- \n\t
- 生活卡9折 \n\t
- 青年卡75折 \n\t
- 無限卡加購9折 \n\t
- 會員優惠詳見會員優惠辦法 \n
\n巴哈:義大利協奏曲,作品971
\n史卡拉第:C大調鋼琴奏鳴曲,K. 159、E大調鋼琴奏鳴曲,K. 380
\n李斯特:巡禮之年《義大利》
\n拉赫曼尼諾夫:義大利波卡舞曲
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"45cea5374dd6ff0adeee51cc631bf2a4",title:"義大利風情-2021李威龍鋼琴獨奏會"}],related:[],title:"(Program cancelled) 2021 Wei Lung Li Piano Recital",cover:"0e630f632f5ccfd8fd41bef1f51cb864",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
● Approx 85 mins incl. 1 interval of 15 mins
\n\n● Age guidance 7+
\n\n● Latecomers must follow staff instructions for entry and re-entry
\n\n● Presenter: 2020 Summer Arts 0983381817
\n\n● For more offers, please visit the website's purchase page.
\n",benefits:"",description:"2021 Wei-Lung LI Piano Recital",introduction:'\n\t\t\t ※The performance have been cancelled. For more information, please contact +886-983381817. \n\t\t\t | \n\t\t
\n\n
Prof. Li's Piano Recital
\n\nItaly-a gorgeous land that breeds cultural kaleidoscope and romances, not only nurtured countless great musicians, but also fascinated composers who thus create countless legendary works. The concert pianist Wei-lung LI will bring to the audience works relevant to Italy, from exquisite and gorgeous Baroque to the emotional and sentimental Romanticism, aiming to give a journey into the mystery of Italian classical music. This repertoire begins with Bach's Italian Concerto, and then the keyboard sonatas by Italian composer Scarlatti, after which Liszt's Annees de Pelerinage -Italie, and finally Rachmaninov's classic piece Italian Polka. Prof. Li displays the whole recital surrounding the concept of Italy, allowing the audience to experience the subtle connections between different musical schools in which Italy is showcased.
\n\n\n\n
Program
\n\nJ. S. Bach: Italian Concerto in F Major, BWV971
\n\nD. Scarlatti: Sonata in C Major K. 159, Sonata in E Major, K. 380
\n\nF. Liszt : Années de pèlerinage - Deuxième année“Italie”
\n\nS. Rachmaninov: Italian Polka
\n\n\n',team:""},createdAt:1608541503,updatedAt:1639361109,updatedBy:"林蔚行",host:!1},{_id:"60489dbec3ca150007f7514e",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1639204200,discrete:[{time:1639204200},{time:1639222200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2375bd929ca1368099773cff92717a13",title:"2021李國修紀念作品-《京戲啟示錄》"}],related:[],title:"「節目取消」2021李國修紀念作品-《京戲啟示錄》",cover:"677d3912929f3e0a92f0d5324aa31041",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
● 相關優惠請至購票網站查詢。
\n\n● 節目全長約180分鐘,含中場休息20分鐘。
\n\n● 建議7歲以上觀眾觀賞。
\n\n● 遲到觀眾須遵循工作人員指示入場。
\n\n● 主辦:寬宏藝術
\n\n● 購票請洽寬宏售票或07-7809900
\n',benefits:"",description:"開箱塵封「戲劇國寶-李國修」半自傳經典作品",introduction:'\n\t\t\t ※原訂2021年12月11日(六)於歌劇院演出之2021李國修紀念作品-《京戲啟示錄》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2021年11月30日(二)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
「李國修在《京戲啟示錄》中以個人生命經驗觸動集體記憶之海」——中國時報 陸愛玲
\n\n「編導李國修藉著劇中劇中劇的手法說了個動人神往的好故事」——自由時報 傅裕惠
\n\n「不斷地想創造未來,最後才發現,傳承就是未來,《京戲啟示錄》讓我笑到流眼淚,哭到臉抽筋」——藝人大S
\n\n「他亦喜亦悲,悲喜交歡,充盈著時代風雨與人生際遇,蘊蓄著歷史厚度與生活實感。」——前中國青年藝術劇院院長 林克歡
\n\n《京戲啟示錄》是一個充滿情感的驚嘆號! 」——戲劇評論 楊金源
\n\n\n\n
李國修的經典作品《京戲啟示錄》被譽為「華人劇場的驚嘆之作」,出自於李國修追思父親而創作出的半自傳作品。以在中華商場裡終生做戲鞋的父親為原型,老鞋匠手中的針線,穿引出「戲中戲中戲」的故事;由「屏風表演班」演出「風屏劇團」,「風屏劇團」演出《梁家班》的故事,而「梁家班」演出京劇《打漁殺家》。獨特的敘事結構,是人一輩子一定要看的好戲!
\n\n2021創拓版《京戲啟示錄》由導演李小平及王月領軍超強黃金製作團隊與舞台劇菁英演員卡司,將一同帶領觀眾回到那個戲中戲中戲的故事。李國修:「人,一輩子能做好一件事情,就功德圓滿了。」是李國修對表演藝術傳承的堅持,寬宏藝術將秉持如此精神,創造《京戲啟示錄》新高峰!
\n\n\n\n
演出暨製作團隊
\n\n演員|屈中恆、王月、樊光耀、郭子乾、戴立吾、范瑞君、顏嘉樂、呂名堯、曾冠東、葉信威、李芙蓉
\n\n藝術總監|王月
\n\n原創劇本|李國修
\n\n導演|李小平
\n\n舞台設計顧問|王孟超
\n\n服裝設計|蔡毓芬
\n\n音樂設計|張藝
\n\n燈光設計|車克謙
\n\n影像設計|王奕盛
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2375bd929ca1368099773cff92717a13",title:"2021李國修紀念作品-《京戲啟示錄》"}],related:[],title:" (Program cancelled) Apocalypse of Beijing Opera",cover:"677d3912929f3e0a92f0d5324aa31041",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:"● Approx. 180 mins incl. 1 interval of 20 mins
\n\n● Age guidance 7+
\n\n● Latecomers must follow staff instructions for entry and re-entry
\n\n● Presenter: KHAM INC
\n\n● For ticket information, please contact KHAM INC or 07-7809900
\n\n● For more offers, please visit the website's purchase page.
\n",benefits:"",description:" ",introduction:'※The performance has been cancelled. For more information, please contact +886-7-7809900. | \n\t\t
\n\n
LI Guoxiu's classic work "Apocalypse of Beijing Opera" is known as "the amazing work of Chinese theater", and it is a semi-autobiographical work created by LI Guoxiu in memorializing his father. Based on his father who has been making theater shoes in the China Shopping Mall……. The unique narrative structure is a must-see drama in a lifetime!
\n\nThe 2021 creative version of "Apocalypse of Beijing Opera", led by directors LI Xiaoping and Wang Yue, will lead the super gold production team and elite stage casts, who will lead the audience back to the story of the play in the play. Li Guoxiu said: "People, if you can do one thing well in your life, you will be fulfilled." It is LI Guoxiu's insistence on the inheritance of performing arts. KHAM will uphold this spirit and make a new peak in "Revelation of Peking Opera"!
\n\n\n\n
Creative and Production Team
\n\nPerformer | CYU Jhong-heng, Moon WANG, FAN Kuang-yau, KUO Tze-cheng, DAI Li-wu, FAN Rui-jun, YAN Jia-le, LU Ming-yao, TSENG Kuan-tung, YE Sin-wei, LI Fu-rong
\n\nArtistic Director|Moon WANG
\n\nScript Writer|Hugh K. S. LEE
\n\nDirector│LEE, Hsiao-ping
\n\nStage Design Consultant|Austin WANG
\n\nCostume Design| TSAI Yu-fen
\n\nMusic|Hugo THEO
\n\nLighting Design| CHE Ko-chien
\n\nMulti-media Design| Ethan WANG
\n',team:""},createdAt:1615371710,updatedAt:1636349960,updatedBy:"林蔚行",host:!1},{_id:"6065bae710387f0007e1fede",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638185400,discrete:[{time:1638185400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700],link:"https://www.opentix.life/program/1373818408567570436?name=2021%E9%82%B1%E4%BD%A9%E7%8F%8A%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F%E6%9C%83"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47d61f06a323153f2d115516f67d5b69",title:"Beyond Flute - 2021 邱佩珊長笛獨奏會"}],related:[],title:"《Beyond Flute 2021 邱佩珊長笛獨奏會》",cover:"ebf07237c086950cf7bd6d57cf1da74f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'● 相關優惠請至購票網站查詢。
\n\n● 節目全長約90分鐘,含中場休息15分鐘。
\n\n● 建議6歲以上觀眾觀賞。
\n\n● 遲到觀眾須遵循工作人員指示入場。
\n\n● 主辦:邱佩珊
\n\n● 購票請洽OPENTIX或04-23590121
\n',benefits:"",description:"好的音樂總能觸動人心,超越了言語與文字所能表達的意涵。",introduction:'\n\t\t\t ※原訂2021年7月5日(一)19:30於表演廳演出之《Beyond Flute 2021 邱佩珊長笛獨奏會》,節目延期至2021年11月29日(一)19:30於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年7月30日(含)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
好的音樂總能觸動人心,超越了言語與文字所能表達的意涵。2021邱佩珊長笛獨奏會突破了曲目的侷限,重新演繹「非長笛」的名作,其中包括聲樂曲、小提琴與中提琴奏鳴曲,以及管絃樂曲的改編,前所未見的選曲與詮釋將跳脫聽眾對長笛的既定印象,同時回歸作品本質,單純呈現作曲家筆下優美的旋律與扣人心弦的和聲,由兩位活躍於樂壇的旅美博士-邱佩珊與黃楚涵擔綱演出,將帶給觀眾不一樣的長笛音樂會。
\n\n\n\n
演出曲目
\n\n約瑟夫·施萬特納:《黑海葵》
\n\n卡洛斯‧瓜斯塔維諾:〈羅西塔.伊格萊西亞〉,選自《呈現》第7號
\n\n保羅.亨德密特:給中提琴及鋼琴的奏鳴曲,作品10-4
\n\n伊果.史特拉汶斯基:《普欽內拉》管弦組曲選段
\n\n加布里埃爾.皮爾納:給小提琴與鋼琴的奏鳴曲,作品36
\n\n\n\n
演出暨製作團隊
\n\n長笛|邱佩珊
\n\n鋼琴|黃楚涵
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47d61f06a323153f2d115516f67d5b69",title:"Beyond Flute - 2021 邱佩珊長笛獨奏會"}],related:[],title:"Pei-San Chiu Flute Recital",cover:"ebf07237c086950cf7bd6d57cf1da74f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
● Approx. 90 mins incl. 1 interval of 15 mins
\n\n● Age guidance 6+
\n\n● Latecomers must follow staff instructions for entry and re-entry
\n\n● Presenter: CHIU Pei-San
\n\n● For ticket information, please contact OPENTIX or 04-2359-0121
\n\n● For more offers, please visit the website's purchase page.
\n",benefits:"",description:"This flute recital consists of works not originally composed for flute, including vocal, instrumental, and orchestral music.",introduction:'※The performance has been changed. For more information, please contact +886-919-893295. | \n\t\t
\n\n
This flute recital consists of works not originally composed for flute, including vocal, instrumental, and orchestral music. The unprecedented interpretation will flash the audience's impression, expressing the essence and the beautiful melody of the works. The flutist Pei-San Chiu and pianist Huang Chu-Han will present an untypical recital.
\n\n\n\n
Program
\n\nJoseph Schwantner: Black Anemones
\n\nCarlos Guastavino: Rosita lglesias from "Las Presencias" No.7
\n\nPaul Hindemith: Viola Sonata, Op.11, No.4
\n\nIgor Stravinsky: Selections from Pulcinella Suite
\n\nGabriel Pierné: Sonata for Violin and Piano, Op.36
\n\n\n\n
Creative and Production Team
\n\nFlute|CHIU Pei-San
\n\nPiano|HUANG Chu-Han
\n\n\n\n
\n',team:""},createdAt:1617279719,updatedAt:1635415410,updatedBy:"林蔚行",host:!1},{_id:"607fc7a8bb71f100074d800e",catalogs:["5fe2bffdde1961000737545c","5fc0794a946984000602f545","5aec4184b01ea6000520f633"],dateTime:{first:1639137600,discrete:[{time:1639137600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1385551767169531908"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9fd6a0bb6bcac9a97aca08c85a5703e",title:"【衛武營小時光】許維芳 《再一次遇見》"}],related:[],title:"【衛武營小時光】許維芳《再一次遇見》",cover:"9541ae59270e8f04c9730697b336ee40",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
\n\n
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n',benefits:"",description:"療癒所有需要被療癒的我們,讓暖心閨蜜許維芳再一次和你相遇。\n",introduction:'\n\n\n\n
許維芳因畢業歌曲,一夕成名,獲封「畢業歌女神」。
\n\n爾後一首首經典原創及翻唱,如同閨蜜耳語版,陪伴大家經歷每個經歷。
\n\n第一次遇見她,或在畢業季,聽見她磁性的歌聲,因而得到療癒。或在節目上,
\n\n看見她為夢想努力不懈,因而獲得激勵。
\n\n《再一次遇見》
\n\n透過一首首經典歌曲重新探索,
\n\n從學生到進入社會;
\n\n從初戀到分手失戀;
\n\n從孤獨到摯友夥;
\n\n從喜悅到感傷惆悵。
\n\n精心挑選的歌曲,
\n\n在播放清單一定會有的歌單,
\n\n療癒所有需要被療癒的我們,
\n\n讓暖心閨蜜許維芳再一次和你相遇。
\n\n\n\n
藝術家介紹
\n\n許維芳
\n\n出生於高雄,畢業於高雄市私立道明高級中學,因合唱道明中學之2016年畢業曲〈夢想藍圖〉而聞名,同時也被封為「畢業歌女神」。同年,和全國高中合作完成〈啟程〉一曲。2017年,參加歌唱節目「希望之星」。2018年,參加臺灣歌唱節目「聲林之王」。曾翻唱〈追光者〉、〈如果雨之後〉、〈我永遠無法再愛〉、〈真的傻〉、〈如果的事〉、〈很久以後〉、〈與我無關〉、〈我可以〉、〈忽然之間〉、〈秋天別來〉等流行歌曲。
\n\n\n\n
更多節目
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9fd6a0bb6bcac9a97aca08c85a5703e",title:"【衛武營小時光】許維芳 《再一次遇見》"}],related:[],title:"【Weiwuying Showtime】Yvonne HSU - Meeting Once Again",cover:"9541ae59270e8f04c9730697b336ee40",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
【2021 Weiwuying Showtime】July-December Program Guide
\n\n\n\n
Yvonne HSU became famous overnight for her graduation song and garnered the title, "Graduation Song Goddess."
\n\nAfterward, she recorded cover songs and wrote original ones that accompanied listeners through life like a whisper from a bestie.
\n\nYou probably knew her for the first time during graduation season. She soothed your soul through the rasp in her voice. Maybe you knew her from a show where seeing her follow her dreams inspired you.
\n\n"Meeting Once Again"
\n\nRe-discovering a catalog of classics,
\n\nFrom campus to workforce;
\n\nFrom first love to breakup;
\n\nFrom lonely to besties;
\n\nFrom joy to sadness.
\n\nThese carefully selected songs
\n\nexist in someone's playlist,
\n\nsoothing all of us who needed comforting.
\n\nLet's meet your heart-warming bestie Yvonne once again.
\n\n\n\n
Artists introduction
\n\nYvonne HSU
\n\nYvonne HSU was born in Kaohsiung and graduated from Daoming Senior High School in Kaohsiung City. She gained fame for performing in the 2016 graduation song "Blueprint of Dreams," thus won her the title "High School Goddess." In the same year, she collaborated with high schools across the country on the single "Commencement." In 2017, she appeared in the talent show "Hope Star." In the following year, she appeared in the talent show "Jungle Voice." She has covered numerous pop songs, including: "The Light Chaser," "The Chaos After You," "I'll Never Love Again," "Foolish Love," "What If," "Long After," "Nothing To Do With Me," "I Can," "Suddenly," "Autumn Is Near," etc.
\n\n\n\n
Learn More
\n\n\n\n\n',team:""},createdAt:1618986920,updatedAt:1632815179,updatedBy:"林蔚行",host:!0},{_id:"608fdfc8c5e96f00076ec876",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638271800,discrete:[{time:1638271800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=N187MOCY"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0281c2a6594a415c6dd27222158f7a1d",title:"惠熙雯鋼琴獨奏會"}],related:[],title:"《惠熙雯鋼琴獨奏會》",cover:"c3039df643e8ea5837e55fc86175ea49",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2021年6月16日(三)19:30於表演廳演出之《惠熙雯鋼琴獨奏會》,節目延期至2021年11月30日(二)19:30於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年6月30日(三)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
★獲選2018年西班牙希洪國際鋼琴音樂節獨奏舞台壓軸演出(Gijón Piano International Festival in Spain)
\n\n★在Gerardo Edelstein大師主導的愛樂交響協奏曲大賽中獲得優勝(Philharmonic Orchestra Concerto Competition)
\n\n★熙雯 專注且直覺的演奏出她構思中的自由奔放,讓人印象深刻。 ── 臺北市立大學教授 鄭伊晴
\n\n\n\n
旅美鋼琴家-惠熙雯,多次於國際舞台上表演,含括美國、歐洲各地,回臺後致力於音樂推廣,在鄉間小鎮舉辦多場室內樂演出;今年首次舉辦個人鋼琴獨奏會,曲目從巴洛克時期到浪漫樂派,碰撞出不同色彩,曲目包含《史卡拉蒂:鍵盤奏鳴曲, 作品 380, 144 ,427》、《貝多芬:第三十號鋼琴奏鳴曲》、《李斯特:詩意與宗教的和諧 III. 孤獨中神的祝福 VII. 葬禮 》、《巴拉基雷夫:伊斯拉美, 作品18》,這場音樂會將帶領觀眾徜徉於不同音樂層次及感官刺激。
\n\n\n\n
演出曲目
\n\n斯卡拉蒂:鍵盤奏鳴曲, 作品 380, 144 ,427
\n\n貝多芬:第三十號鋼琴奏鳴曲,作品109
\n\n李斯特:詩意與宗教的和諧
\n\n巴拉基雷夫 : 伊斯拉美, 作品18
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|惠熙雯
\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0281c2a6594a415c6dd27222158f7a1d",title:"惠熙雯鋼琴獨奏會"}],related:[],title:"Carina Hui Recital",cover:"c3039df643e8ea5837e55fc86175ea49",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-912285253. | \n\t\t
\n\n
Carina Hui received her Doctor of Musical Arts from Pennsylvania State University. As an active pianist and chamber musician, Carina has performed all across the United States, Europe and Taiwan. This is her first solo debut in Taiwan since returning from the United States. The repertoire in this recital ranges from the beautiful Baroque style to emotional music from the Romantic period. Carina's solo program can be called “essential piano” , as the pieces would be familiar to most audiences. These pieces are from famous pianists such as D. Scarlatti, L.V Beethoven, F. Liszt and M. Balakirev. Under Carina's craftsmanship and interpretation, this program will present a successful synthesis of the various styles and moods.
\n\n\n\n
Program
\n\nDomenico Scarlatti: 3 Keyboard Sonatas
\n\nLudwig van Beethoven: Piano Sonata in E major, Op.109
\n\nFranz Liszt: Harmonies poétiques et religieuses
\n\nMily Balakirev: Islamey (Oriental Fantasy) Op. 18
\n\n\n\n
Creative and Production Team
\n\nPiano|Carina HUI
\n\n\n',team:""},createdAt:1620041672,updatedAt:1638273062,updatedBy:"林蔚行",host:!1},{_id:"60923491c5e96f00076f20bb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638442800,discrete:[{time:1638442800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=N18OM7U1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d992b214a44e3bc7c9189575c0f0197",title:"島嶼上的歌-高雄偏鄉十校聯合音樂會"}],related:[],title:"《島嶼上的歌-高雄偏鄉十校聯合音樂會》",cover:"98e60617c9aa0a48ce19b3b1b5f6c31c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年6月3日(四)19:00於音樂廳演出之《島嶼上的歌-高雄偏鄉十校聯合音樂會》,節目延期至2021年12月2日(四)19:00於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年6月30日(含)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
本場音樂會將由高雄市九所偏鄉學校聯合演出,演出曲目包含國語、福佬語、原住民語、客語、東南亞語,將透過歌聲唱出發自內心對土地的敬愛、對神靈的敬畏、對日常點滴的恬然歡愉、與對自然生命的感動。透過歌唱不同語言的歌曲,我們將呈現臺灣本土文化的多元與多樣性。
\n\n\n\n
演出曲目
\n\n新民庄調
\n\n毋盼得
\n\n爸爸威風
\n\n茶
\n\n一年仔空空
\n\n布農歌謠回家
\n\n老伙仔
\n\n菜脯蛋
\n\n印尼童謠
\n\n風箏
\n\n平埔古調
\n\n拔蘿蔔
\n\n魚
\n\n我的處境
\n\n歡樂歌
\n\n從此刻起
\n\n魯凱情歌
\n\n婉如一場夢
\n\n\n\n
演出暨製作團隊
\n\n指揮|陳俊志
\n\n女高音|許家倫
\n\n鋼琴|盧舒涵、林憶涵、黃俞憲
\n\n大提琴|張雅涵
\n\n小提琴|張簡瑞玟
\n\n長笛|高佳君
\n\n六龜高中合唱團、寶來國中合唱團、田寮國中合唱團、寶來國小合唱團、荖濃國小合唱團、新發國小合唱團、龍興國小合唱團、新威國小合唱團、建山國小合唱團
\n\n\n\n
指導單位 文化部 國家發展委員會
\n\n主辦單位 財團法人陳啟川先生文教基金會、高雄市尼布恩人文教育關懷協會
\n\n協辦 刷樂國際股份有限公司、高雄醫學大學
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d992b214a44e3bc7c9189575c0f0197",title:"島嶼上的歌-高雄偏鄉十校聯合音樂會"}],related:[],title:"The Joint Music Concert of 10 School Choirs from Rural Area in Kaohsiung",cover:"98e60617c9aa0a48ce19b3b1b5f6c31c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-933295081. | \n\t\t
\n\n
The concert will be performed by 9 rural school choirs in Kaohsiung. The songs are in Mandarin, Taiwanese, Indigenous languages, Hakka Chinese, Southeast Asian languages, and other foreign languages. By singing deeply, we'll convey the love to the earth, the awareness to Gods and Spirits, the joy to daily life, and the gratitude to the nature. We'll perform the diverse culture in the Taiwan island by singing pleasing songs in various languages.
\n\n\n\n
Program
\n\nNew village Melody
\n\nDo not hope for
\n\nThe majestic father
\n\nTea
\n\nThe innocence in first school year
\n\nComing Back Home (Bunun Song)
\n\nOlder man
\n\nDried radish egg
\n\nIndonesian nursery rhymes
\n\nWan bulan
\n\nPicking radish
\n\nFish
\n\nMy situation
\n\nThe joyful song
\n\nThe voice of Taiwanese plain aborigines
\n\nFrom now on
\n\nThe Rukai love song
\n\nA dream with Peng Wan-Ru
\n\n\n\n
Creative and Production Team
\n\nConductor|CHEN Chun-Chih
\n\nSoprano|HSU Chia-Lun
\n\nPiano|LU Shu-Han, LIN Yi-Han, HUANG Yu-Hsien
\n\nCello|CHANG Ya-Han
\n\nViolin| CHIEN CHANG Jui-Wen
\n\nFlute|Rica Kao
\n\n\n\n
Choir|
\n\nLiou-Guei Senior High School Choir, Bao-Lai Junior High School Choir, Tian-Liao Junior High School Choir, Bao-Lai Elementary School Choir, Lao-Nong Elementary School Choir, Xin-Fa Elementary School Choir, Lung-Xing Elementary School Choir, Xin-wei Elementary School Choir, Jian-Shan Elementary School Choir
\n\n\n\n
Adviser|National Development Council, Ministry of Culture
\n\nOrganizer|Frank.C.Chen Cultural & Educational Foundation, Kaohsiung Nibun Association
\n\nCo-organizer|SHALLOP INTERNATIONAL CO., LTD. Kaohsiung Medical University
\n\n\n\n
\n',team:""},createdAt:1620194449,updatedAt:1637118296,updatedBy:"林蔚行",host:!1},{_id:"609a527eb34fff00087bc86c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1640932200,discrete:[{time:1640932200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1600,2e3],link:"https://www.opentix.life/event/1382953046032142340"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7812a843473f9044c5230ea4ff8114ee",title:"動物X狂響 與動物一同狂歡的一場生日派對"}],related:[],title:"《10周年狂響曲》",cover:"9c32d64dee9c2b292ef084e5fa4cd5f2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年8月13日(五)19:30於衛武營音樂廳演出之《10周年狂響曲》,節目延期至2021年12月31日(五)14:30於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年8月31日(含)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
2012年,在因緣際會下,開啟了一段充滿音樂與愛的旅程,我們牽著孩子們的小手走遍世界各地傳遞音樂、傳遞愛,將愛的種子種在每個人心中,不斷的施肥與灌溉。十年勤奮的耕耘,小小的種子慢慢發芽,一棵又一棵的小樹逐漸成長與茁壯。孩子們在一場又一場的公益演出中,學習如何傳播自己的愛,這正是愛的教育從小扎根的最好方式,用音符帶起生命最根本的愛,讓音樂的力量帶給人們無限的希望,因為分享,你我的世界將更美好。
\n\n\n\n
演出曲目
\n\n韓德爾:《席巴女王進行曲》
\n\nScott Watson:《Escape from Thunder mountain》
\n\n巴哈:《第五號布蘭登堡協奏曲》
\n\n安德森:《聖誕組曲》
\n\n法國民謠:《小星星》 編曲/陳泰吉
\n\nRichard Meyer : 《Dragonhunter》
\n\n尼爾森:《弦樂團曲調》
\n\n巴哈:《D小調雙小提琴協奏曲》 第一樂章
\n\n莫札特:《嬉遊曲F大調K.138》
\n\n李哲藝:《生日快樂變奏曲》
\n\n\n\n
演出暨製作團隊
\n\n指揮|王冠智、曾迎慧
\n戲劇|瑪奇藝文工作坊-瑪奇劇團
\n演出樂團|愛分享弦樂團、愛分享管弦樂團
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7812a843473f9044c5230ea4ff8114ee",title:"動物X狂響 與動物一同狂歡的一場生日派對"}],related:[],title:"Birthday Celebration with the Animals!",cover:"9c32d64dee9c2b292ef084e5fa4cd5f2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-925250812. | \n\t\t
\n\n
In 2012 through serendipity, we embarked on a magical journey filled with harmony and passion. Hand in hand, we traveled the world with our young musicians with the intention of spreading music and love. We aspire to plant seeds of love into the hearts of each and every person while we continue to fertilize and care for them. A decade of hard work and dedication will empower and develop these tiny sprouts into sturdy trees. With the experience of numerous charity performances, our young musicians have harnessed the valuable art of spreading their love. Through playing euphonious notes and sharing melodious tunes they bring faith and hope to those around them.
\n\n\n\n
Program
\n\nG.F HANDEL:Entrance of the Queen of Sheba, arr by R.Meyer
\n\nScott WATSON: Escape from Thunder mountain
\n\nBACH: Concerto for 2 violins in d minor BWV 1043, 1,Vivace
\n\nMOZART: Divertimento in F Major, K,138
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Kuan-chih, TSENG Yin-hui
\n\nOrchestra|Love Sharing String Orchestra
\n\nMagic Performance and Arts Workshop
\n\n\n\n
\n',team:""},createdAt:1620726398,updatedAt:1640762913,updatedBy:"林蔚行",host:!1},{_id:"60a37c50c5e96f00077197ae",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1640401200,discrete:[{time:1640401200},{time:1640415600},{time:1640502e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1438108397593329669"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"66e429365910e31cf590102b02a8e87c",title:"《胡桃鉗組曲》與《酷狗寶貝》動畫音樂會"}],related:[],title:"《胡桃鉗組曲》與《酷狗寶貝》動畫音樂會",cover:"3d6593458b6226756371e8663be4dfb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'胡桃鉗王子與酷狗寶貝的音樂世界
\n\n衛武營每逢歲末的動畫音樂會總是最受期待的親子音樂饗宴,不僅讓小朋友看得開心,大朋友也能重獲童心。2021年底的這場動畫音樂會,將揉合了傳統與現代的藝術風格,再度打造出視覺與聽覺的雙重享受。
\n\n上半場是柴可夫斯基傳世經典的《胡桃鉗》,本次演出以作曲家親選的八首管弦樂組曲,結合英國全才藝術家湯姆.史考特的動畫,帶領我們進入充滿佳節綺想的夢幻王國。下半場則是當今最受歡迎的英國黏土定格動畫《酷狗寶貝》與《笑笑羊》之配樂選粹,熱鬧精采足以令人忘憂。
\n\n衛武營此次引進這兩部動畫音樂會,近年分別在英國各地巡演皆獲得了極佳好評;同樣亦邀請高雄在地最傑出的「對位室內樂團」於現場以原音演出,邀請您在衛武營的葡萄莊園式音樂廳,聆賞胡桃鉗王子與酷狗寶貝的奇妙音樂世界。
\n\n\n\n
演前導聆
\n\n2021/12/25(六)10:20-10:40 音樂廳三樓大廳
\n\n2021/12/25(六)14:20-14:40 音樂廳三樓大廳
\n\n2021/12/26(日)14:20-14:40 音樂廳三樓大廳
\n\n\n\n
演出暨製作團隊名單
\n\n指揮|張尹芳
\n\n樂團|對位室內樂團
\n\n《胡桃鉗組曲》
\n\n動畫|湯姆.史考特
\n\n音樂|柴可夫斯基
\n\n《酷狗寶貝》
\n\n動畫製作|Aardman Animations
\n\n動畫音樂會授權|Carrot Productions Limited
\n\n\n\n
藝術家介紹
\n\n指揮|張尹芳
\n\n\n\n
「這首節奏複雜的作品對每個樂團來說都會是挑戰,但香港城市室內樂團在客席指揮張尹芳清晰的拍點與細膩的處理之下,成功地演繹了這首作品。」—香港《南華早報》
\n\nNSO國家交響樂團駐團指揮。在臺灣接受完整音樂教育,畢業於國立臺北藝術大學,曾師事徐頌仁、陳秋盛。2012年3月,張尹芳於「高雄春天藝術節」臨陣替代身體不適的俄國指揮大師羅許德茲特溫斯基指揮蕭斯塔科維契第八號交響曲,深受樂界肯定。
\n\n2006至2015 年擔任國家交響樂團助理指揮,期間參與策劃、指揮「NSO永遠的童話」年度製作及推廣音樂會,結合舞蹈、偶戲、繪本、傑出畫家與動畫,對於古典音樂教育及推廣不遺餘力。並擅於各種跨界合作,曾分別與張艾嘉、王耀慶合作,製作演出結合戲劇與音樂之節目,如《仲夏夜之夢》、《皮爾金》;並與金曲流行樂團蘇打綠同台,以及與國際古典樂壇的知名組合「音樂駭客Igudesman & Joo」多次合作,均深受好評。
\n\n此外,張尹芳亦積極參與當代華人音樂家作品發表,曾指揮NSO錄製臺灣原住民傳統歌謠創編交響樂曲專輯《山海琴原》,以及受臺北立市國樂團之邀,指揮《反景入深林─向周文中致敬》音樂會並錄音發行。2018年再受邀指揮亞太音樂節開幕音樂會,首演多位作曲家之作品。近年來曾受邀包括與日本金澤管絃樂團、香港城市室內樂團、臺北市立國樂團、台北愛樂管絃樂團、國立臺灣交響樂團、臺南市立交響樂團、高雄市立交響樂團合作,並受邀演出總統府音樂會、臺南國際藝術節及日本金澤音樂祭。除音樂會演出外,並兼任於國立臺北藝術大學、輔仁大學音樂系。
\n\n\n\n
對位室內樂團
\n\n樂團成立於1997年,結集一群志同道合,熱愛音樂的菁英們,深耕南臺灣的音樂環境。「對位」(counterpoint)源於音對音或點對點,形成數條旋律,同時呈現,或對應、或交織,產生和諧動人的音樂! 對位室內樂團演出足跡遍及全臺,近年活躍於各藝術季演出,包括台積心築藝術季、臺南藝術季「臺灣精湛」,並受邀參與北京國際音樂節、及上海、蘇州演出,歐洲奧勒松室內音樂等藝術節,更連續受邀參與高雄春天藝術節演出。自成立以來,屢獲「文化部分級獎助計劃」及「高雄市傑出演藝團隊」,目前為「國藝會演藝團隊年度獎助專案」團隊之一,為對團隊推廣精緻音樂活動不遺餘力及藝術表現執行之肯定。 對位以室內樂歌劇的形式,演出國人作曲家李子聲創作的《江文也與兩位夫人》,獲2013台新藝術獎季提名。樂團近年出版「音樂藏寶盒」、「唱歌吧!」室內樂專輯。
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《酷狗寶貝》圖片版權:© and TM Aardman/W&G Ltd. All rights reserved
\n\n《胡桃鉗組曲》圖片版權:© Tom Scott
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贊助單位
\n\n※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Weiwuying's highly anticipated year-end Animation in Concert series never fails to excite kids and parents alike. The musical event not only brings joy to children, but also resonates with those who are still young at heart. The 2021 edition of the concert will present yet another audiovisual feast that melds classical and modern artistic styles.
\n\nThe first half of the concert will feature TCHAIKOVSKY's classic—The Nutcracker Suite, with an 8-piece orchestral suite hand-picked by none other than the composer himself. The suite will be accompanied with animations by the versatile British artist Tom SCOTT, taking audiences on a journey into a fantastical kingdom filled with holiday wonders. The second half will feature music from two of the most popular stop-motion clay animation series in the UK—Wallace & Gromit and Shaun the Sheep, whose lively rhythms are sure to keep all your troubles at bay.
\n\nThe two animation concerts introduced by Weiwuying this time have been performed at various locations in the UK, receiving rave reviews from across the country. As in previous years, Kaohsiung's outstanding local Counterpoint Ensemble has been invited, once again, to perform live music. Join us at Weiwuying's vineyard-style Concert Hall to experience the magical musical worlds of the Nutcracker Prince and Wallace & Gromit.
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Pre-talk
\n\n2021/12/25(Sat)10:20-10:40 Concert Hall 3rd Floor
\n\n2021/12/25(Sat)14:20-14:40 Concert Hall 3rd Floor
\n\n2021/12/26(Sun)14:20-14:40 Concert Hall 3rd Floor
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Creative and Production Team
\n\nConductor|CHANG Yin-fang
\n\nEnsemble|Counterpoint Ensemble
\n\nThe Nutcracker Suite
\n\nAnimation Maker|Tom SCOTT
\n\nComposer|P. I. TCHAIKOVSKY
\n\nWallace & Gromit
\n\nAnimation Production|Aardman Animations
\n\nLicensor|Carrot Productions Limited
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Artists introduction
\n\nConductor | CHANG Yin-fang
\n\nAny orchestra would be challenged by the work's complex rhythms, but the City Chamber Orchestra of Hong Kong fared well under guest conductor CHANG Yin-fang, helped by her attention to detail and clarity of gesture."——Dirk NEWTON, South China Morning Post (2017)
\n\nCHANG Yin-fang is Resident Conductor of the Taiwan Philharmonic (National Symphony Orchestra). She completed her musical education in Taiwan and served as Assistant Conductor from 2006 to 2015.
\n\nDuring this period, CHANG conducted well-received educational concerts and "NSO Forever Tales" annually, co-producing new programs with puppet theatre, children's book illustrators, and animators. In March 2012, she stepped in for ailing Gennady ROZHDESTVENSKY at short notice to conduct SHOSTAKOVICH's Symphony No. 8 in the Kaohsiung Spring Arts Festival to great acclaim.
\n\nShe is passionate about the transformative power of music in society and education. In addition, she has collaborated with film directors, television actors and indie bands, producing strikingly progressive crossover work. Her collaborations with Igudesman & Joo in particular are highly acclaimed.
\n\nCHANG is also an astute interpreter of Asian contemporary scores. She conducted "Tribute to Wen-Chung CHOU", featuring seven contemporary works, with Taipei Chinese Orchestra in a world premiere in 2013, and was nominated for the Taishin Arts Award. In 2017, she recorded new orchestral pieces of Taiwanese indigenous song, drawing on themes of tradition and identity and articulating them in innovative ways for contemporary audiences, underlining the value of both tradition and innovation. In 2018, she was invited to conduct the opening concert of the Asian Composers League Conference and Festival with many new compositions.
\n\nShe debuted in Hong Kong and Japan, working with City Chamber Orchestra and Orchestra Ensemble Kanazawa in 2018 and 2019 respectively. In addition to her conducting career, CHANG teaches conducting and score reading at Fu-Jen Catholic University and Taipei National University of the Arts.
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Counterpoint Ensemble
\n\nIn 1997, Kung-Ling LIANG, the Art Director and founder of Counterpoint Ensemble, gathered the impassioned, professional musicians and built up the Ensemble in Southern Taiwan. The Ensemble has not only performed in chamber music, but also created interdisciplinary programs, in which the Ensemble works with visual artists, dancers, and actors to express classical music in the diversified circumstances. In 2011, the Ensemble worked with a renowned French mime group and performed L'Amour. Bunya Koh and His Two Wives, a multidisciplinary program the Ensemble made in 2014, had been nominated by Taishin Bank Foundation for Arts and Culture. The commentator of the National Culture and Arts Foundation once considered the performance of the Ensemble was "the perfect balance of music and theater." Counterpoint Ensemble has performed in several concert halls in Taiwan, including those in Kaohsiung and Taipei, and also acquired commendation from the government for almost a decade. Furthermore, the Ensemble has received commendation from Taiwan's Ministry of Culture since 2010, being a recognition for the Ensemble's effort and quality.
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Wallace & Gromit Photo© and TM Aardman/W&G Ltd. All rights reserved
\n\nThe Nutcracker Suite Photo© Tom Scott
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Sponsor
\n\n衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'佇樹跤咧陷眠(在樹下做白日夢)
\n\n「樹」承載了歲月與記憶,萬物、生態與生命圍繞著樹而形成生命共同體。
\n\n青年作曲家周宣宏與青年影像導演魏肇儀的跨領域共同創作,以「樹」為核心,於高雄進行紀錄、影像、聲景、音樂的創作。
\n藉以這次的行動與演出,以樹的視角觀看樹在人類活動範圍中的樣貌,去反向觀察人類自身處境的狀態。透過影像與音樂的引導,看著搖曳的樹影,聽著音樂與那些時常被忽略的聲景,除了帶出生活周遭的印記外,從日常生活的節奏中,進入非日常的感官體驗,像是在樹下做白日夢一樣,進入另一個虛實混雜的狀態,並觸發思考我們人類自身環境與自然物的互動關係。
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演後座談
\n\n12/25(六)、12/26(日) 演出後於表演廳。
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演出暨製作團隊
\n\n樂團名單
\n\n樂 手
\n\n第一小提琴|李相寬
\n\n第二小提琴|王昱霖
\n\n中提琴|黃文翔
\n\n大提琴|黃祐甫
\n\n低音提琴|邱宇君
\n\n鋼琴|陳柏豪
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製作團隊
\n\n音樂創作|周宣宏
\n\n影像創作|魏肇儀
\n\n導 演|陳御弼
\n\n製 作 人|張翠芸
\n\n製作顧問|吳維緯
\n\n燈光設計暨舞台監督|陳俊佑
\n\n音響設計|黃彥霖
\n\n影像執行|楊博倫
\n\n導演助理|侯又加
\n\n執行製作|葉奕萱、吳佩芝
\n\n技術執行|吳冠萱、陸洧橙
\n\n製作統籌與執行|六藝樂集、 鳳東文創有限公司、 財團法人高雄市藝起文化基金會
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藝術家介紹
\n\n音樂創作|周宣宏
\n\n畢業於美國紐約大學(NYU, Steinhardt)電影與多媒體配樂碩士。曾經於2015年參加臺灣國樂團舉辦的徵曲活動獲得大型合奏項目唯一入選。目前專注於創作室內樂、管樂團、國樂團、交響樂等曲目,並與其他藝術領域如舞蹈戲劇共同創作,參與製作演出。除此之外,投身於表演藝術節目製作、兒童音樂推廣教育節目製作、藝術教育與藝術推廣。
\n\n自2015年起,開始致力創作原創曲目,如收錄於高雄市管樂團原創專輯『臺灣新聲音Taiwan New Sounds』的『高雄意象-鋼鐵之濱』與『南投意象-來自祖靈的話語』;給管樂團的『Sketching Puget Sound』、『高雄節慶序曲』;給豎笛獨奏『Vow 願』;給薩克斯風重奏的『恆春古城-瑯嶠之憶』等。曾為紀錄片『Beautiful Mountain』、『F Comme Foot』等影片配樂。現為高雄市管樂團駐團作曲家、六藝樂集藝術總監。
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影像創作|魏肇儀
\n\n高雄旗山人,在人與生活以及影像之間求生、探索與學習。
\n\n在紀錄影像的創作歷程中,與不同藝術團隊走訪亞洲各個角落,足跡從東亞島鍊(日本、沖繩、臺灣),至東南亞都會與鄉野(泰國曼谷、湄公河、印尼日惹),影像著重於「關係」發展的思考,從人、物、地方、與環境之間的互動,探究其中跨國界、跨族群、跨物種間的的社會關係。
\n\n主要作品:
\n\n2020《有汝个日子》,【桃園地景藝術節_構築城市】,桃園市中壢區大崙展區。
\n2019《你才醜》、《假日》沖繩生活與觀察攝影集,【寫生】,河南八號,高雄市 。
\n2017《 湄公河里山 》差事劇團湄公河里山行動,寶藏巖,臺北市。
\n2016《 竹圍工作室換帖去 》竹圍工作室東南亞文化園丁計畫,泰國、印尼。
\n2015《回到里山》紀錄片,導演。高雄美濃、日本新潟。
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本作品受衛武營高雄雄厲害演出創意計畫挹注
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主要贊助
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協力贊助
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更多節目與活動
\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ee4c013e90273b8d729fec4793a38436",title:"【高雄雄厲害】周宣宏X魏肇儀 影像聲景音樂會《樹仔聲》"}],related:[],title:'【Kaohsiung Local Hi】CHOU Hsuan-hung x WEI Zhao-yi "Tshiū - á Siann" Whispers of Trees',cover:"7104fd73d9f1ef6c30d2446e82637915",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Daydreaming under the Tree
\n\nTrees endure time and memories. The environment and living beings revolve around trees, forming a collective life community.
\n\nYoung composer CHOU Hsuan-hung and young film director WEI Zhao-yi's cross-collaboration, co-creation project focuses on trees and consists of the conducting of recording, filming, soundscaping, and music writing in Kaohsiung.
\n\nThrough this project and performance, the perspective of trees is used to view the appearance of trees within the environment of human activity and further observe humans' state of mind within this environment. Through the guidance of films, images, and music, the audience watches the swaying of the shadows of trees and listens to music and those often-ignored sounds. In doing so, in addition to bringing out the imprints of life surroundings, from within the rhythm of everyday life, one is able to enter an unordinary sensual experience. Akin to daydreaming under a tree, one enters a world that is on the borderline between fantasy and reality, inspiring us to reflect upon the interaction.
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Post-talk
\n\n2021/12/25(Sat)、2021/12/26(Sun) After performance at Recital.
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Creative and Production Team
\n\nMusicians
\n\nViolin 1|LEE Hsiang-kuan
\n\nViolin 2|WANG Yu-lin
\n\nViola|HUANG Wen-hsiang
\n\nCello|HUANG Yu-fu
\n\nDouble Bass|CHIU Yu-chun
\n\nPiano|CHEN Po-hao
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Production Team
\n\nComposer|CHOU Hsuan-hung
\n\nDocumentary Creation|WEI Zhao-yi
\n\nDirector|CHEN Yu-pi
\n\nProducer|CHANG Tsui-yun
\n\nProduction Consultant|WU Wei-wei
\n\nLighting design & Stage manager|CHEN Chun-yu
\n\nSound Design|HUANG Yen-lin
\n\nMulti-Media Operator|Byron YANG
\n\nAssistant to Director|HOU You-jia
\n\nProduction Manager|YEH I-hsuan、WU Pei-chih
\n\nTechnical Crew|WU Kuan-hsuan、LU Wei-cheng
\n\nProduction Management|Sixarts Music、Oriental Phoenix Cultural Creativity Co. Ltd、We ART Together Foundation
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Artists introduction
\n\n\n\n
Music|CHOU Hsuan-hung
\n\nCHOU received his master's degree in film and multimedia scoring from NYU, Steinhardt School of Culture, Education, and Human Development.In National Chinese Orchestra Taiwan's 2015 composition competition, his work was the only one chosen in the large orchestral work category. Currently, he specializes in writing for chamber music, concert band, Chinese orchestras, and symphonies, and also participates in the production and performances of other art fields, including dance and drama. In addition, he is committed to producing performing arts programs, music promotion educational programs for children, and promoting art education and the arts in general.
\n\nSince 2015, he has dedicated himself to creating original works, such as Kaohsiung—the Harbor of Steel and Nantou—Words of the Utux in Kaohsiung City Wind Orchestra's original album Taiwan New Sounds, Sketching Puget Sound, and Kaohsiung Festival Overture for concert band, Vow for solo clarinet, and Hengchun—Memories of Lang Chiao for saxophone duet. He has also composed music for documentaries Beautiful Mountain and F Comme Foot. He is currently composer-in-residence for Kaohsiung City Wind Orchestra and the artistic director of Six Arts Music.
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Film and Image|WEI Zhao-yi
\n\nBorn in Qishan, Kaohsiung, WEI survives, explores, and learns in the space between humans, life, and film and images.
\n\nSpanning from the East Asian island chain (Japan, Okinawa, and Taiwan) to Southeast Asian cities and urban areas (Bangkok in Thailand, Mekong River, and Jogja in Indonesia), his film and image works focus on thinking on the development of relationships and explore the cross-country, cross-ethnicity, and cross-species social relationships within the interactions between humans, objects, places, and the environment.
\n\nMajor works:
\n\n2020 There was This Day, "Taoyuan Land Art Festival_Creative Cityscaping" at Dalun Exhibition Center in Zhongli District, Taoyuan City.
\n2019 You are the Ugly One, Holidays from photo album Life inand Observations on Okinawa, Sketching Exhibition at Henan 8 in Kaohsiung City.
\n2017 Beyond the Border, Assign Theatre's Beyond the Border Project at Treasure Hill Artist Village in Taipei City.
\n2016 uānn-thiap: BCS on tour, BCS's Southeast Cultural Gardeners Project in Thailand and Indonesia.
\n2015 Director of documentary Back to Satoyama in Meinong District, Kaohsiung City and Niigata, Japan.
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Creation research supported by National Kaohsiung Center for the Arts (Weiwuying)
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Major Sponsor
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Sponsor
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\n',team:""},createdAt:1621476993,updatedAt:1653034150,updatedBy:"通泰系統管理員",host:!0},{_id:"60acccf63ed4e9000afbd362",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638790200,discrete:[{time:1638790200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,200],link:"https://www.opentix.life/event/1458647264355106820"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f168690570a24c79d20687b93b432dab",title:"飛音展翅-高雄英明管絃樂班臺北大安弦樂團聯合音樂會"}],related:[],title:"《飛音展翅-高雄英明管弦樂班、臺北大安弦樂團聯合音樂會》",cover:"43a604e7b8702f1c9dc1458d2bd51017",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年7月11日(日)14:30於音樂廳演出之《飛音展翅-高雄英明管弦樂班、臺北大安弦樂團聯合音樂會》,節目延期至2021年12月6日(一)19:30於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年7月31日(六)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
演出曲目上半場由臺北市立大安國民中學弦樂團帶來英國作曲家魯特的《給弦樂團的組曲》,這首作品由四首英國民謠改寫而成,具有濃厚的英國田園色彩與清新的民謠風格。第二首則是匈牙利作曲家巴爾托克的《羅馬尼亞民俗舞曲》,使用的素材是1909年,在外西凡尼亞( Transylvania)採集的羅馬尼亞民謠,巴爾托克運用各種調式與獨特的和聲將這些民謠重新編寫,創造出樂曲新的生命。上半場最後一首曲目,是20世紀法國作曲家盧賽爾的《為弦樂團的小交響曲,作品52》,他的作品其音響厚重,織體複雜,和聲具有現代性,相信能帶給現場觀眾一種全新的聲響體驗。
\n\n接著,由高雄市立英明國民中學藝才管弦樂班以林姆斯基-高沙可夫的《以俄羅斯為主題的序曲》揭開下半場的節目。接下來演奏英國作曲家埃里克科茲於1919年特別為管弦樂團創作的《夏日組曲》及充滿俄羅斯風格的奧地利作曲家明庫斯所作的《唐吉軻德》選曲-雙人舞。最後,大安、英明兩校將合演白遼士《浮士德的天譴》中的《匈牙利進行曲》,共同為此場聯合音樂會畫下圓滿的句點。
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演出曲目
\n\n上半場
\n\n魯特:《給弦樂團的組曲》
\n\n巴爾托克:《羅馬尼亞民俗舞曲》
\n\n盧賽爾:《為弦樂團的小交響曲》作品52
\n\n下半場
\n\n林姆斯基-高沙可夫 : 《以俄羅斯為主題的序曲》
\n\n埃里克 科茲 : 《夏日組曲》
\n\n路德維希 明庫斯 : 《唐吉軻德》選曲-雙人舞
\n\n白遼士:《匈牙利進行曲》選自《浮士德的天譴》
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演出暨製作團隊
\n\n上半場
\n\n演出者|臺北市立大安國民中學弦樂團
\n\n校長|蘇慧君
\n\n指揮|許惠品
\n\n音樂總監|黃靖喬
\n\n下半場
\n\n演出者|高雄市立英明國民中學藝術才能管弦樂班
\n\n校長|徐東弘
\n\n指揮|林裕錫
\n\n行政策劃|陳志明、謝佳靜
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f168690570a24c79d20687b93b432dab",title:"飛音展翅-高雄英明管絃樂班臺北大安弦樂團聯合音樂會"}],related:[],title:"Wings of Melody",cover:"43a604e7b8702f1c9dc1458d2bd51017",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-932911365. | \n\t\t
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The first half of the concert will be presented by Taipei Da-an Junior High School String Orchestra, featuring works by John Rutter. Next is "Romanian Folk Dances" by Béla Bartók. The last piece of the first half is "Sinfonietta for String Orchestra" by Albert Roussel. Kaohsiung Ying-Ming Junior High School Orchestra will open the second half of the concert with Rimsky-Korsakov's "Overture on Russian Themes". Next are "Summer Days Suite" by Eric Coates ,and "Don Quixote- Pas de Deux" by Ludwig Minkus . Finally, "Hungarian March" by Louis-Hector Berlioz will bring a wonderful closure to the evening of collaboration between two schools.
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Program
\n\nJohn Rutter: Suite for Strings
\n\nBéla Bartók: Romanian Folk Dances
\n\nAlbert Roussel: Sinfonietta for String Orchestra, Op. 52
\n\n-Intermission-
\n\nRimsky-Korsakov: Overture on Russian Themes
\n\nEric Coates: Summer Days Suite
\n\nLudwig Minkus: Don Quixote- Pas de Deux
\n\nL. H. Berlioz: "Hungarian March" from "The Damnation of Faust"
\n\n\n\n
Creative and Production Team
\n\nThe first half of the program
\n\nOrchestra|Taipei Da-an Junior High School String Orchestra
\n\nPrincipal|SU, Hui-Chun
\n\nConductor|HSU, Hui-Pin
\n\nMusic Director| HUANG, Ching-Chiao
\n\nThe second half of the program
\n\nOrchestra|Kaohsiung Ying-Ming Junior High School Orchestra
\n\nPrincipal| HSU, Tung Hung
\n\nConductor|LIN, Yu-Hsi
\n\nCreative and Production|CHEN, Chih-Ming、HSIEH, Chia-Ching
\n\n\n',team:""},createdAt:1621937398,updatedAt:1636971817,updatedBy:"林蔚行",host:!1},{_id:"60ae3bda3ed4e9000afc35e7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639481400,discrete:[{time:1639481400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://ticket.com.tw/Application/UTK02/UTK0201_.aspx?PRODUCT_ID=N19AA1WO"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"738524f8a4cd052072f9569e251417eb",title:"《高雄‧重磅登場-張恆碩小提琴獨奏會》"}],related:[],title:"《高雄‧重磅登場-張恆碩小提琴獨奏會》",cover:"f0371c68337caac4c240d622db17f24b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2021年6月28日(一)19:30於表演廳演出之《高雄‧重磅登場-張恆碩小提琴獨奏會》,節目延期至2021年12月14日(二)於原場地演出。 \n\n\t\t\t※造成觀眾不便,敬請見諒。請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
小提琴家張恆碩將於6/28首次在高雄衛武營國家表演廳舉辦個人獨奏會。2017年旅美回台舉行首場獨奏會的他,甫於2020年考上高雄市交響樂團助理首席。歷經了多次各類型音樂會及下鄉等活動的淬煉,音樂內涵及演奏感染力更加純熟,演出足跡遍及全台與美、韓等地。本場音樂會將為聽眾帶來多首膾炙人口的作品,包含維塔利(T. Vitali)的〈夏康舞曲〉,法朗克(C. Franck)的〈A大調小提琴奏鳴曲〉,以及恩斯特(H. Ernst)改編自舒伯特的大隨想曲〈魔王〉等,並與曾獲選為「兩廳院樂壇新秀」的知名鋼琴家陳芝羽博士合作,演出精彩可期。
\n\n\n\n
演出曲目
\n\n莫札特:E小調第21號奏鳴曲,作品304
\n法朗克:A大調小提琴奏鳴曲
\n盧托斯拉夫斯基:《即刻》
\n維塔利:《夏康舞曲》
\n恩斯特:大隨想曲《魔王》
\n費拉契尼:《廣板》
\n維尼奧夫斯基:《莫斯科的回憶》
\n\n
演出暨製作團隊
\n\n小提琴|張恆碩
\n鋼琴|陳芝羽
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"738524f8a4cd052072f9569e251417eb",title:"Hen-Shuo Steven Chang Violin Recital"}],related:[],title:"Hen-Shuo Steven Chang Violin Recital",cover:"f0371c68337caac4c240d622db17f24b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n',benefits:"",description:'Praised by Broadway World online review as "technically proficient… with great sensitivity,...',introduction:'
※The performance has been changed. For more information, please contact +886-7-2256360. | \n\t\t
\n\n
Praised by Broadway World online review as "technically proficient… with great sensitivity," and described by violinist Rachel Barton Pine as "very exciting and musical," violinist Hen-Shuo (Steven) Chang will give his Kaohsiung debute recital on June 28th. Currently served as Assistant Concertmaster of Kaohsiung Symphony Orchestra, Steven had worked with world-renowned musicians, given concerts in both the U.S. and Taiwan. This program will feature some of the most popular works in the violin literature, including Sonata for Violin and Piano in A major by Franck, Grand Caprice "Der Erlkönig" by Ernst, Souvenir de Moscou by Winiawski,among others.
\n\n\n\n
Program
\n\nMozart: Violin sonata in E minor,K.304
\nFranck: Sonata in A major for Violin and Piano
\nLutosławski: Subito for Violin and Piano (1992)
\nVitali: Chaconne
\nErnst: Grand Caprice "Der Erlkönig"
\nVeracini: Largo for Violin and Piano
\nWieniawski: Souvenir de Moscou, op.6
\n\n
Creative and Production Team
\n\nViolin|CHANG Hen-Shuo
\nPiano|CHEN Chih-Yu
\n\n
\n',team:""},createdAt:1622031322,updatedAt:1635415747,updatedBy:"林蔚行",host:!1},{_id:"60b055da3ed4e9000afce606",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1639222200,discrete:[{time:1639222200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500,2e3],link:"https://www.opentix.life/event/preview/1402893285194194946"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a8341aabfb1a37026dde5b9e02944eab",title:"法國巴黎銀行財富管理音樂巡禮《法蘭西琴緣》"}],related:[],title:"法國巴黎銀行財富管理音樂巡禮《法蘭西琴緣》",cover:"21c6dff72729f097ec64b40b3fd66cec",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年12月11日(六)19:30於音樂廳演出之法國巴黎銀行財富管理音樂巡禮《法蘭西琴緣》,因管風琴演奏家提耶里.艾斯卡許取消來臺,改由馬寇爾顧問與鋼琴家嚴俊傑、盧易之同台獻藝,其他演出內容不變。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳購票網站。 \n\t\t\t | \n\t\t
\n\n
適逢法國作曲家聖桑斯逝世百年紀念,亦呼應本樂季「法國音樂」主題,藝術顧問準‧馬寇爾率領NSO再現大師經典。《骷髏之舞》是聖桑斯最負盛名交響詩之一,改編法國詩人亨利‧卡薩利斯同名詩作,鬼魂狂歡之夜,節奏神秘怪誕卻不失輕快幽默。華美絢爛的第三號交響曲《管風琴》由倫敦愛樂協會委託創作,被公認為其最具原創性的交響曲,而管風琴於第二樂章尾聲加入後更顯磅礡氣勢。同場馬寇爾亦將攜手鋼琴雙傑—嚴俊傑、盧易之演繹浦朗克雙鋼琴協奏曲。此曲灑脫俏皮、自由奔放,迷人旋律緊抓聽者心弦。整場法式風情,邀您細細品味法蘭西「琴」緣。
\n\n\n\n
演前導聆
\n\n2021/12/11(六)19:00-19:20 音樂廳觀眾席內
\n\n\n\n
演出曲目
\n\n聖桑斯:《骷髏之舞》
\n\n浦朗克:雙鋼琴協奏曲
\n\n聖桑斯:第三號交響曲《管風琴》
\n\n\n\n
演出暨製作團隊
\n\n指揮|準‧馬寇爾
\n\n鋼琴|嚴俊傑、盧易之
\n\n國家交響樂團
\n\n\n\n
藝術家介紹
\n\n指揮|準•馬寇爾
\n\n生於慕尼黑,師事傑利畢達克與邁爾,並在譚歌塢師事伯恩斯坦與小澤征爾。多年來,馬寇爾是日耳曼體系交響及歌劇經典曲目的重量級詮釋者,廣受景仰,近期他在法國印象派作品上的細緻刻劃和音樂語彙探索,亦有目共睹。
\n\n他與維也納、柏林、慕尼黑和德勒斯登森柏等國家級歌劇院具有長期合作關係,近年來亦擔任里昂國家管絃樂團(2005-11)、萊比錫中德廣播交響樂團(2007-12)和巴斯克國家交響樂團(2014-17)的音樂總監。
\n\n曾擔任世界各大交響樂團的客席指揮,其中包括克里夫蘭交響樂團、費城交響樂團、NHK交響樂團、捷克愛樂、慕尼黑愛樂、奧斯陸愛樂、蘇黎世音樂廳管絃樂團等等。
\n\n眾多錄音專輯中包含與 NHK交響樂團的全套舒曼交響曲實況錄音、與里昂國家管絃樂團的9張德布西專輯、以及一系列聖桑斯和细川俊夫的作品。法國文化部頒授他法蘭西藝術與文學騎士勳章以表彰他在里昂的成就。
\n\n\n\n
\n\n
鋼琴|嚴俊傑
\n\n出生於臺北,自十三歲獲第三屆國際柴科夫斯基青少年音樂大賽第三獎起,便活躍於國內外樂壇,其演奏足跡遍及歐、亞、非、南北美洲世界五大洲;曾以獨奏家身份與多位指揮名家及著名樂團合作演出;如Mikhail Pletnev、Henry Mazer、Uri Meyer、Günther Herbig、Gernot Schmalfuss、呂紹嘉等;及俄國國家交響樂團、萊茵愛樂、國家交響樂團、臺北市立交響樂團、國立臺灣交響樂團等。於2008年以環球唱片發行的首張個人專輯獲第十九屆金曲獎「最佳古典演奏獎」。1999年以十五歲之齡贏得日本第四屆國際浜松鋼琴學院比賽冠軍,2004年初獲聖彼得堡普羅柯菲夫國際鋼琴大賽季軍,2004及2005年更連獲兩屆奇美文化藝術獎肯定。
\n\n\n\n
鋼琴|盧易之
\n\n盧易之曾在13項國際及區域大賽獲獎,演奏足跡遍及全球40個城市的重要音樂廳。 2016年美國華盛頓州金縣(King County)特別訂2016年7月9日為盧易之日,表彰他在鋼琴演奏領域上卓越的成就。
\n\n盧易之亦曾與歐亞知名的樂團如奧地利國家廣播電臺交響樂團、維也納太平洋室內樂團、羅馬尼亞阿拉德愛樂、仙台愛樂、以及NSO等樂團合作演出。2012年,他的專輯『My Chopin; My Brahms』獲得金曲獎『最佳演奏獎』之肯定。此外亦擅長改編臺灣民謠,目前任教於國立臺北藝術大學。
\n\n\n\n
\n\n
自信而精銳
\n\n國家交響樂團
\n\n於1986年為建立一個指標級交響樂團而投下的希望,2005年起成為駐國家音樂廳團隊,2014年4月起改隸國家表演藝術中心,目前已成為頂尖的亞洲樂團。樂團歷任音樂總監/藝術顧問包括許常惠、張大勝、林望傑、簡文彬、赫比希以及呂紹嘉。近30年來與NSO合作過的知名指揮家有馬捷爾、巴夏、潘德瑞茨基、史瓦茲、羅斯楚波維奇、柯米希奧納、史拉特金、馬利納爵士等。除了精緻音樂會,NSO也製作大型歌劇,更以各種推廣講座音樂會、節慶或戶外音樂會,使NSO的節目成為愛樂大眾樂於參與的活動,形成華人地區古典音樂的新風貌。
\n\n\n\n
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主辦|國家交響樂團
\n\n合辦|衛武營國家藝術文化中心
\n\n冠名贊助|法國巴黎銀行財富管理
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a8341aabfb1a37026dde5b9e02944eab",title:"BNP x NSO - Jun Märkl & Saint-Saëns"}],related:[],title:"NSO - Jun Märkl & Saint-Saëns",cover:"21c6dff72729f097ec64b40b3fd66cec",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-2-3393-9888. | \n\t\t
\n\n
In order to commemorate the centennial anniversary of the death of French composer Camille SAINT-SAËNS and in keeping with our theme of "French Music" for the 2021/22 season, the Artistic Advisor of the NSO Jun Märkl will lead the orchestra in presenting this great composer's masterpieces.
\n\nDanse Macabre, one of SAINT-SAËNS' well-known tone poems, was based on the poem of the same title written by French poet Henri CAZALIS. It depicts the scene of one specific night when all dead souls are allowed to leave their graves to roam and revel. The grotesque rhythms of this work capture the eerie aura, while at the same time maintaining some playful tones.
\n\nCommissioned by the Philharmonic Society of London, the beautiful and magnificent Symphony No. 3, "Organ" is acknowledged as the most innovative symphony written by SAINT-SAËNS. The music turns exceedingly monumental when the organ joins in for the coda of the second movement.
\n\nTwo brilliant pianists, Yen Chun-chieh and Lu Yi-chih, will showcase POULENC's Concerto pour deux pianos with the accompaniment of Jun Märkl and the NSO. With its carefree, playful, and unrestrained spirit and enchanting melodies, this piece always touches audiences' hearts.
\n\nJoin us for a night of French delicacy!
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Program
\n\nC. SAINT-SAËNS: Danse macabre, Op.40
\n\nF. POULENC: Concerto pour deux pianos
\n\nC. SAINT-SAËNS: Symphony No.3 in C minor, Op.78, "Organ"
\n\n\n\n
Creative and Production Team
\n\nConductor|Jun MÄRKL
\n\nPiano|YEN Chun-chieh, LU Yi-chih
\n\nNational Symphony Orchestra
\n\n\n\n
Artists introduction
\n\n\n\n
Conductor|Jun MÄRKL
\n\nJun MÄRKL is a highly respected interpreter of the core German repertory, and has become known for his refined and idiomatic explorations of the French Impressionists. He currently serves as Music Director of the Malaysian Philharmonic Orchestra, Artistic Advisor for the Taiwan Philharmonic (the National Symphony Orchestra), and Principal Guest Conductor of the Residentie Orkest of The Hague. He has also recently been appointed Artistic Advisor of the Indianapolis Symphony Orchestra and Principal Guest Conductor of the Oregon Symphony in the United States. His long-standing relationships with the state operas of Vienna, Berlin, Munich, Semperoper Dresden and the Metropolitan Opera have been complemented by his music directorships of the Orchestre National de Lyon, the MDR Leipzig Radio Symphony Orchestra and the Basque National Orchestra. He also guest conducts leading orchestras in North America, Asia, Australia, New Zealand and Europe.
\n\nIn recognition of his achievements in France, he was honored in 2012 with the Chevalier de l’Ordre des Arts et des Lettres. MÄRKL has an extensive discography – among the more than 50 albums he has recorded are the complete SCHUMANN symphonies with the NHK Symphony Orchestra, MENDELSSOHN and WAGNER with the MDR Leipzig Radio Symphony Orchestra, and works by RAVEL, MESSIAEN, and a highly acclaimed DEBUSSY series with the Orchestre National de Lyon. He is currently working on a cycle of works by SAINT-SAËNS, R. STRAUSS and Toshio HOSOKAWA.
\n\nBorn in Munich, MÄRKL won the conducting competition of the Deutscher Musikrat in 1986 and studied at Tanglewood with Leonard BERNSTEIN and Seiji OZAWA. Soon afterwards, he appeared in opera houses throughout Europe, followed by his first music directorships at the Staatstheater Saarbrücken and the Nationaltheater Mannheim. Starting from January 2022, MÄRKL will serve as the Music Director of the Taiwan Philharmonic (the National Symphony Orchestra).
\n\n\n\n
Piano|YEN Chun-chieh
\n\nOne of the most distinctive pianists of his generation in Taiwan, Pianist YEN Chun-chieh enjoys a vibrant career of performing and teaching across Europe, US, and Asia. Mr. Yen has performed with many of the world’s major orchestras and enjoyed collaborations with conductors including Mikhail PLETNEV、Henry MAZER、Uri MEYER、Gernot SCHMALFUSS, Shao-Chia Lü and Günther HERBIG. Mr. Yen is also a numerous prize winner at competitions. He was awarded Third Prize at the International Youth Tchaikovsky Competition (1997); First Prize at the 4th Hamamatsu International Academy Piano Competition in Japan (1999); and Third Prize at the 4th Prokofiev International Competition in St. Petersburg (2004). Mr. Yen’s debut album on Universal earned him the award of Best Classical Performer at the 19th Golden Melody Awards in Taiwan.
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Piano|LU Yi-Chih
\n\nLU Yi-chih, a Taiwanese pianist, was born in 1982. He studied with Michael KRIST at the University for Music and Performing Arts Vienna, later with Klaus HELLWIG at the University of the Arts Berlin.
\n\nHe has won 13 important national and international piano competitions, such as Sendai, Hummel, Maria Canals etc. Concert tours have taken him through Austria, Germany, Slovakia, Italy, Holland, Romania, Taiwan, Japan, and the USA. His orchestral appearances have been with the Taipei Metropolitan Orchestra, Sendai Philharmonic, Arad Philharmonic, and Radio Symphonic Orchestra Vienna. He is also known as a chamber musician, piano companion and interpreter from modern music in different concerts. He is now holding assistant professorships at the Taipei National University of the Arts.
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National Symphony Orchestra
\n\nFounded in 1986, the National Symphony Orchestra (NSO), also known as Taiwan Philharmonic, has been the resident orchestra of the National Concert Hall, and an artistic affiliate of the National Performing Arts Center in April 2014. The orchestra has benefited from the leadership of many music directors and principal conductors, including Gerard Akoka, Urs Schneider, Tsang-Houei Hsu, Da-Shen Chang, Jahja Ling, Wen-Pin Chien, Güther Herbig and Shao-Chia Lü. The NSO works regularly with internationally acclaimed musicians, including Lorin Maazel, K. Penderecki, Rudolf Barshai, Kek-Tjiang Lim, G. Schwarz, Uri Mayer, Joseph Silverstein, Leonard Slatkin, Christopher Hogwood, Christopher Poppen and many others. Tour performances were also regularly offered throughout Taiwan and in overseas, in places such as Vienna, Paris, Berlin, Brussels, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Hong Kong, Shanghai, Beijing, Costa Mesa, and Vancouver.
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Presenter|National Symphony Orchestra
\n\nCo-Presenter|National Kaohsiung Center for the Arts (Weiwuying)
\n\nTitle Sponsor|BNP PARIBA
\n\n\n\n
\n\n
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限定優惠
\n\n維也納愛樂每年在維也納舉辦約40場音樂會,其中新年音樂會和仲夏夜露天音樂會(Summer Night Concert Schönbrunn)會在世界多個國家同步直播。樂團每年還會進駐薩爾茲堡音樂節,同時國際的巡演一年超過50場。所有這些活動都彰顯了維也納愛樂樂團作為全球最頂尖樂團的聲望。
\n\n2022年將是衛武營連續第14年舉辦維也納愛樂新年音樂會戶外直播,確認將由知名猶太裔鋼琴家暨指揮家丹尼爾.巴倫波因(Daniel BARENBOIM)第三度擔任指揮,目前身兼「柏林國立歌劇院」音樂總監及「柏林國立樂團」的終身首席指揮的巴倫波因,在2022年即將邁入80大壽,延續與維也納愛樂長期的合作,繼2009、2014年後,再次擔任2022維也納愛樂新年音樂會的指揮。
\n\n\n\n
活動時間
\n\n2022/1/1(六)
\n\n\n\n
暖場音樂會
\n\n异境樂團Spectro 7在2022年的第一天以《愛在無國界》作為主題,用音樂祝福每一個人,希冀可以透過异境樂團文化風格的輸入,與比擬國際高規格的音樂製作,讓民眾可在休閒活動中開拓音樂面向的多元認知,並且提升對於如同迷宮般的探索傳統音樂脈絡,讓傳統藝術音樂不再有界線,開啟音樂新想像,達成音樂無國界之目標。
\n\n\n\n
直播演出曲目
\n\n約瑟夫.史特勞斯:《鳳凰》進行曲,作品105*
\n\n小約翰.史特勞斯:《鳳凰之翼》,圓舞曲,作品125
\n\n約瑟夫.史特勞斯:《女妖》,馬厝卡波卡舞曲,作品248*
\n\n小約瑟夫.黑爾梅斯伯格:《小報》,加洛普舞曲,作品4
\n\n小約翰.史特勞斯:《晨報》,圓舞曲,作品279
\n\n愛德華.史特勞斯:《編年簡史》,快速波卡舞曲,作品128*
\n\n-中場休息-
\n\n小約翰.史特勞斯:《蝙蝠》序曲
\n\n小約翰.史特勞斯:《香檳波卡舞曲》,《音樂玩笑》,作品211
\n\n卡爾.米夏埃爾.齊赫:《夜貓子》,圓舞曲,作品466*
\n\n小約翰.史特勞斯:《波斯》進行曲,作品289
\n\n小約翰.史特勞斯:《一千零一夜》,圓舞曲,作品346
\n\n愛德華.史特勞斯:《向布拉格致意》,法式波卡舞曲,作品144
\n\n小約瑟夫.黑爾梅斯伯格:《侏儒》,個性小品*
\n\n約瑟夫.史特勞斯:《寧芙波卡舞曲》,法式波卡舞曲,作品50*
\n\n約瑟夫.史特勞斯:《天體樂聲》,圓舞曲,作品235
\n\n*首次於維也納新年音樂會演出之曲目
\n\n\n\n
演出暨製作團隊
\n\n全球衛星直播
\n\n指揮|丹尼爾.巴倫波因
\n\n樂團|維也納愛樂
\n\n\n\n
暖場音樂會
\n\n樂團|异境樂團Spectro 7
\n\n藝術總監、擊樂、二胡|吳政君
\n\n電子低音琴、擊樂|葉俊麟
\n\n柳琴、中阮、三弦|陳崇青
\n\n電鋼琴、演唱|周意紋
\n\n電子合成器|林亮宇
\n\n爵士鼓、演唱|張幼欣
\n\n吉他、擊樂|楊易修
\n\n藝術家介紹
\n\n指揮|丹尼爾.巴倫波因
\n\n©Nikolay_Krusser
\n\n知名猶太裔鋼琴家暨指揮家丹尼爾.巴倫波因(Daniel BARENBOIM),目前身兼「柏林國立歌劇院」音樂總監及「柏林國立樂團」終身首席指揮,將在2022年邁入80大壽,並繼2009年、2014年後,於2022年第三度擔任維也納愛樂新年音樂會的指揮。
\n\n\n\n
樂團|維也納愛樂
\n\n若要提到歐洲古典樂的歷史與傳統,與其連結最深的非維也納愛樂樂團莫屬。在其177年的歷史中,這個管弦樂團所經歷的正是世界的音樂史,也在這條道路上發揮了影響力。時至今日,著名的獨奏家和指揮家皆認為樂團獨特傑出的「維也納之聲」在眾多樂團中獨樹一幟。
\n\n這個成功的交響樂樂團,成立初衷是致力於以最高的水準完美演奏出維也納古典作曲家的交響曲,特別是貝多芬的作品。此藝術目標能實踐要歸功於皇家宮廷劇院(Vienna Court Opera)樂團音樂家的堅定熱情,他們在1842年決定於日常的歌劇院工作之外獨立演出「愛樂音樂會」,並以純粹的藝術性和創造自主性為原則。一個以自主原則為基礎的音樂會架構於焉產生,其中決策過程的各面向都由音樂家自己掌握。
\n\n樂團能演奏出無與倫比的音樂,部分原因也來自於維也納愛樂樂團和國家歌劇院樂團之間的獨特關係。樂團創立的原則之一是,只有歌劇院樂團的音樂家才能加入維也納愛樂樂團。音樂家必須在兩邊的樂團都演出,直到今天,每位愛樂樂團的音樂家都是先在維也納國家歌劇院樂團的試演下開始他們的職業生涯,並且要在三年的等待期之後才有資格成為維也納愛樂樂團的正式團員。
\n\n1870年起,維也納的金色大廳(Golden Hall of the Musikverein)即以其獨特的美學和音響效果證明了是維也納愛樂樂團的理想音樂會場地。樂團首次的海外巡迴演出是1900年的巴黎之行,由馬勒指揮(Gustav Mahler)。1922年也是值得紀念的一年,樂團不僅首次在薩爾斯堡音樂節現身,同年也初次到南美海外巡演。這是樂團到全球各大洲活躍巡迴演出的開端,近年來更包括了在德國、日本、美國、以及未來在中國的定期音樂會。
\n\n樂團已是眾多獎項的常客,2008年起由勞力士獨家贊助。
\n\n維也納愛樂樂團每年在維也納舉辦約40場音樂會,其中新年音樂會和仲夏夜露天音樂會(Summer Night Concert Schönbrunn)會在世界多個國家同步直播。樂團每年還會進駐薩爾斯堡音樂節,同時國際的巡演一年超過50場。所有這些活動都彰顯了維也納愛樂樂團作為全球最頂尖樂團的聲望。
\n\n\n\n
异境樂團Spectro 7
\n\n以跨界詮釋傳統,用創新點綴在地以在地民謠、客家歌曲、南北管戲曲、京劇元素、原住民音樂等傳統音樂為主軸,融入流行、爵士、拉丁、印度、世界音樂等多元曲風,异境樂團用真切動人且具有共感力的原創樂曲,不僅活化富有濃厚人文色彩的古調旋律,重新吟誦出在地音樂獨特之美,更呈現出在地與世界、傳統及現代的對話。
\n\n由藝術總監吳政君及六位跨領域音樂好手組成,此種含有雙鋼琴、雙打擊、彈撥樂器、吉他及電貝斯的特殊編制目前在臺灣極為少見。擁有傳統戲曲背景的藝術總監吳政君,不僅是國內最炙手可熱的世界音樂演奏家,更是流行音樂當紅的打擊樂手,合作藝人除了張惠妹、戴佩妮之外,亦是生祥樂隊團員。
\n\n團員囊括了西洋古典、現代劇場、國樂、戲曲及流行等各色背景且都會編曲。因其成長經歷均為「跳脫原有學習框架,不斷嘗試各類型音樂領域」,隨著不同編曲的構成,更能自由在不同樂器間轉換,時而加入三弦、板胡或能表現各式音色的鍵盤合成器,讓各自創作出的樂曲能夠碰撞出有趣獨特的火花,打造出异於任何現有曲風之未知奇异之境。
\n\n政君以深厚的國樂造詣及演奏經驗,結合各個團員獨特的編曲風格及跨界音樂的融合,期許消除傳統音樂與觀眾的隔閡,跳脫框架並賦予原創新意,希望它與不同類型的音樂風格對話碰撞後,能激發聽眾產生更多的想像及延伸的可能性。
\n\n以舞台作為畫布,讓演奏成為體驗與傳統音樂演出不同,异境的舞台表現更加全面地反映在服裝、燈光及觀眾互動等各個面向。
\n\n演奏者服裝由知名設計師周裕穎融入書法大師董陽孜跨刀創作的書法元素所設計,搭配細緻的燈光光影效果,展現了書法及音樂上虛實轉換、墨色滿溢及留白頓點間相互呼應的共通性,由視覺輔助引領觀眾進入聽覺氛圍,呈現完整精巧的演出設計美學。
\n\n在演奏方面除了有多元的風格編排,這些原創音樂在讓人感到新穎的同時,也能因平易近人的旋律而容易使觀眾產生共鳴,在真切的表演中感受到音樂人對土地的熱愛而動容,异境所呈現在觀眾眼前的,是一片遼闊盛大無邊界的藝術饗宴。
\n\n\n\n
轉播單位
\n\n\n\n
贊助單位
\n\n\n\n
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Exclusive Discount
\n\nThe Vienna Philharmonic performs approximately 40 concerts in Vienna annually, among them the New Year's Concert and the Summer Night Concert Schönbrunn, which are broadcast in numerous countries around the world. The orchestra also has an annual summer residency at the Salzburg Festival and performs more than 50 concerts a year on its international tours. All of these activities underscore the reputation of the Vienna Philharmonic as one of the world's finest orchestras.
\n\n2022 will mark the 14th consecutive year of Weiwuying's live outdoors broadcast of the Vienna Philharmonic New Year's Concert. The famous Jewish pianist and conductor Daniel BARENBOIM is set to conduct the concert for a third time. BARENBOIM currently serves as the Berlin State Opera's musical director and the Staatskapelle Berlin's permanent chief conductor. He will be celebrating his 80th birthday in 2022, which will also be the third year that he presides over the New Year's Concert as part of his long-standing collaboration with the Vienna Philharmonic, after previously having done the honor in 2009 and 2014.
\n\n\n\n
Time
\n\nJanuary 1, 2022 (Sat)
\n\n● 16:00 Warm-up concert - Spectro 7 Love without Boundaries
\n\n● 18:00 Live Broadcast
\n\n\n\n
Warm-up Concert
\n\nOn the first day of 2022, Spectro 7 will, under the theme of Love without Boundaries, use music to send well wishes to each member of the audience. Through their unique style and international-level production, they hope to broaden the public's horizons on different aspects of music and deepen their understanding of difficult to comprehend traditional music, thereby bringing traditional music closer to people, stimulating imaginations, and showcasing the universality of music.
\n\n\n\n
Live Broadcast Program
\n\nJosef Strauss: Phönix March, op. 105 *
\n\nJohann Strauss Jr.: Phönix-Schwingen (Wings of the Phoenix), Waltz, op. 125
\n\nJosef Strauss: Die Sirene, Polka mazur, op. 248 *
\n\nJoseph Hellmesberger Jr.: Kleiner Anzeiger (Little Advertiser), Galop, op. 4
\n\nJohann Strauss Jr.: Morgenblätter (Morning Papers), Waltz, op. 279
\n\nEduard Strauss: Kleine Chronik (Little Chronicle), Fast Polka, op. 128 *
\n\n-Intermission-
\n\nJohann Strauss Jr.: Ouvertüre zu Die Fledermaus (Overture to The Bat)
\n\nJohann Strauss Jr.: Champagner-Polka (Champagne Polka), Musikalischer Scherz, op. 211
\n\nCarl Michael Ziehrer: Nachtschwärmer (Night Revelers), Waltz, op. 466 *
\n\nJohann Strauss Jr.: Persischer Marsch (Persian March) op. 289
\n\nJohann Strauss Jr.: Tausend und eine Nacht (A Thousand and One Nights), Waltz, op. 346
\n\nEduard Strauss: Gruß an Prag (Greetings to Prague), Polka française, op. 144
\n\nJoseph Hellmesberger Jr.: Heinzelmännchen (Elves), Charakterstück *
\n\nJosef Strauss: Nymphen-Polka (Polka française), op. 50 *
\n\nJosef Strauss: Sphärenklänge (Harmony of the Spheres), Waltz, op. 235
\n\n*First performance at a New Year's Concert
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Creative and Production Team
\n\nLive Broadcast
\n\nConductor|Daniel BARENBOIM
\n\nOrchestra|Vienna Philharmonic
\n\n\n\n
Warm-up Concert
\n\nSpectro 7
\n\nWU Cheng-chun|Artistic Director, percussion, erhu
\n\nJiro YEH|Electric bass
\n\nCHEN Chung-ching|Liuqin, zhongruan, samisen
\n\nCHOU I-wen|Digital piano, vocal
\n\nLIN Liang-yu|Synthesizer
\n\nSayun CHANG|Drum set, vocal
\n\nSherwin YANG|Guitar, percussion
\n\nArtist Introduction
\n\nConductor|Daniel BARENBOIM
\n\n©Nikolay_Krusser
\n\nThe famous Jewish pianist and conductor Daniel BARENBOIM is set to conduct the Vienna Philharmonic New Year's Concert in 2022. BARENBOIM currently serves as the Berlin State Opera's musical director and the Staatskapelle Berlin's permanent chief conductor. He will be celebrating his 80th birthday in 2022, which will also be the third year that he presides over the New Year's Concert as part of his long-standing collaboration with the Vienna Philharmonic, after previously having done the honor in 2009 and 2014.
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Orchestra|Vienna Philharmonic
\n\nThere is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic. In the course of the past 177 years, this orchestra has experienced and influenced the course of musical history around the world. Even to this day, prominent soloists and conductors refer to the unique "Viennese Sound" as the outstanding quality that sets it apart from other orchestras.
\n\nThis success story had its origins in the desire to found a symphony orchestra dedicated to the ideal of performing at the highest level the symphonies of the Viennese classical composers, particularly Ludwig van Beethoven. This artistic goal could only be implemented through the enthusiastic affirmation of the musicians of the Vienna Court Opera Orchestra, who in 1842 made the decision to present "Philharmonic Concerts", independently of their duties at the opera theater and within a framework of complete artistic and entrepreneurial autonomy. This produced a structure based on democratic principles in which all aspects of the decision-making process rest in the hands of the musicians themselves.
\n\nThe inimitability of the orchestra's sound is also based on the singular relationship between the Vienna Philharmonic and the Vienna State Opera Orchestra. One of the orchestra's founding principles is that only a musician from the opera orchestra can become a member of the Vienna Philharmonic. The musicians are required to perform in both orchestras, and to this day, every future Philharmonic musician begins his or her career with an audition for the Vienna State Opera Orchestra and only after a three-year waiting period becomes eligible for full membership in the Vienna Philharmonic.
\n\nSince 1870, the Golden Hall of the Musikverein in Vienna, with its unique aesthetic and acoustical characteristics, has proven to be the ideal venue for Vienna Philharmonic concerts. The orchestra's first foreign tour took place in 1900 with a concert tour to Paris under the baton of Gustav Mahler. Another memorable year was 1922, which saw not only the orchestra's first participation at the Salzburg Festival, but also the first overseas tour to South America. This marked the beginning of an active touring schedule which has taken the orchestra to all continents on the globe and in recent years has included regularly scheduled concerts in Germany, Japan, the USA and, in the future, China.
\n\nThe orchestra has been the recipient of numerous prizes and awards. Since 2008, it has been supported by its exclusive sponsor ROLEX.
\n\nThe Vienna Philharmonic performs approximately 40 concerts in Vienna annually, among them the New Year's Concert and the Summer Night Concert Schönbrunn, which are broadcast in numerous countries around the world. The orchestra also has an annual summer residency at the Salzburg Festival and performs more than 50 concerts a year on its international tours. All of these activities underscore the reputation of the Vienna Philharmonic as one of the world's finest orchestras.
\n\n\n\n
Spectro 7
\n\nSpectro 7 uses crossover to interpret tradition and uses innovation to decorate local styles, incorporating diverse musical styles—including pop, jazz, Latin, Indian, and world music, into core traditional music—including local folksongs, Hakka songs, Nanguan and Beiguan, Chinese Operas, and Taiwanese aboriginal music. With original works that are touching and powerful, they not only enliven ancient tunes to showcase the beauty and rich human spirit unique to local music, but also present dialogues between the local and the world, as well as between the traditional and the modern.
\n\nSpectro 7 is comprised of Artistic Director WU Cheng-chun and six other instrumentalists, totaling two pianists, two percussionists, one specialist in plucking instruments, one guitarist, and one bass player—an extremely rare combination in Taiwan. WU Cheng-chun, who studied traditional Taiwanese drama, is not only one of the most sought-after world-class performers in Taiwan, but also a popular mainstream percussionist. His collaborations include with CHANG Hui-mei and Penny TAI, and also as a member of Sheng-Xiang & Band.
\n\nOther members have diverse backgrounds, including in Western classical music, modern theater, traditional Taiwanese music, drama, and pop music, and all have arrangement capabilities. With an aspiration to "break the norm and constantly try out different styles of music", they freely switch in-between different instruments based on the arrangement. For instance, sometimes a samisen, banhu, or synthesizer may be added into existing instrumentation, so as to spark new ideas in works and explore thrilling, unknown terrains outside of existing styles.
\n\nDrawing upon his high attainment in traditional Taiwanese music and abundant performing experiences, Cheng-chun hopes to, through combining the unique arrangement styles of each member with crossover music, break down the barrier between traditional music and the audience and assign new meanings to original works. Through interactions between traditional music and other styles of music, he aspires to stimulate the audience's imagination and generate greater possibilities.
\n\nSpectro 7 uses the stage as a canvas to create a more sensuous experience that is distinct from traditional performances, which is specifically reflected in its choice of costume design, lighting, and interactions with the audience.
\n\nThe costumes were designed by the famous designer Justin CHOU, who incorporated the work of calligraphy master DONG Yang-zi. Combined with the exquisite lighting effects, one can feel the transition between the virtual and the real in both the calligraphy and music, as well as the commonality between the pitch-dark ink and white blanks. Through using visual effects to lead the audience into the audio world, the comprehensive and ingenious aspects of performance design aesthetics are readily seen.
\n\nIn addition to having diverse arrangement styles, these original works are able to, while evoking feelings of novelty, achieve resonance in the audience due to the use of easy to understand melodies. At the same time, through their sincere performances, one is able to feel the performers' love for their homeland, while the entire presentation may be likened to an artistic feast that is expansive and without boundary.
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Broadcasting
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Sponsor
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\n',team:""},createdAt:1622173489,updatedAt:1653357461,updatedBy:"通泰系統管理員",host:!0},{_id:"60b0a3ad881c640008b3d430",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1638685800,discrete:[{time:1638685800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1436584638120861699"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"05eb0012dc66029477c7bc2af97da6ac",title:"大師風華-郭芝苑百歲冥誕紀念音樂會"}],related:[],title:"大師風華-郭芝苑百歲冥誕紀念音樂會",cover:"67f1b51e019a2bb3cd53c4c5a175e2ca",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
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\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'今年是作曲家郭芝苑(1921-2013)的百年誕辰,出生於日本時代的苗栗小鎮苑裡。14歲即往日本東京求學,青年時期為傑出的口琴演奏家,立志成為音樂家。後考上日本入東洋音樂學校主修作曲;戰後回臺,勤於創作,中年再度赴日本大學藝術學部深造三年。郭芝苑所創作的《交響變奏曲 — 臺灣土風為主題》是第一首臺灣人創作、在國內首演,並且在1956年與美國文化交流的音樂會中演出的交響曲。1973年他受聘於省立交響樂團(今國立臺灣交響樂團)研究部至退休,創作了多首民族風格的管絃樂曲。曾獲國家文藝獎、吳三連文藝獎、行政院文化獎、總統二等景星勳章等,並獲靜宜大學頒贈榮譽博士。郭芝苑的一百多首歌曲(如《紅薔薇》1953、《淡水河畔》1997)精緻、優雅又充滿鄉土氣息,管絃樂代表作有《回憶》(1961,定稿1973)、《小協奏曲 — 為鋼琴與絃樂隊》(1972)、交響組曲《天人師 — 釋迦傳》(1988)等。(顏綠芬 撰)
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演前導聆
\n\n2021/12/5(日)13:50-14:10 音樂廳三樓大廳
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相關活動
\n\n\n\n展覽時間:2021/11/5(五)-2021/12/5(日) 11:00~21:00
\n\n展覽地點:衛武營藝術迴廊
\n\n自由入場
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座談會
\n\n►我的音樂我的夢-郭芝苑的音樂家成就之路
\n\n時間:2021/11/6(六)14:30-16:00
\n\n地點:演講廳
\n\n主講人|顏綠芬
\n德國柏林自由大學博士,先後主修歷史音樂學、民族音樂學,輔修文化人類學。國立臺北藝術大學音樂學研究所教授、國藝會董事。
與談人|吳宏璋
\n留義聲樂、合唱指揮家;本土作曲家最佳代言人,連續22年指揮臺灣合唱團在歐美亞各國演唱,為臺灣發聲。現任臺灣合唱團團長。
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演出曲目
\n\n管絃樂曲《三首臺灣民間音樂》
\n 第一樂章 劍舞
\n 第二樂章 南管
\n 第三樂章 鬧廳
\n\n
交響曲A調《唐山過臺灣》
\n 第一樂章 拓荒者
\n 第二樂章 田園
\n 第三樂章 悲歡歲月
\n 第四樂章 山地節日
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《小協奏曲》,為鋼琴與絃樂團
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狂想曲《原住民的幻想》,為鋼琴與管絃樂
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管絃樂組曲《回憶》
\n 第一樂章 盛宴
\n 第二樂章 夜曲
\n 第三樂章 車鼓舞
\n 第四樂章 迎神
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演出暨製作團隊
\n\n指揮|鄭立彬
\n\n鋼琴 | 葉綠娜
\n\n國立臺灣交響樂團
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藝術家介紹
\n\n指揮 | 鄭立彬
\n\n指揮家。自幼學習小提琴及鋼琴,亦研習笙與二胡等傳統樂器。1997年以小提琴主修畢業於國立藝術學院,2002年以指揮主修畢業於國立臺北藝術大學研究所碩士班,指揮先後受教於亨利‧梅哲、徐頌仁、陳秋盛,2006年3月受邀參加指揮大師羅林‧馬捷爾大師班,深受大師肯定與青睞。
\n\n2003-04年擔任臺北市立交響樂團助理指揮展開職業生涯,2004-15年擔任臺北愛樂青年管弦樂團音樂總監暨首席指揮,2007年起專職任教於中國文化大學,2015-21年借調擔任臺北市立國樂團團長,2021年兼代臺北市立交響樂團團長。客席指揮邀約不斷,陸續指揮臺灣及中國大陸各地職業國樂團及交響樂團,也應邀至馬來西亞、香港、日本、美國等地演出。演出之餘,灌錄了17張有聲出版品公開發行,2017年以《臺灣音畫》專輯獲得臺灣第28屆傳藝金曲獎「最佳詮釋獎─指揮」殊榮;2018年再以《瘋‧原祭》專輯獲得第29屆傳藝金曲獎「最佳專輯製作人獎」。
\n\n橫跨中西樂團的指揮功力及經歷,亦熱衷指揮及推廣臺灣作曲家作品。在擔任臺北市立國樂團團長期間,帶領樂團建構的「臺北之聲」,除深獲好評,其聲響美學亦與其他國樂團產生極高辨識度。2018年在美國卡內基音樂廳指揮的音樂會,也讓臺北市立國樂團成為臺灣第一個登上該廳的職業樂團。
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鋼琴 | 葉綠娜
\n\n高雄人。自幼跟隨吳漪曼、蕭滋、吳季札等教授學琴。在奧地利獲得薩爾茲堡莫札特音樂學院鋼琴演奏藝術演奏家文憑。在校期間曾師事萊莫(Leimer)及賴格拉夫(Leygraf)兩位大師。畢業後留校研習作曲課程。 1976年赴德國漢諾威音樂院(Hannover)繼續跟隨賴格拉夫教授學琴。1978年通過德國國家鋼琴教師甄試,同年返臺任教。這期間,曾獲加拿大班芙藝術中心(Banff Canada)與紐約茱莉亞音樂學院獎學金,出國深造,在茱莉亞音樂學院期間,隨拉泰納教授(Lateiner)學琴,並擔任該校正式之聲樂伴奏。 1978年至今,葉綠娜女士不曾間斷地以獨奏、雙鋼琴、伴奏、室內樂等各種不同的演出形態活躍於國內外樂壇;曾與臺北市立交響樂團、國家交響樂團、台北愛樂管弦樂團、加拿大加爾各里愛樂交響樂團、馬尼拉交響樂團、薩爾茲堡國際夏令營交響樂團和俄羅斯史維德洛夫斯克愛樂交響樂團搭檔演出。與其夫婿魏樂富絕佳默契,精湛的雙鋼琴演出,備受各界矚目。演奏足跡遍及德國、美國、俄羅斯、中南美洲、東歐、芬蘭、愛沙尼亞, 澳洲, 紐西蘭等地。並兩度與俄羅斯國家管絃樂團由普雷特涅夫指揮,及卡羅・龐弟指揮下演出。 葉綠娜女士除了在音樂上的傑出表現外,也經常在國內各大報章雜誌上發表音樂評論與文藝作品,其所著述之《晚期浪漫派時代的鋼琴技巧與鋼琴教學法》、《詮釋蕭邦練習曲作品二十五》及其與魏樂富所推出之『幻境』、『戲舞』、『青春舞曲』,等多張由Philips 與 Universal品牌出版的雙鋼琴演奏專輯。除此之外並錄製《蕭泰然鋼琴曲集》及《郭芝苑鋼琴曲集》均備受好評。1990年與魏樂富共同獲得國家文藝獎章。2010 年赴教廷演出教宗接見,外交部頒發睦誼獎章,同年並獲金曲獎最佳演奏獎與最佳古典專輯獎...2012年獲金曲獎最佳製作人獎,2015年教育部藝術教育貢獻獎。2019年 曾巡迴德國演出。除任教於國立臺灣師範大學外,葉綠娜一直活躍於各領域,自1996年至今擔任台北愛樂電台「黑白雙人舞」節目主持人。並致力於培養年青音樂人才於2014 年 策劃 "青春貝多芬" 系列 演出全部貝多芬全部鋼琴奏鳴曲 2017 年《浪漫布拉姆斯》全本布拉姆斯鋼琴獨奏曲 演出系列 2019年《向巴赫致敬》巴赫鋼琴全本作品演出系列 2020年 巴赫鋼琴協奏曲 全本作品演出系列。
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國立臺灣交響樂團
\n\n國立臺灣交響樂團創立於民國34年,為臺灣歷史最悠久的交響樂團。成立之初,先後隸屬於臺灣省警備總司令部、臺灣省藝術建設協會、臺灣省政府教育廳、文化處及行政院文化建設委員會等單位,101年5月改隸文化部。團址座落於臺中霧峰,是擁有完整軟硬體的全方位音樂團體。
\n\n七十多年來,在歷任團長的奠基,與現任團長劉玄詠的推展下,國立臺灣交響樂團累積豐富的演奏經驗,受邀與本團合作演出的國際團隊及音樂家不計其數。
\n\n108年起,國際知名音樂家水藍先生再度受邀擔任本團首席客席指揮,與劉團長共同合作,推動國立臺灣交響樂團「精進技藝、傳統創新、教育扎根、美學推廣」的任務,提昇全民音樂生活,讓音樂就如同空氣、水、陽光一般的在你我身邊。
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共同主辦:衛武營國家藝術文化中心、國立傳統藝術中心 臺灣音樂館、國立臺灣交響樂團
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巡演場次
\n\n大師風華—郭芝苑百歲冥誕紀念音樂會 臺北場
\n\n2021/12/4(六) 19:30
\n\n臺灣戲曲中心大表演廳
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贊助單位
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"2021 marks a full century from the birth of composer KUO Chih-yuan (1921-2013).",introduction:'2021 marks a full century from the birth of composer KUO Chih-yuan (1921-2013). Born in Yuanli, a small town in Miaoli, while Taiwan was under Japanese rule, KUO began his musical education in Tokyo at the age of 14 and soon became an excellent harmonica player. He dreamed of becoming a musician, and was later accepted by the Tokyo College of Music in Japan, where he majored in musical composition. Upon returning to Taiwan after the Second World War, he buried himself in music writing. It was not until he was in his 40s that he decided to pursue three more years of training at the Nihon University College of Art in Japan. KUO's Symphonic Variations on a Taiwan Folk Tune, first given domestically as part of the program for the 1956 Taipei and Indianapolis USA Exchang Concert, was the first-ever western-style symphonic piece written by a Taiwanese. In 1973, KUO began his tenure as a researcher at the Taiwan Provincial Symphonic Orchestra (now National Taiwan Symphony Orchestra, NTSO), where he wrote many orchestral works inspired by Taiwanese culture until his retirement. Throughout his career, he was awarded the National Award for Arts, WU San-lien Arts Award, Executive Yuan National Cultural Award, and the Order of Brilliant Star with Grand Cordon. He also received an honorary doctoral degree from Providence University. KUO wrote more than 100 songs (including Red Rose (1953) and By Tamsui River (1997) ) in his life, and his songs became known for their delicately elegant melodies and rich local charm. His most representative orchestral works include Orchestra Suite Recollection (1961, 1973 finalized), Concertino for Piano and String Orchestra (1972), and the Symphonic Suite ŚĀSTĀ DEVAMANUSYĀNĀM (1988), among others.
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Pre-talk
\n\n2021/12/5(Sun)13:50-14:10 Concert Hall 3rd Floor
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Program
\n\nThree Taiwan Folk Tune for Orchestra
\ni. Sword Dance
\nii. Nan Qoan
\niii. Prelude
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Symphony in A From Tangsang to Taiwan
\ni. Pioneer
\nii. In Pastoral
\niii. Those miserable and joyful days
\niv. Festival of the mountain tribe
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Concertino for Piano and String Orchestra
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Rhapsody Aboriginal Fantasy for Piano and Orchestra
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Orchestra Suite Recollection
\ni. Bacchanale
\nii. Night song
\niii. Folk dance
\niv. Festival
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Creative and Production Team
\n\nConductor|CHENG Li-pin
\n\nPiano|Lina YEH
\n\nNational Taiwan Symphony Orchestra
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Artists introduction
\n\nConductor|CHENG Li-pin
\n\nAs a conductor, CHENG learned violin and piano since childhood, and also studied traditional instruments such as Sheng and Erhu. In 1997, CHENG graduated from the National Academy of Arts majoring in violin performance, and received his master's degree in conducting from Taipei National University of the Arts in 2002. He was mentored by many maestros, including Henry MAZER, HSU Sung-Jen and Felix Chiu-Sen CHEN. In March 2006, he joined the masterclass of Maestro Lorin MAAZEL, where he found great validation from the maestro.
\n\nFrom 2003 to 2004, CHENG started his career as an assistant conductor with Taipei Symphony Orchestra. From 2004 to 2015 he served as the Music Director and Principal Conductor of Taipei Philharmonic Youth Orchestra. Since 2007, he has been a full-time teacher in the Department of Chinese Music of Chinese Culture University. Between 2015 and 2021 he was seconded to serve as the General Director of Taipei Chinese Orchestra, and as the Acting Director of Taipei Symphony Orchestra in 2021. CHENG has in recent years received numerous invitations as a guest conductor by both professional Chinese orchestras and symphony orchestras from Taiwan and mainland China. His outstanding artistry has also put him on the podiums at concerts in Malaysia, Hong Kong, Japan, and the United Sates. Moreover, CHENG has published 17 audio recordings. In 2017, CHENG was recognized with the "Best Interpretation" with Sketches of Taiwan during "The 28th Golden Melody Awards for Traditional Arts and Music"; a year later, he earned "Best Album Producer" in "The 29th Golden Melody Awards for Traditional Arts and Music" with Taiwanese Aboriginal Carnival.
\n\nBesides extraordinary conducting experience of Chinese and Western orchestras, CHENG is also keen to conduct and promote works by Taiwanese composers. During his tenure as the General Director of Taipei Chinese Orchestra, he led the orchestra to construct the "Voice of Taipei", which is highly acclaimed and its acoustic aesthetics has become highly recognizable from other Chinese orchestras. In 2018, the concert he conducted at the Carnegie Hall in United States made Taipei Chinese Orchestra the first professional orchestra in Taiwan to perform in that hall.
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Piano|Lina YEH
\n\nFor more than fourty years Lina Yeh has been one of Taiwan's most beloved pianists. Her preeminence as this country's most unique artist came into sharp focus in 1990 when she received the National Cultural Award in recognition of her achievements in the performing arts. Lina Yeh has performed all over the world as recitalist, soloist with orchestra, and in a piano duo team together with her husband Rolf-Peter Wille. Her concerts were included tours in Australia and New Zealand, Eastern Europe, South America and the Caribbean as well as appearances in Finland, Estonia, Germany, Russia, Canada, the United States, and the Far East. As soloists and piano duo she performed with various orchestras, including the Russian National Orchestra, Calgary Philharmonic, Ural State Philharmonic, as well as all major orchstras in Taiwan. She collaborated with conductors such as Mikhail Pletnev, Simon Streatfield, Andrei Boreyko, Stephan Soltes, Henry Mazer, Jajah Ling, Alexander Rudin, Carlo Ponti, Shao - Chia Lü, Wen-Pin Chien, Felix Chen and as chamber musician with violinists Ruggiero Ricci, Fredell Lack, cellists Michael Flaksman, Alexander Rudin, and flutist Robert Aitken. She has made guest appearances at festivals, among others "Braunschweig Classix" festival, Germany, the Banff festival, Canada, the Europe-Asian Piano Duo festival in Sverdlovsk, Russia, Klaaspärlimäng festival in Tallinn, Estonia, and the National Concert Hall series, Taipei. The artist's refined musicianship in performing the classical repertoire as well as 20th -century Chinese music has won them great critical acclaim. In 1997 Paul Griffith commented in the New York Times on the strong professional musicianship of her playing. Her latest albums having been released on the Philips and PolyGram labels, Lina Yeh has recorded a substantial part of the two-piano and piano-duet repertoire with Rolf-Peter Wille. Having a diverse cultural and educational background and having graduated from and studied at schools as different as Salzburg, Hanover, Banff, and Juilliard, she has distinguished national careers as professor (Taiwan Normal University), writer and broadcaster as well. Her principal teachers include Jacob Lateiner, Hans Leygraf, Kurt Leimer, and Robert Scholz. She has also worked on contemporary music with John Cage and Robert Aitken. In 2010 and 2012 she has received the "Golden Melody" award for the "best performer" and best "classical music album". And she also received the "Friendship Medal "in 2010 and 2015 the "most outstanding professor" in Arts .
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National Taiwan Symphony Orchestra
\n\nFounded in 1945, the National Taiwan Symphony Orchestra (NTSO) is the oldest symphony orchestra in Taiwan. Since its establishment, it has been successively affiliated with the Taiwan Garrison Command, Taiwan Art Construction Association, Taiwan Provincial Department of Education, Department of Culture, Council for Cultural Affairs, and the Executive Yuan. In May of 2012, it came under the auspices of the Ministry of Culture. The orchestra is located in Wufeng, Taichung. It is a full-fledged music group with a full complement of software and hardware.
\n\nOver 70 years of history, under the directors of the past and the efforts of the current director LIU Suan-yung, the NTSO has accumulated extensive performing experience. Countless international teams and musicians have been invited to perform with the NTSO.
\n\nSince 2019, the internationally renowned conductor maestro SHUI Lan has taken on the position of the NTSO Principal Guest Conductor, cooperating with the NTSO Director Liu to enrich artistic skills, innovate on tradition, deepen education, and promote aesthetics, thus enhancing the public's musical life, making music ever-present like air, water and sunshine.
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Co-Presenter: National Kaohsiung Center for the Arts (Weiwuying), National Center for Traditional Arts Taiwan Music Institute, National Taiwan Symphony Orchestra
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More
\n\nKUO Chih-yuan Exhibition
\n\n2021/11/5(Fri)-2021/12/5(Sun) 11:00~21:00
\n\nWeiwuying Art Gallery
\n\nFree Entry
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KUO Chih-yuan Memorial Concert, Taipei
\n\n2021/12/4(Sat)19:30
\n\nMain Theatre, Taiwan Traditional Theatre Center
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Sponsor
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\n',team:""},createdAt:1622188973,updatedAt:1653033910,updatedBy:"通泰系統管理員",host:!0},{_id:"60b45d733ed4e9000afd8ca1",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1641105e3,discrete:[{time:1641105e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1437383711049990149"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"16120e76c829028f49df9bba98a39505",title:"《葡萄園裡的Bossa Nova》"},{type:"image",key:"687a7bf119d5802c87f1cd917bcee6dc",title:"《葡萄園裡的Bossa Nova》"}],related:[],title:"《葡萄園裡的Bossa Nova》",cover:"af031cb7a5aff5340e581310a549683b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'你也喜歡聽起來總是讓人放鬆又舒服的Bossa Nova嗎?
\n\n她輕柔又帶著律動感,有時搭配著歌手慵懶的聲線,用完整編制的爵士樂團,把來自南美的巴西音樂與爵士音樂相互完美的結合,這次,在衛武營的音樂廳,小號演奏家魏廣晧老師邀約了臺灣鼓王黃瑞豐老師、金曲歌后魏如萱,以及臺灣最活躍的爵士音樂家們,要在這片葡萄莊園裡,邀您一同品嚐令人沈醉 Bossa Nova 音樂。
\n\n\n\n
Dress Code : 渡假風
\n歡迎攜帶沙鈴入場,與樂手一起同歡。
\n\n
演前導聆
\n\n2022/1/2(日)13:50-14:10 音樂廳三樓大廳
\n\n\n\n
演出暨製作團隊
\n\n音樂總監 | 魏廣晧
\n\n特別邀演 歌手|魏如萱
\n\n特別邀演 鼓手|黃瑞豐
\n\n薩克斯風|楊曉恩、林映辰、黃培彥、林昱廷、陳易
\n\n小號|魏廣晧、鄭立偉、林宣彣、劉昱維
\n\n長號|何尼克、郭書愷、林琮翔、蔡宛霓
\n\n吉他|增田正治
\n\n鋼琴|許郁瑛
\n\n低音提琴|山田洋平
\n\n爵士鼓|林偉中
\n\n打擊樂|吳政君
\n\n\n\n
藝術家介紹
\n\n音樂總監暨小號|魏廣晧
\n\n國立東華大學藝術中心主任、音樂學系專任助理教授、臺灣山葉音樂爵士小號代言人。魏廣晧是臺灣首位獲得爵士小號演奏碩士的小號手,演出風格橫跨爵士、古典及流行音樂。除活躍於臺灣爵士樂壇外,並致力於爵士教育推廣,將爵士樂引進國內大學音樂系所。曾受邀擔任2010年臺中爵士音樂節音樂總監、兩廳院爵士音樂營教學總監、兩廳院夏日爵士派對節慶樂團策展人。
\n\n\n\n
歌手|魏如萱
\n\n魏如萱 waa wei,唱作人/電台 DJ/演員/歌手/作家,她橫跨了多元的領域,在多重身份角色里似乎沒有什麼難得倒她。音樂作品包含七張專輯《甜蜜生活》、《優雅的刺蝟》、《不允許哭泣的場合》、《還是 要相信愛情啊 混蛋們》、《末路狂花》、《藏著並不等於遺忘》、《HAVE A NICE DAY》及數張單曲,並獲第 31 屆金曲獎最佳國語女歌手獎,且擔任同屆金曲獎主持人,首次獨挑大梁,並獲好評。亦曾參與音樂劇《向 左走.向右走》、《地下鐵》及電影《花吃了那女孩》電視劇《曖昧 時代》的演出。並自 2004 年擔任廣播電台 DJ,近年來已成為 Hit Fm 聯播網 熱門時段的廣播主持人。
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爵士鼓|黃瑞豐
\n\n爵士鼓演奏家、詞曲創作人,縱橫爵士樂壇超過半世紀,高超演奏技巧使其素有「臺灣鼓王」美譽,2020年獲頒第31屆金曲獎特別貢獻獎殊榮。多次受邀海內外爵士音樂節演出,演奏風格跨足流行、古典、爵士及傳統音樂;2000年以爵士鼓獨奏藝術家身分於國家音樂廳舉辦個人音樂會,奠定其個人舞台最高榮譽。曾參與國內流行歌手專輯製作,單曲錄音數量高達萬首。黃 瑞豐亦投身爵士鼓推廣長達40多年,現為輔仁大學音樂學系兼任教授、臺灣擊樂藝術聯盟資深顧問。
\n\n\n\n
爵士鼓|林偉中
\n\n國立東華大學音樂系爵士組講師,活躍於臺灣爵士圈,演奏類型橫跨爵士、放克及搖滾。曾以前衛創作風格於春吶、海洋音樂祭等大型獨立音樂節演出,並多次與海內外著名爵士樂手合作。2008年自美國柏克萊音樂學院畢業返臺後受邀合作錄製多張專輯,包括陳穎達《動物感傷》;史茵茵《平安夜》、《給阿嬤的歌》;林宥嘉《Jazz Channel》;《一頁台北》電影原聲帶等;並曾受邀參與曹格、王若琳、林宥嘉等流行歌手演唱會。
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吉他|增田正治
\n\n畢業於美國柏克萊音樂學院。擅長爵士樂、巴西音樂、流行樂等多元曲風,曾發行臺灣首張以巴西音樂為風格的音樂專輯《出》。演出形式多元,除多次受邀於上海、臺北及臺中爵士音樂節演出外,也曾與黃大煒、張國榮、范曉萱、蕭敬騰、黃韻玲等流行歌手、果陀劇場及綠光劇團等合作擔任樂手,並參與多部電影配樂製作。教學經驗豐富,定期於中原大學、文化大學及國 立臺南藝術大學擔任講師,曾擔任日本山葉音樂基金會臺灣流行音樂指導主任,負責音樂師資培訓及課程。
\n\n\n\n
鋼琴|許郁瑛
\n\n爵士鋼琴家、作曲家、編曲家、音樂製作人。至今發行4張爵士創作專輯,2018年以第3張個人創作專輯《現在》榮獲第29屆金曲獎演奏類最佳專輯製作人獎、最佳專輯獎、最佳演奏錄音專輯獎等三項大獎。曾與多位著名爵士音樂家同台演奏, 巡演足跡遍佈法國、荷蘭、比利時、義大利、上海、香港、澳門、印度、新加坡、美國等國家,並曾受邀於兩廳院夏日爵士派對、 臺北及臺中爵士音樂節演出。
\n\n\n\n
低音提琴|山田洋平
\n\n畢業於美國柏克萊音樂學院,主修爵士貝斯、爵士低音提琴演奏,曾與日本群馬交響樂團低音提琴首席山崎實學習古典演奏。致力於各種音樂演出與教學,曾任教於日本國際新堀藝術學院,2008年起擔任臺灣兩廳院夏日爵士音樂營低音提琴講師,現為東華大學音樂系爵士音樂組講師。曾與多位著名爵士樂手同台演奏;近年合作演出型態多元,包括2016年董陽孜書法藝術跨界 劇場《騷》音樂設計、2014年曹格世界巡迴演唱會及2011年百老匯音樂劇 《海上情緣》低音提琴演奏等。
\n\n\n\n
打擊樂|吳政君
\n\n异境音樂表演藝術工作室音樂總監、絲竹空爵士樂團及生祥樂隊團員。擅長二胡、拉丁打擊樂器、中國打擊樂器、世界手鼓、爵士鼓等。近年以國樂結合打擊演奏,成功跨足世界音樂、爵士樂、拉丁音樂、流行音樂等各領域。 2012年曾以《旋轉》作品入圍第3屆金音獎最佳樂手獎。 合作演出對象多元,包括臺灣國樂團、日本鬼太鼓座、馬修.連恩、張惠妹、任賢齊、黃小 琥、庾澄慶、戴佩妮、江蕙、劉若英、周杰倫、鳳飛飛、陳小霞、聲動樂團、絲竹空爵士樂團、舞工廠等。
\n\n\n\n
長號|何尼克
\n\n美國籍,畢業於美國密西根州立大學和荷蘭皇家音樂學院。於2008年獲得美 國密西根州立大學爵士樂演奏碩士。何尼克每年獲邀於臺北爵士音樂節、臺中爵士音樂節與臺中樂器節演出。2013年獲邀於泰國國際爵士節演出,2010年暑假受日本鼓手Tomoyuki Okabe邀請在日本東京市與橫濱市演出。何尼克與流行音樂界也有密切合作,合作歌手如周杰倫、黃小琥、家家、陶喆等。 任教於私立東海大學、國立嘉義大學,同時也是樂器品牌CarolBrass的長號代言人。
\n\n\n\n
薩克斯風|楊曉恩
\n\n活躍於國內爵士音樂圈的薩克斯風演奏家。2015-2016年曾以個人爵士專輯 《Simple Life》分別入圍4項金音獎及3項金曲獎,並獲頒金曲獎演奏類最佳專輯獎。巡演足跡遍及臺灣、中國、日本、印尼、瑞典及義大利等國家,並多次與世界級爵士音樂家同台演出,包括美國樂手亞歷克斯.西匹亞金、艾 瑞克.理查茲、艾瑞克.馬林塔爾、保羅.哈爾、日本樂手納浩一、安力川大樹、田中菜緒子、瑞典爵士三重奏及奧地利週二微頻爵士樂團等。
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"16120e76c829028f49df9bba98a39505",title:"《葡萄園裡的Bossa Nova》"},{type:"image",key:"687a7bf119d5802c87f1cd917bcee6dc",title:"《葡萄園裡的Bossa Nova》"}],related:[],title:"Bossa Nova in the vineyard",cover:"af031cb7a5aff5340e581310a549683b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Do you like listening to the comforting and laid-back bossa nova music as well?
\n\nThe soft and tender melody, the rhythmic percussion, and the serene crooning of the singer are complemented by a full jazz band, creating a perfect union between Brazilian music and jazz. This time at Weiwuying's Concert Hall, trumpeter Stacey WEI has invited "the King of Taiwanese drummers" Rich HUANG, Golden Melody Award Best Female Singer Waa WEI, and a group of the most active jazz musicians in Taiwan to the vineyard-style playground for a special musical treat. Join us at Weiwuying and bask in the enchanting musical style that is Bossa Nova.
\n\n\n\n
Pre-talk
\n\n2022/1/2(Sun)13:50-14:10 Concert Hall 3rd Floor
\n\n\n\n
Creative and Production Team
\n\nMusic Director|Stacey WEI
\n\nSpecial Guest - Vocal|Waa WEI
\n\nSpecial Guest - Drums|Rich HUANG
\n\nSaxophone|Shawna YANG, LIN Ying-Chen, HUANG Pei-Yen, LIN Yu-Tin, CHEN Yi
\n\nTrumpet|Stacey WEI, CHENG Li-Wei, Shaun LIN, LIU Yu-Wei
\n\nTrombone|Nick JAVIER, Kai KUO, Shawdi LIN, TSAI Wan-Ni
\n\nGuitar|MASUDA Shoji
\n\nPiano|HSU Yu-Ying
\n\nDouble Bass|YAMADA Yohei
\n\nDrums|LIN Wei-Chung
\n\nPercussion|WU Cheng-Chun
\n\n\n\n
Artists introduction
\n\nMusic Director and Trumpet|Stacey WEI
\n\nAs the first Master of jazz trumpet performance in Taiwan, Stacey WEI serves as Director of National Dong Hwa University Arts Center, assistant professor of the University's Department of Music, and the Taiwan endorser for Yamaha jazz trumpet. The genres of music performed by WEI include jazz, classical, and pop music. WEI advocates jazz education and has served as Music Director of 2010 Taichung Jazz Festival, Teaching Director of NTCH Jazz Camp, and Curator of NTCH Summer Jazz Project.
\n\n\n\n
Vocal|Waa WEI
\n\nWaa wei is a Taiwanese pop artist, songwriter, radio DJ and actress, famous for her sweet distinctive voice and her vocal flexibility. She released six albums including 2019《Hidden, Not Forgotten》、2017《Run! Frantic Flowers!》、2014《You Lovely Bastard》、2011《No Crying》、2010《Graceful Porcupine》、2007《La Dolce Vita》, and also she had nominated for the Golden Melody Awards four times for 'Best Female Singe'.
\n\n\n\n
Drums|Rich HUANG
\n\nRich HUANG has been a jazz drummer and composer for over 50 years. His superb skills won him the title of "Drummer King of Taiwan" and the Special Contribution Award of the 31 st GMA. Often invited to perform in jazz festivals at home and abroad, HUANG held his solo concert in National Concert Hall in 2000, with a repertoire covering pop, classical, jazz, and traditional music. As a part-time professor of Music Department at Fu Jen Catholic University and Senior Consultant of Taiwan Percussion Arts Alliance (TPAA), HUANG has promoted drum set for over 40 years.
\n\n\n\n
Drums|LIN Wei-chung
\n\nLIN Wei-chung is a lecturer of Department of Music, National Dong Hwa University, and is active in the field of jazz music in Taiwan. The genres of music performed by LIN include jazz, funk, and rock'n roll. With his avant-garde music, LIN has performed in Spring Scream and Ho-hai-yan Rock Festival and participated in the recording of many albums, such as Animal Triste of CHEN Ying-da. LIN has also performed in Gary CHAW, Joanna WANG, and Yoga LIN's concerts.
\n\n\n\n
Guitar|Masuda Shoji
\n\nGraduating from Berklee College of Music, Masuda Shoji masters various music styles, including jazz, Brazilian, and pop music. Shoji was invited to perform in Shanghai/ Taipei/ Taichung Jazz Festivals and worked with singers Mavis FAN, Jam HSIAO, and groups Godot Theatre Company and Greenray Theatre Company. Shoji is also an experienced teacher, and has been a regular lecturer in Chinese Culture University and Tainan National University of the Arts, and serves as Director of Taiwan Pop Music in Yamaha Music Foundation of Japan.
\n\n\n\n
Piano|HSU Yu-ying
\n\nHSU Yu-ying is a jazz pianist, composer, arranger, and music producer. HSU has published 4 albums with her work of jazz music and won the Best Album Producer, Best Album, and Best Instrumental Recording Album Award of the GMA with her 3 rd album, Happened, Happening, in 2018. Having performed with many renowned jazz musicians in many countries, including France, the Netherlands, Belgium, Italy, and the US. HSU was also invited to perform in NTCH Summer Jazz Party and Taipei / Taichung Jazz Festival.
\n\n\n\n
Double Bass|Yohei Yamada
\n\nYohei Yamada graduated from Berklee College of Music, majoring in jazz bass/double bass performance. Having learned classical performance from Minoru Yamazaki, Yamada served as a teacher in International Nibori Guitar Academy and a lecturer of double bass performance for NTCH Jazz Camp since 2008. Having performed with many renowned jazz musicians, Yamada also designed the music for the performance SAO in 2016 and served as a double bassist in the world tour concert of Gary CHAW in 2014 and the musical Anything Goes in 2011.
\n\n\n\n
Percussions|WU Cheng-chun
\n\nWU Cheng-chun is the Music Director of EJ Music Studio and a member of Sizhukong and Sheng-xiang & Band, specializing in playing the erhu, Latin and Chinese percussion instruments, frame drums, drum set, etc. Combining Chinese music with percussion to successfully enrich his performance types, WU was nominated for the Best Musician Award of the GIMA with Spin in 2012. WU has performed with many groups and musicians, including Japan-Ondekoza, Matthew Lien, A-mei, Harlem YU, Jody CHIANG, and Jay CHOU.
\n\n\n\n
Trombone|Nick Javier
\n\nHailing from the US, Nick Javier was a graduate of Michigan State University and the Royal Conservatoire of The Hague, and received his MA in jazz music from Michigan State University in 2008. He is a regular at jazz music festivals in Taiwan and around East Asia, including summer 2010 performances in Tokyo and Yokohama under the invitation of Japanese drummist Tomoyuki Okabe, and at the 2013 Thailand International Jazz Conference. Aside from jazz, he is also a frequent collaborator with many of the top names in Taiwanese pop music. He currently lectures at Tunghai University and National Chiayi University, and is a brand ambassador for CarolBrass trombones.
\n\n\n\n
Saxophone|Shawna YANG
\n\nAs a renowned saxophonist in the field of jazz music in Taiwan, Shawna YANG was nominated for 4 GIMA awards and 3 GMA awards with her jazz album, Simple Life, in 2015 and 2016, and has won the Best Instrumental Album Award. YANG has performed in many countries with world-famous jazz musicians, including Alex Sipiagin, Eric Richards, Paul Haar from the US, Osamu Koichi, Daiki Yasukagaw, Naoko Tanaka from Japan, and jazz bands including MusicMusicMusic and Tuesday Microgroove.
\n\n\n',team:""},createdAt:1622433139,updatedAt:1653034206,updatedBy:"通泰系統管理員",host:!1},{_id:"60b9fd243ed4e9000afea5d7",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1638327600,discrete:[],type:"continuous",continuous:{time:[1622775600],endTime:[1622808e3],start:1638288e3,end:1638460800}},activity:{type:"free",free:{description:"閉門會議",englishDescription:"Coming Soon"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1d8eec43cac7458b477b53e06fd24e",title:"2021創意熟成平台"}],related:[],title:"2021創意熟成平台",cover:"a4919c0e05afe73f886a3dabd06a2f89",site:{isOther:!1,site:"5b102875da0322000751e9a6",other:""},cautions:'
臺北表演藝術中心於2020辦理「創意熟成平台」,邀請場館夥伴推薦具有發展性的節目或團隊共同參與,使作品被細心孵育,進一步開啟場館間共製或合作的契機。
\n\n為有效運用及活絡各地場館資源,今年將由衛武營國家藝術文化中心接棒辦理,延續平台機制與精神,各地場館代表、策展人和表演團隊將集結高雄,透過簡報或階段呈現相互交流,讓藝術家及團隊在創作階段,有機會獲得合適的展演管道或相關協助,也讓場館及策展人得以整合、串聯資源,攜手策畫更具規模或開創性之節目;同時,場館為培育、促進青年學子參與藝文活動,今年開放大專院校生投件,不限科系、社團與展演性質,有望展開不一樣的產學合作模式,為表演藝術界注入新活水。
\n\n期望2021創意熟成平台,能活絡表演藝術能量,持續流通臺灣的展演動能、資源及創造力,激盪出更具多元性、豐富性的演出作品。
\n\n\n\n
提案參與
\n\n►「2021創意熟成平台」歡迎大專院校生踴躍投件(即日起至10月15日止)
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1d8eec43cac7458b477b53e06fd24e",title:"2021創意熟成平台"}],related:[],title:"2021 Creative Evolution Platform",cover:"a4919c0e05afe73f886a3dabd06a2f89",site:{isOther:!1,site:"5b102875da0322000751e9a6",other:""},cautions:'
In 2020, Taipei Performing Arts Center organized the "Creative Evolution Platform", in which partner venues were asked to recommend programs or teams with development potential to participate, sparking co-collaboration and the incubation of works, and further enabling opportunities for co-production and cooperation between venues.
\n\nIn order to more effectively utilize and activate the resources of venues, the National Kaohsiung Center for the Arts will take over the initiative this year and will continue to uphold the platform's mechanism and spirit. Venue representatives, curators, and performance teams will assemble in Kaohsiung and interact through briefings or presentations, giving artists and teams the opportunity to obtain suitable performance channels or assistance during the creative process. This will also allow venues and curators to integrate and connect resources for planning programs with greater scale and innovation. Moreover, in order to nurture and promote youth and student participation in the arts, junior college and university students will be able to submit proposals this year regardless of department, association affiliation, or performance type, with the objective of developing a distinct model of industry-academia cooperation and breathing new life into the performing arts world.
\n\nIt is hoped the 2021 Creative Evolution Platform can activate performing arts capabilities and continue to facilitate Taiwan's performance momentum, resources, and creativity to induce the production of richer and more diverse works and performances.
\n\n\n",team:""},createdAt:1622801700,updatedAt:1635415520,updatedBy:"林蔚行",host:!0},{_id:"60bd7c8f3ed4e9000aff75ba",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1639827e3,discrete:[{time:1639827e3},{time:1639895400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/preview/1436304807863279617"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cee88a7640104f44e0a0a7b8a8d754ca",title:"江之翠劇場《行過洛津》"}],related:[],title:"江之翠劇場《行過洛津》 ",cover:"fb4d4ffa92f625880d3ff0ecbfd8e5b7",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
本節目使用華語、臺語(鹿港腔)及泉州話演出,中英文字幕。
\n\t衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'\n\n
行過洛津的故事不安縈繞人心同時也十分迷人。
\n\n主角許情最初因著對藝術的熱忱而著女裝出演,日後卻逐漸被非其原生性別的約束狀態所奴役。導演陳煜典選擇調和梨園戲的古典元素與相對素雅的舞臺場景佈置,投影下的文字成為無聲的敘事者,位於上舞台的四位樂師分別持著傳統樂器,伴著洛津絮語以及戲子們的吟唱。
\n\n該作品也同時處理了攸關性別,以及十九世紀臺灣殖民與身份認同分裂等多重議題。——法國表演藝術評論媒體
\n\n\n\n
《行過洛津》實驗戲劇結合南管,並改編自國家文藝獎得主施叔青「台灣三部曲」之首部小說。三度歷臺的「過客」-泉州七子戲班小旦許情,藉由敷演《陳三五娘》「長出」對性別與土地的安身感;梨園戲不能自主的傀儡形象、裹小腳、妝點容貌、藝旦吟唱幻化成支配、壓迫、規範、扭曲、物化的諸多想像。
\n\n\n\n
清末洛津(今日的鹿港)商通繁華,大街長三里許,港口帆檣林立,貨物南來北往,熱鬧非凡,曲巷裡文人集聚,絲竹唱和,繁華一時。南管弦音裊裊就如同廟埕前的香火傳承,以《陳三五娘》中〈留傘〉一折為脊樑,對臺的《行過洛津》諸多角色們為血肉。
\n\n泉州七子戲班抵臺演出轟動閩南的民間故事《陳三五娘》,劇情講述泉州書生陳三愛慕潮州佳人黃五娘,喬裝成磨鏡匠,故意打破黃厝寶鏡,以身賠鏡,入府為奴三年,只為親近五娘,誰知掃廳捧水年餘,卻遲遲得不到五娘回應,陳三忿忿地拿起一把傘就要離去,此時五娘婢女益春,急切切地奔前要傘下留人!飾演益春的小旦月小桂(許情)以〈留傘〉一折驚豔四方,隨後被鹿港掌櫃烏秋相中,攬作孿童。同時間,許情又與後車巷稚年藝旦阿婠相識,讓他對自我身分認同產生疑惑,而後受道貌岸然的地方同知朱仕光擄獲,被迫與之同房。不能自主的戲子多年後重遇意中人,如意居傳出熟悉的南管樂音,妙音阿婠珠喉鶯轉、挾彈吹唱、如花含蕊、彩繡輝煌,許情自慚形穢,遲遲不敢相認。
\n\n小說與戲文相互映照,普天同慶大團圓與不可能的相戀悲劇,映照出大時代底層人物最卑微的一面。以劇場召喚出不為人知、僅存在口述、眼觀耳聞曲巷間,殘磚敗瓦曾立地而生的消逝生活。從以小搏大的歷史關懷,舖展出嘉慶咸豐年間的鹿港興衰。傳統戲曲與現代劇場交織,呈現、重複、呼應與拆解著戲裡戲外、台上台下的長嘆短吁,且讓獨具韻味的泉州聲調帶領,戲台下正正聽著的是百年前流轉的往時風華。
\n\n\n\n
演前導聆
\n\n2021/12/18(六)18:50-19:10 戲劇院2樓大廳
\n\n2021/12/19(日)13:50-14:10 戲劇院2樓大廳
\n\n\n\n
周邊活動
\n\n2021/11/7(日)14:00 演講廳
\n\n\n\n\n\n
演出暨製作團隊
\n\n編劇|吳明倫
\n\n導演|陳煜典
\n\n演員|魏美慧、陳彥希、廖家輝、詹馥瑄、李尉慈、辜泳妍、董旭芳
\n\n樂師|陳佳雯 、廖于濘、賴虹綾、王瓊琦、林世連、劉孟翎
\n\n\n\n
團隊介紹
\n\n江之翠劇場
\n\n「江之翠劇場」(Gang-a Tsui Theater)創立於1993年,首演作品《南管遊賞》首開風氣之先,將傳統梨園戲結合現代劇場藝術,成功地展現古老藝術在現代社會轉化的新契機,在在為傳統南管注入嶄新迥異的表演質素,成為「轉化傳統藝術,賦予當代精神」的極佳範例。現由資深團員陳佳雯及魏美慧在2017年於臺北市重新立案,並擔任正副團長一職。力求浸潤於南管之美的同時,延續前團長南管現代化的理念,致力賦予傳統藝術當代精神。並於2017年與藍地黃虎旗艦店編劇吳明倫合作,改編國家文藝獎得主施叔青女士:臺灣三部曲之首部曲《行過洛津》,先後發表於鹿港今秋藝術節(2017.10)、第三屆松菸新主藝(2017.12)、臺灣戲曲中心夏日生活週(2018.08)、獲選文化部赴外亞維儂藝術節(2019.07)。
\n\n\n\n
巡演場次
\n\n\n\n2021/12/11(六)14:30
\n2021/12/12(日)14:30
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cee88a7640104f44e0a0a7b8a8d754ca",title:"江之翠劇場《行過洛津》"}],related:[],title:"Gang-a Tsui Theater - Passage to Lo-Jin",cover:"fb4d4ffa92f625880d3ff0ecbfd8e5b7",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Performed in Mandarin, Taiwanese and Quanzhou dialect with Mandarin and English surtitles.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
"L'histoire de Hsu Ching est aussi troublante que captivante. Initialement entraîné par l'exigence de sa passion pour l'art, Hsu Ching se découvre peu à peu asservi aux contraintes genrées d'un sexe qui n'est pas le sien...Yu-Dien Chen choisit de concilier les besoins dramaturgiques de l'opéra classique chinois avec une relative sobriété scénographique. Un texte projeté fait office de voix de conteur muette. Au fond, quatre musiciennes, armées d'instruments traditionnels, accompagnent le déroulé de la fable et le chant des acteurs...
\n\nL'œuvre multiplie les couches de sens en associant à la question du genre, de la colonisation taïwanaise et des déchirures identitaires qu’elle causa au xixe siècle.'——IO Gazette, n°102
\n\n\n\n
Combined with Nanguan, the experimental play Passage to Lo-Jin is adapted from the work of Shih Shu-Ching, the winner of National Awards of Art, whose first novel of Taiwan Trilogy. The story is about the life of Hsu Ching who visited Taiwan thrice. As a Liyuan Xi performer, he grows his own identity toward the gender and the land by performing as a female character in Tale of the Lychee Mirror (Tân San and Gō͘-niû). The dependent puppet figure of Nanguan opera, binding-foot, makeup look, and the singing of an actress all become the symbols of domination, oppression, regulation, distortion, and materialization.
\n\n\n\n
In late Qin dynasty, Lo-Jin (Lugang nowadays), was a flourishing city, with a long boulevard stretching mile and mile. The harbor at that time was full of sail and boat, and cargos went as an endless stream. Hustle and bustle of the city were all over around. Literati gathered in meandering alleys, amusing themselves and making their moment. The melodious string sounds of Nanguan spread like inheriting belief. "Withholding the Umbrella" (Liu-San) of Tale of the Lychee and the Mirror as bone, and many corresponding characters of Passage to Lo-Jin as flesh, Nanguan theater summons the fading lives that keep being unknown and only exist in the experience hidden deeply in meandering alley.
\n\nThe very beginning of the story is a company, Quanzhou Liyuan troupe, came to Taiwan and performed the folk story, Tale of the Lychee and the Mirror, which had stirred whole Minnan community. The storyline of the folk story is about a Quanzhou intellectual Chen San disguises himself as a mirror maker and breaks the cherish mirror of the Huang family, intending to approach the beauty of Ms. Huang (Wu Niang). Chen San promises to work as a slave in her family for three years as compensation, however, he receives no reply from the one he loves after two-year work. The upset love-seeker seizes an umbrella and decides to leave. At the moment, the maidservant, Yi-Chun, of Wu Niang rushed out and asked Chen San to stay!
\n\nIn the other hand, the protagonist in the novel, Hsu Ching, is the actor who plays the female character Yi-Chun. His performance in the part "Withholding the Umbrella" brings him great reputation, and afterward also makes him become a catamite of a Lugang treasurer, Wu Chiu. At the same time, Hsu Ching acquaints and falls in love with a young actress Wan, who brings Hsu Ching the confusion of his own identity. Unable to be autonomous for years, the actor finally meets his lover; however, the crucial fate has changed him a lot. Hearkening to the beautiful and familiar Nanguan sound performed by Wan, Hsu Ching is ashamed to recognize his old acquaintance. Because after their last parting, he was raped by a seemingly-solemn local officer Zhu Shi-Guang.
\n\nThe happy ending of the folk story and the tragic novel plot reflect each other, symbolizing the helplessness of humble people who breathe in a great era. Traditional xiqu and contemporary play are interwoven together and taken apart here. By the unique Quanzhou tone, the audience could take a glimpse of the rise and fall of Lugang which was one of the most prosperous cities at that time.
\n\n\n\n
Pre-talk
\n\n2021/12/18(Sat)18:50-19:10 Playhouse 2nd Floor
\n\n2021/12/19(Sun)13:50-14:10 Playhouse 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nPlaywright|WU Ming-lun
\n\nDirector|CHEN Yu-dien
\n\nCAST|WEI Mei-hui, CHEN Yan-xi, LIAO Jia-huew, CHAN, Fu-Hsuan, LI Wei-Cih, KU Yung-Yen, TUNG Hsu-Fang
\n\nMUSICIAN|CHEN Chia-wen, LIAO Yu-ning, LAI Hong-ling, WANG Chiung-Chi, LIN Shih-lian, LIU Meng-ling
\n\n\n\n
Tour times
\n\n\n\n2021/12/11 (Sat) 14:30
\n2021/12/12(Sun) 14:30
\n\n
\n\n
\n',team:""},createdAt:1623030927,updatedAt:1653357418,updatedBy:"通泰系統管理員",host:!0},{_id:"60f156f5fff9e800077ad90d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638685800,discrete:[{time:1638685800}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"97346ab4b91f7f20a598a5c35dc01d24",title:"《法國風情》林子平小提琴獨奏會"}],related:[],title:"「節目取消」《法國風情》林子平小提琴獨奏會",cover:"e483cbe9c82da5d44aa727c06d2ee24a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2021年12月5日(日)14:30於衛武營表演廳演出之《法國風情》林子平小提琴獨奏會,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2021年11月30日(二)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
一場充滿「法國風情」的音樂饗宴,巴洛克獨奏家樂團小提琴首席林子平攜手藝術總監李美文,絕佳默契組合黃金陣容,精采呈現佛瑞、法朗克及易沙意經典名曲迷人風采。
\n\n一場充滿「法國風情」的音樂饗宴,巴洛克獨奏家樂團小提琴首席林子平攜手藝術總監李美文,完美黃金陣容的絕佳默契組合,精采呈現佛瑞、法朗克及易沙意經典名曲迷人風采。 其中佛瑞與法朗克的《A大調小提琴奏鳴曲》,可謂是19世紀法國小提琴奏鳴曲兩大名作。而在小提琴史上擁有舉足輕重的祖師級宗師易沙意,其改編自聖桑「圓舞曲形式的隨想曲」,加入了許多小提琴的炫技元素,對於演奏者來說,是首極富挑戰性的精彩曲目,黃金雙人組合,期待帶給樂迷們一場高水準的精采音樂饗宴。
\n\n\n\n
演出曲目
\n\n佛瑞:《悲歌》,作品二十四
\n\n佛瑞:A大調第一號小提琴奏鳴曲
\n\n法朗克:A大調小提琴奏鳴曲
\n\n易沙意:改編自聖桑「圓舞曲形式的隨想曲」
\n\n\n\n
演出暨製作團隊
\n\n小提琴|林子平
\n\n鋼琴|李美文
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"97346ab4b91f7f20a598a5c35dc01d24",title:"《法國風情》林子平小提琴獨奏會"}],related:[],title:"(Program cancelled) French Inspiration",cover:"e483cbe9c82da5d44aa727c06d2ee24a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The performance has been cancelled. For more information, please contact +886-2-3393-9888. | \n\t\t
\n\n
The concert master of Baroque Camerata Tzu-Ping LIN and artist director Mei-Wen LEE will offer this fascinating concert to our beloved fans with elegant and pure tone.Under the influence of the Franco-Belgian violin school and two distinguished French masters for the past two years with the Baroque Camerata. The repertoire of the concert is based on representative violin works from France and Belgium. The time period is from the Romantic period to the 20th century, including G. Fauré (1845-1924), C. Franck (1822-1890) and E. Ysaye (1858-1931).
\n\n\n\n
Program
\nG. Fauré:Élégie Op. 24
\nG. Fauré:Violin Sonata in A Major, No. 1
\nC. Frank:Violin Sonata in A Major
\nE. Ysaye:Caprice d'après l'étude en forme de valse de Saint-Saëns
\n\n
Creative and Production Team
\n\nViolin|LIN Tzu-Ping
\n\nPiano|LEE Mei-Wen
\n',team:""},createdAt:1626429173,updatedAt:1636357149,updatedBy:"林蔚行",host:!1},{_id:"6125fde2103d910007f9e8e2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639290600,discrete:[{time:1639290600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1428626121339850755"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ff79c4ac250c3e3e3f0de212f2d5c230",title:"《弦上知音》高雄市國樂團音樂會"}],related:[],title:"《弦上知音》高雄市國樂團音樂會",cover:"ffb1a01b89e676afa58a1d3592a510ae",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'高雄市國樂團歲末音樂會,邀請前國家交響樂團首席李宜錦首度合作,與本團首席彭苙榳攜手帶來經典曲目《梁祝》。小提琴與二胡為被視為最能表達情感的中西樂器,而兩位傑出的音樂家勢必將帶來最動人的的演奏,為熟悉的樂章譜出新的生命。除了《梁祝》,本場音樂會還安排多首雙協奏曲,如青年作曲家林心蘋創作的笛與揚琴《雷峰情》、絳州大鼓的打擊重奏《牛鬥虎》及李煥之的《春節序曲》與青年作曲家余忠元的《緣》合奏曲。《弦上知音》將由深獲樂迷喜愛的郭哲誠指揮率領樂團共同演出。
\n\n\n\n
演出曲目
\n\n李煥之:《春節序曲》
\n\n林心蘋:《雷峰情》笛子與揚琴雙協奏曲
\n\n劉鐵鑄:《牛鬥虎》鼓重奏與樂隊
\n\n余忠元:《緣》
\n\n何占豪:《梁祝》小提琴與二胡雙協奏曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|郭哲誠
\n\n小提琴|李宜錦
\n\n二胡|彭苙榳
\n\n笛|李育慈
\n\n揚琴|林佩娟
\n\n擊樂|陳珧芬、楊千儀
\n\n樂團|高雄市國樂團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ff79c4ac250c3e3e3f0de212f2d5c230",title:"Love and Fate on the Strings"}],related:[],title:"Love and Fate on the Strings",cover:"ffb1a01b89e676afa58a1d3592a510ae",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In the East and the West, erhu and violin are regarded as representative musical instruments that can convey visceral emotions. This October, the erhu player and the concertmaster of Kaohsiung Chinese Orchestra, PENG Li-ting, will go on stage with the violinist and the former concertmaster of National Symphony Orchestra, LI I-Ching. Together they will perform the classic Liang Zhu (Butterfly Lovers) in a revitalizing fashion.
\n\n\n\n
Creative and Production Team
\n\nConductor|KUO Che-Chen
\n\nViolin|LI I-ching
\n\nErhu|PENG Li-ting
\n\nDizi|LEE Yu-tze
\n\nYangqin|LIN Pei-chuan
\n\nPercussion|CHEN Yao-fen, YANG Chien-I
\n\nOrchestra|Kaohsiung Chinese Orchestra
\n\n\n\n
\n',team:""},createdAt:1629879778,updatedAt:1630296367,updatedBy:"林蔚行",host:!1},{_id:"6136c27b103d910007fbf0e9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639049400,discrete:[{time:1639049400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1427516419291262980"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a02a4c60e9da7c09eb1f4cfdccb05838",title:"劉予希鋼琴獨奏會"}],related:[],title:"《劉予希鋼琴獨奏會》",cover:"f1f31ea898762af21645b351ae0a2531",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
予希自幼即展現對音樂的喜愛及高度的天份與熱忱,學習過程中總是勇於接受各種挑戰並屢屢獲獎,五年級獲全國學生音樂比賽鋼琴獨奏國小A組特優第四名,12歲於高雄市音樂廳舉辦首場個人獨奏會,隨即赴維也納音樂暨表演藝術大學音樂節鋼琴比賽為唯一17歲以下參賽者並榮獲亞軍,2020年第五屆史坦威青少年國際鋼琴大賽,唯一一位非北部的決賽選手,這次獨奏會予希將以15歲之姿展現不同的情感風格及高度的演奏技巧,曲目皆精心挑選,期待能與聽眾分享音樂的美好!
\n\n\n\n
演出曲目
\n\n貝多芬:第七號鋼琴奏鳴曲
\n德布西:貝加馬斯克組曲
\n葛拉納多斯:詩化圓舞曲
\n蕭邦:第三號敘事曲
\n布拉姆斯:帕格尼尼變奏曲
\n\n
演出暨製作團隊
\n\n鋼琴|劉予希
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a02a4c60e9da7c09eb1f4cfdccb05838",title:"劉予希鋼琴獨奏會"}],related:[],title:"Sigrid, Yu-Hsi Liu Piano Recital 2021",cover:"f1f31ea898762af21645b351ae0a2531",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Sigrid Liu, the 5th Steinway Youth Piano Competition finalist, is honored to host a recital in National Kaohsiung Center for the Arts (Weiwuying). She is delighted to share multiple wonderful pieces from different eras with the audience.
\n\n\n\n
Program
\n\nJ.S Bach-Petri: Sheep May Safely Graze
\nL.V. Beethoven: Piano Sonata No. 7 in D Major, Op. 10 no. 3
\nC. Debussy: Suite Bergamasque
\nE. Granados: Valses Poeticos
\nF. Chopin: Ballade No. 3 in A-Flat Major Op.47
\nJ. Brahms: Variations on a Theme of Paganini, Op. 35 Book I
\n\n
Creative and Production Team
\n\nPiano|Sigrid, Yu-Hsi LIU
\n\n\n\n
\n',team:""},createdAt:1630978683,updatedAt:1635415640,updatedBy:"林蔚行",host:!1},{_id:"6136e8d9103d910007fc0081",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639827e3,discrete:[{time:1639827e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1500],link:"https://www.opentix.life/event/1432892017758449672"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"25bb352995d6cfc03d56465e6d35c4ba",title:"青年旅人之歌-馬勒《巨人》"}],related:[],title:"青年旅人之歌-馬勒《巨人》",cover:"94625ed3f11757af894faa53b591da5f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
俄國新生代炫技小提琴家-列夫·索羅多尼可夫、國際大賽常勝軍-朱品柔,和高雄市交響樂團副首席-葉翹任以及樂團助理首席-張恆碩,4位頂尖青年小提琴家同台競藝,獻上韋瓦第:B小調四把小提琴協奏曲、蕭頌:為小提琴與管弦樂團所寫的《詩曲》、葛拉祖諾夫:A小調小提琴協奏曲,三首跨時代且分別展現小提琴不同風格樣貌的精彩作品。下半場,指揮楊智欽領銜高雄市交響樂團,獻上-馬勒:D大調第一交響曲「巨人」,描寫主人公經歷種種人生歷練、高山低谷,而《巨人》則在第四樂章的暴風雨中,最終達到圓滿人格的過程。
\n\n\n\n
演出曲目
\n\n韋瓦第:B小調四把小提琴協奏曲(小提琴: 列夫·索羅多尼可夫、葉翹任、張恆碩、朱品柔)
\n\n蕭頌:為小提琴與管弦樂團所寫的《詩曲》,作品25(小提琴:朱品柔)
\n\n葛拉祖諾夫:A小調小提琴協奏曲,作品82(小提琴:列夫·索羅多尼可夫)
\n\n馬勒:D大調第一交響曲《巨人》
\n\n\n\n
演出暨製作團隊
\n\n小提琴|列夫·索羅多尼可夫、朱品柔、葉翹任、張恆碩
\n\n指 揮|楊智欽
\n\n高雄市交響樂團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"25bb352995d6cfc03d56465e6d35c4ba",title:"青年旅人之歌-馬勒《巨人》"}],related:[],title:"Meeting of Masters",cover:"94625ed3f11757af894faa53b591da5f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Lev Solodovnikov, accompanied by young promising soloists, offers the audience a bright performance of Vivaldi's Concerto for four violins in B Minor, with a beautiful accompaniment of the violinist CHU Pin-Jou. The violinists YEH Chiau-Ren (KSO' associate concertmaster) and CHANG Hen-Shuo (KSO's assistant principal) are also on stage.Mahler:Symphony No.1, which had been inspired in part by Jean Paul Richter's novel, Titan. Having first presented the symphony as a Symphonic Poem in two parts, he later added and then removed a program based on the "Titan" theme, eventually preferring the work to be heard as "heroic" in an abstract way.
\n\n\n\n
Program
\n\nVivaldi:Concerto for 4 violins in B minor Op.3 No.10 RV580
\n\nChaussonPoème for Violin and Orchestra, Op. 25
\n\nGlazunov:Violin Concerto in A minor, Op.82
\n\nMahler:Symphonie No.1 "Titan"
\n\n\n\n
Creative and Production Team
\n\nViolin|Lev SOLODOVNIKOV, CHU Pin-jou, YEH Chiau-ren, CHANG Hen-shuo
\n\nConductor|YANG Chih-chin
\n\nOrchestra|Kaohsiung Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1630988505,updatedAt:1635415824,updatedBy:"林蔚行",host:!0},{_id:"613b073587c8d30008a9ea66",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639654200,discrete:[{time:1639654200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1G7ZINZ"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b36d359a4368178ba26e2db62b020881",title:"DYENS與BROUWER的禮讚/蔡世鴻吉他獨奏會"}],related:[],title:"《DYENS與BROUWER的禮讚/蔡世鴻吉他獨奏會》",cover:"208606201286f9d9db40a04678cc20dc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「蔡世鴻的演奏富有動感和極強的音樂個性。」——知名吉他家大衛‧羅素
\n\n\n\n
本次音樂會由留法歸國、有「巴黎吉他詩人」之稱的蔡世鴻老師擔綱演奏,透過吉他的彈撥之間,產生出不同的音樂表情,展現吉他多元多變的特性。以富有熱情與動感的樂風貫串整場音樂會,聽見來自兩位吉他作曲大師的活潑及浪漫。
\n\n\n\n
演出曲目
\n\n布洛威:
\n\n迪安斯:
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|方圓之間室內樂團
\n\n吉他家|蔡世鴻
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b36d359a4368178ba26e2db62b020881",title:"DYENS與BROUWER的禮讚/蔡世鴻吉他獨奏會"}],related:[],title:"Praise R.DYENS/L.BROUWER",cover:"208606201286f9d9db40a04678cc20dc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Shin-hung TSAI performance is full of dynamic and strong musical personality."——Well-known guitarist David Russell
\n\n\n\n
This concert is played by Tsai Shihong, a guitarist who has educated and returned from France, He is often known as the "Poet of Guitar from Paris" for his playing style. Through the plucking of the guitar, colorful expressions are produced, showing the diverse characteristics of this wonderful instrument. the concert with such a passionate and dynamic music style, we share the privilidge to hear the liveliness and romantism from two famous contemporary composers of guitar, Roland Dynes and Leo Brouwer.
\n\n\n\n
Program
\n\nLeo Brouwer:
\n\nRoland DYENS:
\n\n\n\n
Creative and Production Team
\n\nProduction team|Cosmos Chamber Orchestra
\n\nGuitarist|Shih-hung TSAI
\n\n\n\n
\n',team:""},createdAt:1631258421,updatedAt:1635415777,updatedBy:"林蔚行",host:!1},{_id:"613b111c103d910007fc8cc3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1641123e3,discrete:[{time:1641123e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1FYSF2J"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9885077a1506bdcb5414db4a36e1c0fb",title:"《旅程 - 王牧群 古典吉他獨奏會》"}],related:[],title:"《旅程 - 王牧群 古典吉他獨奏會》",cover:"7949dd55294f4c6fd326350ce47026a8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
作曲家拾起散落世界與生活的元素來編織作品,作為一位表演者,更要窮其任何方式,理解箇中美妙,並滲入自己性格、風格,最後站在舞台上,傳達給觀眾。觀眾也以自身情感經驗投射,作不同層次的解讀,使藝術在傳遞過程中,充滿了無限可能。從源頭到盡頭、從介質到載體,每一個環節皆是旅程。不管在哪站駐留,其共通與豐富,都值得細心咀嚼。
\n\n\n\n
演出曲目
\n\nM. Ponce:
\n\nAgustín Barrios:
\n\n\n\n
演出暨製作團隊
\n\n吉他家|王牧群
\n\n錄音錄影|吳東晏
\n\n舞台監督|封恩業
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9885077a1506bdcb5414db4a36e1c0fb",title:"《旅程 - 王牧群 古典吉他獨奏會》"}],related:[],title:"Wang Muchun classical guitar racital",cover:"7949dd55294f4c6fd326350ce47026a8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Texture of the musical piece was woven by the composer who gathered up the elemental essence spreading all over the world and life. As a performer representing the works on the stage, I stepped into the aesthetic sensitivity in various ways, drawing up with my specific character and expression to convey to audiences eventually. Decoding in different motif, audiences embrace their emotional perception associated from the life experience. The flying upward of art, filled up infinity, from the present to the oncoming future, from suspending to landing. Each scene is a journey. Embedding the commonality and enrichment in any moment we could stand still.
\n\n\n\n
Program
\n\nM. Ponce:
\n\nAgustín Barrios:
\n\n\n\n
Creative and Production Team
\n\nPerformed|WANG Mu-chun
\n\nRecord |WU Dong-yan
\n\nStage director |FENG En-ye
\n\n\n\n
\n',team:""},createdAt:1631260956,updatedAt:1635416056,updatedBy:"林蔚行",host:!1},{_id:"614acdc0103d910007fe89ab",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1638685800,discrete:[{time:1638685800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://www.opentix.life/event/1427857009160376324"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e244597042204fe975166151f7266321",title:"2021大觀國際表演藝術節-《時光冉冉》絮叨叨"}],related:[],title:"2021大觀國際表演藝術節-《時光冉冉》絮叨叨",cover:"27777763d6cfaa9d01df1cc66fa8b57b",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
影片來源:Youtube(國立臺灣藝術大學藝文中心)
\n\n\n\n
《時光冉冉》絮叨叨由陳志誠博士召集國立臺灣藝術大學當代劇場表演創作的菁英,整合劇場語彙,從編舞、音樂作曲與創作、舞台佈景、劇場燈光、服裝及新媒體科技影像的導入,開啟最大規模表演藝術超領域的總體劇場。再透過AR最新科技的導入,在各藝術領域之間突破3D維度的美感體驗。延續前身《島嶼時光》、《時光冉冉》的跨域特質,穿梭於異質藝術空間,以簡約的肢體語言與專業的表演訓練方法,以既凝鍊又豐富的新表演形式整合劇構,體現人類在漫長時光旅程中冉冉的存、有、感、知。
\n\n\n\n
線上導聆
\n\n為提供您有好的參與品質,線上導聆將於大廳播放。
\n\n並提醒您,入場前建議先行下載我們的APP軟體一同搭配觀賞唷~
\n\n期待與您在劇場裡相見~
\n\n\n\n\n\n►《時光冉冉》絮叨叨 APP下載請掃我
\n\n\n\n
演出暨製作團隊
\n\n導 演|陳志誠
\n\n製作人|蔡明吟
\n\n主要演員|蔡佾玲 丁一憲 譚 天
\n\n動作設計|譚 天
\n\n編 舞|許瑋博
\n\n行政執行/票務|國立臺灣藝術大學 藝文中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e244597042204fe975166151f7266321",title:"2021大觀國際表演藝術節-《時光冉冉》絮叨叨"}],related:[],title:"“Epitome of Time” Repetition",cover:"27777763d6cfaa9d01df1cc66fa8b57b",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n',benefits:"",description:"Being, feeling, and knowing within the long journey of time.",introduction:'
The "Epitome of Time" Repetition is performed by elite contemporary theatrical performers assembled by Dr. Chih-Cheng CHEN of National Taiwan University of Arts. The seamless theatrical vocabulary, including choreography, musical composition, scenic design, lighting, costumes, and use of new media technology, creates a trans-disciplinary total theater. The incorporation of the AR technology yields an aesthetic experience transcending the three dimensions of each artistic domain. Building on the cross-disciplinary characteristics of the forerunners "Island Through Time" and "Epitome of Time," the "Epitome of Time" Repetition spans a heterogeneous art space, and embraces both minimalist body language and expert training methods. Thanks to a novel performing style that is at once concise yet rich and a theatrical structure that forges an unattainable theatrical living fossil summoning up deep memories, this work can express humankind's imperceptible existence, being, feeling, and knowing within the long journey of time.
\n\n\n\n
Creative and Production Team
\n\nDirector|Chih-Cheng CHEN
\n\nProducer|Ming-Yin TSAI
\n\nMain Performers|Yi-Ling TSAI , ILhun DING, Tien TAN
\n\nMovement Design|Tien TAN
\n\nChoreography|Wei-Po HSU
\n\nAdministration/Ticketing|NTUA Performing Arts Center
\n\n\n\n
\n',team:""},createdAt:1632292288,updatedAt:1638267950,updatedBy:"林蔚行",host:!1},{_id:"614ad22087c8d30008aea941",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639899e3,discrete:[{time:1639899e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1FIOQ89"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92af37e327323a2a11fa8e36234a7e01",title:"南台灣室內樂協會「英雄再起」"}],related:[],title:"南台灣室內樂協會《英雄再起》",cover:"3e5e3baf788d161e79c16290765d15b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
作為一位卓絕的鋼琴家,貝多芬在譜寫鋼琴作品上更是不遺餘力,除了被尊封為新約聖經的32首鋼琴奏鳴曲,更有如東方五行哲學般相輔相異的五首鋼琴協奏曲。這五首協奏曲將在12/19的下午和晚上在表演廳演出,弦樂五重奏代替管弦樂隊,音樂會結束在世人心中永遠輝煌的"皇帝"。
\n\n\n\n
演出曲目
\n\nC大調第一號鋼琴協奏曲
\n\n降E大調第五號鋼琴協奏曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳宜蓁、徐又新
\n\n小提琴|李思緯、胡宸瑞
\n\n中提琴|鄭恩麒
\n\n大提琴|陳妍蓉
\n\n低音大提琴|邱苡軒
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92af37e327323a2a11fa8e36234a7e01",title:"南台灣室內樂協會「英雄再起」"}],related:[],title:"STCMS Beethoven Extravaganza: Concertos 1 & 5",cover:"3e5e3baf788d161e79c16290765d15b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Being an extraordinary and well-accomplished pianist, Beethoven was naturally became a proponent in the expansion of the repertoire for the instrument. His 32 Piano Sonatas is referred to as "The New Testament" by Hans von Bülow. In addition, he composed 5 Piano Concertos which coincidentally also compliments the 5 Eastern Elements (Earth, Wood, Fire, Water, & Gold). All five concertos are going to be performed on the afternoon and evening of 12/19 in a chamber setting with a string quintet in place of the orchestra, ending with the magnificent "Emperor" Concerto to embrace the world.
\n\n\n\n
Program
\n\nPiano Concerto No. 1 in C major
\n\nPiano Concerto No. 5 in E-flat major
\n\n\n\n
Creative and Production Team
\n\nPiano|CHEN I-Chen, HSU Yu-Hsin
\n\nViolin|LEE Ssu-Wei, HU Chen-Jui
\n\nViola|CHENG En-Chi
\n\nCello|CHEN Yen-Jung
\n\nDouble Bass|CHIU Yi-Hsuan
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\n',team:""},createdAt:1632293408,updatedAt:1635415866,updatedBy:"林蔚行",host:!1},{_id:"614adf52103d910007fe8cf5",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1641018600,discrete:[{time:1641018600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,600],link:"https://www.opentix.life/event/1433603055435501574"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ac745c849e056960c1e517c9326a645c",title:"曼丁身體劇場 《透明的黑白話當街》劇院版全新創作"}],related:[],title:"曼丁身體劇場 《透明的黑白話當街》劇院版全新創作",cover:"5303934d305718b51fb0c13c38d099ea",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
★ 「舞的詩人——編舞家朱蔚庭的作品因不隨從尋常的敘事,時時充滿著『奇幻』的時刻。」── ARTALKS評論人/ 鄒之牧
\n\n★「誠懇而不濫情,多面向而強大的美感,讓我深深喜愛其舞作。」── 詩人、導演、策展人/ 鴻鴻
\n\n★「非常放的身體、有創意的思維,織展的詮釋個性充滿靈性,獨有音樂性的結合貼切,令人感動的專注內涵與感官全開,帶來豐富的多元感受和啟示。」── 文化大學舞蹈系教授/ 顏翠珍
\n\n\n\n
「黑白話」為臺語的發音,於本創作中取其為有許多人物的對話,以及內心獨白之意,並以臺語rap來實驗發聲,融合了街舞和現代舞的當代舞蹈語彙,呈現臺灣文化多元的特性。本次演出,曼丁從都市青年的角度觀察當代社會,將觀看記憶與文化消逝的感受,化作舞碼,以此全新創作了一個以「不標準臺語」呈現的故事。除了曼丁專注見長的街舞與現代舞之身體經驗結合之外,透過臺語放克的節奏對白饒舌、詩意與音景的結合,為觀眾營造陌生但親近的新鮮體驗,呈現蘊含魔幻人文氣息的當代舞蹈劇場。
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從家鄉前往都市的我們,在工作和追求裡勞心忙碌。對於家園的記憶與想望,也在不斷地遠離與消逝中,變得越來越稀薄。《透明的黑白話當街》將從街頭的生活帶著生命投入表演藝術的青年,打破極限的能量與當下真實生活的呼應躍動在觀眾眼前。以過去和現在在大城市生活的青年與上一代的生命故事為觀眾帶來舞蹈劇場演出:故事中獨特的音樂景象與舞蹈語彙,節奏與敘事手法,創造富有張力的聲響與台灣當代舞蹈身體的連結,表達臺北青年當下尋找存在的生命節奏與文化脈絡。
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演出暨製作團隊
\n\n創作執導暨編舞|朱蔚庭、透明的黑白話當街創作群
\n\n文本共同創作|鄭敦哲、黃彥晨、朱蔚庭
\n\n情境設計|朱蔚庭、鄭敦哲
\n\n黑白話當街原創作曲|白水、TC鄭敦哲
\n\n舞者演出暨共同創作|江子杰、李承翰、林翰雨、洪宇寬、陳姿帆、蔡伊晴、Taco 謝亞恬
\n\n臺語聲音與rap演出|TC鄭敦哲
\n\n舞台設計|陳慧
\n\n服裝設計|謝宜彣
\n\n燈光設計|賴科竹
\n\n舞台監督|王瓈萱
\n\n藝術行政|徐靖雯
\n\n平面攝影|邱嘉慶
\n\n攝錄影|張嘉偉
\n\n主辦單位|曼丁身體劇場
\n\n指導單位|臺北市政府文化局、文化部
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ac745c849e056960c1e517c9326a645c",title:"曼丁身體劇場 《透明的黑白話當街》劇院版全新創作"}],related:[],title:'2021 "Transparent Black and White Street Talk" Performance Project',cover:"5303934d305718b51fb0c13c38d099ea",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Black and White Talk"(黑白話)is pronounced in Taiwanese. It consists of many people's dialogues and their soliloquies and is experimented in Taiwanese rap. This work fuses the contemporary body languages of street dance and modern dance, presenting the multiple cultures in Taiwan. In this performance, starting from the perspective of urban youth, Mending Dance Theater turns the feelings of watching the disappearance of memory and culture into dances, creating a new story told in "non-standard Taiwanese". In addition to Mending Dance Theater's expertise in the fusion of the body experiences of street dance and modern dance, the combination of a poetic atmosphere, soundscapes, and Taiwanese dialogues in rap with funk rhythm create a fresh experience of both strangeness and closeness to the audience, presenting a magical humanistic contemporary dance theater.
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Having left our hometown and headed towards cities, we are occupied and wearied in our works and pursuits. The memories and longings for our hometown become more and more distant after constant moving and loss. Transparent Black and White Street Talk presents street youth that are committed to performance arts with their lives, carrying an energy that breaks limits and echoes real life. It takes the life stories of dancing street youth who live in big cities and the people of the previous generation, turning them into a dance theater performance. The unique soundscape, body language, rhythm, and narrative technique create sounds full of tension, connect with the contemporary Taiwanese body, and present the dancing youth in Taiwan in search of the existing cultural context and the rhythm of life at this time.
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Creative and Production Team
\n\nChoreographer/ Director|CHU Wei-Ting, Transparent Black and White Street Talk collective artists
\n\nCollective Text Creation|CHENG Tun-Che, HUANG Yen-Chen, CHU Wei-Ting
\n\nScene Design|CHU Wei-Ting, CHENG Tun-Che
\n\nMusician|Bai-Shui, TC(CHENG Tun-Che)
\n\nDancer/ Collaborative Artist|CHIANG Tzu-Chieh, LI Cheng-Han, LIN Han-Yu, HUNG Yu-Kuan, CHEN Tzu-Fan, TSAI I-Ching, Taco(HSIEH Ya-Tien)
\n\nTaiwanese Voice Actor/ Rap Performer|TC(CHENG Tun-Che)
\n\nStage Design|CHEN Hui
\n\nCostume Design|HSIEH I-Wen
\n\nLighting Design|LAI Ke-Chu
\n\nStage manager|CHEN Chia-Hung
\n\nArt Administrator|HSU Ching-Wen
\n\nImage|CHIU Chia-Ching
\n\nCameraman|CHANG Chia-Wei
\n\nOrganizer|Mending Dance Theater
\n\nAdviser|the Department of Cultural Affairs of Taipei City Government, the Ministry of Culture
\n\n\n\n
\n',team:""},createdAt:1632296786,updatedAt:1639375274,updatedBy:"林蔚行",host:!1},{_id:"614d842e103d910007feea04",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639911600,discrete:[{time:1639911600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1FIOQ8G"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d8bca4d8bbe28dbd42d7e3749a9db775",title:"南台灣室內樂協會「英雄再起」晚上場"}],related:[],title:"南台灣室內樂協會《英雄再起》",cover:"b515f6544062d301baeff7ac5bf06890",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
作為一位卓絕的鋼琴家,貝多芬在譜寫鋼琴作品上更是不遺餘力,除了被尊封為新約聖經的32首鋼琴奏鳴曲,更有如東方五行哲學般相輔相異的五首鋼琴協奏曲。這五首協奏曲將在12/19的下午和晚上在表演廳演出,弦樂五重奏代替管弦樂隊,音樂會結束在世人心中永遠輝煌的"皇帝"。
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演出曲目
\n\n降B大調第二號鋼琴協奏曲
\n\nC小調第三號鋼琴協奏曲
\n\nG大調第四號鋼琴協奏曲
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演出暨製作團隊
\n\n鋼琴|吳亞欣、陳芝羽、高韻堯
\n\n小提琴|李思緯、胡宸瑞
\n\n中提琴|鄭恩麒
\n\n大提琴|陳妍蓉
\n\n低音大提琴|邱苡軒
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d8bca4d8bbe28dbd42d7e3749a9db775",title:"南台灣室內樂協會「英雄再起」晚上場"}],related:[],title:"STCMS Beethoven Extravaganza: Concertos 2, 3 & 4",cover:"b515f6544062d301baeff7ac5bf06890",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Being an extraordinary and well-accomplished pianist, Beethoven was naturally became a proponent in the expansion of the repertoire for the instrument. His 32 Piano Sonatas is referred to as "The New Testament" by Hans von Bülow. In addition, he composed 5 Piano Concertos which coincidentally also compliments the 5 Eastern Elements (Earth, Wood, Fire, Water, & Gold). All five concertos are going to be performed on the afternoon and evening of 12/19 in a chamber setting with a string quintet in place of the orchestra, ending with the magnificent "Emperor" Concerto to embrace the world.
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Program
\n\nPiano Concerto No.2 in B-flat major
\n\nPiano Concerto No. 3 in C minor
\n\nPiano Concerto No.4 in G major
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Creative and Production Team
\n\nPiano|WU Ya-Hsin, CHEN Chih-Yu, KAO Yun-Yao
\n\nViolin|LEE Ssu-Wei, HU Chen-Jui
\n\nViola|CHENG En-Chi
\n\nCello|CHEN Yen-Jung
\n\nDouble Bass|CHIU Yi-Hsuan
\n\n\n',team:""},createdAt:1632470062,updatedAt:1635415886,updatedBy:"林蔚行",host:!1},{_id:"615278bd103d910007ff99f6",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1641036600,discrete:[{time:1641036600},{time:1641105e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1326796850998804480"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bdec26cb79bf20baa658c81e22a71578",title:"《三十三》"}],related:[],title:"相聲瓦舍《三十三》",cover:"6d0a4c9311d68cd3c45340248e5331ae",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原定於2022年1月1日(六)19:30及1月2日(日)14:30於戲劇院演出之【相聲瓦舍】《三十三》演出人員異動,原演出人員宋少卿先生將改由韋以丞先生替代演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年1月7日(五)止完成辦理全額退票,退票方式請詳OPENTIX。 \n\t\t\t | \n\t\t
\n\n
白居易出現購物頻道,聯名贊助除毛膏?!楊慎原來是阿卡貝拉的先驅,一首《臨江仙》,Hold住全場。王勃才是預言神童,「天涯若比鄰」網路零距離?!古人以日常作詩、瓦舍以幽默做戲。【相聲瓦舍】挑選經典古詩韻文,捧逗成每首3分鐘段子搬上舞台。後疫情時期,瓦舍將持續演出《三十三》,用愉快的心情陪伴大家回歸日常。
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演出暨製作團隊
\n\n導演|馮翊綱
\n\n編劇|馮翊綱
\n\n演員|馮翊綱、韋以丞、黃士偉、翁銓偉、御天十兵衛、巫明如、梁皓嵐
\n\n舞台設計|謝均安
\n\n燈光設計|李佩璇
\n\n服裝設計|謝贏瑩
\n\n音樂設計|張靖英
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bdec26cb79bf20baa658c81e22a71578",title:"《三十三》"}],related:[],title:"《HUMOR 33》",cover:"6d0a4c9311d68cd3c45340248e5331ae",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-2-8665-9703 | \n\t\t
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In the Post Pandemic Era, how to enhance self-protection awareness? Take it easy! Comedian Workshop will still present 《HUMOR 33》for you all. This play is based on Chinese classical poems. Make you happy and bring you back into the swing of things.
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Creative and Production Team
\n\nDirector|FENG Yi-Gang
\n\nPlaywright|FENG Yi-Gang
\n\nPerformer|FENG Yi-Gang、Ethan WEI、HUANG Shih-Wei、WENG Chuan-Wei、PAN Yu-Tien、WU Ming-Ju、LIANG Hao-Lan
\n\nSet Designer|HSIEH Chun-An
\n\nLighting Designer|LEE Pei-Hsuan
\n\nCostume Designer|SHIEH Ying-Ying
\n\nMusical Design|CHANG Jing-Ying
\n\n\n\n
\n',team:""},createdAt:1632794813,updatedAt:1647313028,updatedBy:"林蔚行",host:!1},{_id:"615acae9103d910007014b9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639566e3,discrete:[{time:1639566e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[199,400,800,1200,1800,2500],link:"https://www.opentix.life/event/1440586545354407941"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"abed0fa6803011d1a549a48be4f10ed9",title:"小提琴家魏靖儀與台灣絃樂團"}],related:[],title:"《小提琴家魏靖儀與台灣絃樂團》",cover:"d732a87b9f6ffcc63292b9c0aaa363ec",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
魏靖儀,2015年比利時伊麗莎白女王國際音樂大賽桂冠優勝,此次將與台絃共同演奏巴赫鮮為人知的第四首小提琴協奏曲,此曲演奏難度極高,較少演奏家會進行挑戰,也為此曲蓋上神秘的面紗。以及波蘭的音樂國寶-維尼奧夫斯基所改編的炫技絃樂作品《浮士德》,少了台詞卻不失作品原有的精采度,埋藏在華麗曲風下的艱澀技巧,亦是挑戰著每位小提琴演奏家。同時台絃也準備了作品義大利作曲家─韋瓦第經典的《G小調絃樂協奏曲,作品156》,和舒伯特的《C大調絃樂五重奏,作品956》,此曲堪稱舒伯特最偉大之作品,亦是他最後的「天鵝之歌」。
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演出曲目
\n\n韋瓦第:G小調絃樂協奏曲,作品156
\n\n維尼奧夫斯基:浮士德幻想曲,作品20
\n\n巴赫:D小調小提琴協奏曲,作品1052R
\n\n舒伯特:C大調絃樂五重奏,作品956(絃樂團版)
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演出暨製作團隊
\n\n小提琴:魏靖儀
\n\n樂團:台灣絃樂團
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贊助單位
\n\n臺北市文化局、豪勉科技、彭以豪先生
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長期贊助
\n\n中保無限+
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"abed0fa6803011d1a549a48be4f10ed9",title:"小提琴家魏靖儀與台灣絃樂團"}],related:[],title:"William Wei & ATS",cover:"d732a87b9f6ffcc63292b9c0aaa363ec",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Laureate of the prestigious 2015 Queen Elisabeth International Violin Competition, Taiwanese violinist William Wei has begun to show his expressive and unique sound to the world.This time he will also be performing the Violin Concerto in D minor by J. S. BACH and the Faust Fantasy Op.20 by H. Wieniawski with ATS.
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Program
\n\nA. VIVALDI: Concerto for Strings in g Minor, RV156
\n\nH. WIENIAWSKI: Faust Fantasy, Op.20
\n\nJ. S. BACH: Violin Concerto in d minor, BWV 1052R
\n\nF. SCHUBERT: String Quintet in C Major, D.956 (Version for String Orchestra)
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Creative and Production Team
\n\nWilliam Wei & ATS
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Sponsor
\n\nDepartment of Cultural Affairs, Taipei City Government, Hauman Technologies Corp., David PENG
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Long-Term sponsor
\n\nTaiwan SECOM
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\n',team:""},createdAt:1633340137,updatedAt:1634885550,updatedBy:"林蔚行",host:!1},{_id:"616526443b16240007bd2dd6",catalogs:["611ca33887c8d30008a0e336","5aec418cb01ea6000520f635"],dateTime:{first:1639567800,discrete:[{time:1639567800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.cloudtheatre.com/shows/dont-cry-dancing-girls"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29a9f8f1cda37529e59147ae706a239a",title:"第六劇場線上看《勸世三姊妹》多視窗讀劇版"}],related:[],title:"第六劇場線上看《勸世三姊妹》疫情特別版",cover:"8039a9a84af1fc970ecf033b7ff6ddb1",site:{isOther:!0,site:"",other:"雲劇場台灣"},cautions:'
\n\n
2021年4月在衛武營表演廳首演後獲得廣大迴響,5月臺北加演場秒殺完售!
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《勸世三姊妹》很幸運地能夠在疫情爆發前和觀眾見面,
\n在因為三級警戒而苦悶的自律生活裡,《勸世三姊妹》的歌曲影片在2天達成30萬點閱,線上口碑、新聞話題接連發酵,透過網路,《勸世三姊妹》領著製作團隊去到了一個更寬廣卻未知的嶄新世界。
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經過編劇、音樂總監、影像導演及各方的腦力激盪之下,催生出了有別於現場演出的雲劇場版本-《勸世三姊妹》疫情特別版,期待這個歷經風雨的全新呈現,能傳達出團隊始終如一的土地情懷,帶給觀眾一樣的感動。
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臺派俗女挑戰另類 LA LA LAND
\n\n哭墓、牽亡、我的雙眼都見鬼
\n\n在這生死交織的音樂劇舞台上,奏起舞曲渡亡魂
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躍演劇團繼《釧兒》大戲後再度挑戰人鬼同台。新作音樂劇《勸世三姊妹》人物架構脫胎自俄國劇作家契訶夫名作《三姊妹》,重新植入大量台灣在地元素,含括道士、牽亡歌陣、孝女白琴、西索米,讓台派喪葬禮俗搖身一變,成為在地小鎮生死嘉年華,潮到眾鬼出籠一起含淚跳恰恰。
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當三姊妹闊別多年重歸故土,回到雲林虎尾村老宅,赫然發現阿伯、阿嬸、二叔公、三嬸婆早早老起來放,全都沒變,只有時間悠悠走過這沒落所在。原本只是搶拿老家地契的三人,陰錯陽差捲入彌留大伯公的遺囑—得宋家人跳牽亡歌陣者,可獨拿億萬家產。三姊妹臨危受命,披掛上陣,從頭開始養成牽亡技藝想分一杯羹。當她們在小鎮裡尋尋覓覓,意外喚起關於失聯甚久的賭鬼法師父親、首席尫姨母親的回憶,疏遠的親情終於一一浮現。風塵味重到可比霧霾PM2.5的大姊國珍,這回不僅要面對超沒自信的胖妞二妹國美,變裝皇后小弟國豪(花名安琪拉),還有自己那久沒著、堪比梅花三弄的愛情。然而國珍最大難關,是她竟能親眼目睹母親美玲鬼魂,翩然飛回,死生兩隔。過早成熟獨立的國珍,不禁想問天公伯,惦這嘸情世界,為啥恁祖嬤人生只有下下籤!
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最後,三姊妹要用自己的青春跳起一支舞,為生命裡的諸多缺憾而跳,渡這命運給予她們的大小關卡,還有那始終缺席的父母,恰恰,恰恰恰。中生代導演曾慧誠、新銳作曲家康和祥、金鐘編劇詹傑攜手合作,音樂劇《勸世三姊妹》是他們寫給這土地的一封情書,還有所有生活其上的人們。
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演出暨製作團隊
\n\n藝術總監|曾慧誠
\n\n影像導演暨影像拍攝|朱洛正
\n\n編劇暨作詞|詹傑
\n\n音樂總監暨作曲編曲|康和祥
\n\n燈光設計|何定宗
\n\n主視覺設計|好春設計.陳佩琦
\n\n題字|黃崇鏗
\n\n剪輯團隊|黃毓仁、李媛、朱洛正(終曲)
\n\n混音師|王昱揚
\n\n錄音師|翁偉瀚 @ 火箭八八音樂股份有限公司
\n\n影像導演助理|謝岱廷
\n\n製作人|林易衡
\n\n劇團行政|謝佳惠、葉湘亞
\n\n演出者|曾志遠、張擎佳、張芳瑜、張維佐、張瓈丹、黃巨東、呂承祐、李旻潔、曾思瑜、鄭慕岑、周宛怡、張琬容、周貞妤、黃奕豪、黃匯森、胡雅絜、胡睿倢、宮能安
\n\n音樂演出|康和祥、巫康裘、林宏宇
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特別感謝|風中燈牽亡歌團、日月一團、麗玲歌劇團、福祥牽引團、尚和歌仔戲劇團、林宗範、郭致豪、葉麗青、李榮財、魏群峰、素珍、劉金葉、謝麗玲、林雪鳳、簡菁慧、林月霞、周麗華、吳碧惠、林長正、澎恰恰、飛利冰、李芷柔、鄧亦峰
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團隊介紹
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躍演VMTheatre Company
\n\n音樂劇團「躍演」創立於2007年。「躍演」致力於發展中文音樂劇創作與演出。音樂劇中的歌、舞如同戲劇中自然的講話與走位,舞臺上所要展現的不僅是一場表演,而是展現生命。借著創作者筆下結構性的文本、舞蹈與音樂,演員在舞臺上真實呈現人類共同的生活經驗,當下戲劇即成爲臺上與臺下共有的情感分享,以此觸動人心。
\n\n以「紐約音樂劇表演概念與創作架構」為枝幹,在「本身文化」中尋找創作的能源與養分,由「人」的觀點出發,尋找貼近當代觀衆生活的寫實題材,並積極結合新生代音樂、舞蹈、文字與戲劇創作者,藉由交互切磋與碰撞,激發出跨界的創作火花,建立屬於臺灣的音樂劇文化。
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本團獲選為國藝會 2021 TAIWAN TOP 演藝團隊
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版權授權單位:
\n\n<天天想你>音樂授權|擎天娛樂事業股份有限公司
\n\n五分車影片授權|Arklab飛行學院/張東琳
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29a9f8f1cda37529e59147ae706a239a",title:"第六劇場線上看《勸世三姊妹》多視窗讀劇版"}],related:[],title:"Weiwuying Theater 6 - 《Don't Cry, Dancing Girls》Special Edition",cover:"8039a9a84af1fc970ecf033b7ff6ddb1",site:{isOther:!0,site:"",other:"Cloud Theatre"},cautions:'
After the great reception of our premiere at Weiwuying's Recital Hall in April, 2021, our additional performance in Taipei in May has quickly sold out!
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Fortunately, Don't Cry, Dancing Girls made it in time to reach audiences before the pandemic outbreak. During the disciplined day-to-day life of the level 3 epidemic alert, the music video for Don't Cry, Dancing Girls' amassed 300,000 views within just 2 days, after which it continued to grow in popularity by way of the online news media and word of mouth. As a result, this work opened a completely new and unknown terrain for the production team.
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Subsequently, the team took on the challenge of accepting new perspectives, and through the brainstorming of the playwright, artistic director, image director, and other related personnel, the Don't Cry, Dancing Girls Special Edition was born. We hope that this new presentation that was made through great efforts can help to deliver the team's unwavering love for the motherland to the audience.
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Succeeding the major work Reed Unbroken, VMTheatre Company's Don't Cry, Dancing Girls again attempts to pit humans on stage with ghosts. The characters of Don't Cry, Dancing Girls, derived from Russian playwright Anton CHEKHOV's famous work Three Sisters, are reinfused with Taiwanese elements, which include Taoist priests, the spirit-escorting ceremony, professional mourners, and Si-So-Mi. The traditional Taiwanese funeral is thus transformed into a local carnival of life and death, reaching a fervor where ghosts are propelled to come out to cry and dance along with humans.
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When three sisters returned after many years to their old family home in Huwei, Yunlin, they found that their uncle, aunt, third great-uncle, and second great-aunt had hardly aged a day; only the passage of time had left its mark on the derelict house. The sisters, initially falling over each other to waive their right to inheritance, in an unexpected series of events were drawn into their second great-uncle's dying wish—the Song family member that performs in the soul-guiding song troupe may receive the family's multimillion-dollar inheritance. The three sisters took on the challenge; with aim of splitting the inheritance, they started from scratch and retrained themselves in the art of the soul-guiding song. As they searched through the small town, they unexpectedly evoked memories of their long-lost father—a gambler and Taoist priest, and their mother, a professional mourner, and the estranged family ties, at long last, emerged one after another
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This time, the worldly and sophisticated oldest daughter Kuo-Chen not only has to attend to the problems of her chubby, super self-conscious sister Kuo-Mei and drag queen younger brother Kuo-Hao (pseudonym Angela), but also her own intricate and fruitless love life. However, the biggest challenge for her is to witness the departure of mother Mei-Ling's spirit, allowing life and death to separate the two once again. Kuo-Chen, the sibling who had matured extremely early, thus cannot help but question God, “In this merciless world, why is my life filled with only back luck?”
\n\nLastly, the three siblings will together present a dance of youth, dancing for all of life's regrets and commemorating the challenges, large and small, brought about by fate, as well as those perpetually absent parents, cha cha, cha cha cha. Don't Cry, Dancing Girls, created through the collaboration between middle-generation director TSENG Hui-Cheng, emerging composer Robert KANG, and Golden Bell Award-winning playwright ZHAN Jie, is a love letter written and dedicated to this land and the people living on it.
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Creative and Production Team
\n\nArtistic Director|TSENG Hui-cheng
\n\nFilm Director, Cinematographer|CHU Lo-cheng
\n\nLibrettist|ZHAN Jie
\n\nMusic Director, Composer|Robert KANG
\n\nLighting Designer|HO Ting-tsung
\n\nKey Visual Design|Haospring Design.Peggy CHEN
\n\nInscription|HUANG Chung-keng
\n\nFilm Editor |HUANG Yu-ren, LEE Yuan, CHU Lo-cheng (final song)
\n\nMixing Engineer|WENG Wei-han @ Rocket88 Music Productions
\n\nFilm Assistant|HSIEH Tai-ting
\n\nProduction Manager|LIN Yi-heng
\n\nCompany Staff|HSIEH Chia-hui, YEH Hsiang-ya
\n\nCast|TSENG Chih-yuan, CHANG Ching-chia, CHANG Fang-yu, CHANG Wei-zuo, CHANG Li-dan, HUANG Ju-dong, LU Cheng-you, LI Min-chieh, TSENG Ssu-yu, JENG Mu-tsen, ZHOU Wan-yi, CHANG Wan-jung, ZHOU Zhen-yu, HUANG Yi-hao, HUANG Hui-sen, HU Ya-jie, HU Rui-jie, KUNG Neng-an
\n\nInstrumental Performer|Robert KANG, WU Kang-chiu, LIN Hong-yu
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Acknowledgement|風中燈牽亡歌團、日月一團、麗玲歌劇團、福祥牽引團、尚和歌仔戲劇團、LIN Tsung-fan, KUO Chih-hao, YEH Li-ching, LI Jung-tsai, WEI Chun-feng, Su-chen, LIU Chin-yeh, HSIEH Li-ling, LIN Hsueh-feng, CHIEN Ching-hui, LIN Yueh-hsia, CHOU Li-hua, WU Pi-hui, LIN Chang-cheng, PENG Cha-cha, Vilian Nangavulan, LI Chih-jou, TENG Yi-feng
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Production Team
\n\nThe VMTheatre Company
\n\nThe VMTheatre Company, founded in 2007, is based on the performance concepts and creative structure of New York's musicals and feeds on local culture. The Company looks for realistic themes which are close to contemporary life from a humanistic point of view. It is especially interested in working and developing with young artists in music, dance, literature and theater in the hope of helping to contribute to the evolution of Taiwan's own musical culture through exchanging views and crossover collaborations.
\n\nThe company expects the audience to witness a piece of genuine human life, not merely a performance. As the actors experience aspects of life through structured speech, dance and music, the productions aim to become an experience that is not only emotionally shared between the performers and the audience, but actually co-created by performer and audience member.
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VMTheatre Company is selected as NCAF 2021 TAIWAN TOP Performing Arts Group.
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\n',team:""},createdAt:1634018884,updatedAt:1637141455,updatedBy:"林蔚行",host:!0},{_id:"6165877c3b16240007bd3f98",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639395e3,discrete:[{time:1639395e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1443814823842267143"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"775b182c98740245e42214af38debac0",title:"Cc打擊樂2021年度音樂會《喧囂之中》"}],related:[],title:"Cc打擊樂2021年度音樂會《喧囂之中》",cover:"833aead397fd3038a14f6d75e7572101",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次音樂會著重於探索噪音及樂音之間的界線,探索打擊樂的可能性。Cc打擊樂將挑戰在不指定配器、樂曲結構及音高的情形下,將眾多聲音組織起來,進而思考噪音和樂音的本質。/本次音樂會著重於探索噪音及樂音之間的界線,探索打擊樂的可能性。重點曲目之一〈Amid the Noise〉,將挑戰在不指定配器、樂曲結構、甚至音高的情形下,將眾多聲音組織起來,思考噪音和樂音的本質。此外,今年計畫委託台灣作曲家—陳立唐先生,為Cc打擊樂創作一首全新的擊樂作品〈Shades of Isolation〉。並將演奏由台灣旅荷作曲家—方斯由先生,以南印度古典卡納蒂克音樂理論為靈感所創作之最新作品〈Interkosmos〉。
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演出曲目
\n\n艾文.崔文諾:狂野
\n\n菲利普.葛拉斯:狂奔
\n\n方斯由:宇宙之間(選曲)(世界首演)
\n\n陳立唐:孤立之影(世界首演)
\n\n傑森.特勞廷:喧囂之中
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演出暨製作團隊
\n\n演出人員|陳揚、張慈恩、李亭葦、陳儀嘉
\n\n特邀作曲|陳立唐、方斯由
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"775b182c98740245e42214af38debac0",title:"Cc打擊樂2021年度音樂會《喧囂之中》"}],related:[],title:"Cc Percussion Annual Concert-Amid the Noise",cover:"833aead397fd3038a14f6d75e7572101",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert focuses on exploring the boundary between noise and music, exploring the possibilities of percussion, and then thinking about the essence of noise and music.
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Program
\n\nIvan Trevino : Wildings
\n\nPhilip Glass : Madrush
\n\nS'yo Fang : Interkosmos
\n\nCHEN Li-tang : Shades of Isolation
\n\nJason Treuting : Amid the Noise
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Creative and Production Team
\n\nPerformer|CHEN Yang, CHANG Tzu-en, LI Ting-wei, CHEN Yi-chia
\n\nComposer|CHEN Li-tang, S'yo FANG
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\n',team:""},createdAt:1634043772,updatedAt:1634547658,updatedBy:"林蔚行",host:!1},{_id:"6166d0303b16240007bd70ae",catalogs:["5f2c0b964308760006446458"],dateTime:{first:1638531e3,discrete:[{time:1638531e3},{time:1638617400}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b70f4dcd11f45c1219e2a70e12eff7d6",title:"【樹洞耳機電影院】不老交響夢"}],related:[],title:"【樹洞耳機電影院】不老交響夢",cover:"1f1fbc897eb0e44c4ab039f53fd90497",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
戴上專屬無線耳機、窩進舒適躺椅,曲面牆的400吋投影,耳內流竄的飽滿聲音,樹洞耳機電影院歡樂呈現!
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活動日期:2021/12/3(五)、12/4(六)19:30
\n\n活動地點:榕樹廣場
\n\n參與方式:歡迎各年齡層共同參與,限量50名,領取號碼牌自由入座。
\n\n(19:00發放號碼牌並開放入座、19:30電影放映。)
\n\n※號碼牌為入場資格非入座順序。
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不老交響夢 オケ老人!
\n\n日語|2016|普遍級|119 min
\n\n導演|細川 徹
\n\n主要演員|黒島 結菜、坂口 健太郎、光石 研、笹野 高史、杏
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來到梅岡高中就任的數學老師千鶴(杏飾演)為了讓自己演奏小提琴的經驗派上用場,決定加入號稱有職業水準的業餘交響樂團,卻不小心來到了全是老人而且外行到不行的「梅岡交響樂團」。看到老人們因為她的加入而歡欣雀躍,千鶴也不好意思說自己搞錯團名了,只好硬著頭皮參加,最後甚至必須擔任指揮……就在此時,正牌的菁英業餘交響樂團「梅岡愛樂交響樂團」也登場了,危機隨之逼近。千鶴該怎麼辦?老人樂團該怎麼辦?他們的演奏會能成功嗎!?動人的古典音樂貫串全片,千鶴老師和全日本個性最豐富最熱血的老人們,將為您帶來感人肺腑的最終樂章!
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▲活動現場示意
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贊助單位
\n\n樹洞耳機電影院計畫由陳啟川先生文教基金會贊助
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b70f4dcd11f45c1219e2a70e12eff7d6",title:"【樹洞耳機電影院】不老交響夢"}],related:[],title:"【Headphone Cinema】Golden Orchestra!(オケ老人!)",cover:"1f1fbc897eb0e44c4ab039f53fd90497",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Put on your wireless headphones and snuggle into the comfortable deck chairs. The 400-inch curved projection screen and rich acoustics invite you to a pleasant cinematic experience.
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Date and Time:2021/12/24(Fri), 12/25(Sat) 19:30
\n\nLocation:Banyan Plaza
\n\nTo enter: All ages welcome. The maximum number of participants is 50 people. Please take a number and be seated (non-reserved seating).
\n\n※Number plates are for admission and not in the order of seating.
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\n\n
Golden Orchestra!(オケ老人!)
\n\nJapanese|2016|G|119 min
\n\nDirector|Toru Hosokawa
\n\nMain Cast|Yuina Kuroshima, Sakaguchi Kentarou, Mitsuishi Ken,
\n\nTakashi Sasano, Anne Watanabe
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\n\n
Chizuru (Anne Watanabe) is the new teacher at Umega High School. Since her school days, she has played violin in an orchestra. One day, she listens to an amateur orchestra play at the local cultural hall. She is touched by their performance and decides to enroll in the orchestra, but there are 2 orchestras in town. Chizuru mistakenly enrolls in the orchestra which consists of elderly people. The members there are thrilled to have a young person join their group. Chizuru is unable to tell them she made a mistake and becomes the conductor for their orchestra.
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Sponsor
\n\nHeadphone Cinema Project is supported by Frank C. Chen Culture & Education Foundation
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\n',team:""},createdAt:1634127920,updatedAt:1638067542,updatedBy:"林蔚行",host:!0},{_id:"616d247d3b16240007bed425",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638531e3,discrete:[{time:1638531e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1HGL1TO"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"55f84b6a440d55bf409cedfeceef04b8",title:"《交響舞曲》林昭華、蘇綉雯雙鋼琴音樂會"}],related:[],title:"《交響舞曲》林昭華、蘇綉雯雙鋼琴音樂會",cover:"111baa152a474068f0d9fb6baa85dcd7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
從十七世紀至十九世紀,是鋼琴大放光彩的年代,
\n\n
演出曲目
\n\n華格納:漂泊的荷蘭人序曲
\n\n拉威爾:西班牙狂想曲
\n\n比才:卡門幻想曲
\n\n李斯特/魏樂富:愛之夢-幻想曲
\n\n伯恩斯坦:西城故事-交響舞曲
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演出暨製作團隊
\n\n鋼琴|林昭華、蘇綉雯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"55f84b6a440d55bf409cedfeceef04b8",title:"《交響舞曲》林昭華、蘇綉雯雙鋼琴音樂會"}],related:[],title:"Symphonic Dances",cover:"111baa152a474068f0d9fb6baa85dcd7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The experiment of the piano and its music can trace back to the 17th century. After years of improvement, it became the most important media in the 19th century. Arias, symphonies, and art songs are popular resources for composers. The program features famous arrangements for two pianos, including Wagner's overture from Der fliegende Holländer, Ravel's Rapsodie Espagnole, Bizet's Carmen Fantasy, Liszt's Liebestraum-Fantasy, and Bernstein's Symphonic Dances from West Side Story.
\n\n\n\n
Program
\n\nWagner: The Flying Dutchman Overture
\n\nRavel: Rapsodie Espagnole for Two Pianos
\n\nBizet: Carmen Fantasy for Two Pianos
\n\nLiszt/Rolf-Peter Wille: Liebestraum-Fantasy
\n\nBernstein: Symphonic Dances-West Side Story
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN Chao-hwa, SU Hsiu-wen
\n\n\n\n
\n',team:""},createdAt:1634542717,updatedAt:1634788261,updatedBy:"林蔚行",host:!1},{_id:"616d33f23b16240007bed70e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638617400,discrete:[{time:1638617400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1I1M29P"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34f5f250716ddcd8d0fab3fb0c0eeba3",title:"德岡直樹之夜"}],related:[],title:"《德岡直樹之夜》",cover:"12b626d3fca2a21155ede6d1cbc14674",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
徳岡直樹(名指揮家、作曲家、YouTuber、臺南市榮譽市民)2001年來臺灣至今已滿20年,持續在南臺灣(中彰南高)等地擔任樂團指揮並持續教學與作曲等各項音樂活動,且廣受佳評。這一場音樂會節目全部是徳岡的創作作品且受到愛樂者喜愛,今為紀念在台灣音樂園地的耕耘及發揚,特別邀請國際水準的演奏家、年輕有天分的「未來之星」音樂家來共同呈現德岡直樹的豐富多元樂曲之美,以饗高雄愛樂者同來欣賞。
\n\n\n\n
演出曲目
\n\n「勇氣」
\n\n「輝く夜」
\n\n夜曲
\n\n西貝爾
\n\n寓言曲 第二號
\n\n達芬妮【首演】
\n\n《娜塔莎》
\n\n「蒂芬妮的花園」
\n\n\n\n
演出暨製作團隊
\n\n小提琴|許恕藍
\n\n鋼琴|許心馨、周恩妤、高韻堯、林東毅
\n\n二胡|王瀅絜
\n\n長笛|鄭宇泰
\n\n大提琴|謝孟峰
\n\n\n\n
藝術家介紹
\n\n德岡直樹(指揮・作曲)1970年生於日本鳥取縣。
\n\n畢業於日本國立音樂大學研究所後,於法國國立馬爾梅松音樂院,跟隨 Francine Aubin 學習指揮與作曲。1999年與2001年在法國貝桑松國際指揮大賽中,兩度進入準決賽。2005年因為參加西貝流士大賽的機緣,開始師事 Neeme Järvi。2001年起,以臺灣作為音樂活動的據點。
\n\n在以收藏義大利克里蒙納名琴聞名世界的奇美企業支持下成立管弦樂團,很短的時間內就將樂團培育到臺灣頂尖的水準,並且錄製發行了5張 DVD。
\n\n經常接受國立臺灣交響樂團、高雄市立交響樂團邀請,擔任客席指揮。目前身兼五個樂團的音樂總監與常任指揮,演出活動十分活躍。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34f5f250716ddcd8d0fab3fb0c0eeba3",title:"德岡直樹之夜"}],related:[],title:"Portrait of Tokuoka Naoki",cover:"12b626d3fca2a21155ede6d1cbc14674",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n',benefits:"",description:"This concert program consist entirely of Naoki's popular acclaimed compositions. We hope you enjoy the music.",introduction:'
Conductor, composer,YouTuber, honoree resident of Tainan for 20 years. Naoki Takuoka has been recognized for his dedication to education and leading orchestras in southern Taiwan.This concert program consist entirely of Naoki's popular acclaimed compositions including works for the violin, piano, 4 hands piano and orchestral works. To commemorate the nurturing of the Taiwanese musical environment, the performers are young talented "future stars" and of international standards. We hope you enjoy the music.
\n\n\n\n
Program
\n\nCoraggio!! for Violin and Piano
\n\nChristmas Eve Presents for Piano solo, Based on the novel of Hyakuta Naoki
\n\nNocturne
\n\nCybèle for Violin and Piano
\n\nAllégorique No. 2
\n\nDáphnē for Cello and Piano【Premiere】
\n\nNastassja
\n\nTiffany's Garden
\n\n\n\n
Creative and Production Team
\n\nViolin|HSU Su-lan
\n\nPiano|Stella HSU , CHOU En-yu, KAO Yun-yao, Devin LIN
\n\nEr-Hu|WANG Ying-chieh
\n\nFlute|Myrllin CHENG
\n\nCello|HSIEH Meng-Feng
\n\n\n',team:""},createdAt:1634546674,updatedAt:1647854928,updatedBy:"林蔚行",host:!1},{_id:"616e87d75e0cd8000820486f",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1640413800,discrete:[{time:1640413800},{time:1640500200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,600,800,1200,1600,2e3],link:"https://www.opentix.life/event/1442407125368078336"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"91dc67face40aae71fc3701630a3d313",title:"《東方神奇-美猴王》"}],related:[],title:"《東方神奇-美猴王》",cover:"747a6f1e5d6154e07d329887958f3478",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
京劇大師朱陸豪霸氣重返,再現《美猴王》精彩劇目,將帶領徐挺芳、秦朗與國立臺灣戲曲學院京劇學系等青年演員師生聯演,在全新打造的舞台再展孫悟空的千變萬化。
\n\n曾以孫悟空一角轟動全球,世界各國巡演超過五百場的京劇武生朱陸豪,素有『臺灣美猴王』美譽,自二OO四年宣布封箱停演至今十七年,本次為秉經典傳承之責再度披掛上陣,精選「鬧龍宮」、「鬧地府」、「鬧天宮」等經典劇目,攜徒弟徐挺芳、秦朗,特邀王海波、楊宇敬、張德天、蘇健宇,與國立臺灣戲曲學院京劇學系學生師生聯演。本演出特別延攬劉光桐導演及頂尖劇場設計群共同打造全新炫目舞台,再現孫悟空千變萬化之姿。不論老粉絲或新觀眾都將跟著時而狂野豪放、時而幽默嬉皮的孫悟空一起乘觔斗雲上天下地,穿梭龍宮。
\n\n\n\n
第一部 鬧龍宮
\n\n第二部 鬧地府
\n\n第三部 鬧天宮
\n\n\n\n
演出暨製作團隊
\n\n【演員暨創意製作群】
\n\n主要演員|朱陸豪、徐挺芳、秦朗
\n\n特邀演員|王海波、楊宇敬、張德天、蘇健宇、國立臺灣戲曲學院京劇學系學生
\n\n共同製作人|陳怡蓁、劉晉立
\n\n導 演|劉光桐
\n\n共同編劇|劉光桐、朱陸豪
\n\n藝術總監|朱陸豪
\n\n文場領導|廖錦麟
\n\n武場領導|呂永輝
\n\n現場樂團|國立臺灣戲曲學院戲曲音樂學系師生暨外聘專業樂師
\n\n影像設計|王奕盛
\n\n燈光設計|鄧振威
\n\n舞台設計|林仕倫
\n\n舞台監督|黃國鋒
\n\n書法題字|黃崇鏗
\n\n主辦單位|趨勢教育基金會、國立臺灣戲曲學院/校務發展特色躍升計畫
\n\n指導單位|教育部
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"91dc67face40aae71fc3701630a3d313",title:"《東方神奇-美猴王》"}],related:[],title:"Legends of the East - Monkey King",cover:"747a6f1e5d6154e07d329887958f3478",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
CHU Lu-hao, the Peking Opera master, is back to stage as the Monkey King. He will will lead HSU Ting-Fang, CHIN Lang, and the members from Department of Jing Ju of National Taiwan College of Performing Arts to perform together on the newly created dazzling stage, sometimes wild and unrestrained and sometimes humorous with hippy style. This performance will take the audience to travel from the Sea, the Underworld to the Heaven and show the ever-changing Monkey King.
\n\n\n\n
Program
\n\nMayhem under the Sea
\n\nUproar in the Underworld
\n\nHavoc in Heaven
\n\n\n\n
Creative and Production Team
\n\nPerformers|CHU Lu-hao & HSU Ting-Fang & CHIN Lang, Members from Department of Jing Ju of National Taiwan College of Performing Arts
\n\nCo-producer|Jenny Chang & LIU Chin-li
\n\nDirector|LIU Tung-Kuei
\n\nMusic Director and Conductor|LIAO Jin-lin
\n\nMulti-media Designer|WANG Yei-sheng
\n\nLighting Designer|TENG Cheng-wei
\n\nStage Designer|LIN Shih-lun
\n\n\n\n
\n',team:""},createdAt:1634633687,updatedAt:1635126899,updatedBy:"林蔚行",host:!1},{_id:"616fcc865e0cd80008207812",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639809e3,discrete:[{time:1639809e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N17ELY60"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"549eb7e9090ec3f55a7c97e48b1d726f",title:"2021新逸星秀回歸系列音樂會 江嘉瑞與好友們的巡迴演出"}],related:[],title:"2021新逸星秀回歸系列音樂會《江嘉瑞與好友們的巡迴演出》",cover:"572f39ed7023bd47c05b9816dfba6cd8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
曾經,我們一起演出過無數的音樂會,一塊兒經歷過各個大小的比賽,獲獎常勝軍的三位演奏家們將再次攜手合作,呈現不一樣的演出風格。曲目以近代作品或者帶有非常濃厚現代風格的樂曲作為主軸,古箏曲《蒼歌引》、《雨蓮花開》;揚琴曲《恰空》、《狂想曲》以及二胡曲《桃花塢》等都是近年內的新銳創作,任重的二胡曲《風華》和重奏曲《靛》乃至委託創作陳昶安以臺灣老歌《落雨聲》為基礎的重奏曲更是一年內所撰寫出來的音樂作品,老歌新作穿插現代新穎的聲響風格,三位演奏家陳若宸/古箏、張雅淳/揚琴和江嘉瑞/二胡將與任重/笛、郭翔豪/鋼琴、黃郁棋/鋼琴、王子諺/打擊等以中西樂器交織體現中國樂器的多樣性和聲響的極限性。
\n\n\n\n
演出曲目
\n\n任重:《靛》
\n\n李淵清:《桃花塢》
\n\n王瑞:《雨蓮花開》
\n\n王丹紅:《狂想曲》
\n\n任重:《風華》
\n\n陳芸芸:《蜀巷》
\n\n陳昶安編曲:《落雨聲》
\n\n張雨軒:《赤壁懷古》
\n\n\n\n
演出暨製作團隊
\n\n二胡|江嘉瑞
\n\n古箏|陳若宸
\n\n揚琴|張雅淳
\n\n笛|任 重
\n\n鋼琴|郭翔豪
\n\n鋼琴|黃郁棋
\n\n擊樂|王子諺
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"549eb7e9090ec3f55a7c97e48b1d726f",title:"2021新逸星秀回歸系列音樂會 江嘉瑞與好友們的巡迴演出"}],related:[],title:"2021 NewArt Young Star Musicians Returning",cover:"572f39ed7023bd47c05b9816dfba6cd8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
With numerous awards winning, three talented Chinese instrumental musicians will perform together with friends presenting contemporary compositions of solo and ensemble pieces.
\n\n\n\n
Creative and Production Team
\n\nErhu|John CHIANG
\n\nGuzheng|CHEN Ro -chen
\n\nDulcimer|CHANG Ya-chun
\n\nDizi|Ryan ZEN
\n\nPercussion|WANG Tzu-yen
\n\nViolin|KANG Chieh-jou
\n\nPiano|HUANG Yu-chi
\n\nPiano|KUO Hsuang-hao
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1634716806,updatedAt:1634896320,updatedBy:"林蔚行",host:!1},{_id:"616fda1c3b16240007bfb18b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638358200,discrete:[{time:1638358200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1448125676584529922"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8621fa384e6514ff93b6574f2fcc6658",title:"2021魔笛單簧管四重奏定期音樂會【斜槓不歪斜】"}],related:[],title:"2021魔笛單簧管四重奏定期音樂會《斜槓不歪斜》",cover:"d9c6ad65cbec0c9ee05d1eb561d35026",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「斜槓」已成為現代社會一個流行的名詞,利用多職業身份或多技能,來追求精彩豐富的人生,而不再是一份工作做到底,這也隱然成為新世代年輕人必須思考的工作模式。音樂領域亦是。在人才輩出卻學習人口、工作市場萎縮的大環境下,要讓自己不能只身懷一種技藝,才能創造多元出路。本場音樂會,就是希望為臺灣這樣具備不同才華的音樂家發聲。這些人即使不是學院派作曲主修,但憑藉著對音樂投入的熱情和素養知識,一樣能編寫出效果十足,又呼應時代潮流的聲音,貼近人心的好曲。音樂這樣藝術充滿太多自由和可能性,不該畫地自限。
\n\n\n\n
演出曲目
\n\n伯恩斯坦/賴奕衡:《西城故事》選曲
\n\n玻羅定/李翰威:韃靼人舞曲 ,選自歌劇《伊果王子》
\n\n李蓋悌/魔笛四重奏:六首小品
\n\n楊元碩:《那些年》,第一號單簧管四重奏
\n\n李哲藝:第七號台灣舞曲
\n\n\n\n
演出暨製作團隊
\n\n魔笛單簧管四重奏,黃荻、林佩筠、韓健鋒、林志謙。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8621fa384e6514ff93b6574f2fcc6658",title:"2021魔笛單簧管四重奏定期音樂會【斜槓不歪斜】"}],related:[],title:"An Evening with Multi-talented Musicians",cover:"d9c6ad65cbec0c9ee05d1eb561d35026",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Being a "slashie" is in fashion, and it is also true in the music industry. Musicians need to have multiple skills to embrace more opportunities.This concert features these multi-hyphenate Taiwanese musicians who will show their multifaceted talent.
\n\n\n\n
Program
\n\nL. BERNSTEIN / LAI Yi-heng: Highlights from Musical "West Side Story"
\n\nG. BORODIN / LEE Han-wei: "Polovtsian Dances", from Opera "Prince Igor"
\n\nG. LIGETI / Magic Clarinet Quartet: "Six Bagatelles"
\n\nYANG Yuen-suo: Clarinet Quartet No. 1,"Ripening"
\n\nLEE Che-yi: Taiwan Dance, No. 7
\n\n\n\n
Creative and Production Team
\n\nMagic Clarinet Quartet, Ti HUANG, Pei-Yun LIN, Chien-Feng HAN, Chih-Chien LIN
\n\n\n\n
\n',team:""},createdAt:1634720284,updatedAt:1635232160,updatedBy:"林蔚行",host:!1},{_id:"617130003b16240007bfe63d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638185400,discrete:[{time:1638185400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1445629860356587523"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"595582614aba065b6886bc13bd6bd000",title:"高雄市立高雄高級中學109學年度管弦樂之夜【紅樓雋樂】"}],related:[],title:"高雄市立高雄高級中學2021管弦樂之夜《紅樓雋樂》",cover:"793d4097b6b27c8954d7e4a2e4c40487",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
榮獲2018年尼斯歌劇院指揮大賽「最佳樂團票選獎」的范楷西,將與雄中音樂班管弦樂團帶來捷克與法國的經典管弦樂作品,並與校內協奏曲比賽第一名的敲擊樂新星許語家,演出俄羅斯木琴協奏曲。
\n\n\n\n
演出曲目
\n\n德佛札克:狂歡節序曲,作品92
\n\n戈洛夫科:木琴協奏曲
\n\n拉威爾:鵝媽媽組曲
\n\n聖桑:狂歡之舞(選自歌劇參孫與達利拉)
\n\n\n\n
演出暨製作團隊
\n\n演出人|莊福泰
\n\n企劃|蔡受勳
\n\n執行製作|楊靜宜
\n\n藝術總監/指揮|范楷西
\n\n木琴獨奏|許語家
\n\n行政協助|許美玲
\n\n演出團隊|高雄市立高雄高級中學音樂班管弦樂團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"595582614aba065b6886bc13bd6bd000",title:"高雄市立高雄高級中學109學年度管弦樂之夜【紅樓雋樂】"}],related:[],title:"2021 Kaohsiung Municipal Kaohsiung Senior High School Concert",cover:"793d4097b6b27c8954d7e4a2e4c40487",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kaohsiung Senior High School Orchestra invited Kai-Hsi Fan, who received her Artist Diploma in conducting at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, Germany, and Yu-jia HSU,who won the first place in the school's concerto competition. they will together in November to interpret the classic works of Czech Republic, Russia and France.
\n\n\n\n
Program
\n\nDVORAK: Carnival Overture Op.92
\n\nGOLOVKO: The Russian Marimba Concerto for Marimba and Orchestra
\n\nRAVEL: Ma Mère L'Oye Suite
\n\nSAINT-SAËNS: "Danse Bacchanale" from Opera Samson et Dalila, Op.47
\n\n\n\n
Creative and Production Team
\n\nConductor|FAN Kai-hsi
\n\nMarimba solo|HSU Yu-jia
\n\nOrchestra|Kaohsiung Municipal Kaohsiung Senior High School Music Talented Class Orchestra
\n\n\n\n
\n',team:""},createdAt:1634807808,updatedAt:1650356494,updatedBy:"林蔚行",host:!1},{_id:"617260d23b16240007c04d5a",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1640957400,discrete:[{time:1640957400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2022,2500,3e3],link:"https://www.opentix.life/event/1445646186437443589"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"067bbd7ec5347c4e092bdbbaab054840",title:"全民大劇團《2022新年…就快樂啦!》"}],related:[],title:"全民大劇團《2022新年…就快樂啦!》",cover:"0a31f52f15e87b56fd521e98a326800f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
臺灣因為Covid-19疫情苦悶了大半年
\n\n看全民大劇團用毒舌回顧臺灣年度精華
\n\n用最強模仿笑掉滿腹的壞情緒,用歡慶鑼鼓趕跑整年壞運氣
\n\n將最糟留在今年,抱著希望邁入明年
\n\n準備好一起倒數了嗎?
\n\n\n\n
5 4 3 2 1 新年….就快樂啦!
\n\n\n\n
演出暨製作團隊
\n\n編導:謝念祖
\n\n編劇:吳世偉
\n\n燈光設計:黃諾行
\n\n舞台設計:張哲龍
\n\n服裝設計:陳佳敏
\n\n音樂設計:潘偉凡(唯有音樂)
\n\n舞蹈設計:達姆拉·楚優吉、黃政翌
\n\n獅藝指導:念裕祥
\n\n演員
\n\n演員:郭子乾、夏靖庭、張嘉雲(花花)、管罄、呂紹齊、廖曉彤、江錦麟、張庭瑋、簡廷宇、周家寗、王靉天、莊寧、黃詩婷、黃品慈、臺北市立大學運動藝術學系龍獅運動組
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"067bbd7ec5347c4e092bdbbaab054840",title:"全民大劇團《2022新年…就快樂啦!》"}],related:[],title:"All U People Theatre - 2022 HappyNewYear",cover:"0a31f52f15e87b56fd521e98a326800f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Due to the COVID-19 pandemic, Taiwan has been under low pressure for over six months. Come watch the show by Allupeopletheatre and see how we brutally but honestly look back on the highlights of Taiwan in the past year. Let’s laugh off bad emotions within, drive away bad luck in high spirits, and step into a new year with in good faith, leaving the worst behind. Ready to count down with us? 5,4,3,2,1! Happy ~ New Year!
\n\n\n\n
Creative and Production Team
\n\nScreenwriter/Director|HSIEH Nien-tsu
\n\nScreenwriter|WU Shih-wei
\n\nProducer|CHEN Yi-ching
\n\nLighting designer|HUANG Nuo-hsing
\n\nSet designer|CHANG Che-lung
\n\nCostume designer|CHEN Chia-min
\n\nMusic director|T-Pan
\n\nChoreographer|Damula Chuyoji
\n\nDragon and Lion Dance director|NIEN Yu-hsiang
\n\n\n\n
Performers|KUO Tze-cheng、HSIA Ching-Ting、Jade CHANG 、Kris KUAN、LU Shao-qi、Eunice LIAO、CHIANG Ching-lin、CHANG Ting-wei、CHIEN Ting-yu、CHOU Chia-ning、WANG Ai-tien、CHUANG Ning、HUANG Shih-ting、HUANG Pin-tzu
\n\n\n\n
\n',team:""},createdAt:1634885842,updatedAt:1635434460,updatedBy:"林蔚行",host:!1},{_id:"6177e5ea5e0cd80008221867",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638358200,discrete:[{time:1638358200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1450393167367872516"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"27d9fa496959d87335859d7898e161fa",title:"《我的天兒啊》天生音籟兒童合唱團創團音樂會"}],related:[],title:"《我的天兒啊》天生音籟兒童合唱團創團音樂會",cover:"213a3ecaaec63f5bfd8c50351ce2b78b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年12月1日(三)19:30於音樂廳演出之《我的天兒啊》天生音籟兒童合唱團創團音樂會,演出之人員異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年11月30日(二)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
2020年8月受海洋委員會海洋保育署的邀請,擔任繪本新書發表記者會的表演嘉賓,演唱陳明章老師的最新作品。
\n\n2020年10月榮獲台灣國際重唱藝術節「銀牌獎」
\n\n2021年1月於國教署孝道資源中心【你是我的家】音樂會中擔綱演出世界首演新創曲目,受邀擔任「藝啟芬享」校園巡迴演出團體
\n\n2021年4月受邀於衛武營音樂廳參與【福爾摩沙合唱團2021藝文推廣系列-人聲與管風琴的交織唱和】音樂會擔任聯演團體
\n\n2021年10月受邀於衛武營戲劇院參與【誰怕虎姑婆-TASO互動式親子音樂會】聯合演出
\n\n\n\n
《我的天兒啊》代表「天」生歌手合唱團附屬「兒」童團,為天生音籟兒童合唱團創立滿1周年的創團音樂會,以「愛」、「希望」、「成長」為主軸,象徵代代相傳、向上提升、向下延續的融合與創新。除演唱國外作品,從歌唱中培養國際視野與認識不同語言外,亦委託知名創作音樂家劉聖賢、曹銘倉老師來譜曲,以客語及閩南語為主,透過熟悉語言貼近觀眾,展現溫暖、包容、多元的氛圍,使在地原創與新創歌謠能代代傳唱,代表著天生歌手合唱團土地扎根、推廣在地合唱音樂的熱情與責任。
\n\n\n\n
演出曲目
\n\n雨天 曲/蔡淑玲, 任真慧
\n\n少年 曲/夢然
\n\n熱情的沙漠 曲/黃欣偉
\n\n世界上所有的孩子們你好 曲/楊瑞安
\n\n海達 曲/亨利·萊克
\n\n我愛拉丁節奏 曲/傑克‧諾布爾‧懷特
\n\n人客裡面坐 曲/劉育真
\n\n天送伯也 曲/黃俞憲
\n\n多蕊咪 曲/理查德·羅傑斯
\n\n螢火蟲 曲/小倉羅
\n\n花樹下 曲/蔡昱姍
\n\n我想你 曲/曹銘倉
\n\n當我們一起走過 曲/李孟峰
\n\n今年夏天 曲/尹詩涵
\n\n地球的孩子 曲/李建諭
\n\n阿久剪 曲/曹銘倉
\n\n你能聽到我嗎? 曲/鮑勃·奇爾科特
\n\n勇氣之歌 曲/謝佩勳
\n\n\n\n
演出暨製作團隊
\n\n製作人|劉常顥
\n\n藝術總監|陳安瑜
\n\n音樂總監|潘絃融、周奕伶
\n\n指揮|程佳櫻、吳貞儀、王晶晴
\n\n鋼琴|曹銘倉、簡銘賞
\n\n中提琴|余青黛
\n\n演出團體|天生音籟兒童合唱團、天生青年合唱團、天生On籟兒童阿卡團、自在阿卡團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f908f9315dd59f2392041a0e21483738",title:"《我的天兒啊》天生音籟兒童合唱團創團音樂會"}],related:[],title:"Natus cantorum junior originate concert",cover:"213a3ecaaec63f5bfd8c50351ce2b78b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-7-5503710. | \n\t\t
\n\n
Let us present you the concert of the first anniversary of Natus Cantorum Junior, Natus Cantorum A Cappella Junior, and Natus Cantorum Youth Choir, which are all subgroups of Natus Cantorum. We would like to show you the spirit of integration and creation of legacy, growth, and continuity. All the works we sing are concatenated by the themes of love, hope, and growth. Besides classic foreign songs, we also commission well-known composers LIU SHENG HSIEN, and TSAO MING TSANG to compose some Hakka and Taiwanese songs. We hope to get closer to our audience and show an atmosphere of warmth, embrace, and diversity. The local music and culture are sung and known by the kids of next generation, hence the original and creative songs can be passed forward to the future generations. Those are the passion and responsibility of Natus Cantorum to promote and take root of local chorus music.
\n\n\n\n
Program
\n\nRaining Day /By TSAI,Shu-Ling, REN,Jen-Huei
\n\njuvenile /By MENG-RAN
\n\nPassionate desert /By HUANG,Shin-Wei
\n\nHello to all the Children of the world /By Ryan yeung
\n\nHaida /By Henry Leck
\n\nI love latin rhythm /By Jack Noble White
\n\nSit inside the guest /By LIU,Yu-Chen
\n\nTIEN-SUNG Uncle /By HUANG,Yu-Hsien
\n\nDo Re Mi /By Richard Rodgers
\n\nHotaru koi /By Ro Ogura
\n\nUnder the flower tree /By TSAI,Yu-Shan
\n\nI miss you /By TSAO, Ming-Tsang
\n\nWhen we walked together /By LI,Meng-Feng
\n\nThis summer /By YI,Shih-Han
\n\nChildren of the earth /By LI,Chien-Yu
\n\nWuhu /By TSAO, Ming-Tsang
\n\nCan you hear me? /By Bob Chilcott
\n\nSong of Courage /By HSIEH,Pei-Hsun
\n\n\n\n
Creative and Production Team
\n\nProducer|Chang-Hao LIU
\n\nArtistic Director|An-Yu CHEN
\n\nMusic Director|Xian-Rong PAN、I-Ling CHOU
\n\nConductors|Jia-Ying CHEN、Zhen-Yi WU、Jing-Cing WANG
\n\nPiano|Ming-Tsang TSAO、Ming-Shang Chien
\n\nViola|Cing-Dai YU
\n\nPerformer|Natus Cantorum Junior、Natus Cantorum Youth Choir、Natus Cantorum Online Acappella、Zi-Zai Acappella
\n\n\n\n
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這是一齣描述家庭解構再重組的戲,也是21世紀人們仍然在面對的經典命題 ── 藝術總監冉天豪
\n\n\n\n
老朱是個廚藝了得的國宴大廚,他在廚房中依舊呼風喚雨,廚藝遠近馳名,卻只有助手老溫知道老朱正在逐漸喪失味覺。而他在家中的精心料理,卻不受女兒們的青睞。老朱的三個女兒恰如不同風味的料理:大姊家珍性格保守壓抑,姊代母職,時常讓兩個妹妹神經緊繃;二姐家倩獨立且叛逆,卻又最得老朱的手藝真傳;三妹家寧情竇初開,面對愛情懞懂天真。當三姐妹都忙於應付人生裡新出現的困境與轉機時,朱家餐桌上的豐盛菜餚更開始顯得多餘,而原本約好每月一次的固定聚會,也開始因為追求者梁伯母的闖入而開始漸漸荒唐走味...。
\n\n\n\n
演出暨製作團隊
\n\n主辦單位|天作之合劇場 x 聯合數位文創 udnFunLife
\n\n製作單位|天合劇場有限公司
\n\n劇本改編自電影《飲食男女》(1994)
\n\n授權單位|中影股份有限公司
\n\n藝術總監、作曲|冉天豪
\n\n劇本改編|陳彥廷
\n\n作詞|張芯慈、陳星佑
\n\n導演|程伯仁
\n\n製作人|宋欣祐
\n\n主演|
\n\n聶雲 飾演|老朱
\n\n張世珮 飾演|朱家珍
\n\n金仁馨 飾演|朱家倩
\n\n鍾琪 飾演|朱家寧
\n\n史茵茵 飾演|梁錦榮
\n\n張丹瑋 飾演|梁伯母
\n\n黃浩詠 飾演|老溫
\n\n楊奇煜 飾演|李凱
\n\n尹仲敏 飾演|天麟
\n\n張心哲 飾演|承翰
\n\n歌隊(筆劃排序)|王國讚、江宇雯、李宥穎、吳今馨、林意淨、胡雅絜、徐顥、高敏海、張書閩、黃匯森、蔡松廷、顏志翔
\n\n音樂執導、編曲、指揮|康和祥
\n\n鋼琴|潘倍妤
\n\n吉他|柯鈞元
\n\n貝斯|林宜嫻
\n\n鼓手|陳逸
\n\n大提琴|羅翡翠
\n\n小提琴|陳仕杰、張譽耀
\n\n中提琴|楊凱甯
\n\n長笛|張家瑋
\n\n單簧管|陳意林
\n\n小號|查修齊
\n\n長號|王則旻
\n\n打擊|陳彥儒
\n\n現場賓客│高雄室內合唱團
\n\n舞台設計|張哲龍
\n\n編舞|王怡雯
\n\n燈光設計|鄧振威
\n\n服裝設計|林秉豪
\n\n影像設計|徐逸君
\n\n歌唱指導|林慈音
\n\n角色發展|水毓棠
\n\n製作專員|陳又瑛
\n\n執行製作|黃盈穎
\n\n舞台監督|王麗芬
\n\n燈光技術指導|劉彥廷
\n\n音響技術指導|林冠宇
\n\n舞台佈景製作|大岳藝術製作有限公司
\n\n燈光器材|聚光工作坊
\n\n音響工程|捷韻實業有限公司
\n\n指定妝髮合作單位|好萊塢的秘密
\n\n音場協力|李武錚
\n\n特別感謝|台北圓山大飯店
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ebd0e93c7ac853557178c812fe3226fe",title:"音樂劇《飲食男女》"}],related:[],title:"Eat Drink Man Woman.",cover:"de55b40ecc3a0d209cf9cfd33164465d",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Based on Ang Lee's most renowned film.
\n\nA flavorful story about everyone's family feast.
\n\n\n\n
Mr. Zhu is a master chef of Chinese cuisine state banquets. Despite his exceptional culinary prowess, the elaborate dishes he cooks at home do not find favor with his three grown daughters. And the daughters are as different from one another as cuisines can be: Jia-zhen, the eldest daughter, is conservative and self-restrained; Jia-qian, the middle one, is independent and recalcitrant; and the youngest daughter Jia-ning, bewildered and child-like, is experiencing her first awakening of romantic love. As the daughters are occupied dealing with new challenges and opportunities in their lives, sumptuous dishes on the dinner table become redundant, and the monthly family dinner gathering gradually goes stale.
\n\n\n\n
Creative and Production Team
\n\nCreative and ProductionPresent|PerfectMatch Theatre & udnFunLife
\n\nProduction|PerfectMatch Theatre Co., Ltd
\n\nArtistic Director/Composer|Jan Tien-hao
\n\nBook|Chen Yen-ting
\n\nLyric|Zhang Xin-ci, Cheno CHEN
\n\nDirector|CHENG Bo-ren
\n\nProducer|SUNG Hsin-yu
\n\nStaring|Dennis NIEH, ZHANG,Shi-pei, KIM In-hyoung, CHUNG Chi, SHIH Ying-ying, ZHANG Dan-wei, HUANG Hao-yong, YANG Qi-yu, YIN Zhong-min, CHANG Hsin-che
\n\nEnsemble|WANG Guo-zan, JIANG Yu-wen, LI You-ying, WU Jin-xin, LIN Yi-jing, HU Ya-jie, XU Hao, GAO Min-hai, ZHANG Shu-min, HUANG Hui-sen, TSAI Sung-ting, YAN Zhi-xiang
\n\nMusic Director|KANG He-xiang
\n\nOrchestra|Taipei Philharmonic Youth
\n\nSet Design| ZHANG Zhe-long
\n\nChoreographer|Nichole WANG
\n\nLighting Design|DENG Zhen-wei
\n\nCostume Desing|LIN Bing-hao
\n\nProjection Design|XU Yi-jun
\n\nOrchestra Vocal Coach|LIN Ci-yin
\n\nCharacter Development|SHUI Yu-tang
\n\nSpecialist, Production|CHEN Yu-ying
\n\nExecutive Producer|HUANG Ying-ying
\n\nStage Manager|WANG Li-fen
\n\nMaster Electrician|LIU Yan-ting
\n\nSound Mixer|LIN Guan-yu
\n\nSet Factory|ARTPRM CO.,
\n\nLighting Equipment|Hispot Lighting
\n\nSound Engineering|LEE Wu-cheng
\n\nAssigned Makeup|Cinema Secrets
\n\nSpecial Thanks|The Grand Hotel Taipei
\n\n\n',team:""},createdAt:1635339351,updatedAt:1635846927,updatedBy:"林蔚行",host:!1},{_id:"617e0825c4b672000843fd07",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638876600,discrete:[{time:1638876600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1INUPT8"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d26f4711cfc5651ef878f25f02fc91cd",title:"微故事系列音樂會之壹《創.物種源始》"}],related:[],title:"微故事系列音樂會之壹《創.物種源始》",cover:"ebc955eb8fa1b83e9576161c63734ed7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
⼗九世紀,⼀趟⼩獵⽝號之旅、⼀本引起宗教界騷動的著作,撼動世人對生物起源的觀點,環境⾃然汰選,如此精妙的生存機制造就豐富繽紛的生命世界。本次音樂會為微故事系列第壹主題《創》的第三章,描述行星在形成了陸地和海洋後,開始孕育出生命,從生物起源到生機盎然,並引述演化學之父達爾文的著作《物種源始》,帶我們回到物種起始的源頭,透過合唱音樂體現地球上豐富的生物多樣性。
\n\n\n\n
演出曲目
\n\nMissa Charles Darwin: Sanctus|Gregory W. Brown
\n\nPapillon|Hugo Alfvén
\n\nMi'kmaq Song|Lydia Adams
\n\nThe Turtle Dove|Ralph Vaughan Williams
\n\n蕃薯不驚落土爛|蕭泰然 曲
\n\n種子|信長貴富
\n\n続けてゆく| 江俊典
\n\n\n\n
演出暨製作團隊
\n\n指揮|梁聖凱
\n\n鋼琴|簡銘賞
\n\n合唱|微行星男聲合唱團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d26f4711cfc5651ef878f25f02fc91cd",title:"微故事系列音樂會之壹《創.物種源始》"}],related:[],title:"On the Orogin of Species",cover:"ebc955eb8fa1b83e9576161c63734ed7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
In the nineteenth century, Charles Darwin, on board the H.M.S. Beagle, wrote a treatise thatwould drastically alter how people viewed the world. Considered a religious heretic by some,Darwin posited natural selection as the mechanism in which life "branched out" into theplethora of species that we see today.This concert will focus on the creation of life, from the first organisms to a multitude of lifeoverflowing with vigour. Join us as we rediscover life's beginnings through Darwin's "Origin ofSpecies;" letting the polyphony of the chorus embody the biodiversity of the earth.
\n\n\n\n
Program
\n\nMissa Charles Darwin: Sanctus|Gregory W. Brown
\n\nPapillon|Hugo Alfvén
\n\nMi'kmaq Song|Lydia Adams
\n\nThe Turtle Dove|Ralph Vaughan Williams
\n
Creative and Production Team
\n\nConductor|LIANG Sheng-Kai
\n\nPiano|JIAN Ming-Shang
\n\nChoir|Planetesimal Male Choir
\n\n\n\n
\n',team:""},createdAt:1635649573,updatedAt:1636438403,updatedBy:"林蔚行",host:!1},{_id:"617e0ee4c4b672000843fe20",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638963e3,discrete:[{time:1638963e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,600],link:"https://www.opentix.life/event/1451109179296235532"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《古典v.s.新古典之夜》"}],related:[],title:"《古典&新古典之夜》",cover:"c1b39859f970d17672e6f9b9d74c5156",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
南藝大學音樂系管弦樂團目前由留德指揮家范楷西老師帶領,提供學生接觸多元的樂團曲目。此次將演出古典時期兩首協奏曲與二十世紀新古典兩首樂曲。
\n\n\n\n
今晚的曲目將由指揮范楷西老師帶領本系管弦樂團演出兩首莫札特協奏曲,擔任主奏的年輕音樂家是透過本系激烈競爭獲選出來的優秀學生,他們將與本系管弦樂團合作演出小提琴與中提琴的交響協奏曲以及第二十號鋼琴協奏曲;下半場演出二十世紀俄國作曲家普羅高菲夫新古典風格的第一號交響曲《古典》以及史特拉汶斯基前衛風格的芭蕾舞劇《火鳥》,而今晚演出的版本是作曲家於1919年的改編版 《火鳥組曲》。
\n\n\n\n
演出曲目
\n\n莫札特:小提琴與中提琴交響協奏曲
\n\n莫札特:第二十號鋼琴協奏曲
\n\n普羅高菲夫:D大調第一號交響曲《古典》,作品25
\n\n史特拉汶斯基:《火鳥》組曲
\n\n\n\n
演出暨製作團隊
\n\n指 揮|范楷西
\n\n小提琴|楊珮妤
\n\n中提琴|鄭賀元
\n\n鋼 琴|林俊廷
\n\n樂 團|國立臺南藝術大學管弦樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《古典v.s.新古典之夜》"}],related:[],title:"Evening of Classical vs. Neoclassical Music",cover:"c1b39859f970d17672e6f9b9d74c5156",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Orchestra of the TNNUA Music Department is currently led by Conductor Kai-Hsi FAN, which gives students the opportunities to exploit the variety of orchestral repertoire and also provides opportunities for collaboration between schools. This evening we will perform two concertos in classical era and two masterworks in 20th century neoclassical era.
\n\n\n\n
Tonight's program will be performed by the orchestra under the baton of Conductor Kai-Hsi FAN, starting two Mozart Concerti with young exceptional soloists selected from the school Concerto Competition, featuring Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364 and Piano Concerto No. 20 in d minor, K.466. Second half of the program presents the 20th century Russian composer Sergei Prokofiev's neoclassical style: Symphony No.1 in D major, Op.25 "Classical" and Igor Stravinsky's avant-garde ballet and orchestral music L'Oiseau de feu. The version performs tonight was revised by composer in 1919, titled "the Firebird Suite".
\n\n\n\n
Program
\n\nMozart: Sinfonia concertante, K364
\nMozart: Piano Concerto No.20 in d minor, K. 466
\nSergei Prokofiev: Symphony No. 1 in D Major, op. 25, "Classical"
\nIgor Stravinsky: Suite de L'Oiseau de Feu
\n\n
Creative and Production Team
\n\nConductor|FAN Kai-Hsi
\n\nViolin|YANG Pei-Yu
\n\nViola|CHENG He-Yuen
\n\nPiano|LIN Jiun-Ting
\n\nPerforming|TNNUA Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1635651300,updatedAt:1637049842,updatedBy:"林蔚行",host:!1},{_id:"617e1d2348eefa000aa09d49",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638617400,discrete:[{time:1638617400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1450044491830296579"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a3fabc548fbdf85738bf65b4c247d995",title:"《張正傑親子音樂會》"}],related:[],title:"《張正傑親子音樂會》",cover:"ff13d0056a36719fc48d3fa6c81bbcef",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
一部歌劇製作費動輒上千萬,張正傑讓你200元就可以一次聽到好幾部歌劇!叫好叫座的張正傑親子音樂會這次將跟高雄的小朋友大朋友分享好聽的歌劇,集結國內一流好手,將【卡門】、【費加洛婚禮】、【塞爾維亞理髮師】等等膾炙人口的歌劇中好聽的歌曲,讓你聽個夠!誰說孩子聽不懂歌劇?只要有正傑叔叔的幽默導引,與叔叔阿姨的優美歌聲,讓大家都沉浸在有趣的歌劇故事中。
\n\n\n\n
演出暨製作團隊
\n\n製作人|弦外之音團
\n\n大提琴、主持|張正傑
\n\n女高音|蔣啟真、次女高音|鄭海芸
\n\n男高音|王典、男中音|林政勳
\n\n小提琴|林天吉、許淑婷
\n\n中提琴|徐曉虹
\n\n\n\n
贊助單位
\n\n中鋼教育基金會
\n\n光洲建設
\n\n崇友基金會
\n\n\n
\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a3fabc548fbdf85738bf65b4c247d995",title:"《張正傑親子音樂會》"}],related:[],title:"Cellist Chang's Family Concert-Children's Opera",cover:"ff13d0056a36719fc48d3fa6c81bbcef",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
An opera production costs tens of millions, and our "children's opera" only costs you 200NTD! We would like to share the highlights of operas, such as Carmen, Le nozze di Figaro ,Le Barbier de Séville etc. Cellist Chang, Chen-Chieh always could let you feel that classical music is so easy to enjoy. And he thinks that opera is the most important and most beautiful music that everyone should know from child time. That is the reason we present this production and wish all the children could enjoy operas as we do.
\n\n\n\n
Creative and Production Team
\n\nCellist and host|CHANG, Chen-chieh
\n\nMusicians from Pro-Art Camerata
\n\n\n\n
Sponsor
\n\n\n',team:""},createdAt:1635654947,updatedAt:1635919813,updatedBy:"林蔚行",host:!1},{_id:"617e20cac4b6720008440147",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638444600,discrete:[{time:1638444600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1452866639940710405"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"68d870874b8e61ba20d522b169f36d7e",title:"斜槓人生III—醇弦單簧管五重奏"}],related:[],title:"《斜槓人生III—醇弦單簧管五重奏》",cover:"f1bc48e9aa430141aef5d325597838ae",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
四位在醫學相關領域學有專精的好友,在領悟到年齡即將邁入退休階段後,決定在接下來的有限人生當中逐步實現自己的音樂夢。斜槓醇弦四重奏於焉誕生。在首場鋼琴五重奏及第二場弦樂四重奏之後,系列三將演出鮑羅定的第二號弦樂四重奏,同時與年輕的傑出醫師音樂家李柏陞醫師演出布拉姆斯著名的豎笛五重奏。
\n\n\n\n
演出曲目
\n\n布拉姆斯:豎笛五重奏,作品115
\n鮑羅定:第二號弦樂四重奏
\n\n
演出暨製作團隊
\n\n豎笛|李柏陞
\n\n小提琴|張智欽、蕭浩明
\n\n中提琴|吳育弘
\n\n大提琴|鍾孝文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"68d870874b8e61ba20d522b169f36d7e",title:"斜槓人生III—醇弦單簧管五重奏"}],related:[],title:"Slashie Life / Po-Sheng Lee and Mellow-Slashies SQ Night of Clarinet Quintet",cover:"f1bc48e9aa430141aef5d325597838ae",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
As retirement nears, four friends working in the medical industry decide to pursue their shared musician dreams. Thus, the Mellow-Slashies String Quartet was born. They will present Borodin's string quartet and Brahms' famous clarinet quintet with the outstanding doctor-musician Dr. Po-Sheng Lee in their third concert.
\n\n\n\n
Program
\nBrahms: Clarinet quintet in B minor, Op. 115
Borodin: String quartet No. 2 in D major
\n\n\n\n
Creative and Production Team
\n\nClarinet|LEEPo-Sheng
\n\nViolin|Kim CHANG、Herbert HSIAO
\n\nViola|WU Yu-Hung
\n\nCello|CHUNG Hsiao-Wen
\n\n\n\n
\n\n
\n',team:""},createdAt:1635655882,updatedAt:1636351084,updatedBy:"林蔚行",host:!1},{_id:"6184d9d8d4bd45000a15afed",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639897200,discrete:[{time:1639897200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1JCU3HN"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e99875f6e0db44129444cb26923cd294",title:"迪士尼的小小世界-30年動畫精選音樂會"}],related:[],title:"《迪士尼的小小世界》30年動畫精選音樂會",cover:"14f8560ddb9cfbfb98372920a5ae74d4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
還記得小時候,對自己的生活都抱持著美好的想像,長大後卻發現現實與想像有點不同,在迪士尼世界裡什麼都可以發生,可以像阿拉丁與茉莉公主乘著魔毯翱翔於天空、可以像小美人魚自由自在的在海底世界遨游,迪士尼公司所屬的動畫風靡全球,再搭配動人的配樂,相信是許多人無法抹滅的回憶。
\n\n\n\n
高雄市管樂團【迪士尼的小小世界】將帶您進入迪士尼的音樂世界,音樂可以療癒心靈,更可以喚醒生活中的美好記憶,帶您一起踏入這一幕幕的奇幻旅程。
\n\n\n\n
演出曲目
\n\n花木蘭
\n\n阿拉丁
\n\n海洋奇緣
\n\n冰雪奇緣
\n\n魔髮奇緣
\n\n冰雪奇緣2
\n\n獅子王
\n\n小美人魚
\n\n美女與野獸
\n\n鐘樓怪人
\n\n※主辦單位保有曲目異動之權利
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n演出|高雄市管樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e99875f6e0db44129444cb26923cd294",title:"迪士尼的小小世界-30年動畫精選音樂會"}],related:[],title:"A Small World in Disney",cover:"14f8560ddb9cfbfb98372920a5ae74d4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Do you still remember those wonderful imagination of life when we were still kids? It turns out that real life is different from our imagination. In Disney's world, anything is possible. We could fly with princess Jasmine on the magic carpet like Aladdin. We could also explore the ocean like the little mermaid. The animation movies produced by Walt Disney Company are famous around the world. Their music is the unforgettable part of many people's memories.
\n\nKaohsiung City Wind Orchestra is going to bring you back to Disney's musical world. Music can heal our soul,, and bring back those wonderful memories in our life. Join us for this fantasy journey.
\n\n\n\n
Program
\n\nMulan
\n\nAladdin
\n\nMoana
\n\nFrozen
\n\nTangled
\n\nFrozen II
\n\nThe Lion King
\n\nThe Little Mermaid
\n\nBeauty and the Beast
\n\nThe Hunchback of Notre Dame
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nOrchestra|Kaohsiung City Wind Orchestra
\n\n\n\n
\n',team:""},createdAt:1636096472,updatedAt:1636351032,updatedBy:"林蔚行",host:!1},{_id:"6184ec114490a400078f6bed",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638963e3,discrete:[{time:1638963e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1455446452461506566"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49877fd57dd7b086aed9c4a9c8c26bbd",title:"林瑋祺2021鋼琴獨奏會—萊茵河畔的幻想與變奏"}],related:[],title:"林瑋祺2021鋼琴獨奏會《萊茵河畔的幻想與變奏》",cover:"f170b2863022f91ad68e543a777cb9db",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
每個偉大的文明都有條不朽的河流。流貫德國的萊茵河,更是音樂家演繹無數絕妙幻想、精彩變奏的音樂搖籃。 今年,鋼琴家林瑋祺將帶領聽眾前往德國,聆聽三位偉大作曲家的經典創作。上下半場分別以舒曼的《C大調幻想曲》作品17、布拉姆斯的《韓德爾主題變奏與賦格》為主軸,完熟而觸動人心的創作技法,深刻呈現出兩位巨擘偉大的音樂藝術結晶。而巴赫的兩首創作,經由拉赫瑪尼諾夫及布梭尼的改編,展現迥然不同於原作的另一番風景,期能為聽眾帶來經典作品在不同改編視角下的精彩演繹。
\n\n\n\n
本音樂會獨奏家林瑋祺,曾多次獲得重要國際鋼琴賽事首獎,演奏足跡遍及臺灣與歐亞,是國內目前非常活躍的鋼琴演奏家;近年來持續與不同的作曲家、指揮家與樂團合作,在音樂會中擔綱鋼琴獨奏或協奏,都獲得相當好評。他對音樂的詮釋獨樹一格,演奏震懾人心,使聽眾留下深刻印象。暨2012年「東方幻想」、2016「巴黎綺想」、2018「維也納的美麗與哀愁」巡迴演出之後,此次瑋祺將以精湛的技巧再次詮釋多首經典樂曲,展現鋼琴作品風貌多變的優雅與深度。
\n\n\n\n
演出曲目
\n\n巴赫/拉赫瑪尼諾夫:前奏曲、嘉禾舞曲、吉格舞曲,改編自巴赫小提琴組曲第三號
\n\n舒曼:C大調幻想曲,作品17
\n\n巴赫/布梭尼:二首聖詠前奏曲《我呼求祢-耶穌基督》《醒來-那聲音召喚我們》
\n\n布拉姆斯:韓德爾主題變奏與賦格,作品24
\n\n\n\n
演出暨製作團隊
\n\n策劃、演出|林瑋祺
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49877fd57dd7b086aed9c4a9c8c26bbd",title:"林瑋祺2021鋼琴獨奏會—萊茵河畔的幻想與變奏"}],related:[],title:"Fantasie and Variations of Rhine",cover:"f170b2863022f91ad68e543a777cb9db",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
We are delighted to present you an evening of music, by three of the greatest German composers: "Fantasie in C major", op.17, by Robert Schumann; "Variations and Fugue based on a theme by Handel", op.24 by Johannes Brahms, with profound expression added, fusing two masters' work into one. Last but not least, two Bach's original compositions transcribed by his admirers, Rachmaninoff and Busoni, both great pianist and composer in its own right, with nuance that reminisce the old.With these intriguing songs, they will surely leave behind an unforgettable evening.
\n\n\n\n
Program
\n\nBACH / RACHMANINOFF: Prelude, Gavotte & Gigue from violin Partita No. 3
\n\nR. SCHUMANN: Fantasie in C, op.17
\n\nBACH / BUSONI: "Ich ruf' zu dir, Herr Jesu Christ", BWV 639, "Wachet auf, ruft uns die Stimme", BWV 140
\n\nJ. BRAHMS: Variations and Fugue on a theme by Handel, op.24
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN Wei-Chi
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1636101137,updatedAt:1648116084,updatedBy:"林蔚行",host:!1},{_id:"618e0c9c4490a4000791f1ce",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639654200,discrete:[{time:1639654200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1453998041158000649"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c7d51afe858c5598a148949c53290007",title:"《湠2》蘇慶俊X天生歌手"}],related:[],title:"《湠2》蘇慶俊X天生歌手",cover:"c913cd74cac7faaf7d04f9bb50d17eb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2021年12月16日(四)19:30於音樂廳演出之《湠2》蘇慶俊X天生歌手,演出之曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年12月16日(四)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
繼2018年之後,蘇慶俊與天生歌手合唱團再次攜手合作。二十餘年來,蘇慶俊不斷耕耘、推廣臺灣合唱音樂,並出版百餘首同聲與混聲合唱作品。今年,以《湠2》之名,帶領天生歌手合唱團演唱多首外文宗教歌曲及臺灣歌謠,用歌聲感恩這片土地及土地上偉大的人們,並延續臺灣合唱的精神。
\n\n\n\n
演出曲目
\n\n布拉姆斯:深秋
\n\n理查德南斯:深擊我心
\n\n蔡昱姍:娘花白白
\n\n李品萱:秋天的詩
\n\n石青如:八家將
\n\n\n\n
演出暨製作團隊
\n\n指揮|蘇慶俊
\n\n藝術總監暨指揮|陳安瑜
\n\n駐團指揮|周妍妏
\n\n鋼琴|許溎芳
\n\n鋼琴排練|簡銘賞
\n\n演出團體|天生歌手合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c7d51afe858c5598a148949c53290007",title:"《湠2》蘇慶俊X天生歌手"}],related:[],title:"Natus Cantorum - Thuànn 2 ",cover:"c913cd74cac7faaf7d04f9bb50d17eb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The performance has been changed. For more information, please contact +886-7-5503710. | \n\t\t
\n\n
After 2018, SU Ching-chun and Natus Cantorum cooperate once again. For more than 20 years, SU Ching-chun has continued to cultivate and promote Taiwan chorus music, and has published more than 100 simultaneous and mixed chorus works. This year, in the name of "Thuànn 2", he will lead Natus Cantorum to sing many foreign religious songs and Taiwanese ballads. With the singing voices, they would like to thank this land and the great people on this land and continue the spirit of Taiwan chorus.
\n\n\n\n
Program
\n\nEric WHITACRE: Lux Aurumque
\n\nBRAHMAS: Spätherbst
\n\nRichard NANCE: Batter my heart
\n\nFORREST: The Sun Never Says
\n\nTSAI Yu-shan: Silver Grass
\n\nLI Pin-xuan: Autumn poem
\n\nSHIN Ching-ju: Eight generals
\n\n\n\n
Creative and Production Team
\n\nGuest Conductor|SU Ching-chun
\n\nResident Conductor|CHEN An-yu、CHOU Yan-wen
\n\nPiano|HSU Kuei-fang
\n\nRehearsal Piano|JIAN Ming-shang
\n\nChoir|Natus Cantorum
\n\n\n\n
\n',team:""},createdAt:1636699292,updatedAt:1647312937,updatedBy:"林蔚行",host:!1},{_id:"6194612e4490a4000793fc18",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1639740600,discrete:[{time:1639740600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1458036627056820229"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6767d812f8da26ae80620f818df300b",title:"《璀璨中山 - 國立中山大學音樂學系管弦樂團暨合唱團年度音樂會》"}],related:[],title:"《璀璨中山 - 國立中山大學音樂學系管弦樂團暨合唱團年度音樂會》",cover:"e3eec065c7ddb541ad18b7d571cdc50d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
國立中山大學音樂學系由楊智欽教授與翁佳芬教授帶領之管弦樂團與合唱團每學期定期公演,首度來到衛武營音樂廳。演出曲目經典,作品橫跨巴洛克至浪漫時期,含:巴赫、韋瓦第、莫札特與柴科夫斯基。本場音樂會特別由系主任雙簧管獨奏家—張瑞芝教授與專任師資小提琴獨奏家—陳鈺雯教授,擔任協奏曲主奏,將帶來豐富的聽覺饗宴。
\n\n\n\n
演出曲目
\n\n莫札特:歌劇《劇院經理》序曲
\n\n巴赫:d小調雙簧管與小提琴協奏曲,作品一〇六〇
\n\n韋瓦第:榮耀頌
\n\n柴科夫斯基:f小調第四號交響曲,作品三十六
\n\n\n\n
演出暨製作團隊
\n\n雙簧管|張瑞芝
\n\n小提琴|陳鈺雯
\n\n女高音|黃子珊
\n\n樂團指揮|楊智欽
\n\n合唱指揮|翁佳芬
\n\n樂團|中山大學音樂學系管弦樂團
\n\n合唱團|國立中山大學音樂學系合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6767d812f8da26ae80620f818df300b",title:"璀璨中山 - 國立中山大學音樂學系管弦樂團暨合唱團年度音樂會"}],related:[],title:"National Sun Yat-sen University Music Department Annual Concert",cover:"e3eec065c7ddb541ad18b7d571cdc50d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The concert is performed by the NSYSU Music Department Symphony Orchestra and Choir. The program includes the repertoires from Baroque era to Romantic period, with oboist CHANG Jui-chi and violinist CHEN Yu-wen.
\n\n\n\n
Program
\n\nW. A. Mozart : Overture to Der Schauspieldirektor, K. 486
\n\nJ. S. BACH: Concerto for Oboe and Violin in d minor, BWV1060
\n\nA. VIVALDI: Gloria in D Major
\n\nP. TCHAIKOVSKY: Symphony No. 4 in f minor, Op. 36
\n\n\n\n
Creative and Production Team
\n\nOboe|CHANG Jui-chi
\n\nViolin|CHEN Yu-wen
\n\nOrchestra Conductor|YANG Chih-chin
\n\nChoir Conductor|WENG Chia-fen
\n\nOrchestra|National Sun Yat-Sen University Music Department Orchestra
\n\nChoir|National Sun Yat-Sen University Music Department Choir
\n\n\n\n
\n',team:""},createdAt:1637114158,updatedAt:1637288999,updatedBy:"林蔚行",host:!1},{_id:"61973e7da57c9b00072c3b77",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1640431800,discrete:[{time:1640431800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1461271701128884227"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0cd54a3768d273f53ef1288e31ba4bab",title:"臺日合製・新創歌仔戲《阿婆蘭 Aphrodite》"}],related:[],title:"Taiwan NOW:臺日合製.新創歌仔戲《阿婆蘭 Aphrodite》",cover:"8730e411a6517f1799928951fe76932a",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:'
日本當代藝術頂尖團隊 ✕ 南臺灣歌仔戲三大團
\n當代藝術美學 ✕ 原創歌仔戲 ✕ 移動蘭花裝置
\n\n
島嶼幽境深山中,身穿白綢聞清香,
\n悠悠古調隨風送,花開踏雲一重重。
\n\n
由日本當代藝術家柳美和,聯手南臺灣歌仔戲三大團「秀琴歌劇團」、「春美歌劇團」、「明華園天字戲劇團」,邀請歌仔戲唱詞及劇本編撰王友輝、作曲周以謙、配樂朱雲嵩、服裝設計靳萍萍及編舞蔡博丞等,共同以臺灣特有的阿婆蘭(Phalaenopsis aphrodite)為題,串連起臺灣歌仔戲與白色蝴蝶蘭的變遷之旅。
\n
\n敘述自上古就生長於「白蘭幽境」的蘭仙們,因為偶然與人類相遇的契機而受到全世界矚目。原本與世隔絕的花朵們,瞬間成為來自四面八方盜獵者們的目標。在島上原本被傳頌著的歌謠,反而隨著不斷被複製的基因而逐漸失傳。人類追求潔白美麗姿態的慾望,人工繁衍出無窮無盡又白又盛大的蘭花。失去言語的花仙,只能隔著海岸望著被時代翻弄的命運,以及再也回不了的故鄉。
\n\n
如蝶翩翩離故鄉,悲歡聚散本無常,
\n\n漂洋過海世界上,蘭花代代歌未央。
\n\n\n\n\n\n
\n\n
演出暨製作團隊
\n\n劇本、導演、舞台設計|柳美和
\n演出|秀琴歌劇團、春美歌劇團、明華園天字戲劇團
\n歌仔戲劇本及唱詞編撰|王友輝
\n作曲|周以謙
\n音樂設計|朱雲嵩
\n服裝設計統籌|靳萍萍
\n服裝設計|吳兆祥、林玉媛
\n編舞|蔡博丞
\n影像設計|三谷正
\n燈光設計|藤本隆行
\n製作人|陳汗青
\n機器裝置製作|政岡惠太朗、中野將生
\n機器裝置操作|羽柴英明
\n製作統籌|山崎佳奈子、清水翼
\n製作舞台監督|吳維緯
\n演出行政管理|楊喬安、陳御弼
\n演出舞台監督|張婷婷、陳正華
\n演出製作執行|財團法人高雄市藝起文化基金會
\n視訊統籌|王奕盛
\n視訊技術|博揚國際有限公司
\n音場設計暨音響技術統籌|陳鐸夫
\n音響硬體設備|飛揚音響
\n舞台技術統籌|周志瑋
\n舞台佈景製作|呈旭空間實業有限公司
\n舞台佈景製作|義特舞台音響工程有限公司
\n協同燈光設計|宋永鴻
\n助理燈光設計|吳以儒
\n燈光硬體設備|巨航燈光音響有限公司
\n學生歌隊指導|藍貝芝
\n演出學校合作|樹德科技大學表演藝術系
\n特別感謝|京都藝術大學 ULTRA FACTORY、一般財團法人大阪創造千島財團、大田和司(舞台監督)、黑飛忠紀(舞台監督助理)
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0cd54a3768d273f53ef1288e31ba4bab",title:"臺日合製・新創歌仔戲《阿婆蘭 Aphrodite》"}],related:[],title:"Taiwanese Opera: Aphrodite Orchid",cover:"8730e411a6517f1799928951fe76932a",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:'
When Japan's Top Contemporary Art Team Meets Three Major Taiwanese Opera Troupes. Contemporary Art Aesthetics & Original Taiwanese Opera & Mobile Orchid Installation.
\n\n\n\n
In the deep mountains of the island,
\nI'm wearing white and smelling a sweet scent;
\nAncient tunes are carried by the wind,
\nand the flowers bloom as I tread on the clouds.
\n\n
Japanese contemporary artist Miwa YANAGI joins hands with three major Taiwanese opera troupes in south Taiwan—Shiu-Kim Taiwanese Opera Troupe, Chun-Mei Taiwanese Opera Troupe, and Ming Hua Yuan Tian Zi Art & Culture Group. Taiwanese opera librettist and screenwriter WANG You-hui, composer CHOU Yi-Chien, arranger CHU Yun-Song, costume designer CHIN Ping-ping, and choreographer Benson TSAI are invited to present a play based on Taiwan's unique moth orchid (Phalaenopsis aphrodite) as the overarching theme to fuse Taiwanese opera and the journey of Aphrodite Orchid.
\n
\nThe play tells the story about the orchid immortals who have lived in the "Orchid Realm" since ancient times. A chance encounter with humans makes them become the attention of the world. The orchid flowers once isolated from the world all of a sudden turn into the target of poachers from everywhere. The songs that were once sung on the island are gradually being lost as orchid genes are constantly being replicated. The human desire for pure white and beautiful flowers has led to the artificial reproduction of endless giant white orchids. The orchid immortals who have lost their voice can only look across the shore at their fate overturned by the changing times and the homeland to which they can never return.
\n\n
Like a butterfly fluttering away from home,
\nsorrows and joys are unforeseeable;
\nInto the world across the seas,
\nsongs of the orchids are passed for generations to come.
\n\n\n\n
\n\n
Creative and Production Team
\n\nScript/Director/Stage Design | Miwa YANAGI
\nPerformers | Shiu-Kim Taiwanese Opera Troupe, Chun-Mei Taiwanese Opera Troupe, Ming Hua Yuan Tian Zi Art & Culture Group
\nLyrics and Script for Taiwanese Opera | You-Hui WANG
\nComposer | Yi-Qian ZHOU
\nMusic Design | Yun-Song ZHU
\nCostume Design Coordinator | Ping-Ping JIN
\nCostume Design | Zhao-Xiang WU, Yu-Yuan LIN
\nChoreography | Benson TSAI
\nProjection Design | Tadashi MITANI
\nLighting Design | Takayuki FUJIMOTO
\nProducer | Yukio NITTA
\nRobot Production | Keitaro MASAOKA, Masaki NAKANO
\nRobot Operator | Hideaki HASIBA
\nProduction Team | Kanako YAMASAKI, Tsubasa SIMIZU
\nProduction Stage Manager | Wei-Wei, WU
\nProgram Administrator | Joanne YANG, Yu-Pi CHEN
\nStage Manager | Ting-Ting CHANG Zheng-Hua CHEN
\nProduction Coordinator | We ART Together Foundation
\nProjection Coordinator | Ethan WANG
\nProjection Supervisor | Zhu and Yong Ltd.
\nSound Field Design & Audio Coordinator | To-Fu CHEN
\nAudio Equipment | Fly Sound Enterprise Co.
\nTechnical Coordinator | Chih-Wei CHOU
\nStage Making | Chengxu Space Industrial Co., Ltd.
\nStage Structurer | ET Stage Sound Engineering Co., Ltd.
\nAssociate Lighting Design | Yung-Hung SUNG
\nAssistant Lighting Design | Yi-Ju WU
\nLighting Equipment | WARSHIP Sound & Lighting Engineering
\nEnsemble Coaching | Bessy LAN
\nCooperative School | Shu-Te University Department of Performing Arts
\nSpecial Thanks | Kyoto University of the Arts ULTRA FACOTRY, Chishima Foundation for Creative Osaka, Kazushi OTA(Stage Manager,Tadonori KUROTOBI(Stage Manager Assistant)
\n',team:""},createdAt:1637301885,updatedAt:1637727789,updatedBy:"林蔚行",host:!0},{_id:"619e0515bf4bbf000b4f17e3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1638790200,discrete:[{time:1638790200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1460874057372598277"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ed1576864d48936e2b9ba64d385cdc21",title:"《黑與白的狂歡》2021劉怡君鋼琴獨奏會"}],related:[],title:"《黑與白的狂歡》2021劉怡君鋼琴獨奏會",cover:"b0f20feb992eb20a7c0bcbb613c2132e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次音樂會將帶來四首經典的精彩曲目。上半場的曲目分別選自穩重成熟的德國古典樂派作曲家貝多芬以及幽默諷刺的近代樂派俄國作曲家普羅高菲夫,兩首不同樂派的鋼琴奏鳴曲,曲風表現上卻是非常的迥異,演奏詮釋上需要鋼琴家純熟穩健地鋼琴技巧及沉著冷靜的樂曲處理。下半場安排了李斯特的第一號梅菲斯特圓舞曲及舒曼的《狂歡節》,兩首浪漫派經典樂曲在音樂情感上及演奏技巧上都有極為多元化的表現,除了優美的旋律更充滿了戲劇性的鋪陳表現,必定為觀眾帶來豐富的感官衝擊及享受。
\n\n\n\n
演出曲目
\n\n貝多芬:降E大調第18號鋼琴奏鳴曲《狩獵》
\n\n李斯特:第一號魔鬼圓舞曲
\n\n普羅高菲夫:A小調第三號鋼琴奏鳴曲
\n\n舒曼:《狂歡節》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|劉怡君
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ed1576864d48936e2b9ba64d385cdc21",title:"《黑與白的狂歡》2021劉怡君鋼琴獨奏會"}],related:[],title:"2021 Yi-Chun Liu Piano Recital",cover:"b0f20feb992eb20a7c0bcbb613c2132e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert will bring four classic and wonderful repertoires. The repertoire of the first half is selected from Beethoven and Prokofiev. The two piano sonatas of different music school are very impressive, performance interpretation requires the pianist's proficient and steady piano skills. In the second half, Liszt's No. 1 Mephistopheles and Schumann's "Carnival" were arranged. The two romantic classics have extremely diversified performances in musical emotions and techniques, hope to bring rich sensory impact and enjoyment to the audience.
\n\n\n\n
Program
\n\nL.v. Beethoven: Piano Sonata No.18 in E-flat Major "The Hunt", Op.31 No.3
\n\nF.Liszt: Mephisto Waltz No.1, S.514
\n\nS. Prokofiev: Piano Sonata No.3, Op.28
\n\nR.Schumann: Carnaval, Op.9
\n\n\n\n
Creative and Production Team
\n\nPiano|LIU Yi-Chun
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本節目將透過合作夥伴機構義大利巴薩諾戴格拉帕當代表演藝術中心主持之ZOOM平台以線上方式呈現。觀賞需於事先於官網報名。
\n\t本節目全程將以英文進行,無字幕。
\n\t本節目為藝術家階段性呈現。
\n\t2017年衛武營與歐陸青年編舞者網絡Aerowaves展開合作,與義大利巴薩諾戴格拉帕當代表演藝術中心、法國馬恩河谷省國家編舞發展中心,和日本捷森基金會等合作夥伴機構,因創意歐洲專案支持之「跳舞博物館」計畫,開展了2019年橫跨歐、亞兩大洲的「四國駐地交流計畫」。
\n\n進入第三屆的駐地計畫,持續探索數位駐地之可能,除了召集前幾屆的合作夥伴機構及其推派之藝術家, 去年加入新夥伴香港西九文化區,一同展開跨越不同空間的交流和體驗之旅。延續去年的線上呈現,今年衛武營也將採線上直播的方式,推薦本屆五國駐地藝術家余彥芳,與大家分享她的研究成果。
\n\n余彥芳延續自身對已故歌后鳳飛飛的長期研究,包括劇場作品《追夢人—舞蹈之夜》、《愛你在心口難開 》、『你現在還喜歡鳳飛飛嗎?』鳳飛飛創作研究工作坊,進而於駐地期間深入探索70-80年代,臺灣秀場文化熱潮下的社會氛圍,同時回顧個人兒時記憶、求學軌跡,甚至自我身分認同的身體脈絡。藉由南部紅極一時之藍寶石大歌廳的舊址踏查及在高雄地區懷舊舞廳巡禮,余彥芳將發展一段劇場/舞蹈創作,由此對應駐地主題-身體與空間的情感對話。
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本計畫與歐盟創意歐洲專案之跳舞博物館共同推動。
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This event will be hosted by Centro per la Scena Contemporanea Bassano del Grappa(IT) on the ZOOM platform. Please fill the registration form to obtain the link.
\n\tThe event will be held in English without translation.
\n\tThis event will be a sharing of practices and questions developed during the journey in development by the artists. So please don't expect a product, but rather a journey into a shared experience and into your emotions.
\n\tThe project originates from the cooperation between Weiwuying and the young European choreographer network, Aerowaves in 2017, and launched the "Museum of Human E-motions" project across Europe and Asia supported by Creative Europe and Dancing Museums. Museum of Human E-motions is an experimental creative development of public space project presented by four international institutions supporting contemporary creations: the National Kaohsiung Center for the Arts (Weiwuying), Centro per la Scena Contemporanea Bassano del Grappa, Italy, Centre de développement chorégraphique national du Val-de-Marne, France, and The Saison Foundation, Japan.
\n\nSince the impossibility to travel across countries and continents, it offers the opportunity to develop new forms of artistic and social connections, new ways to articulate dialogues and cultural exchanges, new approaches to dance practices and creative processes. Last year, the project included the West Kowloon Cultural District in Hong Kong, and all partners will explore the digital space as the floor where to co-imagine the third edition of the Museum of Human E-motions.
\nThe project will try to find new ways to share the creative processes, the storytelling, the inspirations and practices that are originated by the cultural and social contexts, to connect with audiences and among audiences based in the five countries. This year, Weiwuying will present dancer YU Yen-fang as its Artist of Museum of Human E-motions.
For the residency, YU Yen-fang continues with her extensive research on the late singer FENG Fei-fei (past projects include theater works Dream Catcher: A Night of Dance and More Than I Can Say, as well as FENG Fei-fei creative research workshop "Do You Still Like FENG Fei-fei?") and takes a deep dive into the bustling culture of live performances during the 70s and 80s in Taiwan while also reflecting on her childhood memories, educational experience, and her identity in the context of the body. Based on the research of the original site of the Blue Diamond, a live performance venue that was incredibly famous in southern Taiwan, as well as a nostalgic tour of the old dance clubs of Kaohsiung, YU's theater/dance work reflects on the topic of the residency, which is the emotional dialogue between the body and space.
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Part of Dancing Museums, co-funded by the Creative Europe Programme of the European Union.
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