\n\tFor details, please see Weiwuying Members Benefit\n\n',cautions:"
● Duration is 90 mins with 15 mins intermission.
\n●Latecomers must follow staff instructions for entry and re-entry.
● Suitable for age 9+
\n\n●This program may contain loud sound. Viewer discretion is advised.
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\n\nInspired by The Minds of Billy Milligan, a classic non-fiction novel portraying multiple-personality disorder, the internationally award-winning choreographer Po-Cheng Tsai reflects on the question whether each of us can harbor multiple personalities. During the creating process, does the artist use different personalities to create different works? If each of the personalities can represent the self, which one is the true self? Based on the concept of multiple personalities, Split develops in surreal surroundings with realism as its fundamental technique.
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Matou
\n\nIt has direct meanings like “to wear, put on, tangle, roll up”, and it is often used figuratively. For instance, I “put on” my body. Throughout my life I cannot see my entire body. Tissues that make up my body keep renewing themselves, yet they will vanish eventually. A body without contents will not remain, then what about the contents without the body? Will they still remain?
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‘Matou’ also sounds like “willing to wait” in Japanese.
\n\n‘Tsuki-matou’means "to haunt.” My body will haunt me until the day I die.
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‘Sou-matou’ is a revolving lantern which has a horse drawn on the cover and when it spins, the shadow of the horse looks like it is running. It is often used in an expression to describe a moment when people have a brush with death—many visions appear in one’s mind and old memories come and go randomly and quickly. ‘Mattou’ means “to complete.” I completed my life.
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Once Upon A Time
\n\nOnce Upon a Time begins with a question about how to continue Korean traditions. Goblin Party intends to deliver the story with imagination, presenting an interesting old story with‘Gat’(Korean traditional hat), ‘Hanbok’(Korean traditional clothing), and traditional instruments on stage. They hope to provide the audience with new sight to reinterpret traditions and offer new opportunities to see the unfamiliar in familiar things. In addition, they hope to arouse foreign audience’s curiosity about Korean traditions and culture.
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Sponsor
\n\n\n\n\n'},{title:"Team",content:'
SPLIT
\n\nB. Dance aspires to embrace an incessant pursuit of the ultimate beauty in art with a cross-disciplinary team that realizes the core values, and to build a platform of art inspired by creativity and innovation. Frequent international exchanges and interactions have helped their members to step in sync with the world’s rhythm, which affirms their talents and Taiwanese values. Since its establishment, B. Dance has performed in the U.S., China, the Czech Republic, Denmark, England, France, Germany, Hong Kong, Korea, Panama, Spain, Italy, Israel, Switzerland, among others, and been recognized by a number of international competitions and well-known dance companies.
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Matou
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Ruri Mito was born in Tokyo in 1982. She started studying dance at 5 years old at The Modern Ballet Institute, Tokyo. Later she studied dance at the Japan Women's College of Physical Education, in the MA Major in Dance Studies, Department of Movement Science (2000-2004).
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She is now actively performing in many countries and has won many prizes. She has also worked with choreographers such as Damien Jalet, Sasha Waltz, Inbal Pinto, Avshalom Pollak, and so on.
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Once Upon A Time
\n\nFounded in 2007, Goblin Party has performed nationally and internationally using goblin, a traditional Korean monster, as its symbol.
\n\nAs the company consists of artists who can both choreograph and dance, the choreographer or leader may differ from piece to piece.
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Goblin Party places emphasis on communication and is interested in producing a performance that extends the vision of audience. Goblin Party creates pieces based on deep research into people’s reactions when facing familiar or new situations. Many situations might lead to several phenomenon and invisible, diverse emotions. Goblin Party usually goes through people’s emotion and physical response which emerge from familiar or new situations and experiences, and then creates stories based on those experiences and feelings.
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\n\n
《SPLIT》
\n\nChoreographer|Po-Cheng Tsai
\n\nPerformers|Li-An Lo, Tsung-Hsien Chen, Hang-Cheng Lee, Yi-Ting Tsai, Chih-Han Chiu, Yun-Ting Huang
\n\nCompany Manager / Producer|Tzu-Yin Hsu
\n\nTechnical Director|Otto Chang
\n\nStage Manager|Yu-Wen Huang
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《Matou 》
\n\nChoreography / Performer|Ruri Mito
\n\nLighting Design|Akiyo Kushida
\n\nCostume Design|Tomoko Inamura
\n\nMusic|Yuta Kumachi
\n\nTouring Manager|Lena Hashimoto
\n\n
\n※ Supported by
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\n\n
《Once Upon A Time》
\n\nSuggestion of Direction|Kyung min JI
\n\nCo-creation|Kyung gu LEE, Jin ho LIM
\n\nPerformers|Kyung min JI, Kyung gu LEE, Jin ho LIM
\n\nProducer / Stage Manager|Jin woo KIM
\n\nLighting Designer|Seung ho LEE
\n\nMusic|Remi Klemensiewicz
\n\nMusic Direction|Seunggi KIM
\n\nCostume|Jaeyoung YANG
\n\nTouring Manager|Soohye JANG
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※ In collaboration with Seoul International Dance Festival (SIDance) - Focus Korea Dance Program
\n\n\n'}],time:["2018/11/09 (Fri) 19:30"],title:"Taiwan Dance Platform ─ SPLIT & Matou & Once Upon A Time",related:[]},relatedPrograms:[{title:"Furioso Händel",introduction:"The Gleam Ensemble and Associazione Hendel",image:"4e3ef10c28ad8c85bcfb161f0a7be8fd",link:"/programs/65b20e87d4395d00080ffd3a?lang=en",catalogs:[],date:"2024.05.04"},{title:"Matthew Bourne's Romeo+Juliet",introduction:"Experience Shakespeare's timeless story of forbidden love with a scintillating injection of raw passion and youthful vitality.",image:"0bfe04c2f44d1e7fec96f69997295414",link:"/programs/6618deaf68037f0008d050b0?lang=en",catalogs:[],date:"2024.08.09 - 2024.08.11"}]},fetched:!0},shippingAreas:{rows:[],loaded:!1},userAuth:{logined:!1,status:"NORMAL",inited:!1,data:null,showNsoOverlay:!1},announce:{show:!0},youthOverlay:{show:!1,showed:!1},featureCategories:{rows:[],loaded:!1,loading:!1},features:{rows:[],loaded:!1,loading:!1},newsCatalogs:{rows:[],loaded:!1,loading:!1},chronologies:{rows:[],loaded:!1,loading:!1}},routing:{locationBeforeTransitions:null}}