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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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管風琴家|Sean Jackson (9、12月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
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管風琴家|陳相瑜(12月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
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主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
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\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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\n\t\t\t 7/13(四)14:30-15:30 | \n\t\t|
\n\t\t\t 「把拔馬麻,最上面的那個又大又亮、還有好多根柱子是什麼啊?」「喔,那個叫做管風琴啊~」「那~管風琴又是什麼東西呢?」「這個……」不知道該如何和孩子解釋管風琴嗎?交給最受小朋友喜歡的花露露來幫忙吧! ►節目詳情 \n\t\t\t | \n\t\t|
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\n\t\t\t 8/2(三)14:30-15:30 \n\n\t\t\t【永恆的愛-巴洛克協奏曲】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在七夕情人節的浪漫氣氛中,管風琴家劉信宏規劃演出兩首音樂史上最著名的《婚禮進行曲》──華格納與孟德爾頌筆下的動聽旋律,將以管風琴獨奏呈現,讓人彷彿置身教堂、為新人線上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,劉信宏將進一步演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及約翰.華爾特《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶稣,世人仰望的喜悦》與米特爾《F大調幻想曲》兩首動聽小品,展開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(三)14:30-15:30 \n\n\t\t\t【管風琴唱世界民謠】 ※客席演奏家:Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 大家已經相當熟悉聽到管風琴演出聖歌或詩篇,如果管風琴彈出的是眾人耳熟能詳、傳頌不已的民謠,又會是怎樣的風味呢?本場次劉信宏將以陳泗治的《台灣素描》彈出管風琴音中的寶島風景,並且邀請出生於加勒比海的尚傑生,改編他心中的經典臺灣旋律;另外,劉信宏更融合臺語歌謠《孤戀花》與世界名曲《小白花》,展現音樂超越國籍的無遠弗屆;尚傑生則會帶來充滿熱帶風情的故鄉旋律,搭配上本次的「自由移動場」設計,觀眾不妨在音樂廳的不同角落,感受來自世界的風,在音樂廳內的不停流轉! \n\n\t\t\t\n\n\t\t\t 尚傑生改編:巴多斯民謠交響曲 陳泗治:《台灣素描》選取,劉信宏改編給管風琴 尚傑生改編:三首臺灣名謠 劉信宏改編:真善美小白花、臺灣孤戀花 \n\n\t\t\t帕爾迪尼:《奇異恩典觸技曲》 \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(三)14:30-15:30 \n\n\t\t\t【Knock!Knock!不給音樂就搗蛋】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 管風琴的多變性究竟多高呢?在傳統的宗教意象之外,管風琴於當代影視作品的形象,似乎更常帶來「群魔亂舞」的驚悚效果:畢竟以一人之力就能展現出碩大的壓制音響,不是神力便是怪力!本場次結合萬聖節,精選神祕詭譎效果的管風琴曲目:已然成為「吸血鬼」的代名詞的巴赫d 小調觸技曲與賦格,以及展現獨特音色與旋律的當代爵士散拍作品,加上德布西《月光》的夜色沉思後,又以蘇莎《永恆的星條旗》展開盛大遊行!觀眾也可以在「舞台零距離體驗場」的設計中,到琴座正下方感受強烈震撼力。 \n\n\t\t\t\n\n\t\t\t 玻耶爾曼:《哥德組曲》 巴赫:d 小調觸技曲與賦格,BWV 565 玻爾康:〈快來傳道,穩當根基自由幻想曲〉選自《散拍,福音音樂前奏曲》 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 – 第三首 \n\n\t\t\t蘇沙:《永恆的星條旗》 \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(三)14:30-15:30 \n\n\t\t\t【管風琴大戰交響樂】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 雙手雙腳加上數百根音管,管風琴能展現的音色與音量變化,足以媲美百人交響樂團!本場次管風琴家劉信宏將化身一人指揮兼樂手,展現管風琴以一擋百的壯闊氣勢!法國作曲家邦內給音樂會的變奏曲,以及同樣來自法國的維多所寫的「交響曲」,其實都是單純為管風琴獨奏寫的曲目,光從曲名就能感受到作曲家認為「管風琴=樂團」的基本定調;而大眾熟悉的影視作品:約翰.威廉斯《星際大戰》〈帝國進行曲〉,以及漢斯.季默為《星際效應》創作的配樂,則是展現出管風琴足以與無邊宇宙的對應功力,在本場次的「自由移動場」設計下,觀眾可以用不同角度聆賞管風琴的壯闊浩瀚。 \n\n\t\t\t\n\n\t\t\t 邦內:給音樂會的變奏曲,作品一 \n\n\t\t\t漢斯‧季默:電影《星際效應》配樂組曲 \n\n\t\t\t約翰‧威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t莫利克奈:《新天堂樂園》 電影主題曲 \n\n\t\t\t馬斯卡尼:歌劇《鄉村騎士》間奏曲 \n\n\t\t\t維多:第三樂章〈如歌的行板〉,選自第四號管風琴交響曲 \n\n\t\t\t維多:〈終曲〉,選自第六號管風琴交響曲 \n\t\t\t | \n\t\t|
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n活動透過搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的欣賞演出視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n 2023下半年活動場次表
\n\t\t\t 12/13(三)14:30-15:30 \n\n\t\t\t【管風琴聖誕饗宴】 \n\n\t\t\t※客席演奏家:Sean JACKSON、陳相瑜 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 歲末將至,本場次將由三位管風琴家:劉信宏、尚傑生與陳相瑜一同登台,聯手帶來最應景佳節氣息的「管風琴聖誕饗宴」!除了精選從孟德爾頌、柴科夫斯基到美國黑人靈歌等歷史上極具聖誕氣息的曲目外,本場最特別的,是三位音樂家將使出渾身解數,不但要打開音樂廳3樓兩側的所有管風琴,同時連線一樓與三樓的琴座演奏外,更會在不同曲目中加入鋼琴與移動式管風琴,展現出不同鍵盤樂器交融的特殊效果,把衛武營管風琴的效能發揮到淋漓盡致,並為今年畫下精采熱鬧的休止符! \n\n\t\t\t\n\n\t\t\t 維耶爾恩:《西敏寺的鐘聲》,作品54 第六號 \n\n\t\t\t《法國聖誕鐘聲變奏曲》傑瑞. 威斯頓庫勒改編 \n\n\t\t\t孟德爾頌‧巴妥爾迪:《聖誕歌謠-齊來敬拜》,珍妮.戴梅西 改編 \n\n\t\t\t美國黑人靈歌《去山頂傳揚》,艾略特. 理查德改編 \n\n\t\t\t柴科夫斯基:〈糖梅仙子之舞〉選自《胡桃鉗組曲》 \n\n\t\t\t美國黑人靈歌《祂雙手掌握全世界》,喬爾.雷尼改編 \n\n\t\t\t杜普雷:《齊來敬拜》變奏曲 \n\n\t\t\t阿道夫.亞當:《聖善夜》 \n\n\t\t\t魏多:觸技曲,f小調第五號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
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藝文支持
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文化部校外文化體驗
\n\n本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Sep, Dec)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (Dec)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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\n"},{reference:[],type:"content",name:"Past sessions",content:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 8/2(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (Close-up Show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Chinese Valentine's Day, August's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\tTo emphasize this distinction, BACH's Concerto in d minor and WALTHER's Concerto in b minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(Wed)14:30-15:30 \n\n\t\t\tEchoing Folk Songs from Around the World (Musical Chairs) \n\n\t\t\tOrganist|Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Most people are accustomed to pipe organs performing hymns or psalms. But what would it be like if the pipe organ played well-known and enduring folk songs? In this performance, LIU Hsin-hung will play Taiwan Sketches by CHEN Si-chih on the pipe organ, presenting the island's landscapes. LIU also invites Caribbean organist and pianist, Sean JACKSON, to adapt classic Taiwanese melodies dear to him. Furthermore, LIU blends the Taiwanese ballad "Lonely Flower" with the world-famous "Edelweiss" demonstrating how music transcends boundaries. JACKSON will also bring melodies filled with tropical charm. Combined with the ’musical chair’ series where audience are invited to choose or change seats, they can experience music from across the globe all within the concert hall! \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(Wed)14:30-15:30 \n\n\t\t\tKnock! Knock! Music or Trick! (Close-up Show) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t How versatile is a pipe organ? Beyond religious imagery, the pipe organ in contemporary film and television tends to bring about a thrilling and devious effect. After all, a person with the ability to produce a massive and overpowering sound, is either an act of divinity or monstrosity. This Halloween-themed performance selects organ pieces with mysterious and eerie qualities: BACH's Toccata and Fugue in d minor, already synonymous with "vampires," unique contemporary jazz syncopated pieces, and the pensive Clair de Lune by DEBUSSY, SOUSA's grand The Stars and Stripes Forever. Audience can also feel the intense impact of the instrument whilst seating directly under the organ in this "close-up show" concert. \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(Wed)14:30-15:30 \n\n\t\t\tThe Pipe Organ Battles the Symphony (Musical Chairs) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the use of both hands and feet of the musican, together with hundreds of pipes, the pipe organ can be an equal match to a modern full-size symphony orchestra! In this performance, pipe organist LIU Hsin-hung will act as a conductor and an orchestra all by himself to demostrate the granduer of this instrument!! Variations de Concert by French composer Joseph BONNET and the symphonies of French composer Charles-Marie WIDOR are written solely for solo organ. From the title alone, you can detect how the composers equate the pipe organ with the orchestra. The popular film scores such as John WILLIAMS' "Imperial March" from Star Wars and Hans ZIMMER's score for Interstellar, demonstrate the organ's ability to correspond to the boundless universe. In this 'musical chair' series, audience are invited to change or choose seats, giving them an opportunity to appreciate to appreciate the grandeur of the pipe organ from various angles. \n\t\t\t | \n\t\t|
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\n\t\t\t 12/13(Wed)14:30-15:30 \n\n\t\t\tChristmas Feast of Joy \n\n\t\t\tOrganist|Sean JACKSON, CHEN Hsiang-yu \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t At the end of 2023, three organists: LIU Hsin-hung, Sean JACKSON, and CHEN Hsiang-yu, will jointly present “Resounding Joy: The Pipe Organ Christmas Extravaganza,” which includes a selection of Christmas-themed pieces across history, including works from HANDEL, TCHAIKOVSKY, and American Negro Spirituals. They will pull out all their stops and fully utilizing all the organs, including one on stage, two on the third floor, a concert piano and a positive organ. This program will showcase the special blend of different keyboard instruments and demonstrate the full potential of Weiwuying's pipe organ, drawing a lively and exciting conclusion for the year! \n\t\t\t | \n\t\t|
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\n',team:""},createdAt:1679043720,updatedAt:1700807883,updatedBy:"翁玉芬",host:!1},{_id:"641c1c96653c730007b385c0",catalogs:["6010ca1afb81540009f438e6","6007fc45ba34870007c22b8b"],dateTime:{first:1685080800,discrete:[{time:1685080800},{time:1685151e3},{time:1685169e3},{time:1686708e3},{time:1686724200},{time:1686965400},{time:1686983400},{time:1694239200},{time:1694259e3},{time:1696572e3},{time:1696740300},{time:1703311200},{time:1698058800}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"授課團隊",content:'
授課團隊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n講師-周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。
\n自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
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\n'},{reference:[],type:"content",name:"活動回顧",content:'
報名時程
\n\n上半年度(1-6月)
\n\n2023/3/29(三)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一週關閉報名表單。
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友善學習工作坊
\n\n【尤法.皮克《巴赫d小調》大手大腳肢體工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 5/26(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程1 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 5/27(六)09:30-12:30 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程2 \n\t\t\t | \n\t\t|
\n\t\t\t 5/27(六)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 尤法.皮克《巴赫d小調》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n滯留島舞蹈劇場
\n\n由視障編舞家張忠安於2010年創立,為國藝會年度獎助演藝團隊,作品屢獲國際邀演。期許能將南部人才「滯留」於在地發揮長處,停靠在「島」所提供的空間與機會,著力向下扎根、扶植在地人才,以實驗精神探索創新,關懷社會人文及時事為舞作議題,為弱勢團體發聲。
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來自屏東的視障編舞張忠安在十七歲那年因右眼失明,放棄北藝大舞蹈系回到南部家鄉,然而編舞及身體語彙是他表達思想、與世界溝通鏈結的重要存在,持續不間斷地為自己和他人進行訓練、教學和編舞。在沒有學術資源與經歷下,以對舞蹈的熱忱及追尋夢想的勇氣在2010年創立了滯留島舞蹈劇場,期望將人才滯留南方。舞團近年更致力於透過公共性的參與、藝術創作及節慶式的共融活動來提升大眾關注文化平權。
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【探索管風琴音樂《毛小孩的狂歡》大眼睛管風琴工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/14(三)10:00-12:00 \n\t\t\t | \n\t\t\t\n\t\t\t 管風琴課程 \n\t\t\t | \n\t\t\t1186排練室 | \n\t\t
\n\t\t\t 6/14(三)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 探索管風琴音樂《毛小孩的狂歡》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
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授課團隊
\n\n社團法人台灣兒童管風琴教育推廣協會
\n\n講師-朱郁柔
\n\t高雄師範大學表演藝術所,現任社團法人台灣兒童管風琴教育推廣協會音樂總監。有二十年國小藝術與人文科老師樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音『9分鐘認識音樂界的重量級樂器-管風琴』主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營『藝企學』管風琴音樂會主持人、衛武營『劇場藝術體驗教育計畫』業師、衛武營『玩樂管風琴工作坊』講師、國藝會『音樂飄鄉』組裝Orgelkids 小管風琴工作坊講師。
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【拾念劇集×無獨有偶×施如芳《鯨之嶋》大耳朵偶戲工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/17(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 偶戲課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 6/17(六)19:30 \n\t\t\t | \n\t\t\t\n\t\t\t 拾念劇集×無獨有偶×施如芳《鯨之嶋》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n無獨有偶工作室劇團
\n\n創立於1999年,秉持「無物不成偶」的創作觀點,打造臺灣當代偶戲劇場的新風貌,以魔幻哲思的變身美學開創獨特的劇場敘事。作品風格充滿創意的造型以及詩意的演繹能力,並以各種跨領域合作,開發『人』所不能為的自由想像空間。作品多次提名及入圍「台新藝術獎」,並經常於臺北藝術節、兩廳院國際劇場藝術節、法國外亞維儂藝術節、美國綠山藝術節等國內外重要藝術節演出,足跡遍佈15個國家。2013年於宜蘭縣五結鄉創立「利澤國際偶戲藝術村」,為亞洲最具規模的偶戲創發平台。
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【喬伊.亞歷山大三重奏《天才琴手》友善學習工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 9/9(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 爵士課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 9/9(六)19:30-21:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營爵士週】喬伊.亞歷山大三重奏 \n\n\t\t\t《天才琴手》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
授課團隊
\n\n【喬伊.亞歷山大三重奏《天才琴手》大手大腳肢體工作坊】
\n\n講師-王夏儷
\n\n國立臺灣師範大學流行音樂產業研究所畢業
\n\n高雄市港都音樂表演藝術發展協會理事長
\n\n中國國營企業珠江鋼琴藝術中心專家講師
\n\n台灣奧福Orff音樂教育協會擔任常務理事、監事、會訊總編輯
\n\n日本Yamaha擔任音樂講師、級數檢定監考官、全台演奏者指導老師
\n\n台南應用科技大學音樂系擔任專業技術講師20年
\n\n高雄中央公園城市光廊EZ Life簡單.生活露天音樂吧
\n\nEZPlayer 易利玩仔數位股份有限公司執行長、音樂總監
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助教-朱慧詠
\n\n畢業於國立台北藝術大學音樂系,主修單簧管。現為南台灣交響樂團駐團編曲家/豎笛首席,擅長合成樂器,長期受邀於海內外演出及參與編曲製作及與樂團作連結演出。
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【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 10/6(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 歌仔戲課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
10/8(日)12:45-13:35 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t觸覺導聆 \n\t\t\t | \n\t\t\t歌劇院 | \n\t\t
10/8(日)14:05-14:25 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t口述導聆 \n\t\t\t | \n\t\t|
\n\t\t\t 10/8(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t演出欣賞(搭配口述影像) \n\t\t\t | \n\t\t
授課團隊
\n\n【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n講師-陳健星
\n\n戲曲編劇,中央大學中文系兼任講師。2011開啟與「唐美雲歌仔戲團」合作的因緣,投入電視、舞台歌仔戲劇本創作逾十一年。代表作品《春櫻小姑─回憶的迷宮》《冥河幻想曲》《風從何處來》《螢姬物語》《夜未央》《光華之君》《冥遊記─帝王之宴》《臥龍:永遠的彼日》。2018與王安祈教授共同編寫京崑文學劇《天上人間李
\n後主》。2019擔任電視劇《孟婆客棧》總編劇。2021以《光華之君》獲傳藝金曲獎「最佳編劇」。
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講師-陳歆翰
\n\n當代劇場歌仔戲編腔作曲、音樂設計。2023以「歌仔戲腔調設計研究」取得國立臺灣藝術大學表演藝術博士學位。曾獲第32屆傳藝金曲獎最佳音樂設計獎,並入圍廣播金鐘獎主持人獎項。曾參與唐美雲歌仔戲團、春美歌劇團、尚和歌仔戲劇團、《見城》、《船愛》等大型製作。現為國立臺灣戲曲學院兼任講師、中央廣播電台《臺灣文武爿》節目主持人。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"99a04ba6f1b8291b275a0f6e88b13cda",title:"2023【衛武營場館友善計畫】友善學習工作坊"}],related:[],title:"2023【衛武營場館友善計畫】友善學習工作坊",cover:"a54dc95428dd33318c18053cf40e9480",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。",introduction:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。
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活動內容
\n\n「友善學習工作坊」由衛武營主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請各障別朋友們走進劇場欣賞演出,並於演出前邀請專業師資,帶領障別朋友體驗演前工作坊,深入瞭解節目內涵與多元藝術,共享表演藝術的美好與悸動。
\n\n本活動包含前導工作坊1-2堂課程,每堂課約2-3小時,依不同課程調整,並提供演出票券每人一張(含陪同者),及跨時段餐食一份(含陪同者)。
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報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙)與第七類者(肢體障礙者),建議7歲以上。
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報名時程
\n\n下半年度(7-12月)
\n\n即日起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
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報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
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報名流程
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
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友善學習工作坊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n工作坊時間:
\n\t\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 12/23(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 12/23(六)19:00 \n\t\t\t | \n\t\t\t\n\t\t\t 《遇見胡桃鉗的女孩》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
\n',team:""},createdAt:1679563926,updatedAt:1697419508,updatedBy:"林蔚行",host:!0},{_id:"6438fb783fb0e90007b76a40",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1700654400,discrete:[{time:1700654400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1649260831236005891"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bf441e39142a08e6452f6102c09aa08d",title:"【衛武營小時光】娛人時代 《爆笑六人行》"}],related:[],title:"【衛武營小時光】娛人時代《爆笑六人行》",cover:"1f8fdde521fbe6fdda3f4df3f53ebf76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「上班不要看 曹小歐」——喜劇貴公子 黃豪平
\n\n「很符合年輕人的口味,搞笑實力是非常的堅強。」——面白大丈夫
\n\n「真的是非常有趣的一個團體,也非常令人嫉妒,顏值很高的團體。」——達康.come 阿達
\n\n「看完娛人時代呢,腹部很痛,因為我從頭笑到尾,大家都超會演超厲害。」——Youtuber 八弟 蕭志瑋
\n\n「節目多元,呈現不同喜劇演出,與現場互動很有特色」——觀眾推薦
\n\n「超級好笑!帶朋友來完全不失面子。好喜歡!!!下次會再來」——觀眾推薦
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娛人首檔六人版專場爆笑高雄
\n\n搞笑漫才 X 爆笑短劇 X 即興喜劇
\n\n限時60分鐘搞笑大戰,邀你觀賞!
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【參戰組合】
\n\n閨蜜漫才 梅根尚(品妤、尼尚)
\n\n被譽為漫才圈的高顏值組合,由瘋狂漂亮女孩品妤,與溫柔吐槽男孩尼尚組成。兩人擅長將夢幻般的情境,轉換成荒誕的笑料,是個外表與內在超衝突的爆笑組合。
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冤家漫才 蓉丹利(小蓉包、丹利)
\n\n相愛相殺的漫才組合,由天生傻妹性格的小蓉包,與鋼鐵直男的丹利組成。作品常以生活觀察、時事話題來創作。小蓉包的奇想世界,加上丹利無可奈何的吐槽,是個歡喜冤家的喜劇搭檔。
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直屬漫才 強力喜靖(喜德、靖兒)
\n\n霸凌型漫才組合,由天生喜感的喜德學弟,搭配爆青筋式吐槽的靖兒學長。表演風格以學弟挑戰(惹怒)學長,學長暴跳如雷,卻無能為力,產生喜劇效果。學弟霸凌學長絕對是很好看(笑)的!
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周邊活動
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演出暨製作團隊
\n\n製作人、導演|林靖
\n\n編劇|集體創作
\n\n演員|靖兒、品妤、小蓉包、喜德、丹利、尼尚
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bf441e39142a08e6452f6102c09aa08d",title:"【衛武營小時光】娛人時代 《爆笑六人行》"}],related:[],title:"【Weiwuying Showtime】Comedytimes - Six Comedians",cover:"1f8fdde521fbe6fdda3f4df3f53ebf76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 5/22(Mon)12:00 !
\n\tPerformed in Mandarin without surtitles.
\n\tSix Comedians, the first-ever full-crew show of Comedytimes, will take place in Kaohsiung.
\n\nWitty Manzai x Hilarious Short Play x Improvised Comedy
\n\nYou're cordially invited to this 60-minute jokes battle!
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Contestants:
\n\nBesties Megan and Nisan
\n\nHailed as perfect tens in the manzai world, we have the crazy, pretty Megan and the gentle, sarcastic Nisan. Deft at turning dream-like scenarios into ridiculous punchlines, together they form a duo with attractive appearances and funny personalities.
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Frenemies Roni and Danley
\n\nWith a love-hate relationship, we have the silly Roni and the positively unromantic Danley. Their works are often based on observations of daily life and trendy topics. With Roni having her head in the clouds and Danley gently teasing her about it, they bicker like quarrelsome lovers.
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Schoolmates Sid and Ching
\n\nIn this bully-victim relationship, we have Sid, a natural-born comic who is a junior to Ching, who roasts him endlessly. Their comedy focuses on Sid trying to challenge (provoke) Ching, who is then extremely exasperated. It’s sure as hell funny to see an upperclassman being bullied by a lowerclassman instead (laugh)!
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Creative and Production Team
\n\nProducer & Director|LIN Ching
\n\nPlaywright|Collective Creation
\n\nPerformers|Ching, Megan, Roni, Sid, Danley, Nisan
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\n',team:""},createdAt:1681455992,updatedAt:1700647866,updatedBy:"林蔚行",host:!0},{_id:"643e09453fb0e90007bb2d4e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699165800,discrete:[{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1646003269911023618"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"《菲常女子:林羽菲箏樂獨奏會》",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
個人獨奏會曾獲《表演藝術評論台》點評:「除表現箏樂演奏技藝,更用心策劃與考究曲目,她奠基於箏樂傳統底蘊,並期在當代作品中以不同詮釋展現出獨特的自我。」── 評論者 / 葉娟礽
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本場獨奏會以箏樂家樊慰慈的琴曲改編作品與近代箏樂作品作為主題。將古琴語彙融入箏的音樂織體,無論是古琴的吟、猱、綽、注、撞、進復、退復等技巧或琴曲豐富的音樂特性和寬廣的音域,均更加豐富了箏樂的整體表現,並將舊韻融入新聲,充分展現古箏本身的傳統韻味及聲響,品味質樸之美,敞徉古今歲月。
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演出曲目
\n\n樊慰慈 改編:琴曲《廣陵散》《醉漁唱晚》
\n\n徐滌生:《春澗流泉》
\n\n樊慰慈:《稍縱即逝》
\n\n周展:《秦土情》
\n\n陳哲:《晨興》《蒼歌引》
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演出暨製作團隊
\n\n箏|林羽菲
\n\n鋼琴|萬筱嵐
\n\n主辦單位|臺灣絲竹箏樂團
\n\n協辦單位|箏藝之研
\n\n指導單位|高雄市政府文化局
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"Zheng Recital by LIN Yu-Fei",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The major feature of this recital will be renowned Zheng artist FAN Wei-Tsu's original work Visions Fugitives and his arrangements of three Guqin masterpieces, Guangling San, and Zuiyu Changwan, as performed by one of his most devoted pupils LIN Yu-Fei. The application of Guqin's music idiom and its unique colors on the performance practice of Zheng is not only quite profound but provocative, as it drastically enriches the characteristics of a new instrument with one of the most ancient Chinese musical idioms. This recital will also include other major contemporary Zheng works, i.e. XU Disheng's Chunjian Liuquan, and CHEN Zhe's Chenxing.
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Program
\n\nFAN Wei-Tsu, arr. : Guqin Music
\n\nFAN Wei-Tsu: Visions Fugitives
\n\nXU Disheng: Chunjian Liuquan
\n\nZHOU Zhan: Ode to Qin
\n\nCHEN Zhe: MORNING LILT, Ode of Spring
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Creative and Production Team
\n\nZheng: LIN Yu-Fei
\n\nPiano: WAN Hsiao-Lan
\n\nOrganizer: Taiwan Sizhu Zheng Ensemble
\n\nCo-organizer: Art of Zheng
\n\nSupervision: Bureau of Cultural Affairs, Kaohsiung City Government
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\n',team:""},createdAt:1681787205,updatedAt:1698829251,updatedBy:"林蔚行",host:!1},{_id:"645b812d03e56c00082bd616",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1689987600,discrete:[{time:1689987600},{time:1690074e3},{time:1690592400},{time:1690678800},{time:1700893800}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},attachment:{key:"ef8d065ac0eb2fa44bbdc29436228c96",name:"【電子節目冊】第三屆文學劇本改編工作坊讀劇發表會.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"讀劇呈現",content:'
透過文學與劇場專業教師的指引,本屆工作坊學員們將臺灣文學作品改編為青少年舞台劇本,完成了22篇,每篇長度6分鐘的舞台劇劇本。此次讀劇演出邀請高雄在地劇團「響座劇場」擔綱製作及演出團隊,期待激發出更多精彩火花。演出在11月25日隆重發表,歡迎對文學改編跟讀劇演出有興趣的觀眾們,千萬別錯過!
\n\n誠摯地邀請您前來欣賞,一起給這群未來新秀指點與建議,一同見證學員們幾個月以來辛勤耕耘的成果!
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演出時間與地點
\n\n時間:112年11月25日
\n\n14:30-17:30 讀劇呈現(14:00開放入場)
\n\n18:00-19:30 演後交流會
\n\n演出地點:衛武營B313樂團排練室
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入場方式
\n\n請進行索票登記
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電子節目冊
\n\n►點我下載
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演員徵選
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\n'}],onShelf:!0,sliders:[{type:"image",key:"727dcdcda72c1a9541fdf6174fc0014e",title:"【第三屆文學劇本改編工作坊】"}],related:[{from:"programs",key:"644e5ddf03e56c0008250936",title:"【2023花露露的童樂節】寶寶啟蒙專業工作坊"},{from:"programs",key:"6455c9c303e56c0008285fbe",title:"【夏舞營】克萊茵技巧工作坊—芭芭拉・馬勒"}],title:"2023 衛武營X臺文館 【第三屆文學劇本改編工作坊】",cover:"268062c2069c32a82dbe5f30f26d2f19",site:{isOther:!0,site:"",other:"衛武營、臺文館"},cautions:"",benefits:"",description:"心動的瞬間,苦痛的磨練,世俗的挑戰,那些以愛為名的靈魂故事,由你來書寫!",introduction:'
►劇作學員 錄取名單公告 | \n\t\t
\n\n
心動的瞬間,苦痛的磨練,世俗的挑戰,那些以愛為名的靈魂故事,由你來書寫!
\n\n衛武營國家藝術文化中心 與 國立臺灣文學館 攜手主辦「文學劇本改編工作坊」第三屆正式啟航!邀請八位戲劇和文學專業講師設計七堂課程,連續兩個周末,從臺南到高雄,帶領學員改編以愛為主題的臺灣文學成為舞臺劇本,並在最後挑戰讀劇呈現,聆聽自己的文字,品味創作的聲音。
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申請對象
\n\n※第一、二屆已參與學員原則上不重複錄取。
\n\n※本工作坊核給公(教)人員研習時數30小時,並統一登錄於相關研習時數平臺。
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申請日期及名額
\n\n即日起至 6/30日中午12:00止;逾時不受理。
\n\n預計於7月7日前公布錄取名單,正取20名與青春觀察員2名,另備取2名。
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申請簡章
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申請流程
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報名費用
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注意事項
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主辦單位
\n\n衛武營國家藝術文化中心
\n\n國立臺灣文學館
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聯絡窗口
\n\n衛武營國家藝術文化中心 朱先生 07-262-6422
\n\n國立臺灣文學館 展示組 陳先生 06-2217201#2302
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資源下載
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精彩回顧
\n\n文學劇本改編工作坊劇本集 :
\n\n►別緻時代
\n\n\n\n►動物時代
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\n',team:""},createdAt:1683718445,updatedAt:1700815364,updatedBy:"林蔚行",host:!0},{_id:"6462e8ac65a7e80007bcbc19",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698924600,discrete:[{time:1698924600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,2200,3600,4800,5200,6e3],link:"https://www.opentix.life/event/1661998475997671425"}},attachment:{key:"3466551eeab03e479357d2c525f2f37c",name:"克勞斯.麥凱萊&奧斯陸愛樂管絃樂團《極致北國》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77f90878f9465dc9db58c7b64dfa7106",title:"克勞斯.麥凱萊x奧斯陸愛樂管絃樂團《極致北國》"}],related:[],title:"克勞斯.麥凱萊&奧斯陸愛樂管絃樂團《極致北國》",cover:"557895b9712a1ea48b4873b45570b6a0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
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創作於芬蘭亟欲擺脫俄羅斯高壓統治的氣氛中,西貝流士在1902年完成人生第二部交響曲,不僅成功建立起和俄國音樂迥異的風格,同時也是他從初期深受史詩《卡勒瓦拉》影響,邁入更抽象、更具原創性的交響曲寫作階段。自此他不斷嘗試如何有機地發展微小動機,使樂曲宛如從一顆種子生長,同時也透過持續的長音聲部和管樂中低音運用,醞釀出一種融合蒼茫與遼遠的「自然」聲景。緊接著完成的小提琴協奏曲也毫不流俗,作曲家除了將對小提琴的熱愛,寫成展技又抒情的片段,其中「主題不斷顯現、稍後真正發展」的手法,更進一步拓展了「有機」概念,形成生動的樂思交織。
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本場指揮麥凱萊是奧斯陸愛樂管絃樂團首席指揮,也是巴黎管絃樂團音樂總監,2027年更將入主荷蘭皇家大會堂管絃樂團,其風格洗鍊、優雅又不失活力,近年以旋風式速度擄獲廣大樂迷之心。擔綱獨奏的楊森則早已縱橫樂壇多年,她的演奏向來兼具力與美,音樂極具渲染力。當代樂壇秀逸的兩位名家將激盪出什麼花火,相信值得所有樂迷倒數期待。
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演前導聆
\n\n2023/11/2(四)19:00 音樂廳三樓大廳
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演出曲目
\n\n西貝流士:d小調小提琴協奏曲,作品47
\n\n西貝流士:D大調第二號交響曲,作品43
\n\n\n\n
安可曲:
\n\n小提琴安可:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\n樂團安可:
\nJ. SIBELIUS: Musette, from King Christian II
\n\n
演出暨製作團隊
\n\n指揮|克勞斯.麥凱萊
\n\n小提琴|吉妮.楊森
\n\n奧斯陸愛樂管絃樂團
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藝術家介紹
\n\n指揮|克勞斯.麥凱萊
\n\n©Marco Borggreve_Oslo Philharmonic
\n\n芬蘭指揮家克勞斯.麥凱萊於2020年接下奧斯陸愛樂首席指揮一職,並從2021年9月起擔任巴黎管絃樂團音樂總監。他在2022年成為荷蘭皇家大會堂管絃樂團的藝術夥伴,並將於2027年接任該團的首席指揮。他於2023年8月演出湯瑪斯.拉赫爾的第二號交響曲和馬勒的第四號交響曲,迎接其擔任奧斯陸愛樂首席指揮的第四個樂季。本樂季的重要演出也包括蕭斯塔科維契的第七號交響曲、巴爾托克《藍鬍子城堡》音樂會,以及在布拉姆斯雙重協奏曲同時擔任指揮及演奏大提琴。
\n\n在擔任巴黎管絃樂團音樂總監的第三個樂季中,麥凱萊在艾克斯音樂節和巴黎舉行近20場音樂會,向史特拉汶斯基的俄羅斯芭蕾舞團作品致敬。而在成為荷蘭皇家大會堂管絃樂團藝術夥伴的第二個樂季中,麥凱萊預計帶領樂團演出六檔節目。
\n\n麥凱萊同時作為大提琴家,不定期與樂團成員合作演出,每年夏天也會在韋爾比耶音樂節的室內音樂會登台。身為迪卡唱片的簽約藝術家,麥凱萊已與奧斯陸愛樂錄製了完整的西貝流士交響曲專輯。
\n\n\n\n
小提琴|吉妮.楊森
\n\n©Marco Borggreve
\n\n小提琴家吉妮.楊森在本樂季的重要演出,包括由指揮家帕帕諾爵士帶領倫敦交響樂團的歐洲巡演、在提勒曼指揮下與德勒斯登國家管絃樂團合作,以及與麥凱萊領軍的奧斯陸愛樂進行遠東巡迴演出。
\n\n2024年3月,第一屆「吉妮.楊森巴赫音樂節」將於荷蘭阿姆斯特丹皇家大會堂舉行,包括一系列由楊森與音樂夥伴共同策劃並演出的音樂會。管絃樂方面的其他重要演出合作還有帕帕諾爵士指揮下的捷克愛樂樂團,與蘇黎世音樂廳管絃樂團/賈維、鹿特丹愛樂/沙尼,以及瑞士羅曼德交響樂團/杜特華攜手合作。
\n\n身為迪卡唱片的簽約藝術家,其最新的錄音作品《12把史特拉底瓦里》,探索了12把史特拉底瓦里小提琴的音色,以及靈感取自這些偉大樂器的作品。楊森也是烏得勒支國際室內樂節的創辦人兼藝術總監,該音樂節將在2023年12月迎來第20週年。楊森並於2023/24樂季成為威格摩爾音樂廳的駐館藝術家。
\n\n楊森現使用1715年製的「舒姆斯基-羅德」史特拉底瓦里小提琴,由一位歐洲贊助人慷慨出借。
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奧斯陸愛樂管絃樂團
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\n1919年九月,愛樂協會管絃樂團(後來改制為奧斯陸愛樂管絃樂團)在挪威首都首次公開演出。這個私人樂團成立的重要場合,連皇室也共襄盛舉。不久,愛樂協會管絃樂團就吸引到西貝流士、尼基許等國際巨星的合作。他們兩位也都於1921年指揮過該樂團。在接下來的一個世紀,奧斯陸愛樂管絃樂團在布隆斯泰特、楊頌斯、薩拉斯特、佩特連科等首席指揮的傑出領導下,藉由巡迴演出和錄音,成功地將自己打造成數一數二的國際管絃樂團。
\n\n2020年8月,奧斯陸愛樂管絃樂團在新首席指揮克勞斯.麥凱萊的帶領下,展開第101個樂季。麥凱萊與音樂家的緊密合作模式,從2018年與該樂團首次合作即顯而易見。麥凱萊與樂團的第一件大型企劃是錄製西貝流士的交響曲全集。這張合輯於2022年春天由迪卡唱片發行,並獲得了法國《Classica》雜誌的年度專輯獎,以及荷蘭愛迪生唱片大獎。接著,該樂團於維也納音樂廳、漢堡易北愛樂廳、巴黎愛樂廳和BBC逍遙音樂節演出西貝流士交響曲全集,皆獲得《倫敦時報》和《衛報》的五星評價。
\n\n如今,麥凱萊和奧斯陸愛樂管絃樂團的合作已經邁入第三個樂季,他們仍定期巡迴演出。當他們再次回到奧地利首都演出時,《維也納日報》評論道「樂團和指揮之間的搭配洋溢著活力與歡樂。」
\n\n2021年,為因應疫情,奧斯陸愛樂管絃樂團舉辦了《間奏》(Mellomspill)線上音樂會系列。音樂會不僅大獲成功,該樂團致力以數位推廣藝文的努力,更獲頒挪威觀眾發展創新獎。2022年,被提名留聲機年度樂團獎,並與麥凱萊一同獲得了西貝流士獎,以表揚他們在促進芬蘭和挪威音樂圈交流的傑出貢獻。
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獨家贊助
\n\n柯珀汝
\n\n\n\n
指定住宿
\n\n\n\n
巡演場次
\n\n臺北|11/3-11/4 國家音樂廳
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
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\n\n
SIBELIUS completed his second symphony in 1902, at a time when Finland was eager to break away from Russia's high-handed rule. In this work, he not only established a style that was distinctly different from Russian music, but also drew inspiration from the epic poem Kalevala. This influence propelled him towards a more abstract and innovative approach to symphonic composition. SIBELIUS began to develop small motifs organically, so that the music seemed to grow from seed. By incorporating continuous long voice parts and mid-bass in wind music, he created a soundscape of "nature" that evoked vastness and remoteness.
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The composer's subsequent work, the Violin Concerto, was also unconventional. In addition to showcasing his love for the violin through displays of virtuosic skill and lyrical sections, he expanded on the "organic" concept by introducing the technique of continuously anticipating themes and further developing them later on. This approach resulted in a vivid interweaving of musical ideas.
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Klaus MÄKELÄ, the conductor for this performance, currently serves as the Chief Conductor of the Oslo Philharmonic Orchestra, and the Music Director of Orchestre de Paris. He is known for his refined, elegant, and energetic style, which has won him a legion of devoted fans in recent years. In 2027, he will be taking the stage at the Concertgebouw. Janine JANSEN, a seasoned soloist with extensive experience on stage, is recognized for her commanding and exquisite performances that exude passion and captivate audiences. The combination of these two masters is bound to generate the dazzling synergy music enthusiasts eagerly await.
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Pre-talk
\n\n2023/11/2(Thu)19:00 Concert Hall 3F Lobby
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Program
\n\nJ. SIBELIUS: Violin Concerto in d minor, Op. 47
\n\nJ. SIBELIUS: Symphony No. 2 in D Major, Op. 43
\n\n\n\n
Encore Pieces:
\n\nViolin solo:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\nOrchestra:
\nJ. SIBELIUS: Musette, from King Christian II
\n\n
Creative and Production Team
\n\nConductor|Klaus MÄKELÄ
\n\nViolin|Janine JANSEN
\n\nOslo Philharmonic Orchestra
\n\n\n\n
Artists Introduction
\n\nConductor|Klaus MÄKELÄ
\n\n©Marco Borggreve_Oslo Philharmonic
\n\nFinnish conductor Klaus MÄKELÄ has held the position of Chief Conductor of the Oslo Philharmonic since 2020 and Music Director of the Orchestre de Paris since September 2021. As Artistic Partner to the Concertgebouworkest since 2022 he will assume the title of Chief Conductor in 2027. He opened his fourth season as Chief Conductor of the Oslo Philharmonic Orchestra in August with Thomas LARCHER's Symphony No. 2 and MAHLER's Symphony No. 4. Additional season highlights include SHOSTAKOVICH's Symphony No. 7, a concert performance of BARTOK's Bluebeard's Castle and BRAHMS' Double Concerto, in which MÄKELÄ conducts and plays cello alongside violinist Daniel LOZAKOVICH.
\n\nFor his third season as Music Director of the Orchestre de Paris, Klaus MÄKELÄ is honouring STRAVINSKY's Ballets Russes presented at both the Festival d'Aix and in Paris with nearly twenty concerts, and a recording of STRAVINSKY's Petrushka, Jeux and DEBUSSY's L'Après-midi d'un faune for Decca Classics. Other highlights include performances of recent works by Unsuk CHIN and Anna THORVALDSDOTTIR and the French premiere of Miroslav SRNKA's Superorganisms. For his second season as Artistic Partner of the Concertgebouworkest, Klaus MÄKELÄ leads six programmes in 2023-2024, including MUSSORGSKY's Pictures at an Exhibition, DE FALLA's Nights in the Gardens of Spain and Hawar TAWFIQ's The Imagination of M.C. Escher. He also conducts
\n\nMAHLER's Symphony No. 3, and BRUCKNER's Symphony No. 5 as part of a cycle celebrating the 200th anniversary of the composer's birth.
\n\nAs a cellist MÄKELÄ partners with members of the Oslo Philharmonic, Orchestre de Paris and Concertgebouworkest for occasional programmes, and each summer he performs at the Verbier Festival in chamber music concerts with fellow artists. An exclusive Decca Classics artist, he has recorded The Firebird and The Rite of Spring with the Orchestre de Paris and the complete SIBELIUS Symphonies with the Oslo Philharmonic.
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Violin|Janine JANSEN
\n\n©Marco Borggreve
\n\nViolinist Janine JANSEN has longstanding relationships with the world's most eminent orchestras and conductors. This season's highlights include European tours with London Symphony Orchestra under the direction of Sir Antonio PAPPANO, Dresden Staatskapelle with Christian THIELEMANN and a Far East tour together with Oslo Philharmonic and Klaus MÄKELÄ. As part of her Artistic Partnership with Camerata Salzburg Janine JANSEN will also join two major tours across Europe.
\n\nIn March 2024 the Concertgebouw Amsterdam will host the first "Janine Jansen Bach Festival" comprising of a number of orchestral, choral and chamber concerts programmed, inspired and performed by JANSEN and her musical partners.
\n\nOther orchestral highlights include engagements with Czech Philharmonic Orchestra under Sir Antonio PAPPANO, Tonhalle Orchestra / Paavo JÄRVI, Rotterdam Philharmonic / SHANI and Orchestre de la Suisse Romande / DUTOIT, Janine JANSEN will perform the world premiere of Britta BYSTRÖM's Violin Concerto co-commissioned by the Royal Stockholm Philharmonic Orchestra and returns to the London Symphony Orchestra for Sally BEAMISH's Double Concerto Distans together with Martin FRÖST.
\n\nJANSEN records exclusively for Decca Classics. Her latest recording "12 Stradivari" is a unique exploration of 12 great Stradivarius violins and the repertoire these extraordinary instruments inspired. The chosen repertoire is specially curated by Janine JANSEN to showcase the unique qualities of each violin.
\n\nShe is the Founder and Artistic Director of the International Chamber Music Festival Utrecht which celebrates its 20th anniversary in December 2023. Together with Martha ARGERICH and Mischa MAISKY she performs a number of trio performances across Europe and continues her fruitful recital collaboration with pianist Denis KOZHUKHIN. Further chamber music projects are planned at Sion and Røros Festivals as well as at London's Wigmore Hall where she is Artist-in-Residence during the 23/24 season.
\n\nJanine JANSEN plays the Shumsky-Rode Stradivarius from 1715, on generous loan from a European benefactor.
\n\n\n\n
Oslo Philharmonic Orchestra
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\nIn September 1919, the Orchestra of the Philharmonic Company-later to be known as the Oslo Philharmonic-took to the stage for its first public concert in the Norwegian capital. The launch of an independent symphony orchestra was a major event attended by the Royal Family and its fame soon started attracting international stars such as Jean SIBELIUS and Arthur NIKISCH, who both conducted the orchestra in 1921. In the century to follow, the Oslo Philharmonic successfully established itself as one of the major international orchestras, through tours and recordings under the
\n\nleadership of eminent Chief Conductors, including Herbert BLOMSTEDT, Mariss JANSONS, Jukka-Pekka SARASTE and Vasily PETRENKO.
\n\nThe Oslo Philharmonic began its 101st season in August 2020 with new Chief Conductor Klaus MÄKELÄ, whose close relationship with the musicians had been immediately apparent on his debut with the orchestra two years earlier. MÄKELÄ's first major project with the orchestra was a recording of the complete symphonies of SIBELIUS, which was released on Decca in Spring 2022 and awarded both the Choc Classica Recording of the Year (France) and an Edison Award (Netherlands). The recording was followed by critically acclaimed SIBELIUS residencies at the Wiener Konzerthaus and Hamburg Elbphilharmonie and appearances at the Paris Philharmonie and BBC Proms, which received five star reviews from both The London Times and Guardian.
\n\nNow in their third season together, Klaus MÄKELÄ and the Oslo Philharmonic continue to tour regularly and, as the Wiener Zeitung wrote of their recent return to the Austrian capital, “The collaboration between orchestra and conductor is alive with lightness and joy.”
\n\nIn 2021 the Oslo Philharmonic was awarded the Norwegian Audience Development Innovation Award for its extraordinary success and digital commitment through the online concert series Mellomspill (Interlude), launched in response to the pandemic. In 2022 the orchestra was nominated for Gramophone Orchestra of the Year and, together with Klaus MÄKELÄ, received the Sibelius Prize for outstanding efforts to promote contact between Finnish and Norwegian musical life.
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Sponsor
\n\n柯珀汝
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Accommodation
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\n',team:""},createdAt:1684203692,updatedAt:1698983590,updatedBy:"林蔚行",host:!0},{_id:"6462f6e958ebc500098b6900",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11","64812f1feb9a240007c8c8c7"],dateTime:{first:1699079400,discrete:[{time:1699079400},{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1658731289016606721"}},attachment:{key:"1f0b78e2f9f446bfeb6e5a79621588f2",name:"雲門50 鄭宗龍《波》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79fe81392e5b7315df08c294e07f2465",title:"雲門50 鄭宗龍《波》"}],related:[],title:"雲門50 鄭宗龍《波》",cover:"dce534fb64e23c4f1c972136a7ea44f0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'才華洋溢,技術超群....這個舞團的卓越應與世界分享!——紐約時報
\n\n雲門舞者掌控能力和動作精準,已臻神奇,宛如超人。他們似乎有一種可以改變你新陳代謝的神奇力量。——芝加哥太陽報
\n\n你若是錯過了臺灣雲門舞集的表演,那麼你已經與完美失之交臂。——澳洲 時代報
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雲門50週年 鄭宗龍運勁著力全新創作
\n\n聯手里約奧運「東京八分鐘」首席科技總監真鍋大度
\n\n\n\n
沒有故事 只有身體的事
\n\nAI入舞 振盪成波
\n\n\n\n
波,是可見的科學物理現象,也是肉眼無法清楚看到的能量振盪。
\n\n許多科幻和動漫作品,都描繪出聚集身體隱藏能量,可以爆發出合全為一的力量招式。雲門五十週年,藝術總監鄭宗龍聯手日本新媒體藝術家真鍋大度(Daito MANABE),拆解舞者流動的身體,將肌肉、呼吸與神經傳遞的電波化為數據,經由程式的深度學習及藝術的折射,創作出突破身體和科技的當代大招《波》。將看不見的波,由看得見的身體完整呈現。
\n\n鄭宗龍與真鍋大度構思作品時觀察到,遍及全球三年的疫情對社會和個人帶來了巨大的影響,科技和資訊的迅速流動,與個人意識相互干涉。兩人分別從身體和科技的載體出發,凝視當中的互動關係,創造出減法的作品美學。在技術上,延展AI人工智慧和科技工具的實驗,作為身體運動的基礎,勾出舞者身體的隱藏能量。使其穿梭在音樂、影像與空間不同的維度,將各方之氣聚集成一道道的波。
\n\n\n\n
《波》是鄭宗龍重新定義身體的突破之作。
\n\n在2019年,鄭宗龍創作《毛月亮》,首次探索人性和科技的主題。透過三個巨型LED和相對微小的舞者作對比,呈現被科技所包圍而無法擺脫的孤獨感,及人們努力擺脫的集體性。真鍋大度則長年遊走在虛擬與現實之間,追求高度臨場感的感官式體驗。在為雲門五十週年創作的作品裡,鄭宗龍和團隊連結舞蹈與科技之間的本質,讓波的物理特性和象徵意義在作品裡相遇。這回,《波》沒有故事,只有身體的事。
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演前導聆
\n\n11/4(六)、11/5(日)14:00 歌劇院二樓大廳
\n主講:洪凱西(雲門執行總監)
※原定11/4(六)導聆人小樹,因身體因素,該場次調整為雲門執行總監洪凱西導聆。
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文章閱讀
\n\n\n\n►舞者將每一吋肌肉、每一個關節,都化成了波。——雲門50 鄭宗龍《波》看舞筆記
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演後座談
\n\n11/4(六) 演出結束後 歌劇院舞台
\n主講:鄭宗龍(雲門舞集藝術總監)
\n\n
演出暨製作團隊
\n\n編舞/構思|鄭宗龍
\n\n共同構思/影像/音樂/程式|真鍋大度
\n\n燈光|沈柏宏
\n\n服裝|范懷之
\n\n演出|雲門舞集
\n\n\n\n
藝術家介紹
\n\n鄭宗龍|藝術總監暨編舞家
\n\n2020年出任雲門舞集藝術總監。出生於臺北艋舺,從擺攤叫賣的幼年汲取創作靈感,作品交織街頭張力與人生百態。曾獲德國No Ballet當代編舞比賽銅牌獎,西班牙MASDANZA 編舞大賽首獎。
\n\n2016年編作《十三聲》挖掘臺灣古老、俚俗的文化記憶,2020年巡演法國巴黎、里昂、英國倫敦及瑞典斯德哥爾摩,被法媒譽為是「吸引眼球的一場勝利」。
\n\n2019年《毛月亮》結合人文、科技、當代、未來,國際專業舞蹈評論網站Seeing Dance稱這個作品「兇猛而美麗」。2020年《定光》融合身體與自然,舞評譽為「雕琢精緻,值得一看再看」。2022年《霞》,以薩克斯風版的巴赫無伴奏《大提琴組曲》入舞,讓舞者用身體訴說個人生命。
\n\n2020年鄭宗龍與阿喀朗‧汗、威廉‧佛賽等,同時入選英國羅德里奇出版的「50位當代編舞家」。
\n\n\n\n
真鍋大度|藝術家、程式設計師、DJ
\n\n2006年創立了Rhizomatiks。
\n真鍋的作品為日常素材和現象採取了新的切入角度,但他的目標並非是呈現高畫質、高臨場感的豐富表現,而是通過深度的觀察來發現關於各種現象、身體、程式、計算機自身所固有的趣味,從而描繪出類比和數位、真實和虛擬間的關係和界限,活躍於不同領域之中。
\n\n
演出|雲門舞集
\n\n1973年,林懷民創辦雲門舞集。這是臺灣第一個職業舞團,也是所有華語社會的第一個當代舞團。2020年,由鄭宗龍接任藝術總監。
\n\n雲門長年海外巡演,以獨特的動作語言,傑出的舞作,精湛的舞技,被譽為「世界一流現代舞團」。2018年,雲門獲頒英國國家舞蹈獎的「傑出舞團獎」。
\n\n雲門除了定期發表新作品及搬演經典舞作外,舞團每年在臺灣不同城市舉辦大型戶外公演,更以親切、活潑的方式深入社區,讓舞蹈走進大眾的生活。
\n\n2023年,雲門50週年,舞過半世紀,持續透過舞蹈扎根臺灣,開展舞蹈淑世志業。
\n\n\n\n
主辦單位|衛武營國家藝術文化中心
\n\n共同製作|國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心
\n\n演出單位|雲門舞集
\n\n\n\n
其他巡演場次|10.12-10.15臺北國家兩廳院、10.28-10.29臺中國家歌劇院
\n\n\n\n
指定贊助雲門舞集
\n\n\n\n
攝影 李佳曄
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79fe81392e5b7315df08c294e07f2465",title:"雲門50 鄭宗龍《波》"}],related:[],title:"WAVES by CHENG Tsung-lung",cover:"dce534fb64e23c4f1c972136a7ea44f0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Talent and skill require no translation... it's only right that they should be shared with the rest of the world.——The New York Times
\n\nWhen you're talking about Cloud Gate, magic is not too strong a word.——Time Out
\n\nDancers of the Cloud Gate possess a control and articulation that verge on the superhuman…In fact, they have the power to change your metabolism.——Chicago Sun-Times
\n\n\n\n
CHENG Tsung-lung, Artistic Director and choreographer of Cloud Gate, selected as 50 Contemporary Choreographers by Routledge Publishing, creates new work WAVES for Cloud Gate's 50th anniversary. CHENG invites renowned digital artist Daito MANABE together to imagine the unseen body.
\n\n\n\n
MANABE, founder of media studio Rhizomatiks in Tokyo, is a composer, digital artist, DJ and programmer. MANABE's augmented-reality design for 2016 Rio Olympics Closing Ceremony showcasing Japan's technology and creativity has made him a known figure beyond the digital arts world. Over the years, he has collaborated with iconic artists Bjork, Perfume, and OK Go.
\n\n\n\n
CHENG and MANABE explore what WAVES, in forms of energies, could transmit from the body, across spatial surfaces, mediums and humans. Waves transmit tangible objects and intangible elements. Set out to collect dancing body movements as digital data, metamorphose through artificial intelligence, CHENG and MANABE explore with dancers the boundaries of human movements in cognition, and provide an alternative perspective of how we see the world around us.
\n\n\n\n
Pre-talk
\n\n11.4 Sat. 14:00 Opera House 2F
\n\n11.5 Sun. 14:00 Opera House 2F
\n\n\n\n
Post-talk
\n\n11.4 Sat. After performance at Opera House Stage
\n\nHost: CHENG, Tsung-lung / Artistic Director of Cloud Gate
\n\n\n\n
Creative and Production Team
\n\nChoreography / Concept|CHENG Tsung-lung
\n\nConcept / Visual / Music / Program|Daito MANABE
\n\nLighting Design|SHEN Po-hung
\n\nCostume Design|FAN Huai-chih
\n\nPerform|Cloud Gate Dance Theatre of Taiwan
\n\n\n\n
Co-production|
\n\nNational Theater & Concert Hall
\n\nNational Taichung Theater
\n\nNational Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
Artists Introduction
\n\nCHENG TSUNG-LUNG Artistic Director / Choreographer
\n\nFrom street hawker selling slippers to internationally recognized choreographer, CHENG Tsung-lung became Artistic Director of Cloud Gate Dance Theatre of Taiwan in 2020 after he succeeded the company's founder LIN Hwai-min. CHENG is best known for works inspired by the street life and folk religion elements that were part of his upbringing in Taipei. His recent creations include 13 Tongues (2016), which received rave reviews in France, Germany, the UK and China; Lunar Halo (2019), which is set to music by Sigur Rós and hailed widely as a work of "fierce beauty"; Sounding Light (2020), which reflects on the relationship between human and nature during the COVID pandemic and is praised as a "beautifully crafted work, bearing repeated viewings"; and Send In A Cloud (2022) which displays in shifting colors a panorama of dancers' personal life journeys. CHENG has been a fixture of Routledge's respected annual survey of dance practitioners, Fifty Contemporary Choreographers (2020), alongside the likes of William Forsythe, Akram Khan, Hofesh Shechter and leaders in the form.
\n\n\n\n
DAITO MANABE Artist / Programmer / DJ.
\n\nLaunched Rhizomatiks in 2006. Specially-appointed professor at Keio University SFC.
\n\nMANABE's works, which range into a variety of fields, take a new approach to everyday materials and phenomena. However, his end goal is not simply rich, high-definition realism by recognizing and recombining these familiar elemental building blocks. Rather, his practice is informed by careful observation to discover and elucidate the essential potentialities inherent to the human body, data, programming, computers, and other phenomena, thus probing the interrelationships and boundaries delineating the analog and digital, real and virtual.
\n\n\n\n
CLOUD GATE DANCE THEATRE OF TAIWAN
\n\nFounded in 1973 by internationally renowned choreographer, LIN Hwai-min, Cloud Gate is acclaimed as "Asia's leading contemporary dance theater" (The Times), and "One of the finest dance companies in the world" (The Globe and Mail). While touring extensively worldwide, Cloud Gate holds regular seasons in theaters at home, and stages annual free outdoor performances in cities and villages of Taiwan, drawing an average of 30,000 people per performance. From 2020, CHENG Tsung-lung succeeded LIN as the Artistic Director of Cloud Gate. In 2023, Cloud Gate ushers in its 50th anniversary.
\n\n\n\n
Sponsor
\n\n\n\n
PHOTO 李佳曄
\n',team:""},createdAt:1684207337,updatedAt:1699239007,updatedBy:"林蔚行",host:!0},{_id:"646320fd58ebc500098b71d2",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699529400,discrete:[{time:1699529400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,2200,3600,4800,5200,6e3],link:"https://www.opentix.life/event/1662064677076783105"}},attachment:{key:"191ffa6a9bdb14bcdae9c60c7056dd60",name:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2131e274f3face95307c63d43f8dc885",title:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》"}],related:[],title:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》",cover:"ec7e612b74a25a2c11091972f7a2fb92",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n本節目開演前 1 小時至演後 15 分鐘內於演出廳院票口購票,即可享有滑壘票優惠,每人限購乙張,僅可選擇票價,不提供選位。主辦單位保有優惠最終解釋權,數量有限,售完為止。
\n\t團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
「尼爾森斯的指揮簡潔又力,激發出樂團優美、精準、投入的演奏。」——《波士頓環球報》
\n\n「藤田真央是一位曲風多元、品味極佳的音樂家。他的演奏富有詩意的脈動,流暢,深刻且大膽。」—— 《泰晤士報》
\n\n\n\n
萊比錫布商大廈管絃樂團,特殊的名稱反應出獨特的歷史軌跡。脫胎於文藝復興時期的「城市吹鼓手」,因將布商倉庫改建為音樂廳得名。在孟德爾頌領軍下,除了以嚴格的標準打造完美音色,也以高度的音樂品味首演如舒伯特《偉大》、舒曼《春》及布魯克納第七號交響曲等遺世經典。2023年,萊比錫布商大廈管絃樂團即將再度造訪臺灣。尼爾森斯擔任總監至今,在樂團最受讚譽的醇厚聲響基礎上灌注其獨特的爆發力,讓熟悉的曲目耳目一新,屢屢製造驚嘆。一如既往,三部作品帶領聽眾回顧其充滿遠見的歷史。孟德爾頌音樂會序曲《美麗的梅露西娜》源於德語文學所鍾愛的水妖題材,樂曲開始一段木管主奏的流動聲響,彷彿預告著華格納驚世的《萊茵河》手筆。完成於1854年的舒曼鋼琴協奏曲,曾在1841年於布商大廈首演第一樂章,兼容霸氣及溫婉,鋼琴主奏和樂團緊密交織,改寫「協奏」定義。下半場孟德爾頌的第三號交響曲《蘇格蘭》,看似聚焦北方國度的人文景緻,實則充滿歷史感懷。在音樂中,以曲首的動機貫穿各樂章,預告了十九世紀後半的交響曲寫作標竿。正如樂團的箴言「Res severa est verum gaudium」,真正的享受其實是嚴肅的事情,而嚴肅的事物才是真正的享受!2023年11月在衛武營,領略萊比錫的音樂智慧,感受一座城市的光榮。
\n\n\n\n
演前導聆
\n\n2023/11/9(四)19:00 音樂廳
\n\n\n\n
演後簽名會
\n\n演後簽名會將於音樂廳三樓大廳舉行,
\n\n指揮尼爾森斯與鋼琴家藤田真央將一同出席,
\n限簽現場販售之節目冊、樂團專輯、尼爾森斯指揮專輯、藤田真央專輯。
限額100位,每人限簽一品項,不開放署名及合照。
\n\n※簽名會於音樂會正式曲目演出結束後開放排隊。
\n\n\n\n
演出曲目
\n\n孟德爾頌:《美麗的梅露西娜》序曲
\n\n舒曼:a小調鋼琴協奏曲,作品54
\n\n孟德爾頌:a小調第三號交響曲《蘇格蘭》,作品56
\n\n\n\n
安可曲:
\n\n浦朗克:降E大調第12號即興曲《向舒伯特致敬》
\n\n\n\n
文章閱讀
\n\n\n\n\n\n
演出暨製作團隊
\n\n指揮|安德里斯・尼爾森斯
\n\n鋼琴|藤田真央
\n\n萊比錫布商大廈管絃樂團
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藝術家介紹
\n\n指揮|安德里斯‧尼爾森斯
\n\n©Marco Borggreve, 2018
\n\n葛萊美獎得主尼爾森斯身兼波士頓交響樂團(BSO)音樂總監以及萊比錫布商大廈管絃樂團的首席指揮。他連結雙方機構的開創性領導,使他成為當今國際舞台上最著名且最創新的指揮家之一。
\n\n尼爾森斯分別於2014-15樂季和2018年2月於兩樂團走馬上任。2019年秋季,尼爾森斯集結兩方的音樂家籌組聯合樂團,並在波士頓交響音樂廳聯演三場,這場盛事也成為三方共事以來的一大亮點。2022年5月樹立新的里程碑,德意志留聲機公司發行聯合樂團演奏理查・史特勞斯交響樂經典專輯,其中收錄《節慶前奏曲》(Festliches Präludium)。為紀念此次發行,尼爾森斯與萊比錫布商大廈管絃樂團展開一趟大型巡迴,規劃兩套理查・史特勞斯作品節目造訪倫敦、漢堡、維也納,以及巴黎。
\n\n2022年末,尼爾森斯和BSO開啟在日本的重要巡演,包括在東京三得利音樂廳舉行的三場音樂會。此外,BSO和尼爾森斯將於今年4月再次重返卡內基音樂廳,與小提琴家慕特和大提琴家高提耶・卡普松同台聯演。同時,繼去年9月開季巡演,尼爾森斯和萊比錫布商大廈管絃樂團也將於4月在薩爾茲堡復活節音樂節演出男高音尤納斯・考夫曼領銜的華格納《唐懷瑟》,還將演出三套交響樂音樂會。5月,尼爾森斯將於萊比錫布商大廈主辦的馬勒音樂節指揮第二號和第八號交響曲。除此之外,尼爾森斯將持續與柏林愛樂和內田光子合作,接著再與曾於2020新年音樂會共創百萬觀看人次的維也納愛樂工作,另外還有協同郎朗和馬勒室內樂團的歐洲巡演。
\n\n尼爾森斯與德意志留聲機公司簽訂專屬合約,促成他日後與波士頓交響樂團、萊比錫布商大廈管絃樂團和維也納愛樂合作的三個指標性企劃。尼爾森斯與BSO合作錄製蕭斯塔科維契的所有交響曲和歌劇《穆森斯克郡的馬克白夫人》。此全集在葛萊美獎最佳管絃樂團演奏以及最佳古典專輯製作等獎項,累計四次獲獎紀錄。另一方面,尼爾森斯和萊比錫布商大廈管絃樂團則繼續擴充他們廣受好評的布魯克納全本交響樂。兩套全本專輯都於2021年釋出第五部作品。2019年10月,為慶祝貝多芬250歲冥誕,尼爾森斯與維也納愛樂合作錄製其交響樂全集。
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鋼琴|藤田真央
\n\n©Mao Fujita_Foto_Dovile Sermokas
\n\n24歲的鋼琴家藤田真央,以其敏銳的音樂直覺以及渾然天成的琴藝,令許多著名音樂家印象深刻。他被譽為是難得一見的奇才,演奏莫札特或是浪漫曲目皆游刃有餘。
\n\n2017年,當時還就讀東京音樂大學的藤田,在瑞士哈絲姬爾國際鋼琴大賽囊括:首獎、觀眾獎、現代獎以及院生奬,首次為他帶來國際音樂界的關注。兩年後,在第十六屆柴科夫斯基國際大賽中,他獨特的音樂才華獲得一線評審團的青睞,贏得鋼琴組銀牌。
\n\n藤田曾應邀於魯爾鋼琴音樂節、齊南達利音樂節、里加-尤爾瑪拉音樂節等重大國際音樂節慶獨奏。今年1月,他首次在美國舉辦獨奏會,地點就選在卡內基音樂廳。近期重要的樂團合作包括:萊比錫布商大廈管絃樂團、慕尼黑愛樂、英國皇家愛樂、荷蘭皇家音樂廳、法國廣播愛樂、柏林音樂廳、讀賣日本交響樂團、東京大都會交響樂團、以色列愛樂、義大利RAI國家交響樂團、義大利史卡拉愛樂和琉森節慶管絃樂團。與他合作過的指揮有:佩特連科(Vasily PETRENKO)、艾森巴赫(Christoph ESCHENBACH)、夏伊(Riccardo CHAILLY),以及尼爾森斯(Andris NELSONS)。
\n\n2021年11月,藤田與索尼古典國際簽署一份獨家複數唱片約,就此展開在各張專輯各式曲目的探索。接續藤田在2021年瑞士韋爾比耶國際音樂節演奏一系列莫札特奏鳴曲受到的好評,首張莫札特全本鋼琴奏鳴曲專輯,響應眾人期盼於2022年10月發行。藤田於22/23樂季受邀在倫敦威格摩爾音樂廳舉行的五場音樂會上演奏莫札特奏鳴曲全集,並穿插幾組變奏曲。
\n\n藤田三歲開始學鋼琴,於2010年在臺灣舉辦的世界菁英賽贏得生平第一個國際獎項。後來他也在許多國際比賽獲得殊榮,如維也納羅薩里奧·瑪西亞諾國際鋼琴比賽(2013)、珠海國際莫札特青年音樂家比賽(2015)和美國吉娜‧芭豪爾國際青年藝術家鋼琴比賽(2016)。
\n\n藤田真央即將移居柏林求學深造,師事Kirill GERSTEIN。
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萊比錫布商大廈管絃樂團
\n\n©Gert Mothes
\n\n萊比錫布商大廈管絃樂團是世界上最悠久的市民交響樂團。1743年,16位愛好音樂的貴族和一般市民代表,創立名為Das Große Concert的音樂社團。在1781年遷居到萊比錫布商貿易大廈後,改名為布商大廈管絃樂團。許多著名音樂家都曾擔任該樂團的音樂總監暨首席指揮(Gewandhauskapellmeister),其中包含席勒、孟德爾頌、尼基許和馬舒。2005年上任的夏伊於2016年光榮卸任,並由尼爾森斯於2017/18樂季繼任該職位。
\n\n布商大廈管絃樂團對歐洲歷史和現代音樂的特殊貢獻,榮獲歐洲文化遺產認證(European Cultural Heritage Label)。
\n\n布商大廈管絃樂團有別於其他交響樂團的音色,受世界各地愛樂者喜愛。其獨特的音色以及極其豐富多元的曲目,是經由每年橫跨三場館、合計超過200場的演出中淬鍊而成。除了在布商大廈,該樂團也常駐萊比錫歌劇院,以及在聖多馬教堂與聖多馬少年合唱團(Thomanerchor)一起演出巴赫的清唱劇。當今沒有像布商大廈管絃樂團般的精英交響樂團,如此致力於演奏巴赫的音樂。
\n\n自1916年,布商大廈管絃樂團定期在全球巡演,並在廣播、電視、CD和DVD等媒體上出品無數。
\n\n交響樂的發展史上,布商大廈管絃樂團留下無可比擬的深遠影響。綜觀其樂團史,該樂團不斷與世界知名的作曲家、指揮家和獨奏家合作。他們演奏了貝多芬(1825/26樂季,當時他仍在世)以及布魯克納交響樂全集(1919/20樂季)。由布商大廈管絃樂團首演的作品包含:華格納歌劇《紐倫堡的名歌手》前奏曲、貝多芬第五號鋼琴協奏曲《皇帝》、布拉姆斯的小提琴協奏曲和《德意志安魂曲》以及布魯克納的第七號交響曲等,然而這些只是該樂團傳世交響樂曲目的冰山一角。時至今日,該樂團每樂季仍委託並首演新作品。
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指定住宿
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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"Andris NELSONS conducted with concise focus and vigor and elicited the orchestra both tonal beauty and technical precision and visible enthusiasm." ——The Boston Globe
\n\n"[Mao] FUJITA is a musician of tremendous versatility and taste, with a poetic sense of pulse and eloquent, insightful, fearless articulation."——The Times
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The Gewandhausorchester Leipzig, named after the building that housed it and the concert hall, is renowned for its unique history. Under the leadership of MENDELSSOHN, the orchestra adhered to strict standards to produce perfect sound, while also showcasing a high level of musical taste by premiering such timeless classics as SCHUBERT's The Great, SCHUMANN's Spring and BRUCKNER’s Symphony No. 7. In 2023, the Gewandhausorchester Leipzig will once again visit Taiwan. Andris NELSONS, the Gewandhauskapellmeister (Music Director and Principal Conductor), infuses the orchestra's acclaimed rich sound with his signature explosiveness, revitalizing familiar repertoire and creating amazement time and time again. The program will guide the audience through the orchestra's visionary history via three works. MENDELSSOHN's concert overture, The Fair Melusine, is based on German water-nymph literature. At the beginning of the piece, the flowing sound of the woodwind seems to foreshadow WAGNER's legendary Rhine. SCHUMANN's Piano Concerto, completed in 1854, whose first movement premiered at Gewandhaus Leipzig in 1841. Combining power and tenderness, the piano and the orchestra are closely interwoven, redefining the concerto. In the second half, MENDELSSOHN's Symphony No. 3, Scottish, seems to focus on the cultural landscape of the northern country but is full of historical reflections. The opening theme runs throughout the piece, setting the standard for symphonic composition in the late 19th century. As the orchestra's motto states, Res severa est verum gaudium–true joy is a serious matter, and serious matters are true joy! In November 2023, experience Leipzig's musical wisdom and feel the city's glory.
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Pre-talk
\n\n2023/11/9(Thu)19:00 Concert Hall
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Program
\n\nF. MENDELSSOHN: The Fair Melusine Overture
\n\nR. SCHUMANN: Piano Concerto in a minor, Op. 54
\n\nF. MENDELSSOHN: Symphony No. 3 in a minor, Op. 56 Scottish
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Encore Pieces:
\n\nF. POULENC: Improvisation No.12 in E-flat Major "Hommage à SCHUBERT"
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Creative and Production Team
\n\nConductor|Andris NELSONS
\n\nPiano|Mao FUJITA
\n\nGewandhausorchester Leipzig
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Artists Introduction
\n\nConductor|Andris NELSONS
\n\n©Marco Borggreve, 2018
\n\nAndris NELSONS is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning NELSONS as one of the most renowned and innovative conductors on the international scene today.
\nNELSONS' positions in Boston and Leipzig commenced in the 2014/15 season and in February 2018, respectively. Autumn 2019 marked a ground-breaking highlight for NELSONS, the Boston Symphony Orchestra and the Gewandhausorchester Leipzig: three performances featuring musicians from both institutions within one joint orchestra were given at Boston's Symphony Hall as part of the alliance between the two orchestras. Earlier this year, this unique partnership between both orchestras culminated in another highlight, a joint release of the major symphonic works by Richard STRAUSS for Deutsche Grammophon, including STRAUSS' Festliches Präludium jointly performed by musicians from both orchestras. To mark the release, NELSONS and the Gewandhausorchester embarked on a major residency tour to London, Hamburg, Vienna and Paris to perform two all-STRAUSS programs.
\nThis season, NELSONS and the Boston Symphony Orchestra embark on a major tour to Japan, including three prestigious concert dates at Tokyo's Suntory Hall. Furthermore, the BSO and NELSONS will continue their guest appearances at Carnegie Hall in April 2023 together with Anne-Sophie MUTTER and Gautier CAPUÇON. Following their season opening tour together in September, a major highlight for NELSONS and the Gewandhausorchester Leipzig include their residency at the Salzburg Easter Festival in April 2023, where three symphonic programs will be presented in addition to performances of WAGNER's Tannhäuser featuring Jonas KAUFMANN in the title role. In May 2023, the Gewandhaus zu Leipzig present the MAHLER Festival in Leipzig where NELSONS will conduct Symphonies No. 2 and 8. Elsewhere, NELSONS will continue collaborating with the Berliner Philharmoniker and Mitsuko UCHIDA this season, before returning to work with the Wiener Philharmoniker – with whom he conducted the prestigious New Year's Day concert in 2020, broadcast to millions across the world – and will also embark on a European tour featuring LANG Lang and the Mahler Chamber Orchestra.
\nAndris NELSONS has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. NELSONS and the Boston Symphony Orchestra partner on recordings of the complete SHOSTAKOVICH symphonies and the opera Lady Macbeth of the Mtsensk District – this cycle is already the recipient of four Grammy awards in the categories Best Orchestral Performance and Best Engineered Album. Furthermore, NELSONS and the Gewandhausorchester Leipzig continue their critically acclaimed Bruckner symphonic cycle. Both cycles released their fifth instalments in 2021. NELSONS' recordings of BEETHOVEN's complete symphonies with the Wiener Philharmoniker, in celebration of the composer's 250th birthday, were released in October 2019.
\nBorn in Riga in 1978 into a family of musicians, Andris NELSONS began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.
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Piano|Mao FUJITA
\n\n©Mao Fujita_Foto_Dovile Sermokas
\n\nWith an innate musical sensitivity and naturalness to his artistry, 24-year old pianist Mao FUJITA has already impressed many leading musicians as one of those special talents which come along only rarely, equally at home in MOZART as the major romantic repertoire.
\n\nBorn in Tokyo, FUJITA was still studying at the Tokyo College of Music in 2017 when he took First Prize at the prestigious Concours International de Piano Clara Haskil in Switzerland, along with the Audience Award, Prix Modern Times, and the Prix Coup de Coeur, which first brought him to the attention of the international music community. He was also the Silver Medalist at the 2019 Tchaikovsky Competition in Moscow, where his special musical qualities received exceptional attention from a jury of leading musicians.
\n\nFUJITA has been invited to appear in recital at major international festivals including the Klavier-Festival Ruhr, Tsinandali and Riga-Jurmala festivals, among others, and he makes his highly-anticipated US recital debut at Carnegie Hall in January 2023. Recent and upcoming orchestral highlights include performances with the Gewandhausorchester, Munich Philharmonic, Royal Philharmonic, Royal Concertgebouw, Philharmonique de Radio France, Konzerthaus Berlin, Yomiuri Nippon Symphony, Tokyo Metropolitan Symphony, Israel Philharmonic, RAI, Filarmonica della Scala, and Lucerne Festival orchestras, while his many conductor relationships include Vasily PETRENKO, Christoph ESCHENBACH, Riccardo CHAILLY, and Andris NELSONS.
\nIn November 2021, FUJITA signed an exclusive multi-album deal with Sony Classical International. The new partnership sees him explore many facets of repertoire across several releases, starting with an eagerly-anticipated studio recording of MOZART's complete piano sonatas, which is due for release in October 2022, following an acclaimed series of performances of the complete sonatas at the Verbier Festival in 2021. FUJITA has been invited to perform the same set of works, interspersed with sets of Variations, over five concerts for his debut at London's Wigmore Hall at the end of the 22/23 season.
\nStarting piano lessons at the age of three, FUJITA won his first international prize in 2010 at the World Classic in Taiwan, and became a laureate of numerous national and international competitions such as the Rosario Marciano International Piano Competition in Vienna (2013), Zhuhai International Mozart Competition for Young Musicians (2015), and the Gina Bachauer International Young Artists Piano Competition (2016).
Mao FUJITA is moving to Berlin for further studies with Kirill GERSTEIN.
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Gewandhausorchester Leipzig
\n\n©Gert Mothes
\n\nThe Gewandhausorchester is the oldest civic symphony orchestra in the world. The enterprise was founded in 1743 by a group of 16 musical philanthropists – representatives of the nobility as well as regular citizens - forming a concert society by the name of Das Große Concert. On taking residence in the trading house of the city's textile merchants (the “Gewandhaus”) in 1781, the ensemble assumed the name Gewandhausorchester. Many celebrated musicians have been appointed to the office of Gewandhauskapellmeister (Music Director and Principal Conductor), including J.A. HILLER, F. MENDELSSOHN, Nikisch ARTÚR and Kurt MASUR. After his inauguration in 2005, Riccardo CHAILLY's phenomenally successful tenure as Gewandhauskapellmeister came to an end in 2016. Andris NELSONS assumed the position of Gewandhauskapellmeister in the 2017/18 season.
\nThe Gewandhausorchester's unique contribution to Europe's historical and current musical wealth has been recognized with the award of the European Cultural Heritage Label.
\nMusic lovers worldwide revere the highly individual sound palette that distinguishes the Gewandhausorchester from all other symphony orchestras. This unique sound identity, along with the extraordinarily rich diversity of the repertoire which the Gewandhausorchester performs, is cultivated in over 200 performances each year in the Orchestra's three “homes”: as concert orchestra in the Gewandhaus, orchestra of the Leipzig Opera and orchestra for the weekly performances of the cantatas of J.S. BACH with the Thomanerchor in St. Thomas's Church. No other elite symphony orchestra dedicates itself so intensively to the performance of the music of J.S. Bach.
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\nThe Gewandhausorchester has toured the globe on a regular basis since 1916 and enjoys almost unparalleled presence in the media of radio, television, CD and DVD.
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\nFew other ensembles have exerted such significant and enduring influence on the development of the symphonic music tradition as the Gewandhausorchester. Throughout its history, the Orchestra has consistently attracted the collaborative energies of the world's most eminent composers, conductors and soloists. The Gewandhausorchester performed a complete cycle of the symphonies of BEETHOVEN during his lifetime (1825/26), as well as the first ever cycle of BRUCKNER's symphonies to be mounted (1919/20). WAGNER's Prelude to Die Meistersinger von Nürnberg, BEETHOVEN's 5th Piano Concerto Emperor, Brahms' Violin Concerto and Deutsches Requiem and Bruckner's 7th Symphony are just a fraction of the wealth of the core symphonic repertoire to be given its first performance by the Gewandhausorchester. The Orchestra commissions and premieres new works each season to this day.
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Accommodation
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Sponsor
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真相的謊言,謊言的真相,當每個人都在說謊,你還能相信什麼? 《Reality No-Show》是蔡柏璋告別臺灣劇場六年後的全新創作。本劇的情節事件以zoom out的鏡頭語言加來建構,層層交織出幾組互有關聯的人物,劇中 每個角色為了各自不同的理由,不斷虛構故事、編織謊言。 邵辰曄原本出租Caspar當他的情人,之後卻不斷追問起Caspar的真實身份。編劇傅若言從未見過自己的父親劉憶,卻在他把邵辰曄和Caspar的故事改編成電影開拍後,偶然下聽見了父親的聲音。 變性人Diva完全不相信愛情,卻主持了全國收視率第一,專門幫人尋找soul mate的實境秀節目。直播主徐曉寧為了狂刷自己的存在感,竟與八面玲瓏的經紀人瑪丹進行一場出賣靈魂的交易。知名喜劇演員詹姆士因演出同志角色一炮而紅,但他急於想擺脫從此被定型,卻因為一件性侵醜聞而讓自己成為最不想成為的那種人。
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演出暨製作團隊
\n\n製作人|李維睦、呂柏伸
\n\n編劇|蔡柏璋
\n\n導演|呂柏伸
\n\n舞臺設計|李柏霖
\n\n服裝設計|李育昇
\n\n燈光設計|鄧振威
\n\n影像設計|王正源
\n\n音樂設計|徐啟洋
\n\n音效設計|鄭嘉富
\n\n主視覺設計|郭保伸
\n\n主視覺攝影|陳又維
\n\n主要演員|王宏元、李少榆、崔台鎬、張家禎、曹瑜、凱爾、妍青、謝孟庭
\n\n特別演出|潘冠宏
\n\n\n\n
藝術家介紹
\n\n編劇|蔡柏璋
\n\n臺大戲劇系第二屆,英國倫敦皇家中央演說暨戲劇學院 (Royal Central School of Speech and Drama, University of London)音樂劇場 (Music Theatre)碩士。曾任台南人劇團聯合藝術總監;現為自由劇場工作者,Podcast《柏覽會離題》與《王大閎您哪位》主持人。
\n\n蔡柏璋是國內難得一見集編導演三項才華於一身的創作者,劇本《木蘭少女》榮獲府城文學獎首獎,且於臺北國家戲劇院二度重演,並受邀至新加坡聖淘沙劇場連演三十六場,創下國內音樂劇海外演出的新紀錄。他的電視影集型式舞臺劇《K24》,開創臺灣劇場史上第一齣連演六小時喜劇的記錄,並受邀作為第八屆華文戲劇節開幕節目。誠品春季舞臺作品《Re/turn》,首演至今四度加演。獨角戲《Solo Date》更赴英國愛丁堡藝穗節、奧地利林茲藝術節、舊金山國際劇場藝術節演出。
\n\n天下雜誌曾遴選蔡柏璋為表演藝術類的未來領導人,他曾獲亞洲文化協會贊助至哈佛大學A.R.T.劇團和莫斯科藝術學院進修聲音演說課程。近年聚焦國際交流活動,舉凡奧勒岡莎士比亞戲劇節、法國巴黎西帖藝術村、柏林戲劇盛會國際論壇、韓國首爾星光音樂劇節等。
\n\n\n\n
導演|呂柏伸
\n\n蘇格蘭格拉斯哥大學文學士,英國倫敦大學霍洛威學院戲劇與劇場研究碩士。現為台南人劇團藝術總監,同時也任教於國立臺灣大學戲劇學系,主授導演課程。
\n\n自2003年1月起受邀擔任台南人藝術總監,積極推動「西方經典新詮演出」、「莎士比亞不插電」、「尋找劇作家的台南人」及「歐美當代經典」等演出計劃,一方面進行跨文化戲劇的實驗創作,另一方面則積極引介當代國內外劇作家的作品,演出成果總是廣受學者專家、評論媒體和觀眾的高度讚賞。
\n\n近年來呂柏伸致力於音樂劇的創作與推廣,已陸續執導《仲夏夜汁夢》、《木蘭少女》、《美女與野獸》和《第十二夜》,這四齣作品皆受到高度的肯定與讚賞,其中《木蘭少女》更受邀至新加坡連演36場次,是臺灣第一齣受到海外邀演的定目劇作品。
\n\n\n\n
台南人劇團
\n\n臺灣藝文媒體界譽為現代戲劇模範生的台南人劇團,1987年成立,是臺灣最具歷史與規模的現代戲劇團體。自1998年起,年年榮獲文化部「分級獎勵團隊」的補助(現改為國藝會「演藝團隊年度獎助專案」),且評鑑成績總是名列前茅,並數次奪得第一名的殊榮。
\n\n在現任藝術總監呂柏伸的規劃下,持續推動不同系列作品的演出計劃,除了積極引介當代臺灣及歐美劇作家的作品,同時也對外展現台南人年度製作的嚴謹、創意和多元。
\n\n近年來本團也致力音樂劇的創作與推廣,已先後完成《木蘭少女》(與瘋戲樂工作室共製)、《美女與野獸》、《第十二夜》、《tick, tick...BOOM!》和《仲夏夜汁夢》,皆獲得各界高度肯定和讚賞,其中《木蘭少女》更是臺灣第一齣受邀至新加坡聖淘沙名勝世界劇場進行36場定目劇演出的作品;《第十二夜》則從2018年首演至今,連續四輪演出,口碑盛讚,被譽為最成熟最爽看的臺灣音樂劇;《仲夏夜汁夢》則創造首輪演出32場幾近完售的佳績!
\n\n\n\n
\n\n
指導單位:文化部
\n\n贊助單位:國藝會、藝響空間
\n\n本作品榮獲廣藝第四屆【表演藝術金創獎】金獎
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"05ca42e1cf063170d7d208e67e874f7e",title:"台南人劇團《改編自真實故事》"}],related:[],title:"Tainaner Ensemble - Reality No-Show",cover:"c6892fcc68a207c31a80d0df7ab02f33",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
Reality No-Show is the latest work by Tsai Pao-chang, Tainaner Ensemble's former Co-Artistic Director, after his six-year hiatus from the theater in Taiwan. This work explores the boundaries between truth/reality and falsehood / virtuality, whereby Pao-chang looks at his previous works in retrospect and reflects on the prevalence of fake news in social media.
\n\nThe entire play is connected by several groups of interrelated characters, gradually unfolding the "truth" behind fake news on the internet and make-believe reality shows that turn into reality. It uncovers various complex psychological states behind lying-is lying a desire to be seen or a willingness to only believe what one sees?
\n\n\n\n
Creative and Production Team
\n\nProducer|LEE Wei-mu, LU Po-shen
\n\nPlaywright|TSAIPao-chang
\n\nDirector|LU Po-shen
\n\nSet Designer|LI Po-lin
\n\nCostume Designer|LI Yu-shen
\n\nLighting Designer|TENG Cheng-wei
\n\nVideo Designer|WANG Cheng-yuan
\n\nMusic Designer|HSU Chi-yang
\n\nSound Designer|Cheng Chia-fu
\n\nPerformer|Wang Hung-yuan, Lee Shao-yeu, TSUEI Tai-hao, Chang Chia- chen, Tsao Yu, LO Kyle, Genn Lau , HSIEH Meng-ting
\n\nSpecial Appearance|Pan Kuan-hung
\n\n\n\n
\n\n
\n\n
Co-presenter: National Kaohsiung Center for the Arts (Weiwuying), Tainaner Ensemble
\n\nSupervisor: MINi STRY OF CULTURE
\n\nSponsor: National Culture and Arts Foundation
\n\nThe 4th Quanta Performing Arts Golden Creative Award Gold Award winner
\n\n\n\n
\n',team:""},createdAt:1684222611,updatedAt:1699581809,updatedBy:"林蔚行",host:!0},{_id:"646342f158ebc500098b7844",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700911800,discrete:[{time:1700911800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1658727296458629121"}},attachment:{key:"9299d5d767bf7cf8ce748704e878f826",name:"《水月敘事》陳茂萱與璇音四十音樂會 電子節目冊.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f3b67faaef21482002ed34700713cd0",title:"《水月敘事》陳茂萱與璇音四十音樂會"}],related:[],title:"《水月敘事》陳茂萱與璇音四十音樂會",cover:"30a756c9fc990caa3557675cc33b8bdd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'國家文藝獎得主 -陳茂萱教授,不僅為臺灣作曲家,更是卓越的音樂教育家。陳教授所創作的作品、以及與學生們聯合製作的音樂理論教材與音感測驗,都將西方的理論融入東方的思維,建立了一套屬於我們國人的音感教材。1983年,陳茂萱教授更與其作曲學生們創立「璇音雅集」,以提供作曲學生發表作品之平台。今年適逢璇音雅集四十年,由陳茂萱教授的「東西融合」為核心特色,延伸出一系列的相關活動。
\n\n\n\n
【陳茂萱與璇音四十】音樂系列活動,將於藝術迴廊以展覽形式訴說陳茂萱的生命故事,並於表演廳將陳茂萱對臺灣音樂創作與教育的貢獻,化為樂聲倘佯。延續臺北場音樂展的《又什麼時候》與《水知月音》,於國之南境展出的最終場「《水月敘事》陳茂萱與璇音四十音樂會」,將以作曲家嚴琲玟的《蚵仔麵線》、胡宇君的《無盡燈》、王瑩潔的《線性時間》、林思貝的《追隨》、邱妍甯的《圓》等五首作品,對應陳茂萱教授的五首作品:包含藝術歌曲、鋼琴作品、室內樂作品,讓您聽見迴盪在陳茂萱師徒間的音樂思辯與對話。
\n\n\n\n
演出曲目
\n\n\n\n
文章閱讀
\n\n►致力臺灣音樂教育的推行,陳茂萱帶領璇音雅集灌注音樂之美!(出處:音音有代誌)
\n\n\n\n
周邊活動
\n\n\n\n11/5(日)14:00
\n\n演講廳
\n\n\n\n\n\n
10/27(五)-11/26(日) 11:00~21:00
\n\n藝術迴廊
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|王穎
\n\n音樂會製作人|胡宇君
\n\n展覽策展|林嘉瑋
\n\n作曲家|陳茂萱、嚴琲玟、胡宇君、王瑩潔、林思貝、邱妍甯
\n\n鋼琴|廖皎含、劉欣妮、郭翔豪
\n\n男中音|楊勝安
\n\n長笛|陳怡婷、李詠涵
\n\n單簧管|高承胤
\n\n小提琴|衣慎行 、黃郁婷
\n\n中提琴|蔡秉璋
\n\n大提琴|許書閑
\n\n\n\n
共同主辦:衛武營國家藝術文化中心, 國立傳統藝術中心臺灣音樂館
\n\n執行:台灣璇音雅集
\n\n協辦:致凡音樂院, 社團法人雲林縣北港愛樂協會
\n\n\n\n
團隊介紹
\n\n臺灣璇音雅集由「國家文藝獎」得主陳茂萱教授於1983年與其學生共同成立,至2023年已有四十年歷史,除每年有二次以上的新作發表外,近年更致力於當代兒童鋼琴作品之寫作。陳茂萱對臺灣新音樂創作與教育的終極關懷可於其「國家文藝獎」得獎感言中窺見:「任何一個精緻的文化必須倚仗教育而立,而且必要深植於初等教育之中……在臺灣,我們的教材大都引自國外,我們『似乎』不需要自己的看法與想法。」陳教授傳遞「直接引進西洋已有的教材就夠用了」的想法是需要被改變的。抱此信念,璇音作曲家致力於音樂理論的寫作與樂曲創作,期以璇音雅集的成果為磚,吸引並衍展出更多的音樂工作者共同為台灣音樂教育與創作努力。
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f3b67faaef21482002ed34700713cd0",title:"《水月敘事》陳茂萱與璇音四十音樂會"}],related:[],title:"CHEN Mao-shuen and FORMUSICA: 40th Anniversary Concert",cover:"30a756c9fc990caa3557675cc33b8bdd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
CHEN Mao-shuen, the recipient of the National Award for Arts, is not only a renowned Taiwanese composer but also an exceptional music educator. Like his compositions, the music theory teaching materials and pitch tests he created in collaboration with his students fused Western theories with Eastern philosophy, resulting in a comprehensive set of musical ear training methods for the community. In 1983, Professor CHEN and his composition students established "FORMUSICA" to serve as a platform for publishing their works. This year marks the 40th anniversary of FORMUSICA, in honor of which we are presenting a series of activities celebrating CHEN's "East meets West" approach.
\n\n\n\n
For the CHEN Mao-shuen and FORMUSICA 40th-anniversary event series, the Weiwuying Art Gallery will feature an exhibition telling CHEN's life story. We will celebrate CHEN's contributions to music creation and education in Taiwan through musical performances in the Recital Hall. Following musical exhibitions in Taipei, the 40th-anniversary event series continues in the southern part of the country with the upcoming final show. The performance will showcase ten compositions: five are from Professor CHEN, and each is paired with a work by one of his talented composer students. The repertoire includes art songs, piano pieces, and chamber music, offering the audience an immersive experience in the musical dialogue between CHEN and his students. The compositions by younger-generation composers include YEN Pey-wen's Oyster Noodles, HU Yu-chun's The Infinite Lights, WANG Ying-chieh's Linear Time, LIN Szu-pei's Following, and CHIU Yen-ning's Mandala.
\n\n\n\n
Program
\n\n\n\n
More
\n\n\n\n10/27(Fri)-11/26(Sun)11:00-21:00
\n\nWeiwuying Art Gallery
\n\nFree Entry
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|WANG En
\n\nConcert Producer|HU Yu-chun
\n\nExhibition Curator|LIN Chia-wei
\n\nComposer|CHEN Mao-shuen, YEN Pey-wen, HU Yu-chun, WANG Ying-chieh, LIN Szu-pei, CHIU Yen-ning
\n\nPiano|LIAO Chiao-han, LIU Hsin-ni, KUO Hsiang-hao
\n\nBaritone|YANG Sheng-an
\n\nFlute|CHEN Yee-ting, LI Yung-han
\n\nClarinet|KAO Chen-yin
\n\nViolin|Edwin YEE, HUANG Yu-ting
\n\nViola|TSAI Ping-chang
\n\nCello|HSU Su-hsien
\n\n\n\n
Presenters|National Kaohsiung Center for the Arts (Weiwuying), Taiwan Music Institute of National Center for Traditional Arts
\n\nExecutive Unit|FORMUSICA
\n\nPartners|WACH Music, Beigang Philharmonic Association
\n\n\n\n
Team Introduction
\n\nFORMUSICA, a composer collective founded by the receiver of the National Award for Arts, CHEN Mao-shuen and his students in 1983, welcomes its 40th anniversary in 2023. FORMUSICA composers present new works twice a year and specifically dedicate themselves to composing contemporary piano works for children in recent years. CHEN has an ultimate concern for Taiwan's music creation and education. He said in his acceptance speech for the National Award for Arts: 'An refined culture must rely on education and must be deeply rooted in primary education... In Taiwan, most of our teaching materials are imported from abroad; it "seems" that we need not present our own perspectives and thoughts.' He thus proposed that the idea– "importing existing teaching materials from the West is enough"– needs to be changed. With this belief, FORMUSICA composers are committed to the writing of music theory and music creation based on Taiwanese perspectives, hoping to lay the foundation for Taiwan's own music education and creation.
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1684226801,updatedAt:1700451167,updatedBy:"林蔚行",host:!0},{_id:"6464959065a7e80007bd01c4",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1654100177480613890"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5b9b9ec54913fdb22a1847591ef8f386",title:"韓國吉普賽-桑加魯樂團《朝聖之路》"}],related:[],title:"韓國吉普賽-桑加魯樂團《朝聖之路》",cover:"dab5bf7af52a06bdf6318565cb5f73bb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
獲得2019韓國全州音樂節優勝節目
\n\n入選首爾藝術文化基金會「2019年第一藝術支持」
\n\n入選2019年韓國藝術平台藝術節
\n\n入選2019年愛丁堡國際藝穗節韓國季集會
\n\n\n\n
由三位演奏傳統樂器的韓國音樂家所組成的韓國吉普賽-桑加魯樂團,他們對於「傳統」與「傳統音樂」之形式與種類產生興趣,進而發現了普遍認知的「傳統」往往並非真正的傳統,而屬於傳統之外的範疇卻是某些群體的傳統,進而不斷推敲思索,卻仍未獲得解答。桑加魯樂團受到保羅・科爾賀撰寫的著作《朝聖》啟發,為了尋找答案,並擺脫現實束縛與親身體會「傳統」的意義,他們於2018年帶著牙箏、杖鼓與吉他等樂器,踏上了西班牙聖地牙哥朝聖之路。2019年,桑加魯樂團將這趟尋求答案的朝聖之旅以及一路上創作、演奏的音樂拍攝成紀錄片,記錄他們實際走訪朝聖之路的過程,樂曲間穿插動畫及真人影像與旁白呈現。
\n\n\n\n
演後座談
\n\n2023/12/2(六) 演出結束後於表演廳
\n\n與談人|權孝昶、南成勳、趙聖潤
\n\n\n\n
演出曲目
\n\n《踏地神》
\n\n《慶北搖擺》
\n\n《驚慌愛麗絲》
\n\n《藍調牙箏》
\n\n《地球》
\n\n《桑加魯民謠》
\n\n《首爾》
\n\n《三個玩家》
\n\n\n\n
周邊活動
\n\n11/11 (六) 14:00
\n\n\n\n\n\n
演出暨製作團隊
\n\n杖鼓、小金(小鑼)|權孝昶
\n\n牙箏|南成勳
\n\n吉他、貝斯|趙聖潤
\n\n\n\n
團隊介紹
\n\n桑加魯樂團
\n\n成立於2014年,團名取自韓文裡的兩個名詞結合,一為 Sangja,意為「箱子」,可裝載很多東西,保有一定的框架卻不會改變形體,代表三位演奏家有著傳統音樂的底蘊與背景;二為 Jaru,意為「袋子」,隨著裝進去的東西而改變形狀,意旨創作元素。兩個字結合在一起代表在不變的傳統形體中加入創意的音樂。
\n\n這個由三位才華洋溢的演奏家所組成的樂團,擅長在韓國傳統音樂的基礎上,加上東、西方音樂的元素加以創作,作品充滿力量與活力,並帶有獨特的曲風。由於喜愛接觸與學習不同種類的音樂,作品中可發現許多東、西方元素,卻又不失韓國傳統音樂的風格。桑加魯樂團又自稱為「韓國吉普賽人」,我們像吉普賽人一樣,在生活中漫遊許多地方,進而學習每個地區的文化,卻保有自己的風格重新詮釋與創作,以自己的顏色添加創意元素。
\n\n桑加魯樂團對於音樂充滿活力與熱情,勇於不斷嘗試新的可能性,2019年獲選為韓國全州音樂節優勝節目並於2020年3月發行第一張唱片桑加魯民謠(Sangjaru-Taryeong)。
\n\n\n\n
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n\t\n\n
Sangjaru is composed of a trio of Korean musicians who play traditional instruments. After developing an interest in the various forms and types of Korean traditions and traditional music, they discovered that what is universally regarded as "traditional" is in many cases not actually genuine tradition at all. They also found that there are categories that fall outside what is considered to be tradition which are actually the traditions of specific communities. The three pondered constantly on this issue, but came to no resolution. They then read Paulo COEHLO's The Pilgrimage, which proved to be a revelation for the members. In 2018, they followed in COELHO's footsteps and walked the Camino de Santiago, Spain's pilgrimage trail, to seek answers.
\n\n\n\n
In 2019, the group produced a documentary based on their pilgrimage and included all the music created and performed along the way. The documentary performance records their actual journey along the Camino de Santiago, and is interspersed with animation, live-action images, and narration.
\n\n\n\n
Post-Talk
\n\n2023/12/2(Sat) After the performance at Recital Hall
\n\nSpeaker: Hyochang KWON, Seonghun NAM, Sungyoon CHO
\n\n\n\n
Program
\n\nJisin RV
\n\nGyeongbuk Swing
\n\nAlice in Panic
\n\nAjaeng in Blues
\n\nThe Earth
\n\nSangjaru Taryeong
\n\nSeoul
\n\nThree Players
\n\n\n\n
Creative and Production Team
\n\nJanggu, Kkwaenggari|Hyochang KWON
\n\nAjaeng|Seonghun NAM
\n\nGuitars, Bass|Sungyoon CHO
\n\n\n\n
Team Introduction
\n\nSangjaru
\n\nSangjaru has been agonizing over the forms and categories of traditional and traditional music ever since its foundation in 2014. Over time, however, the extremely subjective nature of the word "traditional" continued to reveal only vague boundaries, which eventually led to confusion, repeating the unrighteous agony. In order to solve this problem, Sangjaru was on the pilgrimage path to Santiago, which is called the path of enlightenment, and creates new music based on the agony of thinking on the road and creates a "Camino de Sangjaru."
\n\n\n\n
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\n\n
楊雅鈞
\n\n臺南安平人,自由藝術工作者。
\n\n2022波麗露在高雄 排練指導。
\n\n近年以身體表演創作的合作 –
\n\n廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製 短片作品 《TUNNEL》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計劃。
\n\n\n\n
陳品霓
\n\n陳品霓出生於1998年來自嘉義,畢業於樹德科技大學流行設計系,2014年接觸了嘻哈文化街舞灌溉了身體的基礎,2022 衛武營國家藝術文化中心《波麗露在高雄》獨立舞者,開啟身體看見不同舞蹈的可能性,也擔任台北時裝周 Let go : FW22 projectbyh 舞者。內惟藝術中心邀約演出 《行走之間》擔任編舞者,高雄流行音樂中心影像港榮獲評審團大獎、人氣獎。
\n\n\n\n
林蔓葶
\n\n來自高雄,現為自由舞者。曾參與2022波麗路在高雄,2022 台北時裝周<Let go> 舞者。在當代舞中,持續找尋身體的更多發展,並同時在流行舞蹈中進修。主要風格為Jazz funk及高跟鞋。
\n\n\n\n
葉名樺
\n\n畢業於國立臺北藝術大學舞蹈學院,為臺灣知名舞蹈家。作品包含《一個的人美術館—寂靜敲門》、《編舞家葉名樺以—真實人體回應山姆‧詹克斯》、王大閎建築劇場X葉名樺《牆後的院宅》、《SHE》系列、《波光閃閃的房間》、《跳芭蕾》、《進入誰天堂》等。曾以《牆後的院宅》獲第19屆台新藝術獎「年度大獎」。
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\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
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下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:楊雅鈞 \n\t\t\t助教:楊以灣、吳兆容 | \n\t\t\t《擁抱身體,沈浸在美好的時光裡》 | \n\t\t\t立即報名 | \n\t\t
8/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳品霓 \n\t\t\t助教:李鈺婕、吳凱文 | \n\t\t\t《嘻哈星期三Having fun!》 | \n\t\t|
9/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:林蔓葶 \n\t\t\t助教:王雨婕 、朱浩沂 | \n\t\t\t《穿上你的高跟鞋》 | \n\t\t|
10/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉名樺 | \n\t\t\t由你跳浪漫芭蕾《仙女》 | \n\t\t\t立即報名 | \n\t\t
11/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳古典芭蕾《胡桃鉗》 | \n\t\t||
12/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳新古典芭蕾美學《小夜曲》 | \n\t\t
\n\n
課程簡介
\n\n7-9月「打開舞蹈的想像」
\n\n由衛武營駐地藝術家周書毅所發起的舞蹈演出計畫「波麗露在高雄」去年在高雄各地區起舞28場,今年我們繼續將沿山起舞。出發前,衛武營將邀請《1875拉威爾與波麗露》的排練指導楊雅鈞以及兩位舞者陳品霓、林蔓葶,來與我們分享他們的舞蹈訓練,從現代舞到街舞的練習,最後將請你一起在波麗露的樂曲中起舞。
\n\n\n\n
7/5(三) 《擁抱身體,沈浸在美好的時光裡》
\n\n與自己最親密的時刻,是當你可以觸碰到自己的身體,感受與呼吸並行 ,依著自己的步調,將身體逐漸地開展,與外面的世界產生聯繫, 身體,是生命旅程中的一條連通道,La Vie en rose~
\n\n\n\n
8/2(三) 《嘻哈星期三Having fun!》
\n\n街舞不再受限於年紀,喚醒身體聽見音樂而律動的本能,由嘻哈音樂帶動身體拆解進入最純粹最直接的身體感受,開啟一人在家享受音樂而舞蹈,一群人在相同節奏找到相同語言而同樂!
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9/6(三) 《穿上你的高跟鞋》
\n\n踩上高跟鞋,感受不一樣的姿態,找到屬於自己的舞動。課程中會帶領大家找到高跟鞋的重心,感受腳掌的力量,踩出新的舞步。高跟鞋不是模特兒的專屬,每一個人都可以從高跟鞋中找到自己那自信的步伐。
\n\n(備註:自備跟鞋,課程前面暖身可穿著舒適的布鞋。任何有跟的鞋子都適合,盡量是包鞋,涼鞋厚底鞋不適合。)
\n\n\n\n
10-12月
\n\n我們很常聽到「古典芭蕾」這一詞,有時又聽說「浪漫芭蕾」,或是「現代芭蕾」?到底區別為何?芭蕾舞的流派和風格變化隨著時間和地理而發展。芭蕾誕生於「義大利」,興盛於「法國」,而將芭蕾藝術推向鼎盛繁榮時刻的是「俄羅斯」。我將用三個不同時期的芭蕾舞劇中小品帶大家體驗芭蕾的經典與流變。
\n\n\n\n
10/4(三) 由你跳浪漫芭蕾《仙女》
\n\n浪漫芭蕾題材大多圍繞在「人與超自然事物」,例如精靈、幽靈、仙女等。並且通常具有更柔和的美感。舞劇都以帶有神秘力量的女角色為主線,奴役了凡人的心靈和感官。《仙女》La Sylphide首演於1832年,是芭蕾歷史最重要的芭蕾舞劇之一。
\n\n\n\n
11/1(三) 由你跳古典芭蕾《胡桃鉗》
\n\n三大古典芭蕾舞劇中的《胡桃鉗》是柴可夫斯基和馬蒂斯佩蒂帕的經典之一。聖誕季節最經典的芭蕾舞劇《胡桃鉗》人人喜愛的胡桃鉗組曲中,長笛吹出的飛舞般尖銳的旋律中國舞曲《茶之舞》,給人印象極為深刻。
\n\n\n\n
12/6(三) 由你跳新古典芭蕾美學《小夜曲》
\n\n喬治·巴蘭欽是新古典芭蕾美學的芭蕾代表。 沒有華麗的服裝和道具,注意力轉移到在舞者身上。 穿著簡單的緊身衣來突出動作。 他不相信音樂應該對應浪漫的故事,但動作必須與音樂直接相關。著名的《小夜曲》是舞蹈史上的一個里程碑。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\n
YANG Ya-chun
\n\nYANG Ya-chun is a freelance artist hailing from Anping, Tainan who was the rehearsal director for the 2022 Bolero in Kaohsiung. In recent years, she has collaborated on various body performance projects. These include Quanta Theater NO.6 crossover with A Lucid Dream Performance, the music video production of Formosa Whispering 2.0 curated by GU Jun-hao, the short film TUNNEL by SSUNRISEstudio and oneyearnoyear, the JUBY CHIU 2021 S/S INFINITE crossover fashion show, and the Reenactment in the found footage project by Almost fiction production.
\n\n\n\n
CHEN Pin-ni
\n\nCHEN Pin-ni, a '98er from Chiayi, graduated from the Department of Fashion Design at Shu-Te University. First exposed to hip-hop culture in 2014, she immersed herself in street dances, which later became the cornerstone of her performances. As a solo dancer, she explored her body’s capabilities for other dance types in the 2022 Bolero in Kaohsiung at the National Kaohsiung Center for the Arts (Weiwuying). She was invited to perform at the Let go: FW22 projectbyh during Taipei Fashion Week and choreographed At Walk for Neiwei Arts Center. She then won the Grand Jury Prize and Popularity Award for the Image Harbor contest hosted by Kaohsiung Music Center.
\n\n\n\n
LIN Man-ting
\n\nAs a freelance dancer from Kaohsiung, LIN Man-ting participated in Bolero in Kaohsiung for Weiwuying and Let go for Taipei Fashion Week in 2022. She continues to refine her contemporary dance performances while learning more popular dances, focusing mainly on jazz funk, and stiletto.
\n\n\n\n
YEH Ming-hwa
\n\nGraduated from School of Dance of Taipei National University of Arts, YEH is a renowned Taiwanese dancer. Her works include The Serene Gallery Performance X Exhibition, Choreographer Ming-Hwa Yeh Responds to Sam Jinks with Her Body, Wang Da Hong House Theatre X Ming-Hwa Yeh The House Behind the Wall, the SHE series, A Room by the Sea, and Paradise, Who?. She was awarded the Grand Prize at the 19th Taishin Arts Award for The House Behind the Wall.
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Sessions
\n\nDate | \n\t\t\tCourse | \n\t\t\tRegistration Link | \n\t\t
---|---|---|
7/5(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Embrace Your Body and Soak in the Good Times \n\t\t\t | \n\t\t\tRegistration | \n\t\t
8/2(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tHip-Hop Wednesday , Having fun! | \n\t\t|
9/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tKick Up Your Heels | \n\t\t|
10/4(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Romantic Ballet La Sylphide | \n\t\t\tRegistration | \n\t\t
11/1(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Classical Ballet The Nutcracker | \n\t\t|
12/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Your Turn to Dance the Neo-Classical Ballet Serenade \n\t\t\t | \n\t\t
\n\n
Introduction
\n\nJuly to September
\n\nBolero in Kaohsiung project in 2022, initiated by Weiwuying Artist-In-Residence-CHOU Shu-yi, featured 28 dance performances in various local areas. This year, we are scaling new mountain heights with YANG Ya-chun, who served as the rehearsal assistant for the 1875 Ravel and Bolero, as well as dancers CHEN Pin-ni and LIN Man-ting, who will be sharing their expertise in modern and hip-hop dances. We invite you to dance along with us to Bolero music.
\n\n\n\n
7/5(Wed) Embrace Your Body and Soak in the Good Times
\n\nThe most intimate moment with yourself is when you can touch your own body, feel and breathe side by side, and gradually develop your body at your own pace to connect with the outside world.
\n\nLa Vie en rose~
\n\n\n\n
8/2(Wed) Hip-Hop Wednesday , Having fun!
\n\nStreet dance is no longer limited by age, awakening the body's instinct to hear the music and rhythm, driven by hip-hop music to dismantle the body into the purest and most direct physical sensations, inspired for one person to enjoy music and dance at home, and a group of people to find the same language in the same rhythm and have fun together!
\n\n\n\n
9/6(Wed) Kick Up Your Heels
\n\nStep on the heels, feel the different posture, and find your own dance. The course will lead you to find the center of gravity of high heels, feel the power of your feet, and step on new dance steps. High heels are not exclusive to models, everyone can find their own confident steps from high heels.
\n\n\n\n
October to December
\n\nWe often hear of ballet as "classical", "romantic", or even "contemporary", but how do they differ? The truth is various schools and styles of ballet developed over time and in diverse geographical locations. Originating in Italy, ballet gained popularity in France and flourished in Russia. Below are ballet shorts from 3 distinctive periods to introduce classic works and changes in the history of ballet.
\n\n\n\n
10/4(Wed) Your Turn to Dance the Romantic Ballet La Sylphide
\n\nBallet themes generally encompass humans and the supernatural with gentle aesthetics including elves, spirits, and fairies. The protagonists are usually women with mysterious power who enslave the souls and senses of common people. Premiering in 1832, La Sylphide marks one of the major cornerstones of ballet history.
\n\n\n\n
11/1(Wed) Your Turn to Dance the Classical Ballet The Nutcracker
\n\nThe Nutcracker, one of 3 classical ballets, was a masterpiece by TCHAIKOVSKY and Marius PETIPA. In this iconic Christmas suite, high-pitched swirling flute from the Chinese Tea Dance leave a strong impression on listeners.
\n\n\n\n
12/6(Wed) Your Turn to Dance the Neo-Classical Ballet Serenade
\n\nGeorge BALANCHINE is a symbol of neo-classical ballet aesthetics. Without fancy costumes and props, the audience's focus is solely on the dancer. Sporting a simple bodysuit, he draws attention to his movements, which he believes have to directly connect to the music instead of the romantic atmosphere of the story. His famous Serenade is a milestone in the history of dance.
\n\n\n\n
\n',team:""},createdAt:1684379092,updatedAt:1698891276,updatedBy:"林蔚行",host:!0},{_id:"649e9627e2e7f800072efa45",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1700911800,discrete:[{time:1700911800},{time:1700980200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[700,900,1200,1500,1800,2200,2500,2800],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q010EQLN"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f4e642dc4cc72234112777c2cb82fed2",title:"故事工廠《倒數婚姻》"}],related:[],title:"故事工廠《倒數婚姻》",cover:"93b34950d4ae754cfeaedb162a315008",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
故事工廠10週年作品《倒數婚姻》,編導黃致凱用「完全倒敘」方式,將一場即將破局的婚姻,一幕幕回溯到兩人相戀的起點,期許與觀眾一同找回愛與被愛的能力。女演員婷婷與年輕廚師偉宣,同在追逐夢想的兩人相戀了,步入婚姻後,卻漸漸發現,現實帶來的打擊與考驗使當初的甜蜜消磨殆盡、兩人關係降至冰點,就如同「假偶」行屍走肉,到底這對夫妻能否回到相愛的初衷……?
\n\n\n\n
演出暨製作團隊
\n\n監製|蘇麗媚、林佳鋒
\n\n製作人|江智慧、王宣琳
\n\n編導|黃致凱
\n\n舞台設計|曾蘇銘
\n\n服裝造型設計|黃稚揚
\n\n燈光設計|沈柏宏
\n\n音樂設計|聶琳
\n\n影像設計|黃仁君
\n\n製偶師|孫立之
\n\n操偶指導|周浚鵬、陳佳豪
\n\n主視覺設計|方序中、郭姵岑(究方社)
\n\n攝影|徐欽敏
\n\n舞台監督|林世信
\n\n演員|藍鈞天、徐麗雯、龍語申、范宸菲、百白、郭耀仁、張晴、徐士華、林宥彤、林詠傑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f4e642dc4cc72234112777c2cb82fed2",title:"故事工廠《倒數婚姻》"}],related:[],title:"StoryWorks《Way Back Into Love》",cover:"93b34950d4ae754cfeaedb162a315008",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
Way Back Into Love is a marriage story unfolded in bitter-sweet flashback. The director/playwright Chih-KaiHuang uses this onion-peeling technique to unveil the root of a withering marriage. Scene by scene, the playtraces back to the starting point of falling in love, hoping audience can re-discover their ability to love and to beloved.The actress Ting-Ting fell in love with her chef husband Wei-Shuan when they were pursuing their life goals.After getting married, they realized that the realities and challenges of everyday life gradually eroded their love.This pushed their marriage into a cooling-off period. With their love dwindled and their dreams destroyed, theylive like mannequins. Is there any possibility of rewinding their marriage back to love?
\n\n\n\n
Creative and Production Team
\n\nExecutive Producer|SU Li-mei, LIN Chia-feng
\n\nArt director|HUANG Chih-kai
\n\nProducers|CHIANG Chih-hui, WANG Hsuan-lin
\n\nWriter& Director|HUANG Chih-kai
\n\nScenic Design|ZENG Su-ming
\n\nCostume Design & Styling|HUANG Chih-yang
\n\nLighting Design|SHEN Bo-hung
\n\nSound Design|NIEH Lin
\n\nImage Design|HUANG Jeh-chun
\n\nPuppet Maker|SUN Li-chih
\n\nPuppet Guide|ZHOU Jun-peng, CHEN Chia-hao
\n\nVisual Design|Joe Fang Studio, KUO Pei-tsen
\n\nVisual Design Photography|HSU Chin-min
\n\nStage Manager|LIN Shih-shin
\n\nActors& Actresses|Gabriel LAN, Herb HSU, LUNG Yu-shen, Ricie FUN, BAI Jing-yi, KUO Yao-ren, CHANG Ching, HSU Shih-hua, LIN You-tong, LIN Yong-jie
\n\n\n',team:""},createdAt:1688114727,updatedAt:1694680343,updatedBy:"林蔚行",host:!1},{_id:"64a4da3be2e7f80007318fd4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701586800,discrete:[{time:1701586800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1670454871586254849"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
自1991年成立以來,丹奈爾四重奏持續活躍於國際音樂舞台上,經常受邀至各地演出重要音樂會,亦灌錄、發行多張具開創性、獲獎無數的CD。他們以大膽、濃厚的風格詮釋海頓、貝多芬、舒伯特、蕭士塔高維契、魏因貝格等人之弦樂四重奏作品為名,以生動及具新意的視角詮釋傳統弦樂四重奏曲目,贏得大眾及媒體的讚譽。他們2005年起受邀擔任曼徹斯特大學駐校音樂家,對於提攜年輕音樂家,尤其是弦樂四重奏組合有著使命感,積極參與教學以及大師班等活動。
\n\n\n\n
演出曲目
\n\n柴可夫斯基:D大調第一號弦樂四重奏,作品11
\n\n柴可夫斯基:F大調第二號弦樂四重奏,作品22
\n\n柴可夫斯基:降e小調第三號弦樂四重奏,作品30
\n\n\n\n
演出暨製作團隊
\n\n丹奈爾四重奏
\n\n小提琴|丹奈爾
\n\n小提琴|米勒
\n\n中提琴|波格達那
\n\n大提琴|馬克維契
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"Quatuor Danel vs. Tchaikovsky's String Quartets",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Quatuor Danel is famous for their bold, concentrated interpretations of the string quartet cycles of Haydn, Beethoven, Schubert, Shostakovich, and Weinberg. Their lively and fresh vision on the traditional quartet repertoire has delivered them subsequent praise from public and press. The other part of their force lies in the collaboration with major contemporary composers such as Wolfgang Rihm, Helmut Lachenmann, Sofia Gubaidulina, Pascal Dusapin, Jörg Widmann and Bruno Mantovani. Russian composers have a special place in the Quatuor Danel's repertoire. In summer 2018 the complete Tchaikovsky quartets and Sextet 'Souvenir the Florence' was released with CPO and more recently the Hartmann Concerto for Clarinet and Quartet with the OPRL. The Danel is in residence in the Wigmore Hall for two seasons from 2023.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: String Quartet No. 1 in D Major Op. 11
\n\nP. I. Tchaikovsky: String Quartet No. 2 in F Major, Op. 22
\n\nP. I. Tchaikovsky: String Quartet No. 3 e-flat minor, Op. 30
\n\n\n\n
Creative and Production Team
\n\nQuatuor Danel
\n\nViolin|Marc Danel
\n\nViolin|Gilles Millet
\n\nViola|Vlad Bogdanas
\n\nCello|Yovan Markovitch
\n\n\n\n
\n',team:""},createdAt:1688525371,updatedAt:1688971661,updatedBy:"林蔚行",host:!1},{_id:"64a65f4209bc260007f21b9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1673249191554760705"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
費爾納演奏的莫札特是如此高雅而泰然自若,在藝術造詣上無懈可擊,如同我們被引人入勝的小說給深深吸引,以致於忘了閱讀本身。——《泰晤士報》
\n\n\n\n
奧地利鋼琴家費爾納在維也納求學時,向Helene Sedo-Stadler學習鋼琴,私下則與布蘭德爾、邁森伯格、Claus-Christian Schuster等人學習鋼琴。1993年奪得瑞士哈絲姬兒國際鋼琴大賽首獎之後,費爾納開始演奏生涯;2008-2010年間,費爾納在紐約、華盛頓、東京、倫敦、巴黎與維也納等地巡迴演出貝多芬的32首鋼琴奏鳴曲,大獲好評。自從2013年起,費爾納在蘇黎世高等藝術學校擔任教職。
\n\n\n\n
演出曲目
\n\n舒伯特:四首即興曲,D.935
\n\n第一號f小調,中庸的快板
\n\n第二號降A大調,稍快板
\n\n荀白克:六首鋼琴小品,作品19
\n\n舒伯特:四首即興曲,D.935
\n\n第三號降B大調,主題,行板,變奏曲式一至五
\n\n第四號f小調,詼諧的快板
\n\n莫札特:c小調幻想曲,K. 475
\n\n貝多芬:C 大調第 21 號鋼琴奏鳴曲《華德斯坦》,作品 53
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|費爾納
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"Till Fellner Debut Recital in Taiwan",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Scrupulous musicianship and an intelligence that palpably searches in all directions for stimulus." — The London Sunday Times
\n\n"Till Fellner is turning out to be one of the great musical chameleons." — Allan Kozinn, The New York Times
\n\nTill Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
\n\n\n\n
Till Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals. Over the past few years, he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna.
\n\n\n\n
Program
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 1 in f minor - Allegro Moderato
\n\nNo. 2 in A-flat major - Allegretto
\n\nArnold Schoenberg: 6 Little Piano Pieces, Op. 19
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 3 in B-flat major - Thema. Andante - Var. I – V
\n\nNo. 4 in f minor - Allegretto scherzando
\n\nW. A. Mozart: Fantasia in c minor, K. 475
\n\nL. v. Beethoven: Piano Sonata No. 21 in C Major “Waldstein”, Op. 53
\n\n\n\n
Creative and Production Team
\n\nPiano|Till Fellner
\n\n\n\n
\n',team:""},createdAt:1688624962,updatedAt:1688973122,updatedBy:"林蔚行",host:!1},{_id:"64ad0eee9ef3550007c1b715",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699077600,discrete:[{time:1699077600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500,1800],link:"https://www.opentix.life/event/1670983659458990081"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3515bcf8a02ab96973dfaf9ae92a5ab3",title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》"}],related:[],title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》",cover:"59b2c9623d6d3f7266cc09e774a11209",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
製琴巨擘史特拉底瓦里黃金時期大作「維爾特」 首登衛武營
\n\n首度八把波吉名琴與史特拉底瓦里同台獻聲 感受富渲染力的魅惑琴音
\n\n《交響情人夢》上映時,凡是演出其中名曲,音樂會都能賣出佳績,尤其是向來深受喜愛的貝多芬第七號交響曲,更是場場爆滿。藉由指揮名家大植英次的詮釋,感受它的永恆魅力。都說人生如戲,柴可夫斯基張力十足的人生故事,完全就是電影題材。在他的小提琴協奏曲裡,我們可以感受到他自虛假婚姻解脫後的狂放爆發,將個人創傷升華為偉大藝術。無論多少人寫過《羅密歐與茱麗葉》,柴可夫斯基的手筆永遠無可取代。畫面感十足的樂想,魅力絕對不輸電影!
\n\n\n\n
演出曲目
\n\n柴可夫斯基:《羅密歐與茱麗葉》幻想序曲,作品21
\n\n柴可夫斯基:D大調小提琴協奏曲,作品35(電影《交響人生》)
\n\n貝多芬:A大調第七號交響曲,作品92(電影《交響情人夢》)
\n\n\n\n
演出暨製作團隊
\n\n指 揮|大植英次
\n\n小提琴|魏靖儀
\n\n樂 團|NTSO國立臺灣交響樂團
\n\n導 聆|焦元溥
\n\n\n\n
【奇美典藏名琴】
\n\n含獨奏家使用的史特拉底瓦里小提琴共計使用9把名琴
\n\n小提琴,安東尼奧.史特拉底瓦里,1713年,別名:維爾特
\n\nViolin by Antonio Stradivari, 1713, ex "Wirth"
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3515bcf8a02ab96973dfaf9ae92a5ab3",title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》"}],related:[],title:"CHIMEI Music Festival 'Classical Music & Cinema'",cover:"59b2c9623d6d3f7266cc09e774a11209",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Master luthier A. Stradivari's golden era masterpiece "Wirth" and A. Boogie's violins and cellos make the debut at the Weiwuying.
\n\n\n\n
When the movie "Nodame Cantabile" was released, any concert featuring the famous melodies from the show would sell exceptionally well, especially Beethoven's beloved Symphony No. 7. With the interpretation of the renowned conductor Eiji Oue, let us once again feel its eternal charm.In Tchaikovsky's violin concerto, we can feel his unleashed and explosive creativity after breaking free from a false marriage, transforming personal trauma into art. Despite countless renditions of "Romeo and Juliet," Tchaikovsky's version remains irreplaceable. The vivid musical imagery is as captivating as any movie!
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: Fantasy Overture 'Romeo and Juliet', Op. 21
\nP. I. Tchaikovsky: Violin Concerto in D Major, Op. 35 (Le Concert)
\nL. V. Beethoven: Symphony No. 7 in A Major, Op. 92 (Nodame Cantabile)
\n\n
Creative and Production Team
\n\nConductor|Eiji Oue
\n\nViolin|William Wei
\n\nOrchestra|National Taiwan Symphony Orchestra
\n\nLecturer|Yuan-Pu Chiao
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1689063150,updatedAt:1698829390,updatedBy:"林蔚行",host:!1},{_id:"64ad74df9ef3550007c1c8f6",catalogs:["6007fc45ba34870007c22b8b","600a39e9a6b9ff0007b87823"],dateTime:{first:1698544800,discrete:[{time:1698544800},{time:1700272800},{time:1702692e3}],type:"discrete"},activity:{type:"signup",signup:{limit:45,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"custom_text_1692092939517",text:"家長姓名",english:""},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone Number",english:"聯絡手機號碼 Phone Number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"63f7009fabd333000ac8afd0",text:"請問是否為開車前往?",english:"請問是否為開車前往?"},{required:!0,key:"63bf8038bc2ba90007295d0f",text:"請問您是如何得知此活動?How do you know about this event?",english:"請問您是如何得知此活動?How do you know about this event?"},{required:!0,key:"64cb776982449b000796810e",text:"是否願意收到衛武營學習推廣相關資訊",english:"是否願意收到衛武營學習推廣相關資訊"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing Address",english:"郵寄地址(申請退費時使用)Mailing Address"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!1,key:"custom_text_1691830640154",text:"備註事項",english:""}],vip:{start:1690815600,end:1702526459},open:{start:1690815600,end:1702526459},description:'
※ 衛武營卡友會員優惠,僅可使用一次。
\n\n※ 一組帳號僅可報名一次,請確定報名項目;如需報名第二組,敬請使用第二組帳號。
\n\n※ 提醒您,下列選項可複選,敬請確定課堂及班別並選擇對應之付款項目,以免影響報名資格。
\n\n