuvre, and as a listener, your active engagement is indispensable. The Concert Hall 3F lobby is set to ensure that no one remains idle. It features the "BEETHOVEN Talk & Show" series, comprising five sessions interspersed with two enlightening lectures and three chamber music performances. The lectures delve into BEETHOVEN's career and creative journey, enriching your understanding of the composer and resonating with the live performances in the hall. The performances include Piano Trio No. 1, as well as two violin sonatas titled Spring and Kreutzer, offering a glimpse into BEETHOVEN's relaxed and free-spirited style during his early years. All are welcome to sit or recline comfortably, listening without any undue pressure.
\n\nIf sleep eludes you in the middle of the night, a movie screening awaits you in the Concert Hall 3F lobby. While this portrayal is a product of future generations' imagination and interpretation, it offers a window into the persona of BEETHOVEN and his transformative influence on the world of music!
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"Public Piano",content:'
Public Piano: Reigniting Appassionato for BEETHOVEN
\n\nDates: 3/2(Sat)17:00-23:00; 3/3(Sun)08:00-17:00
\n\n\n\n
BEETHOVEN's 32 piano sonatas are collectively viewed as a major peak in the history of keyboard music and have thus been part of the repertoire of challenges taken on by great pianists for generations. Meanwhile, his many other piano works, a realm unto themselves, shine with a brilliant aura of human nature.
\n\n\n\n
During Weiwuying's 24 Hours BEETHOVEN, sheet music of this great composer's work will be available at the Public Piano. Whether you're a beginner or a guru who has remained in hermitage, if you're a lover of BEETHOVEN, we want you to come and express that love for all to see. And you’re of course perfectly welcome to bring a friend to play alongside!
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"392d4ec1f05947786f286de576d4c955",title:"《瘋迷24貝多芬》"}],related:[],title:"24 Hours BEETHOVEN",cover:"7edf247e600465af1d337fad2a82d2a0",site:{isOther:!0,site:"",other:"Weiwuying (Concert Hall, Recital Hall, Concert Hall 3F Lobby, Public Piano)"},cautions:'
The "24 Hours Series" is back! Over the past two years, Weiwuying has invited its audience to immerse themselves in the enchanting music of SCHUBERT and MOZART, allowing them to "wander" through the Concert Hall and Recital Hall overnight. Now, in 2024, due to popular demand, the "24 Hours Series" is set to welcome a universally acclaimed classical music superstar - none other than BEETHOVEN himself!
\n\n\n\n
BEETHOVEN was born in Bonn, Germany in 1770. Over the course of his extraordinary 56-year life, he shattered the conventional belief that musicians were merely intended to serve the princes and nobles, ascending to the rank of an independent artist. Across a spectrum of diverse creative realms, BEETHOVEN achieved groundbreaking milestones, leaving an indelible mark on all future composers. Remarkably, even in the face of deafness in his later years, BEETHOVEN persisted in his creative endeavors, offering compelling evidence that his music was undeniably a testament to his innermost self.
\n\n\n\n
On March 2, starting at five o'clock in the afternoon, 24 Hours BEETHOVEN will embark on a journey to present the complete "Nine Immortal" symphonies in chronological order. Alongside these symphonies, selected string quartets, instrumental sonatas, and piano trios will be featured. Additionally, there will be jazz adaptations during the midnight hours. This event will offer everyone an immersive experience of BEETHOVEN's musical genius and timeless melodies spanning three centuries. The performances will take place in various spaces, including the Weiwuying Concert Hall, Recital Hall, and other open areas, promising to stir the depths of your soul.
\n\n\n\n
Price
\n\n24-hour Concert Hall Ticket: $1,000/per
\n\n24-hour Recital Hall Ticket: $600/per
\n\nCombo 24-hour Concert Hall Ticket + Recital Hall Ticket: $1,200/per
\n\n8-hour Concert Hall Ticket: $400/per (Sunset Session 16:30-24:00 / Moonlight Session 00:30-09:30 / Daytime Session 10:00-17:00)
\n\n\n\n\n\n
\n\n
Creative and Production Team
\n\nPerformer(s) at Concert Hall
\n\nConductor: LIU Meng-hau, Brian LIAO, Gernot SCHMALFUSS / Soprano: LIN Wen-hua / Mezzo-soprano: WENG Jo-pei / Tenor: Fernando WANG / Bass: TSENG Wen-i / Apex Orchestra, Counterpoint Ensemble, Evergreen Symphony Orchestra / Chorus: Taipei Philharmonic Chorus / Jazz Piano: CHEN Jo-yu / Drums: Chuck PAYNES / Southern Taiwan Chamber Music Society (in order of appearance)
\n\n\n\n
Performer(s) at Concert Hall 3F Lobby
\n\nSpeaker: SHEN Diau-long / Southern Taiwan Chamber Music Society
\n\n\n\n
Performer(s) at Recital Hall
\n\nSouthern Taiwan Chamber Music Society
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
Cultural Development Partner
\n\n\n\t\t |
柯珀汝 | \n\t\t
\n',team:""},createdAt:1698299588,updatedAt:1709285127,updatedBy:"林蔚行",host:!0},{_id:"6549fdcff0365a0009b49436",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1710655200,discrete:[{time:1710655200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3],link:"https://www.opentix.life/event/1709470485534404609"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e403d0c474459d3bdb21dddeaffe03e9",title:"《飛越那個杜鵑窩窩頭》"}],related:[],title:"《飛越那個杜鵑窩窩頭》",cover:"e842664ec8c69200f4717fdffa51c169",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
歡迎光臨「神經學院成長私塾」一群自以為正常的精神病患們,有著什麼日常?像警察一樣伸張正義,像歌劇天后整天高歌…盡興地活在自己的想像泡泡中…到底誰才是正常,其實沒有人弄的清…然而夜深人靜時,彷彿從一個遙遠的地方看自己,看他/她是如何努力的活著,當你有機會看到這樣疲憊的自己時,記得要多心疼他一點,只有在認真面對時,才能遇見靈魂深處的自己,內心是否有一隻小野獸蠢蠢欲動呢?在這裡可以瘋狂、跳脫現實,讓思考奔馳,有沒有想過你可以是誰,卻也可以誰都不是…
\n\n\n\n
演出暨製作團隊
\n\n出品監製|張秉中
\n\n導演·編劇|洪曉芬
\n\n製作人|俞樂
\n\n製作執行|管庭幼
\n\n化妝服裝|彭文怡 蔡秉儒
\n\n燈光音響|顏士成 郭倍辰
\n\n後台經理|廖芳苡
\n\n舞台經理|彭詩玫
\n\n行政經理|黃旋音
\n\n前後台工作人員|林紋琪 何美雯 廖敏琪 吳心媛 盧玉慈 廖宜萱
\n\n演出人員|蕭慧婷 馬佩君 張碧芸 呂伊萍 林怡佩 許雅雲 蔡秉儒 管庭幼 陳俊儒 徐銘偉
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e403d0c474459d3bdb21dddeaffe03e9",title:"《飛越那個杜鵑窩窩頭》"}],related:[],title:"Over the Cuckoo's Nest",cover:"e842664ec8c69200f4717fdffa51c169",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Welcome to the "Neurology Academy Growth School"! What is the daily life of a group of mentally ill people who thinks they are normal? Delivering justice like a policeman, singing like an opera diva all day long... Living happily in their own imagination bubble... In fact, no one can figure out who is normal... However, in the quietness of night, it’s like looking at yourself from a distant place. Seeing how hard he / she is living. When you have the opportunity to see yourself, remember to console him/her. Only when facing it seriously can you meet yourself deep in the soul. Is there a little beast in your heart? Ready to make a move? In this world, you can go crazy, escape from reality, and let your thoughts run wild. Have you ever thought about who you can be ?
\n\n\n\n
Creative and Production Team
\n\nPresented by|Daniel Chang
\n\nDirected & Screenplay by|Emily Hung
\n\nProduced by|Fion Yu
\n\nProduction Assistant|Tanya Kuan
\n\nCostume&Makeup|Monica Peng, Rainbow Tsai
\n\nSound,Lighting &Camera|Tom Yen, Brian Kuo
\n\nBackstage Manager|Kerry Liao
\n\nStage Manager|Mei Peng
\n\nAdministration Manager|Michelle Huang
\n\nAdministration Staff|Jane Lin, Tina Ho, Lisa Liao, Cindy Wu, Sandy Lu, Grace Liao
\n\nPerformers|Teresa Xiao, Pei Ma, Abby Chang, Betty Lu, Monica Lin, Ya-Yun Xu, Rainbow Tsai, Tanya Kuan, Jason Chen, Marcus Hsu
\n\n\n\n
\n',team:""},createdAt:1699347919,updatedAt:1710124425,updatedBy:"林蔚行",host:!0},{_id:"65547ae2f0365a0009b6e909",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1709292600,discrete:[{time:1709292600},{time:1709361e3},{time:1709379e3},{time:1709442e3},{time:1709454600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1400,1800,2400,2800,3200,3600],link:"https://kham.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=P0BWHZ6C"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8563e23c6605b0a5aac35e30f48169",title:"《藍人樂團2024世界巡迴 全新進化》"}],related:[],title:"《藍人樂團2024世界巡迴 全新進化》",cover:"63ab871dc6e629189e1c275bf68c697e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
風靡全球的百老匯劇場表演——藍人樂團2024世界巡迴將以全新進化的舞台再度登臺。藍人樂團其最標誌性的光頭和藍色的三位演出者廣受推崇和喜愛,透過多媒體藝術、音樂和喜劇等元素創造獨特的娛樂風格傳遞歡樂。此次台灣演出為世界巡迴之其中一站,將加入僅為世界巡演限定的獨特角色,她帶著神秘古怪的薩滿氛圍,襯著藍色髮型,化身搖滾巨星演奏變化多樣的樂器進而取代傳統樂隊,動感四溢的全新音樂風格,將完美融入席捲藍色世界。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8563e23c6605b0a5aac35e30f48169",title:"《藍人樂團2024世界巡迴 全新進化》"}],related:[],title:"BLUEVOLUTION WORLD TOUR",cover:"63ab871dc6e629189e1c275bf68c697e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Blue Man Group, the wildly popular theatrical phenomenon, will be visiting Taiwan for the third time as part of Blue Man Group's Bluevolution World Tour from Feb, 23 to March, 10th, 2024. At Blue Man Group's Bluevolution World Tour, audiences will rock, laugh and party as three bald and blue characters explore the world and discover music, comedy and surprises at every turn. Blue Man Group's Bluevolution World Tour showcases classic Blue Man favorites along with brand new content, including a new character called "The Rockstar," who will replace the traditional band as a multi-instrumentalist. With striking blue hair, "The Rockstar" will preside over the ritual of the evening as a shamanic "Master of Ceremonies" presence on the stage. Her eccentric and other-worldly look, combined with her dynamic musical stylings, will complement the multi-sensory nature of the show.
\n\n\n\n
\n",team:""},createdAt:1700035298,updatedAt:1709863990,updatedBy:"林蔚行",host:!1},{_id:"65547eb0f0365a0009b6e9b2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1711452600,discrete:[{time:1711452600},{time:1711519200},{time:1711539e3},{time:1711605600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[2e3,2500,2800,3200,3800,4800],link:"https://zh-tw.shenyun.com/find-ticket/list/kaohsiung?_tuid=046d2867-22e5-c4b7-efb2-f476d2c8a750"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"edc68e2b15f8fdf2e4ff474a8fe76eda",title:"《2024神韻台灣巡迴演出》"}],related:[],title:"《2024神韻台灣巡迴演出》",cover:"4173767fe96de440ba9e9646f4437a7c",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
「五千年中華傳統音樂舞蹈盡在一台晚會中」——《紐約時報》
\n\n「輝煌神奇的大戲! 一場必看的演出。」——《百老匯世界》
\n\n「『真善忍』像神韻的戲,在告訴世人,怎麼樣才是一個最美麗、怎麼樣才是一個最幸福的世界。」——孫翠鳳 臺灣原創劇種歌仔戲,明華園總團首席台柱
\n\n「神韻是一股很偉大的力量,能戰勝所有不美好的事情。」——林育生 圓山飯店董事長
\n\n\n\n
神韻演出約20個 節目,從漢唐盛世到明清宮廷,從江南美景到西北高原,舞蹈和舞劇節目的場景設置涵蓋神州每處土地、每段時光。節目中也展現了各式各樣的人物,從端莊秀美的仕女到馳騁沙場的大將,從仙風道骨的道教祖師到嬉笑怒罵的市井小民,個個都栩栩如生。節目中更描繪了現代中國社會堅持信仰的一群人,他們雖然遭受迫害,卻依然堅貞不屈,他們的故事催人淚下、感人至深。神韻演出涵蓋了傳統文化的精華,展現出古老智慧非同凡響的深度和廣度,使五千年的輝煌再現人間。
\n\n\n\n
演出暨製作團隊
\n\n神韻藝術團創始人、藝術與創作總監、服裝設計師及中國古典舞導師|D. F. 先生
\n\n作曲家|淨弦、高原
\n\n舞蹈編導|任鳳舞、陳永佳
\n\n女高音歌唱家|耿皓藍
\n\n主要領舞演員|王琛、黃景洲
\n\n舞台監督|路艷萍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"edc68e2b15f8fdf2e4ff474a8fe76eda",title:"《2024神韻台灣巡迴演出》"}],related:[],title:"Shen Yun 2024 Taiwan",cover:"4173767fe96de440ba9e9646f4437a7c",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
5,000 Years of Chinese Music and Dance,in One Night.——The New York Times
\n\nSimply gorgeous stage magic! A must-see.——Broadway World
\n\n\n\n
Each performance consists of about 20 pieces, quickly moving from one legend, region, or dynasty to the next. Themes range from the delicate elegance of Tang court ladies to the battlefield heroics of valiant generals, from the timeless philosophical works of Lao-Tzu to spectacular scenes of magical realms. Some pieces also touch upon the topic of today's China, shedding light on the oppression many experience for their spiritual beliefs. These tales of courage are often what audience members find the most touching and uplifting. Shen Yun's works convey the extraordinary depth and breadth of genuine Chinese culture, and bring the magnificence of five thousand years of civilization back to life on stage.
\n\n\n\n
Creative and Production Team
\n\nThe founder of Shen Yun, Artistic and Creative Director, Costume Designer, and Director of classical Chinese dance|D.F.
\n\nComposer|Jing Xian、Gao Yuan
\n\nChoreographer|Michelle Ren、Yungchia Chen
\n\nSoprano|Haolan Geng
\n\nPrincipal Dancer|Angelia Wang、Piotr Huang
\n\nStage Manager|Emily Lu
\n\n\n\n
\n',team:""},createdAt:1700036272,updatedAt:1711529451,updatedBy:"林蔚行",host:!1},{_id:"655b363af0365a0009b98f31",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1709103600,discrete:[{time:1709103600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1704667117167435777"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3cfc7f5dbaba53b259caf174f969c4e1",title:"《經典•聖樂之旅九--陽光與希望》"}],related:[],title:"《經典•聖樂之旅九--陽光與希望》",cover:"c55e808c1fb48dc844d7e1f638036e72",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
1980年成立至今已進入43年的佳播聖詠團,2024年音樂會將以《經典•聖樂之旅九-陽光與希望》為主題演唱創作曲及改編曲,以表達感謝讚頌上主如太陽般光照我們,在疫情後引導我們在祂的光中安穩行進且不致迷途。本年度也將藉著與八角塔府城合唱團跨宗教的合作,同聲讚頌萬物之主在黑暗中引領我們、在傷感中開導我們,卻也在幸福中不忘記曾經的苦難。
\n
\n音樂會將從進入Gounod的《加利亞》(Gallia),古諾取材自耶肋米亞哀歌第一章的經文隱喻拿破崙戰敗後法國的苦難,最終人民懇求歸向上主。本場音樂會由此開啟布幕,用意即在提醒歷經二年多嚴重疫情後,造物主是人們心中最終的希望。
\n
\n第二組曲目為林聲翕的《山旅之歌》,安排此套歌曲的目的在提醒人們,陽光普照的山林總是風姿綽約、萬千變化,不因人為的疫情而稍有失色。此包含六首歌曲的聯篇歌曲,為詩人黃瑩描述多次旅行橫貫公路霧社支線所親身感受的山光雲影。也是人們體會當太陽從東方升起之際,萬千景緻照耀著光影絢爛美麗,不知如何描繪,唯以口唱心和讚嘆造物主的奇妙化工。
\n
\n下半場的曲目在三個主題中「太陽的祝福」、「太陽下翱翔」、「太陽與希望」分別演唱二首A Cappella歌曲〈Shenandoah〉、〈My God is A Rock〉,以及七首鋼琴伴奏歌曲〈Flight Song〉、〈Festival Sanctus〉、〈The Ground〉、〈Joshua Fit de Battle of Jericho〉、〈Come tu mi vuoi〉〈頌主鴻恩〉與〈願祢受讚頌〉。
\n
\n整場音樂會樂曲創作時間橫跨三世紀,其中多首為國內年輕的作曲作詞者及神父、信徒等創作的歌曲與詠讚,分別以男聲五部、女聲三部、混聲四部呈現;歌詞語言則包含拉丁文、英文、中文、台語等。
\n
\n陽光喚醒大地使萬物復甦,休養生息後又再度循著自創世之初天體運行萬物滋生的節奏飽飫生靈,直至日落。期許此場音樂會能讓參與演出者及觀眾感受一切受造物日復一日浸潤在愛與恩典中,且周而復始的在陽光中獲得永遠的希望。
\n\n
演出暨製作團隊
\n\n佳播聖詠團 音樂總監兼指揮|歐遠帆
\n\n八角塔府城合唱團 指揮|李建一
\n\n佳播聖詠團 鋼琴|毛凱妮
\n\n八角塔府城合唱團 鋼琴|張秉真
\n\n女高音|王沛君
\n\n佳播聖詠團 團長|王冰潔
\n\n八角塔府城合唱團 團長|鄭睦迪
\n\n演出經理|廖錫琴
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3cfc7f5dbaba53b259caf174f969c4e1",title:"《經典•聖樂之旅九--陽光與希望》"}],related:[],title:"2024 Annual Joint Concert - Sunshine and Hope",cover:"c55e808c1fb48dc844d7e1f638036e72",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Joint Concert of "Journey of A Classic·Sacred Music" presenting by St. Gabriel Choir & Octangle Tainan Choir with the theme of "Sunshine and Hope" to praise God for shining the world, leading us to face life positively amid the pandemic. The repertoire includes Gounod's "Gallia" based on the Lamentations of Jeremiah, "Song of Mountain Travel" describing a majestic scenery of Wu-she , "My God Is A Rock" a spiritual song, and many other thought-provoking songs.
\n\n\n\n
Creative and Production Team
\n\nSt. Gabriel Choir Music Director & Conductor|Yuanfang OU
\n\nOctangle Tainan Choir Conductor|Chien-Yi LIST
\n\nGabriel Choir Piano|Kai-Ni MAO
\n\nOctangle Tainan Choir Piano|Ping-Chen CHANG
\n\nSoprano|Pei-Chun WANG
\n\nSt. Gabriel Choir Leader|Bing-Jye WANG
\n\nOctangle Tainan Choir Leader|Mu-Ti CHENG
\n\nConcert Manager|Hsi-Chin LIAO
\n\n\n\n
\n',team:""},createdAt:1700476474,updatedAt:1700627051,updatedBy:"林蔚行",host:!1},{_id:"6562af539a468f00075958c9",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1709811e3,discrete:[{time:1709811e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500],link:"https://www.opentix.life/event/1725404081126465537"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b15320b88d3a9190d1be6cb4dc19bf38",title:"《瑪德利加60週年訪台音樂會》"}],related:[],title:"《瑪德利加60週年訪台音樂會》",cover:"4f0863986027d1b48c9e8fa18201d493",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
菲律賓瑪德利加合唱團(MADZ)是第一個獲得兩次歐洲歌唱大賽大獎的合唱團,此次由藝術總監Mark Carpio領軍來臺巡演,做為他們創團60週年團慶音樂會的一部份。演出曲目除了菲律賓作曲家的現代合唱作品之外,尚安排了十六世紀的牧歌,以及臺灣較少聽到的印度歌謠,曲目的編排呈現既古典且新奇。MADZ獨特的演出形式,是每位歌手肩靠肩的坐著排成半圓形,此次MADZ將再一次從他們的半圓中,投射出絕美的人聲藝術。
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|馬克.卡皮歐
\n\n菲律賓瑪德利加合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b15320b88d3a9190d1be6cb4dc19bf38",title:"《瑪德利加60週年訪台音樂會》"}],related:[],title:"MADZ 60th Tour Concerts in Taiwan",cover:"4f0863986027d1b48c9e8fa18201d493",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Philippines Madrigal Singers (MADZ) Taiwan Tour Concerts, led by artistic director Mark Carpio, is part of their 60th anniversary concerts. They will bring the Taiwanese audience modern choral works by Filipino composers, madrigals from the 16th century and Indian songs medley which are rarely performed in Taiwan. The arrangement of the repertoire is both classical and novel. MADZ's unique performance is that each singer sits shoulder to shoulder in a semicircle. This time MADZ will once again share their beautiful music from their semicircle.
\n\n\n\n
Creative and Production Team
\n\nThe Philippine Madrigal Singers
\n\nArt Director|Mark Anthony Carpio
\n\n\n\n
\n',team:""},createdAt:1700966227,updatedAt:1709863943,updatedBy:"林蔚行",host:!1},{_id:"6562b371f0365a0009bd4974",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711175400,discrete:[{time:1711175400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1500,1800,2200],link:"https://www.opentix.life/event/1720002883545387008"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ea8d92bcd098c69ad0184637a9c96ef3",title:"狂美《好萊塢電影配樂》交響音樂會"}],related:[],title:"「節目異動」狂美《好萊塢電影配樂》交響音樂會",cover:"e0ddd4cc98b3ac001aa09d3fa8e96174",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂於2024年3月23日(六)14:30於衛武營音樂廳演出之狂美《好萊塢電影配樂》交響音樂會,演出人員異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
沿著有「母親公路」之稱的美國66號公路緩緩駛進終點路段-洛杉磯,蜿蜒的山路、巍峨的山壁上映著大大的『HOLLYWOOD』好萊塢標誌。自1910年起,隨著時代的脈動、電影業的蓬勃,逐漸成為舉世聞名的電影之都,更是影視明星的夢想之地。
\n\n透過電腦繪圖將畫面一幀幀的推進,狂美以音樂為引、明珠的優雅導聆,將帶領觀眾一窺電影情節裡的每個驚奇。如果您對即將演奏的曲目有著高度的期待,那您更要走進我們欲演出的專業音樂廳,體驗真實之聲所呈現的配樂震撼之鳴!
\n\n\n\n
演出曲目
\n\n《星際大戰》音樂會選粹|Arr.真島俊夫
\n\n《侏羅紀公園》配樂精選|Arr.保羅.拉凡德
\n\n《神鬼交鋒》|Arr.傑·博庫克
\n\n《哈利波特》交響組曲|Arr.羅伯特·史密斯
\n\n《魔戒首部曲-魔戒現身》|Arr.揚·瓦爾塔
\n\n《大娛樂家》組曲|Arr.星出尚智
\n\n《樂來越愛你》組曲|Arr.天野正道
\n\n《神鬼奇航》組曲|Arr. 森田一浩
\n\n《鐵達尼號》組曲|Arr.星出尚智
\n\n\n\n
演出暨製作團隊
\n\n監 製|謝韋民(狂美交響管樂團 團長)
\n\n製 作 人|劉可婕(狂美交響管樂團 樂團總監)
\n\n指 揮|謝韋民
\n\n金鐘導聆|陳明珠(2019金鐘得主、典禮主持人)
\n\n演出樂團|狂美交響管樂團
\n\n視覺設計|山侖設計
\n\n文案企劃|劉可婕
\n\n行銷協力|獨秀文化有限公司
\n\n影音紀錄|奧美視有限公司-林文鑫
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ea8d92bcd098c69ad0184637a9c96ef3",title:"狂美《好萊塢電影配樂》交響音樂會"}],related:[],title:"(Program changed) 2024 Hollywood Film Music Concert",cover:"e0ddd4cc98b3ac001aa09d3fa8e96174",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-3-3251180#101. | \n\t\t
\n\n
Slowly drive along United States Route 66, known as the "Mother Highway", to the final section - Los Angeles. Via the winding mountain road, the towering mountain wall reflects the big "HOLLYWOOD" sign. Since 1910, with the pulse of the times, the film industry thrived, this place gradually became a world-famous film capital.
\n\nDisplay the picture through computer graphics, ConBello symphonic band leads with music, and Ming-Jhu's elegant guide listening, will lead the audience to get a glimpse of every surprise in the plot of the movie. If you have high expectations about the repertoire that is about to be performed, then you should enter the professional concert hall where we will perform, and experience the amazing sound of the soundtrack presented by our real sounds!
\n\n\n\n
Program
\n\nStar Wars - Concert Selection|Arr. Toshio Mashima
\n\nJurassic Park Soundtrack Highlights|Arr. Paul Lavender
\n\nCatch Me If You Can|Arr. Jay Bocook
\n\nHarry Potter Symphonic Suite|Arr. Robert W. Smith
\n\nThe Lord of the Rings - The Fellowship of the Ring|Arr. Jan Valta
\n\nSuite from The Greatest Showman|Arr. Takashi Hoshide
\n\nLa La Land Suite|Arr. Masamicz Amano
\n\nPirates of the Caribbean Medley|Arr. Kazuhiro Morita
\n\nTitanic - Medley|Arr. Takashi Hoshide
\n\n\n\n
Creative and Production Team
\n\nDirector|HSIEH Wei-min
\n\nProducer|LIU Ke-chieh
\n\nConductor|HSIEH Wei-min
\n\nHost|CHEN Ming-Jhu
\n\nPerformer|Con Bello Symphonic Band
\n\nGraphic Designer|SUN LUN Design
\n\nCopywriter|LIU Ke-Chieh
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\n\n',team:""},createdAt:1700967281,updatedAt:1708142474,updatedBy:"林蔚行",host:!1},{_id:"65658297c83cd00008be5190",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1710136800,discrete:[{time:1710136800},{time:1710210600},{time:1710223200},{time:1710309600},{time:1710482400},{time:1713765600},{time:1713839400},{time:1713852e3},{time:1714370400},{time:1714444200},{time:1714456800}],type:"discrete"},activity:{type:"free",free:{description:"線上申請,媒合參與"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1701223200,end:4856860799},tabs:[{reference:[],type:"content",name:"電子版學習單",content:'
電子版學習單
\n\n\n\n
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"ccbfd9c82d55413df1b8bcd990a8b375",title:"2024【衛武營藝企學】上半年登場!"}],related:[],title:"2024【衛武營藝企學】上半年登場!",cover:"d00b2b5107d367c732c70a1be49553da",site:{isOther:!0,site:"5aec47d3b01ea6000520f663",other:"衛武營"},cautions:"",benefits:"",description:"衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。",introduction:'\n\n
\n\n
衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。為能讓全國學生有機會進入如此具有特色的國際表演廳院,並透過藝文欣賞體驗,讓美感教育潛移默化。本計畫邀請專業表演團隊精心設計演出腳本,將劇場禮儀、國際廳院介紹融入精采表演中,期望師生透過親身蒞臨衛武營與表演欣賞,達到培養學生對於表演藝術美學的感受力與接觸美感場域之目的。
\n\n\n\n
演出場次
\n\n2024上半年共計11場,各場次日期時間如下表:
\n\n各場次演出節目類型
\n\n日期 | \n\t\t\t節目種類 | \n\t\t
3/11(一)~3/12(二) | \n\t\t\t舞蹈類 | \n\t\t
3/13(三)、3/15 (五) | \n\t\t\t音樂類 | \n\t\t
4/22(一)~4/23(二) | \n\t\t\t舞蹈類 | \n\t\t
4/29(一)~4/30(二) | \n\t\t\t音樂類 | \n\t\t
\n\n
國小高年級場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/12(二) | \n\t\t\t10:30-11:30 | \n\t\t
2 | \n\t\t\t3/12 (二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t3/13(三) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t3/15(五) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t4/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t4/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t4/30(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
8 | \n\t\t\t4/30(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
國中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t3/11(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t3/12(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
3 | \n\t\t\t3/12(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t3/13(三) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t3/15(五) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
6 | \n\t\t\t4/22(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t4/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
8 | \n\t\t\t4/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
9 | \n\t\t\t4/29(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
10 | \n\t\t\t4/30(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
11 | \n\t\t\t4/30(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
高中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/11(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 4/22(一) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t4/29(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
體驗內容
\n\n\n\n
\n\n
國際廳院介紹:實際走進衛武營音樂廳,認識全亞洲最大管風琴以及葡萄園式座席,感受國際廳院的魅力。或是認識全臺唯一凸出式可升降延伸舞台的衛武營戲劇院(可變換作為觀眾席、樂池、供不同類型演出使用)。
\n\n劇場禮儀:實際體驗驗票進場流程、尋找票面上的座位入席,並在演出過程中了解劇場禮儀的重要性。
\n\n精彩表演體驗:衛武營藝企學每年邀請音樂、舞蹈、馬戲、傳統戲曲四大類型的專業表演團隊,並精心設計演出腳本,搭配精美學習單,培養學生對於表演藝術美學的感受力。
\n\n\n\n
體驗時間
\n\n各場次約60分鐘
\n\n上午場 | \n\t\t\t下午場 | \n\t\t\t流程 | \n\t\t
09:30~10:00 | \n\t\t\t13:00~13:30 | \n\t\t\t集合整隊、發放票券及學習單 | \n\t\t
10:00~10:30 | \n\t\t\t13:30~14:00 | \n\t\t\t驗票入場、活動介紹、使用洗手間 | \n\t\t
10:30~11:30 | \n\t\t\t14:00~15:00 | \n\t\t\t正式演出 | \n\t\t
*因各場次人流眾多,等待時間可能較長,造成不便敬請見諒
\n\n\n\n
申請流程
\n\n本計畫提供全國各縣市學校進行申請(申請單位為「學校」)
\n\n●至多可填寫3場次,依所填寫之志願序進行媒合,每校最終僅媒合一場。
\n\n\t●每校「老師+學生」總人數最多400位。
\n\n\t●參與學生與帶隊師長比例應以30:2為原則進行申請,若有特教或偏鄉則請帶隊老師參酌調整師生比。
\n\n\t●請務必確認各項資訊為正確資料。若因資料填寫錯誤,導致場次媒合失敗,恕不另外通知。
\n\t\n\n
申請對象
\n\n全國各縣市之國小五年級生至高中職生
\n\n\n\n
\n\n
媒合與公告時程
\n\n2/19(一)12:00 公佈媒合成功名單
\n\t各場次演出前兩週發送詳細行前通知與演出內容簡介
\n\t\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 學推部
\n\n蔡沛嘉 07-262-6415
\n\n李詠嫣 07-262-6413
\n\n\n\n
文化部校外文化體驗
\n\n\n\t\t |
本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n►更多詳情
\n\n\n\n
教育部美感教育計畫-「文化美感輕旅行」
\n本計畫為教育部美感教育計畫-「文化美感輕旅行」合作場館,為安排偏遠地區(含非山非市)學校學子前往藝文場館參訪,其目的為提升偏遠地區學生美感體驗之機會,培養其接觸美感場域習慣,涵養美感經驗,平衡城鄉美感鑑賞差異,進而落實美感素養於日常生活中。
\n►更多詳情
\n\n
以上歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)、教育部諮詢窗口報名參與。
\n\n\n\n
相關影片
\n\n\n\n\n\n\n\n\n\n
協力贊助
\n\n\n\t\t\t | 華盛營建工程股份有限公司 | \n\t\t
\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t\t 姚仲澤先生 \n\t\t\t | \n\t\t
張瑞欽先生 | \n\t\t
\n',team:""},createdAt:1701151383,updatedAt:1713932612,updatedBy:"林蔚行",host:!0},{_id:"656946a46bffd90008ed3b08",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1711162800,discrete:[{time:1711162800}],type:"discrete"},activity:{type:"signup",signup:{limit:100,standby:0,updatable:!1,cancelable:!0,basicFields:[],fields:[{required:!0,key:"custom_text_1701397958099",text:"真實中文姓名",english:""},{required:!0,key:"5db2e6c01c2f2a0007bbce73",text:"性別 Gender",english:"性別 Gender"},{required:!0,key:"custom_text_1701398054696",text:"出生年(西元年)",english:""},{required:!0,key:"custom_text_1701398100107",text:"居住地(縣市/鄉鎮)",english:""},{required:!0,key:"custom_text_1701398115947",text:"聯絡行動電話",english:""},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"custom_text_1701398120981",text:"現職 / 或就讀學校",english:""}],vip:{start:1701396e3,end:1711123199},open:{start:1701396e3,end:1711123199},description:'
講座全程90分鐘,無中場休息。
\n\t講座全程以中文進行,無字幕。
\n\t建議7歲民眾以上參與。
\n\t主辦單位將以E-mail寄發行前通知及其相關資訊,敬請務必提供有效之個人電子信箱,並按照通知信上之說明日期、時間及地點報到。
\n\t如遇颱風、地震或其他不可抗之緊急狀況,將依高雄市政府公告為準則;若宣佈停止上班上課,當日活動即取消,是否延期辦理等將另行公告。
\n\t為維護講師著作權與活動品質,講座進行中請勿攝錄影。
\n\t主辦單位將於活動期間進行攝、錄影等相關影音資料作為活動紀錄及非營利使用,凡完成報名者即表示同意前影像之授權,故敬請斟酌報名參與。
\n\t錄取者同意其於講座期間及地點內有關之人身及財產安全,應自行購買足額之保險,主辦單位並無代為投保之義務。
\n\t國家表演藝術中心衛武營國家藝術文化中心保留有本活動最終修改、變更、解釋及取消之權利。
\n\t本人已充分閱讀、理解並同意主辦單位所公布之報名暨須知、注意事項。
\n\t講座全程90分鐘,無中場休息。
\n\t講座將於10:30開放入場。
\n\t講座全程以中文進行,無字幕。
\n\t建議7歲民眾以上參與。
\n\t主辦單位將以E-mail寄發行前通知及其相關資訊,敬請務必提供有效之個人電子信箱,並按照通知信上之說明日期、時間及地點報到。
\n\t如遇颱風、地震或其他不可抗之緊急狀況,將依高雄市政府公告為準則;若宣佈停止上班上課,當日活動即取消,是否延期辦理等將另行公告。
\n\t為維護講師著作權與活動品質,講座進行中請勿攝錄影。
\n\t主辦單位將於活動期間進行攝、錄影等相關影音資料作為活動紀錄及非營利使用,凡完成報名者即表示同意前影像之授權,故敬請斟酌報名參與。
\n\t錄取者同意其於講座期間及地點內有關之人身及財產安全,應自行購買足額之保險,主辦單位並無代為投保之義務。
\n\t國家表演藝術中心衛武營國家藝術文化中心保留有本活動最終修改、變更、解釋及取消之權利。
\n\t本人已充分閱讀、理解並同意主辦單位所公布之報名暨須知、注意事項。
\n\t由國家文藝獎獲獎者暨舞蹈空間藝術總監的平珩與德國柏林自由大學謝杰𨑳博士共同分享《火鳥.春之祭》的深刻內涵,解析其對當代藝術的不朽影響、編舞家伊凡·沛瑞茲如何挑戰經典並帶領20位臺、德一同舞出新意。
\n\n《火鳥》是作曲家斯特拉溫斯基在1910年與知名芭蕾編舞家佛金合作的成名作,依伊果王子森林救美故事架構創作出傳神的樂音。此作的成功,並未讓作曲家安於現況,在三年後的1913年,即與另位知名編舞家尼金斯基創作出「石破天驚」的《春之祭》,音樂與舞蹈上的雙雙破格,成為當時引發論戰的話題。沛瑞茲因此想從當今角度串連兩個作品,找尋「合拍順從」到「異中求變」的心路歷程,或許也多少反應出主流社會對於一個像他這樣,從原籍西班牙、旅居荷蘭到現在落腳德國的「異鄉人」,所親身體會到的種種感受。
\n\n講座將深入解析史特拉汶斯基曾經被視為叛逆、卻在一百多年後成為經典之作的《火鳥.春之祭》,歡迎舞蹈及現代藝術愛好者,前來探索這場音樂與舞蹈的奇蹟交織。
\n\n邀請您與我們一起來見證《火鳥.春之祭》「異」的力量!
\n\n\n\n
報名方式
\n\n參加對象:歡迎喜愛藝文活動的觀眾一同參與
\n\n報名人數:100名,額滿為止。
\n\n報名時間:即日起至額滿為止。
\n\n報名流程:官網報名 → 檢視官網報名狀況 → 完成報名→ 活動三天將寄發行前通知。
\n\n\n\n
講者介紹
\n\n平 珩
\n\n\n\t\t |
舞蹈空間舞團藝術總監。第三屆國家文藝獎得主,2019年獲台北文化獎。美國紐約大學舞蹈碩士,1984年成立皇冠舞蹈工作室、皇冠藝文中心小劇場,1989年成立舞蹈空間舞團,致力推動國際交流與展演創作與推廣,至今已與56位編舞家合作推出90項製作,在世界39個城市演出近千場。
\n\n\n\n
謝杰廷
\n\n\n\t\t |
舞蹈與音樂研究者,擁有德國柏林自由大學舞蹈學博士學位,近年研究主要以現象學與媒介學觀點探察音樂與舞蹈的身體感、力動、節奏、記譜與其轉譯。
\n\n\n\n
節目資訊
\n\n5/4(六)14:30、5/5(日)14:30
\n\n\n\n\n\n
\n',team:""},createdAt:1701398180,updatedAt:1710926299,updatedBy:"林蔚行",host:!1,hasSignup:!0},{_id:"656eb2e56bffd90008efe401",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1704279600,discrete:[{time:1704279600},{time:1707303600},{time:1709722800},{time:1712142e3},{time:1714561200},{time:1717585200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9439744d166af8c01135784050ba6eb7",title:"2024【武營來跳舞】1-6月"}],related:[],title:"2024【武營來跳舞】1-6月",cover:"5290ee9088bec81b47c775bb0541818c",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
上半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
1/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳維寧 | \n\t\t\t《從擁抱開始的阿根廷探戈》 | \n\t\t\t立即報名 | \n\t\t
2/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:莫天昀 | \n\t\t\t《搖擺在探戈裡的當代舞蹈》 | \n\t\t|
3/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳維寧、莫天昀 | \n\t\t\t《舞台探戈的絢麗足下美學》 | \n\t\t|
4/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:賀連華 | \n\t\t\t《Vámonos a bailar我們一起來跳舞》 | \n\t\t\t立即報名 | \n\t\t
5/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t《踩出自己心跳的節奏》 | \n\t\t||
6/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t《Ole!為自己喝采!》 | \n\t\t
\n\n
課程簡介
\n\n1-3月「除了探戈,還是探戈!」
\n\n以阿根廷探戈(Tango)為主軸,帶來三種截然不同的探戈舞蹈風情。從重視感官與覺察開始,藉由探戈的領導、跟隨、聆聽與對話,認識這個融合多元文化的舞蹈風格。並釋放身體的力量,結合現代舞帶來奔放的探戈。最重要的是,發覺探戈精神與熱情,享受每個腳步的當下,跳出屬於自己的足下美學。
\n\n\n\n
1/3(三) 《從擁抱開始的阿根廷探戈》
\n\n你知道嗎?最開始的阿根廷探戈是一種即興式的舞蹈,稱為沙龍探戈。這次帶領大家一同探究沙龍探戈中最迷人的即興特質-領導與跟隨,在這和諧的舞蹈關係中,進入探戈的語言和對話。這次讓我們從擁抱開始,一同來探尋阿根廷探戈的神秘世界!
\n\n(備註:可攜帶舞鞋,或底部平滑方便轉動的皮鞋與跟鞋。不需自備舞伴,課堂中會交換練習,但也歡迎成對上課!)
\n\n\n\n
2/7(三) 《搖擺在探戈裡的當代舞蹈》
\n\n從探戈的舞步中創造方向性的變化,讓身體更自由迴旋在其中,進而增進肢體表達與控制;透過當代舞蹈的肢體帶入探戈元素,讓學員感受身體在不同風格下所碰撞出的美妙之處。
\n\n\n\n
3/6(三) 《舞台探戈的絢麗足下美學》
\n\n有別於即興式的沙龍探戈,舞台探戈是奠基於沙龍探戈之上,經過編排的細緻雙人舞蹈。從探戈的站姿、走路、轉動、甩腿開始,深入淺出地帶領學員系統性地堆疊探戈技巧,對舞台探戈的身體建構有一個全面性的了解。並帶入經典雙人動作讓各位親身體驗探戈舞蹈的魅力與身體美學!
\n\n(備註: 可攜帶舞鞋,或底部平滑方便轉動的皮鞋與跟鞋。不需自備舞伴,課堂中會交換練習,但也歡迎成對上課!)
\n\n\n\n
4-6月「舞動佛朗明哥!」
\n\n佛朗明哥起源於流浪民族的藝術文化,在佛朗明哥的藝術世界裡,需要歲月的滄桑,也需要生活的歷練,需要由內而外的真實情緒,才能夠逐一爆發最永恆的美感!佛朗明哥不追求優雅,而是追求最真實的自己!給自己一聲『Ole』,也給自己一次毫不猶豫地真實的機會!用Flamenco向生命致敬!為自己喝采!
\n\n\n\n
4/3(三) 《Vámonos a bailar我們一起來跳舞》
\n\n在佛朗明哥舞蹈裡,女生像一隻驕傲的孔雀,男生則像是高傲的鬥牛士。從暖身、轉手再到身段,在強烈性格的音樂裡,探索自己內在真實的情感。生活中的喜怒哀樂、愛恨嗔癡都可以在佛朗明哥的舞蹈裡逐漸獲得釋放。第一步,讓我們一起跳舞!跳著佛朗明哥舞蹈!回歸自己無包袱的真實!
\n\n\n\n
5/1(三) 《踩出自己心跳的節奏》
\n\n除了情緒的釋放追求真實,『節奏感』更是重要的舞蹈特色。透過足部踩踏與擊掌,在四拍與十二拍的節奏裡帶出撼動的力量。彷彿踩踏出自己激動的心跳節奏,在擊掌聲中、在腳步的踩踏為自己的生活喝采!
\n\n\n\n
6/5(三) 《Ole!為自己喝采!》
\n\n逐步認識佛朗明哥,會知道它不只是咬著玫瑰的卡門,而是來自於流浪民族生命力的一項藝術文化。如同紅酒般越陳越香,在佛朗明哥舞蹈裡,不僅需要歲月的滄桑,也需要生活的歷練,需要由內而外的真實情緒,才能夠逐一爆發最永恆的美感!給自己一聲『Ole』(很棒/Bravo的意思)向生命致敬!為自己喝采!
\n\n\n\n
\n\n
\n',team:""},createdAt:1701753573,updatedAt:1714707989,updatedBy:"林蔚行",host:!0},{_id:"6576622d4800f50008193288",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1709982e3,discrete:[{time:1709982e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1728701134495846401"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"66ad12a2b4919a5e1b9acea5c4cd42de",title:"《無限李斯特-周善祥管風琴與鋼琴之夜》"}],related:[],title:"《無限李斯特-周善祥管風琴與鋼琴之夜》",cover:"c5cbed8121f13026d49960561f4d184a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
周善祥出生於1992年,除了鋼琴演奏與作曲,他同樣精通數學、科學。五歲開始學習作曲與鋼琴,七歲成為加州查普曼大學史上最年輕的獎學金學生,2008年周善祥畢業於倫敦皇家音樂學院,2012年在法國巴黎索邦大學獲得純數學碩士學位,而他也是鋼琴名家布蘭德爾退隱舞台之前的最後一位弟子。周善祥八歲時首演他自己創作的鋼琴協奏曲,而他的演奏曲目相當廣泛,包括巴赫、莫札特、貝多芬、海頓、舒伯特、蕭邦、舒曼、布拉姆斯、德布西等人作品。
\n\n\n\n
演出曲目
\n\n李斯特:〈向鳥兒傳道的聖方濟〉,選自《兩首傳奇曲》,S. 175 No. 1(鋼琴)
\n\n李斯特:根據巴赫《眼淚,嘆息,顫抖,悲傷》主題改編的變奏曲,S. 180 (管風琴)
\n\n李斯特:第一首被遺忘的圓舞曲,S. 215 No. 1(鋼琴)
\n\n李斯特:第三首被遺忘的圓舞曲,S. 215 No. 3(鋼琴)
\n\n李斯特:〈在水面上行走的保羅聖方濟〉,選自《兩首傳奇曲》,S. 175 No. 2(鋼琴)
\n\n李斯特:梅菲斯特波卡舞曲,S. 217(鋼琴)
\n\n李斯特:以麥雅貝爾歌劇《先知》之聖詠曲《願救贖之浪奔向吾人》所作的管風琴幻想曲與賦格,S. 259(管風琴)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|周善祥
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"66ad12a2b4919a5e1b9acea5c4cd42de",title:"《無限李斯特-周善祥管風琴與鋼琴之夜》"}],related:[],title:"Kit Armstrong 2024 Piano Recital",cover:"c5cbed8121f13026d49960561f4d184a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Described by the New York Times as a "brilliant pianist" who combines "musical maturity and youthful daring in his exceptional playing", Kit Armstrong performs as a soloist with some of the world's most famous orchestras while maintaining an active career as a recitalist and composer. Born in 1992, "Armstrong, the amazement-causing artist who can only be described as a musical phenomenon" (Süddeutsche Zeitung) appears today at major international venues such as the Vienna Musikverein, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, NHK Hall Tokyo, and Palais des Beaux-Arts Brussels.
\n\n\n\n
Program
\n\nF. Liszt: 'St François d' Assise, La prédication aux oiseaux', from "2 Légendes", S. 175 No. 1
\n\nF. Liszt: Variations on a theme from 'Weinen, Klagen, Sorgen, Zagen' by J. S. Bach, S 180
\n\nF. Liszt: Valses oubliées, S. 215 No. 1
\n\nF. Liszt: Valses oubliées, S. 215 No. 3
\n\nF. Liszt: 'Saint-François de Paul marchant sur les flots', from "2 Légendes", S. 175 No. 2
\n\nF. Liszt: Mephisto Polka, S. 217
\n\nF. Liszt: Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam" for Organ, S. 259
\n\n\n\n
Creative and Production Team
\nPiano|Kit Armstrong
\n\n
\n',team:""},createdAt:1702257197,updatedAt:1706693001,updatedBy:"林蔚行",host:!1},{_id:"6577cf764800f500081a3da0",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1709359200,discrete:[{time:1709359200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"019b87523f1835115a1adeae6b1b9ae6",title:"【武營來開槓】瘋迷24貝多芬攻略"}],related:[],title:"【武營來開槓】瘋迷24貝多芬攻略",cover:"560c0cc1226367d3036b7018ee4e7aab",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
講座時間約90分鐘。
\n\t報名流程:填寫線上報名表→ 於活動前三天,統一寄送活動通知信件 → 完成報名。
\n\t為維護講師著作權與活動品質,講座進行中請勿攝錄影。
\n\t報名時請確實填寫報名資訊,以利報到進場。
\n\t貝多芬的作品浩瀚如大海,「瘋迷24貝多芬」端出了繽紛多樣的大師經典名作,然吾等生也有涯,而知也無涯,如何在有限的24小時內暢遊貝多芬樂海,需要一位好嚮導來指點。
\n\n由音樂達人林伯杰擔任音樂導遊,為您彙整貝多芬畢生的創作,以宏觀角度解析其音樂的重要性與藝術價值,並分門別類歸納眾多作品的脈絡與精華。
\n\n今年衛武營的「瘋迷24貝多芬」活動,將有24場以上不同類型的演出,林伯杰也將在講座上提供數套闖關攻略,讓您面對貝多芬,會當凌絕頂,一覽眾山小。
\n\n\n\n
★ 誰來開槓:
\n\n金革唱片音樂總監|林伯杰
\n\n活動時間:2024/03/02 (六) 14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量120名,額滿為止)
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3樓演講廳
\n\n\n\n
金革唱片音樂總監|林伯杰
\n\n林伯杰憑藉著熱情與努力,多年來生活都浸淫在音樂當中。不斷地理解音樂、包裝音樂、推廣音樂,歷經滾石唱片企劃經理,及現職的金革唱片音樂總監及樂樂文化編輯總監,工作從唱片文案、音樂企劃到音樂會製作。此外曾擔任過多次金曲獎傳統暨藝術類評審、真理大學音樂應用系兼任講師,中視「家庭音樂廳」等節目主持人,目前持續在公私立機關單位擔任藝文講座主講人,及音樂會的導聆主持人,著有「一夜變成歌劇通」、「音樂自HI術」、線上課程「從音樂出發,航向藝術航程」等。
\n\n\n\t\t |
\n\n
關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
\n\n\n\n
\n\n\n',team:""},createdAt:1702350710,updatedAt:1705045376,updatedBy:"林蔚行",host:!1},{_id:"6577f537c976c700078e53d2",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711539e3,discrete:[{time:1711539e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1728389598608359425"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"998a6476da79e2c26d16ab53ae78bbc7",title:"《登峰造極-夏瑪尤2024鋼琴獨奏會》"}],related:[],title:"《登峰造極-夏瑪尤2024鋼琴獨奏會》",cover:"1b3d766b793df6398e1be69819be3cb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
留聲機雜誌形容夏瑪尤是一位純正無瑕的年輕法國鋼琴家,甚至形容他的演出水準可與前代鋼琴大師柯爾托比擬。夏瑪的尤拉威爾獨奏作品全集榮獲2016年回聲大獎(ECHO Klassik),而李斯特《巡禮之年》(Années de pèlerinage)錄音則榮獲法國勝利古典音樂桂冠大獎(Victoires de la musique classique)年度專輯獎。2019年,夏瑪尤灌錄聖桑的兩首鋼琴協奏曲錄音,獲得留聲機雜誌的年度唱片大獎。
\n\n\n\n
演出曲目
\n\n李斯特:〈在水面上行走的保羅聖方濟〉,選自《兩首傳奇曲》,S. 175 No. 2
\n\n舒曼:幻想曲,作品17
\n\n拉威爾:夜之加斯巴
\n\n葛令卡/巴拉基列夫:雲雀
\n\n巴拉基列夫:降D大調搖籃曲
\n\n巴拉基列夫:第二號馬厝卡舞曲
\n\n巴拉基列夫:伊斯拉美:東方幻想曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|夏瑪尤
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"998a6476da79e2c26d16ab53ae78bbc7",title:"《登峰造極-夏瑪尤2024鋼琴獨奏會》"}],related:[],title:"Bertrand Chamayou 2024 Piano Recital",cover:"1b3d766b793df6398e1be69819be3cb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Bertrand Chamayou is one of today's most strikingly brilliant pianists, recognised for his revelatory performances at once powerfully virtuosic, imaginative and breathtakingly beautiful. A leading interpreter of French music, his vast repertoire includes major bodies of work such as the complete piano works of Ravel, Liszt's Etudes and Années de pèlerinage, and Messiaen's Vingt regards sur l'enfant-Jésus. Chamayou's multi award-winning discography also includes Ravel's complete works for piano, which won the 2016 ECHO Klassik Award, and Liszt's Années de pèlerinage, which won Album of the Year at the Victoires de la Musique Classique. In 2019 Bertrand Chamayou won the Gramophone Award for Recording of the Year for his album of Saint-Saëns on Erato, for whom he is an exclusive recording artist. He is the only artist to have received a prestigious Victoires de la Musique Classique award on five separate occasions, most recently in 2022.Since 2021, Chamayou has been co-Artistic Director of Festival Ravel, the major new international festival celebrating Maurice Ravel, situated in France’s Basque country.
\n\n\n\n
Program
\n\nF. Liszt: 'Saint-François de Paul marchant sur les flots', from "2 Legends", S. 175 No. 2
\n\nR. Schumann: Fantasie, Op. 17
\n\nM. Ravel: Gaspard de la Nuit
\n\nM. Glinka / M. Balakirev: L'Alouette
\n\nM. Balakirev: Berceuse in D-Flat Major
\n\nM. Balakirev: Mazurka No. 2
\n\nM. Balakirev: Islamey, fantaisie orientale
\n\n\n\n
Creative and Production Team
\n\nPiano|Bertrand Chamayou
\n\n\n',team:""},createdAt:1702360375,updatedAt:1708584134,updatedBy:"林蔚行",host:!1},{_id:"65813b87c976c700079173f7",catalogs:["6007fc45ba34870007c22b8b","64812f1feb9a240007c8c8c7"],dateTime:{first:1711711800,discrete:[{time:1711711800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1500,1800,2e3],link:"https://www.opentix.life/event/1734400320199041024"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa71fc9a8a90c9f21cba6e3801bb0e0e",title:"2024朱宗慶打擊樂團第一季音樂會《駱駝.獅子.嬰兒》"}],related:[],title:"2024朱宗慶打擊樂團第一季音樂會《駱駝.獅子.嬰兒》",cover:"9c649eabc7141f70e08bbae3d311ff7e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
從駱駝的堅韌不拔,到獅子強烈的勇氣,再到嬰兒的反璞歸真,注入創新的力量,每個階段都彌足珍貴。
\n\n2024年,我們將用音樂呈現一系列的變化,從經典,到突破框架,迎來嶄新的開始,全新能量注入,動能無限、生生不息。《石潮》在金木革間流動,保留早期創作手法,象徵駱駝的經典;步步登嶽,突破萬難,終而撥雲見日,王者之獅來到《雲端之上》;恍若新生,於是知曉《祢的國度來臨》。
\n\n此次透過不同編制的合奏方式,駱駝、獅子、嬰兒齊聚發聲,不斷進化,以融合的方式持續傳承經典。今年,8位新生代加入,橫跨四代20位演奏家,充滿活力,聯手演繹。不同世代的對答,轉化出更豐沛、具生命力的音樂面貌,讓觀眾以更多元的角度「聆聽」世界。
\n\n\n\n
演出曲目
\n\n雅各布·雷明頓:祢的國度來臨
\n\n吉姆·卡塞拉:雲端之上
\n\n羅爾夫·瓦林:石潮
\n\n奥瑞·何洛:甘美朗蹦
\n\n盧煥韋:融
\n\n馬水龍:臺灣組曲(改編:洪千惠)
\n\n\n\n
演出暨製作團隊
\n\n演出|朱宗慶打擊樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa71fc9a8a90c9f21cba6e3801bb0e0e",title:"2024朱宗慶打擊樂團第一季音樂會《駱駝.獅子.嬰兒》"}],related:[],title:"2024 Ju Percussion Group《CAMEL.LION.CHILD》",cover:"9c649eabc7141f70e08bbae3d311ff7e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
From the unwavering resilience of the camel to the powerful courage of the lion, and then to the pure simplicity of a child, the power of innovation is infused, and every stage is precious.
\n\nIn 2024, Ju Percussion Group (JPG) will present a series of musical changes, from classics to innovations, welcoming a brand new beginning with fresh energy, boundless momentum, and endless vitality. "Stonewave" preserves the early percussion music style, symbolizing the classic nature of camels. "Beyond the clouds" symbolizes the king of lions, overcoming all difficulties step by step, and breaking through challenges to finally see the light of the sky. Nevertheless, revealing the arrival of "Thy kingdom come", the audience will understand the meaning of every chapter of this journey.
\n\nThrough different ensemble arrangements, the camel, lion, and child come together to continuously evolve and pass on the classics in an integrated manner. This year, with the addition of 8 new talents, spanning four generations with a total of 20 musicians, the performance is vibrant and dynamic. The dialogues between different generations transform into a more abundant and vibrant musical expression, allowing the audience to 'listen' to the world from diverse perspectives.
\n\n\n\n
Program
\n\nJacob Remington: Thy kingdom come
\n\nJim Casella: Beyond the clouds
\n\nRolf Wallin: Stonewave
\n\nAurél Holló: Gamelan-bound
\n\nLu, Huan-Wei: Fuse
\n\nMa Shui Long: Taiwan Suit (Arranger: HUNG, Chien-Hui)
\n\n\n\n
Creative and Production Team
\n\nJu Percussion Group
\n\n\n',team:""},createdAt:1702968199,updatedAt:1705480089,updatedBy:"林蔚行",host:!1},{_id:"6583e4abc976c7000791dcb5",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1711261800,discrete:[{time:1711261800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://www.opentix.life/event/1724617047437361153"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bef2b0bd75e800143dd3fb9ac1695a5",title:"《前維也納愛樂首席 費瑟林2022小提琴獨奏會》"}],related:[],title:"《前維也納愛樂首席 費瑟林2024小提琴獨奏會》",cover:"751e560725c1c583c8d367692fe96211",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
前維也納愛樂管絃樂團首席VESSELIN Paraschkevov,於其朝杖之年又將於2024年3月再度受邀來臺演出。希望藉著VESSELIN對音樂的熱愛帶給大家更多的正能量。在過去場場演出票房爆滿,掌聲不絕於耳!敬請期待大師的再登場!
\n\n\n\n
演出曲目
\n\n法朗克:A大調小提琴奏鳴曲
\n\n舒伯特:第四號A大調小提琴奏鳴曲,作品162,D574
\n\n德弗札克:作品11 浪漫曲
\n\n柴可夫斯基:旋律,作品42,第3號、圓舞曲-詼諧曲,作品34
\n\n\n\n
演出暨製作團隊
\n\n小提琴|費瑟林帕拉希克弗夫
\n\n鋼琴|黃意淳
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bef2b0bd75e800143dd3fb9ac1695a5",title:"《前維也納愛樂首席 費瑟林2022小提琴獨奏會》"}],related:[],title:"2024 Vesselin Violin Recital",cover:"751e560725c1c583c8d367692fe96211",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Program
\n\nCésar Franck:
\nSonata for Violin and Piano in A Major
Franz Schubert:
\nSonata for Violin and Piano in A Major, Op. 162 D 574 ("Grand Duo")
Antonin Dvořák:
\nRomance in F minor, Op. 11
Pyotr Ilyich Tchaikovsky:
\nSerenade Melancolique, Op. 26
\nMelody, Op. 42 No. 3
\nWaltz-Scherzo, Op. 34
\n\n
Creative and Production Team
\n\nViolin|Vesselin Paraschkevov
\n\nPiano|Angela Huang
\n\n\n\n
\n',team:""},createdAt:1703142571,updatedAt:1703582193,updatedBy:"林蔚行",host:!1},{_id:"65893ff9c976c70007937c48",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1709445600,discrete:[{time:1709445600},{time:1709452800},{time:1713592800},{time:1713679200},{time:1716618600}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"授課團隊",content:'
授課團隊
\n\n【《瘋迷24貝多芬》大眼睛與大手大腳工作坊】
\n\n講師-江翊仙
\n\n\n\t\t |
學歷:
\n美國俄亥俄大學音樂治療學系
證照:
\n美國神經學音樂治療師NMT
\n台灣註冊音樂治療師 TRMT
現職:
\n樂無休止創意團隊總監
\n高雄市政府社會局無障礙之家兒童發展中心音樂治療師
\n財團法人白永恩基金會高雄事務所音樂治療師
\n高雄市楠梓兒童發展中心音樂治療師
\n財團法人高雄市私立聖淵啟仁中心 音樂治療師
\n社團法人高雄市腦性麻痺服務協會 音樂治療師
經歷:
\n桂格媽媽教室胎教音樂課程 講師
\n高雄市博仁醫院護理之家 音樂治療師
\n高雄市博正兒童發展中心鹽埕據點 音樂治療師
\n星星兒基⾦會音樂治療暑期講師
\n陽光社會福利基金會 音樂治療講師
\n\n
《河流X合流》星兒親子舞蹈工作坊
\n\n莊凱雯|舞蹈藝術工作者
\n\n\n\t\t |
舞蹈藝術工作者(表演、教學、企劃)。
\n\n倫敦當代舞蹈學校表演組碩士、台北藝術大學舞蹈系學士。
\n\n生於高雄,曾在臺北和英國求學。擔任專業舞者期間,巡演於世界知名表演廳和藝術節,並有幸長期與英國巴羅蘭德舞團合作,成為《調皮的老虎》原創表演者,該演出為自閉症孩童及其照顧者而製作。旅英期間深受藝術平權和共融舞蹈的啟發,開啟了與多元族群共舞的旅程。回臺後,創辦「世代共舞」,欲分享舞蹈的美好和益處,並期待與不同世代和族群進行互動和交流。
\n\n\n\n
徐菁蓮|舞蹈動作治療師
\n\n\n\t\t |
舞蹈動作治療師暨戲劇治療DvT取向實踐者。
\n\n英國倫敦大學金匠學院舞蹈動作心理治療碩士。
\n\n國立臺灣師範大學特殊教育學系暨國文學系雙學士。
\n\n從乖乖聽話的舞者,成為特教老師進入校園和低口語的特教學生互動,再以創造性藝術治療師的角色進入實務現場,嘗試在即興創作中,找到與特殊需求族群對話溝通的方式,為這群其實會講多國語言,只是我們聽不懂內容的「專家們」與外界交流,目前,持續與這個族群學習著。
\n\n\n\n
《有愛無礙》成人唐氏症慢飛天使肢體工作坊
\n\n江婕希
\n\n\n\t\t |
國立臺北藝術大學舞蹈研究所舞蹈創作碩士,現為LIMS國際拉邦動作分析師。 2021年創立希舞集聚舞蹈劇場,擔任藝術總監。2022年榮獲第十九屆韓國首爾國際舞蹈比賽,專業編舞組特別獎。現任教於樹德科技大學表演藝術系兼任講師、中華藝術學校舞蹈科兼任教師、文山國小特教班專案教師、五福國小、文華國小、小琉球全德國小等校舞蹈老師。
\n\n2021年取得國際拉邦動作分析師證照至今,多次受邀全台各校教學、工作坊研習、講座分享等。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"99a04ba6f1b8291b275a0f6e88b13cda",title:"2024【衛武營場館友善計畫】友善學習工作坊"}],related:[],title:"2024【衛武營場館友善計畫】友善學習工作坊",cover:"a54dc95428dd33318c18053cf40e9480",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。",introduction:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。
\n\n\n\n
活動內容
\n\n衛武營著眼成為文化平權共融之藝文據點,針對不同障礙族群、不同年齡波段,設計規劃專屬的課程內容,以更貼近個別需求及差異學習目標,做為2024年「友善學習工作坊」系列活動的內容主軸,帶領學員體驗多元藝術,共享表演藝術的美好與悸動。
\n\n每場工作坊依不同障別需求調整活動長度及內容,實際內容以每檔活動公告為準。
\n\n\n\n
報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙)、第七類者(肢體障礙者)或依活動內容設計邀請特定障別。
\n\n\n\n
報名時程
\n\n上半年度(1-6月)
\n\n2023/12/29(五)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一週關閉報名表單。
\n\n\n\n
下半年度(7-12月)
\n\n2024/6/3(一)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n\n\n
報名費用
\n\n每人(組)每場次酌收300元保證金,並於活動當日退還。
\n\n\n\n
報名流程
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
\n\n\n\n
友善學習工作坊
\n\n【《瘋迷24貝多芬》大眼睛與大手大腳工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 3/3(日)14:00-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 音樂課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 3/3(日)16:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 《瘋迷24貝多芬》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
\n\n\n\n
\n\n
《河流X合流》星兒親子舞蹈工作坊
\n\n歡迎星兒親子一同參與,共享如水般自在的舞動體驗,感受身心和人際關係的流動。讓不同世代一同體驗這充滿愛的舞蹈冒險,共創美好時光和難忘回憶!
\n\n本舞蹈工作坊以河流為主題,由講師帶領大家培養身體五感感知,將河流意象與日常生活經驗相連結,最後共創迷人「愛河」人文水景,匯聚且映照各自豐富生命故事。課程結合身體覺察、創造性遊戲和舞蹈、世代共創、交流時光等活動,有益提升身心覺察、豐富創意表達、促進世代交流,同時培養團隊共創能力。
\n\n\n\n
報名方式
\n\n課程名稱:《河流X合流》星兒親子舞蹈工作坊。
\n\n課程講師:舞蹈藝術工作者-莊凱雯、舞蹈動作治療師-徐菁蓮。
\n\n報名對象:對舞蹈有興趣的星兒與家長,兩人一組報名(星兒 8~13歲,高功能自閉症孩童、家長 20~80歲)。
\n\n報名人數:5-8組(總共10-16人)。
\n\n課程時數:總共2堂課,每堂3小時。
\n\n課程時間:2024年4月20至21日週末兩日下午14:00-17:00 。
\n\n地點:排練室1182
\n\n\n\n\n\n
課程內容
\n\n日期/主題 | \n\t\t\t課程內容說明(可能會依團體動力改變而調整) | \n\t\t
4/20(六) \n\t\t\t水的流轉 | \n\t\t\t\n\t\t\t
| \n\t\t
4/21(日) \n\t\t\t愛河人間 | \n\t\t\t\n\t\t\t
| \n\t\t
\n\n
注意事項
\n\n歡迎參與我們的舞蹈課程,我們致力提供一個愉快、啟發的世代共舞環境。為確保您的順利參與,請留意以下事項:
\n\n\n\n
《有愛無礙》成人唐氏症慢飛天使肢體工作坊
\n\n\n\n
贊助單位
\n\n\n\t\t |
\n',team:""},createdAt:1703493625,updatedAt:1710123657,updatedBy:"黃薏靜",host:!0},{_id:"65894cd4c976c70007937e7b",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1711175400,discrete:[{time:1711175400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1722152677536395265"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1d028d5ffc58eb8853e2c18ad7f1e9a6",title:"《絕不付帳!》"}],related:[],title:"《絕不付帳!》",cover:"c8f551a388dd28bf6bce082b621c0fd0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
一群家庭主婦的革命長什麼樣子?不滿物價不斷上漲,辛苦扛貸款的房子居然是豆腐渣工程,日子難過而奸商卻吃香喝辣,為了保護自己的家園,她們決定採取猛烈的行動!
\n\n她們大喊:絕不付帳!絕不付帳!
\n\n而女主角的先生剛好是一位奉公守法的人士,不可能原諒太太去搶超市這種事。一地的贓物,眼看先生就要回家,怎麼辦?這群手無寸鐵的老百姓只好把自己的肚子「搞大」,一夕之間,鄰居太太、隔壁小狗、連小學生都挺著大肚子滿街跑……
\n\n由擅長喜劇手法的丁乃箏導演,特邀綜藝天王唐從聖、百變影帝屈中恆、金鐘視后范瑞君、超實力演員樊光耀、劇場新秀周宇柔,共譜一場荒謬叫絕的超寫實鬧劇。
\n\n《絕不付帳!》由義大利喜劇大師達利歐.弗(Dario Fo)與妻子法蘭卡.蘭梅(Franca Rame)編劇,雖然笑鬧,但是全劇字字句句都道出小老百姓對抗大環境的無奈和無力,荒謬的情境只為勾勒出奸商政客的不公不義。有趣的是達利歐.弗這齣喜劇劇本早在1974年就完成,而它所嘲諷的政治及經濟狀態直到現今依舊適用。當奸商霸道,社會不公不義,那麼我們將高喊「絕不付帳!」的意義,是絕不放棄平等競爭與平等生存!
\n\n—導演丁乃箏
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|賴聲川
\n\n原著|達利歐.弗(Dario Fo, 1997年諾貝爾文學獎得主)與妻子法蘭卡.蘭梅(Franca Rame)
\n\n劇本翻譯、改編、導演|丁乃箏
\n\n主演|唐從聖、屈中恆、范瑞君、樊光耀、周宇柔
\n\n監製|丁乃竺
\n\n製作人|藍大鵬
\n\n共同主辦|【表演工作坊】
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1d028d5ffc58eb8853e2c18ad7f1e9a6",title:"《絕不付帳!》"}],related:[],title:"We Won't Pay! We Won't Pay!",cover:"c8f551a388dd28bf6bce082b621c0fd0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
In a Taipei housing community that is crumbling, a group of housewives led by Mrs. Qiang loot the neighborhood supermarket in an impromptu revolt against the developer. Mrs. Qiang's husband, a factory worker, is a law-abiding man who believes society can progress only if all follow the law. To hide the goods from her husband, Mrs. Qiang stashes part of it in her neighbor's clothes, leading the husband to believe the neighbor is pregnant. Politics, sex, and the surrealistically unpredictable unfold in hilarious yet chilling fashion as the society grinds toward revolt and anarchy.
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Stan LAI
\n\nPlay written by: Dario FO (winner of the 1997 Nobel Prize for Literature) and his wife, Franca Rame
\n\nTranslated and Directed by Ismene Ting
\n\nActor|TANG Tsung Sheng; QU Zhongheng; FAN Rui-jun; FAN Kuang-yao; Yu-rou ZHOU
\n\nExecutive Producer|Nai-chu DING
\n\nProducer|LAN Ta-Peng
\n\nCosponsored by [Perfromance Workshop]
\n\n\n\n
\n',team:""},createdAt:1703496916,updatedAt:1708074291,updatedBy:"林蔚行",host:!1},{_id:"658a4b9f9923780008bd89ec",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1709394300,discrete:[{time:1709394300},{time:1709404200}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f60f3c25e3b6dd2e0f999694a6147e3",title:"【武營來跳舞】瘋迷24貝多芬特別場《Dancing in the midnight》"}],related:[],title:"【武營來跳舞】瘋迷24貝多芬特別場《Dancing in the midnight》",cover:"7b232283d4049cea68cba51cc9afc840",site:{isOther:!0,site:"",other:"樹冠大廳東側露台"},cautions:'
這一晚,我們將為他跳一首曲,即使聽不見也能看見的一首舞。
\n\n"即使對於藝術,也不必再對它掩飾你的耳聾。"---貝多芬
\n\n1770年出生的貝多芬,是家喻戶曉的音樂家,32歲的他因耳疾失去聽力後,仍不減創作力持續20餘年,用藝術對抗命運,最後在1827年逝世,他為這個世界帶來了許多充滿生命力的作品。而這次衛武營「瘋迷貝多芬」邀請駐地藝術家周書毅以「武營來跳舞」的形式,帶領民眾用身體與舞蹈,走入貝多芬的音樂世界。
\n\n\n\n
場次簡介
\n\n3/2(六)23:45 《命運之舞》
\n\n你一定聽過命運交響曲,那令人震撼的樂章,穿透了我們的生命。這一堂課,我們將尋找身體的力量與重量,與幾首振奮人心的交響樂曲與弦樂作品起舞。
\n\n\n\n
3/3(日)02:30 《舞,夜的月光》
\n\n月光奏鳴曲,是貝多芬知名的樂曲之一。他除了許多知名的交響樂與弦樂作品之外,還有許多鋼琴奏鳴曲。這一堂課,我們將與他的幾首鋼琴奏鳴曲的樂章共舞,一步一步爬梳它的旋律,用身體刻劃那夜晚的風景。
\n\n\n\n
★ 誰來跳舞:
\n\n衛武營駐地藝術家|周書毅
\n\n參加對象:歡迎喜歡藝術活動的朋友,一起來跳舞!
\n\n報名方式:報名參加,免費入場(單場人數限量60名,額滿為止)
\n\n活動地點:樹冠大廳東側露台
\n\n\n\n\n\n
\n\n
衛武營駐地藝術家|周書毅
\n\n2020-2024年受邀擔任衛武營首位駐地藝術家並作為臺灣舞蹈平台策展人,匯聚南方身體語彙的創作能量。以舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。於高雄駐地期間,透過藝術家入校計畫,將藝術實踐經驗帶進校園。
\n\n2022-2024,策劃「波麗露在高雄」舞蹈推廣計畫,串連地方連結,並培育在地舞者,在南方持續創作。
\n\n\n\n
協同舞者|王雨婕、林蔓葶、陳品霓、柯凱峰、黃程尉
\n\n\n\n
相關節目
\n\n3/1(五)19:30
\n►貝多芬《費黛里歐》歌劇音樂會
3/2(六)-3/3(日)
\n►《瘋迷24貝多芬》
\n\n
\n',team:""},createdAt:1703562143,updatedAt:1708498571,updatedBy:"林蔚行",host:!0},{_id:"658be13a0234fc0007acbdcf",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1709965800,discrete:[{time:1709965800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1735537968824877057"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fae906eda43f6cfdae4d2205200c19cc",title:"《李齊小提琴獨奏會-樂來樂有趣》"}],related:[],title:"《李齊小提琴獨奏會-樂來樂有趣》",cover:"be671f8c17b89926d88610ef4c92e492",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
由於小提琴家帕爾曼曾錄製電影音樂CD,李齊認為以古典音樂之技巧演奏電影音樂,雖似殺雞用牛刀,但是為了推廣臺灣的音樂人口及提昇美的教育,他由衷師法前輩,以平易近人的電影音樂加上舞台上的燈影效果, 磁吸視音樂殿堂為畏途之民眾,讓觀眾深入理解音樂撫慰心靈的力量。 樂來樂有趣的演出曲目完全為電影配樂, 也藉此向偉大的電影配樂作曲大師們致上最高敬意。
\n\n\n\n
演出曲目
\n\n郵差
\n\n新天堂樂園
\n\n一步之遙
\n\n最後一舞
\n\n再見了父親
\n\n樂來樂愛你
\n\n加勒比海海盜
\n\n哀傷的米隆加
\n\n遺忘
\n\n瑟堡的雨傘 (我會等妳)
\n\n辛德勒的名單
\n\n水藍色情人
\n\n華燈初上插曲 - 雨夜花
\n\n\n\n
演出暨製作團隊
\n\n小提琴|李齊
\n\n班多紐|吳詠隆
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fae906eda43f6cfdae4d2205200c19cc",title:"《李齊小提琴獨奏會-樂來樂有趣》"}],related:[],title:"La la land - to pay highest respect to the great movie score composers.",cover:"be671f8c17b89926d88610ef4c92e492",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Since violinist Perlman had recorded film music CDs, Lee Chi believes that performing movie music with classic music techniques would be like killing a chicken with a sledgehammer. However, in order to promote Taiwan's musical population and enhance beauty education, he is sincerely following the example of his predecessors. The approachable movie music and the llighting effects on the stage attract the people who are afraid of the music hall, allowing the audience to deeply understand the soul soothing power of music.
\n\n\n\n
Program
\n\nIl Postino
\n\nCinema Paradiso
\n\nPor Una Cabeza
\n\nOur Last Tango Remolino
\n\nAdios Nonino
\n\nLa la land
\n\nPirates of the Caribbean - He's a Pirate
\n\nThe Tango Lesson: Milonga Triste
\n\nOblivion
\n\nUmbrellas of Cherbourg - I Will Wait For You
\n\nSchindler's list
\n\nBlue Lover
\n\nRainy Night Flower
\n\n\n\n
Creative and Production Team
\n\nViolin|LEE Chi
\n\nBandoneon|Mark WU
\n\n\n\n
\n',team:""},createdAt:1703665978,updatedAt:1707958608,updatedBy:"林蔚行",host:!1},{_id:"6596150c9cf29f000ab74cc8",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1710502200,discrete:[{time:1710502200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1734474779836567553"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7a611060c61e66dfebfe02b3bcfc7814",title:"《樂X魔法X影~賴怡如、謝采芝 雙鋼琴重奏音樂會》"}],related:[],title:"《樂X魔法X影~賴怡如、謝采芝 雙鋼琴重奏音樂會》",cover:"0aa4fe80389ec0d716a2db4703808c8a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
電影一直是許多人的生活休閒娛樂,人們常常在電影中聽到很好聽的音樂,卻往往不知那些動聽的旋律都來自於許多知名的古典樂曲。 藉此發想,兩位鋼琴家將配合解說,精選多部知名電影中的配樂,串起古典音樂和生活間的橋樑,讓聽眾們對古典音樂不那麼陌生,感受『藝術明明就在生活中』的氛圍。 承如音樂會的標題,『 樂 X 魔法 X 影』,當古典樂和電影一跨界結合,它就在大家的生活中施以魔法,讓音樂走入生活,帶來一道耀眼的光。
\n\n\n\n
演出曲目
\n\n莫札特:雙鋼琴奏鳴曲,第一樂章
\n\n德布西 : 《月光》
\n\n拉赫曼尼諾夫:帕格尼尼主題狂想曲
\n\n柴可夫斯基:《胡桃鉗組曲》
\n\n杜卡:《魔法的學徒》
\n\n伯恩斯坦:《西城故事》
\n\n安德森:三首華爾滋
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|賴怡如、謝采芝
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7a611060c61e66dfebfe02b3bcfc7814",title:"《樂X魔法X影~賴怡如、謝采芝 雙鋼琴重奏音樂會》"}],related:[],title:"Music X Magic X Movie Piano Duo Concert",cover:"0aa4fe80389ec0d716a2db4703808c8a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Movies have always been a part of life and entertainment for many people. People often listen beautiful music in movies, but they don’t know that those beautiful melodies come from many well-known classical music. Based on this idea, the two pianists will work together to introduce the soundtracks from many well-known movies to audiences. As the title of the concert goes, "Music X Magic X Movie", when classical music and movies are combined across borders, it casts magic in everyone's lives, bringing music into life and bringing a dazzling light to the world.
\n\n\n\n
Program
\n\nW.A. Mozart: Piano Sonata in D Major for Two Pianos, KV. 448 Mvt.1
\n\nDebussy (arr. Dutilleux): Clair de Lune
\n\nS. Rachmaninoff (arr. Naoshi): Rhapsody on a Theme of Paganini, Var. 18
\n\nP. Tchaikovsky (arr. Economou): Nutcracker (selected parts)
\n\nP. Dukas: The Sorcerer's Apprentice
\n\nL. Bernstein (arr. Klose): Westside Story (selected parts)
\n\nGreg Anderson: Three Waltzes for Two Pianos
\n\n\n\n
Creative and Production Team
\n\nPiano|LAI Yi-Ru, HSIEH Tsai-Chih
\n\n\n\n
\n',team:""},createdAt:1704334604,updatedAt:1706085565,updatedBy:"林蔚行",host:!1},{_id:"65961a8dc947fb00079fe18e",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711866600,discrete:[{time:1711866600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,2e3],link:"https://www.opentix.life/event/1729672285929250817"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28323bdc648dae0fa91f3a94fed091f7",title:"DonSir爵士樂團《隨想曲》"}],related:[],title:"DonSir爵士樂團《隨想曲》",cover:"c1b8c27671b1674fbd9fc01bce3d8eb2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
爵士樂、經典古典樂作品、世界與拉丁音樂、創作故事…等多元豐富的內容相互交融來賦予全新音樂面貌,用單簧管獨有之爵士魅力與大家一同徜徉這場跨界融合隨想之旅。
\n\n\n\n
演出曲目
\n\n狄瑞維拉:誰在抽菸?
\n\n巴哈:巴哈的丹頌舞曲
\n\n拉赫曼尼諾夫:第二號鋼琴協奏曲第二樂章
\n\n張昌傑:老街溪印象(戀曲999)
\n\n帕格尼尼:隨想曲,主題與變形
\n\n拉丁古巴組曲
\n\n萊庫奧納:終於與你相見
\n\n狄瑞維拉:邱丘
\n\n柴可夫斯基:糖梅仙子
\n\n拉威爾:為已逝公主的孔雀舞曲
\n\n巴里奧斯:大黃蜂
\n\n桑多瓦:哈瓦那隨想曲
\n\n\n\n
演出暨製作團隊
\n\nDonSir
\n\n單簧管|張昌傑
\n\n鋼琴|林亮宇
\n\n貝斯|葉俊麟
\n\n爵士鼓|林宥廷
\n\n長號|王于維
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28323bdc648dae0fa91f3a94fed091f7",title:"DonSir爵士樂團《隨想曲》"}],related:[],title:"DonSir Feat. Michael Wang 《Caprichosos》",cover:"c1b8c27671b1674fbd9fc01bce3d8eb2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
Jazz, classical, world and Latin music, and diverse elements of storytelling blend together to create a fresh musical landscape. Embark on a cross-genre, improvisational journey with the unique charm of the clarinet, as we collectively immerse ourselves in this imaginative fusion experience.
\n\n\n\n
Program
\n\nPaquito D'Rivera: Who's smokin?
\n\nJ.S.Bach: Juan Sebastian Baila el Danzón
\n\nSergei Rachmaninoff: Piano Concerto No.2 op.18 Mov.II
\n\nChang-Chieh,Chang: Impression of LaoJie River
\n\nNiccolò Paganini: Caprices, Theme and Metamorphosis
\n\nLatin Cuban Suite
\n\nI.Ernesto Lecuona: Al Fin Te Vi
\n\nII.Paquito D'rivera: Chucho
\n\nPyotr Ilyich Tchaikovsky: Dance of the Sugar Plum Fairy
\n\nJoseph-Maurice Ravel: Pavane pour une infante défunte
\n\nAgustin Barrios: Las Abejas
\n\nArturo Sandoval: Caprichosos de la Habana
\n\n\n\n
Creative and Production Team
\n\nClarinet|CHANG, Chang-Chieh
\n\nPiano|LIN, LIang-YU
\n\nBass|YEH, Chun-Lin
\n\nDrums|LIN, You-Ting
\n\nTrombone|Michael WANG
\n\n\n\n
\n\n
\n',team:""},createdAt:1704336013,updatedAt:1706239773,updatedBy:"林蔚行",host:!1},{_id:"65965f359cf29f000ab75a48",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1710655200,discrete:[{time:1710655200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0DDB01O"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd2bc8d68e9bc4044272343fc93d7b9f",title:"《初綻-林韋妡薩克斯風獨奏會》"}],related:[],title:"《初綻-林韋妡薩克斯風獨奏會》",cover:"e865edf9d6701574b268fb70b996b1ac",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※本節目原演出者陳柏瑋因故異動為陳妤萱,並加入王品涵協演。造成不便,敬請見諒。 \n\t\t\t | \n\t\t
\n\n
沉浸在多樣風格的音樂漩渦中,每首曲目都是演奏者的極致演繹。從快速的節奏到深情的旋律,從古典跨越到爵士,精湛的技巧和動人的音樂敘述將在此場音樂之旅中交織成一段感動的故事,將帶您探索情感的多層次。結合各種樂風,每一首樂曲都是一次心靈的共鳴,營造出令人難忘的音樂時刻。以豐富的音樂元素打破傳統,為您呈現一場薩克斯風的奇妙饗宴。
\n\n\n\n
演出曲目
\n\n魔鬼的散拍
\n\n向下
\n\n最後的鄉村處
\n\n托馬斯中音薩克斯風協奏曲
\n\n小賈爾達
\n\n西班牙主題變奏
\n\n原創主題幻想曲
\n\n遺忘
\n\n波浪
\n\n放克名流
\n\n\n\n
演出暨製作團隊
\n\n主要演出|林韋妡
\n\n節目主持|張桓碩
\n\n鋼琴伴奏|林麥可
\n\n協助演出|楊勁閎、陳佳暄、李紜葇、李宣彤、郭昱辰、余佳恩、陳妤萱、王品涵
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd2bc8d68e9bc4044272343fc93d7b9f",title:"《初綻-林韋妡薩克斯風獨奏會》"}],related:[],title:"First Bloom",cover:"e865edf9d6701574b268fb70b996b1ac",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Immerse yourself in a diverse whirlwind of music, where each piece represents the performers' ultimate interpretations. From rapid rhythms to poignant melodies, spanning classical to jazz, the concert weaves expert craftsmanship and compelling musical narratives into a moving story. Explore the layers of emotions as different genres intertwine, making each composition a resonating experience for the audience. Breaking from tradition with rich musical elements, this saxophone extravaganza creates unforgettable moments, presenting a marvelous feast for your ears.
\n\n\n\n
Program
\n\nThe devil's rag
\n\nDown down down
\n\nThe last country
\n\nSaxophone Concerto
\n\nPequeña Czarda
\n\nVariations sur un thème espagnol
\n\nFantaisie sur un thème original
\n\nOblivion
\n\nWave
\n\nUptown funk
\n\n\n\n
Creative and Production Team
\n\nLeading Performer|LIN Wei-sin
\n\nHost|CHANG Heng-shuo
\n\nPiano Accompaniment|Lin Mai-ke
\n\nSupporting Performers|YANG Jing-hong, CHEN Chia-hsuan, LEE Yun-jou, LI Hsuan-tung, KUO Yu-chen, YU Chla-en, CHEN Yu-xuan, WANG Pin-han
\n\n\n',team:""},createdAt:1704353589,updatedAt:1709019824,updatedBy:"林蔚行",host:!1},{_id:"65966fbac947fb00079ff0d5",catalogs:["646c770565a7e80007c13f18"],dateTime:{first:1709362800,discrete:[],type:"continuous",continuous:{time:[1704351600],endTime:[1704369600],start:1709308800,end:1709395200}},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0ea5b0ddcdc5d89343a157902b5da6a2",title:"瘋迷限定市集─2024貝多芬的音樂狂想"}],related:[],title:"瘋迷限定市集─2024貝多芬的音樂狂想",cover:"b832e540fd05c68b8bdd0f3b4aa61de8",site:{isOther:!0,site:"",other:"榕樹廣場南側、公共鋼琴"},cautions:'
結合衛武營國家藝術文化中心《瘋迷24貝多芬》,
\n\n為「24小時馬拉松式的音樂盛宴」觀眾們精心準備,
\n\n首度加入主題市集,打造不同時段的特色美食及文創選物,
\n\n讓大家享受音樂同時,也能感受市集的熱鬧氛圍。
\n\n\n\n
本場市集時程分為白天與夜晚兩段場地及空間,
\n\n以狂想主題及限定餐食吧,創造白天與夜晚不同型態市集的可能性!
\n
活動時間/地點
\n\n\n\n
限定活動
\n\n拍照打卡玩扭蛋
\n\n\n\t\t |
活動期間於市集現場任一處拍照並上傳社群媒體內貼文/限時動態,完成標註「#小世界」及「#衛武營國家藝術文化中心」,即可兌換扭蛋乙次,將有機會獲得限量市集品牌好禮!(本活動為每日限額兌換,扭蛋及各項品牌好禮兌完為止,活動辦法依現場告示為主)
\n\n\n\n
瘋迷大會考!答對就送期間限定明信片
\n\n活動期間至市集服務台進行「貝多芬瘋迷」大會考,答出正確答案、完成指定任務,即可獲得乙張期間限定明信片(每日數量有限,換完為止,活動辦法依現場告示為主)
\n\n\n\n
限定演出
\n\n蕭家萱Miball
\n\n3/2(六) 15:30-16:30
\n\n\n\t\t |
用溫柔的嗓音帶領你在音樂的世界中感知生活。每次的表演,不僅是用音樂記錄生活,更是要記錄和每一位觀眾的相遇!
\n\n\n\n
曾梓淞
\n\n3/2(六) 18:30-19:30
\n\n\n\t\t |
曾參與第五屆超級星光大道並獲得第七名,是來自屏東的駐唱歌手,性感溫柔的嗓音,能在短時間裡就讓大家沈浸其中,過去也曾於藍色狂想、長堤咖啡等地方演出。
\n\n
\n鄒軒宇
\n3/3(日) 15:30-16:30
\n\t\t |
時常於各個酒吧與餐廳演出,渾厚嗓音極具吸引力,不僅能作詞作曲,錄製與混音也難不倒多才多藝的他!他也讓音樂不再只是音樂,更是傳遞情感與故事的媒介。
\n\n\n\n
莊蕎嫣Faye.
\n\n3/3(日) 18:30-19:30
\n\n\n\t\t |
一個人的時候是「莊蕎嫣」,在樂團的時候是「吾橋有水」主唱。透過一把吉他、一段旋律,譜寫故事的起承轉合,並用溫暖療癒的嗓音,語出每一段故事。
\n\n\n\n
參與品牌
\n\n▼狂想市集 3/2(六)-3/3(日) 15:00-20:00-出席品牌
\n\n善良肉圓 | \n\t\t\tLayman Food Truck | \n\t\t\t幸福地瓜球 | \n\t\t
CAMPO蔬食古巴三明治 | \n\t\t\t禾田 food truck | \n\t\t\t集雞蜜Agent Taiwan Crispy Chicken | \n\t\t
金菊地瓜餅 | \n\t\t\t布魯托熱狗堡 | \n\t\t\t一一甜點 | \n\t\t
Maru日式糰子 | \n\t\t\t隅生雞蛋糕 | \n\t\t\t正月初一手作麻糬 | \n\t\t
叄男美式三明治The 3rd. | \n\t\t\t小園丁雞蛋糕 | \n\t\t\t玉米corn | \n\t\t
豪豪抓餅 | \n\t\t\t李董偶貴 | \n\t\t\t小扁擔米糕 | \n\t\t
炸魚小鎮 | \n\t\t\t狂草咖哩 | \n\t\t\t泡出幸芙 | \n\t\t
悅庭楠舍 | \n\t\t\tFoodturama 小怪獸 | \n\t\t\t小鄧姐炸物 | \n\t\t
浪丸燒 | \n\t\t\t1994.食造所 | \n\t\t\t帰-日式燒烤 | \n\t\t
豐澤復刻飲品 | \n\t\t\tExist coffee 存在咖啡 | \n\t\t\tKaju義式手作冰淇淋 | \n\t\t
帕尼布尼 | \n\t\t\t一林家油飯 | \n\t\t\tOh泰好吃 調皮搗蛋 | \n\t\t
Oh泰好吃 享食捲餅 | \n\t\t\tH&H現炸吉拿棒 | \n\t\t\t敝姓蔡。可麗餅 | \n\t\t
浪頭叔叔 | \n\t\t\tNO.162冰滴咖啡 | \n\t\t\t金桃手作 鬆軟系司康 | \n\t\t
茹此手作 | \n\t\t\t一點點mini可頌 | \n\t\t\tA little 失控 荷蘭小鬆餅 | \n\t\t
泰泰來一杯 | \n\t\t\t家庭號傳統甜品 | \n\t\t\t米思粿(原古味手工美食坊) | \n\t\t
緩食甜點Lentement | \n\t\t\t旗津順-烤小卷 | \n\t\t\t走吧_行動酒吧 | \n\t\t
多加思所 | \n\t\t\t小蔦腦媽媽·寵物手工零食 | \n\t\t\t蘊柔花坊 | \n\t\t
小小縫紉手作 | \n\t\t\tHanana.in.Nepal哈娜娜在尼泊爾手作小物 | \n\t\t\tHer earrings 她的耳環 | \n\t\t
HB VINTAGE | \n\t\t\t艸實杏 | \n\t\t\tCERES Parfums | \n\t\t
田舍子 | \n\t\t\tTREASUREWAY 寶藏香氛 | \n\t\t\t\n\t\t |
\n\n
▼24小時X限定餐食吧-出席品牌
\n\n宵夜場:3/2(六) 20:00-24:00 | \n\t\t||||
布魯托熱狗堡 | \n\t\t\t狂草咖哩 | \n\t\t\t小鄧姐炸物 | \n\t\t||
\n\t\t\t 敝姓蔡。可麗餅 \n\t\t\t | \n\t\t\t走吧_行動酒吧 | \n\t\t\t\n\t\t | ||
早午餐場:3/3(日) 11:00-15:00 | \n\t\t||||
Maru日式糰子 | \n\t\t\t叄男美式三明治The 3rd. | \n\t\t\t小園丁雞蛋糕 | \n\t\t||
豐澤復刻飲品 | \n\t\t\tNO.162冰滴咖啡 | \n\t\t\t\n\t\t |
註:排序不分出席日期及場次,每日出席品牌以現場參與名單為準,詳情請洽市集服務台。(未滿十八歲禁止飲酒,飲酒過量,有害健康,酒後不開車)
\n\n\n\n
票根優惠
\n\n活動期間憑衛武營國家藝術文化中心2024年1-6月,任一演出之售票節目紙本/電子購票證明方可享有指定攤位優惠乙次,詳細優惠辦法依各攤商說明為主。
\n\n品牌 | \n\t\t\t憑票根享優惠 | \n\t\t
CAMPO蔬食古巴三明治 | \n\t\t\t買四包送一包 | \n\t\t
禾田 food truck | \n\t\t\t折抵5元 | \n\t\t
集雞蜜Agent Taiwan Crispy Chicken | \n\t\t\t消費滿450元折10元 | \n\t\t
一一甜點 | \n\t\t\t折抵5元 | \n\t\t
Maru日式糰子 | \n\t\t\t可折抵5元一次 | \n\t\t
隅生雞蛋糕 | \n\t\t\t贈原味雞蛋糕乙顆 | \n\t\t
叄男美式三明治The 3rd. | \n\t\t\t提供票根折抵10元 | \n\t\t
玉米corn | \n\t\t\t折5元 | \n\t\t
豪豪抓餅 | \n\t\t\t折抵5元 | \n\t\t
李董偶貴 | \n\t\t\t折5元 | \n\t\t
小扁擔米糕 | \n\t\t\t消費滿200元贈手工油豆腐乙個 | \n\t\t
炸魚小鎮 | \n\t\t\t份量加大 | \n\t\t
狂草咖哩 | \n\t\t\t折抵10元 | \n\t\t
悅庭楠舍 | \n\t\t\t消費滿300元贈送價值35元的傳統花生口味豬血糕一支 | \n\t\t
小鄧姐炸物 | \n\t\t\t折抵10元 | \n\t\t
浪丸燒 | \n\t\t\t折抵5元 | \n\t\t
1994.食造所 | \n\t\t\t消費400元享95折 | \n\t\t
帰-日式燒烤 | \n\t\t\t可折抵10元 | \n\t\t
Kaju義式手作冰淇淋 | \n\t\t\t消費滿100元折扣5元 | \n\t\t
帕尼布尼 | \n\t\t\t票根折10元 | \n\t\t
一林家油飯 | \n\t\t\t折扣5元 | \n\t\t
Oh泰好吃 調皮搗蛋 | \n\t\t\t滿百折5元 | \n\t\t
Oh泰好吃 享食捲餅 | \n\t\t\t折抵5元 | \n\t\t
敝姓蔡。可麗餅 | \n\t\t\t折抵5元 | \n\t\t
NO.162冰滴咖啡 | \n\t\t\t折抵5元 | \n\t\t
金桃手作 鬆軟系司康 | \n\t\t\t折抵5元 | \n\t\t
茹此手作 | \n\t\t\t折抵5元 | \n\t\t
一點點mini可頌 | \n\t\t\t每份折抵5元 | \n\t\t
A little 失控 荷蘭小鬆餅 | \n\t\t\t每份多一顆小鬆餅 | \n\t\t
泰泰來一杯 | \n\t\t\t折5元 | \n\t\t
旗津順-烤小卷 | \n\t\t\t折抵5元 | \n\t\t
小蔦腦媽媽·寵物手工零食 | \n\t\t\t折抵5元 | \n\t\t
蘊柔花坊 | \n\t\t\t票根優惠10元 | \n\t\t
Hanana.in.Nepal哈娜娜在尼泊爾手作小物 | \n\t\t\t折抵10元 | \n\t\t
Her earrings 她的耳環 | \n\t\t\t95折 | \n\t\t
HB VINTAGE | \n\t\t\t優惠9折 | \n\t\t
艸實杏 | \n\t\t\t商品95折優惠 | \n\t\t
CERES Parfums | \n\t\t\t購買香水,原價打8折 | \n\t\t
田舍子 | \n\t\t\t可折抵10元 | \n\t\t
TREASUREWAY 寶藏香氛 | \n\t\t\t滿500元折30元 | \n\t\t
註:每張購票證明可至各攤位享優惠乙次,消費限單筆不累積,優惠不與其他折扣併用,各攤商優惠皆為贈完為止,每日出席品牌請洽市集服務台。(未滿十八歲禁止飲酒,飲酒過量,有害健康,酒後不開車)
\n
環保優惠
\n\n響應環保,部分攤位不提供塑膠袋、一次性餐具,歡迎自行準備!自備餐具於點餐時告知出示享有指定攤位優惠乙次,每日出席品牌請洽市集服務台。
\n\n品牌 | \n\t\t\t自備餐具享環保優惠 | \n\t\t
善良肉圓 | \n\t\t\t自備餐具折5元 | \n\t\t
幸福地瓜球 | \n\t\t\t每份多送三顆 | \n\t\t
禾田 food truck | \n\t\t\t折抵5元 | \n\t\t
集雞蜜Agent Taiwan Crispy Chicken | \n\t\t\t攜帶環保餐具裝炸物折5元,環保杯裝飲品容量升級 | \n\t\t
Maru日式糰子 | \n\t\t\t折抵5元 | \n\t\t
隅生雞蛋糕 | \n\t\t\t贈原味雞蛋糕乙顆 | \n\t\t
正月初一手作麻糬 | \n\t\t\t包餡麻糬自備餐盒最後金額折5元 | \n\t\t
叄男美式三明治The 3rd. | \n\t\t\t自備環保餐具折抵10元 | \n\t\t
小園丁雞蛋糕 | \n\t\t\t一份雞蛋糕贈送一顆原味雞蛋糕 | \n\t\t
豪豪抓餅 | \n\t\t\t環保餐具折5元 | \n\t\t
李董偶貴 | \n\t\t\t環保餐具折5元 | \n\t\t
小扁擔米糕 | \n\t\t\t消費滿200元贈手工油豆腐乙個 | \n\t\t
炸魚小鎮 | \n\t\t\t份量加大 | \n\t\t
狂草咖哩 | \n\t\t\t自備環保餐盒折10元 | \n\t\t
泡出幸芙 | \n\t\t\t自備餐盒購買小泡芙免費增量 | \n\t\t
悅庭楠舍 | \n\t\t\t自備環保餐具品項折扣5元 | \n\t\t
Foodturama 小怪獸 | \n\t\t\t折抵10元 | \n\t\t
小鄧姐炸物 | \n\t\t\t加量不加價 | \n\t\t
浪丸燒 | \n\t\t\t折抵5元 | \n\t\t
1994.食造所 | \n\t\t\t折抵5元 | \n\t\t
帰-日式燒烤 | \n\t\t\t餐具優惠,容量增加 | \n\t\t
豐澤復刻飲品 | \n\t\t\t自備環保餐具折5元 | \n\t\t
Exist coffee 存在咖啡 | \n\t\t\t環保杯折5元 | \n\t\t
Kaju義式手作冰淇淋 | \n\t\t\t自備容器折扣5元 | \n\t\t
帕尼布尼 | \n\t\t\t自備環保餐具折10元 | \n\t\t
一林家油飯 | \n\t\t\t折抵5元 | \n\t\t
Oh泰好吃 調皮搗蛋 | \n\t\t\t單點皮蛋送薯米花/組合套餐、薯米花加量不加價 | \n\t\t
Oh泰好吃 享食捲餅 | \n\t\t\t內餡加量不加價 | \n\t\t
H&H現炸吉拿棒 | \n\t\t\t容量增加 | \n\t\t
敝姓蔡。可麗餅 | \n\t\t\t折抵5元 | \n\t\t
浪頭叔叔 | \n\t\t\t折抵5元 | \n\t\t
NO.162冰滴咖啡 | \n\t\t\t折抵5元 | \n\t\t
茹此手作 | \n\t\t\t折抵5元 | \n\t\t
一點點mini可頌 | \n\t\t\t裝得下的容器,每份折5元 | \n\t\t
A little 失控 荷蘭小鬆餅 | \n\t\t\t每份多一顆小鬆餅 | \n\t\t
泰泰來一杯 | \n\t\t\t自帶環保杯折5元 | \n\t\t
家庭號傳統甜品 | \n\t\t\t環保餐具免費加料加量 | \n\t\t
米思粿(原古味手工美食坊) | \n\t\t\t使用環保餐具免費加量 | \n\t\t
旗津順-烤小卷 | \n\t\t\t攜帶環保餐盒折價5元 | \n\t\t
走吧_行動酒吧 | \n\t\t\t環保杯折抵5元 | \n\t\t
小蔦腦媽媽·寵物手工零食 | \n\t\t\t折抵5元 | \n\t\t
蘊柔花坊 | \n\t\t\t自備餐具可以優惠10元 | \n\t\t
註:優惠不與其他折扣併用,詳情請洽市集服務台。(未滿十八歲禁止飲酒,飲酒過量,有害健康,酒後不開車)
\n\n\n\n
主辦單位
\n\n\n\t\t |
\n\n
協辦單位
\n\n\n\t\t |
\n\n
節目資訊
\n\n3/1(五)19:30
\n►貝多芬《費黛里歐》歌劇音樂會
3/2(六)-3/3(日)
\n►《瘋迷24貝多芬》
\n\n
\n',team:""},createdAt:1704357818,updatedAt:1708511182,updatedBy:"鄭傑文",host:!1},{_id:"65a0ddd28e4a250007f0deeb",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711107e3,discrete:[{time:1711107e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900],link:"https://www.opentix.life/event/1742852736716922880"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4966df77f97d20c7d284d3bd7bde33da",title:"唱歌集《呱於醜小鴨變成搖滾巨星的那件事》搖滾親子音樂劇|讀劇音樂會"}],related:[],title:"唱歌集《呱於醜小鴨變成搖滾巨星的那件事》搖滾親子音樂劇|讀劇音樂會",cover:"07a2df131f76d531b700e0365b2e57a0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
安徒生經典童話《醜小鴨》搖滾翻轉 呱呱探問:醜小鴨變天鵝,阿然後呢?
\n搶先體驗全本讀劇音樂會僅此一場 Rock' n' Roll登場衛武營表演廳
\n\n
風靡全球、歷久不衰的安徒生經典童話《醜小鴨》問世超過 180年,「醜小鴨變天鵝」的故事被翻譯成多於一百種語言並出版,成為全世界最廣為人知的童話經典,影響無數孩童在成長過程中,面對必經的「自我認同」議題時,擁有更多勇氣去探索自我。
\n\n\n\n
#但醜小鴨之所以變天鵝 #是因為牠本來就是天鵝吧
\n\n#所以重點是 #變成天鵝之後勒
\n\n#喔還有 #大家覺得醜小鴨是男生還是女生哩
\n
唱歌集旅居紐約駐團作曲家張清彥與創作夥伴Timothy L. Michuda 、 Carter Quinn Tanis共同創作本作英文版Take A Quack At It: The Ugly Duckling's Quack-a-Lackin' Rock n' Roll Se-quail,並於紐約舉辦試演會,獲得眾多好評、成果斐然。唱歌集遂轉譯本作為《呱於醜小鴨變成搖滾巨星的那件事》,以「醜小鴨後傳」概念延伸翻轉經典童話,發出呱呱探問:醜小鴨長大變天鵝,啊之後呢?不同世代的小鴨小鵝們,有相同的困惑與煩惱嗎?如果幻滅是成長的開始,那麼代價又是什麼?最重要的是,當年閱讀童話典範的我們,都長成自己心中理想的大人了嗎?
\n\n唱歌集再度邀請親子音樂劇行當擔當高天恒(小糕)擔綱《呱於》導演,於2024年夏天推出全新搖滾親子音樂劇,並搶先於3月舉辦全本讀劇音樂會,Rock 'n' Roll釋出精彩故事與歌曲,歡迎大小觀眾提前來感受精彩故事、以及又新潮又可愛的搖滾歌曲,單純享受文字與音樂純粹的魅力!與唱歌集一起歡樂呱噪all night!
\n\n\n\n
醜小鴨長大變天鵝,然後呢?如果幻滅是成長的開始,代價又是什麼?
\n當年讀《醜小鴨》長大的我們,都長成自己心中理想的大人了嗎?
\n\n
泰菲是隻搖滾樂狂粉小鴨,同時也是傳說中的醜小鴨、搖滾巨星恰哥迷,暑假時泰菲被爸媽送去參加「鴨克力搖滾夏令營」,不料過於熱情、不太會看臉色的泰菲讓其他小鴨怯而遠之、還被霸凌,泰菲心想,要是自己跟恰哥一樣成了搖滾巨星,就一定能跟當年的醜小鴨一樣,鹹魚翻身!
\n\n於是泰菲只帶著自己最愛的吉他,離開了「鴨克力搖滾夏令營」,踏上追尋恰哥預定表演的「鴨浪音樂祭」之旅程:一路上,泰菲遇到毛骨悚然森林裡的暗影生物、鼓勵他自信放聲高歌的布魯斯雞、教導泰菲遇到老鷹該如何保命的山道雀子,還有示範怎麼飛翔的飆高鷹,收穫滿滿!但當泰菲終於抵達「鴨浪音樂祭」,竟然發現恰哥是個對嘴假唱的山寨偶像!同時間「鴨克力搖滾夏令營」也發生危機,主辦者偽伯竟然是個偽裝成和善鴨子的邪惡老鷹(他應該也有點自我認同危機),陰謀是要吃掉夏令營所有小鴨學員!
\n\n追尋自我的路途崩毀、一生偶像爆出醜聞,同時夏令營的小鴨朋友們還身陷危機,泰菲,該怎麼做選擇?
\n\n\n\n
演出暨製作團隊
\n\n製作人|詹喆雅
\n\n編劇|Carter Quinn Tanis、Timothy L. Michuda
\n\n作曲暨編曲|張清彥
\n\n導演|高天恒
\n\n文本中譯|顏志翔
\n\n中文歌詞|張清彥、顏志翔
\n\n演出人員|石懷源、吳知豫、姜柏任、陳垣希、黃建豪、詹喆君、鄭守辰
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4966df77f97d20c7d284d3bd7bde33da",title:"唱歌集《呱於醜小鴨變成搖滾巨星的那件事》搖滾親子音樂劇|讀劇音樂會"}],related:[],title:"Take A Quack At It! The Ugly Duckling's Quack-a-Lackin' Rock n' Roll Sequel",cover:"07a2df131f76d531b700e0365b2e57a0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Based on Andersen's fairy tale The Ugly Duckling, Total Musical Theatre presents Take A Quack At It! concert reading is fun and hip, and allows audience to peep into the full show taking place in this summer!
\n\n\n\n
Creative and Production Team
\n\nProducer|Julia CHAN
\n\nPlaywright|Carter Quinn Tanis、Timothy L. Michuda
\n\nComposer|Oscar CHANG
\n\nDirector|KAO Tien-heng
\n\nTraslator|YEN Chih-hsiang
\n\nChinese Lyricist|Oscar CHANG、YEN Chih-hsiang
\n\nPerformers|Amei SHI、WU Chih-yu、CHIANG Po-jen、 CHEN Yuan-si、HUANG Chien-Hao、CHAN Jejiun、CHENG Shou-chen
\n\n\n\n
\n',team:""},createdAt:1705041362,updatedAt:1710142238,updatedBy:"林蔚行",host:!1},{_id:"65a0e5f48e4a250007f0e052",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1711193400,discrete:[{time:1711193400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1744527195883966465"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de54fa6d38dedb26d1e54c536082c1bb",title:"《超技12-陳世偉鋼琴獨奏會》"}],related:[],title:"「節目取消」《超技12-陳世偉鋼琴獨奏會》",cover:"d995e024ba5f860b7337125241dc9cb0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原2024年3月23日(六)19:30於衛武營表演廳演出之《超技12-陳世偉鋼琴獨奏會》,因鋼琴家健康因素取消演出,造成不便,敬請見諒。 \n\n\t\t\t※退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
陳世偉為臺灣現今最受矚目的新生代青年鋼琴家之一,現為東海大學音樂系專任助理教授。多年來累積豐富的演出經驗,多次與國內外交響樂團合作演出,多次獲得國際鋼琴大賽獎項。本場演出將帶來12首李斯特《超技練習曲》。
\n\n\n\n
演出曲目
\n\n李斯特:超技練習曲全曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳世偉
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de54fa6d38dedb26d1e54c536082c1bb",title:"《超技12-陳世偉鋼琴獨奏會》"}],related:[],title:"(Program cancelled) Transcendental - Shih-Wei CHEN Piano Recital",cover:"d995e024ba5f860b7337125241dc9cb0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-4-23590121#38213. | \n\t\t
\n\n
Shih-Wei, Chen is one of the most prominent young pianists in Taiwan, and serves as a full-time assistant professor in the Department of Music at Tunghai University. With years of extensive performance experience, he has collaborated with orchestras both domestically and internationally, earning multiple awards in international piano competitions. Tonight he will perform Franz Liszt's"12 Études d'exécution transcendante, S. 139".
\n\n\n\n
Creative and Production Team
\n\nPiano|Shih-Wei CHEN
\n\n\n\n
\n',team:""},createdAt:1705043444,updatedAt:1711179691,updatedBy:"林蔚行",host:!1},{_id:"65a0ea25abe2d80007f6f809",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711866600,discrete:[{time:1711866600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1500],link:"https://www.opentix.life/event/1742125895531745281"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c9b6f69f5d3e26d7a956ee6b7f06fee",title:"KSAF《傳奇‧大曲》呂思清與高雄市國樂團"}],related:[],title:"KSAF《傳奇‧大曲》呂思清與高雄市國樂團",cover:"70a9694df1f674fae5ef368c7a3196c4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2024高雄春天藝術節15週年慶! 高雄市國樂團首場開季音樂會再度邀請被譽為「東方帕格尼尼」的小提琴演奏家呂思清。這次他們帶來「樂壇神筆」國際知名作曲家趙季平《第一小提琴協奏曲》的臺灣首演。《第一小提琴協奏曲》樂曲情感深刻而含蓄、委婉而厚實,表達人類對於大愛的追求。同場亦邀請笛子青年演奏家李育慈與樂團合作笛子協奏曲《月出》,作曲家李博的創作靈感來自於同名詩經—《月出》,借用竹笛豐富的表現手法,講述古人以詩傳遞對愛情的美好願望。
\n\n\n\n
演出曲目
\n\n王乙聿:《鷲嶺傳奇》
\n\n謝惠如:《庄稼》
\n\n朱雲嵩:《胡旋幻想》
\n\n李博:《月出》笛子協奏
\n\n趙季平:《第一小提琴協奏曲》臺灣首演
\n\n王雲飛:《大潮》
\n\n\n\n
演出暨製作團隊
\n\n指揮|郭哲誠
\n\n小提琴|呂思清
\n\n笛子|李育慈
\n\n樂團|高雄市國樂團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c9b6f69f5d3e26d7a956ee6b7f06fee",title:"KSAF《傳奇‧大曲》呂思清與高雄市國樂團"}],related:[],title:"Lyu Siqing & KCO",cover:"70a9694df1f674fae5ef368c7a3196c4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2024 marks the 15th anniversary of Kaohsiung Spring Arts Festival.
\n\nKaohsiung Chinese Orchestra once again cooperates with violinist LYU Siqing who is the first Asian violinist to win the esteemed International Paganini Violin Competition. They will present the Taiwan premiere of ZHAO Jiping's Violin Concerto No.1. This work connotates the pursuit of love of human beings, giving a profound impression to listeners. Moreover, we also invite the flute player, LEE Yu-tze, presenting the concerto Moorise from composer LI Po, using rich techniques to wish for love in a poetic way. This March, with LYU's enchanting performance and also the beauty of flute, we hope to amaze the music lovers in the embracement of sound.
\n\n\n\n
Program
\n\nWANG I-yu: Legend of the Eagle Hill
\n\nHSIEH Hui-ju: Countryside
\n\nCHU Yun-song: Fantasy of Huxuan
\n\nLI Bo: Moonrise
\n\nZHAO Ji-ping: Violin Concerto No.1 (Taiwan Premiere)
\n\nWANG Yun-fei: Grand Tide
\n\n\n\n
Creative and Production Team
\n\nConductor|KUO, CHE-CHEN
\n\nViolin|LU, SI-QING
\n\nDizi|LEE, YU-TZE
\n\nOrchestra|KAOHSIUNG CHINESE ORCHESTRA
\n\n\n\n
\n',team:""},createdAt:1705044517,updatedAt:1706776821,updatedBy:"林蔚行",host:!1},{_id:"65a0f6ba8e4a250007f0e2f3",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711798200,discrete:[{time:1711798200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1739902518349271041"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2b06d62298599b46177dcca157a53cc",title:"高雄市管樂團《動畫楽ノ祭》-機甲動畫交響音樂會"}],related:[],title:"高雄市管樂團《動畫楽ノ祭》-機甲動畫交響音樂會",cover:"44aaf8587184676e02ce07b928fa9feb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「宛如那殘酷的天使一般,少年啊 成為神話吧」
\n\n在日本動畫界中,機甲風格的題材製作相當受歡迎與喜愛。《原子小金剛》首播成功吹響了觀眾對機器人題材關注與熱愛的號角;而後《無敵鐵金剛》一句「我們是正義的一方」紅遍臺灣,成了人人都會哼唱之旋律;1995年,隨《新世紀福音戰士》放映之〈殘酷天使的行動綱領〉片頭更被譽為日本動畫一代神曲。
\n\n今年高雄市管樂團「動畫楽ノ祭」系列節目—機甲動畫交響音樂會,將用管樂磅礡交響之聲帶領聽眾進入機甲浩瀚的星球宇宙。
\n\n\n\n
演出曲目
\n\n原子小金剛
\n\n無敵鐵金剛
\n\n蓋特機器人
\n\n超電磁機器人 孔巴德拉V
\n\n超時空要塞
\n\n機動戰士鋼彈
\n\n新世紀福音戰士
\n\n創聖機械天使
\n\n勇者王
\n\n勇往直前
\n\n櫻花大戰
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n主持人|孫沁岳
\n\n演出|高雄市管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2b06d62298599b46177dcca157a53cc",title:"高雄市管樂團《動畫楽ノ祭》-機甲動畫交響音樂會"}],related:[],title:"KCWO Mecha Anime Symphonic Concert",cover:"44aaf8587184676e02ce07b928fa9feb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Among all Japanese animations, the mecha-themed works are very popular and beloved. The success of 'Astro Boy' sparked the audience's attention and passion for robot-themed content. Later, the lyrics 'We are the defenders of justice' from 'Mazinger Z' became widely popular in Taiwan. The opening theme 'The Cruel Angel's Thesis' from 'Neon Genesis Evangelion' in 1995 was acclaimed as one of the most iconic theme songs of Japanese animations.This year, the KCWO's 'Matsuri of Anime Music' will immerse our audiences in the vast universe of mecha.
\n\n\n\n
Program
\n\nAstro Boy
\n\nMazinger Z
\n\nGetta Robo
\n\nSuper Electromagnetic Robot Combattler V
\n\nSuper Dimension Fortress Macross
\n\nMobile Suit Gundam
\n\nNeon Genesis Evangelion
\n\nGenesis of Aquarion
\n\nThe King of Braves GaoGaiGar
\n\nGunbuster
\n\nSakura Wars
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nHost|Yorke SUN
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\n\n\n
\n',team:""},createdAt:1705047738,updatedAt:1705559966,updatedBy:"林蔚行",host:!1},{_id:"65a5f5cdd4395d00080be6c9",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1709965800,discrete:[{time:1709965800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3,1400,1800,2200,2500],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q01BNI8L"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"96058582090956719c387b87d4509e84",title:"《奇幻旅程》"}],related:[],title:"「節目異動」《奇幻旅程》",cover:"5b955f9e7c9139fc34e80b593012b798",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\t\t\t ※原訂於2024年3月9日(六)、3月10日(日)於衛武營歌劇院演出之《奇幻旅程》,因故取消3月10日(日)場次。 \n\n\t\t\t※因節目異動,已購票觀眾可轉換場次或辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
午夜十二點鐘聲響起 通往奇幻世界的入口 即將開啟。
\n\n透過小女孩的眼睛,帶領我們尋找一個既有趣又迷人的答案。害怕孤獨、尋求認同的「多眼怪」,具有魔法充滿智慧的守護天使「藍貓」,又會為小女孩,這位「探索者」帶來什麼旅程?奇幻旅程是一個夢想的入口,透過旅行與冒險,找回失落的愛與友誼,當你用純真好奇的雙眼開啟它,在瞬間點燃無盡的夢想,綻放無比繽紛的色彩,超乎你的想像。
\n\n\n\n
演出暨製作團隊
\n\n導演/藝術總監|劉樂群
\n\n製 作 人|邊國華
\n\n作 曲|楊琇雲
\n\n影像設計|徐逸君
\n\n道具設計|李信學
\n\n服裝設計|林秉豪
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"96058582090956719c387b87d4509e84",title:"《奇幻旅程》"}],related:[],title:"(Program changed) Entrance",cover:"5b955f9e7c9139fc34e80b593012b798",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2341-6066. | \n\t\t
\n\n
Through the eyes of a little girl, we are led to find an answer that is both funny and charming. The "multi-eyed monster" who is afraid of loneliness and seeks recognition, and the "blue cat", the guardian angel with magic and wisdom, will bring about the little girl's journey? A fantasy journey is a portal to dreams. Through travel and adventure, you can find lost love and friendship. When you open it with innocent and curious eyes, endless dreams will be ignited in an instant, and incomparable colors will bloom, beyond your imagination.
\n\n\n\n
Creative and Production Team
\n\nDirector|LIU Le-chun
\n\nProducer|PANG Kuo-hua
\n\nComposer|YANG Xiu-yun
\n\nImage Design|HSU Yi-chun
\n\nProps Design|LEE Hsin-hsueh
\n\nCostume Design|LIN Bing-hao
\n\n\n\n
\n',team:""},createdAt:1705375181,updatedAt:1708590234,updatedBy:"林蔚行",host:!1},{_id:"65a5f96ed26a1b00087d3ba1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1710588600,discrete:[{time:1710588600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1745344358965215233"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9d5777a5e6a6831dbad613d699e595c",title:"《張正傑大提琴獨奏會》"}],related:[],title:"「節目異動」《張正傑大提琴獨奏會》",cover:"e6876ab35e729885498ce187376390d0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2024年3月16日(六)19:30於衛武營表演廳演出之《張正傑大提琴獨奏會》,部分曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
大提琴家張正傑與鋼琴家廖皎含,將一同詮釋作曲家布拉姆斯對克拉拉舒曼、德佛札克對約瑟芬娜那種無解的愛情;曲中訴說著比一般人更敏感的藝術家們,如何將無法得到的愛情轉化成絲絲入扣的音符,訴說心中那抹單戀的苦澀。並精選多首曲目,透過大提琴家張正傑細膩又不失詼諧的介紹曲目編寫的時空背景,領著樂迷一同細細感受、反覆品味,感動來自於樂音情感的體現,以及與過去時空的連結。
\n\n\n\n
演出曲目
\n\n布拉姆斯:E小調第一號鋼琴與大提琴奏鳴曲,作品38
\n\n德弗札克:大提琴協奏曲第二樂章
\n\n法朗克:A大調大提琴奏鳴曲
\n\n\n\n
演出暨製作團隊
\n\n大提琴|張正傑
\n\n鋼琴|廖皎含
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9d5777a5e6a6831dbad613d699e595c",title:"《張正傑大提琴獨奏會》"}],related:[],title:"(Program changed) Chen-Chieh Chang's Cello Recital",cover:"e6876ab35e729885498ce187376390d0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2781-2306. | \n\t\t
\n\n
Cellist CHANG, Chen-Chieh and pianist Liao, Chiao-Han will interpret the composer's unspoken love, such as Brahms for Clara Schumann, and Dvorak for Josephina.How do artists transform unrequited love into notes and express the bitterness of unrequited love in their hearts.
\n\n\n\n
Program
\n\nBrahms: e minor Sonata op. 38
\n\nDvorak: Cello Concert mvt. 2
\n\nC. Frank: Cello Sonata in A Major
\n\n\n\n
Creative and Production Team
\n\nCello|Chen-Chieh CHANG
\n\nPiano|Chiao-han LIAO
\n\n\n\n
\n',team:""},createdAt:1705376110,updatedAt:1706518562,updatedBy:"林蔚行",host:!1},{_id:"65a6304bd26a1b00087d43f9",catalogs:["5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1709895600,discrete:[{time:1709895600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,200],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q01A6OKF"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a29e073fef98d00f80412a6da3b8cd16",title:"《光風霽衛、敦琴共武-二次元奇幻親子音樂會》"}],related:[],title:"《光風霽衛、敦琴共武-二次元奇幻親子音樂會》",cover:"9d63f8cbb967cae434168691804c9aa7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
【稚嫩的臉龐,展現不可思議的音樂能量】北部國小全國音樂比賽常勝軍,光復國小弦樂團與敦化國小弦樂團攜手演出。在這個週五夜晚,上半場有震撼激昂的蕭士塔高維奇第八號弦樂四重奏,也有優美旋律的莫札特嬉遊曲,下半場還有更多您與孩子耳熟能詳、可以放鬆沉浸其中的知名動漫主題曲。我們用美麗的古典之聲與貼近孩子的音樂語言,營造整場歡樂的親子音樂會。
\n\n\n\n
演出曲目
\n\n蕭士塔高維奇:第八號弦樂四重奏,第二樂章
\n\n克勞斯·巴德爾特:電影《神鬼奇航》配樂
\n\n歌舞青春
\n\n芥川也寸志:三折畫,第一樂章
\n\n李哲藝:相思河畔
\n\n李哲藝:掌中隨想曲
\n\n草野華余子:紅蓮華, 編曲 黃瓊齡 - 日本動畫《鬼滅之刃》主題曲
\n\n久石讓:千尋的華爾茲 - 日本動畫《神隱少女》印象專輯
\n\n木村弓:永遠同在 - 日本動畫《神隱少女》片尾曲
\n\n羅伯特·B·謝爾曼:小小世界
\n\n莫札特:嬉遊曲K.136,第一樂章
\n\n盧廣仲:電影《刻在我心底的名字》主題曲
\n\nYOASOBI:偶像 - 日本動畫《我推的孩子》主題曲
\n\n小島英也:Gimmme! - 日本動畫《在魔王城說晚安》片尾曲
\n\n拉德溫普斯:前前前世 - 日本動畫《你的名字》主題曲
\n\n拉德溫普斯:我們還能為愛付出什麼? - 日本動畫《天氣之子》插曲
\n\n新田目駿:快眠!安眠!スヤリスト生活 - 日本動畫《在魔王城說晚安》片頭曲
\n\n小約翰·史特勞斯:雷鳴與閃電波卡舞曲
\n\n\n\n
演出暨製作團隊
\n\n主辦|台北市光復國小弦樂團
\n\n合辦|台北市敦化國小弦樂團
\n\n演出者
\n\n指揮|許家銘、陳庭漢、劉翔宇
\n\n鋼琴|郭宗翰
\n\n樂團|台北市光復國小弦樂團、台北市敦化國小弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a29e073fef98d00f80412a6da3b8cd16",title:"《光風霽衛、敦琴共武-二次元奇幻親子音樂會》"}],related:[],title:"Anime Fantasy Family Concert - Guang-Fu & Dunhua String Together",cover:"9d63f8cbb967cae434168691804c9aa7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This Friday night, the first half will feature the stirring and vibrant Shostakovich String Quartet No. 8, along with the graceful melodies of Mozart's Divertimento. In the second half, there will be even more well-known anime theme songs that both you and your children are familiar with, providing a relaxing and immersive experience.We employ the beautiful voices of classical music and a musical language close to children to create an entire joyful family concert.
\n\n\n\n
Program
\n\nDmitri Shostakovich:String Quartet No.8, Mov. 1I Allegro moito
\n\nKlaus Badelt:Pirates of the Caribbean
\n\nHigh School Musical
\n\nYasushi Akutagawa:Triptyque for Strings Orchestra, Mov. 1
\n\nC.Y. Lee:By The Missing River
\n\nC.Y. Lee:Puppet Theatre Caprice
\n\nKayoko Kusano:Gurenge, Arr. ChiungLing Huang - Demon Slayer
\n\nJoe Hisaishi:Waltz of Chihiro - Spirited Away
\n\nYoumi Kimura:Always with Me - Spirited Away
\n\nRobert B. Sherman:It's a Small World
\n\nMozart:Divertimento in D major, K.136, Mov. 1 Allegro
\n\nCrowd Lu:Your Name Engraved Herein
\n\nYOASOBI:Idol - Mother and Children
\n\nHideya Kojima:Gimmme! - Sleepy Princess In The Demon Castle
\n\nRADWIMPS:Zen Zen Zense - Your Name
\n\nRADWIMPS:Is There Still Anything That Love Can Do? - Weathering With You
\n\nShun Aratame:Kaimin! Anmin! Suya Rhyst Seikatsu - Sleepy Princess In The Demon Castle
\n\nJohann Strauss II:Thunder And Lightning Polka
\n\n\n\n
Creative and Production Team
\n\nPresenter|String Orchestra-Taipei Municipal Guang-Fu Elementary School
\n\nCo-organizer|String Orchestra, Dunhua Elementary School String Orchestra
\n\nConductor|HSU Chia-Ming, CHEN Ting-Han and LIU Hsiang-Yu
\n\nPiano|KUO Tsung-Han
\n\n\n\n
\n\n
\n\n
\n',team:""},createdAt:1705390155,updatedAt:1706500128,updatedBy:"林蔚行",host:!1},{_id:"65a640d3d4395d00080bf2a6",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1710036e3,discrete:[{time:1710036e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1749699551742615553"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e460d75cb58e233e9ea01d10d5176af",title:"【大師講座】野村萬齋. 狂言怎麼看?"}],related:[],title:"【大師講座】野村萬齋. 狂言怎麼看?",cover:"e44e9648a84373410dfa69c759b537d6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
講座全長約90分鐘,無中場休息。
\n\t講座全程以日文、中文進行,無字幕,現場備有中文口譯。
\n\t本講座有活動攝錄影紀錄,本影像紀錄以藝文推廣或非營利性之目的為限,購票即視為同意拍攝。
\n\t為尊重講者並維持活動進行,本講座全程無開放現場觀眾拍照或錄影,敬請見諒。
\n\t遲到、中途離席觀眾請依循現場工作人員指示入場。如有造成不便,敬請見諒。
\n\t主辦單位保留本活動變更權利。
\n\t\n\n
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n',benefits:"",description:"衛武營特別邀請野村萬齋(Mansai Nomura)與觀眾面對面,聊聊流傳百年傳統藝術,帶領大家一起進入「狂言」的世界。",introduction:'「狂言」是日本獨特的傳統藝術,不僅獲聯合國教科文組織認定為無形文化資產,更是日本傳統及當代表演藝術的重要根基。狂言從日常生活擷取笑料,以詼諧的對話一本正經地精準演出人性率真的一面,以幽默的口語諷刺貴族社會,認真表現出人生的無奈滑稽,以及人性中的荒唐可笑!衛武營特別邀請野村萬齋(Mansai Nomura)與觀眾面對面,聊聊流傳百年傳統藝術,帶領大家一起進入「狂言」的世界。
\n\n\n\n
報名資訊
\n\n講座時間:2024/03/10(日)10:00
\n\n講座地點:衛武營國家藝術文化中心表演廳
\n\n報名費用:NTD 500(衛武營四卡會員 卡友優惠 NTD 450)
\n\n備註:講座全程以日文、中文進行,無字幕,現場備有中文口譯。
\n\n\n\n\n\n
2/5(一)12:00開放報名
\n\n\n\n
講者介紹
\n\n\n\t\t |
照片提供:萬作之會|攝影:政川慎治
\n\n\n\n
野村萬齋 Mansai Nomura
\n\n野村萬齋曾獲藝術祭新人賞、藝術選獎文部科學大臣新人賞。他亦是日本重要非物質文化財產:能劇狂言類持有人;野村萬齋自2002年至2022年擔任世田谷公立劇院藝術總監,並自2021年起擔任石川縣立音樂堂邦樂總監。除了耕耘其豐富的表演志業,他也熱衷執導融合經典與當代、東方與西方的劇目。2002年,其新編狂言《錯誤的狂言》改編自莎劇《錯中錯》至美國及倫敦環球劇院巡演。2005年起執導《國盜人》(改編自《理查三世》)、《竹林中》、《鏡冠者》,《敦-山月記.名人傳》(改編自作家中島敦之作)更獲得朝日賞及2005年紀伊國屋演劇賞導演/作曲獎。
\n\n\n\n
團隊介紹
\n\n萬作之會 Mansaku no kai
\n\n萬作之會狂言劇團由野村萬作創立,現由野村萬作(二世)與兒子野村萬齋(二世)共同領導,兩人承襲了250年來的傳統戲劇家學。自1957年劇團首次參加巴黎國際戲劇節以來,野村萬作在世界各地巡演和舉辦講座,持續向國際觀眾分享狂言之美。延續父親的使命,野村萬齋不僅長年演出狂言,並致力探索狂言作為當代表演藝術形式的可能性。野村萬作是日本政府選定的人間國寶。野村萬齋及石田幸雄被指定為日本重要非物質文化財產持有人。
\n\n\n\n
演出節目資訊
\n\n► 3/9 (六) 14:30、3/9 (六) 19:30、3/10(日)14:30 戲劇院
\n\n\n\n\n\n
周邊活動
\n\n\n\n\n\n\n\n
\n',team:""},createdAt:1705394387,updatedAt:1707217114,updatedBy:"歐嘉于",host:!0},{_id:"65aa28f4d4395d00080c7e47",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711798200,discrete:[{time:1711798200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,2e3,2500],link:"https://www.opentix.life/event/1747164677309956097"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"921a05febd43f5029ce763cff5a1ec76",title:"《經典鋼琴名曲饗宴2024 橫山幸雄鋼琴獨奏會》"}],related:[],title:"《經典鋼琴名曲饗宴2024 橫山幸雄鋼琴獨奏會》",cover:"45d4b27aa1dff7782109a238c95f641b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
金氏世界紀錄締造者、日本知名鋼琴家橫山幸雄(Yukio Yokoyama),1990年波蘭蕭邦鋼琴大賽季軍得主;本次來臺演出貝多芬、李斯特、拉威爾、蕭邦等作曲家膾炙人之經典鋼琴名作,也包含橫山幸雄改編的曲目-聖母頌;鋼琴家橫山幸雄曾多次締造世界紀錄,金氏世界紀錄除授予他「24 小時內獨奏藝術家演奏的最多音樂作品」類別的世界紀錄,波蘭政府更授予其「蕭邦護照」以表彰其成就。
\n\n\n\n
演出曲目
\n\n橫山幸雄改編:聖母頌-巴赫主題即興/古諾
\n\n貝多芬:f小調第23號鋼琴奏鳴曲,熱情
\n\n李斯特:愛之夢,第三首
\n\n李斯特:弄臣模擬曲
\n\n拉威爾:為已逝公主的孔雀舞曲
\n\n拉威爾:海上孤舟
\n\n拉威爾:小丑的晨歌
\n\n蕭邦:C小調夜曲,作品48-1
\n\n蕭邦:第四號敘事曲,作品52
\n\n蕭邦:降A大調波蘭舞曲,英雄,作品53
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|橫山幸雄
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"921a05febd43f5029ce763cff5a1ec76",title:"《經典鋼琴名曲饗宴2024 橫山幸雄鋼琴獨奏會》"}],related:[],title:"2024 Yukio Yokoyama Piano Recital",cover:"45d4b27aa1dff7782109a238c95f641b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Guinness World's Records Pianist-Yukio YokoyamaYukio Yokoyama Piano Recital-Kaohsiung
\n\n\n\n
Program
\n\nYukio Yokoyama: Ave Maria - Improvisation sur le thème de Bach / Gounod-
\n\nLudwig van Beethoven: Sonate für Klavier Nr.23 "Appassionata" f-moll Op.57
\n\nFranz Liszt: Liebesträume No.3
\n\nFranz Liszt: Paraphrase de concert sur Rigoletto
\n\nMaurice Ravel: Pavane pour une infante défunte
\n\nMaurice Ravel: Une Barque Sur L'Ocean
\n\nMaurice Ravel: Alborada Del Gracioso
\n\nFryderyk Franciszek Chopin: Nocturne No.13 c-moll Op.48-1
\n\nFryderyk Franciszek Chopin: Ballade no.4 f-moll Op.52
\n\nFryderyk Franciszek Chopin: Polonaise no.6 "Héroïque" As-Dur Op.53
\n\n\n\n
Creative and Production Team
\n\nPiano|Yukio Yokoyama
\n\n\n\n
\n',team:""},createdAt:1705650420,updatedAt:1707958675,updatedBy:"林蔚行",host:!1},{_id:"65af1724d4395d00080f8f0e",catalogs:["5aec45edb01ea6000520f655","5aec418cb01ea6000520f635"],dateTime:{first:1709967600,discrete:[{time:1709967600}],type:"discrete"},activity:{type:"signup",signup:{limit:100,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!1,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!1,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone Number",english:"聯絡手機號碼 Phone Number"},{required:!1,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"}],vip:{start:1705971600,end:1706025599},open:{start:1705971600,end:1709805659},description:'
《好事清單》原著由英國劇作家Duncan Macillan和喜劇演員Johnny Donahoe共同創作,四把椅子劇團透過不同演員卡司與文本在地化,呈現此劇本因應表演者特質和生命經驗而產生的獨特魅力,以及與臺灣觀眾的情感連結,自2021年首演以來,獲得觀眾熱烈迴響。
\n\n本講座由四把椅子劇團藝術總監、導演許哲彬主講。從近年重要作品《全國最多賓士車的小鎮住著三姐妹(和她們的Brother)》、《遙遠的東方有一群鬼》、《呼吸》到《好事清單》,解析面對西方經典文本與當代劇作的改編手段,帶領觀眾探討「在地轉譯」如何呼應劇場此媒介的本質,領會這些作品如何與觀眾產生共鳴。
\n\n\n\n
活動時間:3/9(六)15:00-16:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來參與!
\n\n報名方式:報名參加,免費入場(限量100名,額滿為止)
\n\n報名時間:即日起至3/7(四)18:00止
\n\n活動地點:衛武營演講廳
\n\n\n\n
講者介紹
\n\n許哲彬
\n\n四把椅子劇團藝術總監,英國皇家中央演講戲劇學院(Royal Central School of Speech and Drama)劇場創作碩士(MA in Advanced Theatre Practice)。現為國立臺北藝術大學戲劇學系專任講師、文化大學戲劇學系兼任講師。曾獲選為PAR表演藝術雜誌2021戲劇類年度人物、雲門創計畫受獎助者;以「集體性」為創作宗旨,聚焦於文本為核心的「新寫實」美學,多部作品曾提名入圍台新藝術獎。
\n\n\n\n
\n',team:""},createdAt:1705973540,updatedAt:1706757675,updatedBy:"林蔚行",host:!1,hasSignup:!0},{_id:"65af2040d26a1b000881ad44",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1709992800,discrete:[{time:1709992800}],type:"discrete"},activity:{type:"signup",signup:{limit:25,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone Number",english:"聯絡手機號碼 Phone Number"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing Address",english:"郵寄地址(申請退費時使用)Mailing Address"}],vip:{start:1707105600,end:1709827199},open:{start:1707105600,end:1709827199},description:'
好奇一部精采節目的製作過程嗎?
\n\n好奇演出結束後的劇場舞台在做什麼嗎?
\n\n現今世界最大單一屋頂劇院—衛武營,不只舞台上的演出精彩,隱身背後的後台工作空間及製作過程一樣精采可期,由場館資深工作人員從製作為您解說這之中精準的設計執行與工作甘苦談,並率領觀眾走上衛武營戲劇院舞台,掀開劇場的神秘面紗!
\n\n歡迎對劇場有無限好奇的您,一起解密劇場!
\n\n限量席次,獨家體驗!
\n\n\n\n
★《野村萬齋狂言劇場》
\n\n解密景點
\n\n營運辦公室入口集合 →戲劇院《野村萬齋狂言劇場》舞台 → 西碼頭
\n\n\n\n
解密講師
\n\n飯田 豪 Gou IITA
\n\n1989年出生,師從野村萬作。畢業於日本大學藝術學院;能樂協會會員。大學在學期間開始學習狂言,主演過《奈須與市語》《三番叟》。
\n\n\n\n
福田 成生 Shigeo FUKUTA
\n\n1962年出生,師從野村萬作。於早稻田大學在學時加入狂言研究會。舞台演出以立眾(群眾角色)及後見(協助整理演出者妝容、搬運道具或主角無法演出的代演)等為主,持續精進學習中。
\n\n\n\n
報名對象與方式
\n\n\n\n
演出節目資訊
\n\n►3/9(六)14:30、3/9(六)19:30、3/10(日)14:30 戲劇院
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n',team:""},createdAt:1705975872,updatedAt:1706682469,updatedBy:"林蔚行",host:!1,hasSignup:!0},{_id:"65af2bf2d26a1b000881af13",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1709897400,discrete:[{time:1709897400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://bit.ly/48JHzXs"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"86a0ae22284a1c8f8836e0127a3e8f7f",title:"《天鵝之歌》2024陳芝羽鋼琴獨奏會"}],related:[],title:"《天鵝之歌》2024陳芝羽鋼琴獨奏會",cover:"88f9fde45dbcf986da50d0466bf01dbd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
舒伯特第二十一號鋼琴奏鳴曲,如他聯篇歌曲《天鵝之歌》,是他去世前譜寫的傑作,但在他過世後(出版商將它獻給舒曼)才出版,如同其他鋼琴作品,此曲直到上個世紀才被廣為推崇。D960的布局就像他的最後交響曲《偉大》一樣宏大。因此下半場以舒曼交響練習曲為之呼應;此曲是他的鋼琴代表作,也是變奏曲的傑作。就像曲題「交響」,這部作品呈現出管弦樂的豐富音響與雄大規模,主題與變奏華麗的展開,反映出作曲家對於鋼琴能呈現出不只一件樂器的能量這個信念。
\n\n\n\n
演出曲目
\n\n舒伯特:鋼琴奏鳴曲編號960
\n\n舒曼:《交響練習曲》編號13
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳芝羽
\n\n主辦|大聲藝術有限公司
\n\n指導贊助單位|高雄市政府文化局
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"86a0ae22284a1c8f8836e0127a3e8f7f",title:"《天鵝之歌》2024陳芝羽鋼琴獨奏會"}],related:[],title:"Schwanengesang——2024 Chih-Yu Chen Piano Recital",cover:"88f9fde45dbcf986da50d0466bf01dbd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Schubert's Piano Sonata No. 21, like his song cycle "Schwanengesang," is a masterpiece written shortly before his death, yet it wasn't published until after his passing, often attributed to Schumann. Similar to his other piano works, this piece wasn't widely celebrated until the previous century. The structure of D. 960, like his final symphony, is grand and monumental. Therefore, in the second half, we resonate with Schumann's Symphonic Etudes, one of his most renowned piano works and a masterpiece of variations. Just as the title "Symphonic" suggests, this composition presents a rich orchestral sound and a grand scale, with its elaborate development of themes and variations, reflecting the composer's belief in the piano's ability to emulate more than one instrument's power.
\n\n\n\n
Program
\n\nSchubert: Piano Sonata No 21 B flat major, D 960
\n\nSchumann: Symphonic Etudes, Op.13
\n\n\n\n
Creative and Production Team
\n\nPiano|Chi-Yu CHEN
\n\nProduction Team|Taiwan Musicians & Artists Promotion , Ltd.
\n\nSponsor|Bureau of Cultural Affairs, Kaohsiung City Government
\n\n\n',team:""},createdAt:1705978866,updatedAt:1708061707,updatedBy:"林蔚行",host:!1},{_id:"65b1be39d4395d00080fef79",catalogs:["600a39e9a6b9ff0007b87823","6007fc45ba34870007c22b8b"],dateTime:{first:1709949600,discrete:[{time:1709949600},{time:1709964e3}],type:"discrete"},activity:{type:"signup",signup:{limit:53,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"64ffd62ad9b1410008f8a09b",text:"報名家長姓名(同退款人)Name of Parent (responsible for Registration and refund)",english:"報名家長姓名(同退款人)Name of Parent (responsible for Registration and refund)"},{required:!0,key:"64ffd632d9b1410008f8a09c",text:"報名家長聯絡手機號碼 Phone Number",english:"報名家長聯絡手機號碼 Phone Number"},{required:!0,key:"64ffd6459492b00007fb8935",text:"報名家長身分證字號或護照號碼(申請退費時使用)ID Number",english:"報名家長身分證字號或護照號碼(申請退費時使用)ID Number"},{required:!1,key:"64ffd660d9b1410008f8a0aa",text:"報名者電子郵件地址(請留意信箱正確,以利寄送行動行前通知)E-mail Address(Please ensure the email address provided",english:"報名者電子郵件地址(請留意信箱正確,以利寄送行動行前通知)E-mail Address(Please ensure the email address provided"},{required:!0,key:"64ffd6a4d9b1410008f8a0bc",text:"小朋友姓名(如報名兩位小朋友,請填寫兩位小朋友姓名)(例如:王大明、 王小華)Full Name of Attending Child(If registering for two child, please fill in the names of the two children)",english:"小朋友姓名(如報名兩位小朋友,請填寫兩位小朋友姓名)(例如:王大明、 王小華)Full Name of Attending Child(If registering for two child, please fill in the names of the two children)"},{required:!0,key:"64ffd6c5d9b1410008f8a0c5",text:"小朋友性別(如報名兩位小朋友,請填寫兩位小朋友性別)(例如:男生、女生)Gender of Attending Child (If registering for two child, please fill in the gender of the two children)",english:"小朋友性別(如報名兩位小朋友,請填寫兩位小朋友性別)(例如:男生、女生)Gender of Attending Child (If registering for two child, please fill in the gender of the two children)"},{required:!0,key:"64ffd6d59492b00007fb8958",text:"小朋友年齡(如報名兩位小朋友,請填寫兩位小朋友年齡)(例如:4歲、6歲 )Age of Attending Child (If registering for two child, please fill in the ager of the two children)",english:"小朋友年齡(如報名兩位小朋友,請填寫兩位小朋友年齡)(例如:4歲、6歲 )Age of Attending Child (If registering for two child, please fill in the ager of the two children)"},{required:!0,key:"64cb776982449b000796810e",text:"是否願意收到衛武營學習推廣相關資訊",english:"是否願意收到衛武營學習推廣相關資訊"},{required:!1,key:"custom_text_1706177753243",text:"備註 Remarks",english:""}],vip:{start:1706144400,end:1709913599},open:{start:1706144400,end:1709913599},description:'
如須報名兩位以上小朋友,下方數量請加2。
\n\n聽說管風琴是世界上體積最大也是最古老的樂器之一!不曉得管風琴長什麼模樣?可以演奏出什麼樣的聲音呢?衛武營推出專屬小朋友與爸爸媽媽的親子體驗互動課程,透過「身體打擊(Body Percussion)」、遊歷認識世界各地有趣的管風琴打開視野,並動手組裝「小管風琴」實際了解管風琴構造與發聲原理。運用其它樂器一同合奏,成為最厲害的管風琴探險家。
\n\n\n\n
體驗內容
\n\n\n\t\t\t | 內容 | \n\t\t
身體打擊 \n\t\t\t(Body Percussion) | \n\t\t\t透過身體打擊,啟發小朋友音樂基礎感知能力。 | \n\t\t
管風琴探險 | \n\t\t\t由故事出發,一起認識來自世界各國有趣的管風琴。 | \n\t\t
組裝小管風琴 | \n\t\t\t老師將帶領親子們動手組裝小管風琴,探索管風琴構造及發聲原理的樂趣! | \n\t\t
音樂合奏 | \n\t\t\t運用耳熟能詳的兒歌搭配音樂道具,一同與小管風琴合奏。 | \n\t\t
\n\n
活動時間、活動地點
\n\n時間:2024/3/9(六)
\n\n10:00-11:30、14:00-15:30 (90分鐘)
\n\n地點:1192排練室
\n\n\n\n
其他補充注意事項
\n\n每位小朋友皆有其獨自的想法與參與狀況,活動中讓我們多給小朋友一些時間。
\n\n\n\n
授課老師
\n\n\n\t\t |
朱郁柔|Orgelkids Taiwan 音樂總監
\n\n擔任高雄衛武營「探索管風琴音樂」、「玩樂管風琴工作坊」、「管風琴劇場體驗教育計畫」等管風琴系列教育推廣活動之主持人與講師。同時與屏東演藝廳長期合作辦理管風琴推廣音樂會、工作坊、兒童管風琴夏令營等活動。Orgelkids「音樂飄鄉」小管風琴入校計畫講師,屏東藝遊影音「9分鐘帶你認識音樂界的重量級樂器-管風琴」主講人。畢業於高雄師範大學表演藝術所碩士,致力於探索管風琴在台推廣的多元可能性。
\n\n\n\n
\n\t\t |
張原碩|高雄室內重奏團團長兼藝術總監
\n畢業於國立中山大學音樂系打擊樂演奏組暨音樂研究所,主修管弦樂指揮,現為國立高雄師範大學成人教育博士候選人。自幼學習音樂具備豐富的舞台表演經驗,亦擅長作曲與編曲。其作品涵蓋各式風格,不論是小巧的重奏組合、精緻的室內樂,乃至龐大的管弦樂曲,皆能掌握自如、發揮得宜。現任高雄室內重奏團團長兼藝術總監、社團法人台灣多元照顧專業發展協會理事長、石頭會唱歌打擊樂團(福建平潭)團長、天臺交響樂團指揮。
\n\n
報名對象與方式
\n\n\n\n
贊助單位
\n\n\n\t\t |
\n\n
\n',team:""},createdAt:1706147385,updatedAt:1709115092,updatedBy:"李詠嫣",host:!0,hasSignup:!0},{_id:"65b200c9d26a1b000883ae45",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1709290800,discrete:[{time:1709290800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1750091941397966849"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d0cc074af8d78436c3fb1a33855dbd6c",title:"台積電經典饗宴— 白先勇青春版 牡丹亭 二十週年慶演-講座二"}],related:[],title:"台積電經典饗宴— 白先勇青春版 牡丹亭 二十週年慶演-講座二",cover:"efe6c64a342558925321d114f4a911a2",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
牡丹還魂—白先勇與崑曲復興
\n\n如果說一齣戲《十五貫》救活一個劇種(崑曲),那青春版《牡丹亭》更是掀起了大規模的崑曲文藝復興運動,而當中重要的推手,就是知名作家白先勇先生。白先勇自小與崑曲的不解之緣,讓他深深著迷於崑曲深厚的文化底蘊,並成為他創作的養分之一。
\n\n為復興崑曲藝術,2003年白先勇攜手蘇州崑劇院,擔任總製作人,奔走兩岸、集結文化及戲曲精英聯手打造青春版《牡丹亭》,如今青春版《牡丹亭》迎來二十年慶演,崑曲演出也成為一個常態。首演至今,風靡萬千觀眾,巡迴演出超過460場次,吸引無數年輕人進劇場觀劇。除了帶動崑曲熱潮之外,也見證了崑曲的復興與傳承。
\n\n\n\n
報名資訊
\n\n報名期間:2/2(五)12:00開始免費索票
\n\n報名費用:免費報名參加
\n\n活動地點:衛武營國家藝術文化中心戲劇院
\n\n\n\n\n\n
\n\n
專題講座主講人
\n\n青春版《牡丹亭》總製作人暨藝術總監/白先勇
\n\n\n\t\t |
臺灣文學作家,旅美學人夏志清曾讚譽其為「當代中國短篇小說家中的奇才,五四以來,藝術成就上能與他匹敵的,從魯迅到張愛玲,五、六人而已。」曾創辦《現代文學》雜誌。著有短篇小說《寂寞的十七歲》、《台北人》、《紐約客》、散文集《驀然回首》、長篇小說《孽子》、話劇劇本《遊園驚夢》等。多部小說被改編為電影電視及舞台劇,作品還被譯成英、法、德、意、荷、日等多種文字。
\n\n自詡「崑曲義工」,近年致力於推動崑曲新美學,其製作之青春版《牡丹亭》、新版 《玉簪記》在海內外均得到極高贊譽。2006年,青春版《牡丹亭》美西巡演十二場,反應空前熱烈,媒體稱為1930年自梅蘭芳赴美演出後,中國傳統戲曲對美國知識界最大一次衝擊。青春版《牡丹亭》曾在海內外三十多所高校巡演,吸引數十萬青年學生觀眾,在華人世界造成崑曲復興運動。
\n\n編著《白先勇說崑曲》、《奼紫嫣紅牡丹亭:四百年青春之夢》、《色膽包天玉簪記:琴曲書畫崑曲新美學》、《牡丹情緣——白先勇的崑曲之旅》等。
\n\n\n\n
冠名贊助|
\n\n\n\t\t |
\n\n
節目資訊
\n\n3/15(五)19:30 上本〈夢中情〉
\n\n3/16(六)19:30 中本〈人鬼情〉
\n\n3/17(日)14:30 下本〈人間情〉
\n\n\n\n\n\t\t |
\n\n
\n\n
\n',team:""},createdAt:1706164425,updatedAt:1706850547,updatedBy:"林蔚行",host:!1},{_id:"65b20b48d4395d00080ffc8f",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711778400,discrete:[{time:1711778400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,2400,2800,3200,3600,3900,4800],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P0E62Y6P"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"80004df47c6ae1c1ca507e57f701a900",title:"《蜘蛛人:新宇宙》動畫交響音樂會"}],related:[],title:"《蜘蛛人:新宇宙》動畫交響音樂會",cover:"a596ae09fa4c73fd12396276fb60796d",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
《蜘蛛人:新宇宙》是一部於2018年上映的美國電腦動畫超級英雄電影,本片為蜘蛛宇宙系列的第一部電影,由哥倫比亞影業、漫威娛樂和索尼動畫聯合製作,並由索尼影視娛樂負責發行。
\n\n該片於2018年12月14日在美國上映。電影發行後口碑和票房雙收,動畫效果、動作場面、角色設計、編劇皆獲得正面評價,本片同時獲頒眾多獎項,這其中包含第91屆奧斯卡金像獎的最佳動畫長片獎、第46屆安妮獎的七項獎項、第76屆金球獎最佳動畫。
\n\n\n\n
演出暨製作團隊
\n\n指揮|大衛・馬奧尼
\n\n原聲帶DJ|Blakey
\n\nElectronic Band & 樂團|長榮交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"80004df47c6ae1c1ca507e57f701a900",title:"《蜘蛛人:新宇宙》動畫交響音樂會"}],related:[],title:"Spider-Man Into the spider-verse Live in concert",cover:"a596ae09fa4c73fd12396276fb60796d",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Experience the original Spider-Verse movie like never before with 'Spider-Man: Into the Spider-Verse' Live in Concert! Watch the full movie on a massive HD screen, accompanied by a fusion of live orchestra, percussion, and a scratch DJ. Feel the power of the iconic hip-hop infused film score that made the original Spider-Verse story a global sensation. Don't miss this exceptional event that brings beloved characters, epic music, and breathtaking visuals from 'Spider-Man: Into the Spider-Verse’ to life in a groundbreaking fusion of film and live music.
\n\n\n\n
Creative and Production Team
\n\nConductor|David Mahoney
\n\nVinyl Scratcher|DJ Blakey
\n\nElectronic Band & Orchestra|Evergreen Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1706167112,updatedAt:1706776829,updatedBy:"林蔚行",host:!1},{_id:"65b70f23d26a1b0008853581",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1710052200,discrete:[{time:1710052200}],type:"discrete"},activity:{type:"signup",signup:{limit:100,standby:0,updatable:!0,cancelable:!0,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone Number",english:"聯絡手機號碼 Phone Number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"}],onlyVip:{start:1707192e3,end:1709999999},description:'
這是一本關於一個女孩勇敢追夢的紀錄,也是一本一個女孩在反覆流血結痂的傷口中找到自己的故事,最無私的分享細數著點滴,帶領你朝著光亮的地方遇見更美好的每一個自我。
\n\n「我的過去不算最苦,畢竟很多人的生活更水深火熱,我的現在也不是最甜,還有很多美中不足。我就跟一開始預料的一樣,是個超普通的人,講著瑣碎的故事,分享經歷這些事情後的喜悅,希望每位閱讀這本書的人,都可以從中得到一點點力量。」── 歐娜
\n\n\n\t\t\t 3/10(日) | \n\t\t\t\n\t\t\t 《從苦瓜熬成哈密瓜:歡迎收聽紫砂歐娜》新書分享會 \n\n\t\t\t
| \n\t\t
\n\n
講者
\n\n\n\t\t |
歐娜
\n\n歐娜在工作崗位上戰戰兢兢的電視圈幕後企劃,也是減重超過五十公斤的毅力女神,用幽默化解挫折的人氣Podcaster,這次歐娜從原點與你分享,她的故事。
\n\n從《康熙來了》的幕後策劃到走向台前自信分享生活的Podcaster,歐娜的聲音陪伴無數的人度過通勤長路、漫漫夜晚以及每一個脆弱的時刻,歐娜的話不落地成為最貼近你耳邊的朋友,而這次她將用文字向你訴說她的故事,她的秘密。
\n\n這是一本關於一個女孩勇敢追夢的紀錄,也是她在反覆流血結痂的傷口中找到自己的故事,一個比一般人更會說故事的平凡女子,帶你一起從苦瓜熬成哈密瓜,從嘴角下垂到嘴角上揚!
\n\n\n\n
貼心提醒
\n\n\n\n
\n',team:""},createdAt:1706495779,updatedAt:1708489510,updatedBy:"尤薏雯",host:!1,hasSignup:!0},{_id:"65b75dd2d4395d0008132495",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1711798200,discrete:[{time:1711798200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3,2500],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=P0DW9YWM"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"14e1e4c06fa9881e1221dd314accf42e",title:"《英雄傳 永恆的生命、四》"}],related:[],title:"《英雄傳 永恆的生命、四》",cover:"eb722a6286dd9ccb0a0e57bd1e1e5734",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
21世紀英雄一詞已不再是不為名利的行俠仗義、或是為國征戰立下汗馬功勞的鐵血將帥,或許有人認為這個時代的英雄包括賺多少銀兩的企業家,但不管是誰或是何種身分,不變的是愛國、愛家與愛人的真心。作品以蒙古音樂,俄羅斯音樂強烈節奏擘劃出大草原畫面。
\n\n\n\n
演出暨製作團隊
\n\n製作人/音樂總監/指揮|蔡淑媛
\n\n南台灣交響樂團
\n\n舞監|盧戎秀
\n\n作曲|劉聖賢
\n\n編劇/導演|殷青群
\n\n主要演員|張瑄庭 飾 王昭君
\n\n吳紹騰 飾 成吉思汗
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"14e1e4c06fa9881e1221dd314accf42e",title:"《英雄傳 永恆的生命、四》"}],related:[],title:"The Legend of Heroes, Eternal Life, IV",cover:"eb722a6286dd9ccb0a0e57bd1e1e5734",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
The term hero in the 21st century is no longer a chivalrous man who does not care for fame and fortune, or an iron-blooded general who has made great contributions to the country. Some people may think that the heroes of this era include entrepreneurs who earn a lot of money, but no matter who or No matter what the identity, what remains unchanged is the sincerity of patriotism, love for family and love for people. The work uses Mongolian music and Russian music to create a picture of the prairie with strong rhythms.
\n\n\n\n
Creative and Production Team
\n\nProducer / Music Director / Conductor|Cai Shuyuan
\n\nDance Director|Lu Rongxiu
\n\nComposer|Liu Shengxian
\n\nScreenwriter / Director|Yin Qingqun
\n\nMain actor|Zhang Xuanting as Wang Zhaojun, Wu Shao Teng as Genghis Khan
\n\n\n\n
\n',team:""},createdAt:1706515922,updatedAt:1710319259,updatedBy:"林蔚行",host:!1},{_id:"65b898555c61230007dc9134",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1710554400,discrete:[{time:1710554400},{time:1710570600}],type:"discrete"},activity:{type:"signup",signup:{limit:50,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"5cab0fea552deb0006aa1ca3",text:"聯絡人手機號碼 Number of Contact Person",english:"聯絡人手機號碼 Number of Contact Person"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"63f7009fabd333000ac8afd0",text:"請問是否為開車前往?",english:"請問是否為開車前往?"},{required:!1,key:"63bf8038bc2ba90007295d0f",text:"請問您是如何得知此活動?How do you know about this event?",english:"請問您是如何得知此活動?How do you know about this event?"},{required:!0,key:"64cb776982449b000796810e",text:"是否願意收到衛武營學習推廣相關資訊",english:"是否願意收到衛武營學習推廣相關資訊"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing Address",english:"郵寄地址(申請退費時使用)Mailing Address"},{required:!1,key:"custom_text_1706601860700",text:"備註 Remarks",english:""}],vip:{start:170658e4,end:1710086399},open:{start:170658e4,end:1710086399},description:'
我們把世界上體積最大的樂器—管風琴,縮小了!
\n\n管風琴是世界上最古老的樂器之一,通常我們都只能從視覺還有聽覺上去體驗與感受,這次衛武營【創意學習工作坊】玩樂管風琴,就是要讓雄偉的大樂器變得平易近人!課程除了分享管風琴非凡特點外,更透過「組裝小管風琴」的方式,讓參與者在動手組裝的同時就能輕易認識管風琴的構造和發聲原理,帶領大家在玩樂中領略樂器之王—管風琴的奧妙!最後也會從視覺角度切入,讓大家印製專屬的【衛武營創意學習工作坊】玩樂管風琴提袋,把知識化成禮物帶回家!
\n\n\n\n
課程內容
\n\n環遊世界管風琴/臺灣三大管風琴 | \n\t\t\t透過郁柔老師的帶領,讓我們一起探索世界,看看各地有哪些不同造型、特色的管風琴,同時也認識臺灣三大管風琴。 | \n\t\t
組裝小管風琴 | \n\t\t\t郁柔老師將介紹小管風琴133個精巧的零組件,並且帶領大家一起動手組裝,並讓學員現場體驗彈奏小管風琴的樂趣! | \n\t\t
絹印造型提袋 | \n\t\t\t嘉宏老師將從視覺角度切入,結合管風琴特有的譜式,帶學員實作體驗「絹印」這項有趣的技術,印製出每個人專屬的【衛武營創意學習工作坊】玩樂管風琴提袋,兼具紀念和實用價值。 | \n\t\t
\n\n
課程資訊
\n\n時間:2024/3/16(六)10:00-12:30、14:30-17:00
\n\n班別:大眾班 (上午場)、大眾班 (下午場)
\n\n地點:衛武營演講廳
\n\n人數上限:每班人數25人,額滿為止。
\n\n\n\n
報名方式與費用
\n\n報名時間:即日起至2024/03/10(日)23:59止。
\n\n報名流程:官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\n課程費用:$800元/人 (內含課程絹印材料費、【探索管風琴音樂】活動門票1張)。
\n\n※衛武營四卡會員享優惠價$720元/人。
\n\n\n\n\n\n
\n\n
報名注意事項
\n\n(2023年工作坊回顧照片)
\n\n\n\t\t |
\n\t\t |
\n\n
授課老師
\n\n\n\t\t |
朱郁柔|Orgelkids Taiwan音樂總監
\n\nOrgelkids Taiwan音樂總監。高師大表演藝術所。有二十年國小藝術與人文科老師、樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音『9分鐘認識音樂界的重量級樂器-管風琴』主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營藝企學管風琴音樂會『遺忘、終曲』主持人、國藝會『音樂飄鄉』組裝Orgelkids 小管風琴工作坊講師。
\n\n\n\n
\n\t\t |
高嘉宏|國立高雄師範大學 美術學專任助理教授
\n\n國立臺灣師範大學藝術學博士,具備版畫創作及藝術教育領域專長,作品曾獲得高雄獎等創作獎項,受文建會(現為文化部)及國、內外美術館典藏;同時致力於藝術教育扎根與推廣,實踐A/r/tography(藝術創作/研究/教學三位一體)精神,在2021年榮獲InSEA Award for Excellence in Praxis(聯合國教科文組織國際藝術教育協會-傑出實踐獎)肯定。
\n\n\n',team:""},createdAt:1706596437,updatedAt:1707917755,updatedBy:"歐嘉于",host:!1,hasSignup:!0},{_id:"65bb53495c61230007ddc533",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1709029800,discrete:[{time:1709029800},{time:1709634600},{time:1710844200},{time:1712053800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[5e3],link:"https://docs.google.com/forms/d/e/1FAIpQLSeVlqe_iOP2-Eg8hI-d1yaHkGLAeCcATxkf1FexrQo3hpGcyw/viewform"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77aa605c7f3d5cb79c270c5ef1363283",title:"玩聲歌唱工作坊"}],related:[],title:"玩聲歌唱工作坊",cover:"764ce1169af6cd50ff8c1571d52f2ea0",site:{isOther:!0,site:"",other:"排練室2 / 1182"},cautions:'
唱出生命的故事|活出生命的精彩
\n\n發崛您內在的力量|獨一無二
\n\n\n\n
「玩聲歌唱工作坊」
\n\n不限年齡,不限職業,
\n\n只要您喜歡唱歌,都可以報名來參加!
\n\n\n\n
我們相信...
\n\n每個人都可以唱出屬於自己的靈魂之聲~
\n\n\n\n
課程將學習到..
\n\n\n\n\n\n
\n\n
\n',team:""},createdAt:1706775369,updatedAt:1706775431,updatedBy:"林蔚行",host:!1},{_id:"65c171e27f8e770007e1aa89",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1711625400,discrete:[{time:1711625400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://www.opentix.life/event/1750727148865519617"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"98aa9eff77a014665353bc19b4146c37",title:"《2024 女高音耿立獨唱會》"}],related:[],title:"《2024女高音耿立獨唱會》",cover:"40ee84f89cb0e2de417355d48f1b8efd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
女高音耿立近年來不僅奪下各大比賽桂冠,也成為臺灣在歌劇舞台上,最閃亮的一顆新星。她不僅具有傑出的演唱能力,對於各種藝術歌曲也有獨特的詮釋風格。此場獨唱會將帶來包括黃自、陳茂萱、阿鏜、林志明等不同風格作曲家的中文藝術歌曲,必定能給觀眾不同的聽覺饗宴。
\n\n\n\n
演出曲目
\n\n黃自:玫瑰三願、思鄉
\n\n黃友棣:杜鵑花
\n\n林家慶:在水一方
\n\n谷建芬:七步詩
\n\n陳茂萱:踢踢踏
\n\n蕭泰然:主禱文、雖然行過死蔭的山谷
\n\n陸在易:橋
\n\n林志明:只有你知道、黃鸝
\n\n趙季平:幽蘭操
\n\n朱良鎮:兩地曲
\n\n阿鏜:行雲流水
\n\n王龍:錦瑟、山之高
\n\n虹樂隊(巴特爾 編曲):雪中蓮
\n\n羅大佑(巴特爾 編曲):稻草人
\n\n\n\n
演出暨製作團隊
\n\n女高音|耿立
\n\n鋼琴|黃禹銘
\n\n執行製作|王逸茹
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"98aa9eff77a014665353bc19b4146c37",title:"《2024 女高音耿立獨唱會》"}],related:[],title:"2024 Soprano Li Keng Recital",cover:"40ee84f89cb0e2de417355d48f1b8efd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Soprano Li Keng has not only won major competitions in recent years, but has also become one of Taiwan's brightest rising stars on the opera stage. She has outstanding singing ability, and unique interpretation style for various art songs.
\nIn this recital, she will sing Chinese art songs by composers of different styles, hoping to bring the audience an exquisite concert different from opera.
\n\n
Creative and Production Team
\n\nSoprano|Li KENG
\n\nPiano|Yu-Ming HUANG
\n\n\n',team:""},createdAt:1707176418,updatedAt:1707972865,updatedBy:"林蔚行",host:!1},{_id:"65cdd8b496009f000823a0ab",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1710070200,discrete:[{time:1710070200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1752996485217095681"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"22f5d048e2dcaaa36e794b130add3506",title:"《【經緯度的10°偏移】晨邊高地室內樂系列》"}],related:[],title:"《【經緯度的10°偏移】晨邊高地室內樂系列》",cover:"73623643e14aab13cddfeedff5d1bbc8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
子午線二重奏首次與晨邊高地室內樂集合作,探索地圖上的子午線偏移過後的可能性,若以西班牙的瓦倫西亞為軸,順時針傾斜10°後會貫穿佛瑞、舒曼、布拉姆斯三位作曲家人生中的重要據點,並可以在地球儀上清楚描繪出一道弧線—分別是法國帕米耶、德國杜塞道夫、德國漢堡。 儘管這三位作曲家背景各異,但他們的生平故事有著共通之處。他們的藝術之旅受到塑造其創意靈感的城市影響,隨著我們遍歷三幅音樂風景,讓我們一同深入探索他們生活與作品中的共鳴之聲。
\n\n\n\n
演出曲目
\n\n舒曼:三首幻想曲,作品111(改編給鋼琴四重奏)
\n\n佛瑞:第一號鋼琴四重奏,作品15
\n\n布拉姆斯:第三號鋼琴四重奏,作品60
\n\n\n\n
演出暨製作團隊
\n\n子午線二重奏
\n\n小提琴|張善昕
\n\n鋼琴|西本佳奈美
\n\n中提琴|蔡弦修
\n\n大提琴|黃子維
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"22f5d048e2dcaaa36e794b130add3506",title:"《【經緯度的10°偏移】晨邊高地室內樂系列》"}],related:[],title:"10-Degree Offset in Latitude and Longitude",cover:"73623643e14aab13cddfeedff5d1bbc8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Embark on a transcendent musical voyage as we explore the profound compositions of three Romantic titans – Robert Schumann, Gabriel Fauré, and Johannes Brahms – in this richly curated repertoire. The program opens with Schumann's "Three Fantasiestücke, Op. 111," originally envisioned for clarinet and piano but elegantly transcribed here for piano quartet. Schumann, a master of expressive Romanticism, guides us through these fantastical pieces, unveiling the emotional tapestry that threads through his work.Our journey continues with Gabriel Fauré's "Piano Quartet No. 1 in C minor, Op. 15," a masterpiece reflecting the composer's intricate emotional landscape. Fauré's life is intricately linked with the quaint town of Pamiers, a place that left an indelible mark on his musical identity. The significance of Pamiers resonates in the poignant lyricism and dynamic contrasts of Fauré's quartet, underscoring the profound influence of place on artistic expression.Turning our attention to Johannes Brahms, we encounter the stirring "Piano Quartet No. 3 in C minor, Op. 60," a testament to the composer's monumental stature in the Romantic canon. Brahms' deep connection to his birthplace, Hamburg, permeates this composition. The city's cultural resonance echoes in the passionate and intricate motifs of Brahms' quartet, revealing the symbiotic relationship between the artist and his geographical roots.These three composers, despite differing backgrounds, share common threads in their life stories. Their artistic journeys are bound by the cities that played pivotal roles in shaping their creative spirits: Pamiers for Fauré, Düsseldorf for Schumann, and Hamburg for Brahms. As we traverse this musical landscape, witness the convergence of personal narratives and artistic expression, where the significance of place intertwines with the timeless beauty of their compositions. Join us on this evocative exploration of the shared echoes in the lives and works of Schumann, Fauré, and Brahms.
\n\n\n\n
Program
\n\nRobert Schumann: Three Fantasiestücke, Op. 111 (Transcribed for Piano Quartet)
\n\nGabriel Fauré: Piano Quartet No. 1 in C minor, Op. 15
\n\nJohannes Brahms: Piano Quartet No. 3 in C minor, Op. 60
\n\n\n\n
Creative and Production Team
\n\nDuo Hsinka
\n\nViolin|CHANG Shan-Hsin
\n\nPiano|NISHIMOTO Kanami
\n\nViola|TSAI Hsien-Hsin
\n\nCello|HUANG Tzu-Wei Jack
\n\n\n\n
\n',team:""},createdAt:1707989172,updatedAt:1710042663,updatedBy:"林蔚行",host:!1},{_id:"65e130ab4d67690008059c52",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1709348400,discrete:[{time:1709348400},{time:1709357400},{time:1709362800},{time:1709368200}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9138bb610d10c6ee674c61de3b0e28de",title:"【小小音樂大師課】短號╳三隻小豬・高雄"}],related:[],title:"【小小音樂大師課】短號╳三隻小豬・高雄",cover:"bd979418d57fac92a149308f1cf4df0a",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
三隻離開家學著獨立的小豬,被虎視眈眈的大野狼盯上了!究竟小豬們的命運是變成大野狼的盤中物,還是可以從狼爪下逃出呢?擁有明亮音色、能演奏出多彩樂聲的短號 cornet 字根來自拉丁文 cornu「號角」,也是軍樂隊中最高的銅管樂器,帶來大野狼的迫人敲門,以及三隻小豬的奮力一搏!賦格將貝多芬的經典《命運交響曲》巧妙地融入故事配樂之中,別忘了將耳朵打開,聽一聽有哪些熟悉的旋律出現在故事之中。讓演奏家與說書人帶著孩子們在貝多芬《命運》的不同樂章,看小豬怎麼鬥大野狼,最後伴隨充滿元氣的號角聲,精神抖擻踏上歸途。
\n\n\n\n\n\n
\n',team:""},createdAt:1709256875,updatedAt:1709256875,updatedBy:"林蔚行",host:!1},{_id:"65e83702bf934000080c808e",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:171126e4,discrete:[{time:171126e4}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fba5af2a4c697aae23b5538a488ba7b5",title:"流行音樂產業結構分析與研究暨113年度菁英計畫招生說明會"}],related:[],title:"流行音樂產業結構分析與研究暨113年度菁英計畫招生說明會",cover:"6d18017483a5195bd5da91f7f54dc37e",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
本場活動將由資深流行音樂業界師資帶來精闢的「流行音樂產業結構分析」以及「113學年度菁英計畫招生說明」。歡迎對流行音樂產業有興趣、未來想進入流行音樂產業的國高中及大專同學們一同前來參與。
\n\n\n\n\n\n
\n',team:""},createdAt:1709717250,updatedAt:1709773852,updatedBy:"林蔚行",host:!1},{_id:"65ee733869b9960008c3a660",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1711782e3,discrete:[{time:1711782e3}],type:"discrete"},activity:{type:"signup",signup:{limit:100,standby:0,updatable:!0,cancelable:!0,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5cab0fea552deb0006aa1ca3",text:"聯絡人手機號碼 Number of Contact Person",english:"聯絡人手機號碼 Number of Contact Person"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"}],description:'
全民大劇團顛覆劇場之作!創團至今演出 153場 狂笑超過16萬人次
\n\n陪伴大家走過「遺忘笑容的日常」、「與人交流的恐懼」、「失眠的漫漫長夜」
\n\n此劇也是創下臺灣首度結合大選投票的舞台劇,一起在開票當日忘卻「選情的焦慮」
\n\n\n\n
3/30(六) \n\t\t\t15:00-16:00 | \n\t\t\t\n\t\t\t 《瘋狂電視台》幕後大揭密 \n\n\t\t\t
| \n\t\t
\n\n
報名資訊
\n\n報名期間:3/13(三)12:00起至額滿為止(100人/場)
\n\n報名費用:免費報名參加
\n\n※現場座位為特別安排,現場不受理報名及增加陪同者,敬請見諒。
\n\n►現在就成為最Pro的衛武營會員
\n\n\n\n
講者
\n\n謝念祖編導、康茵茵、吳世偉
\n\n\n\n
\n\n
貼心提醒
\n\n\n',team:""},createdAt:1710125880,updatedAt:1711691934,updatedBy:"尤薏雯",host:!0,hasSignup:!0},{_id:"65f3a5efe722e40008474d17",catalogs:["646c770565a7e80007c13f18"],dateTime:{first:171099e4,discrete:[],type:"continuous",continuous:{time:[1710817200],endTime:[1710849600],start:1710950400,end:1712419200}},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6a9fabb546345b595d6a9a7514278640",title:"2024 誠品好物市集"}],related:[],title:"2024 誠品好物市集",cover:"78f55767d95e5abfd8607a266581bab4",site:{isOther:!0,site:"",other:"衛武營 3F服務中心旁"},cautions:'
強勢回歸 好吃、好玩、好讀、好買 龍佇遮
\n\n萬件商品全面2折起 !
\n\n中外文圖書│童書玩教具│文具影音禮品│生活選物
\n\n\n\n
活動時間
\n\n3/21(四) - 4/7(日)
\n\n週日-週四11:00-20:00
\n\n週五-週六11:00-21:00
\n\n\n\n
地點:衛武營國家藝術文化中心 3F服務中心旁
\n\n服務電話|0910-711-732
\n\n\n\n
【誠品會員專屬】
\n\n好物加乘禮贈│展場當日單筆消費
\n\n滿699元,贈「2024誠品預言之書週誌/日誌」乙本。
\n*每筆消費限贈乙本,恕不累贈;款式顏色隨機贈送;限量贈品,送完為止。
滿2,000元,贈「200元電子抵用券」 。
\n*面額100元x2張,可累贈;電子抵用券次筆消費滿1,000元即可使用乙張、滿2,000元使用兩張,以此類推。
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1710466543,updatedAt:1710819983,updatedBy:"林蔚行",host:!1}]}},fetched:!0},shippingAreas:{rows:[],loaded:!1},userAuth:{logined:!1,status:"NORMAL",inited:!1,data:null,showNsoOverlay:!1},announce:{show:!0},youthOverlay:{show:!1,showed:!1},featureCategories:{rows:[],loaded:!1,loading:!1},features:{rows:[],loaded:!1,loading:!1},newsCatalogs:{rows:[],loaded:!1,loading:!1},chronologies:{rows:[],loaded:!1,loading:!1}},routing:{locationBeforeTransitions:null}}