\n',benefits:"",description:" ",introduction:'
\n\n《仲夏夜汁夢》是台南人劇團「莎士比亞音樂劇」創作計劃的二部曲,主創團隊─導演呂柏伸、作曲柯智豪、編劇/作詞趙啟運和編舞蘇威嘉,繼《第十二夜》之後,再度聯手創作的全新莎翁音樂劇,企圖以當代性別光譜和情慾流動的角度,重新翻轉改寫莎翁經典浪漫愛情喜劇,為此,在這個音樂劇版本,原著當中不少主要角色都被改設定為LGBTQ的人物,目的是讓這些邊緣人物發聲,讓他們的情慾有機會現身,藉以打破長久以來人們對於性別和情慾的刻板印象。
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【改編版的劇情大綱】
\n\n拜金女郝蜜雅與賴山德熱戀,但蜜雅的父親卻要她嫁給傳產二代阿狄,賴山德於是相約蜜雅準備私奔!蜜雅的好閨密Allen,原是阿狄的男友,卻慘遭阿狄拋棄,為了再得到阿狄的愛,於是將私奔消息透露給阿狄,四人不約而同闖進知名夜店 THE WOOD。
\n\nDrag界的神仙教父與神仙教母正為爭奪一位印尼男孩而火爆開戰,神仙教父為了惡整神仙教母,派遣親信羅賓採取「魔童乖乖水」讓神仙教母誤喝,當她睜開眼所看見的第一個人就會瘋狂愛上,沒想到那個人竟是慘遭捉弄變成驢頭人的演員林浩。
\n\n此外,神仙教父為了成全Allen的癡心,指派羅賓使用乖乖水讓阿狄再度愛上Allen,但羅賓弄巧成拙把賴山德給一塊掰彎,搞到最後阿狄和賴山德都瘋狂愛上Allen,讓原本女一的郝蜜雅瞬間失寵,於是Gay蜜姐妹撕逼,兄弟吃醋爭寵,四個戀人大亂鬥…
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演出暨製作團隊
\n\n製作人|李維睦、呂柏伸
\n\n原著|威廉・莎士比亞 William Shakespeare
\n\n導演|呂柏伸
\n\n劇本改寫暨作詞|趙啟運
\n\n作曲暨編曲|柯智豪
\n\n編舞|蘇威嘉
\n\n舞臺設計|李柏霖
\n\n燈光設計|陳大再
\n\n服裝設計|李育昇
\n\n演員|王世緯、李宗康、莊凱喻、崔台鎬、張念誠、張博翔、張詠齊、張宇勝、凱爾、曾志遠、買黛兒.丹希羅倫、劉桓、謝孟庭(依筆劃排序)
\n\n現場樂團|哈管幫
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團隊介紹
\n\n台南人劇團
\n\n臺灣藝文媒體界譽為現代戲劇模範生的台南人劇團,1987年成立,是臺灣最具歷史與規模的現代戲劇團體。自1998年起,年年榮獲文化部「分級獎勵團隊」的補助(現改為國藝會「演藝團隊年度獎助專案」),且評鑑成績總是名列前茅,並數次奪得第一名的殊榮。
\n\n在現任藝術總監呂柏伸規劃下,持續推動「西方經典新詮」、「莎士比亞不插電」、「尋找劇作家的台南人」及「歐美當代經典」等不同系列的演出計劃,不僅展現臺灣跨文化戲劇製作的高度創意,同時,也積極引介當代臺灣及歐美劇作家的作品。
\n\n近年來台南人致力音樂劇的創作與推廣,已先後完成《木蘭少女》(與瘋戲樂工作室共製)、《美女與野獸》、《第十二夜》和《tick, tick…BOOM!》,這四齣音樂劇皆獲得各界高度肯定和讚賞,其中《木蘭少女》還曾受邀至新加坡聖淘沙名勝世界劇場進行36場的定目劇演出;《第十二夜》則是從2018年首演至今,已三度加演,口碑盛讚,被譽為最成熟最爽看的臺灣音樂劇。
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主辦單位|衛武營國家藝術文化中心、台南人劇團
\n\n指導單位|文化部
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\n 贊助單位
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A Mid-Summer Night's EROTIC Dream is the second production of Tainaner Ensemble's Shakespearean Musical Project, conceived by the artistic director LU Po-Shen, the composer Blaire KO and the playwright CHAO Chi-Yun as a way to open up/take a different look into what most consider to be Shakespeare's plays – using songs, dance, contemporary language and re-written text. This production seeks to encompass a large part of the original text's overt eroticism, some characters have therefore changed their gender and sexual orientation (Helena becomes Allen, a young gay). And, the fairy characters have all been dragged. In addition, the wood in the original text becomes a famous night club named The Wood with the drag shows.
\n\nA fairy King and Queen cross paths with four runaway lovers and a troupe of performers of the night club trying to rehearse a play for their new boss' wedding party. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
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Creative and Production Team
\n\nProducer|LEE Wei-Mu, LU Po-Shen
\n\nPlaywright|William Shakespeare
\n\nDirector|LU Po-Shen
\n\nScript Adapted and Lyrics|CHAO Chi-Yun
\n\nComposer and Arrangement|Blaire KO
\n\nChoreography|SU Wei-Chia
\n\nSet Designer|LI Po-Lin
\n\nLighting Designer|CHEN Dazai
\n\nCostume Designer|LI Yu-Shen
\n\nPerformer|Jasmine WANG, LEE Tsung-Kang, CHUANG Kai-Yu, TSUEI Tai-Hao, N-chen, CHANG Po-Hsiang, CHANG Yung-Chi, CHANG Yu-Sheng, LO Kyle, TSENG Jhih-Yuan, Maital•dakiludun, LIU Huan, HSIEH Meng-Ting
\n\nLive Band|Hot Tubes
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Team introduction
\n\nTainaner Ensemble
\n\nTainaner Ensemble was established in 1987. Tainaner strives to stimulate worldwide audience's imagination and creativity by way of innovative and experimental techniques that display great "theatricality". Under the leadership of the current artistic director, LU Po-Shen, Tainaner continues to expand its repertoire of "Western canon adaptations", "Taiwanese originals", "contemporary Euro-American classics", etc., which not only displayed Tainaner's enthusiasm towards cross-cultural praxis, but also its commitment in introducing the works of contemporary Taiwanese and foreign playwrights.
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Presenter|National Kaohsiung Center for the Arts (Weiwuying)、Tainaner Ensemble
\n\nSupervisor|MINSTRY OF CULTURE
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\n Sponsor
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單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t圖像、影像與身體 I \n\t\t\t王柏偉 | \n\t\t\t圖像、影像與身體 II \n\t\t\t王柏偉 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
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單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
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王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
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王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
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謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
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紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n',team:""},createdAt:1636616445,updatedAt:1669861032,updatedBy:"林蔚行",host:!0},{_id:"61f0f8567236db00087f3053",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1645857e3,discrete:[{time:1645857e3},{time:1651905e3},{time:1654410600},{time:1655620200},{time:1662791400},{time:1663482600},{time:1664087400},{time:1664605800},{time:1667716200},{time:1671258600}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1643256e3,end:4798972799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc765b6b476c7b026510b6e90cce81a0",title:"2022【衛武營場館友善計畫】演出欣賞"}],related:[],title:"2022【衛武營場館友善計畫】演出欣賞",cover:"df474bc7894bbdd614d2a90b6782f04e",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。「演出欣賞」由場館主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請大眼睛大耳朵朋友們走進劇場欣賞演出,共享表演藝術的美好與悸動。本活動包含特製節目單(視演出節目需求製作)、演前導聆與演出賞析,歡迎大眼睛大耳朵朋友們一同來參與!
\n\n\n\n
報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙),建議7歲以上觀眾觀賞。
\n\n\n\n
報名時程
\n\n上半年度(1-6月)
\n\n2022/1/27(四)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n下半年度(7-12月)
\n\n2022/7/1(五)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n\n\n
報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
\n\n\n\n
報名流程
\n\n1. 請確認參與場次後,填寫報名表單
\n\n2. 報名完成後,請將保證金匯款至衛武營帳戶
\n\n3. 主辦單位確認匯款後,將以信件通知報名成功,收到信件通知方算報名成功。
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
\n\n\n\n\n\n
\n\n
參與人數
\n\n上半年度(1-6月)
\n\n大眼睛節目每場至多10組(每組含1位視障朋友及1位陪同者)
\n\n大耳朵節目每場至多20人(含20位聽障朋友)
\n\n下半年度(7-12月)
\n\n大眼睛節目每場至多5組(每組含1位視障朋友及1位陪同者)
\n\n大耳朵節目每場至多10人(含10位聽障朋友)
\n\n\n\n
溫馨提醒
\n\n\n\n
演出節目
\n\n【大耳朵節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t可報名人數 | \n\t\t\t演出節目 | \n\t\t
---|---|---|---|
舞蹈 | \n\t\t\t\n\t\t\t 2022/5/7(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 20人 \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
舞蹈 | \n\t\t\t2022/6/19(日)14:30 | \n\t\t\t\n\t\t\t 10組 \n\n\t\t\t(聽障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 舞蹈 \n\t\t\t | \n\t\t\t2022/9/18(日)14:30 | \n\t\t\t\n\t\t\t 10人(倒數名額) \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t無垢舞蹈劇場《觀》 | \n\t\t
舞蹈 | \n\t\t\t2022/10/1(六)14:30 | \n\t\t\t\n\t\t\t 10人(倒數名額) \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
戲劇 | \n\t\t\t2022/12/17(六)14:30 | \n\t\t\t\n\t\t\t 10人 \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
【大眼睛節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t可報名人數 | \n\t\t\t演出節目 | \n\t\t
---|---|---|---|
戲劇 | \n\t\t\t\n\t\t\t 2022/2/26(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 5組 \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t \n\n\t\t\t 【2022衛武營新春燈會系列】黃翊工作室 +《小螞蟻與機器人:遊牧咖啡館》 \n\n\t\t\t\n\t\t\t | \n\t\t
歌劇 | \n\t\t\t2022/6/5(日)14:30 | \n\t\t\t\n\t\t\t 10組 \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t台北歌劇劇場《50年回顧展演》 | \n\t\t
戲劇 | \n\t\t\t2022/9/10(六)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
舞蹈 | \n\t\t\t2022/9/18(日)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
歌仔戲 | \n\t\t\t\n\t\t\t 2022/9/25(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
戲劇 | \n\t\t\t2022/11/6(日)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
\n\n
贊助單位
\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1643182166,updatedAt:1666603099,updatedBy:"黃薏靜",host:!1},{_id:"6204bb0606407a00079d566d",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1648864800,discrete:[{time:1648864800},{time:1648951200},{time:1656727200},{time:1656813600},{time:1662775200},{time:1662861600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名參與",englishDescription:"Registration"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"課程介紹",content:'
單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1669861021,updatedBy:"林蔚行",host:!0},{_id:"621f665c911ce9000757573c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500],link:"https://www.opentix.life/event/1473566843968241669?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"333ea25ed3f74c7aaac8f47d31806ae0",title:"《Lawa的彩虹橋》"}],related:[],title:"《Lawa的彩虹橋》",cover:"7ec7c03bff36b9a04bd6c68cf5577460",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
生命,會給你什麼?
\n\n每個人的答案,或許都不一樣。
\n\n\n\n
「爸爸媽媽真的在彩虹橋的那邊嗎?」
\n\n\n\n
親愛愛樂全新製作《Lawa的彩虹橋》,用音樂將戲劇性的畫面編織起來,述說一個親子皆宜的冒險故事。音樂描述一個叫做Lawa的小孩,從小跟祖母Yaki相依為命,生活平凡而簡單。有一天,祖母生病了,Lawa決定鼓起勇氣走進魔鬼森林尋找傳說中神秘的生命之泉,帶著寄望展開了一連串冒險的歷程,也慢慢地從女孩的單純懵懂,蛻變為在面對困境時,展現出無比的勇敢與真誠……。
\n\n不論是傷痛,是遺憾,生命終究有其難以迴避的課題。親愛愛樂全新推出的《Lawa的彩虹橋》,充滿魔幻冒險風格,樂團在現實與虛幻之間與觀眾展開互動,引領台下眾人參與主角拉娃歷經的冒險,隨著音樂體會獨自挑戰各種關卡並逐漸醒悟的人生旅程,這場旅程會隨年齡轉變有著不同感受,相當適合親子共賞。
\n\n\n\n
演出暨製作團隊
\n\n演出|親愛愛樂
\n\n作曲|親愛愛樂
\n\n第一小提琴|沈上暘、曾韋華、周巧恩、周子安、曾欣明、曾馨葶、吳宗瑋、賴建廷、吳宗恩、石芯恩
\n\n第二小提琴|張皓平、吳宗儒、石志祥、沈上麟、陳妤軒、曾欣月、林玟、周益賢、胡翎恩
\n\n中提琴|白妤柔、張郁庭、張恩琦、周子榮、廖秉君、吳佳穎
\n\n大提琴|曾詩芸、白叟恩、王小月、張琳、白喬琳
\n\n低音大提琴|白栩慈、周慧琳、石志羚、呂昱、藍晧丞、石芷睛
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"333ea25ed3f74c7aaac8f47d31806ae0",title:"《Lawa的彩虹橋》"}],related:[],title:"Lawa's Rainbow Bridge",cover:"7ec7c03bff36b9a04bd6c68cf5577460",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
"Lawa’s Rainbows Bridge" tells the story of Lawa, a girl brought up by her Yaki (grandma) alone. Whenever Lawa asks about her parents, Yaki always say, "They are on the other side of the Rainbow Bridge." As Lawa grew up, Yaki became old and sick. Lawa is determined to find the mystery fountain to save Yaki's life. What waited ahead will be an extraordinary adventure!
\n\nChin-Ai Music presents "Lawa's Rainbows Bridge" in the form of music theatre. All script, direct, music and set design are produced in house, taking the audience through Lawa's happiness, sorrow and excitement filled adventure.
\n\n\n\n
Creative and Production Team
\n\nComposer|Chin-Ai Music
\n\nPerformer|Chin-Ai Music
\n\n\n\n
\n',team:""},createdAt:1646224988,updatedAt:1660915221,updatedBy:"通泰系統管理員",host:!1},{_id:"622876abe082e6000838f930",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659958200,discrete:[{time:1659958200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1541710221107355650"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"00e28dba2055b6fba86ba2d9004fbf99",title:"張維紓長笛獨奏會【浪漫之夜】"}],related:[],title:"張維紓長笛獨奏會【浪漫之夜】",cover:"6d4999ddc2035ce7e3abec4e36755cab",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
『在一個瞬間,似乎讀懂了音樂中的語言,原來一切都是如此的貼近生活貼近我們。』
\n\n作曲家們在創作一部作品,就像寫日記一樣,是當下的生活體驗,激發了腦中的靈感,並把他創作下來的一個歷程。皮耶左拉雖然寫的是探戈的歷史,從底層到登堂入室的過程,但他同時也在描述自己的一生。柴可夫斯基當時自身的感情經歷就如同尤金奧尼金歌劇中的角色一樣,於是為了男二連斯基寫了全劇最動人的詠嘆調,以抒發他的內心。音樂會特別加入兩首臺灣作曲家的作品,蕭泰然的湖畔孤影,樂曲中可聽見蕭泰然與臺灣土地最深的情懷,以及郭宗翰老師在大學時期的作品心扉,亦表達了當時他心中的千絲萬縷。
\n\n音樂會曲目橫跨三個世紀,包括法國、阿根廷、德國、臺灣的音樂。這次特別邀請吉他家蔡世鴻,共同演出上半場音樂會,下半場將與白袍鋼琴家林品安,帶來一系列浪漫時期以及浪漫後旋律性強的曲目,希望藉由這些耳熟能詳的曲目慢慢帶領大家體驗古典音樂之美~
\n\n\n\n
演出曲目
\n\n易貝爾:間奏曲
\n\n蒲佇:布宜諾斯艾利斯組曲 - 巴勒摩
\n\n皮耶佐拉:探戈的歷史
\n\n柴可夫斯基:連斯基詠嘆調,選自歌劇尤金奧尼金
\n\n戈貝爾:敘事曲
\n\n華格納:浪漫曲,作品94
\n\n郭宗翰:心扉
\n\n伯恩:卡門幻想曲,改編自比才歌劇卡門
\n\n蕭泰然:湖畔孤影
\n\n\n\n
演出暨製作團隊
\n\n長笛|張維紓
\n\n畢業於巴黎師範音樂院長笛最高演奏家文憑(等同博士學位)師承巴士底歌劇樂團長笛手Philippe Lesgourgues,於奧內音樂院攻讀短笛文憑,師事Pierre Monty,同時也在巴黎市立音樂院與Phillipe Alain Dupre 學習巴洛克長笛,後來為了精進現代音樂,跟隨現代長笛家 Patrice Bocquillant 學習長笛現代技法。接受過許多大師Michel Moragues, Philippe Pierlot, Vincent Lucas, Paolo Tabaillione等指導。
\n\n在臺灣求學期間,先後畢業於曉明女中音樂班曾及東海大學音樂系,師事馬曉珮教授吳義明教授,短笛師事張碩宇教授。求學期間多次參與國際比賽並獲得佳績,曾入圍日本琵琶湖第二十一回長笛國際大賽第三輪半決賽。2021年回台後致力於表演藝術推廣,並於2022/3/14在台北國家演奏廳舉辦第一場與舞蹈跨界的音樂會。
\n\n\n\n
鋼琴|林品安
\n\n畢業於國立臺中一中、中山醫學大學醫學系後, 出生于臺灣臺中市的優秀青年鋼琴家—林品安, 即被媒體大眾廣稱"白袍鋼琴家",目前在彰化基督教醫院擔任住院醫師。曾在多項國際級國內鋼琴大賽中贏得大獎, 包括2009年紐約國際華人鋼琴大賽銅獎, 2005年日本大阪國際鋼琴大賽第三名, 2007年河合臺灣鋼琴大賽首獎等,並在2012年與唱片公司「金牌大風」簽下合約。
\n\n近年來活躍在國際及國內的樂壇, 如2008在國家音樂廳與國立臺灣交響樂團合作演出"蕭邦第一號鋼琴協奏曲", 與胞兄"國際小提琴演奏家—林品任" 長期在多國合作演出更是傳為佳話! 2013~18年間巡演日本東京、仙台名古屋、澳門、臺灣各地,並一起錄製了「布拉姆斯小提琴奏鳴曲」專輯。2016~2018年更以獨奏家身分在日本和臺灣各地為台日交流協會以獨奏、和樂團合作形式巡演。
\n\n\n\n
吉他|蔡世鴻
\n\n現任教於國立高雄餐旅大學通識教育中心專案專任助理教授。
\n\n回臺後成立『方圓之間室內樂團』,擔任團長一職。積極主辦各項音樂演出活動。2002年秋季,特別邀請巴黎師範音樂院的指導教授來台,舉行多場演奏會與講習會,並且推廣Pujol學派音樂,發揚吉他之父泰雷嘉(Tarrega)精神。
\n\n2022年雲林文化中心家湖廳吉他獨奏會。2021 年高雄衛武營國家藝術文化中心吉他獨奏會。2010年開始至2013年受衛武營藝術文化中心籌備處委託策劃舉辦了「春季三部曲」、「清涼藝夏音樂會」、「夏日吉時樂-國際吉他演奏會暨樂器展」、「樂夏˙探戈Tango In the Moonlight音樂會」等音樂會。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"00e28dba2055b6fba86ba2d9004fbf99",title:"《張維紓 x 林品安 跨界音樂會》"}],related:[],title:"crossover concert",cover:"6d4999ddc2035ce7e3abec4e36755cab",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
French-based flutist CHANG Wei-su and Taiwanese promising young pianist LIN Pin-an are going to collaborate with premier dancer to present a series of program about love and romance.
\nWhat will the spark be like? When the classical opera encounter classical old movie!
\n\n
Program
\n\nIbert: Entr'ecte
\n\nPujol: Suite Buenos Aires - II. Palermo
\n\nAstor Piazzolla: Histoire du Tango
\n\nTchaikovsky: Lenski's Aria from Eugene Onegin
\n\nGaubert: Ballade
\n\nWagner: Romance WWV94
\n\nGuo Zong-Han: My Window
\n\nBorne: Carmen Fantasie
\n\nTyzen Hsiao: Fantasia for flute and piano
\n\n\n\n
Creative and Production Team
\n\nFlute|CHANG Wei-su
\n\nPiano|LIN Pin-an
\n\nGuitar|TSAI Shih-hung
\n\n\n',team:""},createdAt:1646818987,updatedAt:1657006883,updatedBy:"林蔚行",host:!1},{_id:"622eef81e082e600083a9919",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1657711800,discrete:[{time:1657711800},{time:1657798200},{time:1657884600},{time:1657953e3},{time:1657971e3},{time:1658034e3},{time:1658052e3},{time:1658230200},{time:1658316600},{time:1658403e3},{time:1658489400},{time:1658557800},{time:1658575800},{time:1658638800},{time:1658656800},{time:1658835e3},{time:1658921400},{time:1659007800},{time:1659094200},{time:1659162600},{time:1659180600},{time:1659243600},{time:1659261600},{time:1659439800},{time:1659526200},{time:1659612600},{time:1659699e3},{time:1659767400},{time:1659785400},{time:1659848400},{time:1659866400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1800,2800,3800,4800,5800,6600],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1TAMBT6#"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4044615d0ed8031113475152e591e52e",title:"百老匯音樂劇《獅子王》THE LION KING"}],related:[{from:"programs",key:"62cbab557d37500007460a88",title:"【獅子王座談會幕後大揭密!】衛武營會員專屬活動"},{from:"features",key:"62208c74911ce9000757ea9b",title:" 2022花露露的童樂節"},{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"},{from:"programs",key:"62ba9ef5afe2d7000ae36534",title:"【解密歌劇工作坊】"}],title:"百老匯音樂劇《獅子王》THE LION KING",cover:"8d433ab5e2de9eda4c7b3e4c9b46dc8f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
譽冠全球的百老匯音樂劇《獅子王》改編自1994年在動畫史上締造多項輝煌紀錄、並榮獲奧斯卡最佳原著音樂和最佳電影主題曲的迪士尼經典同名動畫片,一段愛與冒險的生命感動之旅,透過令人驚豔讚嘆的視覺特效、創意無限的舞台道具、撼動人心的音樂及生動逼真的非洲叢林及原野動物中展開,絕不可再錯過這次美妙的體驗歷程,《獅子王》傑出的視覺藝術技巧、非凡的音樂表現和攝人心魄的舞蹈設計,精確且細緻的傳達滿滿生命堅毅與溫度,值得每一位觀眾細細品嚐。
\n\n\n\n
演出暨製作團隊
\n\n製作公司|迪士尼劇場製作、麥可.卡索集團
\n\n導演|茱莉‧泰默
\n\n音樂創作|艾爾頓‧強
\n\n歌詞創作|提姆‧萊斯
\n\n演出|達肖恩·楊、艾曼達‧庫娜拉、托科吉西‧安凱‧坎伊雷、芙希‧敏隆勾、安東尼‧勞倫斯、尼克‧摩索、皮耶爾‧凡‧希爾頓
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4044615d0ed8031113475152e591e52e",title:"百老匯音樂劇《獅子王》THE LION KING"}],related:[],title:"The Lion King",cover:"8d433ab5e2de9eda4c7b3e4c9b46dc8f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Seen by 100,000,000+ Audience Members Worldwide The World's #1 Musical THE LION KING IS BACK. Adapted from Disney's animated film of the same name, which premiered in 1994 and won two Academy Awards, the Tony Award Winning Director director, Julie Taymor, and the most innovative creative team on Broadway transformed the beloved film into a dazzling experience that redefines audiences' expectations of theatre. Taiwanese audiences will have the opportunity to experience this theatrical phenomenon, THE LION KING, this year, thus summer.
\n\n\n\n
Creative and Production Team
\n\nProducer|Disney Theatrical Productions, Michael Cassel Group
\n\nDirector|Julie Taymor
\n\nMusic|Elton John
\n\nLyrics|Tim Rice
\n\nCast|Dashaun Young, Amanda Kunene, Emkay Khanyile, Futhi Mhlongo, Anthony Lawrence, Nick Mercer, Pierre Van Heerden
\n\n\n\n
\n\n
\n',team:""},createdAt:1647243137,updatedAt:1660362729,updatedBy:"通泰系統管理員",host:!1},{_id:"623b110261a791000951382b",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1660390200,discrete:[{time:1660390200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1400,1800,2200,2600,3e3],link:"https://www.opentix.life/event/1496058491364524037?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"《外公的咖啡時光》",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
一杯咖啡香,圍繞祖孫三代間的情感。改編自真人真事暖心繪本—《永恆的咖啡時間》,講述三代同堂家庭,在外公罹患失智症後,長期照護老伴的外婆也因故住院,部份重擔落在孫子瀚瀚身上。瀚瀚因此多了許多與外公相處的時間,祖孫的角色像是被翻轉過來,常常被外公的孩子氣逗弄哭笑不得!瀚瀚卻也發現,看似癡呆糊塗的外公,因為透過一杯咖啡,才能找回對愛的記憶片段,也讓家中原本冷淡的關係,再度升溫連結了起來。而當外公病情日趨嚴重,甚且開始連自己的家人都認不得,在這一路倒退的人生風景中,瀚瀚決心要完成外公的心願,在咖啡冷卻之前…
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|丁乃箏
\n\n導演|丁乃箏
\n\n首演版導演|呂曼茵
\n\n監製|丁乃竺、馬維欣
\n\n製作人|藍大鵬
\n\n繪本作者|馬維欣(《永恆的咖啡時間》繪本)
\n\n編劇|王靖惇
\n\n改編劇本|丁乃箏、呂曼茵、馬維欣
\n\n領銜主演|樊光耀、范瑞君、王鏡冠、李辰翔、呂名堯、李劭婕
\n\n舞台設計|黎仕祺
\n\n燈光設計|張廷仲
\n\n音樂設計|洪予彤
\n\n服裝設計|姜睿明
\n\n平面設計|張巖
\n\n\n\n
演出製作:表演工作坊文化創意股份有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"The Eternal Coffee Time",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
The aroma of a cup of coffee envelopes the emotions of the three generations of Han Han's family.
\n\nAdapted from "Eternal coffee time," a heartwarming picture book that is based upon a true story, this play depicts the story of three generations of a family. After half a century together hand in hand, the family is faced with the grandfather suffering from dementia, the grandmother who had taken care of her husband for a long time has now also become hospitalized. The burdens of the family fall upon the grandson Han Han. Consequently, Han Han spends a great deal of time with his grandfather and the roles of grandparents and grandchild now become reversed. He is often vexed by his grandfather's childish behavior, not knowing if he should laugh or cry. Han Han discovers that even from a confused state of dementia his grandfather can be brought back by a steaming cup of coffee. When his grandfather's condition worsens and he is unable to even recognize his own family members, Han Han is determined to make his grandfather's wish come true before the cup of coffee cools...
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Ismene TING
\nDirector|Ismene TING
\nDirector of the premiere|Man-Yin LU
\nExecutive Producer|Rebecca MA、Nai-Chu DING
\nProducer|Da-Peng LAN
\nPicture Book Author|Rebecca MA
\nScreenwriter|Daniel WANG
\nAdapted Screenplay|Ismene TING、Man-Yin LU、Rebecca MA
\nActors|Kuang-Yao FAN、Ray FAN、Ching-kuan WANG、Spark LEE、Ming-Yao LYU、Clara LEE
\nPerformance Production Corporation|Performance Workshop
\n\n
\n',team:""},createdAt:1648038146,updatedAt:1652693834,updatedBy:"林蔚行",host:!1},{_id:"6278eea97406e30007d25ba6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661583600,discrete:[{time:1661583600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1522110179546558467"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"《富澤直子安可音樂會2022》",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
極地之光管弦樂團於2017年起推出系列音樂會計畫,2022年8月將安排極地之光管弦樂團中提琴首席富澤直子安可音樂會,並邀請鋼琴家星原真美以及小提琴家林暉鈞,精心安排多首樂曲目,並透過演奏家音樂會現場解說方式以觀眾互動,讓觀眾渡過美好的週末時光。
\n\n\n\n
演出曲目
\n\n邦奇・健治:〈直到下一次〉,中提琴獨奏
\n\n保羅・克雷提:〈來自我心〉,中提琴與鋼琴
\n\n搖擺巴赫~來自巴赫第一號大提琴組曲,G大調,作品1007,中提琴與鋼琴
\n\n多布林卡・塔巴克瓦:爵士風組曲第三樂章,中提琴與鋼琴
\n\n保羅・克雷提:〈星光〉,中提琴與小提琴二重奏
\n\n小小音樂教室:鼓掌的方式
\n\n日本歌曲:〈線〉,中提琴與鋼琴
\n\n\n\n
演出暨製作團隊
\n\n中提琴|富澤直子
\n\n小提琴|林暉鈞
\n\n鋼 琴|星原真美
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"tomy's encore Concert 2022",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Apex Orchestra's violaist Tomizawa Naoko and pianist Hoshihara Mami and Violist Hui-Chun Lin will perform the most famous Viola, Piano and Violin music at the concert, including Kenji Bunch, Paul Coletti、Swinging Bach、Dobrinka Tabakova and Japan Folk Songs.
\n\n\n\n
Program
\nKenji Bunch: “Until Next Time” for solo viola
\nPaul Coletti: “From My Heart” for viola and piano
\n“Swinging Bach” for viola and piano ~ a free interpretation of Cello Suite no.1 in G Major by J. S. Bach, BWV1007
\nDobrinka Tabakova: Suite in Jazz Style for viola and piano, 3rd movement
\nPaul Coletti : “Starlight” for viola and violin duo
\nMini Workshop: How we applaud?
\n日本の歌:「糸」for viola and piano
\n\n
Creative and Production Team
\n\nViola|Tomizawa Naoko
\n\nViolin|Hui-chun LIN
\n\nPiano|Hoshihara Mami
\n\n\n\n
\n',team:""},createdAt:1652092585,updatedAt:1660915191,updatedBy:"通泰系統管理員",host:!1},{_id:"627907757406e30007d25ecd",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1660132800,discrete:[{time:1660132800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1527210929604964355"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【衛武營小時光】宇宙人《小宇宙時光》",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t金曲金音雙入圍的宇宙人用一首曲風funky的〈要去高雄〉讓聽眾耳洞大開,也因此與港都結下不解之緣。宇宙人音樂性強烈,創作元素包山包海包宇宙,舉凡流行、搖滾、放克、爵士都能被他們玩出一種宇宙獨有的味道。歷年巡迴演出皆秒殺完售的宇宙人,也在2022年發行全新專輯《理想狀態》,歡迎大家相聚衛武營,讓宇宙人帶我們重遊《小宇宙時光》,探索沈睡體內的groovy細胞。
\n\n\n\n
演出者
\n\n主唱暨鍵盤|小玉
\n\n吉他|阿奎
\n\n貝斯|方Q
\n\n\n\n
演出者介紹
\n\n宇宙人
\n\n入圍過27屆金曲獎「最佳樂團」及第9屆金音獎「最佳現場演出」、「最佳樂手」的宇宙人成立於2004年的夏天,音樂性強烈,創作元素包山包海海包宇宙,舉凡Pop、Funk、Disco、Jazz、Rock都能被他們玩出一種宇宙獨有的味道;直來來直往的歌詞,甜膩熱情,詼諧卻不失誠懇,總能不偏不倚擊中年輕世代的內心。
\n\n至今發行四張完整專輯,三人持續秉持著實驗精神,一次又一次顛覆樂迷對宇宙人的想像,同時藉著高水準的現場演出累積人氣,2019年的「再陪我玩十年」十九場巡迴在各地皆秒殺完售,樂迷人數不斷上升中,2020年2月更首次前進臺北小巨蛋!
\n\n2022年3月份005新專輯理想狀態正式發行
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【Weiwuying Showtime】Cosmospeople - Cosmic Time Machine",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
Artists
\n\nLead Vocal & Keyboard|Jade
\n\nGuitar|Kuei
\n\nBass|FunQ
\n\n\n\n
Artists Introduction
\n\nCosmospeople
\n\nIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
\n',team:""},createdAt:1652098933,updatedAt:1686710272,updatedBy:"林蔚行",host:!0},{_id:"6283195fa0e8a300073ac9d9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660303800,discrete:[{time:1660303800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1522088710173192197"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"100把大提琴的美麗冒險 《 與環保的思辨之旅》",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「100把大提琴」是一個由南部大提琴學子所組成的大提琴樂團,樂團雖由大提琴單項樂器所組成,但演出曲目多元,本次音樂會中不僅有多首不同時期的古典樂曲,也有磅礡的電影配樂。另外,在這個疫情肆虐的時代中,會讓人們思考更多與環境的關係,本次音樂會就要藉由大提琴合奏來傳達「環保」的理念,除了演出多首有環保議題的曲目外,更邀請了高雄室內重奏團使用環保樂器來和大提琴樂團合作演出,相信定能擦出更多的創意火花。
\n\n\n\n
演出曲目
\n\n佛里德里西‧葛呂茲馬赫:為四把大提琴而作《奉獻詩》,作品編號六十五
\n\n阿拉姆‧哈察都量:劍舞
\n\n拉敏·賈瓦帝:《權力遊戲》組曲
\n\n阿斯托爾‧皮耶佐拉:遺忘
\n\n彼得‧柴可夫斯基:1812序曲
\n\n張原碩:《港都意象》擊樂三重奏與大提琴重奏團
\n\n陳建寧:《孩子的天空》
\n\n貝爾·阿珀蒙特:《諾亞方舟》
\n\n\n\n
演出暨製作團隊
\n\n樂團|欣弦大提琴室內樂團、弓爵大提琴室內樂團、高雄室內重奏團
\n\n指揮|林昌龍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"A Fabulous Adventure of 100 Cellos",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"100 Cellos" is a cello Orchestra composed of students from Southern Taiwan. Although the Orchestra is composed of a single instrument, the repertoire is diverse. In this concert, there are not only classical pieces from different periods, but also majestic movies soundtrack. In addition, in this era of raging epidemic, people will think more about the relationship with the environment. This concert will convey the concept of "environmental protection" through the cello Orchestra. We also invited the Kaohsiung Chamber Ensemble to use environmentally friendly instruments to perform with the Cello Orchestra. We believe that our cooperation will collide with different sparks.
\n\n\n\n
Program
\n\nFriedrich Grützmacher: Consecration Hymn for Four Cellos Op.65
\n\nAram Khachaturian: Sabre Dance
\n\nGroup|Hsin-Hsien Cello Orchestra、Gong-Jue Cello Orchestra、 Kaohsiung Chamber Ensemble
\n\nConductor|LIN Chang-Lung
\n\n\n\n
\n
\n\n
\n\n
課程統籌
\n\n蔡佾玲
\n\n專業演員、國立臺灣藝術大學戲劇學系助理教授。
\n\n演出作品風格橫跨古典與當代,多次獲得國家獎助出國進修與發表作品,目前持續與臺灣各表演團隊及藝術家合作演出,也是近年臺灣劇場跨國製作,歐陸重量級導演指定合作演員。
\n\n重要作品:
\n\n國家兩廳院國際劇場藝術節《酒神的女信徒》、《葉瑪》;台南人劇團《愛的落幕》等。
\n\n\n\n
基礎班講師
\n\n故事課程《角色慾望》|王靖惇
\n\n臺灣大學戲劇學研究所碩士,第一屆臺中歌劇院駐館藝術家,專長編導、表演,作品以原創劇本及臺灣背景為創作核心,觀照反映當代議題。編導作品曾巡演至北京、上海、廣州、深圳、澳門等地。作品曾獲 2017 年曼谷藝術節最佳劇本、最佳導演、最佳藝術設計及最佳肢體類演出四項大獎。著有《如此美好:王靖惇劇本集》。
\n\n\n\n
聲音課程《聽見自己的聲音》|竺定誼
\n\n國立臺灣藝術大學戲劇學系、國立臺北藝術大學劇場藝術研究所表演組畢業,現為四把椅子劇團團長、劇場演員、國立臺灣藝術大學戲劇學系兼任教師。近期演出作品:四把椅子劇團《春眠》、《好事清單》。瘋戲樂工作室《台灣有個好萊塢》。台南人劇團《愛的落幕》。全民大劇團《你好,我是接體員》。
\n\n\n\n
肢體課程《用身體打開空間》|譚天
\n\n1984年生,臺灣臺北人。2015年畢業於賈克樂寇國際戲劇學校(École Internationale de Théâtre Jacques Lecoq)。現職國立臺灣藝術大學戲劇學系講師。2016年創立我 製作,教授樂寇方法,專注於肢體、當代默劇、馬戲、面具與小丑等形式創作與教學。2020年入選國立臺灣藝術大學駐村藝術家,以表演者角度探索非劇場空間的展演形式。
\n\n\n\n
進階班講師
\n\n故事課程《情境中的表演創作》|潘冠宏
\n\n倫敦大學中央演說戲劇學校演員訓練與指導碩士(MA in Actor Training and Coaching, Central School of Speech and Drama, University of London)2011~2012。
\n\n現為楊景翔演劇團核心成員、臺灣藝術大學戲劇學系兼任講師。
\n\n\n\n
聲音課程《聲音中的表演想像》|鄭尹真
\n\n窮劇場藝術總監,ACC亞洲文化協會受獎人。劇場演員/業餘讀者/南管聽眾。近期創作關注不同歷史時期音聲審美所折射的時間觀念。曾任獨立文化媒體《破週報》記者。2007年,加入江之翠劇場,受業於周逸昌先生,潛心摸索脫胎自傳統戲樂之聲法、身度、氣韻,建立以靜為本的當代劇場表演美學。 2014年,與長期夥伴高俊耀共同創立窮劇場。2016年,獲ACC獎助赴印尼日惹、韓國首爾進修傳統樂舞 。近期創作演出莎劇獨角戲《母親.李爾王》(王墨林執導)榮獲第二十屆台新藝術獎年度入圍。
\n\n\n\n
肢體課程《動物轉化–傳統武術中的動物性》|魏雋展
\n\n國立臺北藝術大學劇場藝術研究所表演組畢業,現任三缺一劇團藝術總監,臺北藝術大學戲劇系講師、文化大學舞蹈系講師。身為一個創作者,魏雋展有著極度敏銳的觀察和感受力,生活中各類事件、人物與議題,經由他的裁切、選擇與結構,都能成為表演的原料,並從這種日常性自我創造中,擴及對社會議題與價值體系的挖掘,展現對生存的反思詰問與辯證。對他而言,表演的施力點是自己與角色的對話過程,因此,一場演出永遠是一個意見,一種態度的聲明與選擇。
\n\n\n\n
共同課程講師
\n\n《一場「物」會》─ 物件探索工作坊
\n\n洪健藏
\n\n持續與臺灣頗具創作力的劇團合作,嘗試各類演出形式,亦致力於探索偶戲、物件與人的表演關係,先後與歐、美多國偶戲藝術家學習。
\n\n近年代表作品:飛人集社劇團《THE浮浪貢OF龍興46》、動見体劇團《病號》、台南人劇團《Re/turn》、再拒劇團《明白歌》,果陀劇場《解憂雜貨店》、阮劇團《十殿》、長義閣《掌中家書‧朱一貴》、臺法共製節目《邊界》。
\n\n\n\n
林頎姍
\n\n畢業於臺灣大學戲劇學系與社會學系。饕餮劇集藝術總監,編導《迎魂歸來》系列、《白噪音》、《After piece_從今以後》。近期合作有:飛人集社《The浮浪貢of龍興46》執行導演、盜火劇團《回聲》導演助理、阮劇團《十殿》助理導演等。平時亦任舞臺監督、燈光設計、音響技術、執行製作等職。
\n\n\n\n
《媽呀,選擇困難的多重宇宙》─ 職人講座
\n\n趙啟運
\n\n1985年生,國立中山大學劇場藝術學系畢業,編劇作品多於台南人劇團發表,創作類型涵蓋話劇劇本、新文本、沈浸式劇場劇本,擅寫演員獨角戲,近年多用功於音樂劇創作、莎士比亞在地化改編,題材多聚焦於女性生活、酷兒經驗、美食分享、陰陽鬼神民俗信仰、流行文化。
\n\n\n'},{reference:[],type:"content",name:"成果發表",content:'
\n\n
\n\n
成果發表暨結業式
\n\n經過四天的劇場課程洗禮,在相互激發創意的過程中,試圖讓學員們創造自己的價值。運用現成文本為素材,形式上基礎班以讀劇呈現、進階班將運用簡單道具與配樂做戲劇演出。
\n\n\n\n
演出時間:2022/8/14(日)14:30
\n\n演出地點:衛武營繪景工廠
\n\n演出長度:約120分鐘(分組呈現,一組呈現約15分鐘)
\n\n\n\n
活動流程
\n\n活動流程 | \n\t\t|
14:00-14:30 | \n\t\t\t觀眾入場 | \n\t\t
14:30-14:35 | \n\t\t\t開場 | \n\t\t
14:35-15:35 | \n\t\t\t成果發表會上半場 | \n\t\t
15:35~15:50 | \n\t\t\t中場休息 | \n\t\t
15:50~16:50 | \n\t\t\t成果發表會下半場 | \n\t\t
16:50~17:00 | \n\t\t\t回饋講評 | \n\t\t
17:00~17:20 | \n\t\t\t頒發結業證書 | \n\t\t
17:20~17:30 | \n\t\t\t大合照 | \n\t\t
17:30 | \n\t\t\t散場 | \n\t\t
\n'}],onShelf:!0,sliders:[{type:"image",key:"8408d0fa8a46e874b5f2c0973d2e1a41",title:"2022衛武營青少年戲劇營"}],related:[],title:"2022衛武營青少年戲劇營",cover:"c8591d42580dd30c2278f2fb1ee68942",site:{isOther:!0,site:"",other:"繪景工廠及排練室"},cautions:'
\n\n
\n\n
Action! 尋光航行,匯劇成星!
\n\n衛武營邁入第七屆青少年戲劇營,將迎接懷抱夢想又或正值迷惘的年輕世代,一同尋著光、航向光、成為光。
\n\n\n\n
本屆特別邀請到國立臺灣藝術大學戲劇學系助理教授暨劇場界知名演員蔡佾玲擔任課程統籌,攜手王靖惇、潘冠宏、竺定誼、鄭尹真、譚天、魏雋展、飛人集社劇團、台南人劇團等夢幻師資,一同帶領學員認識劇場、探究表演。透過文本、聲音、肢體等三門核心課程進行開發及訓練,並融入劇場導覽、互動遊戲、職人講座、工作坊等多元內容,引導學員貫穿所學、實務演練,最後與夥伴們攜手登台展現成果。沉浸於玩樂與學習中,同時提升戲劇涵養、找到自我價值,在劇場裡閃耀發光!
\n\n\n\n
加入2022衛武營青少年戲劇營,跟我們一起循著光點踏入劇場,在這趟探索旅程中,
\n\n啟動感知、認識自己、建立連結、激發無限想像!
\n\n站上舞台,成為最獨特的光芒!
\n\n\n\n
\n\n
報名辦法
\n\n課程時間:2022/8/10(三) 至 8/14(日)09:00-18:00,共五天(8/14為成果發表日)
\n\n適合對象:15~19歲青少年,基礎班-對表演藝術有興趣者/進階班-就讀戲劇相關科系或有戲劇基礎經驗者
\n\n課程名額:基礎班及進階班各32名
\n\n課程費用:NT$3,000
\n\n課程地點:1186/1192衛武營排練室(上課教室)、繪景工廠(成果發表會)
\n\n報名時間:2022/6/1(三)12:00 至 7/10(日)23:59
\n\n報名流程:官網報名→資格審核→通知審核結果→進行繳費→完成報名。收到審核結果後請於繳費期限內繳交費用;逾期未繳者,將釋出名額。
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課程總表
\n\n※導師課程內容將依兩班學員程度設計與調整教學內容。
\n\n歷屆學員口碑推薦
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團隊名單
\n\n課程統籌|蔡佾玲
\n\n講師|王靖惇、竺定誼、譚天、潘冠宏、鄭尹真、魏雋展
\n\n導師|鄭尹真、蘇鈺婷、宮能安、蔡志擎
\n\n助教|謝岫倫、鄭宇淑、侯又加、彭漪婷
\n\n工作坊|飛人集社劇團:洪健藏、林頎姍
\n\n職人講座|台南人劇團:趙啟運
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8408d0fa8a46e874b5f2c0973d2e1a41",title:"2022衛武營青少年戲劇營"}],related:[],title:"2022 Weiwuying Teens In Theater",cover:"c8591d42580dd30c2278f2fb1ee68942",site:{isOther:!0,site:"",other:"Paint Shop & Rehearsal Studio"},cautions:'
Cancellation policy
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Action! Sailing in search of light, becoming a star!
\n\nThe Teens in Theater program is now in its seventh edition, and Weiwuying is once again ready to serve as a beacon. We welcome youths who want to realize their dreams yet feel lost to join us in seeking the light, navigating towards the light, and becoming the light.
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This year, we invited famous theater performer TSAI Yi-Ling to plan the program. The dream instructor lineup includes Daniel WANG, PAN Kuan-Hung, CHU Ding-Yi, CHENG Yin-Chen, TAN Tian, WEI Chun-Chan, Flying Group Theatre, and Tainaner Ensemble. Together, they will guide students in learning more about theater and delving into performances. Students will undergo development and training in the three core courses of words, sounds, and body, which are integrated with interactive games, lectures, and workshops. This will allow them to link what they learn and practice to ultimately collaborate with their classmates to present their achievements on stage. Students can immerse themselves in playing and learning and improve their theater skills all at the same time. They will discover their own self-worth and shine in theater.
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Sign up for the 2022 Weiwuying Teens in Theater, and join us in stepping into the world of theater in search of light. During this exploratory journey, you'll activate your awareness, get to know yourself, build connections, and stimulate your imagination!
\n\nWhen you stand on stage, you'll discover that everyone becomes their own unique light!
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Register Here
\n\n►Basic Course
\n\n►Advanced Classes
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Teams
\n\nCurriculum Coordinator|TSAI Yi-ling
\n\nLecturer|Daniel WANG, CHU Ding-yi, TAN Tian, PAN Kuan-hung, CHENG Yin-chen, WEI Chun-chan
\n\nMentor|CHENG Yin-chen, SU Yu-ting, KUNG Neng-an, TSAI Chih-ching
\n\nTeaching Assistant|HSIEH Hsiu-lun, CHENG Yu-shu, HOU Yu-chia, PENG Yi-ting
\n\nWorkshop|Flying Group Theatre (HONG Chien-tsang, LIN Chi-shan)
\n\nCareer Lecture|Tainaner Ensemble (CHAO Chi-yun)
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\n',team:""},createdAt:1653285443,updatedAt:1653982086,updatedBy:"林蔚行",host:!0},{_id:"628c435de50ccd000afae40d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659699e3,discrete:[{time:1659699e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1XYRXF4"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"《重生˙希望-林洛安2022鋼琴獨奏會》",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」
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鋼琴家林洛安博士曾獲得多項鋼琴比賽獎項,包括2012年聖安東尼奧國際鋼琴比賽首獎、以及最佳巴洛克作品詮釋獎,更被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」在睽違多年之後即將再次返國舉辦鋼琴獨奏會,以「重生.希望」為主題,預計帶來法朗克、史克里亞賓、與貝多芬等作曲家的鋼琴作品,期待能表達出揮別2020年全球受到疫情肆虐、展望2021年能迎接重生與希望!林洛安曾獲頒耶魯大學音樂院(Yale School of Music)演奏家文憑、以及伊士曼音樂學院(Eastman Music School)鋼琴演奏博士學位,2020年起受聘於蘇州大學音樂系擔任助理教授。
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演出曲目
\n\n法朗克:前奏、聖詠與賦格,作品21
\n\n史克里亞賓:B小調幻想曲,作品28
\n\n貝多芬:C小調第32號鋼琴奏鳴曲,作品111
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演出暨製作團隊
\n\n鋼琴|林洛安
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"Lo-an Lin 2022 Piano Recital",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2020 was a challenging year for everyone in the world. With the global pandemic, we all faced perhaps more uncertainties than ever. However, through surviving all the difficulties in 2020, we also witness the unbelievable strength of the human spirit. Award winning pianist Dr. Lo-An Lin is presenting a concert with the theme of "Rebirth and Hope". "Rebirth and Hope" represents parting from the challenges of 2020 and being reborn with hope and optimism in 2022. This recital will feature master pieces by Franck, Scriabin and Beethoven's last piano sonata. Each piece presents musical struggles and the eventual victory through transformation, and in the case of Beethoven's Piano Sonata Op. 111, transcendence. Through experiencing these carefully selected pieces, we all can reflect on the challenges of 2020, remember the lessons we have learned, and embark on the future with a renewed sense of hope and spirit.
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Program
\n\nCésar Franck: Prelude, Choral et Fugue, FWV 21 (18min)
\n\nAlexander Scriabin: Fantasy in B minor, Op. 28 (9min)
\n\nLudwig van Beethoven Piano Sonata No. 32 in C minor, Op. 111 (27min)
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Creative and Production Team
\n\nPiano|LIN Lo-An
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\n\n
\n',team:""},createdAt:1653359453,updatedAt:1653978259,updatedBy:"林蔚行",host:!1},{_id:"628c4f0f6ddb37000708f8ec",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1519157939001937922"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"《台灣獨奏家交響樂團 X 李欣芸》",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
音樂會上半場由樂團兩位首席帶來莫札特《小提琴與中提琴交響協奏曲,K. 364》,莫札特的音樂總是充盈著純真與喜悅,藉由優美的旋律安撫人心。 下半場特別邀請音樂才女─李欣芸為樂團量身打造,製作一場別開生面的跨界音樂會。透過她細膩的視角,帶著樂迷們用聽覺與視覺一起旅行,看見各地特殊的人文風土與景緻,認識這塊美麗的土地。金黃色的稻穗、山谷翱翔的老鷹、湖面上月光灑落泛起的漣漪、伴著遠處傳來陣陣的部落歌聲,在動人樂章中彷彿看見臺灣最美好的風景。
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演出曲目
\n\n莫札特:降E大調小提琴與中提琴交響協奏曲,K. 364
\n\n德沃札克:狂歡節序曲
\n\n排灣古調:小鬼湖之戀
\n\n陸森寶:美麗的稻穗、如在天堂
\n\n李欣芸:湖岸月光
\n\n李欣芸:舊城敘事曲
\n\n李欣芸:雨巷
\n\n李欣芸:部落之音
\n\n李欣芸:鷹之谷
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演出暨製作團隊
\n\n演出|台灣獨奏家交響樂團
\n\n指揮|蕭邦享
\n\n小提琴|陳依萱
\n\n中提琴|莊孟勳
\n\n金曲歌手|南王姊妹花
\n\n音樂總監|李欣芸
\n\n製作人|程 馗
\n\n硬體總監|劉家明
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藝術家介紹
\n\n製作|李欣芸
\n\n生於高雄,長於臺北,李欣芸自幼接受古典音樂訓練,畢業於東吳大學音樂系,並於美國Berklee College of Music研習爵士作曲及現代編曲。身為編曲者、作曲者和製作人,她的作品跨足流行音樂、電影配樂和跨界演奏,曾多次榮獲金曲獎與金馬獎的肯定。由於在她之前華語電影從未有過女性擔任配樂的角色,因此又被同業稱為「華語電影百年來首位女配樂師」。除了創作和教學,李欣芸目前也擔任高雄流行音樂中心執行長一職。
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音樂總監|蕭邦享
\n\n「蕭邦享,一位擁有深度及細膩的詮釋力,不同凡響的熱情與生命力的指揮家。」2000年蕭邦享邀集南台灣樂壇菁英成立了台灣獨奏家交響樂團,並親自擔任音樂總監暨指揮,2016年起擔任臺邦獨奏家樂團藝術總監,2021年起接任臺南市交響樂團音樂總監暨指揮。蕭邦享指揮的曲目從古典到現代相當廣泛,無論是交響樂鉅作或經典歌劇在他恢宏的氣度,深度及細膩的詮釋下都有精彩的演出,引起廣大的迴響,並獲得極高的讚譽。
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小提琴|陳依萱
\n\n小提琴家陳依萱,美國密西根州立大學音樂藝術博士。返臺後,活躍於樂壇,數次以獨奏身份與台灣獨奏家交響樂團合作演出,2016年於故鄉臺南創立臺邦獨奏家樂團,每年常態演出多場高精緻度、具特色的沙龍音樂會,以多變廣泛的曲目及近距離的聆賞樂趣廣受樂迷喜愛。現任臺邦獨奏家樂團音樂總監、中信金融管理學院專任助理教授、台灣獨奏家交響樂團樂團首席、臺南市交響樂團代理首席、臺南市青少年暨市民管弦樂團指揮。
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中提琴|莊孟勳
\n\n美國新英格蘭音樂院中提琴演奏博士。2005年與鋼琴家林瑞萍組成之Morning Glory 二重奏贏得由美國新英格蘭室內樂協會所舉辦之國際室內樂大賽首獎,受邀至紐約卡內基音樂廳之懷爾廳演出。2006年獲選為國家音樂廳之年度樂壇新秀,同年受邀成為新英格蘭室內樂協會客座藝術家。現任台灣獨奏家交響樂團中提琴首席。
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金曲歌手|南王姊妹花
\n\n金曲獎最佳演唱組合-南王姐妹花,是由來自臺東卑南族南王部落的李諭芹、陳惠琴、徐美花三人組成。細聽三姐妹的歌聲,您的思緒會被那細緻聲音所縈繞,在歲月的沈澱下,聲音蘊成潮水般穩實的氣韻,猶似醇酒的後勁,總令人在不知覺中醺醉。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"Autumn Concert 2022",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Combining video and music, a crossover concert specially tailored for Taiwan Soloists Symphony Orchestra by the Golden Horse Award for Best Original Film Score winner, Cincin Lee.
\n\nThrough the composer's delicate perspective, Cincin guides the audience to travel with her by hearing and vision, visiting the special cultural customs and scenery of various place, the golden ears of rice, soaring eagles in the sky, ripples of the moonlight on the lake, accompanied by the sound of the pestle and tribal songs from a distance, all seem to see the most beautiful scenery in Taiwan in the moving music.
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Program
\n\nMozart:Sinfonia Concertante in E flat Major, K. 364
\n\nDvozak:Overture Carnival, Op.92
\n\nPaiwan Ancient Ballad:Love of the Little Ghost Lake
\n\nBaliwakes Raera:Beautiful Rice Grain、As in Heaven
\n\nCincin Lee:Ripples in the Moonlight
\n\nCincin Lee:NanKang Ballad
\n\nCincin Lee:Rainy Café
\n\nCincin Lee:The Voice of the Tribe
\n\nCincin Lee:Where the Eagle Soars
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Creative and Production Team
\n\nPerformer|Taiwan Soloists Symphony Orchestra
\n\nConductor|HSIAO Pang-hsing
\n\nViolin|CHEN I-hsuan
\n\nViola|CHUANG Meng-hsun
\n\nVocal|Nanwan Sisters
\n\nMusic Director|Cincin LEE
\n\nProducer|CHENG Kuei
\n\nTechnical Director|LIU Chia-ming
\n\n\n\n
\n',team:""},createdAt:1653362447,updatedAt:1653449504,updatedBy:"林蔚行",host:!1},{_id:"628c72516ddb37000708fde9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661686200,discrete:[{time:1661686200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1524244613777420294"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"玩弦四度《新生》音樂會",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「新生」,是漫漫長夜之後,天空微微現出的光明;是風雨過後的狼藉中,悄悄萌生的綠芽;是絕望的死寂裡,不知從哪裡傳來的悠揚旋律···經歷了久違的寒冬,在疫情的全球風暴之中,能夠走過來的每個人,都是不容易的。經歷了團員的離去與歸來,以及新成員的加入,玩弦四度也像是在這次的風暴中,經歷了一次重整的過程。帶著新的元素與力量,再次出發。玩弦四度將回歸到最單純的弦樂四重奏,延續創團以來所堅持的原創精神,團員們將一起探索,過去這段時間與經歷,帶給每個團員的生命意義。
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演出曲目
\n\n〈新生〉作曲: 黃偉駿
\n\n〈腳踏車之旅〉作曲: 葉棣綺
\n\n〈初舞〉作曲: 葉棣綺
\n\n〈輓歌〉作曲: 黃偉駿
\n\n〈夜〉作曲: 蔡佳恩
\n\n〈拉吉吉散布魯斯〉作曲: 黃偉駿
\n\n〈湄公河〉作曲: 黃偉駿
\n\n〈蘭布拉大道〉作曲: 黃偉駿
\n\n〈聽你說〉作曲: 黃偉駿
\n\n〈寒冬日焱〉 作曲: 葉俊麟
\n\n〈葛公思雨〉作曲: 黃偉駿
\n\n〈胎藏〉作曲: 黃偉駿
\n\n\n\n
演出暨製作團隊
\n\n第一小提琴|黃偉駿
\n\n第二小提琴|晴恩
\n\n中提琴|葉棣綺
\n\n大提琴|葉俊麟
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"《The Newborn》",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「The Newborn」 is the light that appears in the sky after a long night; it is the green shoot that quietly sprouts in the mess after the storm; it is the melodious melody that comes from nowhere in the desperate dead silence... After a long-lost winter, in the global storm of the epidemic, it is not easy for everyone who can come through. After experiencing the departure and return of the members of the group, as well as the addition of new members, playing the string four degrees is also like going through a process of reorganization in this storm. With new elements and powers, set off again. Playing with strings will return to the purest string quartet, continuing the original spirit that has been adhered to since the founding of the troupe, and the members of the troupe will explore together, and the past time and experience will bring meaning to the life of each member.
\n\n\n\n
Program
\n\n〈The Newborn〉Composed by Stephen Huang
\n\n〈Bicycle Trip 〉Composed by Chiee Yeh
\n\n〈The First Dance〉Composed by Chiee Yeh
\n\n〈Lament〉Composed by Stephen Huang
\n\n〈The Night〉Composed by En Tsai
\n\n〈Rising Sun Blues〉Composed by Stephen Huang
\n\n〈Mekong〉Composed by Stephen Huang
\n\n〈La Rambla〉Composed by Jiro Yeh
\n\n〈Listening to You〉Composed by Stephen Huang
\n\n〈Cold Winter & Sun Fire〉Composed by Jiro Yeh
\n\n〈When Gershwin Meets Yu-Shien Deng 〉Composed by Stephen Huang
\n\n〈The Womb of Earth〉Composed by Stephen Huang
\n\n\n\n
Creative and Production Team
\n\n1st Violin|Stephen HUANG
\n\n2nd Violin|Chin EN
\n\nViola|Chiee YEH
\n\nCello|Jiro YEH
\n\n\n\n
\n',team:""},createdAt:1653371473,updatedAt:1660915344,updatedBy:"通泰系統管理員",host:!1},{_id:"628ddb0e557b990008a3a31c",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1657071e3,discrete:[],type:"continuous",continuous:{time:[1653442200],endTime:[1653471e3],start:1657036800,end:1659715200}},activity:{type:"free",free:{description:"報名參與",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講師介紹",content:'
專業師資
\n\n王正源
\n\n國立臺灣大學戲劇系專任講師,專長影像設計。
\n\n\n\n
️周志瑋
\n\n樹德科技大學表演藝術系專任講師,專長舞臺技術。
\n\n\n\n
️陳志峰
\n\n臺灣大學戲劇系講師。
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️高一華
\n\n專業劇場燈光設計師、《At Full:劇場燈光純技術》專書作者。
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️陳星奎
\n\n鐵吹製作公司負責人,專長燈光音響硬體整合。
\n\n️
\n\n黃致凡
\n\n專業劇場服裝設計師、輔仁大學織品服裝學系講師。
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️黃曉雯
\n\n台裕國際股份有限公司業務經理。
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️陳昭郡
\n\n劇場自由工作者,專長燈光設計與舞台管理。
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️林恆正
\n\n實踐大學時尚系教授/高雄校區文化與創意學院院長。
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️林璞
\n\n華山1914文創園區藝文總監、社團法人台灣技術劇場協會理事長。
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️鄭涵文
\n\n國家兩廳院節目企劃部,製作人。
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️莊士賢
\n\n社團法人中華職業技能發展學會安衛管理處處長。
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單信瑜
\n\n台灣防災產業協會監事。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022衛武營技術人才培育工作坊",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"衛武營(依課程內容安排教室)"},cautions:'
近年來隨著各類演出節目數量攀升,劇場技術專業人才需求若渴,為積極推動南臺灣地區表演藝術環境發展,衛武營國家藝術文化中心委託社團法人台灣技術劇場協會承辦《2022衛武營技術人才培育工作坊》,針對不同程度的學習需求及技術專業,開辦「劇場技術基礎班」、「舞台管理基礎班」,期以逐步建置南臺灣劇場技術人力能量,提升劇場技術人才的質與量。同時因應國內新型冠狀病毒肺炎疫情多變狀況,提出線上課程規劃做為疫情備案。「劇場技術基礎班」和「舞台管理基礎班」包括「劇場通識」與「基礎技術」單元,建立「基礎技術人員」及「舞台管理者」二職位之初階技術能力。延聘劇場專業講師/業師分享專業技能,輔加以實作演練,讓學員即學即用,提升學習成效,培育南臺灣地區劇場相關從業技術人才。
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劇場技術基礎課程(160H)
\n\n厚實劇場技術人力,為技術劇場培育新血,以本會日前開發之「劇場基礎技術」技能標準,設計規劃基礎課程,採理論與實務兼具的方式,並依據場館設備進行系統建置教學,培養初入劇場技術行業之必要技能。
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舞台管理基礎課程(70H)
\n\n舞台管理是一門整合性的工作,需串聯劇場製作各個環節,來成就演出的順利進行。本課程定位為初階課程,幫助學員系統性地瞭解舞台管理工作與演出製作流程,並輔以實作練習,養成舞台管理工作的基礎技能。
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報名方式
\n\n劇場技術基礎班35人,每人6,000元
\n\n舞台管理基礎班30人,每人4,800元
\n\n報名日期:2022/6/4(六)12:00 至 2022/6/23(四)23:59
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主辦單位:國家表演藝術中心衛武營國家藝術文化中心
\n\n執行單位:台灣技術劇場協會
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團隊介紹
\n\n#關於TATT授課團隊
\n\n社團法人台灣技術劇場協會(Taiwan Association of Theatre Technology,簡稱 TATT)創立於西元1998年1月18日,為國際舞台美術家、劇場建築師暨劇場技術師組織(International Organization of Scenographers, Theatre Architects and Technicians,簡稱 OISTAT)的臺灣會員中心。
\n\nTATT的宗旨在於建立並推進國內外有關技術劇場的知識與經驗的交流,提升劇場設計創造力及技術水準,以促進表演藝術的蓬勃發展。TATT的成員包括劇場設計與技術、影視美術、劇場相關教育及學術研究、劇場資訊出版、劇場經營管理、劇場器材設備以及劇場建築設計等所有專業技術劇場領域相關的個人及團體。
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022 Training Program for Theater Technicians",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:'
The growing number and variety of performances in recent years has led to much greater demand for theater technicians. To push the development of the performing arts environment in southern Taiwan, Weiwuying has commissioned TATT to hold the 2022 Training Program for Theatre Technicians, which consists of two different courses, Theater Technology 101 and Stage Management 101, to boost the quality and number of technicians in the region. In the event of another major Covid outbreak, the program will be conducted online. Each of the courses consists of two units: General Theater Education and Introduction to Theater Technology, aimed at establishing basic skills for technicians and stage managers. As experts in the field share their knowledge, trainees will be given opportunities to learn hands-on to firmly root what they have learned in the classroom.
\n\n\n\n
Theater Technology 101 (160 hours)
\n\nThis introductory course is aimed at bringing people into the field of theater technology. Designed based on TATT's recently formulated Basic Theater Technology Standards, the course includes both theoretical and hands-on aspects in systematic instruction on the use of theater equipment and related essential skills.
\n\n\n\n
Stage Management 101 (70 hours)
\n\nStage management entails numerous integrated aspects. Stage managers must handle the various links of theater production to ensure performances go smoothly. This introductory course is aimed at giving trainees a systematic understanding of stage management tasks and the process of stage production both theoretically and through hands-on experiences to learn the basic skills required for such work.
\n\n\n\n
Course Fees
\n\nTheater Technology 101, Maximum of 35 applicants to be accepted, NTD.6000 per person
\n\nStage Management 101, Maximum of 30 applicants to be accepted, NTD.4800 per person
\n\nRegistration Time: 6/4(Sat)12:00 to 6/23(Thu)23:59
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\n\n
Team Introduction
\n\nAbout the TATT team of instructors
\n\nThe Taiwan Association of Theatre Technology (TATT), founded on January 18, 1998, is Taiwan's center for members of the International Organization of Scenographers, Theatre Architects and Technicians.
\n\nTATT's mission is to conduct and promote the exchange of knowledge and experience of theater technicians and boost creativity and technical skill in theater design domestically and internationally as a means of advancing the thriving development of the performing arts. TATT members include individuals and organizations involved in such theater-related fields as design, technology, education, research, publication, operations, management, equipment, and architectural design, as well as artists in the TV and film industries.
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},createdAt:1653463822,updatedAt:1655704093,updatedBy:"林蔚行",host:!0},{_id:"628de6fc43d46d000727a465",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1657105200,discrete:[{time:1657105200},{time:1659524400},{time:1662548400},{time:1664967600},{time:1667386800},{time:1670410800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1a5ef525148a19175973f5d177c751cb",title:"2022【武營來跳舞】"}],related:[],title:"2022【武營來跳舞】7-12月",cover:"ae0cc127f0d382ec1e33abfca83d87b4",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
大眾參與,與眾不同的舞蹈初體驗
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跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同藝術家的帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t \n\t\t\t授課:蘇威嘉 \n\t\t\t助教:方妤婷 \n\t\t\t | \n\t\t\t「大家一起來跳舞-觀察肢體」 | \n\t\t\t已結束 | \n\t\t
8/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t「大家一起來跳舞-開發肢體」 | \n\t\t||
9/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t「大家一起來跳舞-創造肢體」 | \n\t\t||
10/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉麗娟 \n\t\t\t 助教:王雨婕 | \n\t\t\t「打造浪漫芭蕾情境」 | \n\t\t\t立即報名 | \n\t\t
11/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t「仙女如何輕盈」 | \n\t\t||
12/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t「優雅的圓舞曲」 | \n\t\t
\n\n
藝術家:蘇威嘉、助教:方妤婷
\n\n©攝影 呂國瑋
\n\n蘇威嘉
\n\n1981年生於臺灣高雄,畢業於國立臺灣藝術專科學校,受吳素芬教授啟發,畢業後於2004年成立驫舞劇場,長期為舞團編創新作與演出。2007年集體創作作品《速度》獲得第六屆台新藝術獎表演類年度大獎,2012年與陳武康合作的自傳式作品《兩男關係》於德國獲科特尤斯編舞大賽金獎與最佳觀眾票選獎。2009至2013年在美國芭蕾大師艾略特費爾德邀請下,加入Ballettech舞團擔任客席舞者。2013年開始蘇威嘉開始進行以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出,並結合擴增實境(AR),「跳」出劇場的空間限制。近年除了持續跳舞、創作,也開始作為舞蹈工作者的社會責,並四處分享跳舞的喜悅於各地。
\n\n\n\n
課程簡介
\n\n由蘇威嘉帶領的《大家一起來跳舞》舞蹈肢體開發課程,結合肢體開發、身體察覺、舞蹈創作,希望透過舞蹈打開身體,拉近人與人之間的距離。透過語言指令給予類似遊戲般的規則和限制,讓每個人都能親身體驗舞動身體的感受,依靠想像力引導肢體,探索身體的無限可能;藉由舞步及運用自己的大小肌肉,與自己的身體對話,同時與身旁的夥伴互動,跳出屬於自己的舞蹈,將藝術能量散播給更深更廣的大眾。
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藝術家:葉麗娟、助教:王雨婕
\n\n葉麗娟
\n\n國立臺灣藝術專科學校舞蹈科畢業
\n\n曾獲國家劇院榮譽芭蕾舞者「明日之星」,並榮獲臺北「ICRT──青春之星」國內「舞蹈表演獎」。曾任臺北首督芭蕾舞團、臺北組合語言現代舞團創團首席舞者,和蒂摩爾古薪舞團客席舞者、滯留島舞蹈劇場以及HPS舞蹈劇場客席舞者、台南蘭陵芭蕾舞團芭蕾老師。現任高雄城市芭蕾舞團、左營高中,、左派舞蹈協會之客席舞者。
\n\n2003~2021年高雄城市芭蕾舞團「2021高雄春天藝術節 環境舞蹈《華麗的年代》」、芭蕾創作「點子鞋Dance Shoe」系列I~XⅦ;高雄城市芭蕾舞團:《火Fire》、《水Water》、《19世紀浪漫芭蕾》(農民雙人舞)、《光Light》、《胡桃鉗The Nutcracker》(西班牙獨舞)、《仙履奇緣 Cinderella》、《彼得與狼》(飾演彼得)&創作芭蕾《綻》(擔任雙人舞和solo)、《帕吉達Paquita》、《傾城之戀love in city》、《祭禮Rite》&《仙女們Les Sylphides》、《牡丹亭The Peony Pavilion》(飾演杜麗娘);HPS舞蹈劇場《暗角》、滯留島舞蹈劇場:《Lost in Grey》(赴英國「愛丁堡藝穗節」演出)、《魚貫職態》、《時代下的灰斑》;「高雄春天藝術節KSAF」:《茶花女》、《春之祭》、《東之風──鼓踞雄風》(擔任主要角色);廖末喜舞蹈劇場《靈動運河》(客席舞者);蒂摩爾古薪舞集《Kurakuraw.戀羽》(擔任獨舞者,赴加拿大「原住民藝術節」)、《Kavulungan.會呼吸的森林》、《Kavaluan.戀念百合》、《Mananigai.勇士》;「高雄世界運動會」開幕典禮(演出大雙人舞);左派舞蹈協會之舞劇《對弈 Chess》(飾演虞姬,參加2008年「愛丁堡藝穗節」) 、《牽連.連牽》(擔任女主角);左中舞30週年《Ha! Happy Birthday》。擔任法國普雷祖卡芭蕾舞團高雄演出客席芭蕾指導;2003~2018年間帶領左營高中舞蹈班參加澳洲阿得列德、法國昂熱世界舞蹈節、新加坡、蘇州、美國邁阿密、香港、馬來西亞、美國科羅拉多等各舞蹈節。
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課程簡介
\n\n喜歡舞蹈的人,大多數喜歡看芭蕾舞的表演,即使看不懂,也會被芭蕾舞者的線條與精彩的技巧而驚豔! 場中預計有數支把桿擺放著,先認識芭蕾,讓芭蕾舞可以融入生活,不但能改變體態,舉止變得優雅有氣質且增加自信心! 這項運動是緩和的,卻可達到肌肉的訓練,不分男女老少,安全性高,勢必可成為全民運動!
\n\n\n\n
芭蕾舞者通常有個細長的脖子以及直挺挺的軀幹,這有功於多年沈浸在芭蕾訓練與聆聽古典音樂的環境裏,而長出來的氣質~ 首先利用雙手扶把,平穩把身體重心站高且提氣,並開始感受腳指、腳踝、膝蓋,練習這些關節的彎直動作,再配合雙手左右平衡的擺動,把芭蕾的舞姿,自然的呈現出美麗順暢的流暢感~
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認識芭蕾腳的位置及手的位置,身體主軸是方正,四肢是圓的走向,配合呼吸,將華爾滋舞步,搭配3拍子的弦律慢慢帶入⋯步伐可大可小,更可轉換方向的律動感~
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弦律優美的古典音樂,帶領大家先暖身10分鐘,接著由老師講解芭蕾基本,淺顯易懂的動作,提醒大家該注意的重點,一套接著一套,由瞭解到熟悉,從把桿進行到不扶把的場中,不急不徐將芭蕾組合,帶入身體與空間的流動,相信這美麗的畫面可以深植人心,讓芭蕾融入生活裡!
\n\n\n\n
\n',team:""},createdAt:1653466876,updatedAt:1669087367,updatedBy:"林蔚行",host:!0},{_id:"62942f1743d46d000729eb93",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661754600,discrete:[{time:1661754600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1526092217112948741"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"055ebe3c48dde98b0f216f13f5e388b9",title:"勝利交響樂團-巡迴音樂會《絢麗之夏》"}],related:[],title:"勝利交響樂團-巡迴音樂會《絢麗之夏》",cover:"82e420972223160a54fce2c7ccebe659",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次勝利交響樂團的巡迴音樂會,以大人小孩皆適合聆聽的曲目為主要安排,將一首首耳熟能詳的經典作品,精彩演繹給熱愛古典音樂的觀眾們。演出曲目包括:《蘇佩:輕騎兵序曲》、《佛漢·威廉斯:英國民謠組曲》等,期待以扣人心弦的樂音安撫人心,以悅耳愉快的音樂振奮人心,令世界充滿希望,同時讓有音樂點綴的生活更多元而豐富。
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演出曲目
\n\n莫札特:《G 大調第 3 號小提琴協奏曲》
\n\n柴可夫斯基:《C大調弦樂小夜曲》
\n\n蘇佩:歌劇《輕騎兵》序曲
\n\n佛漢·威廉斯:《英國民謠組曲》
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演出暨製作團隊
\n\n樂團首席|歐之瑀
\n\n樂團|勝利交響樂團
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Victor Symphony Orchestra will present a selection of well-known classic repertoires suitable for adults and children in the upcoming tour to audiences who love classical music.The selection includes Tchaikovsky: Serenade for String Orchestra in C Major, Op.48, Mozart: Violin Concertos, Suppé: Light Cavalry Overture, and Ralph Vaughan Williams: English Folk Song Suite, etc.
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Program
\n\nMozart:Concerto no. 3 in G major
\n\nTchaikovsky:Serenade for String in C Majior
\n\nFranz von Suppé:Light Cavalry Overture
\n\nR.V. Williams:English Folk Song Suite
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Creative and Production Team
\n\nConductor|Duan,Fu Hsuan
\n\nPrincipal|Ou, Chih-Yu
\n\nOrchestra|Victory Symphony Orchestra
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\n',team:""},createdAt:1653878551,updatedAt:1660915393,updatedBy:"通泰系統管理員",host:!1},{_id:"62943e48557b990008a57cec",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1660390200,discrete:[{time:1660390200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500,2e3,3e3],link:"https://www.opentix.life/event/1389527109765677062"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"734384bd30e0068df1e320767d9e2ce1",title:"台北大師星秀音樂節《2022大師星秀音樂節交響音樂會》"}],related:[],title:"《2022大師星秀音樂節交響音樂會》",cover:"8c892e949ae431c87446f22d7baf1684",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
延續往年令人驚豔的演出,TMAF仍持續探索年輕音樂家的更多潛力,在經過頂尖樂團首席、知名室內樂家,以及活躍的獨奏家們密集指導下共同登台,由指揮大師長野健帶領TMAF管絃樂團演出,集結三位獨奏家與樂團合作貝多芬三重協奏曲,以及如歌、精巧、宛如天國之聲的馬勒第四號交響曲。為人津津樂道的傳統亦將承襲,師資與學子比肩而坐,使後進不僅親炙大師指導,更實際同台創造音樂。疫情固然形成挑戰,但TMAF仍在經歷風霜後持續茁壯,成為一股堅定並不可忽視的力量。去年,這個音樂節美麗的名字響徹舊金山;今年,將再度把世界帶回臺灣。
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演前導聆
\n\n2022/8/13(六)18:30 音樂廳三樓大廳
\n\n由夜鶯基金會贊助,張皓閔老師主講
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演出曲目
\n\n貝多芬:C大調三重協奏曲,作品 56
\n\n馬勒:G大調第四號交響曲
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演出暨製作團隊
\n\n指揮|長野健
\n\n女高音|艾莉卡.拜科夫
\n\n小提琴|林昭亮
\n\n大提琴|卡特.布雷
\n\n鋼琴|兒玉麻里
\n\n台北大師星秀音樂節管弦樂團
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團隊介紹
\n\n指揮|長野健
\n\n長野健被視為現今最傑出的歌劇及管絃樂指揮家之一。自2015年起,他開始在漢堡國家歌劇院擔任音樂總監暨漢堡愛樂國家管絃樂團首席指揮。自2006至2020年間,長野健亦同時於蒙特婁交響樂團擔任音樂總監,並在2021年2月成為該團的榮譽指揮。2006年,長野健應聘為柏林德意志交響樂團榮譽指揮,並於2019年與科隆協奏團進行「解讀華格納」計畫。在國際樂壇上極受歡迎的長野健,經常受邀與世界各地一流交響樂團合作,其中包括巴伐利亞廣播交響樂團、法國廣播交響樂團及維也納交響樂團等。
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女高音|艾莉卡.拜科夫
\n\n俄裔美籍女高音艾莉卡.拜科夫在大都會歌劇院2021/22樂季中,於魏格勒指揮下首次登台演出,演唱穆梭斯基歌劇《鮑利斯.戈多諾夫》庫賽妮雅一角,並在音樂總監亞尼克.聶澤-賽金帶領下演唱莫札特歌劇《費加洛的婚禮》的芭芭麗娜。2018至2020年間,拜科夫為里昂歌劇院駐團歌手,曾飾演的角色包括拉威爾歌劇《頑童與魔法》中的火、公主及夜鶯,布拉赫爾歌劇《羅密歐與茱麗葉》中的茱麗葉,並在魯斯提歐尼指揮里昂歌劇院管弦樂團演出馬勒第四號交響曲。近期則在瑞士韋爾比耶音樂節的歌劇樂坊中演出普契尼《波西米亞人》穆塞塔一角。2022年她首次在葛拉茲音樂協會廳登台,演出威爾第歌劇《納布果》安娜一角。
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小提琴|林昭亮
\n\n出生於臺灣,其具說服力的演奏和一流的音樂技巧廣受世人認可。在超過三十年的演奏生涯中,以獨奏家的身分自在優遊於管絃協奏、獨奏會、室內樂及教學等舞台。作為當代音樂的倡導者,林昭亮樂於和作曲家合作,曾首演如譚盾、約翰.哈比森、克里斯朵夫.盧瑟、拉羅.席弗林、盛宗亮等人的作品。2001年起擔任加州拉荷雅音樂協會夏日音樂節音樂總監,將這個過去僅以室內樂為主的音樂節,發展成為多學科的節慶,內容含括舞蹈、爵士樂以及迅速發展的新音樂節目。他亦活躍於亞洲樂壇,經常與環太平洋地區的各大樂團合作,並擔任香港國際室內樂節的藝術總監。由於熱衷音樂教育,創立台北大師星秀音樂節,希望把一流的師資及教育方式帶給有才華的年輕音樂家。
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大提琴|卡特.布雷
\n\n卡特.布雷於1996年成為紐約愛樂大提琴首席,由 The Fan Fox and Leslie R. Samuels基金會贊助其席位。次年,他首次以獨奏家身份與紐約愛樂在當時音樂總監庫特.馬舒指揮下,演出柴科夫斯基《洛可可變奏曲》。此後,他幾乎每個樂季都以獨奏家身份演出,並在愛樂的音樂節「巴哈變奏」中,演出巴哈整套無伴奏大提琴組曲。2020年2月,在音樂總監梵志登指揮下,於林肯中心演出海頓C大調大提琴協奏曲。布雷於1981年贏得羅斯托波維奇國際大提琴大賽,引起國際樂壇關注。他亦獲得包括格雷戈爾.皮亞提果斯基紀念獎、艾佛.費雪職業生涯獎和青年藝術演奏家邁可斯獎,也是第一位獲得美國藝術委員會表演藝術獎的音樂家。
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鋼琴|兒玉麻里
\n\n兒玉麻里深刻而自然的音樂性,以及她獨特且清晰的音色表現力,使她成為國際頂尖鋼琴家之一。她被視為貝多芬權威,其擅長曲目更是跨越各個時期的管絃樂、室內樂及獨奏鋼琴作品,皆獲得高度讚賞。兒玉麻里自1995年於紐約卡內基廳首次登台後,即開始她輝煌的演奏生涯,與各大頂尖樂團及一流指揮家合作演出,足跡遍布世界各大音樂場館。此外,兒玉麻里亦經常受邀於各大音樂節演出。她的貝多芬鋼琴作品專輯備受矚目,她所詮釋的貝多芬已成為一個典範。她亦是少數出版過貝多芬奏鳴曲全集的女性鋼琴家,這一套耗時十一年的系列專輯於2014年發行,獲得極好的評價。
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台北大師星秀音樂節管弦樂團
\n\n由藝術總監林昭亮號召創立於2019年之台北大師星秀音樂節(TMAF)管絃樂團、是由所有參與的師生共同組成:來自世界各地15至30歲之間的年輕音樂家,經甄選脫穎而出並完成兩週密集訓練之後,在大師們帶領之下一同巡迴演出。歴屆帶領TMAF管絃樂團演出指揮大師包括林望傑(2019),史拉特金(Leonard SLATKIN)(2021),以及長野健(Kent NAGANO) (2022)。巡迴演出地點包括臺北國家音樂廳、臺中國家歌劇院、高雄衛武營國家藝術文化中心、奇美博物館、史丹佛大學戶外劇場(Frost Amphitheater) 以及舊金山音樂學院休姆音樂廳 (Caroline H. Hume Concert Hall)等,備受好評。近年來TMAF管絃樂團每年夏季定期巡迴演出,已成為亞洲重要的音樂盛事之一。
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指導單位|文化部
\n\n主辦單位|台北大師星秀音樂節
\n\n協辦單位|衛武營國家藝術文化中心、國立臺北藝術大學音樂學院、墨宇文化有限公司
\n\n贊助單位|力晶文化基金會、勇源教育發展基金會、富邦金控、財團法人張榮發基金會、財團法人文龍文化藝術教基金會、信義房屋、和德昌股份有限公司(麥當勞)、京城銀行
\n\n指定住宿|晶華酒店、捷絲旅
\n\n指定航空|長榮航空
\n\n永續夥伴|安聯投信
\n\n\n\n
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As with the outstanding performances of the previous years, TMAF will continue to discover the potential of young musicians this year. They will receive in-depth coaching from the principals of the world's leading orchestras, renowned chamber groups, and many other active and prominent musicians. Under the baton of Maestro Kent NAGANO, the TMAF Orchestra will perform BEETHOVEN's Triple Concerto, comprising three soloists, and MAHLER's liltingly exquisite and heavenly Symphony No. 4.
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The much-heralded tradition will carry on, with the faculty performing side-by-side with the participants, creating music together on stage.
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Despite the challenges of the pandemic, TMAF continues to thrive in the face of the storm and is a force to be reckoned with. Last year, TMAF's remarkable reputation resonated throughout San Francisco. This year, TMAF puts Taiwan on the global stage once again.
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Pre-talk
\n\n2022/8/13(Sat)18:30 Concert Hall 3rd Floor
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Program
\n\nL. v. BEETHOVEN: Triple Concerto in C Major, Op. 56
\n\nG. MAHLER: Symphony No. 4 in G Major
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Creative and Production Team
\n\nConductor|Kent NAGANO
\n\nSoprano|Erika BAIKOFF
\n\nViolin|LIN Cho liang
\n\nCello|Carter BREY
\n\nPiano|Mari KODAMA
\n\nTMAF Orchestra
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Advisor|Ministry of Culture
\n\nOrganizer / Presenter: Taipei Music Academy & Festival
\n\nCo-organizer|National Kaohsiung Center for the Arts (Weiwuying), Taipei National University of the Arts School of Music, Atmos Culture Company Limited
\n\nSponsor|Powerchip Cultural Foundation, Chen-Yung Foundation, Fubon Financial Holding Co., Ltd, Chang Yung-Fa Foundation, Wen Long Cultural Foundation, Sinyi Realty Inc., Prospect Hospitality Co. Ltd (McDonald's Restaurants), King's Town Bank
\n\nAccommodation|Regent Taipei, Just Sleep
\n\nAirlines|Eva Airways Corporation
\n\nSustainable Partnership: Allianz Global Investors
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孟德爾頌與舒曼是浪漫樂派兩位深具代表性的作曲家,孟德爾頌較舒曼年長一歲,兩人的足跡在前者擔任萊比錫布商大廈管絃樂團指揮時交會。除了私下往來之外,孟德爾頌亦演出舒曼的作品,譬如說舒曼第二號交響曲首演時,就由孟德爾頌擔任指揮。孟德爾頌對圖像的感覺敏銳,曾說「我從繪畫、廢墟及自然景觀中找到最豐富的音樂。」,《芬加爾岩洞》序曲是很好的例子。他藉這首樂曲描繪首次訪英之行,赴蘇格蘭芬加爾岩洞的旅遊印象。音樂鋪陳構成這個岩洞的玄武岩柱巍峨矗立的壯觀,孤佇一隅、空無人煙的寂寥以及暴風雨襲擊、呼嘯、浪捲澎湃的景象。舒曼畢生受精神疾病的困擾,在沮喪與亢奮兩極之間迴盪。當他譜寫第二號交響曲之前,陷入嚴重的情緒低潮,儘管如此,舒曼勉力完成了這首作品,稱它為一個黑暗時期的紀念。樂曲藉由明與暗、光與影的對比,反映出舒曼內心的抗爭,他的煩躁、易怒的心境。這場音樂會中同時演出德國當代作曲家魏德曼為妹妹量身訂作的小提琴協奏曲。他親任指揮,妹妹擔任獨奏。這是見證作曲者與被題獻者親密互動的歷史性一刻,務必把握。
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演前導聆
\n\n2022/9/2(五)18:50 音樂廳三樓大廳
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演出曲目
\n\n孟德爾頌:《芬加爾岩洞》序曲,作品26
\n\n魏德曼:第二號小提琴協奏曲
\n\n舒曼:C大調第二號交響曲,作品61
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演出暨製作團隊
\n\n指揮|約格・魏德曼
\n\n小提琴|卡洛琳・魏德曼
\n\n樂團|國家交響樂團
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團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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共同主辦:國家交響樂團、衛武營國家藝術文化中心
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MENDELSSOHN and SCHUMANN were two leading composers of the Romantic period. One year older than SCHUMANN, MENDELSSOHN met him in Leipzig while the former was directing the Leipzig Gewandhaus Orchestra. In addition to sharing a close friendship, many of SCHUMANN's compositions were performed under MENDELSSOHN's baton, such as the premiere of his Second Symphony. MENDELSSOHN's sense of visual structure was compelling. Once he stated, "it is in pictures, ruins, and natural surroundings that I find the most music." No work and no surroundings produced as much compositional success as MENDELSSOHN's trip to Scotland and the writing of his Hebrides Overture. The grandeur of the caves, the solitude that comes from being in the middle of nowhere, the swelling of the sea, and the fury of the waves breaking on the cliffs were distinctly portrayed. SCHUMANN's life was marked by alternating periods of depression and exhilaration. By the time he began writing his Second Symphony, he had hit rock bottom. Gradually, he recovered the will to carry on and complete the work and commented that "it reminds me of dark days." The contrasts between radiance and darkness, light and shadow in the music reflects the internal struggles of SCHUMANN, his unrest and frustrations. In this concert the German composer WIDMANN will lead the NSO in performing his Violin Concerto No. 2 which was custom-made for his sister. This intimate communication between composer and dedicatee is a must-hear.
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Pre-talk
\n\n2022/9/2(Fri)18:50 Concert Hall 3rd Floor
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Program
\n\nF. MENDELSSOHN: The Hebrides Overture, Op. 26
\n\nJörg WIDMANN: Violin Concerto No. 2
\n\nR. SCHUMANN: Symphony No. 2 in C Major, Op. 61
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Creative and Production Team
\n\nConductor: Jörg WIDMANN
\n\nViolin: Carolin WIDMANN
\n\nOrchestra: National Symphony Orchestra
\n\n\n\n
Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n',team:""},createdAt:1653885361,updatedAt:1661339891,updatedBy:"林蔚行",host:!1},{_id:"62945f9a557b990008a58280",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662186600,discrete:[{time:1662186600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,800,1200],link:"https://www.opentix.life/event/1539938701842407426"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《魏德曼綺想》"}],related:[],title:"NSO國家交響樂團《魏德曼綺想》",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
現代音樂創作,實驗性強、手法前衛,這是優勢,但也是觀眾卻步的原因。事實上,就因為包羅萬象,造就了現代音樂的多元化,更能開拓聆聽者的視野。
\n\n\n\n
德國單簧管演奏家兼作曲家約格・魏德曼,他的音樂語法時而古典、時而現代,不論是哪種樂器編制,在他的筆下總有讓人炫目、充滿趣味的舞台效果,引人入勝。此次演出的《狩獵》弦樂四重奏,藉著生動的肢體語言,加上維妙維肖的音響設計,音樂中有畫面,絕對讓您身歷其境!
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魏德曼的單簧管獨奏曲《三首影舞》,把這項木管樂器的音色變化,發揮得淋漓盡致。他為小提琴獨奏所作的練習曲,緊繃的音樂張力,扣人心弦,彷彿一部希區考克風格的微電影。帶著想像力來聆聽,您也是創作者之一!
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現代音樂,難懂嗎?音樂家兄妹現身說法,讓你聽其然,更聽其所以然!
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演出曲目
\n\n魏德曼:第三號弦樂四重奏《狩獵》
\n\n魏德曼:小提琴練習曲,I-III
\n\n魏德曼:《三首影舞》
\n\n巴爾托克:《對比》給小提琴、單簧管和鋼琴
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演出暨製作團隊
\n\n單簧管:約格・魏德曼
\n\n小提琴:卡洛琳・魏德曼、鄧皓敦、李宜錦
\n\n中提琴:黃瑞儀
\n\n大提琴:連亦先
\n\n鋼琴:王佩瑤
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團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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\n\n
共同主辦:國家交響樂團、衛武營國家藝術文化中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《魏德曼綺想》"}],related:[],title:"National Symphony Orchestra - WIDMANN with Friends",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Modern music is highly experimental and avant-garde, which is an advantage, but it is also the reason why it challenges the audience. It is because of its inclusiveness that modern music is so diversified and can expand the horizons of listeners.
\n\nGerman clarinetist and composer Jörg WIDMANN, whose musical grammar is a mix of Classical and Modern, can always create a dazzling and intriguing stage effect regardless of instrumentation. His Hunting Quartet will be performed with vivid body language and fascinating acoustic design, and definitely will provide you with an immersive experience with the music full of images. WIDMANN's clarinet solo piece, Three Shadow Dances, brings the timbre of this woodwind instrument into full play. The etudes he wrote for the violin have a strong tension that tugs at the heartstrings, just like a HITCHCOCK-style micro-movie. Enjoy the music with imagination, and you can be the creator of your experience. Is modern music difficult to understand? Let's hear out this pair of musician siblings, and let them show you the hows and whys through their brilliant performance.
\n\n\n\n
Program
\n\nJörg WIDMANN: String Quartet No.3, Hunting Quartet
\n\nJörg WIDMANN: Études, I-III
\n\nJörg WIDMANN: Three Shadow Dances
\n\nB. BARTÓK: Contrasts for Violin, Clarinet, and Piano
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Creative and Production Team
\n\nClarinet|Jörg WIDMANN,
\n\nViolin|Carolin WIDMANN, TENG Hao-tun, LI I-ching,
\n\nViola|Grace HUANG
\n\nCello|LIEN Yi-Shien
\n\nPiano|WANG Pei-yao
\n\n\n\n
Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
\n',team:""},createdAt:1653890970,updatedAt:1661339927,updatedBy:"林蔚行",host:!0},{_id:"6296013a68f93b0007f52df1",catalogs:["5fe2bffdde1961000737545c","60175764537e520007436189"],dateTime:{first:1662087600,discrete:[],type:"continuous",continuous:{time:[1653966e3],endTime:[1654002e3],start:1662048e3,end:1665331200}},activity:{type:"free",free:{description:"免費觀賞",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》"}],related:[{from:"programs",key:"6295eead68f93b0007f52b50",title:"《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》"},{from:"programs",key:"62ec75abc60b780008c41c09",title:"【講座】焚而不毀的音樂創作—音樂哲人陳泗治"}],title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"衛武營展覽廳"},cautions:"",benefits:"",description:"此展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯...",introduction:'
出生於1911年的陳泗治,為臺灣以西洋音樂技法創作的先鋒者,1936年在日本伊豆半島完成神劇式的合唱曲《上帝的羔羊》,為臺灣最早的合唱曲,1939年在臺北完成鋼琴組曲《台灣素描》,為臺灣最早的鋼琴曲,紛紛創下紀錄。1981年1月23日赴美定居,1992年9月23日於美國加州過世。2022年適逢陳泗治逝世三十周年,此紀念展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯,展出其擔任牧師與淡江中學校長等重要職務之生前相關的文物,並以數位多媒體、紀錄片方式,讓他的音樂被更多人認識。此展覽以「上帝與家園的浪漫」為展覽主題,為凸顯陳泗治以西方浪漫手法的創作風格,和以基督信仰為中心的生命歷程與活動,也呼應今年為馬偕在臺宣教150年,展覽內容包括陳泗治生命簡史與日治時期的「鄉土訪問音樂演奏會」、陳泗治的啟蒙老師,即被稱為「北部教會音樂之母」的吳威廉牧師娘 — 吳瑪利、亦師亦友的德明利宣教師,被呂泉生尊稱為臺灣合唱之父的陳清忠,樂譜出版與唱片CD,和陳泗治數十年來的筆記、講道稿等,讓參觀的民眾體會到被敬稱為「音樂哲人」的陳泗治他集傳道、創作與教學的偉大一生。
\n\n\n\n
團隊介紹
\n\n計畫主持人與策展人|徐玫玲教授
\n\n國立臺灣師範大學音樂學系畢業,赴德學習、畢業於漢堡大學音樂學系,取得音樂學碩士與音樂學博士 (PhD),現為輔仁大學音樂學系專任教授。積極從事臺灣音樂研究,於專書和期刊論文發表相關之研究成果,並於2008年出版的《臺灣百科辭書》擔任〈流行篇〉之主編,並協助〈當代篇〉規劃、編輯臺灣音樂之重要人物、歌曲、唱片公司與相關重要事件等之辭條,邀請辭條撰稿人,並曾進行相關的人物訪談,在這費時五年的編輯期間,對臺灣音樂發展的脈動有深刻的掌握與研究心得;2021年8月起,執行為期一年的科技部專題研究計畫「焚而不毀的音樂傳承 — 陳泗治音樂生命史之研究」。
\n\n\n\n
展覽顧問與英文翻譯|陳信雄博士
\n\n陳泗治獨子陳信雄博士,取得美國茱麗亞音樂學院碩士、協和神學院教會音樂碩士,與愛荷華大學指揮博士,並曾任教於羅斯福大學芝加哥音樂學院,擔任管弦樂系系主任,不僅在管弦樂指揮技法上受過嚴格的訓練,又因是陳泗治的長子,對於陳泗治許多的文物、照片有深入的了解,是本展覽最佳諮詢對象。
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\n\n
共同主辦: 衛武營國家藝術文化中心、國立傳統藝術中心臺灣音樂館
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節目資訊
\n\n2022/10/1(六)19:30 衛武營表演廳
\n\n\n\n\n\n2022/9/3(六)14:30 衛武營排練室1192
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\n\t\t |
\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti "}],related:[],title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti ",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"Weiwuying Exhibition Hall"},cautions:"",benefits:"",description:"This commemorative exhibition honors CHEN Su-ti - a pioneer musician in the Taiwanese music industry who adopted western composing techniques.",introduction:'
Born in 1911, CHEN Su-ti was a pioneer musician in Taiwan who adopted western composing techniques. In 1936, he completed the oratorio-style chorus The Lamb of God—Taiwan's first chorus, in Izu Peninsula, Japan, and in 1939, completed the piano suites Taiwan Sketches—Taiwan's first piano piece, in Taipei, setting successive records. He moved to the United States on January 23, 1981 and passed away in California on September 23, 1992. The year 2022 marks the 30th death anniversary of CHEN Su-ti. This commemorative exhibition will present his musical career as a first-generation pianist and composer in Taiwan, cultural relics related to his roles as a pastor and the principal of Tamkang Senior High School, and makes use of digital multimedia and documentaries to allow more people to recognize his music. Under the theme Love for God and Homeland, this exhibition not only highlights CHEN Su-ti's western romantic-style composing techniques and his life course and events based on a Christian faith, but as this year coincides with the 150th anniversary of Rev. MACKAY's mission in Taiwan, also includes a brief history of CHEN Su-ti's life and the Hometown Visit Concert from during the Japanese colonial period. Elements such as his mentor Margaret GAULD- known as the "Mother of Northern Church Music" and wife of Rev. William GAUL, Miss Isabel Taylor, a teacher and friend, CHEN Ching-chung – named by LU Chuan-sheng as the "Father of Chorus in Taiwan", published music scores and CDs, as well as CHEN Su-ti's notes and sermon notes over the past few decades will allow attendees to experience CHEN's great life of preaching, composing and teaching.
\n\n\n\n
Program
\n\n2022/10/1(Sat)19:30 Recital Hall
\n\n►Love for God and Homeland-CHEN Su-ti Memorial Concert
\n\n\n\n
\n\n
Sponsor
\n\n\n',team:""},createdAt:1653997882,updatedAt:1662110311,updatedBy:"林蔚行",host:!0},{_id:"629f0a44c9bbe000072a98c1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1460532366136508421"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"《2022雙子二重奏 打擊樂音樂會》"}],related:[],title:"《2022雙子二重奏 打擊樂音樂會》",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
雙子二重奏首次的臺灣巡演,將呈現這三年內於丹麥及世界各地演奏受到大量迴響的作品,音樂風格跨古典、現代、電音、民謠、極簡主義等風格,以四大主題的展現-經典再現、雙子精神、古體擊用、以及臺灣故事,來完整詮釋屬於現階段的雙子二重奏。
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演出曲目
\n\n天黑黑
\n\n帕薩卡利亞
\n\n42 街輪旋曲
\n\n飄移
\n\n分層元素
\n\n木琴靈歌
\n\n草螟弄雞公
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演出暨製作團隊
\n\n節目製作|雙子二重奏
\n\n演出者|簡任廷
\n\n演出者|簡任佑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"2022 Twincussion Duo Recital"}],related:[],title:"2022 Twincussion Duo Recital",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert is their debut in Kao-Hsiung, they will bring a distinguished selection of music, including transcriptions on marimba, newly commissioned works, exciting drum beats, Taiwanese folks songs, and audience-interaction to the audience in Southern Taiwan.
\n\n\n\n
Program
\n\nCloudy Sky
\n\nPassacaglia
\n\n42nd Street Rondo
\n\nDrift
\n\nLayered Elements
\n\nMarimba Spiritual II
\n\nGrasshopper Playing Tricks on a Rooster
\n\n\n\n
Creative and Production Team
\n\nProduce|Twincussion Duo
\n\nMusician|Jen-Ting CHIEN
\n\nMusician|Jen-Yu CHIEN
\n\n\n\n
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無每一個音高、每一分移動、每一抹音色、每一 縷和聲,都有著「或許」的「必然」。前奏曲可說是「作曲鋼琴家」們最鍾愛的小曲,形體袖珍,言簡意賅,卻能「解壓縮」發揮無限創意。雖說世間之音不僅24種調,但在作曲家手中,24個刻度已幻化出無數色彩、光影。鋼琴家顏華容重現引起樂迷高度興趣的「調性與調興——北國的年輕蕭邦們」,更加碼首演從未在臺灣完整演出的阿任斯基12首前奏曲,補齊來自柴科夫斯基的影響,呈現聖彼得堡與莫斯科派的鋼琴音樂學派理念,讓愛樂者同場聽到巴赫與蕭邦遺風在俄羅斯大地滋長盛開的繽紛色彩。
\n\n\n\n
演出曲目
\n\n拉赫瑪尼諾夫:升G小調前奏曲,作品32第12首
\n\n拉赫瑪尼諾夫:升F小調前奏曲,作品23第1首
\n\n斯克里亞賓:第二號升G小調鋼琴奏鳴曲,作品19
\n\n斯克里亞賓:第三號升F小調鋼琴奏鳴曲,作品23
\n\n斯克里亞賓:第十號鋼琴奏鳴曲,作品70
\n\n拉赫瑪尼諾夫:第二號降B小調鋼琴奏鳴曲,作品36
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|顏華容
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab17a4eef59166c8e5702eb6adb3c4a1",title:"《顏容2022獨奏會II - 視界之外》"}],related:[],title:"Artemis Yen Piano Recital 2022",cover:"b126d9dd6ec1766f18c7da05f9047de6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Long deemed as "small pieces,' the preludes were actually the perfect combination of virtuosity and creativity. Short and indeed short of burdened of heavy forms, preludes became, through times , composer-pianists' showcase of craftiness of both their pianist- and composer- selves.Chopin took the torch from Bach, infused the essence of 24 tonalities into piano, and thus set the "Preludes in all tonalities" tradition. This beautiful tradition was well garnered by the Russian composer-pianists such as Arensky, Scriabin, and Shostakovich, and many more. Pianist Artemis Yen revives her well-acclaimed Scriabin-Shostakovich set and will introduce the rarely played Arensky 12 preludes in this concert presenting Preludes of 24 shades by "Young Russian Chopins"
\n\n\n\n
Program
\n\nRachmaninoff: Prelude in G-sharp Minor, Op.32, No. 12
\n\nRachmaninoff: Prelude in F-sharp Minor, Op.23, No. 1
\n\nAlexander Scriabin: Sonata No.2 in G-sharp minor, Op.19
\n\nAlexander Scriabin: Sonata No.3 in F-sharp minor, Op.23
\n\nAlexander Scriabin: Sonata No.10, Op.70
\n\nRachmaninoff: Piano Sonata No.2 in B-flat minor, Op.36
\n\n\n\n
Creative and Production Team
\n\nPiano|Artemis Yen
\n\n\n\n
\n',team:""},createdAt:1654592269,updatedAt:1659317793,updatedBy:"林蔚行",host:!1},{_id:"62a008dccd649e0007724965",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1500],link:"https://www.opentix.life/event/1530070491366637573"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e44a55a1eb4b134c50ed942018a9b409",title:"2022台東回響樂團《台東灶下》夏季音樂會"}],related:[],title:"2022台東回響樂團《台東灶下》夏季音樂會",cover:"0a47c4f6cd30841c9cd9721c1730bf97",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
民以食為天,音樂家也不例外,音樂家吃貨還真是不少,甚至為了美食放棄音樂都可以,如知名的作曲家羅西尼。可想而知美食是多麼誘人呀!!!民以食為天,音樂應存在於日常生活之中,台東回響樂團希望透過此次的音樂美食音樂會,來闡述美食與音樂家的點點滴滴,邀請日本女中音佐佐木菜穗子、擅長於跨界音樂呈現的指揮張尹芳、小提琴家張恆碩,和交響樂團共同演出。
\n\n\n\n
2022年8月6日高雄場夏季音樂會則以美食為發想,發掘作曲家鮮為人知、深愛美食的一面。音樂會以具故事性導聆方式,與交響樂團共同演出,喚起每一位參與體驗的觀眾的想像力,能夠透過自己的方式理解音樂、理解美食,成為藝術創作的一部分。拉近古典音樂與人的距離,認識美食音樂文化。(*高雄埸原多媒體部分因故取
\n\n
演出曲目
\n\n羅西尼:阿爾及爾的義大利女郎序曲
\n\n羅西尼:灰姑娘《不再悲傷》
\n\n羅西尼:第一號弦樂奏鳴曲,第一樂章
\n\n羅西尼:塞維里亞理髮師《我聽到一縷歌聲》
\n\n帕格尼尼:摩西幻想曲
\n\n貝多芬:普羅米修斯序曲
\n\n羅西尼:阿爾及爾的義大利女郎《想想故鄉》
\n\n巴哈:咖啡清唱劇《唉!多麼香醇甜美的咖啡》,改編為管弦樂團
\n\n莫札特:唐‧喬凡尼《香檳之歌》,改編為管弦樂團
\n\n威爾第:茶花女《飲酒歌》,改編為管弦樂團
\n\n威爾第:納布果《思念乘著金色的翅膀》,改編為管弦樂團
\n\n\n\n
演出暨製作團隊
\n\n指揮|張尹芳
\n\n女中音|佐佐木菜穗子
\n\n小提琴|張恆碩
\n\n管弦樂團|台東回響樂團
\n\n製作團隊|樂阿爾氪有限公司 慕樂藝識
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e44a55a1eb4b134c50ed942018a9b409",title:"2022台東回響樂團《台東灶下》夏季音樂會"}],related:[],title:"2022 Taitung Echo Orchestra《Taitung Kitchen》Summer Concert",cover:"0a47c4f6cd30841c9cd9721c1730bf97",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In the summer season 2022, the Taitung Echo Orchestra will present a concert inspired by food, and explore the little-known side of the composers who loves food. The concert will arouse our imagination with a story-telling way, allowing us to experience music and imagine food in our own way, and shorten the distance between classical music and us, so as to get a glimpse of different music cultures.
\n\n\n\n
Program
\n\nRossini: L'italiana in Algeri, Overture
\n\nRossini: La Cenerentola "Nacqui all'affanno e al pianto"
\n\nRossini: String Sonata No.1 in G major, mvt. 1
\n\nRossini: Il Barbiere di Siviglia "Una voce poco fa"
\n\nPaganini: Moses Fantasy
\n\nBeethoven: The Creatures of Prometheus, Op. 43, Overture
\n\nRossini: L'italiana in Algeri "Pensa alla Patria"
\n\nBach: Coffee Cantata BWV 211 "Ei! Wie schmeckt der Kaffee süße", arr. for Orchestra
\n\nMozart: Don Giovanni "Fin ch'han dal vino", arr. for Orchestra
\n\nVerdi: La Traviata "Libiamo, ne' lieti calici" , arr. for Orchestra
\n\nVerdi: Nabucco "Va, pensiero" , arr. for Orchestra
\n\n\n\n
Creative and Production Team
\n\nConductor|Yin-Fang Chang
\n\nMezzo-Soprano|Naoko Sasaki
\n\nViolin|Hen-Shou Chang
\n\nOrchestra|Taitung Echo Orchestra
\n\nProduction team|Le Ark, Mûlleur Arts
\n\n\n\n
\n',team:""},createdAt:1654655196,updatedAt:1658147090,updatedBy:"林蔚行",host:!1},{_id:"62a00ce6c9bbe000072aeaf7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660131e3,discrete:[{time:1660131e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1530028335732551684"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b0daae53d354497b5880389544aaa80",title:"《從廢墟中站起》- 台大交響夏季公演"}],related:[],title:"《從廢墟中站起》- 台大交響夏季公演",cover:"5182403e956b14c3494733db5fd18b7f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
交響曲台大交響樂團成立於1968年,創團之初篳路藍縷,在歷任指揮及指導老師、歷屆團長及幹部辛苦經營奉獻和經驗傳承、及諸多社會人士的熱誠參與協助下,樂團逐漸成長茁壯,組織規模、演奏水準日益提昇,近年來在台大校方的支持以及許多位畢業校友熱心支援下,各方面皆獲得多方熱烈迴響及好評。
\n\n\n\n
台大交響將於本場音樂會帶來膾炙人口的貝多芬《田園交響曲》以及布拉姆斯《悲劇序曲》,並與小提琴家張恆碩、大提琴家高炳坤聯手,合作布拉姆斯《雙重協奏曲》,為今夏增添德奧樂派獨有的色彩。
\n\n\n\n
演出曲目
\n\n貝多芬:第六號交響曲《田園》
\n\n布拉姆斯:悲劇序曲
\n\n布拉姆斯:雙重協奏曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|莊文貞
\n\n小提琴|張恆碩
\n\n大提琴|高炳坤
\n\n樂團|台大交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b0daae53d354497b5880389544aaa80",title:"《從廢墟中站起》- 台大交響夏季公演"}],related:[],title:"NTUSO Summer Concerto Tour",cover:"5182403e956b14c3494733db5fd18b7f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
NTUSO was founded in 1968. The orchestra endured great hardship in the beginning, thanks to the effort from the successive conductors, guiding mentors ,and members, the orchestra could gradually thrived. For the past few years, NTUSO harvested wide a range of affirmation from all sides under the support from NTU and some enthusiastic alumni.In this summer, NTUSO is going to bring the famous symphony "Pastoral" from Beethoven and the Tragic Overture from Brahms to the concert, and also the Double Concert from Brahms accompanied with the violinist CHANG Hen-Shuo and the cellist Victor COO, adding special color to this summer.
\n\n\n\n
Program
\n\nLudwig van Beethoven: Symphony No. 6 "Pastoral"
\n\nJohannes Brahms: Tragic Overture, Op. 81
\n\nJohannes Brahms: Double Concerto in A Minor, Op.102
\n\n\n\n
Creative and Production Team
\n\nConductor|CHUANG Wen-Chen
\n\nViolin|CHANG Hen-Shuo
\n\nCello|Victor COO
\n\nOrchestra|National Taiwan University Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1654656230,updatedAt:1655279908,updatedBy:"林蔚行",host:!0},{_id:"62a03a0ecd649e000772512e",catalogs:["5c1f073a5a5bea0006f3eb11","6007fc45ba34870007c22b8b"],dateTime:{first:1657247400,discrete:[{time:1657247400},{time:1657333800},{time:1657420200},{time:1659666600},{time:1659753e3},{time:1659839400},{time:1662085800},{time:1662172200},{time:1662258600}],type:"discrete"},activity:{type:"signup",signup:{limit:90,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day/)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day/)"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing address",english:"郵寄地址(申請退費時使用)Mailing address"},{required:!0,key:"62a03a37cd649e0007725140",text:"是否已滿50歲?",english:"是否已滿50歲?"}],vip:{start:1654790400,end:1661270399},open:{start:1654790400,end:1661270399},description:'
身體,陪著一起走過50年的最佳夥伴,帶著意念,牽引著身體,與夥伴再次冒險,挑戰一個未知的領域。
\n\n\n\n
「2022搖擺歲月自由步」著重肢體開發,講師將透過語言的引導,刺激學員的想像力,將生命中的點點滴滴回憶帶到此時此刻,化作一個接著一個的美麗舞蹈動作。同時,藉由舞步及運用自己身體的大小肌肉,學員們將不只與自己的肢體對話,也同時與身旁的夥伴互動。在自由舞動的過程中,與夥伴們共同創造精彩的漫舞!
\n\n《自由步》是編舞者蘇威嘉於2013年發起的「十年編舞計畫」,以十年的時間,持續開發舞步與身體的可能,在不同的舞者身上刻畫與挖掘舞蹈的樣態,展現出他們不同的身體姿態,發展出《自由步》作品多樣的的形式。而威嘉過去在與50歲以上的學員/舞者一起探索身體與舞蹈的同時,也在他們身上找到另一種舞蹈的美,歲月累積了他們身體線條的魅力,也轉化映照出每位舞者的生命歷程與獨有的韻味。因此生於高雄的威嘉這次回到家鄉,想為【2022 臺灣舞蹈平台】創造「眾人的舞」,特別希望能多多認識這樣的「前輩鄉親」,不需任何舞蹈基礎,只要有顆想動身體的心,歡迎加入與我們一起盡情搖擺,讓你看見人人都可以跳舞!
\n\n\n\n
課程內容及時間
\n\n(10:30-12:30;每堂2小時):
\n\n每月課程時間 | \n\t\t\t授課老師 | \n\t\t\t課程主題 | \n\t\t
\n\t\t\t 7月份梯次 | \n\t\t\t\n\t\t\t 蘇威嘉 | \n\t\t\t\n\t\t\t 自由步-形狀的創造 | \n\t\t
\n\t\t\t 8月份梯次 | \n\t\t||
\n\t\t\t 9月份梯次 | \n\t\t
\n\n
授課老師
\n\n蘇威嘉
\n\n\n\t\t\t | \n\t\t
©攝影 呂國瑋
\n\n2004年成立驫舞劇場,編創作品曾獲台新藝術獎表演類年度大獎、科特尤斯編舞大賽金獎。2009-2013年受美國芭蕾大師艾略特.費爾德(Eliot Feld)邀請加入Ballettech舞團擔任客席舞者。2013年開始以《自由步》為題的十年編舞計畫,被舞評形容為「將美感耕耘至極致的演出」。近年更開始關注作為舞蹈工作者的社會責任,並於各地分享跳舞的喜悅。
\n\n\n\n
方妤婷
\n\n©攝影 呂國瑋
\n\n高雄人,當代舞蹈表演者。專業舞者生涯始於雲門舞集,曾於林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》中演出。2015 年加入驫舞劇場擔任舞者與排練指導,多次與編舞家陳武康、周書毅等人合作,現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者,演出《自由步—沉浸式曲線》、《自由步— 聽身變位》、《自由步—日光、軌跡、身影》等。2019年於兩廳院 TIFA 臺灣國際藝術節演出獨舞作品《自由步—一盞燈的景身》,入圍台新藝術獎年度十大表演藝術作品。
\n\n\n\n
報名對象與方式
\n\n一、報名對象:50歲(含)以上之民眾
\n\n二、報名人數:每一梯次30人,額滿為止
\n\n三、報名費用:
\n\n四、報名時程:
\n\n五、報名流程:官網報名 → 檢視官網報名狀況 → 繳交保證金費用→ 完成報名
\n\n六、活動地點:衛武營國家藝術文化中心1192排練室
\n\n\n\n
活動注意事項
\n\n一、請穿著輕便舒適、易於活動之衣著。
\n\n二、本活動配合實聯制措施,學員必須完成報名,相關資訊敬請務必照實填寫。
\n\n三、如量測額溫逾攝氏37.5度,或連續咳嗽,則不予入場。
\n\n四、請大家需自備口罩並全程配戴,注意自己與他人安全。進入活動場地時,也須量體溫及雙手消毒。
\n\n五、活動全程禁止錄影、錄音及拍照。
\n\n六、報到入場時請以報名者真實姓名報到以利行政作業。
\n\n七、排練室內禁止飲食、飲水,排練室外可飲水,歡迎自備水壺。
\n\n八、相關問題請洽:節目部 羅先生 (07) 262-6835 shihju.lo@npac-weiwuying.org
\n\n\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 節目部
\n\n羅先生 (07) 262-6835 shihju.lo@npac-weiwuying.org
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},createdAt:1654667790,updatedAt:1667272497,updatedBy:"林蔚行",host:!0,hasSignup:!0},{_id:"62a17092c9bbe000072b4d42",catalogs:["5aec45edb01ea6000520f655"],dateTime:{first:165915e4,discrete:[],type:"continuous",continuous:{time:[1654743600],endTime:[1654779600],start:1659110400,end:1659801600}},activity:{type:"free",free:{description:"線上報名"}},attachment:{key:"b08f7ecae76731008e1f13f83d6022f5",name:"【電子節目冊】文學劇本改編工作坊.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"相關行程與課程內容",content:'
工作坊及相關行程總表
\n\n項目 | \n\t\t\t地點 | \n\t\t\t日期 | \n\t\t\t說明 | \n\t\t
第一階段 \n\t\t\t工作坊 | \n\t\t\t臺文館 | \n\t\t\t7/30、7/31 | \n\t\t\t第一階段課程,需全程參加 | \n\t\t
衛武營 | \n\t\t\t8/6、8/7 | \n\t\t\t第二階段課程,需全程參加 | \n\t\t|
第二階段 \n\t\t\t劇本創作 | \n\t\t\t線上工作 | \n\t\t\t8/8~10/8 | \n\t\t\t需完成一篇6分鐘左右劇本創作,未來交由主辦單位安排讀劇演出。 | \n\t\t
第三階段 \n\t\t\t讀劇演出 | \n\t\t\t臺文館演講廳 | \n\t\t\t12/3 | \n\t\t\t可檢視作品劇場呈現與整體完成度,並獲取讀劇演員回饋。 | \n\t\t
劇本修訂 \n\t\t\t公開及發表 | \n\t\t\t臺文館、衛武營官網 | \n\t\t\t2023/1/31 | \n\t\t\t劇本修訂完成後由臺文館編輯,公開放置於網路 | \n\t\t
\n\n
課程時間與地點
\n\n7/30 & 7/31 國立臺灣文學館
\n\n8/06 & 8/07 衛武營國家藝術文化中心
\n\n※工作坊皆提供餐食,若有住宿需求可洽兩館參考優惠住宿旅宿業者
\n\n\n\n
課程內容
\n\n日期 | \n\t\t\t時間 | \n\t\t\t課程名稱 | \n\t\t\t授課教師 | \n\t\t
7/30(六) | \n\t\t\t09:00-12:30 | \n\t\t\t劇本暖身操 | \n\t\t\t許孟霖 | \n\t\t
14:00-18:00 | \n\t\t\t世界是座舞臺—戲劇與劇場導論 | \n\t\t\t鄭芳婷 | \n\t\t|
19:30-21:00 | \n\t\t\t導演不會告訴你的事—語言與肢體 | \n\t\t\t呂毅新 | \n\t\t|
7/31(日) | \n\t\t\t09:00-12:30 | \n\t\t\t文學變身術—小說改編戲劇的技巧 | \n\t\t\t林孟寰 | \n\t\t
14:00-18:00 | \n\t\t\t改編實戰練功房—寫作練習與討論 | \n\t\t\t林孟寰 | \n\t\t|
8/01(一)至8/04(四) | \n\t\t\t實務創作;於08/04 (四) 晚上 12:00 前上繳個人作品 | \n\t\t||
8/06(六) | \n\t\t\t09:00-12:30 | \n\t\t\t從《獅子王》到神話結構改編劇本技巧 | \n\t\t\t耿一偉、陳遠 | \n\t\t
14:00-18:00 | \n\t\t\t角色對白大解密 | \n\t\t\t詹傑、吳明倫 | \n\t\t|
8/07(日) | \n\t\t\t09:00-12:30 | \n\t\t\t劇本討論排練 | \n\t\t\t\n\t\t\t 耿一偉、陳遠 | \n\t\t
14:00-18:00 | \n\t\t\tShow Time | \n\t\t\t耿一偉、陳遠 \n\t\t\t詹傑、吳明倫 | \n\t\t|
18:00-20:00 | \n\t\t\tAfter Party | \n\t\t
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報名費用
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\n'},{reference:[],type:"content",name:"師資介紹",content:'
呂毅新
\n\n影響‧新劇場團長與藝術總監。資深劇場導演和編劇,作品富有啟發與詩意,擅長口述歷史劇場、文史跨界演出與兒童與青少年劇場。積極推動文化平權、藝術共融與青年藝術家培育。為「16歲正青春藝術節」、「女性生命史轉化與演繹」等計畫主持人。
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吳明倫
\n\n現為阮劇團編劇。曾任國家兩廳院「藝術基地計畫」駐館藝術家(2019-2020年)/創作形式以劇場劇本為主,偶有小說作品,皆有意識地運用生死鬼神素材,企圖透過現代眼光重看民間信仰、連結在地文化,期望說出屬於臺灣的故事。近年作品有阮劇團《十殿》、同黨劇團《星期十,猴子死翹翹》、臺南人劇團X斜槓青年創作體《半島風聲相放伴》、江之翠劇場《行過洛津》等。
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林孟寰
\n\n臺灣大學戲劇學系劇本創作碩士。宅故事創作Story Nerds Works故事總監。第二屆臺中國家歌劇院駐館藝術家。舞台作品三十餘種,創作曾獲台北文學獎等。代表作品有:《野良犬之家》、《嫁妝一牛車》等。出版著作有《方舟三部曲》等。曾以電視劇《通靈少女》入圍金鐘獎迷你劇集最佳編劇。
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許孟霖
\n\n臺灣大學戲劇學系、臺北藝術大學劇本創作MFA。現為影視暨舞台劇編劇,編劇作品三十餘部,創作類型多元。曾任科技公司創意總監、創劇團核心成員。作品曾入圍臺灣文學獎、臺北文學獎、劇場奧斯卡最佳劇本獎,並獲美國休士頓影展白金獎、葡萄牙ART&TUR影展最佳觀光宣傳影片大獎。代表作有《台灣有個好萊塢》、特殊教育微電影系列、魔獸世界音樂劇。
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耿一偉
\n\n臺北藝術大學戲劇系與臺灣藝術大學戲劇系兼任助理教授,衛武營國家藝術文化中心戲劇顧問。2012-17任臺北藝術節藝術總監,倪匡科幻獎首獎得主,入選「台灣創意力100」年度最佳創意人物,獲頒德臺友誼獎章和法國藝術與文學騎士勳章。近期創作為北美館展覽「社交場」(Arena)之空間裝置《去年夏天你不在,我來過》。著有《故事創作Tips:32堂創意課》等,譯有《彼得.布魯克 空的空間Peter Brook》等。
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陳遠
\n\n臺師大地理系、北藝大劇本創作研究所畢,出版作品涵蓋劇本、小說、散文、童話、詞曲、以及地理教學與鄉土調查著作/曾獲新北文學獎、文藝創作獎、臺南文學獎、鏡文學校園小說獎等,並分別於100年及103年兩度入選九歌年度童話選/近年合作劇團包括天作之合劇場、春河劇團、全民大劇團、火焰蟲客家說演團、萍蓬草兒童劇團、流山兒祥事務所與北藝大等單位,並持續有作品散見於報刊雜誌。
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詹傑
\n\n影視暨舞臺劇編劇,現為國家兩廳院駐館藝術家(2021-2022年),2018年獲亞洲文化協會ACC贊助,前往紐約進行藝術家駐村交流。/出版有劇本書《麗晶卡拉OK的最後一夜》等。劇場作品有:《逆旅》、《寄居》、《愛滋味》、《像我這樣的查某人》、《拼裝家族》、《暴雨將至》、《白色說書人》、《微塵.望鄉》、《時光の手箱—我的阿爸和卡桑》、音樂劇《麗晶卡拉OK的最後一夜》等,影像作品有:《刺蝟男孩》、《長不大的爸爸》、《降生十二星座》、植劇場《天黑請閉眼》、植劇場《花甲男孩轉大人》、NETFLIX首支華語原創影集《罪夢者》(原創故事)、電影《花甲大人轉男孩》、《刻在你心底的名字》,多次入圍金鐘獎最佳編劇,並以《刺蝟男孩》獲第四十九屆金鐘獎最佳編劇。
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鄭芳婷
\n\n加州大學洛杉磯分校劇場表演博士,臺灣大學臺灣文學研究所副教授。研究領域包括:當代劇場、酷兒批判、島嶼論述。論著發表於TDR/The Drama Review、Asian Theatre Journal、《戲劇研究》、《中外文學》等國內外期刊及各藝術評論雜誌。
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\n'},{reference:[],type:"content",name:"讀劇呈現",content:'
2022年,國立臺灣文學館與衛武營合辦的文學劇本改編工作坊,以動物文學為主題。在八位戲劇領域講師兩梯次的授課、及一個半月的指導創作之後、學員們完成了21篇6分鐘長的舞台劇劇本,為此,臺文館特別邀請具有豐富劇場編導經驗的導演和演員,在12月4日隆重發表,歡迎對文學改編跟讀劇演出有興趣的觀眾們,千萬別錯過!
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時間與地點
\n\n時間:111年12月4日
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報名方式
\n\n►請至臺文館官方網頁進行報名
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電子節目冊
\n\n\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"aba958a9bbcc37af5dd7b875193c3a40",title:"2022 衛武營X臺文館 【第二屆文學劇本改編工作坊】"}],related:[],title:"2022 衛武營X臺文館 【第二屆文學劇本改編工作坊】",cover:"920651c79d209630fbb3fb4149461641",site:{isOther:!0,site:"",other:"衛武營、臺文館"},cautions:'
本計畫辦理期程如遇政府公告相關防疫措施,將轉為線上辦理,相關調整另行通知。
\n\t7/30 & 7/31 國立臺灣文學館
\n\t8/06 & 8/07 衛武營國家藝術文化中心
\n\t請申請者注意研習日期,此計劃僅接受能配合全程參與者。
\n\t參與學員改編後之著作係衍生著作,享有著作財產權,報名時即代表同意授權臺文館、衛武營進行相關推廣與利用,改編劇本經編輯後得放到兩館官網供未來教師教學等非營利使用。
\n\t如因個人因素申請退費,需於活動前10天辦理申請,並酌收總費用 10% ,活動前3日至9日內則酌收30%總費用,3日內恕不受理。
\n\t如於開課前確診或需隔離(須出示證明),則無條件退費。
\n\t主辦單位保留活動計畫更動權利,如有更動再另行通知。
\n\t※工作坊皆提供餐食,若有住宿需求可洽兩館參考優惠住宿旅宿業者
\n',benefits:"",description:"大船揚帆,搭載十篇精選動物文學作品,尋找下一個改編新星!",introduction:'►錄取名單公告 | \n\t\t
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大船揚帆,搭載十篇精選動物文學作品,尋找下一個改編新星!
\n\n衛武營國家藝術文化中心 與 國立臺灣文學館 共同主辦「文學劇本改編工作坊」第二屆正式啟航!邀請八位戲劇和文學專業講師設計七堂課程,連續兩個周末,從臺南到高雄,帶領學員改編臺灣動物文學成為舞臺劇本,並在最後挑戰讀劇呈現,聆聽自己的文字,品味創作的聲音。
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報名網址
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申請對象
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※第一屆已參與學員原則上不重復錄取。
\n\n※本工作坊核給公(教)人員研習時數30小時,並統一登錄於相關研習時數平臺。
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申請日期
\n\n即日起至 7/10中午12:00止。
\n\n預計於7/20前公布錄取名單,正取20名,備取2名
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申請流程
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報名費用
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主辦單位
\n\n衛武營國家藝術文化中心
\n\n國立臺灣文學館
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聯絡窗口
\n\n行銷部 學習推廣組
\n\n朱賢哲07-262-6942 sianjhe.jhu@npac-weiwuying.org
\n\n國立臺灣文學館 展示組
\n\n陳先生 06-2217201#2302
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\n',team:""},createdAt:1654747282,updatedAt:1669967341,updatedBy:"連映涵",host:!0},{_id:"62a594b1c9bbe000072d0d33",catalogs:["5feb0656c2db7a00075450a2"],dateTime:{first:1660370400,discrete:[{time:1660370400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eb2493c56c9466b2995d1d5f4a07b527",title:"【武營來開槓】#衛武營限定— 冥遊旅行團,出發吧!"}],related:[],title:"【武營來開槓】#衛武營限定— 冥遊旅行團,出發吧!",cover:"b2ec1fcd0540299748f8e73b6cbd4a29",site:{isOther:!0,site:"",other:"演講廳"},cautions:'
在赴《冥遊記—帝王之宴》與晚年的武則天一同前往冥界,窺看帝王之家難以言道的秘密前,您會想提早親遊此地嗎?這次,衛武營特別推出「冥遊旅行團」,由編劇陳健星擔任在地導遊,與劇評人吳岳霖隨團領隊,邀您隨著他們的聲音走進冥界,迎接一個沁涼的夏日午後!
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\n★ 景點特色:
李唐皇家博物館:
\n武則天與唐太宗之間有何秘密?皇家八卦秘辛,在此揭曉!
湯泉宮休閒會館:
\n夢境與書寫?作夢也是重要的生命體驗!
烏暗暗皇家禁地:
\n冥界還有什麼地方可以去?禁地夠神秘吧!
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行程備註:
\n\n這場「偽觀落陰」行程保證安全!無需準備紅布,不用擔心回不到陽間。為確認觀眾都有跟上我們的步伐,我們喊聲是可以應答的!
\n\n景點規劃僅供參考,本團保留變更行程之權利,感謝您的體諒。
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★ 誰來開槓:
\n《冥遊記─帝王之宴》編劇|陳健星、劇評人|吳岳霖
活動時間:2022/08/13(六)14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量120名,額滿為止)
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3F演講廳
\n\n※現場同步販售演出節目票券
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陳健星|《冥遊記─帝王之宴》編劇
\n\n戲曲編劇,中央大學中文系兼任講師。
\n2011開啟與「唐美雲歌仔戲團」合作的因緣,投入電視、舞台歌仔戲劇本創作逾十年。除了嘗試改編中外文學經典,更有意識將當代社會議題引入戲曲。較具代表性作品有《春櫻小姑─回憶的迷宮》、《冥河幻想曲》、《風從何處來》、《螢姬物語》、《夜未央》、《光華之君》。2018與王安祈教授共同編寫京崑文學劇《天上人間李後主》。2019擔任電視劇《孟婆客棧》總編劇。2021以《光華之君》獲傳藝金曲獎「最佳編劇」。
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吳岳霖|劇評人
\n\n現為國際劇評人協會台灣分會理事、《PAR表演藝術》特約編輯、戲劇顧問與國立清華大學兼任講師。國立中正大學中國文學碩士,國立清華大學中國文學系博士班肄業。關注當代戲曲、跨文化劇場、非典型空間與青年創作,文字見於《PAR表演藝術》、表演藝術評論台等,著有《擺盪於創新與傳統之間:重探「當代傳奇劇場」(1986-2011)》(2014)、《鏡象‧回眸:國光二十劇目篇》(2015),與林立雄合編《《牡丹亭》往今情話.溫宇航五十》(2021)。
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關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
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演出節目資訊
\n\n►09/24(六)19:30、09/25(日)14:30 歌劇院
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\n',team:""},createdAt:1655018673,updatedAt:1660903586,updatedBy:"通泰系統管理員",host:!0},{_id:"62a931f256bcc00007750685",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660375800,discrete:[{time:1660375800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1524653001567686657"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b873635c824e881d4c66addb87b3767",title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演"}],related:[],title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演",cover:"60614e878d578b05848dc5cff7c46941",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
打破對吉他的認知,臺灣唯一的吉他交響樂團,在登上國家歌劇院後,米可吉他醞釀四年的最新力作!由古典跨越流行,展現屬於古典吉他的當代魅力。
\n\n米可吉他創始團員由一群留日音樂家組成,懷抱著對吉他合奏與教育推廣的熱情,創辦人趙柏群於2008年成立米可吉他,其後多次拿下台灣吉他大賽合奏組首獎,奠定了臺灣吉他合奏龍頭的地位。吉他合奏近年在歐美地區帶起了一股風潮,然而在亞洲,吉他合奏的文化已經醞釀了數十年。師承自日本的吉他合奏編制,米可吉他的表演涵蓋古典樂與流行樂,從古典音樂的大師作品,到當代作曲家為吉他樂團所寫的原創作品,不斷翻新大眾對「吉他」的認知。
\n\n\n\n
演出曲目
\n\n海上的白鳥
\n\n翼
\n\n昴星
\n\n星月夜
\n\n甜點組曲
\n\n民眾的吶喊變成了嘆息
\n\n嬉遊曲 K.137 第二樂章
\n\nG大調弦樂小夜曲
\n\n佛羅倫斯的山丘
\n\n鳥之歌
\n\n\n\n
演出暨製作團隊
\n\n指揮|趙柏群
\n\n首席|林紘妙
\n\n演出|陸美心、江芷涵、林元元、余盈穎、翁子茵、王瀞巧、郭瑞凡、吳博申、蔡亦程、孟奕明、林翔毅、吳儀萱、鄔汝蕙、毛䕒婧、陳星文、陳政言、劉子寬
\n\n\n\n
前台人員|邱建豫、黃姿瑱、郭靚玟、全廷芸
\n\n錄影導演|摩根音樂藝術
\n\n音控總監|許連錦
\n\n舞台總監|張皓倫
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b873635c824e881d4c66addb87b3767",title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演"}],related:[],title:"Miko Guitar Ensemble 2022 Taiwan Tour Concert",cover:"60614e878d578b05848dc5cff7c46941",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The only guitar orchestra in Taiwan, Miko Guitar, has broken the recognition of "guitar". After performing at the National Opera House, Miko Guitar has prepared the whole new work for four years. One that brings classical guitar into pop music to show its contemporary charm.
\n\nThe original members of Miko Guitar is composed of the musicians who had studied in Japan. In 2008, the founder, Chao, Po-Chun, founded Miko Guitar with passion for guitar ensemble and educational promotion. Since then, Miko Guitar won the first prize in the ensemble group of Taiwan Guitar Competition many times, and has established the leadership position of Taiwan guitar ensemble.In recent years, guitar ensemble becomes an emerging fields in Europe and the United States. However, the culture of guitar ensemble has been developed for decades in Asia. The division of Miko Guitar Ensemble is based on the guitar ensemble from Japan. The performances cover both classical and pop music. Miko Guitar constantly renovating the public's recognition of "guitar". The performances include lots of masterpieces of classical music and the originals for guitar ensemble composed by contemporary composers.
\n\n\n\n
Program
\n\nSwans on the sea
\n\nTsubasa
\n\nSubaru
\n\nHoshizukuyo Ni Omou
\n\nSweets suite
\n\nPeople's cheer turns into a sigh
\n\nDivertimento, K. 137, 2nd movement "Allegro di molto"
\n\nEine Kleine Nachtmusik allegro
\n\nFlorence Mountain
\n\nTorinouta
\n\n\n\n
Creative and Production Team
\n\nConductor|CHAO Po-Chun
\n\nConcert master|LIN Hung-Miao
\n\nPerformers|LU Mei-Hsin、CHIANG Chih-Han、LIN Yuan-Yuan、YU Yin-Ying、WENG Tzu-Yin、WANG Ching-Chiao、KUO Jui-Fan、WU Po-Shen、TSAI Yi-Cheng、MENG Yi-Ming、LIN Hsiang-Yi、WU Yi-Hsuan、WU Ju-Hui、MAO Chia-Ching、CHEN Hsing-wen、CHEN Cheb-yen、LIU Zih-Kuan
\n\n\n\n
\n',team:""},createdAt:1655255538,updatedAt:1656054533,updatedBy:"林蔚行",host:!1},{_id:"62a9365156bcc0000775071e",catalogs:["5aec4184b01ea6000520f633","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1661945400,discrete:[{time:1661945400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1523912811261775877"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc7c168e203c6a2b59534de5bda1278d",title:"《聽-薩克斯風四重奏》"}],related:[],title:"《聽-薩克斯風四重奏》原創作品音樂會",cover:"1efa690bfe7af791e6b8c2c03688662d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
四位爵士演奏家,顛覆傳統,嶄新樂團組合;音樂時而雄壯、時而柔美,呈現出薩克斯風優雅浪漫且多變的情境。
\n\n由薩克斯風演奏家楊曉恩、李承育領軍,安排高音、中音、次中音及上低音薩克斯風組合成古典型態的四重奏室內樂。一種新型的室內樂演奏形式,擁有銅管五重奏的力度美和音效、弦樂四重奏的柔美和諧、木管五重奏的跳躍靈動,同時還具有高達四個半八度的音樂表現,成為室內樂中具有獨特魅力的音樂組合形式。然而,四位演奏家爵士音樂家的演奏背景,讓TSJO薩克斯風四重奏煥然一新,演奏風格涵蓋爵士、現代、甚至通俗與流行音樂,音樂的呈現時而雄壯、時而柔美;一個顛覆傳統,嶄新樂團組合,呈現出薩克斯風優雅浪漫且多變的情境。
\n\n\n\n
演出曲目
\n\n楊曉恩:淘氣的貓、 共情
\n\n李承育:依賴、媽媽之歌
\n\n潘子爵:月海、琴酒
\n\n廖莊廷:旅行、家
\n\n\n\n
演出暨製作團隊
\n\n高音、中音薩克斯風 | 楊曉恩
\n\n中音薩克斯風 | 潘子爵
\n\n次中音薩克斯風 | 廖莊廷
\n\n上低音薩克斯風 | 李承育
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc7c168e203c6a2b59534de5bda1278d",title:"《聽-薩克斯風四重奏》"}],related:[],title:"TSJO Saxophone Quartet",cover:"1efa690bfe7af791e6b8c2c03688662d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Four jazz players, subverting traditions and creating a new orchestra; the music is sometimes majestic, sometimes soft, presenting a saxophone elegant, romantic and changeable situation.
\n
\nLed by saxophonists Shawn YANG and Cheng-Yu LEE, the soprano, alto, tenor and baritone saxophones are combined to form an ancient quartet chamber music. A new type of chamber music performance, with the dynamic beauty and sound effects of the brass quintet, the soft harmony of the string quartet, the jumping and agility of the woodwind quintet, and the musical performance of up to four and a half octaves. A unique and attractive musical composition. However, the playing background of the four jazz musicians makes the TSJO saxophone quartet take on a whole new look. The playing styles cover jazz, modern, and even popular and popular music. The presentation of music is sometimes majestic and sometimes soft; The ensemble combination of saxophone presents the elegant, romantic and changeable situation of saxophone.
\n\n
Program
\n\nShawn YANG: Naughty Cats, Empathy
\n\nCheng-Yu LEE: Reliance, For Mom
\n\nRuby PAN: Sea of the Moon, Gin
\n\nJustin LIAO: Travel, Home
\n\n\n\n
Creative and Production Team
\n\nSoprano Saxophone|Shawn YANG
\n\nAlto Saxophone|Ruby PAN
\n\nTenor Saxophone|Justin LIAO
\n\nBaritone Saxophone|Cheng-Yu LEE
\n\n\n\n
\n',team:""},createdAt:1655256657,updatedAt:1660915471,updatedBy:"通泰系統管理員",host:!1},{_id:"62a942fd56bcc0000775092a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661513400,discrete:[{time:1661513400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://www.opentix.life/event/1527135925946118148"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f37c9eb77d6ef138524dce5ad729a17e",title:"《為了藝術為了愛》托斯卡薩氏輕歌劇"}],related:[],title:"《為了藝術為了愛》托斯卡薩氏輕歌劇",cover:"16f0b40a543eaa00257bb68fd197cdc1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
藝本道藉由「SaxOpera 薩氏輕歌劇」改編經典義大利歌劇《托斯卡》,融合薩克斯風、打擊、鋼琴等多元配器、輕量的劇場元素,將經典歌劇以不同形式重現。
\n\n\n\n
從普契尼的書信中可以發現他對於文本、台詞背後精神的講究,故作品中對於角色塑造、情節安排十分生動。音樂上,後人認為普契尼的歌劇富含個人特色,融合前輩威爾第對聲樂旋律線的講究,以及華格納配器手法的恢宏氣勢,結合異地情調與特色故事,以及連續不間斷的音樂引領劇情、音樂動機塑造角色,成為獨特的普氏歌劇一流。藝本道希望藉由「薩氏輕歌劇」改編創作,將此劇精簡化,融合薩克斯風、打擊、鋼琴等多元配器,使用輕量的劇場元素為輔助,讓經典歌劇更輕易呈現到一般觀眾眼前。
\n\n\n\n
演出曲目
\n\n伊藤康英:托斯卡之吻 改編:吳方喻
\n賈科莫·普契尼:托斯卡 改編:陳麒鈞
\n\n
演出暨製作團隊
\n\n團長|陳麒鈞
\n\n副團長|侯穎妤
\n\n指揮|陳麒鈞
\n\n協奏者|謝政良
\n\n編曲家|陳麒鈞、吳方喻
\n\n藝術總監|范家瑞
\n\n演出|藝本道薩克斯風重奏團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f37c9eb77d6ef138524dce5ad729a17e",title:"《為了藝術為了愛》托斯卡薩氏輕歌劇"}],related:[],title:"Vissi d'arte",cover:"16f0b40a543eaa00257bb68fd197cdc1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Art Pondo Saxophone Ensemble hopes to use the brand-new concept of "SaxOpera" to recreate this great work—Tosca—for the audience. By combing saxophone, percussion, woodwinds, and piano we create a unique timbre. In addition, we use lightweight theater elements as a support to make it easier to present this lovely story to the audience.
\n\n\n\n
The exquisite aesthetic of "The spirit behind words" is where Puccini particular paid attention to: he is a true virtuoso in characterization and plot. Puccini's operas have an unique style, which merges melodic writing of Verdi and majestic orchestration of Wagner.APSE is bringing a new concept—SaxOpera, by recreating the well known TOSCA of Puccini. Besides, APSE presents a unique timbre by adding various instruments: Flute, Tuba, Bass…etc. Also, lightweight theater elements are used to embellish the recreation of Puccini's masterpiece.
\n\n\n\n
Program
\n\nYasuhide Ito: IL Bacio di Tosca arr. Fang-Yu WU
\n\nGiacomo Puccini: Tosca arr. Chi-Chun CHEN
\n\n\n\n
Creative and Production Team
\n\nDirector|Chi-Chun CHEN
\n\nVice Director|Silvia HOU
\n\nConductor|Chi-Chun CHEN
\n\nSoloist|Zheng-Liang XIE,
\n\nArranger|Chi-Chun CHEN, Fang-Yu WU
\n\nArtistic Director|Jia-Rui FAN
\n\nPerformer|Artpondo Saxophone Ensemble
\n\n\n\n
\n',team:""},createdAt:1655259901,updatedAt:1660915128,updatedBy:"通泰系統管理員",host:!1},{_id:"62afdfa7f54874000a2a8440",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"free",free:{description:"已索畢"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e5ac3fe112011fe271b2bdcb1cbd99b9",title:"陳啟川先生紀念音樂劇《涓滴川啟⟫"}],related:[],title:"陳啟川先生紀念音樂劇《涓滴川啟⟫",cover:"1490aed62ac2c7a8ba39f65acf3e68df",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
許多人,也許聽過陳啟川先生的名字、也或許參與過陳啟川先生文教基金會的活動,但不一定了解陳啟川先生的故事以及他所傳遞的信念。透過這次音樂劇,我們將呈現陳啟川先生其一生對文化、教育、藝術、體育以及社會議題的影響,並感念他為後世所留下的良善典範。
\n
這一齣音樂劇,將紀實陳啟川先生的一生,包含他的早年求學、家庭以及為高雄所做出的心力貢獻,希望能讓更多不同世代的人一起了解陳啟川先生,一起穿梭回到陳啟川先生的年代,回顧其一生點滴以及對高雄重要的影響。
\n\n\n\n
索票辦法
\n\n感謝大家熱情的參與及支持,本演出票券已全數索取完畢。
\n\n►更多詳情請留意陳啟川先生文教基金會臉書粉絲頁公告
\n\n\n\n
演出暨製作團隊
\n\n導演|吳維緯
\n\n副導演|陳御弼
\n\n編劇|陳依孝
\n\n日文顧問|宮本卓大
\n\n行政統籌|楊喬安
\n\n舞台監督|張婷婷
\n\n執行製作|馬嘉佳
\n\n行銷公關|戴宛宣
\n\n宣傳執行|邱芊淨
\n\n平面設計|徐子皓
\n\n舞蹈設計|珂珂(柯佩妤)
\n\n舞台設計|陳慧
\n\n燈光設計|陳大再
\n\n音樂設計|卓士堯
\n\n編曲協力|黃品文
\n\n服裝與造型設計|黃稚揚
\n\n影像設計與統籌|楊博倫
\n\n音響統籌|徐育聖
\n\n舞台技術指導|陳俊佑
\n\n燈光技術指導|陳以欣
\n\n舞台設計助理|賴映辰
\n\n導演助理|侯又加
\n\n舞監助理|潘沛瑀
\n\n演員|大甜、祁浩、呂名堯、陳冠甫、陳御弼、陳懷駿、張稜、鄭錡雯、邱忠裕、謝明璋
\n\n歌隊|陳亦琳、蔡宓玹、廖恩佳、林庭毅、蕭竣升、高子鈞、阮靄嘉、鄭雪琪
\n\n\n\n
\n',team:""},createdAt:1655693223,updatedAt:1657785972,updatedBy:"林蔚行",host:!1},{_id:"62b17c7bb3860e0008f9df26",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661668200,discrete:[{time:1661668200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,2500],link:"https://www.opentix.life/event/1530926184464429058"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7b3b47153dc6d2fd66143cbde92b242c",title:"《發現,亞美利堅》鮑恆毅與台北室內合唱團"}],related:[],title:"《發現・亞美利堅-鮑恆毅與台北室內合唱團》",cover:"22eda3193a59333f400b8bd0aa623b2f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
《發現・亞美利堅-鮑恆毅與台北室內合唱團》以「美國當代合唱巡禮」為題,邀請榮獲國際大獎的旅奧新生代指揮鮑恆毅,透過二十世紀以降不同風格的作品,展現美國當代合唱萬象!由二十世紀音樂傳奇伯恩斯坦所寫《奇徹斯特詩篇》出發,串連普立茲獎得主卡洛琳‧蕭《致雙手》組曲、山謬‧巴伯〈羔羊經〉、葛萊美獎得主韋塔克〈達文西夢見飛行器〉,以及摩西‧霍根編曲之黑人靈歌〈齊心前進〉等美國合唱傳世經典,邀請大家與我們一起從美國作曲家的視角「發現・亞美利堅」!
\n\n\n\n
演出曲目
\n\n卡洛琳・蕭:《致雙手》
\n\n克萊赫勒・詹森:〈旅人之歌〉
\n\n愛德華‧鮑納:〈名為天堂之都〉
\n\n亞歷・韋塔克:〈達文西夢見飛行器〉
\n\n傑克・魯內斯塔:〈幻花朵為慈愛〉、〈願我的愛得聞〉
\n\n雷納・伯恩斯坦:《奇徹斯特詩篇》、〈某個地方〉
\n\n喬瑟芬‧波林尼茨:〈名為天堂之都〉
\n\n莫頓・勞律森:〈光輝一夜〉
\n\n摩西・霍根:〈齊心前進〉
\n\n羅洛‧迪沃斯:〈領我到水邊〉
\n\n羅瑟芬・鮑爾:〈沉坐想望〉
\n\n山謬‧巴伯:〈羔羊經〉
\n\n尚恩・柯希納:〈甜美溪河〉、〈晴空萬里〉
\n\n\n\n
演出暨製作團隊
\n\n指揮|鮑恆毅
\n\n鋼琴|王乃加
\n\n演出|台北室內合唱團
\n\n管風琴|余曉怡
\n\n小提琴|張群、陳名涵
\n\n中提琴|林倢伃
\n\n大提琴|陳妍蓉
\n\n低音提琴|簡敏卉
\n\n豎琴|管伊文
\n\n打擊|廖邦豪
\n\n童聲高音|高奕淇
\n\n※小、中、大提琴與低音提琴樂手為VIO提琴樂集成員。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7b3b47153dc6d2fd66143cbde92b242c",title:"《發現,亞美利堅》鮑恆毅與台北室內合唱團"}],related:[],title:"America In Sight",cover:"22eda3193a59333f400b8bd0aa623b2f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Presented by Taiwanese conductor Heng-Yi PAO, winner of international conducting competitions, and Taipei Chamber Singers (TCS), the concert featuring a broad spectrum of contemporary choral music of America by Leonard Bernstein, Caroline Shaw, Eric Whitacre, Jake Runestad, Morten Lauridsen, Craig Hella Johnson, etc.
\n\n\n\n
Program
\n\nCaroline Shaw:"To the Hands"
\n\nCraig Hella Johnson:"Song from the Road"
\n\nEdward Boatner:"City Called Heaven"
\n\nEric Whitacre:"Leonardo Dreams of His Flying Machine"
\n\nJake Runestad:"Flower into Kindness", "Let My Love Be Heard"
\n\nLeonard Bernstein:"Chichester Psalms", "Somewhere"
\n\nMorten Lauridsen:"Sure on this Shining Night"
\n\nMoses Hogan:"Walk Together, Children"
\n\nRollo Dilworth:"Take Me to the Water"
\n\nRosephanye Powell:"To Sit and Dream"
\n\nSamuel Barber:"Agnus Dei"
\n\nShawn Kirchner:"Sweet Rivers", "Unclouded Day"
\n\n\n\n
Creative and Production Team
\n\nConductor|Heng-Yi PAO
\n\nPianist|Nai-Chia WANG
\n\nPerformer|Taipei Chamber Singers
\n\n\n\n
\n',team:""},createdAt:1655798907,updatedAt:1660895566,updatedBy:"通泰系統管理員",host:!1},{_id:"62b18a18f54874000a2b3510",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660217400,discrete:[{time:1660217400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1526162063920779270"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9664c5ddfd88483594d0ad79f9098c60",title:"《林繽紛小提琴獨奏會》"}],related:[],title:"《林繽紛小提琴獨奏會》",cover:"4d0e7e51acbe475852b6a0c3a2e8ea54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
林繽紛,生於長於高雄。
\n\n7歲開始學習小提琴,啟蒙於Steven Clark老師,曾師事吳宜真老師,現師事陳沁紅教授。 畢業於國立臺灣師範大學音樂學系 主修小提琴 副修鋼琴
\n\n\n\n
演出曲目
\n\n維塔利- g小調 夏康
\n\n畢琦-給小提琴與鋼琴的浪漫曲 op.23
\n\n葛林爾-D大調小提琴浪漫曲 op.3
\n\n布拉姆斯-第一號鋼琴三重奏 第一樂章
\n\n巴哈-雙小提琴協奏曲 第一樂章
\n\n\n\n
演出暨製作團隊
\n\n小提琴|林繽紛
\n\n鋼琴|潘祖欣
\n\n大提琴|鍾承宏
\n\n小提琴第二部|林絢麗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9664c5ddfd88483594d0ad79f9098c60",title:"《林繽紛小提琴獨奏會》"}],related:[],title:"Angeline Lin Violin Recital",cover:"4d0e7e51acbe475852b6a0c3a2e8ea54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Angelin Lin, born and raised in Taiwan.
\n\nEnlighten by Mr. Steven Clark, mentored by Ms. Yie Jhen Wu, currently studying with Ms. Nanette Chen.
\n\nGraduated from NTNU Music department, major in violin, minor in piano.
\n\n\n\n
Program
\n\nVitali - Chaconne for violin and piano in g minor
\n\nAmy Beach - Romance for Violin and Piano Op. 23
\n\nGliere - Romance for Violin and piano in D Major Op.3
\n\nJohannes Brahms - Piano Trio No. 1 in B Major, Op. 8 mov.1 Allegro con brio
\n\nBach - Concerto for two violins in D minor BWV 1043 mov.1 Vivace
\n\n\n\n
Creative and Production Team
\n\nViolin|Angeline Lin
\n\nPiano|Pan Zu Sin
\n\nCello|Jhong Cheng Hong
\n\nViolin2|Hope Lin
\n\n\n\n
\n',team:""},createdAt:1655802392,updatedAt:1656670731,updatedBy:"林蔚行",host:!1},{_id:"62b5266cb3860e0008fbc3ca",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1659439800,discrete:[{time:1659439800}],type:"discrete"},activity:{type:"free",free:{description:"使用ZOOM線上參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f27e1826a81cb2507038bc606a73c76a",title:"【衛武營X信義學堂】大膽改編,文學劇場在民間!"}],related:[],title:"【衛武營X信義學堂】大膽改編,文學劇場在民間!",cover:"93c37928673d5272f383f3ba8295dc01",site:{isOther:!0,site:"",other:"線上平台"},cautions:'
講座如有變動:更改講師、時間、地點或取消講座將以email、電話或簡訊通知,請參加者詳實提供通訊方式和真實姓名以利聯繫。
\n\t為維護講師著作權與活動品質,講座進行中請勿攝錄影。
\n\t\n\n
「因為改編劇本,一個人的黑白文字展開成為一群人的七彩表演,想像力於是撬動了社會!」——臺灣文學館 蘇碩斌館長
\n\n\n\n
衛武營攜手臺灣文學館籌辦「文學劇本改編工作坊」,透過文學改編創作及戲劇表演呈現,陪伴青少年、藝文人士等社會大眾,探索個人生命經驗,直擊彼此創作過程中的熱忱及孤獨!
\n\n文學想像力加乘劇場表演力,透過沾黏、拼貼、反芻與質變,最終大膽改編,給予故事全新空間,進而搭起故事與觀眾的橋樑。
\n\n今晚,文學劇場邀你嘎一角,你我都是故事的靈魂人物。
\n\n\n\n
\n\n
★ 主講人:衛武營國家藝術文化中心戲劇顧問 耿一偉、國立臺灣文學館 館長 蘇碩斌
\n\n活動時間:2022/8/2(二)19:30
\n\n講座方式:使用ZOOM線上參與
\n\n線上講座:詳細詳細參與方式請參閱信義學堂網站,或於ZOOM平台請選擇加入會議,輸入會議ID:88587728424
\n\n若您對講座有任何想知道、了解的,歡迎點擊連結,留言告訴我們!講座過程中就有機會由講者親自給予答覆。
\n\n\n\n
耿一偉│衛武營國家藝術文化中心戲劇顧問
\n\n\n\t\t\t \n\t\t\t | \n\t\t
©法國炸影像工作室
\n\n現任衛武營國家藝術文化中心戲劇顧問,臺北藝術大學與臺灣藝術大學戲劇系兼任助理教授。
\n\n曾任臺北藝術節藝術總監(2012-17),倪匡科幻獎首獎得主。獲頒德國在台協會「德台友誼獎章」、法國「藝術與文學騎士勳章」。
\n\n著有《文化領導力的80個關鍵字》、《故事創作Tips:32堂創意課》等,譯有《劍橋劇場研究入門》、《空的空間》等。
\n\n近期作品包括在北美館講座行動-裝置藝術「拉然巴在美術館」、空間裝置「去年夏天你不在,我來過」等。
\n\n\n\n
蘇碩斌│國立臺灣文學館館長
\n\n現任國立臺灣文學館館長、臺大臺灣文學研究所教授,為臺大社會學博士,研究領域是文學社會學、空間研究、文化研究等,曾任文化研究學會理事長,著有《看不見與看得見的臺北》、譯有《媒介文化論》、《都市的社會學》等書,近年著重研發「創造性非虛構寫作」,亦即將學術研究以文學技法表達,企畫主編《百年不退流行的臺北文青生活案內帖》、《終戰那一天:臺灣戰爭世代的故事》並獲多項獎項。
\n\n\n\n
關於衛武營 x 信義學堂
\n\n衛武營國家藝術文化中心以白色流線弧度輕浮於衛武營都會公園上,銜接著過往的歷史足跡,亦乘載著南臺灣藝術推廣與教育的重要責任。信義學堂邀請衛武營團隊與北臺灣的民眾分享衛武營表演藝術的理念,帶你從不同的視角探索衛武營。一個國家級場館,如何承先啟後,走入南臺灣民眾的生活裡,讓藝術化為日常,透過場館資源,帶領民眾走進劇場,學習欣賞藝術與感動。
\n\n\n',team:""},createdAt:1656039020,updatedAt:1656729787,updatedBy:"翁玉芬",host:!0},{_id:"62b57056f54874000a2bcc17",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1661394600,discrete:[{time:1661394600},{time:1661407200},{time:1675317600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名,媒合參與"}},attachment:{key:"599fcc10d025bc658aa8c803b49ea076",name:"附件:藝起來尋美-劇場體驗課程申請表(1).docx",ext:"docx"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3275bdb5e877de689e3e4f714ecbba29",title:"111學年度體驗課程"}],related:[],title:"衛武營【劇場藝術體驗教育計畫】 111學年度體驗課程",cover:"d1860b824111be8c753032f8bf9e7e22",site:{isOther:!0,site:"5aec47eeb01ea6000520f665",other:"衛武營"},cautions:'
►錄取名單公告 | \n\t\t
\n\n
計畫概述
\n\n衛武營國家藝術文化中心自2018年開幕以來,致力於提升南臺灣藝術文化環境,期盼帶給青年學子嶄新的學習體驗。2019年因新課綱的啟航,首度辦理「劇場藝術體驗教育-體驗課程」,從演前體驗、演出欣賞、演後分享,讓教室成為「劇場藝術體驗教育」的場域,培養溝通互動、社會參與及自主行動等三項九面核心素養。截至2022上半年,已有將近60個班級、2000多位學生參與體驗課程,未來將持續帶給青年學子更多元、豐富的體驗課程,引領學子進入場館,提升劇場藝術和美學教育。
\n\n\n\n
合作單位
\n\n高雄市政府教育局
\n\n\n\n
申請日期
\n\n2022年6月29日(三)起 至 2022年7月29日(五)止
\n\n\n\n
課程規劃
\n\n►請詳閱「111學年度體驗課程申請簡章」
\n
推廣對象
\n\n一、國小、國中、高中職學生
\n\n以國小四年級以上及國中、高中職學生為主,不限藝術相關科系。
\n\n二、學校教師
\n\n不限藝術相關領域教師與課程,鼓勵學校教師進行課程實驗與創新,發展多元適性的學校本位特色課程,活化教學,提供適當且均衡學習量的教材,以達成藝術體驗教育之目標。
\n\n\n\n
申請資格
\n\n\n\n
申請流程
\n\n\n\n
\n\n
錄取名額
\n\n※因節目年齡層限制,每學期正取2所國小、10所國中及高中學校。
\n\n\n\n
\n\n
聯繫窗口
\n\n衛武營國家藝術文化中心 學習推廣組
\n\n連映涵小姐 (07)262-6935 ida.lian@npac-weiwuying.org
\n\n\n\n
高雄市教育局窗口(高雄市新甲國民小學)
\n\n楊博文主任 (07)766-8170*8031
\n\n黃美真老師 (07)766-8170*8053 hsinart110@gmail.com
\n\n\n\n
贊助單位
\n\n主要贊助:
\n\n協力贊助:
\n\n\n\n
\n\n
資料下載
\n\n\n',team:""},createdAt:1656057942,updatedAt:1668740838,updatedBy:"林蔚行",host:!0},{_id:"62b57058f54874000a2bcc18",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1661481e3,discrete:[{time:1661481e3},{time:1675391400}],type:"discrete"},activity:{type:"free",free:{description:"線上報名,媒合參與"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d61eda0fcdac386f067481fa372371cf",title:"111學年度讀劇課程"}],related:[],title:"衛武營【劇場藝術體驗教育計畫】 111學年度讀劇課程 ",cover:"2787fe4af4f10e0f340b5accb11345e6",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
►錄取名單公告 | \n\t\t
\n\n
計畫概述
\n\n衛武營國家藝術文化中心自開幕以來,致力於提升南臺灣藝術文化環境,期盼帶給青年學子嶄新的學習體驗。因108課綱的啟航,校方在多元選修與彈性課程的需求量提升,故衛武營於同年辦理「劇場藝術體驗教育計畫」,設計符合學校課綱之藝術教育課程,陪伴學生們在新課綱的領航下,培養溝通互動、社會參與及自主行動等三項九面核心素養。
\n\n自2020年起,衛武營由「劇場藝術體驗教育計畫」向下延伸,於每學期辦理為期13週的「讀劇課程」,由學校教師與劇場專業業師共同備課完善教學架構,再透過業師進入校園,結合發聲練習、議題教學、肢體開發與感知體驗,讓學生們深度體驗戲劇生產的過程與趣味,並於學期末登台演出呈現。
\n\n「讀劇課程」於每年開放高雄市國小、國中與高中職學校申請,盼能補足各級學校的教材資源,並拓展本計畫之豐富性與多元性。
\n\n\n\n
合作單位
\n\n高雄市政府教育局
\n\n\n\n
課程初步規劃
\n\n1. 寒/暑期共學工作坊
\n\n為建立課程共識並完善教學架構,錄取本計畫之教師須於寒/暑期參與1日共備課程,與劇場業師共同討論教學架構與課程內容,並協助計畫入校等相關行政程序。
\n\nI. 時間:
\n\nII. 地點:衛武營國家藝術文化中心 演講廳
\n\n\n\n
2. 讀劇課程
\n\n於開學後至讀劇發表會前,安排13週讀劇課程,平均每週2堂課,實際授課日期依各校排課狀況而定。
\n\n\n\n
►請詳閱 111學年度讀劇課程簡章
\n\n\n\n
申請日期
\n\n2022年6月29日起 至 2022年7月29日止
\n\n公告日期:2022年8月5日前於衛武營官網公告
\n\n\n\n
申請對象
\n\n開放高雄市國小五年級以上、國中與高中職學校報名參與,以班級為單位,每班學生數至多不可超過40人。
\n\n\n\n
申請方式
\n\n\n\n
錄取名額
\n\n上學期:正取高中職2所、國中2所、國小2所、偏鄉1所(含偏遠、特偏、極偏,若無擇由市區學校遞補名額)
\n\n下學期:正取高中職2所、國中2所、國小2所、偏鄉1所(含偏遠、特偏、極偏,若無擇由市區學校遞補名額)
\n\n\n\n
聯繫窗口
\n\n衛武營國家藝術文化中心 學習推廣組
\n\n連映涵小姐 (07)262-6935 ida.lian@npac-weiwuying.org
\n\n翁玉芬小姐 (07)262-6934 yufen.weng@npac-weiwuying.org
\n\n\n\n
高雄市教育局窗口(高雄市新甲國民小學)
\n\n楊博文主任(07)766-8170*8031
\n\n黃美真老師(07)766-8170*8053 hsinart110@gmail.com
\n\n\n\n
資料下載
\n\n\n\n
相關實記
\n\n2020 春季讀劇發表會 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
2020 秋季讀劇發表會 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
2021 春季讀劇發表會 | \n\t\t\t線上讀劇精華 | \n\t\t
\n\n
贊助單位
\n\n主要贊助:
\n\n協力贊助:
\n\n\n\n
\n',team:""},createdAt:1656057944,updatedAt:1668740859,updatedBy:"林蔚行",host:!0},{_id:"62ba548aafe2d7000ae35793",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660458600,discrete:[{time:1660458600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1500],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1ZS8PAN"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bfdabe1e7bac49244658b1f1f0d7ada",title:"《音樂之星—王馨平小提琴獨奏會》"}],related:[],title:"《音樂之星—王馨平小提琴獨奏會》",cover:"c45b50beea7376ec6003984a29aaf8e6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
新銳小提琴家王馨平同時也是一名作家、演員。她曾受邀於義大利Cremona X Archi音樂營、邁阿密音樂節、美國曼切斯特國際音樂節、加拿大蒙特婁國際音樂節等知名國際活動進行演出,並多次受邀與樂團、基金會合作演出擔任首席,亦為美國西北大學音樂研究所全額獎學金得主,是位跨界作品多元的演奏家。本次她將演奏巴哈、韋瓦第、理查‧史特勞斯的經典作品,透過音樂帶領大家跨越17到20世紀。
\n\n\n\n
演出曲目
\n\n韓德爾/哈佛森:帕薩加牙舞曲
\n\n巴哈:詠嘆調
\n\n韋瓦第:四季《秋》、《冬》
\n\n理查‧史特勞斯:降E大調小提琴奏鳴曲 作品18
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演出暨製作團隊
\n\n小提琴|王馨平
\n\n鋼琴|蘇映竹
\n\n樂團|台中市交響樂-弦樂團
\n\n製作團隊|台中市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bfdabe1e7bac49244658b1f1f0d7ada",title:"《音樂之星—王馨平小提琴獨奏會》"}],related:[],title:"Music Star-Mia Wang Violin Recital",cover:"c45b50beea7376ec6003984a29aaf8e6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Emerging Violinist Mia Wang is also an author and actress. She has been invited to perform at well-known international events, such as Cremona X Archi Music Camp in Italy, Miami Music Festival, Manchester International Music Festival in the United States, and Montreal International Music Festival in Canada. She has been invited to perform with orchestras and foundations many times as the principal. She is also a full scholarship recipient of the Music Institute of Northwestern University. She is a performer with diverse cross-border works. This time, she will perform the classic works of Bach, Vivaldi and Richard Strauss, to lead everyone across the 17th to 20th centuries through the beautiful melody.
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Program
\n\nHandel / Halvorsen:passacagilia in g minor
\n\nBach:Air On G String
\n\nVivaldi:Fall, Winter
\n\nRichard Strauss - Violin Sonata in E-flat Major, Op. 18
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Creative and Production Team
\n\nViolin|Mia WANG
\n\nPiano|Ying-Chu SU
\n\nOrchestra|Taichung City Symphony Orchestra- String Orchestra
\n\nProduction Team|Taichung City Symphony Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1656378506,updatedAt:1656492003,updatedBy:"林蔚行",host:!1},{_id:"62ba57e6afe2d7000ae35825",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659853800,discrete:[{time:1659853800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1533707446457405440"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ebe862fe7368d3881821dc607739c32d",title:"《2022 Salut Taiwan 夏綠台灣音樂會》"}],related:[],title:"《2022 Salut Taiwan 夏綠台灣音樂會》",cover:"529907ad936a84d8e8f2cb6e920d6428",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
夏綠台灣音樂會由前維也納愛樂管弦樂團VESSELIN及NSO前首席吳庭毓領銜演出。在充實精彩忙碌的夏綠國際音樂節結束後,我們將跟愛樂朋友們再首次於衛武營音樂廳見面。期待!
\n\n\n\n
演出曲目
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演出暨製作團隊
\n\n製作團隊|台灣傑出音樂家室內樂團
\n\n指揮|吳庭毓 簡伯修
\n\n小提琴|費瑟林 帕拉希克弗夫
\n\n演出團隊|夏綠節慶室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ebe862fe7368d3881821dc607739c32d",title:"《2022 Salut Taiwan 夏綠台灣音樂會》"}],related:[],title:"Salut Taiwan",cover:"529907ad936a84d8e8f2cb6e920d6428",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Salut Taiwan is led by Vesselin Paraschkevov, the former concertmaster of Vienna Philharmonic, and Ting-Yuh Wu, the former concertmaster of National Symphony Orchestra (NSO). Annually in the wake of an enriched, phenomenal and bustling Salut Festival International, Salut Taiwan will invite the elite groups who win out in the competitions of that year to perform with Salut Chamber Orchestra and resident musicians. Dear fans, this year let's have a rendezvous again at Weiwuying National Kaohsiung Center for the Arts .
\n\n\n\n
Program
\n\n\n\n
\n\n
Creative and Production Team
\n\nProduction Team|Excellent Musicians Ensemble Taiwan
\n\nConductor|Ting-yuh Wu Po-hsiu Chien
\n\nViolin|Vesselin Paraschkevov
\n\nPerformance Team|Salut Festival Chember Orchestra
\n\n\n\n
\n',team:""},createdAt:1656379366,updatedAt:1656560585,updatedBy:"林蔚行",host:!1},{_id:"62ba7394afe2d7000ae35d12",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659612600,discrete:[{time:1659612600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://citypercusssion.kktix.cc/events/citypercussion"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"162163aed3f2a031b4401e3e24e27b2d",title:"《2022年城市擊樂團第十回公演》"}],related:[],title:"《2022年城市擊樂團第十回公演》",cover:"cc4e84865bc87680e7330b81016f6d38",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
城市擊樂團為高雄在地基層推廣團體,聚集充滿熱情的擊樂家們,打造一場由心發起的擊樂音樂會。藉由對音樂的熱情,以及打擊樂器別具一格的魅力,共同完成的一場音樂會。有獨奏曲、室內樂及協奏曲等不同的擊樂作品,充分發揮出擊樂的多元發展性。風格多變的打擊,希望能藉由此場音樂會與大家分享各種擊樂的可能性。
\n\n\n\n
演出曲目
\n\n吉米・凱薩拉:幻化之門
\n\n伊萬・特維諾:兩千三百度
\n\n尼爾斯・羅威爾:彩色嘉年華
\n\n科瑞・福瑞德:摩嘻
\n\n麥可・布里特:絕地七騎士
\n\n伊萬・特維諾:追影
\n\n卡梅倫・布郎:艦隊
\n\n奈傑爾・偉斯特萊克:生命的諭示
\n\n達斯汀・舒爾茲:清醒咒
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|曾意鈞
\n\n演 出|城市擊樂團
\n\n\n\n
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There are different percussion works such as solo, chamber music and percussion ensemble, giving full play to the di