\n\t\t\t姚立群\n\t\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n',team:""},createdAt:1636616445,updatedAt:1669861032,updatedBy:"林蔚行",host:!0},{_id:"61efd2c67236db00087f0be8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663587e3,discrete:[{time:1663587e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1481114649923235844?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"377d9cc20926c546b3a6c8aa1084f5f5",title:"成功高中校友合唱團2022年度音樂會《樂聲揚》"}],related:[],title:"「節目異動」《樂聲揚~成功高中校友合唱團2022年度音樂會》",cover:"245865ea11a72976a60208c8282fb072",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年9月19日(一)19:30於衛武營音樂廳演出之《樂聲揚~成功高中校友合唱團2022年度音樂會》,指揮林坤輝將異動為聶焱庠擔任,造成不便,敬請見諒。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年9月19日(含)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
2017年適逢拉縴人男聲合唱團20周年團慶,為重溫當年校園合唱之樂,再次集結成功高中合唱團歷屆學長弟,重啟「成功高中校友合唱團」,於音樂會壓軸演出。2018年四月正式立案為演藝團隊,七月參加桃園合唱藝術節榮獲合唱組金牌第ㄧ名,並連續兩年榮獲全國社會組合唱大賽男聲組「金質獎」的佳績!
\n\n2022年,成功高中校友合唱團久違在北高兩地舉辦年度音樂會,邀請來自高雄的興中國小合唱團擔任聯演團隊。透過跨世代的合唱人在舞台上相聚,用歌聲娓娓道來作品中所蘊含的意義與感動,讓美好的合唱藝術流傳在我們的心中。
\n\n\n\n
演出曲目
\n\n布農族傳統歌謠:隨風而唱-樂山嶺
\n\n拉阿魯哇族傳統歌謠:逐山共舞-遇貝神
\n\n劉新誠:如此愛你
\n\n劉郁如:奉獻
\n\nMark Hayes:Danny Boy〈丹尼男孩〉
\n\nJonathan Quick:Loch Lomond〈羅莽湖畔〉
\n\n吳孟翰:我有一個夢(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n成功高中校友合唱團
\n\n指揮|聶焱庠
\n\n鋼琴|蔡蕙棋
\n\n興中國小合唱團
\n\n指揮|蘇元媚
\n\n鋼琴|田聖愛、藍晏彬
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"377d9cc20926c546b3a6c8aa1084f5f5",title:"成功高中校友合唱團2022年度音樂會《樂聲揚》"}],related:[],title:"(Program changed) Cheng-Kong High School Alumni Chorus 2022 Concert",cover:"245865ea11a72976a60208c8282fb072",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-89132068. | \n\t\t
\n\n
Cheng-Kong High School Alumni Chorus holds the concert with Songs of Chinese, Taiwanese and English. We also invites Sing Jhong Elementary School Choir as guest.
\n\n\n\n
Program
\n\nBunun folk song
\n\nHla'alua folk song
\n\nEric Liu: And I Love You So
\n\nChristine Liu: Dedication
\n\nMark Hayes: Danny Boy
\n\nJonathan Quick: Loch Lomond
\n\nMike Wu: I have a dream(World Premiere)
\n\n\n\n
Creative and Production Team
\n\nCheng-Kong High School Alumni Chorus
\n\nConductor|LIN, Kuen-Huei
\n\nPiano|TSAI, Hui-Chi
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1643107014,updatedAt:1663315947,updatedBy:"林蔚行",host:!1},{_id:"6204bb0606407a00079d566d",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1648864800,discrete:[{time:1648864800},{time:1648951200},{time:1656727200},{time:1656813600},{time:1662775200},{time:1662861600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名參與",englishDescription:"Registration"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"課程介紹",content:'
單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
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SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1669861021,updatedBy:"林蔚行",host:!0},{_id:"6232d2217afcc40008ec352d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664019e3,discrete:[{time:1664019e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1484401701397803013?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fdc1a0f3c46a09e50d67e8d92ffdf59d",title:"《張正傑大提琴獨奏會-俄羅斯音樂家的浪漫與無奈》"}],related:[],title:"《張正傑大提琴獨奏會-俄羅斯音樂家的浪漫與無奈》",cover:"98ca1fd3c426790c7bf817edec56b52a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年5月28日(六)19:30於表演廳演出之《張正傑大提琴獨奏會-俄羅斯音樂家的浪漫與無奈》,節目延期至2022年9月24日(六)19:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年5月30日(含)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
國內知名大提琴家張正傑,其精湛的琴藝搭配生動活潑的解說,總是帶給觀眾們無壓力無負擔的欣賞氛圍。
\n\n\n\n
疫情兩年來揮之不去,張正傑最想與大家分享蕭斯塔高維契在社會動盪中以詼諧面對使人不安的環境,他讓大提琴唱出時而溫暖、時而諷刺戲謔的旋律,不同的音樂交織在一塊;浪漫絕對是能量的強化劑,拉赫曼尼諾夫用音樂描寫出浪漫的俄羅斯風情,大提琴吟唱著溫暖醇厚的聲音。
\n\n\n\n
演出曲目
\n\n拉赫曼尼諾夫 大提琴奏鳴曲 作品19
\n\n蕭斯塔高維契 大提琴奏鳴曲 作品40
\n\n\n\n
演出暨製作團隊
\n\n大提琴|張正傑
\n\n鋼琴|廖皎含
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fdc1a0f3c46a09e50d67e8d92ffdf59d",title:"《張正傑大提琴獨奏會-俄羅斯音樂家的浪漫與無奈》"}],related:[],title:"Chen-Chieh Chang's Cello Recital",cover:"98ca1fd3c426790c7bf817edec56b52a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-3393-9908. | \n\t\t
\n\n
The epidemic has been lingering for two years, and Cellist Chang, Chen-Chieh most wanted to share with you how Shostakovich faced the unsettling environment with wit in the social turmoil. The music is intertwined; romance is definitely an intensifier of energy, Rachmaninoff used music to describe romantic Russian feelings, and the cello sings a warm and mellow voice.
\n\n\n\n
Program
\n\nSergei Rachmaninoff :Cello Sonata Op.19
\n\nDimitry Dimitrivich Shostakovich : Sonata for Cello and Piano Op.40
\n\n\n\n
Creative and Production Team
\n\nCellist|Chen-Chieh Chang
\n\nPiano|Jiao-Han Liao
\n\n\n\n
\n\n
\n',team:""},createdAt:1647497761,updatedAt:1656495118,updatedBy:"林蔚行",host:!1},{_id:"623be3e8c6555d000768c0c3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663673400,discrete:[{time:1663673400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1483706981538533379?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c32734da3b9ea03a63f365a0ecabe11",title:"《無與倫比》吳尚倫X天生歌手 巡迴音樂會"}],related:[],title:"《無與倫比》吳尚倫X天生歌手 巡迴音樂會",cover:"b59310c167bd51fcfdbf892b6adc399f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年6月6日(一)19:30於衛武營音樂廳演出之《無與倫比》吳尚倫X天生歌手巡迴音樂會,節目延期至2022年9月20日(二)19:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年9月13日(二)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
指揮吳尚倫與天生歌手合唱團的首次合作,以傳統的經文歌與三首巴赫清唱劇中的合唱樂章選段作為開端,這幾首作品各自在不同的調性或調式以及音樂風格的使用上,呈現出十八世紀「經文歌」多元的面貌。下半場的中文曲目,巧妙地透過歌詞文本、音樂調性與風格的轉換,大膽地顛覆了原本詩、樂間的設定,重新串成一部「思考人生與愛情的故事」,宛如一部多樂章的「世俗清唱劇作品」,藉以描繪人生各個不同階段中對於愛情與人生的思考與追求。
\n\n\n\n
演出曲目
\n\n你們所有過路的人啊/帕烏‧卡薩爾斯
\n\n我的心很憂傷/喬安‧庫勞
\n\n從深處的痛苦(作品編號38)/巴哈
\n\n這是一個奇妙的戰爭(作品編號4)/巴哈
\n\n凡是信祂者(作品編號68)/巴哈
\n\n生於光明/摩頓‧勞瑞森
\n\n讓祢的僕人離去/阿福‧佩爾特
\n\n何處有仁慈/歐拉‧耶羅
\n\n只有睡著時/埃里卡斯‧埃森瓦爾茲
\n\n愛情樹/冉天豪
\n\n蒲公英/潘行紫旻
\n\n渡口/劉新誠
\n\n世界恬靜落來的時/石青如
\n\n深夜裡聽到樂聲/冉天豪
\n\n我有⼀個戀愛/冉天豪
\n\n墮落天使/石青如
\n\n願/冉天豪
\n\n\n\n
演出暨製作團隊
\n\n指揮|吳尚倫
\n\n藝術總監暨指揮|陳安瑜
\n\n駐團指揮|周妍妏
\n\n鋼琴|許溎芳
\n\n排練鋼琴|簡銘賞
\n\n大提琴|蘇逸凌
\n\n演出團體|天生歌手合唱團
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c32734da3b9ea03a63f365a0ecabe11",title:"《無與倫比》吳尚倫X天生歌手 巡迴音樂會"}],related:[],title:"《Unparalleled》Shang-Lun Wu & Natus Cantorum concert tour",cover:"b59310c167bd51fcfdbf892b6adc399f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-973-198800. | \n\t\t
\n\n
Conductor Wu Shanglun's first collaboration with Natus Cantorum begins with traditional motets and choral excerpts from three Bach oratorios. These works have different tonality or mode and the use of musical styles. It presents the diverse aspects of the "Motet" in the 18th century. The Chinese repertoire In the second half of the song subverts the original setting of poetry and music by subtly changing the lyrics, musical tone and style, and re-strings it into a "story of thinking about life and love", which is like a Cantata story. "Secular oratorio works" to describe the thinking and pursuit of love and life in different stages of life.
\n\n\n\n
Program
\n\nO vos omnes / Pablo Casals
\n\nTristis est anima mea / Johan Kuhnau
\n\nAus tiefer Not (BWV 38/1) / J. S. Bach
\n\nEs was ein wunderlicher Krieg (BWV 4/5) / J. S. Bach
\n\nWer an ihn gläubet (BWV 68/5) / J. S. Bach
\n\nO nata lux / Morten Lauridsen
\n\nNunc dimittis / Arvo Pärt
\n\nUbi caritas / Ola Gjeilo
\n\nOnly in sleep / Ēriks Ešenvalds
\n\nLove tree / Tien-Hao Jan
\n\nDandelion / Panhang-Zimin
\n\nFerry / Hsin-Cheng Liu
\n\nWhen the world comes to peace / Ching-Ju Shih
\n\nHear music late at night / Tien-Hao Jan
\n\nI have a love / Tien-Hao Jan
\n\nFallen angel / Ching-Ju Shih
\n\nWish / Tien-Hao Jan
\n\n\n\n
Creative and Production Team
\n\nConductor|Shang-Lun Wu
\n\nArtistic Director and Conductor|An-Yu Chen
\n\nResident Conductor|Yan-Wen Chou
\n\nPiano|Kuei-Fang Hsu
\n\nRehearsal Piano|Ming-Shang Chien
\n\nCello|I-Ling Su
\n\nPerformer|Natus Cantorum
\n\n\n\n
\n',team:""},createdAt:1648092136,updatedAt:1663030503,updatedBy:"林蔚行",host:!1},{_id:"62668ac07406e30007cd6e4f",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635"],dateTime:{first:1664366400,discrete:[{time:1664366400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1526767076467490821"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cae8d30677df887a8bdcc3da5603ea90",title:"【衛武營小時光】《阿嘟之夜》"}],related:[],title:"【衛武營小時光】《阿嘟之夜》",cover:"b2ee04c0404f34bf53f3f7c827b38aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t多久沒有放鬆大笑了呢?就讓《阿嘟之夜》解決你所有的煩惱,忘卻過去所有的苦悶,甩開任何包袱,紓壓地大笑一場!
\n\n\n\n
YouTuber布萊克薛薛與阿拉斯延續自有頻道熱門節目「阿嘟主義」的精神——為觀眾身心靈拿主意,散發兩人獨有的絕佳默契,加上不可或缺的團員——阿米濕、瑞莎、楊楊、可謙,活力四射的歌舞、眾人葷腥不拘的脫口秀,將帶來一場療癒身心,不分你我、性別與族群,彷彿閨蜜間沒有形象的歡樂Party!
\n\n\n\n
「Adju」一詞源自排灣族,原為生理女性朋友之間的互稱,演變至今,代表無分生理性別的閨蜜、好朋友之意。
\n\n\n\n
演出者
\n\n布萊克薛薛、阿拉斯、阿米濕、瑞莎、楊楊、可謙
\n\n\n\n
藝術家介紹
\n\n布萊克薛薛,可以是你最神秘的閨蜜,有任何煩惱問題,都可以幫你拿主意;阿拉斯,集多元角色於一身,是老師、甜點師傅、也是演員,造就他成為一個有才華且獨一無二的表演者;團內唯一男性代表是阿米濕!?有著解釋不完的性別疑雲,但其實是正港的女生;楊楊,熱情如火的代表人物,瘋起來會嚇人,唱歌起來更驚人;擁有臺東二姐稱號的瑞莎,別看她身材這樣,那是她美麗正在膨脹;可謙,團內顏值代表,漂亮寶貝就是他,想跟他喝一杯還是唱首歌?
\n\n《阿嘟之夜》的成員個個身懷讓人笑歪腰的絕技,一踏入他們的世界絕對讓你感受無限驚喜!
\n\n\n\n
\n\n
本節目為【2022阿嘟之夜】金虎勝!金賀勝!臺北場精華版
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cae8d30677df887a8bdcc3da5603ea90",title:"【衛武營小時光】《阿嘟之夜》"}],related:[],title:"【Weiwuying Showtime】The Adju Night",cover:"b2ee04c0404f34bf53f3f7c827b38aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tPerformed in Mandarin without surtitles.
\n\tWhen was the last time you laughed like a drain? Let The Adju Night clear all your troublesome thoughts and make you forget all the sorrow. Get rid of all distress and laugh hard to release stress!
\n\n\n\n
YouTubers Drangadrang and Arase will uphold the spirit of "Adju-ism" from their own YouTube channel to direct a way for the audience. Through the two's well-synchronized performance, other member's spirited singing and dance, and the DIRTIEST talk show EVER! They will hold a therapeutic and delightful party that transcends individualism, gender, and ethnicity!
\n\n\n\n
"Adju", a word in the Paiwan language, was originally used by a girl to call her female friend; today, it refers to confidant or good friend.
\n\n\n\n
Performers
\n\nDrangadrang, Arase, Amis, Resa, Rayden, Harvey
\n\n\n\n
Artists Introduction
\n\nDrangadrang, your most mysterious and best friend, he can give you advice if you have any troubles. Arase has multiple careers as a teacher, dessert chef, and actor, making him a talented and unique performer. Amis, often misunderstood as the only male in the group, but she is actually female. Rayden, a very enthusiastic and crazy guy, singing is even more amazing. Resa, who has the title of Taitung "second sister", her figure represents that her beauty is expanding. Harvey, the beautiful baby in the group, would you like to have a drink with him or sing a song?
\n\nAll the members of The Adju Night have unexpected hilarious skills that will definitely surprise you just by stepping into their world!
\n\n\n\n
\n',team:""},createdAt:1650887360,updatedAt:1686710234,updatedBy:"林蔚行",host:!0},{_id:"6279c7c97406e30007d2a592",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1663156800,discrete:[{time:1663156800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1529004143573057540"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4fe3901387c559f82644c1e416e43d5c",title:"【衛武營小時光】炎亞綸+黃韻玲《音樂轉人生—那些精華的片段》"}],related:[],title:"【衛武營小時光】炎亞綸+黃韻玲《音樂轉人生—那些精華的片段》",cover:"d1fbfc6311df08043658bfeb5441171c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t人生旅途帶有幾分安排、幾分意外、幾分驚喜,有時我們會被指引到從出乎意料的境地。
\n\n從偶像團體成員到演員、「流量密碼」、節目主持人、品牌創辦人,炎亞綸的演藝生涯打破了窠臼,走出了屬於自己的道路。然而,無論他在各個領域走得多遠,也從未削弱他對音樂的堅持。透過《音樂轉人生—那些精華的片段》,讓我們在衛武營與炎亞綸和策展人黃韻玲老師一起共渡小時光,體會那些伴隨他人生重要時刻的音樂以及故事。
\n\n\n\n
演出者介紹
\n\n黃韻玲|臺北流行音樂中心董事長
\n\n身為華語歌曲資深詞曲創作人、編曲家、配樂家、音樂製作人、電視節目主持人、廣播節目主持人、舞台劇演員、影視演員、選秀比賽評審及唱片公司負責人等,2013年獲「第24屆金曲獎」及「最佳作曲人奬」、2019年獲「第10屆金音創作獎」及「特別貢獻獎」等殊榮。
\n\n\n\n
炎亞綸|臺灣男藝人、歌手、演員、主持人
\n\n在戲劇歌唱和主持三棲的藝人炎亞綸從網路上被經紀人發掘而加入了樂團飛輪海,也參與了偶像劇製作,2018年重回歌手身分、發行迷你專輯《最想去的地方》與《親愛的怪物》,在戲劇上以《愛上兩個我》、《後菜鳥的燦爛時代》獲得了收視冠軍的佳績;主持以實境談話節目《36題愛上你》獲得第56屆金鐘獎「綜藝節目主持人獎」,近期的參與臺灣首創以餐廳經營為主題的實境綜藝節目《來吧!營業中》也獲得極高的聲量。
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4fe3901387c559f82644c1e416e43d5c",title:"【衛武營小時光】炎亞綸+黃韻玲《音樂轉人生—那些精華的片段》"}],related:[],title:"【Weiwuying Showtime】Aaron YAN + Kay HUANG Music for Life - A Highlight Reel",cover:"d1fbfc6311df08043658bfeb5441171c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tLife's journey is a mixture of arrangements, accidents, and surprises, which lead us to unexpected destinations.
\n\nAaron YAN has broken the mold and created his own path from idol to actor, trending keyword, host, and entrepreneur. However, his passion for music wavered no matter his pursuits. In Music for Life - A Highlight Reel, moderated by Kay HUANG, experience the music that marked important moments in YAN's life at Weiwuying Showtime.
\n\n\n\n
Artists Introduction
\n\nKay HUANG|Chairman of Taipei Popular Music Center
\n\nSeasoned lyricist, music arranger, composer, music producer, TV program host, radio program host, stage actor, TV actor, talent show judge, and record label executive. She won the 24th Golden Melody Award for Best Composer in 2013 and the 10th Golden Indie Music Award for Special Contribution in 2019.
\n\n\n\n
Aaron YAN|Performing Artist, singer, actor, host
\n\nAaron YAN, a famous Taiwanese performer who works as a singer, actor, and TV host, was discovered by his agent on the Internet. He then joined the band Fahrenheit, and also performed in many Taiwanese TV shows. In 2018, he returned as a singer and released two EPs - Where I Belong and Dear Monster. In terms of his acting career, both YAN's TV shows Fall in Love with Me and Refresh Man have the highest viewership rates. As for hosting, he won the Best Host for a Variety Show at the 56th Golden Bell Awards for the reality talk show 36 Questions. His latest participation in Let's Open, the reality show about running a restaurant business, has created a huge buzz nationally.
\n\n\n\n
\n',team:""},createdAt:1652148169,updatedAt:1686710281,updatedBy:"林蔚行",host:!0},{_id:"627db6728adb350007d24719",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662791400,discrete:[{time:1662791400},{time:1662877800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1529676106026643459"}},attachment:{key:"04a1b823f8d3111f7e25418d16dd2e19",name:"《湖底之鬼》電子版節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"卡司介紹",content:'
\n'}],onShelf:!0,sliders:[{type:"image",key:"dd5ba00c063ca3ae1070ea6396094dbc",title:"音樂說故事劇場《湖底之鬼》"}],related:[{from:"articles",key:"6302f9f1f47c09000761feb8",title:"【MUSICO特別報導】櫻井弘二、鄭詠珊聯手打造音樂說故事劇場,帶你用耳朵體驗另類的虛擬實境——《湖底之鬼》"},{from:"articles",key:"62bd44cabb7c2e0007fc731d",title:"一起閉上眼睛,感受身在湖中的水底聲景吧! 專訪《湖底之鬼》音樂總監——櫻井弘二(Koji Sakurai)"}],title:"音樂說故事劇場《湖底之鬼》",cover:"db412584949fdf3c3190def7d64e98c1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
9/11(日)14:30為同步錄影場次
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'部份演出使用「d&b Soundscape」環場音響,堪比Dolby影院級水準,劇場中首次登場
\n\n「湖底之鬼」是由來臺定居已進入第三十年的日籍音樂人櫻井弘二擔任全劇作曲與編劇創意,透過情感豐沛的旋律,在笙、二胡、琵琶、大提琴、擊樂、鍵盤、電子音樂與人聲的跨界交融下,跳脫時空框架,引領觀眾進入故事情境,讓觀眾藉由聽覺來拓展出更多自由想像的空間。
\n\n本劇靈感來自《聊齋誌異》中的〈王六郎〉,敘述漁夫老許和水鬼王六郎因酒結識而成莫逆之交。編導鄭詠珊由此發展成為一個全新故事,加入老許妻子、水仙花妖等人物,加重情感刻劃,也使劇情更為豐富。
\n\n本節目運用具有環場效果的「d&b Soundscape」聲音景觀系統於劇場演出當中,為觀眾增添更為生動有趣的聽覺經驗,並將提供每位觀眾一副眼罩,可全程或分段配戴體驗,以純粹的聽覺來觀賞整場演出,讓音樂說故事給你聽。
\n\n\n\n
演前導聆
\n\n2022/9/10(六)13:50 戲劇院二樓大廳
\n\n2022/9/11(日)13:50 戲劇院二樓大廳
\n\n\n\n
周邊活動
\n\n《湖底之鬼》試聽會
\n\n日期:8/13(六)、8/14(日)
\n\n時間:15:30-19:00
\n\n地點:衛武營黃昏市集音樂廳前市集入口處
\n\n現場試聽使用SONY WH-1000XM5 全罩式耳機 (市價11,900元),強調360度環繞音場外,聲音清晰淨透、無失真無干擾,聆聽音樂彷彿親臨廳院現場。
\n\n\n\n
演出暨製作團隊
\n\n音樂總監、作曲、編劇、音場設計|櫻井弘二
\n\n導演暨編劇|鄭詠珊
\n\n燈光設計|黃羽菲
\n\n舞台設計|陳威光
\n\n服裝暨造型設計|林秉豪
\n\n音響技術統籌|陳鐸夫
\n\nd&b Soundscape 執行總監|王薪鑐(唐宋音響)
\n\n\n\n
演員|王柏森、江翊睿、余子嫣、羅香菱、達姆拉・楚優吉、王挺
\n\n樂手|楊智博、梁家寧、劉思捷、張立青、陳慧宇、孔裕慈、吳沛奕
\n\n\n\n
舞台經理|陸秀儀
\n\n助理舞台經理|鍾倩彤
\n\n技術協調|曾泓瑋
\n\n音響執行|陳俊成(唐宋音響)
\n\n音樂音效編程暨執行|鄭乃銓
\n\n舞台技術指導|林昕玄
\n\n燈光技術指導|郭欣怡
\n\n導演助理|王昊凡
\n\n助理服裝設計|吳映叡
\n\n服裝設計助理|廖珮真、丁寧、李炳興
\n\n服裝管理|陳品樺、宋沛昀 、林易寬
\n\n彩妝執行|洪心愉|髮型執行:黃建豪、黃佳信
\n\n製作統籌|陳代欣、陳姵妤、楊珺涵、薛梅珠、楊季淑
\n\n製作統籌助理暨樂器管理|黃宥綝
\n\n藝術事務|蔡宛臻
\n\n舞台技術人員|范僑芯、林雅筑、李宏展、陳珮萱、林蓉 、 鄭榮麒、顏郁昇
\n\n燈光設計助理|蔡念容
\n\n燈光編程|陳炳宏
\n\n燈光技術人員|蕭豫耿、林致謙、陶曉慧、王嵐青
\n\n音響技術人員|熊士晏、吳柏穎、黃寶慶、何厚德
\n\n音響設備|唐宋企業有限公司
\n\n行銷宣傳統籌|黃昭雪
\n\n主視覺設計|顏銘毅
\n\n平面設計|許文翎、康昱翰
\n\n眼罩設計|林宇宣
\n\n平面攝影|強振國
\n\n節目冊文字編輯|馬慧妍
\n\n\n\n
特別感謝
\n\n高雄市立高雄高級商業職業學校
\n\n\n\n
團隊介紹
\n\n作曲、音樂總監|櫻井弘二
\n\n自1993年定居臺灣。作品橫跨流行音樂與表演藝術領域,擅長結合跨界素材之創作。百克里音樂學院(Berklee College of Music)畢業,主修電腦音樂作曲、爵士作曲及商業編曲。曾任日本NHK電視台節目音樂總監。目前亦任教於東吳大學音樂系及文化大學大傳系。
\n\n2009年及2017年分別擔任《高雄世界運動會 The World Game》開幕式與《台北世界大學運動會 FISU》開幕式音樂總監。曾以《宋光清長號專輯─這裡真好!》入圍2017金曲獎最佳編曲,並以劇場原聲帶專輯《銀河鉄道の夜》及《藍色馬賽克》入圍兩屆金曲獎之『最佳跨界音樂專輯』獎及部分個人獎項。純人聲合唱編曲作品《後知後覺》、《港都夜雨》、《歸去來兮》曾獲臺灣國際重唱大賽多項獎項。
\n\n\n\n
導演|鄭詠珊
\n\n劇場編導及演出製作,於錄音配唱及廣告配音亦有二十餘年經驗。
\n\n曾任2017年《台北世大運開幕式》音樂製作經理、NCO臺灣國樂團2019年音樂會《弦情旅記》、2018年《陣頭傳奇》及2009~2018年《小熊歷險記》全台巡演編導、2014年北京開心麻花劇團音樂劇《我期待》主創群暨歌唱設計、2014年佳音英語劇團十週年音樂劇《胡桃鉗》及2013年音樂劇《花木蘭》製作人、2013年廣藝基金會作品《我的未來不是夢》創作群、音樂時代劇場文學音樂劇場《少年台灣》執行製作、2012年 朱宗慶打擊樂團小巨蛋超級音樂會《擊度震撼》腳本設計暨專案經理、2010年科技與藝術旗艦計畫多媒體音樂劇場《銀河鉄道の夜》編劇、演員。2009年兩廳院《情人節音樂會─來談一場戀愛吧!》節目編導。2007年蘭陽芭蕾舞團新創舞劇《仲夏夜狂想曲》編導等。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd5ba00c063ca3ae1070ea6396094dbc",title:"音樂說故事劇場《湖底之鬼》"}],related:[],title:"Storytelling Concert Deep Lake Man",cover:"db412584949fdf3c3190def7d64e98c1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Deep Lake Man was composed and written by Japanese musician Koji SAKURAI, who has lived in Taiwan for the past 30 years. The piece's copious emotional melodies and the vast combination of sounds involving the sheng, erhu, pipa, cello, percussion instruments, keyboard, electronic music, and human vocals create a story that transcends time, leading the audience to immerse themselves in the story and broadening one's realm of imagination while listening. The piece was inspired by the story of WANG Liulang published in Strange Tales from a Chinese Studio, which depicts the close friendship between an old fisherman named HSU and a water ghost called WANG Liulang. Stage director CHENG Yung-san built upon the folktale and created a whole new story, adding additional characters such as HSU's wife and a daffodil fairy, and strengthening aspects of emotional characterization in the story, resulting in a richer storyline. In this show, the surround sound system “d&b Soundscape” will be employed in theatrical performance, providing lively and interesting auditory experiences for the audience. Each audience member will be given a blindfold. The audience can decide if they wish to wear it all the time or just for several parts, to immerse in the performance with simply the auditory sense. Let music be the storyteller.
\n\n\n\n
Pre-talk
\n\n2022/9/10(Sat)13:50 Playhouse 2nd Floor
\n\n2022/9/11(Sun)13:50 Playhouse 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nMusic Director & Composer & Librettist & Sound Design|Koji SAKURAI
\n\nDirector & Librettist|CHENG Yung-san
\n\nLighting Designer|Faye HUANG
\n\nStage Designer|CHEN Wei-kuang
\n\nCostume, Make Up & Hair Designer|LIN Bing-hao
\n\nAudio Supervisor & Sound Design|CHEN To-fu
\n\nd&b Soundscape|Leo WANG(TOPSOUND CO., LTD)
\n\nCast|Berson WANG, ERay CHIANG , YU Tzu-yen, LO Hsiang-ling, DAMULA Chuyoji, WANG Ting
\n\nMusician|YANG Ji-po, LIANG Chia-ning, Scott LIU, Emily CHANG, CHEN Huei-yu, KUNG Yu-tzu, Allen WU
\n\n\n\n
Stage Manager|LU Hsiu-i
\n\nAssistant Stage Manager|CHUNG Sin-ung
\n\nTechnical Coordination|TSENG Hung-wei
\n\nSound Engineer|Chen Chun-cheng(TOPSOUND CO., LTD)
\n\nMusic Programmer & Operator|CHENG Nai-chuan
\n\nHead of Stage|LIN Xin-xuan
\n\nHead of Lighting|KUO Hsin-i
\n\nAssistant to Director|Phoenix WANG
\n\nAssistant Costumes Design|Wu Ying-jui
\n\nAssistants to Costumes Design|LIAO Pei-chen, TING Ning, Dominique BORROMEO
\n\nWardrobe|CHEN Pin-hua, SUNG Pei-yung, LIN Yi- kuan
\n\nMakeup|Ginny HUNG
\n\nHairstylists|Masyun, HUANG Jia-shin
\n\nProduction Coordinators|Daisy CHEN, Jayni CHEN, Jessica YANG, HSUEH Mei-chu, Sue YANG
\n\nAssistant to Production & Instrument Coordinator|HUANG Yu-lin
\n\nArtistic Services|Jane TSAI
\n\nStage Crew|FAN Ciao-sin, LIN Ya-chu, LEE Hung-chan, CHEN Pei -hsuan, LIN Rong, CHENG Rong-chi, YEN Yu-sheng
\n\nLighting Designer Assistant|TSAI Nien-rong
\n\nLighting Programmer|CHEN Ping-hung
\n\nLighting Crew|HSIAO Yu-keng, LIN Chih-chien, TAO Siao-huei, WANG Lan-ching
\n\nAudio Crew|XIONG Shi-yan, WU Bo-ying, HUANG Pao-ching, HO Hou-te
\n\nSound Equipment|TOPSOUND CO., LTD
\n\nMarketing Coordinator|HUANG Chao-hsueh
\n\nOriginal Key Visual Design|YEN Ming-yi
\n\nGraphic Design|HSU Wen-ling, KANG Yu-han
\n\nBlindfold Design|LIN Yu-hsuan
\n\nPhotographer|Johnson CHIANG
\n\nCopy Editor|Galilee MA
\n\n\n\n
Special Thanks to
\n\nKaohsiung Municipal Kaohsiung Commercial High School
\n\n\n\n
\n\n
\n',team:""},createdAt:1652405874,updatedAt:1662780244,updatedBy:"林蔚行",host:!0},{_id:"628c7a486ddb37000708ff44",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663673400,discrete:[{time:1663673400},{time:1663759800},{time:1663846200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://www.opentix.life/event/1506458881211621378"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84d1e5f1abeaece12c2454080960d004",title:"《吳庭毓與莫札特有約》"}],related:[],title:"《吳庭毓與莫札特有約》",cover:"947f3b2c38fcbe2017602b3fdba179c2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\ufeff莫札特經典作品小提琴奏鳴曲細膩優雅,樂章簡潔清透。全集奏鳴曲飽含作曲家創作手法的起承轉變,呈現雍容縝密的情感,樂句之間的留白鋪陳引人入勝,絕對考驗演奏技巧與整體氣氛的營造。
\n\n任職樂團首席30餘年、擁有絕美音色與精湛技巧的首席吳庭毓,以為期三天的音樂會分別與三位鋼琴家劉富美、盧易之、林佳鋐合作,琴弦間的呼應唱和,建築出音樂家一生反覆的探問與追求,精彩可期,不容錯過!
\n\n\n\n
演出曲目
\n\n鋼琴合作Piano/劉富美Fu-Mei Liu
\nKV301、303、304、379、378
鋼琴合作Piano/盧易之Yi-Chih Lu
\nKV296、547、481、305、380、570
鋼琴合作Piano/林佳鋐Chia-Hung Lin
\nKV306、377、526、302、376、454
\n\n
演出暨製作團隊
\n\n小提琴|吳庭毓
\n\n鋼琴合作|劉富美、盧易之、林佳鋐
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84d1e5f1abeaece12c2454080960d004",title:"《吳庭毓與莫札特有約》"}],related:[],title:"Mozart Violin Sonatas Complete Works",cover:"947f3b2c38fcbe2017602b3fdba179c2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
“The most exciting, inspiring, breathtaking and the very first performance of music in the history.”
\n\n\n\n
The former NSO(National Symphony Orchestra) Concertmaster, Ting-Yu Wu, have dedicated over 30 years and has known by the excellent skill and moving emotion in his performance. In 2022, Ting-Yu Wu and three pianist, Fu-Mei Liu, Yi-Chih Lu and Chia-Hung Lin, will perform Mozart: Violin Sonatas Complete Works for three days in Sounds Good Concert Hall in Taipei and National Kaohsiung Center for the Arts (Weiwuying).
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Creative and Production Team
\n\nViolin|Ting-Yu WU
\n\nPiano|Fu-Mei LIU, Yi-Chih LU, Chia-Hung LIN
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本次勝利交響樂團的巡迴音樂會,以大人小孩皆適合聆聽的曲目為主要安排,將一首首耳熟能詳的經典作品,精彩演繹給熱愛古典音樂的觀眾們。演出曲目包括:《蘇佩:輕騎兵序曲》、《佛漢·威廉斯:英國民謠組曲》等,期待以扣人心弦的樂音安撫人心,以悅耳愉快的音樂振奮人心,令世界充滿希望,同時讓有音樂點綴的生活更多元而豐富。
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演出曲目
\n\n莫札特:《G 大調第 3 號小提琴協奏曲》
\n\n柴可夫斯基:《C大調弦樂小夜曲》
\n\n蘇佩:歌劇《輕騎兵》序曲
\n\n佛漢·威廉斯:《英國民謠組曲》
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演出暨製作團隊
\n\n樂團首席|歐之瑀
\n\n樂團|勝利交響樂團
\n\n\n\n
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Victor Symphony Orchestra will present a selection of well-known classic repertoires suitable for adults and children in the upcoming tour to audiences who love classical music.The selection includes Tchaikovsky: Serenade for String Orchestra in C Major, Op.48, Mozart: Violin Concertos, Suppé: Light Cavalry Overture, and Ralph Vaughan Williams: English Folk Song Suite, etc.
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Program
\n\nMozart:Concerto no. 3 in G major
\n\nTchaikovsky:Serenade for String in C Majior
\n\nFranz von Suppé:Light Cavalry Overture
\n\nR.V. Williams:English Folk Song Suite
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Creative and Production Team
\n\nConductor|Duan,Fu Hsuan
\n\nPrincipal|Ou, Chih-Yu
\n\nOrchestra|Victory Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1653878551,updatedAt:1660915393,updatedBy:"通泰系統管理員",host:!1},{_id:"629449b143d46d000729f01e",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662118200,discrete:[{time:1662118200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3,1200,1500,1800,2500],link:"https://www.opentix.life/event/1539928884034093058"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《世代對話—魏德曼之夜》"}],related:[],title:"NSO國家交響樂團《世代對話—魏德曼之夜》",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
孟德爾頌與舒曼是浪漫樂派兩位深具代表性的作曲家,孟德爾頌較舒曼年長一歲,兩人的足跡在前者擔任萊比錫布商大廈管絃樂團指揮時交會。除了私下往來之外,孟德爾頌亦演出舒曼的作品,譬如說舒曼第二號交響曲首演時,就由孟德爾頌擔任指揮。孟德爾頌對圖像的感覺敏銳,曾說「我從繪畫、廢墟及自然景觀中找到最豐富的音樂。」,《芬加爾岩洞》序曲是很好的例子。他藉這首樂曲描繪首次訪英之行,赴蘇格蘭芬加爾岩洞的旅遊印象。音樂鋪陳構成這個岩洞的玄武岩柱巍峨矗立的壯觀,孤佇一隅、空無人煙的寂寥以及暴風雨襲擊、呼嘯、浪捲澎湃的景象。舒曼畢生受精神疾病的困擾,在沮喪與亢奮兩極之間迴盪。當他譜寫第二號交響曲之前,陷入嚴重的情緒低潮,儘管如此,舒曼勉力完成了這首作品,稱它為一個黑暗時期的紀念。樂曲藉由明與暗、光與影的對比,反映出舒曼內心的抗爭,他的煩躁、易怒的心境。這場音樂會中同時演出德國當代作曲家魏德曼為妹妹量身訂作的小提琴協奏曲。他親任指揮,妹妹擔任獨奏。這是見證作曲者與被題獻者親密互動的歷史性一刻,務必把握。
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演前導聆
\n\n2022/9/2(五)18:50 音樂廳三樓大廳
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演出曲目
\n\n孟德爾頌:《芬加爾岩洞》序曲,作品26
\n\n魏德曼:第二號小提琴協奏曲
\n\n舒曼:C大調第二號交響曲,作品61
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演出暨製作團隊
\n\n指揮|約格・魏德曼
\n\n小提琴|卡洛琳・魏德曼
\n\n樂團|國家交響樂團
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團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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共同主辦:國家交響樂團、衛武營國家藝術文化中心
\n\n\n\n
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MENDELSSOHN and SCHUMANN were two leading composers of the Romantic period. One year older than SCHUMANN, MENDELSSOHN met him in Leipzig while the former was directing the Leipzig Gewandhaus Orchestra. In addition to sharing a close friendship, many of SCHUMANN's compositions were performed under MENDELSSOHN's baton, such as the premiere of his Second Symphony. MENDELSSOHN's sense of visual structure was compelling. Once he stated, "it is in pictures, ruins, and natural surroundings that I find the most music." No work and no surroundings produced as much compositional success as MENDELSSOHN's trip to Scotland and the writing of his Hebrides Overture. The grandeur of the caves, the solitude that comes from being in the middle of nowhere, the swelling of the sea, and the fury of the waves breaking on the cliffs were distinctly portrayed. SCHUMANN's life was marked by alternating periods of depression and exhilaration. By the time he began writing his Second Symphony, he had hit rock bottom. Gradually, he recovered the will to carry on and complete the work and commented that "it reminds me of dark days." The contrasts between radiance and darkness, light and shadow in the music reflects the internal struggles of SCHUMANN, his unrest and frustrations. In this concert the German composer WIDMANN will lead the NSO in performing his Violin Concerto No. 2 which was custom-made for his sister. This intimate communication between composer and dedicatee is a must-hear.
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Pre-talk
\n\n2022/9/2(Fri)18:50 Concert Hall 3rd Floor
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Program
\n\nF. MENDELSSOHN: The Hebrides Overture, Op. 26
\n\nJörg WIDMANN: Violin Concerto No. 2
\n\nR. SCHUMANN: Symphony No. 2 in C Major, Op. 61
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Creative and Production Team
\n\nConductor: Jörg WIDMANN
\n\nViolin: Carolin WIDMANN
\n\nOrchestra: National Symphony Orchestra
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Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
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Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n',team:""},createdAt:1653885361,updatedAt:1661339891,updatedBy:"林蔚行",host:!1},{_id:"62945f9a557b990008a58280",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662186600,discrete:[{time:1662186600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,800,1200],link:"https://www.opentix.life/event/1539938701842407426"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《魏德曼綺想》"}],related:[],title:"NSO國家交響樂團《魏德曼綺想》",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
現代音樂創作,實驗性強、手法前衛,這是優勢,但也是觀眾卻步的原因。事實上,就因為包羅萬象,造就了現代音樂的多元化,更能開拓聆聽者的視野。
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德國單簧管演奏家兼作曲家約格・魏德曼,他的音樂語法時而古典、時而現代,不論是哪種樂器編制,在他的筆下總有讓人炫目、充滿趣味的舞台效果,引人入勝。此次演出的《狩獵》弦樂四重奏,藉著生動的肢體語言,加上維妙維肖的音響設計,音樂中有畫面,絕對讓您身歷其境!
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魏德曼的單簧管獨奏曲《三首影舞》,把這項木管樂器的音色變化,發揮得淋漓盡致。他為小提琴獨奏所作的練習曲,緊繃的音樂張力,扣人心弦,彷彿一部希區考克風格的微電影。帶著想像力來聆聽,您也是創作者之一!
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現代音樂,難懂嗎?音樂家兄妹現身說法,讓你聽其然,更聽其所以然!
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演出曲目
\n\n魏德曼:第三號弦樂四重奏《狩獵》
\n\n魏德曼:小提琴練習曲,I-III
\n\n魏德曼:《三首影舞》
\n\n巴爾托克:《對比》給小提琴、單簧管和鋼琴
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演出暨製作團隊
\n\n單簧管:約格・魏德曼
\n\n小提琴:卡洛琳・魏德曼、鄧皓敦、李宜錦
\n\n中提琴:黃瑞儀
\n\n大提琴:連亦先
\n\n鋼琴:王佩瑤
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團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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\n\n
共同主辦:國家交響樂團、衛武營國家藝術文化中心
\n\n\n\n
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Modern music is highly experimental and avant-garde, which is an advantage, but it is also the reason why it challenges the audience. It is because of its inclusiveness that modern music is so diversified and can expand the horizons of listeners.
\n\nGerman clarinetist and composer Jörg WIDMANN, whose musical grammar is a mix of Classical and Modern, can always create a dazzling and intriguing stage effect regardless of instrumentation. His Hunting Quartet will be performed with vivid body language and fascinating acoustic design, and definitely will provide you with an immersive experience with the music full of images. WIDMANN's clarinet solo piece, Three Shadow Dances, brings the timbre of this woodwind instrument into full play. The etudes he wrote for the violin have a strong tension that tugs at the heartstrings, just like a HITCHCOCK-style micro-movie. Enjoy the music with imagination, and you can be the creator of your experience. Is modern music difficult to understand? Let's hear out this pair of musician siblings, and let them show you the hows and whys through their brilliant performance.
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Program
\n\nJörg WIDMANN: String Quartet No.3, Hunting Quartet
\n\nJörg WIDMANN: Études, I-III
\n\nJörg WIDMANN: Three Shadow Dances
\n\nB. BARTÓK: Contrasts for Violin, Clarinet, and Piano
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Creative and Production Team
\n\nClarinet|Jörg WIDMANN,
\n\nViolin|Carolin WIDMANN, TENG Hao-tun, LI I-ching,
\n\nViola|Grace HUANG
\n\nCello|LIEN Yi-Shien
\n\nPiano|WANG Pei-yao
\n\n\n\n
Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
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\n\t\t\t ※演出者鋼琴家帕斯卡.德渥雍(Pascal Devoyon)因健康顧慮,不克參與演出,《德奧狂野》演出將由鋼琴家林易擔任;《沙龍裡的光影》將由鋼琴家王佩瑤擔任,兩場曲目維持不變。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年9月17日(六)前完成辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
影片來源:YouTube(Taiwan Connection)
\n\n\n\n
「來自臺灣的小提琴家胡乃元,是一位全方位的演奏者,他怡然自得的演奏技巧,對音樂富有才智的詮釋,毫不猶疑的神韻與活力,使他與今日絃樂界的大師們並列。」——《BBC音樂雜誌》
\n\n「⋯⋯ㄧ位大師級音樂家,真正的中提琴家, 紐鮑爾先生將中提琴那深沉又豐富的聲響表達得淋漓盡致」——《紐約時報》
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勇源X TC國際室內樂系列I,從莫札特最後一首室內樂作品開始,橫跨156年,聽莫札特五重奏展現中提琴溫暖音色;布拉姆斯以德奧傳統為基打開結構與音色的可能性;馬替努受莫札特二重奏影響所創作的三首牧歌。三位雖來自德奧傳統,但此次選擇的作品亦能窺見其不按牌理的狂野。
\n\n法國小說家Proust曾稱巴黎音樂沙龍為「完美,迷人」的音樂饗宴,系列II即聚焦此文化。藝術家與愛好者談文論藝催生無數作品,沙龍裡流光溢彩,音樂在光影中誕生。從蕭邦大提琴奏鳴曲的浮光掠影,弗郞賽的幽默靈動至佛瑞的似真似幻,是追憶上世紀「完美,迷人」的似水年華。
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演出曲目
\n\n9/8(四)19:30 《德奧狂野》
\n\n莫札特:弦樂五重奏,作品 614
\n\n馬替努:三首牧歌,為小提琴與中提琴而作
\n\n布拉姆斯:第一號鋼琴四重奏,作品 25
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9/9(五)19:30 《沙龍裡的光影》
\n\n蕭邦:g小調大提琴奏鳴曲,作品 65
\n\n弗朗賽:弦樂三重奏
\n\n佛瑞:第二號鋼琴四重奏,作品 45
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演出暨製作團隊
\n\n《德奧狂野》
\n\n音樂總監、小提琴|胡乃元
\n\n小提琴|魏靖儀
\n\n中提琴|保羅・紐鮑爾、黃鴻偉
\n\n大提琴|章雨亭
\n\n鋼琴|林易
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《沙龍裡的光影》
\n\n音樂總監、小提琴|胡乃元
\n\n中提琴|保羅・紐鮑爾
\n\n大提琴|章雨亭
\n\n鋼琴|王佩瑤
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藝術家介紹
\n\n音樂總監、小提琴|胡乃元
\n\n小提琴家胡乃元,自贏得1985年比利時伊莉莎白女王國際音樂大賽首獎後,就經常在世界級的音樂廳演出。BBC音樂雜誌對他演奏的出神入化,曾描述「來自臺灣的小提琴家胡乃元,是ㄧ位全方位的演奏者,他怡然自得的演奏技巧,對音樂富有才智的詮釋,毫不猶疑的神韻與活力,使他能與今日絃樂界的大師們並列。」
\n\n胡乃元曾受邀和許多知名樂團及國際級指揮一起演出,如倫敦皇家愛樂交響樂團、多倫多交響樂團、西雅圖交響樂團⋯⋯等。他所合作過的指揮無數,如George CLEVE、Adam FISCHER、Leon FLEISHER、Gunther HERBIG、Jean Bernard POMMIER、Gerard SCHWARZ、Maxim SHOSTAKOVICH、Hubert SOUDANT、Johannes WILDNER、林望傑、呂紹嘉、和余隆等。
\n\n胡乃元的獨奏會遍及世界各重要的音樂廳,他也常出現在不同的音樂節,例如美國的Mostly Mozart、Marlboro、Grand Teton、西雅圖和Newport、日本霧島及義大利的Casalmaggiore等。胡乃元長年來致力於室內樂的演出與推廣,1999年,他參加北京音樂節,和音樂家傅聰、阿格麗希及米夏麥斯基一起演出室內樂,也曾參與紐約林肯中心室內樂協會及布魯克林的Bargemusic音樂會系列。除了演出之外,胡乃元也多次受邀國際大賽評審,其中包括執牛耳的比利時伊莉莎白女王國際音樂和韓國首爾國際小提琴比賽。
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小提琴|魏靖儀
\n\n魏靖儀於16歲遠赴茱莉亞音樂院就讀,獲得Jerome L. Greene全額獎學金以及奇美基金會藝術獎,爾後畢業於德國柏林Hanns Eisler 藝術學院。 2013年於美國Thomas Cooper 小提琴比賽中榮獲首獎、2015年比利時伊麗莎白女王國際音樂大賽桂冠後展開國際演出。2017-2018樂季間,受邀至美國康乃爾大學擔任駐校音樂家,期間榮獲Salon de virtuosi 藝術事業獎,並參加柏林愛樂大廳系列演出。 2021年首度與指揮Eliahu Inbal與臺北市立交響樂團合作Glazunov 小提琴協奏曲,隔月因突發狀況,兩日內緊急代打演出柴可夫斯基小提琴協奏曲後,三度合作貝多芬小提琴協奏曲。2022年再次與Eliahu Inbal 合作 Bruch Scottish Fantasy,並受邀至衛武營國際音樂節演出。近期發行個人第一張專輯《Recuerdo 回憶》,與鋼琴家Jonathan Feldman 及卡內基首席錄音師 Lezcek Wojcik 在Santa Barbara Hann Hall共同製作。 魏靖儀也熱衷於室內樂,參與過的音樂節遍佈全球,如義大利Casalmaggiore 音樂節、韓國仁川音樂節、日本北九州國際音樂節、德國Klangfarben 音樂節及美國Four Seasons 音樂節等。
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\n中提琴|保羅.紐鮑爾
Neubauer中提琴家保羅.紐保爾以卓越的音樂性和舉重若輕的演奏,被《紐約時報》稱為「大師級音樂家」。紐保爾最近與指揮家里卡多.穆蒂一起在芝加哥交響樂團完成了首次樂季演出,並於白夜節上初次與馬林斯基劇院交響樂團一同演奏。他也與鋼琴家吳菡合作,在美國首演新發現的蕭士塔高維奇中提琴與鋼琴即興曲。保羅.紐保爾21歲時即擔任紐約愛樂中提琴首席,並以獨奏家的身份,與紐約愛樂、洛杉磯愛樂、赫爾辛基愛樂、美國國家交響樂團、聖路易交響樂團、底特律交響樂團、達拉斯交響樂團、舊金山交響樂團、伯恩茅斯交響樂團、聖塞西莉亞管弦樂團、英國室內管絃樂團、波昂貝多芬廳管弦樂團等一百多個樂團合作。他首演了巴爾托克(修訂版中提琴協奏曲)、弗利德曼、葛利葉、雅各、克尼斯、拉札羅夫、穆勒—西門斯、奧特、 潘德瑞茲基、皮克、蘇特爾和托爾的中提琴協奏曲。他上過CBS廣播公司的《週日晨間》與《大家來我家》節目,也接受過《弦樂》、《弦樂器》和《時人》雜誌的採訪。曾兩度獲得格萊美獎提名。迪卡唱片、德意志留聲機公司、RCA紅印鑒和索尼古典唱片等眾多唱片公司也曾替他發行過專輯。保羅.紐保爾為紐澤西「Mostly Music」音樂節的藝術總監,並任教於茱莉亞音樂學院和曼尼斯音樂學院。
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中提琴|黃鴻偉
\n\n現任溫哥華交響樂團中提琴首席。
\n\n中提琴家黃鴻偉出生於台灣台北,2002年成為香港管弦樂團有史以來最年輕的中提琴首席,2005年由指揮大師鄭明勳指派成為首爾愛樂中提琴首席。2018年他曾加入紐約愛樂管弦樂團,並曾擔任英國皇家愛樂、倫敦交響樂團與倫敦愛樂的中提琴客座首席。黃鴻偉曾在卡內基音樂廳、愛麗絲塔利音樂廳、波士頓喬丹音樂廳、甘迺迪藝術中心、馬爾波羅音樂節、聖塔菲室內音樂節和韓國大山音樂節及Taiwan Connection 音樂節演奏。也曾與約夏.貝爾、鄭明和、郎朗、馬友友、安娜—蘇菲.穆特、寶拉.羅賓森、內田光子、Guarneri弦樂四重奏、Juilliard弦樂四重奏和Orion弦樂四重奏的成員一同登台演出。
\n\n黃鴻偉曾在韓國藝術綜合大學擔任中提琴和室內樂的客座教授,指導過的學生,遍佈世界各地的職業樂團。
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大提琴|章雨亭Tsang
\n\n大提琴家章雨亭獲獎無數,是國際公認的年輕傑出演奏家之一。所獲得的獎項包括艾佛瑞費雪事業獎、MEF事業獎和第九屆國際柴可夫斯基音樂比賽銅牌。他作為獨奏家,曾與紐約愛樂、墨西哥城愛樂、莫斯科愛樂、釜山市立交響樂團、香港管弦樂團和台灣國家交響樂團等樂團合作演出。
\n\n在章雨亭的室內樂生涯中,曾合作過的知名藝術家有:小提琴家潘蜜拉.弗蘭克、海梅.拉雷多、林昭亮、安.梅耶、竹澤恭子、金志妍;中提琴家麥克.特利;大提琴家馬友友;低音提琴家蓋瑞.卡爾和鋼琴家佛萊雪。他經常受到波士頓、布魯克林和沃斯堡室內樂協會、達拉斯國際室內樂協會、休斯頓Da Camera、洛杉磯Camerata Pacifica和紐約駁船音樂邀請,進行客座演出。
\n\n章雨亭的專輯作品包括三張現場演奏錄音:《貝多芬:大提琴和鋼琴奏鳴曲與變奏曲》(Artek唱片)、《布拉姆斯:大提琴奏鳴曲和四首匈牙利舞曲》(Artek唱片)、《章雨亭與亞當.內曼 :喬丹音樂廳現場演出》(BHM唱片)。
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鋼琴|王佩瑤
\n\n留美近30年,受紐約時報、舊金山時報和華盛頓時報推崇「如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」曾受聘為紐約林肯中心長駐室內樂鋼琴家,並於2006年起於紐約大都會歌劇院擔任聲樂指導,為歌劇院少數受聘之華人。王佩瑤活躍於世界各大音樂廳,如:紐約卡內基音樂廳、林肯中心、華府甘乃迪音樂廳、香港文化中心、上海交響樂團音樂廳、北京音樂廳、廣州音樂廳、東京三得利音樂廳等……。合作過之演奏家包括林昭亮、 胡乃元、曾宇謙、Hilary Hahn,指揮家呂紹嘉、簡文彬、Alan Gilbert、James Levine 等;返臺後,擔任諸多歌劇演出之聲樂指導,現為國立臺灣藝術大學音樂系客座教授。
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鋼琴|林易
\n\n2014年獲得魯賓斯坦國際鋼琴比賽銀牌獎肯定,並獲得在以色列與世界各地的演出邀約。美籍台裔鋼琴家林易為當今極具魅力與想像力的青年鋼琴家,12歲時首次與紐約愛樂樂團合作,近年在卡內基音樂廳演出柴可夫斯基鋼琴協奏曲,紐約時報曾誇讚他「在絕妙的明暗對比及力度變化的細微處理下無瑕地演奏。」 林易從小即展現音樂天賦,10歲時獲得全額獎學金至茱莉亞音樂學院先修班,跟隨卡普林斯基教授學習。除此之外他也曾與紐澤西交響樂團、巴爾的摩交響樂團、圖爾沙交響樂團、奧蘭多愛樂與仙台交響樂團等樂團合作。亦曾於美國全國公共廣播電台、紐約愛樂電台WQXR等廣播登場。
\n\n林易在茱莉亞音樂學院取得學士與碩士學位,師事勞勃‧麥當勞與馬堤‧萊卡里歐,2015 年獲美國寇蒂斯音樂院演奏家文憑(師事勞勃‧麥當勞)。
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指導單位:文化部
\n\n主辦單位:Taiwan Connection
\n\n協辦單位:衛武營國家藝術文化中心
\n\n贊助單位:勇源教育發展基金會、財團法人文龍文化藝術基金會
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\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cd448cfb559b0c298277139f1c16bad0",title:"勇源 × TC 國際室內樂系列《德奧狂野》《沙龍裡的光影》"}],related:[],title:'(Program changed) TC International Chamber Music Series - "The Unbound Spirit" "Un Rendez-vous Musicale"',cover:"3eb47128755d4146193f5b3137ef7d60",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t 【PERFORMANCE UPDATE】 \n\n\t\t\tDue to the health concern, pianist Mr. Pascal Devoyon is unable to join the TC International Chamber Music Series- "The Unbound Spirit" and "Un Rendez-vous Musicale". We hereby announce Mr. Steven Lin is invited to perform in "The Unbound Spirit", and Ms. Pei-Yao Wang will be joining "Un Rendez-vous Musicale". The programs remain the same. \n\n\t\t\tCustomers who have purchased tickets can apply for a full refund until September 17th, 2022. Please visit OPENTIX for further refund information. \n\t\t\t | \n\t\t
©YouTube(Taiwan Connection)
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"Taiwanese violinist Nai-Yuan HU is an awesomely capable performer whose technical facility, musical intelligence and unfaltering verve place him among the higher echelons of today's string virtuosi."——BBC Music Magazine
\n\n"…a master musician. A true violist, Mr. Neubauer exults in his instrument's dark, rich, sumptuous tone."——The New York Times
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This Series starts with the last chamber work of MOZART. Spanning across 156 years, one may appreciate the warm viola sound from MOZART's Quintet, BRAHMS opened up possibilities of structures and tonality by laying the foundation on conventional skills, and MARTINU's three madrigals that were inspired by MOZART's duets. The selected works offer audience a sense of the composers' unpredictable wildness, though they had inherited the German and Austrian fashions. Series II focuses on the music salon culture emerging from the 19th century. Artists and enthusiasts sparked dialogues about culture and arts at salons, which inspired them to produce more works. Ideas and thoughts flow around a salon, and music was born within the flow. From CHOPIN's elusive Cello Sonata, FRANÇAIX' humorous and sensible music, to FAURE's illusory expression, they are presented in search of the perfect, charming lost time from the last century.
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Program
\n\n9/8(Thu)19:30 The Unbound Spirit
\n\nW. A. MOZART: String Quintet in E-flat Major, K. 614
\n\nBohuslav MARTINŮ: Three Madrigals for Violin and Viola (1947)
\n\nJ. BRAHMS: Piano Quartet No. 1 in g minor, Op. 25
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9/9(Fri)19:30 Un Rendez-vous Musicale
\n\nF. CHOPIN: Sonata for Piano and Cello in g minor, Op. 65
\n\nJean FRANÇAIX: String Trio (1933)
\n\nGabriel FAURÉ: Piano Quartet No. 2 in g minor, Op. 45
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Creative and Production Team
\n\n"The Unbound Spirit"
\n\nMusic Director, Violin|HU Nai-yuan
\n\nViolin|William WEI
\n\nViola|Paul NEUBAUER, HUANG Hung-wei
\n\nCello|Bion TSANG
\n\nPiano|Steven LIN
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"Un Rendez-vous Musicale"
\n\nMusic Director, Violin|HU Nai-yuan
\n\nViola|Paul NEUBAUER
\n\nCello|Bion TSANG
\n\nPiano|WNAG Pei-Yao
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Artists Introduction
\n\nMusic Director, Violin|HU Nai-yuan
\n\nSince winning the First Prize of the prestigious Queen Elisabeth Competition in 1985, violinist HU Nai-yuan has appeared on many of the world's stages, including the Concertgebouw in Amsterdam, Avery Fisher Hall in New York, Suntory Hall in Tokyo and other major venues in Europe.
\n\nAs a recitalist, Mr. HU performed in such venues as Alice Tully Hall and Weill Recital Hall in New York, Cité de la Musique in Paris, Casals Hall in Tokyo, and Jordan Hall in Boston where he premiered Bright Sheng's “The Stream Flows” in 1990. He has appeared either as guest soloist or chamber music artist in such festivals as Mostly Mozart, Marlboro, OK Mozart, Seattle, Grand Teton, Kirishima in Japan, Casalmaggiore in Italy, and Beijing where he performed with FOU Ts'ong, Martha ARGERICH and Misha MAISKY.
\n\nMr. HU's recording of GOLDMARK's Concerto and BRUCH's Concerto No. 2 with Gerard SCHWARZ and the Seattle Symphony (released by Delos Music) garnered “Critics' Choice” from Gramophone as well as praises from many publications including BBC Music Magazine, The Times of London, and The Washington Post. He has also recorded for EMI Taiwan, Koch International, Sunrise, and Chi-Mei in Taiwan, playing on the Foundation's Stradivari and Guarneri del Gesù violins.
\n\nMr. HU has served on the jury of international competitions such as the Queen Elisabeth Competition in Belgium and the Seoul International Violin Competition. He has given master classes in music schools in America, Europe and Asia. Born in Taiwan, Mr. HU began studying the violin at age five. He arrived in the United States in 1972 to continue his studies with Broadus Erle and later with Joseph Silverstein. He attended Indiana University where he studied with Josef GINGOLD and subsequently served as Mr. GINGOLD's assistant. He currently resides with his wife June HUANG in New York City.
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Violin|William WEI
\n\nBorn in Taiwan, William began his violin studies at the age of five. He is a proud recipient of the Jerome L. Greene Foundation Scholarship at the Juilliard School, where he earned his Bachelor's degree under Hyo KANG. He is currently pursuing his Master's degree at the Hochschule für Musik Hanns Eisler in Berlin under Kolja BLACHER, former concertmaster of the Berlin Philharmonic. William's recent highlights have included concert series, stepping in for violinist Shlomo MINTZ in Tchaikovsky Violin Concerto in D Major with Eliahu INBAL, NSO with HU Nai-yuan and Ray CHEN, and Baden-Baden Philharmonic with Pavel BALEFF. William plays on a 1761 Tomasso BALESTRIERI loaned from the Chimei Foundation in Taiwan.
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Viola |Paul NEUBAUER
\n\nViolist Paul NEUBAUER's exceptional musicality and effortless playing led the New York Times to call him "a master musician." He recently made his Chicago Symphony subscription debut with conductor Riccardo MUTI and his Mariinsky Orchestra debut with conductor Valery GERGIEV. He also gave the U.S. Premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist WU Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia, was released on Signum Records and his recording of the complete viola and piano music by Ernest BLOCH with pianist Margo GARRETT was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower and has been featured on CBS's Sunday Morning, A Prairie Home Companion, and in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical. Mr. NEUBAUER is the artistic director of the Mostly Music series in New Jersey and is on the faculty of The Juilliard School and Mannes College.
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Viola|HUANG Hung-wei
\n\nBorn in Taipei, Taiwan, violist HUANG Hung-wei joined the Vancouver Symphony Orchestra as Principal Viola in February 2021. In 2002 Mr. HUANG became the youngest-ever principal viola of the Hong Kong Philharmonic Orchestra, going on to play with the Seoul Philharmonic Orchestra and the New York Philharmonic. He has served as guest principal viola of the Royal Philharmonic Orchestra, London Symphony Orchestra, and London Philharmonic Orchestra.
\n\nMr. HUANG has performed chamber music at Carnegie Hall, Alice Tully Hall, Boston's Jordan Hall and the Kennedy Center and at the Marlboro, Santa Fe, and Great Mountain Festivals. He has collaborated with Joshua BELL, Myung-wha CHUNG, Lang Lang, Yo-Yo MA, Anne-Sophie MUTTER, Paula ROBISON and Mitsuko UCHIDA, as well as members of the Guarneri, Juilliard, and Orion string quartets.
\n\nHUANG Hung-wei began music lessons at the age of seven with LIN Chia-zong, and continued his studies at the Curtis Institute of Music, the Juilliard School, and the Mannes School of Music.
\n\nMr. HUANG served as guest professor of viola and chamber music at the Korea National University of Arts, and his students are members of professional orchestras around the world.
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Cello|Bion TSANG
\n\nCellist Bion TSANG has been internationally recognized as one of the outstanding instrumentalists of his generation: among his many honors are an Avery Fisher Career Grant, an MEF Career Grant and the Bronze Medal in the IX International Tchaikovsky Competition. He has performed as soloist with such orchestras as the New York, Mexico City, Moscow, Busan and Hong Kong Philharmonic Orchestras, the Atlanta, Pacific, Civic, American and National Symphony Orchestras, the Hollywood Bowl Orchestra, the Saint Paul and Stuttgart Chamber Orchestras and the Taiwan National Orchestra.
\n\nMr. TSANG's chamber music career has been marked by collaborations with such artists as violinists Pamela FRANK, Jaime LAREDO, LIN Cho-liang, Anne Akiko MEYERS and Kyoko TAKEZAWA and Chee Yun, violist Michael TREE, cellist Yo-Yo MA, bassist Gary KARR and pianist Leon FLEISHER. He has been a frequent guest artist of the Chamber Music Societies of Boston, Brooklyn and Fort Worth, Chamber Music International of Dallas, Da Camera of Houston, Camerata Pacifica of Los Angeles and Bargemusic in New York and performed at such festivals as Marlboro Music Festival, the Cape Cod, Tucson, Portland and Seattle Chamber Music Festivals, the Bard Festival, Bravo! Colorado, Music in the Vineyards and the Laurel Festival of the Arts, where he served as Artistic Director for ten years.
\n\nMr. TSANG's discography includes three live recordings: BEETHOVEN: Sonatas and Variations for Cello and Piano (Artek), BRAHMS: Cello Sonatas and Four Hungarian Dances (Artek), and Bion TSANG & Adam NEIMAN: Live at Jordan Hall (BHM Media).
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Piano|WANG Pei-Yao
\n\nHaving studied and lived in the US for close to 30 years, WANG was hailed by The New York Times, The San Francisco Times, and The Washington Times as "an exceptional musician with a poetically unique style, delicate touch, and an interpretation full of drama". She was a resident pianist for chamber musicin Lincoln Center in New York, and starting in 2006, served as one of the few vocal coaches of Chinese descent for Metropolitan Opera in New York. She regularly performs in major concert halls around the world and has collaborated with numerous renowned musicians, including LU Shao-chia, CHIEN Wen-pin, LIN Cho-liang, TSENG Yu-chien, and Hilary HAHN. Since moving back to Taiwan, she has served as the vocal coach for many opera performances and is currently a visiting professor at Department of Music in National Taiwan University of Arts.
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Piano|Steven LIN
\n\nA top prize winner of the Arthur Rubinstein International Piano Competition in Tel Aviv, Steven Lin is establishing himself as one of the most distinctive and original artists of his generation. He first made his debut with the New York Philharmonic at the age of 12. Recently, he made a sensational Carnegie Hall debut playing the Tchaikovsky Piano Concerto No.1, and has been hailed by the New York Times for playing that is "…immaculately voiced and enhanced by admirable subtleties of shading and dynamics."
\n\nHis recent debuts include Kansas City Symphony Orchestra with Michael Stern, Fort Worth Symphony Orchestras with Miguel Harth-Bedoya, National Symphony Orchestra of Mexico with Carlos Miguel Prieto, Western Australian Symphony Orchestra with Asher Fisch. In the 2018-19 season, He made his debuts in Dubai and Bahrain Spring Festival in the Middle East. He also returned to Taiwan for a Three-city recital tour in spring 2019. A Frequent performer with summer festivals, he has appeared including the Bravo! Vail Valley Festival, New Hampshire Music Festival, Aspen music festival, the Aspen Chamber Music Workshop, under the mentorship of David Finckel and Wu Han, and the La Jolla Music Society's SummerFest, curated by violinist Cho-Liang Lin. As a chamber musician, he has collaborated with Gidon Kremer and Misha Maisky. Steven Lin completed the Artist Diploma program at the Curtis Institute of Music, under the guidance of Robert McDonald.
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Advisor|Ministry of Culture
\n\nPresenter|Taiwan Connection
\n\nCo-presenter|National Kaohsiung Center for the Arts (Weiwuying)
\n\nSponsor|Chen-Yung Foundation, Wen Long Cultural Foundation
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「明朗而令人愉悅的演出……,充滿臺日文化交流的友好氛圍。」——《音樂之友》2020 三月號
\n\n「豐潤的音色。」——《舊金山古典之聲》2018
\n\n「不需西方世界的背書,這個樂團在音樂舞臺絕對佔有一席之地。」——奧地利《信使報》2017
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一提到蘇格蘭,會聯想到什麼?是城堡高地,還是威士忌或風笛?一起欣賞由音樂總監準・馬寇爾帶領的國家交響樂團,攜手享譽國際的臺灣小提琴家黃俊文,帶來對蘇格蘭最透徹的描繪!曲目包括德布西瑰美秀麗的《蘇格蘭進行曲》,布魯赫夢幻淒美的《蘇格蘭幻想曲》及孟德爾頌筆下既抽象又滿懷情感的《蘇格蘭》。黃俊文以高超的情感表現及精湛琴藝獲得美國林肯中心新銳藝術獎肯定,此次我們將聆聽他如何完美詮釋布魯赫《蘇格蘭幻想曲》中為小提琴所寫的獨奏,從開頭扣人心弦的緩慢旋律、二三樂章的生氣蓬勃,到最終章的鏗鏘威武。印象派始祖德布西運用蘇格蘭民謠,捕捉北國遼闊山海的情韻,讓聽眾仿佛身歷其境。而孟德爾頌雖沒有直接引用蘇格蘭民謠,但卻能藉由音符,讓人感受到蘇格蘭的歷史底蘊,聽到對蘇格蘭女王瑪麗一世的緬懷,看到如詩如歌的交響風景畫。
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演前導聆
\n\n2022/9/17(六)18:50 音樂廳
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演出曲目
\n\n德布西:《蘇格蘭進行曲》
\n\n布魯赫:《蘇格蘭幻想曲》,作品46
\n\n孟德爾頌:a小調第三號交響曲《蘇格蘭》,作品56
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演出暨製作團隊
\n\n指揮|準.馬寇爾
\n\n小提琴|黃俊文
\n\n國家交響樂團
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藝術家介紹
\n\n音樂總監|準.馬寇爾
\n\n準.馬寇爾出生於德國慕尼黑,他在1986年於德國音樂協會會所舉辦的指揮大賽中獲勝,於美國檀格塢與指揮名家伯恩斯坦與小澤征爾學習,隨後活躍於歐洲各大歌劇院,並於德國薩蘭邦國家歌劇院與曼海姆國家劇院展開首任的音樂總監生涯。
\n\n長久以來,馬寇爾被讚譽為德奧樂派作品的權威,近年來他在法國印象派樂曲的獨到而精緻的詮釋,亦獲得熱烈的迴響。在2012年間,法國文化部特地頒授馬寇爾法蘭西藝術與文學騎士勳章,以表彰他對法國樂壇的貢獻。
\n\n馬寇爾目前擔任荷蘭海牙愛樂管絃樂團首席客席指揮,以及馬來西亞愛樂管絃樂團音樂總監。近期還受邀擔任美國印第安納波利斯交響樂團的藝術顧問,以及美國奧勒岡交響樂團首席客座指揮。
\n\n馬寇爾於2022年1月起擔任國家交響樂團音樂總監。
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小提琴|黃俊文
\n\n臺灣小提琴家黃俊文於 2015 年獲得艾佛瑞‧費雪事業獎, 2017 年獲得林肯中心新銳藝術家獎。華盛頓郵報在他甘迺迪中心的獨奏會後更評論他為「具備著完美條件的藝術家, 必定將有一番偉大的演奏生涯」。黃俊文於2014年替小提琴宓多里代打與史拉特金率領的底特律交響樂團合作「西貝流士小提琴協奏曲」,轟動樂壇,也為他開啟了多采多姿的演奏生涯。21/22樂季裡,黃俊文除了擔任德國紐倫堡交響樂團開季演出,合作的樂團亦包括鹿特丹愛樂與沙尼、達拉斯交響樂團路易西、馬林斯基與葛濟夫、休士頓交響樂團與艾斯查達、首爾愛樂與史坦茲、臺北市立交響樂團與瓦格、及臺灣國家交響樂團等。近期除了於瑞士琉森音樂節及美國亞斯本音樂節的獨奏會首演,黃俊文亦於美國維爾音樂節為小提琴家安·蘇菲·穆特代打演奏莫札特第四號小提琴協奏曲。黃俊文使用的琴為1742年 “維尼奧夫斯基” 耶穌·瓜內里名琴, 由史特拉底瓦里協會長期贊助出借。
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"Lush Playing."——San Francisco Classical Voice, 2018
\n\n"… vor allem bei Schostakowitsch' Symphonie Nr. 5 d-moll war das Ergebnis mitreißend: Es geriet eine Orchestermaschine ins Arbeiten, mit fliegenden Bögenund wuchtigem Wollen, deren Produkt auf (fast) ganzer Linie überzeugen konnte. Da brauchtes kein gut gemeintes westliches Wohlwollen: Das Orchester hat seinen Platz im Konzerthaus wohl verdient."——Kurier, 2017
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When Scotland is mentioned, what comes to mind? Castles, highlands, whiskey, bagpipes? Let's enjoy the depictions of Scotland from NSO led by Music Director Jun MÄRKL and world-famous Taiwanese violinist Paul HUANG, presenting DEBUSSY's beautiful Marche écossaise sur un thème populaire, BRUCH's dreamy melancholy Scottish Fantasy, and MENDELSSOHN's abstract emotional Scottish. HUANG won the Lincoln Center Awards for Emerging Artists with his extraordinary expressivity. We look forward to his perfect interpretation of the violin solo in Scottish Fantasy, from the affecting melody of the beginning and liveliness of movements two and three, to the sonorous finale. Impressionist maestro DEBUSSY used Scottish folk tunes to capture the atmosphere of the vast northern landscapes, making listeners feel they are on the scene. While MENDELSSOHN did not directly quote Scottish folk song, the history of Scotland comes through, the remembrance of Mary, Queen of Scots, and the poetic landscape.
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Pre-talk
\n\n2022/9/17(Sat)18:50 Concert Hall
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Program
\n\nClaude Debussy: Marche écossaise sur un thème populaire
\n\nMax Bruch: Scottish Fantasy, Op.46
\n\nFelix Mendelssohn: Symphony No. 3 in A minor, Op. 56, Scottish
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Creative and Production Team
\n\nConductor|Jun MÄRKL
\n\nViolin|Paul HUANG
\n\nNational Symphony Orchestra
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Artists Introduction
\n\nMusic Director|Jun MÄRKL
\n\nJun MÄRKL is a highly respected interpreter of the core German repertory, and has become known for his refined and idiomatic explorations of the French Impressionists. He currently serves as Music Director of the Taiwan Philharmonic (the National Symphony Orchestra), the Malaysian Philharmonic Orchestra, and Principal Guest Conductor of the Residentie Orkest of The Hague. He has also recently been appointed Artistic Advisor of the Indianapolis Symphony Orchestra and Principal Guest Conductor of the Oregon Symphony in the United States. His long-standing relationships with the state operas of Vienna, Berlin, Munich, Semperoper Dresden and the Metropolitan Opera have been complemented by his music directorships of the Orchestre National de Lyon, the MDR Leipzig Radio Symphony Orchestra and the Basque National Orchestra. In recognition of his achievements in France, he was honored in 2012 with the Chevalier de l’Ordre des Arts et des Lettres.
\n\nBorn in Munich, MÄRKL won the conducting competition of the Deutscher Musikrat in 1986 and studied at Tanglewood with Leonard Bernstein and Seiji Ozawa. Soon afterwards, he appeared in opera houses throughout Europe, followed by his first music directorships at the Staatstheater Saarbrücken and the Nationaltheater Mannheim.
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Violin|Paul HUANG
\n\nRecipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul HUANG is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed him as "an artist with the goods for a significant career" following his recital debut at the Kennedy Center. During the 2021-22 season, Mr. HUANG will open the Nürnberger Symphoniker season as well as appearances with the Rotterdam Philharmonic with Lahav Shani, Dallas Symphony with Fabio Luisi, and the National Symphony Orchestra of Taiwan. Other recent highlights included appearances with the Mariinsky Orchestra with Valery Gergiev, Houston Symphony with Andreas-Orozco Estrada, Seoul Philharmonic with Markus Stenz, and Taipei Symphony with Gilbert Varga. In addition to his recital debuts at both Lucerne Festival and Aspen Music Festival, Paul also stepped in for Anne-Sophie Mutter at Bravo! Vail Music Festival with Chamber Orchestra Vienna-Berlin performing MOZART Violin Concerto No.4 to critical acclaim. Paul performs on the 1742 Ex-Wieniawski Guarneri del Gesu, on extended loan from the Stradivari Society of Chicago.
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一部大地靈魂的神話、一條神祕的河流,鷹在飛翔,巫在吟唱。
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無垢舞蹈劇場施展魔法:透過沉緩的步伐,萃取另一個世界的呼吸。——法國《費加洛報》
\n\n《觀》以純粹的美和引人入勝之演出為主要元素,而此劇作難以捉摸的靜思之美改變了我們對於完美的理解能力。——俄羅斯《音樂生活雜誌》
\n\n這齣作品深入探討人和自然環境的關係,兩個小時內無垢開啟了穹蒼的意義。音樂和肢體動作極其細緻,搭配帶有神祕氛圍的燈光效果,帶領全場走進入神的狀態。——西班牙知名劇作家暨劇場導演馬諾婁•加勒席亞(Manolo Garcia)
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天地幾何,浩浩湯湯,時間隱然循環。長河悠悠流過山峰之蔭,鷹的族群盤旋風中,降落有時,停駐有時。卻在一夕之間,日光開啟之處,河流頓然變色,祖靈的呼喚望水岸拍擊、吶喊,儀式的諸般秘密逐漸就緒,仍偶有形影在河面行走,在山岳間迴盪……
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世界邊緣住著鷹的族群,《觀》是一部大地靈魂的神話。
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繼《醮》與《花神祭》後,醞釀九年,世界當代八大編舞家林麗珍在2009年歲末,獻上其禮敬神鬼,「天、地、人」三部曲的終章──《觀》,隨即展開世界巡航,震撼了法國巴黎夏祐宮國家劇院、俄羅斯契訶夫國際劇場藝術節、墨西哥塞萬提斯國際藝術節……等國際重要藝文舞台。《觀》作為林麗珍舞蹈美學趨近完整之「圓」的起點,經多年淬鍊,如今載譽返港,無垢舞蹈劇場將再度以最貼近臺灣這塊土地的舞蹈語彙,帶領觀者踏上回歸生命原鄉的歷程。
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林麗珍從事舞蹈創作數十年,有感人、鬼、神乃是共存一心,並無實質邊界,一切在體系內相生相合,自是互有影響。她在無垢舞蹈劇場的作品,以《醮》講人鬼萬物生滅榮枯的淒然,以《花神祭》洞見人與自然神靈間的連結。
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《觀》仍延續無垢「儀式劇場」的一貫風格,林麗珍以其跳舞、編舞多年的潛沉,以及浸潤常民文化的生命體驗,鎔鑄宗教儀式、集體記憶、以及神話寓言為一體。主視覺取材自老文化的服裝、編織、飾品等各色元素,林麗珍認為,先民的老靈魂,都留存在其精細的工藝之中,而其風格流變,也隱然指涉著隨時間遞延,族群間本來相互匯流,百態兼容並陳。這正呼應著《觀》的創作核心──新舊也者、天人也者、生死也者,看似對立,其實共存於一切的循環。歲時遞嬗,對話不止,肅穆和諧即相應而生。
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死亡本是生命對大地的禮敬。花開自有花謝,原野山林間的追獵與掙扎,看來殘酷,卻其實蟲魚鳥獸復歸一體,陰陽相容,輪迴而不滅。文字語言總不能盡述,但大地一直都在,宇宙一直都在。
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穹蒼渾沌,天、地、人間,雖則肉身不能超脫,靈魂卻悠然自在。
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無垢舞蹈劇場藝術總監林麗珍以「緩」與「減法」的理念貫穿藝術創作,並將常民文化的生命體驗、祭典儀式、集體記憶及神話寓言鎔鑄其中,發展出獨特的身體語彙。《觀》延續無垢一貫的舞蹈美學與莊嚴純淨的儀式劇場風格,以白鳥與鷹族的故事為題,藉由靜謐細膩的肢體動作映現心靈本質,探討慾念與人心,同時悲憫自然、表達對土地的關懷,是林麗珍醞釀9年而成,亦是其舞作「天、地、人三部曲」最終章。
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林麗珍希望透過空緩的肢體語言與對萬物的關懷,為疫情時代的臺灣帶來療癒與力量,並為周圍環境、有形與無形的生命,以及萬物眾生祈福。
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演前導聆
\n\n2022/9/17(六)13:50 歌劇院二樓大廳
\n\n2022/9/18(日)13:50 歌劇院二樓大廳
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演後座談
\n\n2022/9/17(六) 歌劇院
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\n\t\t\t 視障觀眾口述影像席次與票價 \n\n\t\t\t9/18(日)場次提供口述影像席(含演前觸覺導聆服務) \n\n\t\t\t對象:以有相關需求使用者為主,例如:視障者、視力退化年長者、學習障礙者。 \n\n\t\t\t票價:900。 \n\n\t\t\t優惠:視障觀眾享5折優惠,及其必要陪同者1人購票5折(須與優待身分者同時購票),入場需出示有效證件,並同時進/出場觀賞。 \n\n\t\t\t座位:二樓Q排2,4,6,8,10,12,14,16,18,20號 ● 演前觸覺導聆為提供參與者觸摸演出相關物件以更快了解展演內容之服務,活動於9/18(日)12:30-13:15進行,請於12:15-12:30至歌劇院2樓東主入口售票處取票、報到。 \n\n\t\t\t● 欲收聽口述影像演前導聆者,請於14:05分入座口述影像席次並佩戴耳機。 | \n\t\t
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周邊活動
\n\n8/28(日) 10:30
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需以套票方式加購:
\n\n7/7(四)12:00起-7/21(四)12:00止
\n\n\n\n►《觀》演出300元區衛武營會員及一般觀眾預購+傾聽身體工作坊加購套票
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延伸閱讀
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演出暨製作團隊
\n\n創作團隊
\n\n藝術總監、編舞暨舞台、造型設計|林麗珍
\n\n燈光設計|鄭國揚
\n\n服裝設計|葉錦添、林麗珍
\n\n道具設計|張忘、陳念舟
\n\n音樂顧問|吳宗憲、許景淳
\n\n題字|程延平
\n\n美術顧問|張忘
\n\n視覺顧問|陳點墨
\n\n平面設計|方序中
\n\n平面攝影|金成財、陳點墨
\n\n文字|羅毓嘉、鄭傑文
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演出團隊
\n\n總排練|鄭傑文
\n\n副總排練|蔡必珠
\n\n女排練組長|王芊懿
\n\n男副排練組長|李亙卬
\n\n吟唱|許景淳
\n\n演奏家|吳宗憲、賀毅明、蕭盈
\n\n首席女舞者|吳明璟
\n\n女舞者|鄭羽書、黃心榆、吳秀霞、
\n\n方軾妤、黃祺芳、黃曼依、張文旻、
\n\n李宛玲、季展帆、鄭又綺、張薷芳、魏妤珊
\n\n男舞者|李亙卬、李仲希、黃彥智、郭丁瑋、
\n\n林向、吳志宏、楊勝博、顏靖丞
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技術及執行團隊
\n\n技術總監|鄭國揚
\n\n舞台監督|許淑惠
\n\n舞台技術指導|程子瑋
\n\n燈光技術指導|陳菲比
\n\n音控執行|捷韻實業有限公司─陳沐軒
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製作團隊
\n\n製作人|陳念舟
\n\n行政顧問|廖又臻
\n\n行政指導|張嘉琦
\n\n執行秘書|鄭傑文
\n\n執行製作|張安娜
\n\n行政|陳冠樺
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口述影像暨觸覺導聆團隊
\n\n口述影像共同撰稿|王昱程、賴思穎
\n\n口述影像現場播音|賴思穎(臺北、高雄)、楊秋軒(臺中)
\n\n觸覺導覽設計與執行|王昱程、江昱呈、賴思穎(臺北、高雄)、楊秋軒(臺中)
\n\n顧問|鄭傑文
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團隊介紹
\n\n無垢舞蹈劇場的名字,來自於一匹純白絕美的絲帛,這塊布織著同色的隱花紋路,絲縷細密不參一纖雜質,而用這種布料所裁製的衣裳竟是隱於內層、不外顯示人的——淨白無玷的意象,象徵在藝術高度上對於至善至美無止盡的追求;幽微含蓄的內斂風華,更是美學修為的自我期許;而對內在專注與純粹的極致推求,更是無垢精神之所在。
\n\n這樣的祈願與堅持,來自於無垢的藝術總監林麗珍。
\n\n1995年,《醮》在臺北國家戲劇院演出,無垢舞蹈劇場隨後正式成立。無垢開創了臺灣當代儀式劇場之先河,並以林麗珍獨創的身體語彙與絕美的總體劇場概念,推出了《醮》、《花神祭》、《觀》與《潮》四部和靈性生命互相觀照的作品,其深沉且撼人的巨大能量,讓無垢代表臺灣風靡全世界重要劇場與藝術節,遍歷法、西、德、俄、義、奧、加、墨、中、港、日、巴西等國,獲得各地觀眾與專業評論家的極度讚譽與推崇。
\n\n《醮》恢宏如史,以民俗祭典為引子,幽幽喚起自渡海起始的奮鬥、爭奪、撫慰、殘酷與悼念,對這片土地的深厚感情沁入每個角落。《花神祭》吟詠自然,天地大化日月山川花草蟲獸的遞嬗變遷,轉化進人身的微型宇宙之內,是宛若恆河長流的自然史詩。《觀》以白鳥與鷹族的故事追問慾望與人心,創造了超越原始與當代的新寓言,完成「天、地、人三部曲」的終章。《潮》則以創作上刻意的自我反視,穿越夢與潛意識的輪迴,直探個人藝術創作史與群體生命互通的大意識。
\n\n「定、靜、鬆、沉、緩、勁」是無垢的六字訣,除了在舞蹈身體上以「緩」證成獨特時間性的劇場美學之外,更將「緩」與「減法」的理念貫串藝術創作之外,堅持實踐「量少而質精」的信念,在運轉飛速、大量生產的經濟世界中反其道而行,以手工的精細、稼穡的心情、獻祭的態度,在重複搬演中,實踐作品之經典創造,亦在在顯示其作品亙久如恆的藝術性。
\n\n無垢近年亦以《緩行中的漫舞》與工作坊推廣回返自我身/心的無垢身體,與大眾分享安靜返觀的文化與實踐哲學。
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巡演場次:
\n\n8/19(五)-8/21(日) 國家兩廳院
\n\n10/15(六)-10/16(日) 臺中國家歌劇院
\n\n© 照片攝影: 金成財
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\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cec903395d7b2e87bae46a56cace0dde",title:"無垢舞蹈劇場《觀》"}],related:[],title:"Legend Lin Dance Theatre - Song of Pensive Beholding / Chants de la Destinée",cover:"1e10bc58b6fa0ba78a604a9c73ca9279",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Toute la magic de Legend Lin est là: dans cette maniere de distiller le souffle d'un autre monde. ——Le Figaro
\n\nНо образная поэтичность и ускользающая красота медитации этого опуса преображает способность постижения прекрасного. ——Чеховфест
\n\nLa obra, un extenso ensayo sobre la interconexión de las personas y su entorno y cómo se ven afectadas las relaciones naturales, tiene una duración de casi dos horas, durante las cuales los bailarines de Lin Legend Dance Company abren el cielo del significado. Música y movimientos extremadamente cuidados, como si entrara en un estado de trance, tienen lugar en el escenario bajo luces misteriosas. ——Manolo Garcia
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Following Miroirs de Vie and Hymne aux Fleurs qui Passent, LIN Lee-chen presents the final work of the series, Song of Pensive Beholding. The result of years of germination, this long-awaited piece completes the trilogy of Lin's tribute to Heaven, Earth, and Man. As before, Lin's original vocabularies of movement and its unique meditative quality will bring audiences closer to the inner spirit of the earth.
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Lin's belief in the interconnectedness of the men, the spirits, and the gods permeates all of her work. All beings are co-existent, affecting one another. In Miroirs de Vie, she explores the beauty and sadness of all things and all beings, seen and unseen; in Hymne aux Fleurs qui Passent, Lin portrays the connection between man and the spirit of nature.
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Song of Pensive Beholding is a mythic story about the soul of Nature.
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"There was a mysterious river, a mysterious eagle race,
\n\nand a mysterious realm where time and space did not yet exist.
\n\nThe two brothers that led the eagle race vowed to protect this
\n\nstunningly beautiful land forever as it was.
\n\nOne day, however, the vows were broken and the land encountered
\n\nchange……The river of Life is mutable. And desires are variable
\n\nand multiple. Change therefore is a basic condition we rehearse everyday….
\n\nListening to the chanting of the shaman and watching
\n\nthe landscape metamorphosize, one beholds how the fluctuating
\n\nrhythm of life echoes the illusive voice of the Primordial Soul.
\n\nBut no one can predict the form in which any transformation
\n\neventually settles." - LIN Lee-chen
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Once again, Legend Lin Dance Theatre presents for the entire humanity in praise of its complexity that breeds the utmost poetry.
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Pre-talk
\n\n2022/9/17(Sat)18:30 Opera House 2nd Floor
\n\n2022/9/18(Sun)18:30 Opera House 2nd Floor
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Post-talk
\n\n2022/9/17(Sat) Opera House
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Creative and Production Team
\n\nCreative Team
\n\nArtistic Director、Choreographer & Visual Concept|LIN Lee-chen
\n\nLighting Design|CHENG Kuo-yang
\n\nCostume Design|Tim YIP, LIN Lee-chen
\n\nProp Design|CHANG Wang, CHEN Nien-chou
\n\nMusic Consultant|WU Chung-hsien, HSU Ching-chwen
\n\nChinese Calligraphy|CHENG Yen-ping
\n\nArt Consultant|CHANG Wang
\n\nVisual Consultant|CHEN Tien-mou
\n\nGraphic Design|Joe FANG
\n\nPhotography|CHIN Cheng-tsai, CHEN Tien-mou
\n\nText|LO Yu-chia, CHENG Chieh-wen
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Performers
\n\nRehearsal Master|CHENG Chieh-wen
\n\nAssociate Rehearsal Master|TSAY Bi-jue
\n\nFemale Rehearsal Team Leader|WANG Chien-yi
\n\nMale Vice Rehearsal Team Leader|LI Gen-ang
\n\nSinger|HSU Ching-chwen
\n\nMusicians|WU Chung-hsien, HO Yi-ming, HSIAO Ying
\n\nChief Female Dancer|WU Ming-ching
\n\nFemale Dancers|CHENG Yu-shu, HUANG Xin-yu, WU Hsiu-hsia,
\n\nFANG Shih-yu, HUANG Qi-fang, HUANG Man-yi, CHANG Wen-min,
\n\nLEE Wan-Ling, CHI Jan-farn, CHENG Yu-chi, CHANG Ju-fang, WEI Yu-shan
\n\nMale Dancers|LI Gen-ang, LEE Chung-hei, HUANG Yan-jhih, GUO Ding-wei,
\n\nLIN Hsiang, WU Jhih-hong, YANG Sheng-po, YAN Jing-cheng
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Technical Team
\n\nTechnical Director|CHENG Kuo-yang
\n\nStage Manager|HSU Shu-hui
\n\nTechnical Supervisor|CHENG Tzu-wei
\n\nMaster Electrician|CHEN Fei-bi
\n\nSound Engineer|CHEN Mu-hsuan (Chieh Yun Corp.)
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Production Team
\n\nProducer|CHEN Nien-chou
\n\nAdministrative Consultant|LIAO Yo-jen
\n\nAdministrative Advisor|CHANG Chia-chi
\n\nExecutive Secretary|CHENG Chieh-wen
\n\nExecutive Producer|CHANG Anna
\n\nAdministrator|CHEN Guan-hua
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Team of Accessibility Service Design for Visually Impaired
\n\nAudio Description Co-authored|WANG Yu-cheng, LAI Szu-ying
\n\nLive Audio Description|LAI Szu-ying (Taipei, Kaohsiung), YANG Chiu-hsuan (Taichung)
\n\nTouch Tour|WANG Yu-cheng, JIANG Yu-cheng, LAI Szu-ying (Taipei, Kaohsiung), YANG Chiu-hsuan (Taichung)
\n\nDance Consultant|CHENG Chieh-wen
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Photo ©CHIN Cheng-tsai
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
雙卡司—國家文藝獎得主唐美雲 VS 國光劇團當家老生唐文華
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黑色幽默揭開帝王家族禁忌
\n\n一代女皇武則天的冥界之旅
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《冥遊記─帝王之宴》創作靈感來自敦煌變文《唐太宗入冥記》,透過傳藝金曲獎「最佳編劇」陳健星的巧思奇想,大膽虛構女皇的一趟冥府之旅。
\n\n女皇武曌晚年夢遊冥府,被迫面對李氏家族成員,她的公婆(唐太宗李世民、長孫皇后)、丈夫(唐高宗李治)、兒子(李弘、李賢)質問她為何篡位奪權,威逼利誘要她還政李唐,皇室家族諜對諜,意外揭露不可觸碰的家族禁忌,被迫扮演媳婦/妻子/母親角色的她,該如何徹底擺脫李家的掌控,奪回主導權?
\n\n唐美雲歌仔戲團創團25周年推出精緻大戲《冥遊記─帝王之宴》,由國家文藝獎得主唐美雲反串旦行,挑戰飾演一代女皇武則天,特邀國光劇團當家老生唐文華跨界合作,飾演唐太宗李世民,更有「永遠的娘子」許秀年、「人間國寶」小咪,黃金陣容同台飆戲。唐史狂想,荒謬夢境,以一場鬧熱「家宴」映射出千古女性真實的處境。
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演前導聆
\n\n2022/9/24(六)18:50 歌劇院二樓大廳
\n\n2022/9/25(日)13:50 歌劇院二樓大廳
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\n\t\t\t 視障觀眾口述影像席次與票價 \n\n\t\t\t9/25(日)場次提供口述影像席(含演前觸覺導聆服務) \n\n\t\t\t對象:以有相關需求使用者為主,例如:視障者、視力退化年長者、學習障礙者。 \n\n\t\t\t票價:2,400。 \n\n\t\t\t優惠:視障觀眾享5折優惠,及其必要陪同者1人購票5折(須與優待身分者同時購票),入場需出示有效證件,並同時進/出場觀賞。 \n\n\t\t\t座位:二樓Q排2,4,6,8,10,12,14,16,18,20號 ● 演前觸覺導聆為提供參與者觸摸演出相關物件以更快了解展演內容之服務,活動於9/25(日)12:30-13:15進行,請於12:15-12:30至歌劇院2樓東主入口售票處取票、報到。 \n\n\t\t\t● 欲收聽口述影像演前導聆者,請於14:05分入座口述影像席次並佩戴耳機。 | \n\t\t
\n\n
周邊活動
\n\n8/13(六)14:00 演講廳
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演出暨製作團隊
\n\n藝術總監、製作人|唐美雲
\n\n導演|戴君芳
\n\n編劇|陳健星
\n\n音樂設計、指揮|李哲藝
\n\n樂團|灣聲樂團
\n\n舞臺設計|王世信
\n\n影像設計|王奕盛
\n\n燈光設計|邱逸昕
\n\n編腔設計|陳歆翰
\n\n服裝設計|林詩昌
\n\n舞蹈設計|張筱楓
\n\n平面攝影|蔡榮豐
\n\n舞臺監督|方美蒨
\n\n演員|唐美雲、唐文華(特邀)、許秀年、小咪、李文勳、林芳儀、曾玫萍、杜健瑋、李嘉、吳旻真、范心瑜、吳宜蓁、朱念緯、蘇柏瑞、梁芳毓暨唐美雲歌仔戲團
\n\n口述影像設計師|吳宜頴
\n\n演前觸覺導聆設計師|林明慧
\n\n口述影像暨演前觸覺導聆委託製作|國家兩廳院、衛武營國家藝術文化中心
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藝術家介紹
\n\n唐美雲
\n\n出身於歌仔戲世家,為「戲狀元」蔣武童之女,現任「唐美雲歌仔戲團」藝術總監。自十五歲粉墨登台以來,演出橫跨外台、電視、劇場、電影,飾演過各類角色,累積豐富作品,尤擅長小生、老生、三花。歌仔戲資歷完整而厚實,唱、作、唸、打、表,紮實不馬虎,曾連續兩屆榮獲地方戲劇比賽最佳小生獎。得獎紀錄:1998年獲「第十七屆全國十大傑出女青年」;2001年獲「第三十六屆電視金鐘獎連續劇最佳女主角」;2012年獲「第十六屆國家文藝獎」;2018年獲「第二十九屆傳藝金曲獎年度最佳演員獎」;2018年獲「第三十八屆行政院文化獎」;2021年獲「第8屆教育部藝術教育貢獻獎──活動奉獻獎」;2022年獲「第21屆國際佛教傑出女性獎」。
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唐文華
\n\n國光首席文武老生,胡少安先生嫡傳弟子,能文能武,高亢圓潤的嗓音和細膩有緻的做表,深受各界肯定,著名文學評論家王德威譽之為當代臺灣京劇老生首席名角。曾獲國軍文藝金像獎最佳生角獎、中國文藝獎章、SGI 文化賞、全球中華藝術文化薪傳獎、臺北市第十五屆文化獎等。精擅傳統劇目如《閻羅夢》、《十八羅漢圖》、《快雪時晴》等。
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團隊介紹
\n\n唐美雲歌仔戲團
\n\n唐美雲歌仔戲團已經堂堂邁入第 25 年,始終秉持著「承傳統、創新局」的宗旨,致力將傳統戲曲提昇至精緻藝術的層面,同時積極進行跨界合作與人材培育,並藉由與各界資深優秀演員的共同演繹,期盼以各種巧思與創意轉變大眾對歌仔戲的固有印象,吸引老中青三代一同再現歌仔戲的繁華與榮景。
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唐美雲歌仔戲團獲獎紀錄
\n\n★2007 年《梨園天神桂郎君》榮獲第42屆電視金鐘獎傳統戲劇節目獎。
\n\n★2014 年榮獲教育部第1屆藝術教育貢獻獎團體獎。
\n\n★2016 年《春櫻小姑——回憶的迷宮》榮獲第27屆傳藝金曲獎最佳團體演出獎。
\n\n★2017 年《風從何處來》榮獲第28屆傳藝金曲獎最佳團體演出獎。
\n\n★2019 年《夜未央》榮獲第30屆傳藝金曲獎最佳團體演出獎。
\n\n★2020 年《月夜情愁》榮獲第31屆傳藝金曲獎最佳團體演出獎。
\n\n★2021 年《光華之君》榮獲第32屆傳藝金曲獎最佳編劇獎、最佳導演獎、最佳團體演出獎。
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灣聲樂團
\n\n灣聲樂團One Song Orchestra是臺灣唯一以臺灣音樂文化為價值的專業樂團,所以樂團只演出「臺灣人所寫的音樂」和「以臺灣素材所寫的音樂」,目的是要將『古典音樂臺灣化,臺灣音樂古典化』將「演奏臺灣作品」視為樂團使命,呼應『愈在地愈國際』的文化力量。
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攝影|柯炳輝
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This is a story inspired by Dunhuang Bianwen (Buddhist transformation texts) Taizong Entering the Underground World. Playwright CHEN Chien-hsing boldly fictionalized Empress WU's trip to the underworld, providing a different interpretation of the Tang Dynasty history.
\n\nEmpress WU's soul went to the underworld in her declining years, and was forced to confront her in-laws, husband and son to question why she usurped the Tang throne and asked her to restore the Li clan's Tang regime. In the confrontation, they accidentally exposed untouchable family taboos. Forced to play the role of daughter-in-law, wife and mother, how can she completely get rid of the control of the Li family and regain her autonomy?
\n\nTANG Mei-yun, the winner of the National Award for Arts, challenged to play Empress WU, while TANG Wen-hua, the leading actor of Guo Guang Opera Company, makes his crossover debut in the field of Taiwanese opera. In addition, all the fantastic cast including the "eternal actress" HSU Xiu-nian and the "national treasure on Earth" Hsiao-mi, present this great production in celebration of the 25th anniversary of the founding of the Tang Mei Yun Taiwanese Opera Company together. In this absurd dream, a feast of the royal family will reflect the eternal predicament encountered by all women in history.
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Pre-talk
\n\n2022/9/24(Sat)18:50 Opera House 2nd Floor
\n\n2022/9/25(Sun)13:50 Opera House 2nd Floor
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Creative and Production Team
\n\nArtistic Director & Producer|TANG Mei-yun
\n\nDirector|DAI Jun-fang
\n\nPlaywright|CHEN Jian-xing
\n\nMusic Designer & Conductor|LI Zhe-yi
\n\nOrchestra|One Song Orchestra
\n\nStage Designer|Samuel WANG
\n\nLighting Designer|QIU Yi-xin
\n\nProjection Designer|WANG Yei-sheng
\n\nVocal Composer|CHEN Xin-han
\n\nCostume Designer|LIN Shi-chang
\n\nChoreographer|ZHANG Xiao-feng
\n\nPhotographer|CAI Rong-feng
\n\nStage Manager|FANG Mei-cian
\n\nCast|TANG Mei-yun, TANG Wen-hua (Guest Actor), XU Xiu-nian, Hsiao-mi, LI Wen-xun, LIN Fang-yi, ZENG Mei-ping, DU Jian-wei, LI Jia, WU Min zhen,FAN Xin-yu,WU Yi-zhen, ZHU Nian-wei, Su Bo-rui, LIANG Fang-yu& Tang Mei Yun Taiwanese Opera Company
\n\nAudio Description Designer|WU Yi-ying
\n\nTouch Tour Designer|LIN Ming-hui
\n\nAudio Description and Touch Tour Commissioned by National Theater & Concert Hall and National Kaohsiung Center for the Arts (Weiwuying)
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Artists Introduction
\n\nTANG Mei-yun
\n\nAs the daughter of the "Taiwanese Opera Champion" JIANG Wu-tong, TANG Mei-yun comes from a Taiwanese Opera family, and currently she is the artistic director of Tang Mei Yun Taiwanese Opera Company. Since her debut at the age of fifteen, she has starred in TV shows, theatre, and movies over the years, being famous for the roles of Young Sheng, Elderly Sheng, and Clown. She has solid skills in singing, chanting, acting, and martial arts. She won the Best Young Sheng award in local drama competitions two consecutive times for her outstanding Taiwanese Opera achievement.
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TANG Wen-hua
\n\nA student of HU Shao-an, currently a leading Elderly Sheng actor at Kuo Kuang Chinese Opera Company, TANG Wen-hua was awarded the Best Sheng Actor at the Armed Forces Golden Statue Awards for Literature and Art, Art and Literature Prize, SGI Culture Award, and the Global Chinese Culture Arts Award. TANG's delicate voice and his exquisite acting skills have been so recognized that even the literary historian David Der-wei Wang once called him as the best Elderly Sheng actor in modern Taiwanese Opera. He excels at plays such as Journey Through Hell, The Painting of 18 Lohans, Sunlight after Snowfall, and more.
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One Song Orchestra - Taiwan
\n\nOne Song Orchestra is the one and only professional orchestra in Taiwan that values local music culture. It only performs music written by Taiwanese composers, Or music written with Taiwanese materials. The mission of the Orchestra is to enrich classical music with Taiwanese culture and to revitalize Taiwanese music with classical music practices - echoing the power of culture,"more local, more global".
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Photo © 柯炳輝
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超強卡司:年輕優秀鋼琴演奏家盧易之、傑出小提琴演奏家薛志璋、資深大提琴演奏家戴俐文與蘇慶俊教授所領導的福爾摩沙合唱團。
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西洋音樂的種子隨著西方傳教士在臺灣教會及教會學校開始紮根、發芽。陳泗治,便是這股音樂洪流的代表性作曲家、音樂教育家,而他更以基督的精神,成為臺灣西樂之路的先鋒,為臺灣以西洋音樂技法創作的開創者。然因陳泗治謙沖為懷、非常低調,又已逝世三十年,多數的愛樂者雖有聽聞他的名聲,但已經對他這些以臺灣為主體的優秀音樂創作不甚熟悉,相當可惜!2022年適逢陳泗治逝世三十周年,為呼應文化部「重建臺灣音樂史」,以音樂文化的強大力量,重建臺灣人民對於自身的音樂認同,以整場紀念音樂會重現其鋼琴曲、合唱曲與三重奏之創作。
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1911年出生於臺北士林的陳泗治,81歲的一生留下許多讚頌希望與愛的樂曲,注重人格教育,時常勉勵學生:「凡事要先懂得做人,才能夠做好事。」如春風化雨般,深深地影響他的學生。擔任淡江中學校長數十年間教育出很多優秀的人才、音樂家、藝術家。他的作品特色為其明顯的民族及鄉土色彩。值得一提的是,他的全部作品被收錄於鋼琴教育家Maurice HINSON的著作Guide to the Pianist's Repertoire (《鋼琴家演奏曲目指引》),並在其中與貝多芬、蕭邦等名家的作品並列,呂泉生曾稱他為「偉大的完人」。1992年9月23日於美國加州過世,2022年適逢陳泗治逝世三十周年,由臺灣知名鋼琴家盧易之、小提琴家薛志璋、大提琴家戴俐文與指揮蘇慶俊帶領的福爾摩沙合唱團演出陳泗治代表性作品,傳頌陳泗治對土地、對上帝的愛及奉獻。
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演後座談
\n\n2022/10/1(六)21:15 表演廳
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演出曲目
\n\n鋼琴三重奏:《G調嬉遊曲》
\n\n鋼琴曲:《龍舞》、鋼琴組曲《台灣素描》、《回憶》、《幻想曲-淡水》、《幽谷-阿美狂想曲》
\n\n合唱曲:《如鹿欣慕溪水》、《上帝愛世人》、《西面頌》、《在主內無分東西》、《讚美頌》、《咱人生命無定著》、《讚美主極大恩賜》、《逝去的悲傷歲月》、《上帝的羔羊》
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演出暨製作團隊
\n\n鋼琴|盧易之
\n\n小提琴|薛志璋
\n\n大提琴|戴俐文
\n\n合唱指揮|蘇慶俊
\n\n合唱伴奏|蔡昱姍
\n\n合唱團|福爾摩沙合唱團
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藝術家介紹
\n\n盧易之
\n\n盧易之是臺灣最優秀的年輕鋼琴家之一。曾在13項國際及區域大賽,獲得前三名的佳績。他的演奏足跡遍世界各國40餘城的重要音樂廳,並被德國阿爾高日報(Allgäuerzeitung)評為「一個超技且深具音樂性的響宴,有著精細的表情與音樂素養」。2006年維也納季弗拉基金會頒給他「季弗拉大獎」,表彰他在演出季弗拉作品上的成就。2012年其專輯《My Chopin; My Brahms》獲得金曲獎「最佳演奏獎」之肯定。
\n\n他至今已錄製布拉姆斯、蕭邦、臺灣作曲家洪綺蓮、陳泗治、及德國作曲家 Adolph Kurt BÖHM的鋼琴作品集。盧易之亦曾與世界各地知名的樂團合作演出。目前除獨奏之外,並積極從事現代音樂、室內樂以及各種伴奏的演出。
\n\n2020年起,為國立臺北藝術大學音樂學系專任助理教授。
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薛志璋
\n\n薛志璋1998年贏得國立臺灣交響樂團協奏曲大賽首獎,2000年負笈德國,師從義大利小提琴家Marco RIZZI,2003年以最高分取得德國Detmold音樂院藝術家文憑。曾擔任德國Detmold歌劇院樂團第二小提琴首席、澳門樂團副首席,國立臺灣交響樂團、高雄市交響樂團、Taiwan Connection Festival 樂團首席,客座首席包括臺北市立交響樂團、台北愛樂、深圳交響樂團、香港小交等。協奏曲合作包括國臺交、北藝大管絃樂團、北藝大弦樂團、Ensemble des Landestheater Detmold、澳門樂團、Taiwan Connection Orchestra、臺北市交、高雄市交及其他大小民間樂團。有聲出版品有《巴赫無伴奏小提琴組曲》、《臺灣純弦─弦舞臺灣》;著作出版有《從空弦開始─捨繁求簡的小提琴發音與練習觀念》一書以及樂譜《聖誕前奏曲》。2020年9月起,任職國立臺北藝術大學音樂系專任助理教授。
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戴俐文
\n\n戴俐文以渾厚的音色及濃烈的情感投注於音樂的詮釋之中。教學充滿熱情、經驗豐富,學生成績斐然。
\n\n研究所畢業於美國伊利諾大學,以優異成績獲選為Pi Kappa Lambda會員。任職高雄市交響樂團大提琴首席逾二十年,演奏生涯中曾多次與臺灣知名樂團合作演出協奏曲。推廣古典音樂不遺餘力,多次於廣播節目中接受專訪;帶領學生組成「高師樂苑」Cellissimo大提琴重奏團,獲邀至各音樂節演出。
\n\n經常受邀於學術單位、音樂營之大師班及個別指導教學;擔任國內重要比賽評審,大學入學招聯會委員、弦樂評審,「奇美藝術獎」音樂類弦樂組評審、NTSO「國際音樂人才頂尖計劃」弦樂評審。
\n\n目前為國立高雄師範大學音樂系專任大提琴教授,於106至108年度兼任系主任,亦任教於國立臺灣師範大學。
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福爾摩沙合唱團
\n\n成立於1994 年的福爾摩沙合唱團為臺灣最活躍的合唱團之一。由留美合唱指揮蘇慶俊教授創團並擔任藝術總監,以推廣優質臺灣合唱音樂、追求精緻化合唱藝術為成立宗旨。
\n\n福爾摩沙合唱團致力於豐富臺灣歌謠的內涵,將臺灣近百年來,從傳統到現代的旋律,賦予新的聲音與生命力。曾於2004年,應客家文化委員會委託創作、出版「客家歌謠合唱曲譜」的CD與合唱譜集;屢屢入圍並榮獲金曲獎之肯定,百餘首已出版的混聲和同聲合唱曲譜,對臺灣合唱發展有卓越之貢獻,被譽為臺灣最好的合唱團之一。自2002年起,福爾摩沙合唱團連續十九年獲選進入「國藝會演藝團隊年度獎助專案」,以「TAIWAN TOP 演藝團隊」為品牌,多次應邀於國內外藝術節表演,深獲好評。
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特別感謝:國立傳統藝術中心臺灣音樂館、陳信雄、徐玫玲
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周邊活動
\n\n2022/9/2(五) - 2022/10/10(ㄧ) 衛武營展覽廳
\n\n►《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》
\n\n2022/9/3(六)14:30 衛武營排練室1192
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贊助單位
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
The seeds of western music were sown in Taiwan and nurtured by churches and Christian schools, and CHEN Su-ti, born in 1911, was one of the most representative composers and music educators of this era. With his Christian beliefs, CHEN became the pioneer of western music and composition techniques in Taiwan. Having led a humble and low-profile life before his passing 30 years ago, CHEN was known to most music lovers, but his outstanding musical works centered around Taiwan are foreign to many, which is a great pity. In response to the Ministry of Culture's Reconstructing Taiwan's Music History program and CHEN's 30th death anniversary in 2022, this concert aims to evoke Taiwanese people's recognition of their own music through the powerful force of musical culture with renditions of his piano, choral, and trio compositions by young and rising pianist LU Yi-chih, outstanding violinist HSUEH Chih-chang, cellist DAI Lee-wen and the Formosa Singers led by Prof. Julian Ching-chun SU. Join us at Weiwuying for the beautiful melodies inspired by CHEN Su-ti's devoted love for God and his hometown.
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Post-talk
\n\n2022/10/1(Sat)21:15 Recital Hall
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Program
\n\nPiano Trio: Divertimento
\n\nPiano: Dragon Dance, Taiwan Sketches-Suites for Solo Piano, Memories, Fantasia-Tamsui, Deep Valley-Amis Rhapsody
\n\nChoral: In Christ There Is No East or West, Nunc Dimittis, For God so Loved the World, As a Deer Long for Water Brook, How Uncertain Our Lives Are, Sadly Are the Days Gone by, Praise the Lord for His Great Blessings, The Lamb of God, Te Deum Laudamus
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Creative and Production Team
\n\nPiano|LU Yi-chih
\n\nViolin|HSUEH Chih-chang
\n\nCello|DAI Lee-wen
\n\nChorus Conductor|Julian Ching-chun SU
\n\nChorus|Formosa Singers
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Special thank: National Center for Traditional Arts Taiwan Music Institute, Donald CHEN, SHYU Mei-ling
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More
\n\n2022/9/2 - 10/2 Weiwuying Exhibition Hall
\n\n►Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti
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Sponsor
\n\n出生於1911年的陳泗治,為臺灣以西洋音樂技法創作的先鋒者,1936年在日本伊豆半島完成神劇式的合唱曲《上帝的羔羊》,為臺灣最早的合唱曲,1939年在臺北完成鋼琴組曲《台灣素描》,為臺灣最早的鋼琴曲,紛紛創下紀錄。1981年1月23日赴美定居,1992年9月23日於美國加州過世。2022年適逢陳泗治逝世三十周年,此紀念展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯,展出其擔任牧師與淡江中學校長等重要職務之生前相關的文物,並以數位多媒體、紀錄片方式,讓他的音樂被更多人認識。此展覽以「上帝與家園的浪漫」為展覽主題,為凸顯陳泗治以西方浪漫手法的創作風格,和以基督信仰為中心的生命歷程與活動,也呼應今年為馬偕在臺宣教150年,展覽內容包括陳泗治生命簡史與日治時期的「鄉土訪問音樂演奏會」、陳泗治的啟蒙老師,即被稱為「北部教會音樂之母」的吳威廉牧師娘 — 吳瑪利、亦師亦友的德明利宣教師,被呂泉生尊稱為臺灣合唱之父的陳清忠,樂譜出版與唱片CD,和陳泗治數十年來的筆記、講道稿等,讓參觀的民眾體會到被敬稱為「音樂哲人」的陳泗治他集傳道、創作與教學的偉大一生。
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團隊介紹
\n\n計畫主持人與策展人|徐玫玲教授
\n\n國立臺灣師範大學音樂學系畢業,赴德學習、畢業於漢堡大學音樂學系,取得音樂學碩士與音樂學博士 (PhD),現為輔仁大學音樂學系專任教授。積極從事臺灣音樂研究,於專書和期刊論文發表相關之研究成果,並於2008年出版的《臺灣百科辭書》擔任〈流行篇〉之主編,並協助〈當代篇〉規劃、編輯臺灣音樂之重要人物、歌曲、唱片公司與相關重要事件等之辭條,邀請辭條撰稿人,並曾進行相關的人物訪談,在這費時五年的編輯期間,對臺灣音樂發展的脈動有深刻的掌握與研究心得;2021年8月起,執行為期一年的科技部專題研究計畫「焚而不毀的音樂傳承 — 陳泗治音樂生命史之研究」。
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展覽顧問與英文翻譯|陳信雄博士
\n\n陳泗治獨子陳信雄博士,取得美國茱麗亞音樂學院碩士、協和神學院教會音樂碩士,與愛荷華大學指揮博士,並曾任教於羅斯福大學芝加哥音樂學院,擔任管弦樂系系主任,不僅在管弦樂指揮技法上受過嚴格的訓練,又因是陳泗治的長子,對於陳泗治許多的文物、照片有深入的了解,是本展覽最佳諮詢對象。
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共同主辦: 衛武營國家藝術文化中心、國立傳統藝術中心臺灣音樂館
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節目資訊
\n\n2022/10/1(六)19:30 衛武營表演廳
\n\n\n\n\n\n2022/9/3(六)14:30 衛武營排練室1192
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贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti "}],related:[],title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti ",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"Weiwuying Exhibition Hall"},cautions:"",benefits:"",description:"This commemorative exhibition honors CHEN Su-ti - a pioneer musician in the Taiwanese music industry who adopted western composing techniques.",introduction:'
Born in 1911, CHEN Su-ti was a pioneer musician in Taiwan who adopted western composing techniques. In 1936, he completed the oratorio-style chorus The Lamb of God—Taiwan's first chorus, in Izu Peninsula, Japan, and in 1939, completed the piano suites Taiwan Sketches—Taiwan's first piano piece, in Taipei, setting successive records. He moved to the United States on January 23, 1981 and passed away in California on September 23, 1992. The year 2022 marks the 30th death anniversary of CHEN Su-ti. This commemorative exhibition will present his musical career as a first-generation pianist and composer in Taiwan, cultural relics related to his roles as a pastor and the principal of Tamkang Senior High School, and makes use of digital multimedia and documentaries to allow more people to recognize his music. Under the theme Love for God and Homeland, this exhibition not only highlights CHEN Su-ti's western romantic-style composing techniques and his life course and events based on a Christian faith, but as this year coincides with the 150th anniversary of Rev. MACKAY's mission in Taiwan, also includes a brief history of CHEN Su-ti's life and the Hometown Visit Concert from during the Japanese colonial period. Elements such as his mentor Margaret GAULD- known as the "Mother of Northern Church Music" and wife of Rev. William GAUL, Miss Isabel Taylor, a teacher and friend, CHEN Ching-chung – named by LU Chuan-sheng as the "Father of Chorus in Taiwan", published music scores and CDs, as well as CHEN Su-ti's notes and sermon notes over the past few decades will allow attendees to experience CHEN's great life of preaching, composing and teaching.
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Program
\n\n2022/10/1(Sat)19:30 Recital Hall
\n\n►Love for God and Homeland-CHEN Su-ti Memorial Concert
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Sponsor
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衛武營會員綁定OPENTIX
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\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
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「請把我過去的作品全部銷毀吧!我的作品將從《布蘭詩歌》開始。」——《布蘭詩歌》作曲家卡爾・沃夫(Carl Orff)
\n\n「《感恩之歌》與《春之祭》是融合智慧、藝術與靈魂的一場演出」——俄羅斯Kultura電視台
\n\n「劉鳳學,一位傑出的舞蹈學者、教育家,同時也是臺灣現代舞界的先鋒。」——紐約時報
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《布蘭詩歌》是卡爾・沃夫(Carl ORFF)代表性作品之一,在他的「完全劇場」理念下,創作完成的成功作品。卡爾・沃夫主要理念是集詩、歌、樂、舞,以交響樂、合唱、獨唱、重唱、舞蹈等,不分主角配角同時呈現於劇場。
\n\n编舞者劉鳳學以群舞、雙人舞、七人舞等,根據歌詞與樂曲密切配合,藉人聲、樂器、人體使三項藝術結合為一體,傳達視覺、聽覺與心靈震撼的效果。
\n\n此次演出將再為臺灣表演藝術展現「合作」之示範,並為本土詩、歌、樂、舞合作演出及表演藝術新型態創作多元化之參考。
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Carmina Burana清唱劇
\n\n舞蹈《布蘭詩歌》是劉鳳學取材自德國現代作曲家卡爾・沃夫的Carmina Burana清唱劇。該劇歌詞係由十三及十四世紀時,一些未具名的修士或吟唱詩人們所寫的詩歌(多屬情歌)。歌詞內容反應他們內心的感情,謳歌世俗生活、宗教意識及對時代的批判。
\n\n該清唱劇於1937年發表之後,廣為世人所傳誦,主要是因為樂曲充滿了節奏的魅力與生命的躍動。劉鳳學所創之《布蘭詩歌》舞蹈結構為(一)序(二)初春(三)酒店(四)愛情的宮殿。
\n\n該舞表現一群具有高度理想的青年修士們,為世人建立精神殿堂時的心路歷程。但,他/她們打破戒規,掙脫束縛,解放人格,漫游於世俗生活之後,卻又回到他/她們的原點 — 堅持與修持。
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演前導聆
\n\n2022/10/1(六)13:50 歌劇院二樓大廳
\n\n2022/10/2(日)13:50 歌劇院二樓大廳
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周邊活動
\n\n9/3(六)14:00 演講廳
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延伸閱讀
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曲目
\n\n(一)序:命運?世界的女王
\n\n1. 喔!命運
\n\n2. 痛苦命運帶來的創傷
\n\n(二)初春
\n\n3. 春之笑臉
\n\n4. 陽光普照
\n\n5. 可喜可盼
\n\n6. 舞蹈
\n\n7. 高貴森林開滿花朵
\n\n8. 商人,請給我脂粉
\n\n9. (a) 輪舞
\n\n(b) 那群不停地在轉的人
\n\n(c) 來吧,來吧,我的愛人
\n\n(d) 那群不停地在轉的人
\n\n10. 如果全世界都屬於我
\n\n(三)酒店
\n\n11. 內心沸騰
\n\n12.天鵝之歌
\n\n13. 我是院長
\n\n14. 當我們在酒館裡
\n\n(四)愛情的宮殿
\n\n15. 愛情處處飛
\n\n16. 日、夜,和一切
\n\n17. 紅衣少女
\n\n18. 我心深處
\n\n19. 愛之巢
\n\n20. 來,來,來吧
\n\n21. 我心徬徨
\n\n22. 快樂的時光
\n\n23. 甜蜜的人
\n\n24. 問候妳,美麗的女郎
\n\n25. 喔!命運
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演出暨製作團隊
\n\n舞蹈創作|劉鳳學
\n\n音樂作曲|卡爾・沃夫
\n\n指揮|簡文彬
\n\n藝術總監|盧怡全
\n\n行政總監|陳勝美
\n\n團長、執行製作|張惠純
\n\n燈光設計|安東尼.鮑恩
\n\n服裝設計|靳萍萍
\n\n舞蹈顧問|張麗珠、羅雅柔
\n\n音樂顧問|李和莆、黃鈞偉
\n\n燈光設計|安東尼.鮑恩
\n\n燈光復刻顧問|李俊餘
\n\n服裝重建|翁孟晴
\n\n舞台監督|陳百彥
\n\n燈光技術指導|王墉
\n\n舞蹈排練指導|林威玲、陳逸民
\n\n舞蹈排練|林韋岑、陳乃綺
\n\n特別行政助理|林韋岑
\n\n藝術行政|陳璽安
\n\n行政助理|曹筱涵
\n\n獨唱|黃莉錦(臺北場、臺中場)、賴珏妤(高雄場)、王典、趙方豪
\n\n演出|新古典舞團、國立臺灣交響樂團、台中藝術家室內合唱團
\n\n共同演出|國立臺灣體育運動大學舞蹈學系、台中藝術家兒童合唱團、星光兒童少年合唱團
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團隊介紹
\n\n新古典舞團
\n\n1976年3月20日,劉鳳學博士懷抱「化身體為春秋筆、寫盡人間情與理」之千古情懷,和一群獻身舞蹈文化的學生於臺北市創「新古典舞團」,稟「尊重傳統、創造現代」的精神,以深度的人文內涵,融會西方藝術,將歷史春秋之情化成天下之舞,透過研究、創作和演出,呈現多元化的風貌。
\n\n劉鳳學舞蹈創作生涯經歷一甲子,2019年起正式交棒子弟兵盧怡全,從編創身分退居幕後繼續執著於寫作與研究。
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國立臺灣交響樂團
\n\n國立臺灣交響樂團創立於1945年,為臺灣歷史最悠久的交響樂團。成立之初,先後隸屬於臺灣省警備司令部、臺灣省藝術建設協會、臺灣省政府教育廳及文化處等單位。1999年7月改隸行政院文化建設委員會,更名為「國立臺灣交響樂團」;2012年5月改隸文化部。團址座落於臺中霧峰,有專屬音樂廳、大小排練室,是擁有完整軟硬體的全方位音樂團體。
\n\n2019年起,國際知名音樂家水藍先生再度受邀擔任本團首席客席指揮,與劉團長共同合作,推動國立臺灣交響樂團「精進技藝、傳統創新、教育扎根、美學推廣」的任務,提昇全民音樂生活,讓音樂就如同空氣、水、陽光一般的在你我身邊。
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台中藝術家室內合唱團
\n\n台中藝術家室內合唱團成立於2009年,是由藝術總監暨指揮莊璧華博士學成歸國後創立之混聲合唱團,我們一直以來都以「深耕地方,培育合唱種子」作為目標,而實踐此目標的方式便是將各種類型的合唱作品呈現給社會大眾;無論欣賞的是近代元的各國合唱曲風,抑或是音樂史中傳唱百年的不朽經典鉅作,都能在無形中提升音樂涵養、培養對美感的認知,進一步能自然內化為個人優雅沉靜的氣質。近年所提倡的品格教育,在國外就是透過藝術教育培養而成,而我們便是從合唱音樂來輔助品格教育的提升。
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台中藝術家兒童合唱團
\n\n台中藝術家兒童合唱團由台中藝術家室內合唱團藝術總監莊璧華博士,為落實「合唱種子紮根」,於2017年9月成立。秉持推廣「兒童合唱音樂教育」的理念,特別聘請兒童合唱專業師資:陳郁心老師及林姿均老師,共同擔任合唱指導及律動講師,為中部第一個使用「柯大宜教學法」及「達克羅士音樂律動教學法」之兒童合唱團。
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星光兒童少年合唱團
\n\n臺中市星光兒童少年合唱團將以純真歡愉且溫暖內斂的歌聲,為觀眾帶來「心」的感動,團員由臺中市跨校、跨年齡、跨國籍的學童組成。合唱團成立的核心目標是期盼透過表演藝術,提供孩子一個與世界各地的國際級音樂人及專業藝文團體,進行音樂素養交流的平臺。透過誠摯和諧的歌聲讓世界看見臺灣,也讓臺灣看見世界。
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國立臺灣體育運動大學舞蹈學系
\n\n成立歷史悠久的舞蹈學系,以結合現代與傳統的訓練方式,針對當代社會的舞蹈表現藝術家、舞蹈推廣的教育與研究人員、以及表演所需的行政籌劃人才,進行多元且深入的專業訓練,配合例行年度公演、重大慶典與節日表演、及巡迴世界、國內各地演出,落實課程教學與實務工作之聯結。
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藝術家介紹
\n\n總監製、編舞者|劉鳳學
\n\n新古典舞團/唐樂舞創辦人、財團法人新古典表演藝術基金會創辦人、紅樹林劇場創辦人、國立臺灣師範大學名譽教授。
\n\n1965-1966在日本東京教育大學研究舞蹈學,同時在日本宮內廳研究唐朝(西元618-907)傳至日本之讌樂舞。1971-1972於德國福克旺藝術學院(Folkwang Hochschule)隨Albrecht KNUST及Hans ZÜLICH研究拉邦動作譜及舞蹈創作。1981-1987在英國拉邦舞蹈學院(Laban Centre for Movement and Dance)攻讀博士學位,1982-1987年期間,在劍橋大學教授L. E. R. PICKEN Sc. D. F.B.A.指導下撰寫博士論文,1987年通過口試,獲哲學博士Ph.D.學位。
\n\n她的研究領域涵蓋臺灣原住民、舞蹈人類學、儒家舞蹈與唐讌樂舞蹈文化及古譜之譯解。
\n\n舞蹈創作生涯歷經一甲子,主要包含現代舞蹈創作、唐樂舞重建、儒家舞蹈以及原住民舞蹈四大面向。於1968年首倡中國現代舞,並發表宣言:「現代舞是尊重個性和表達思想感情的一種創作舞蹈。她的研究領域涵蓋臺灣原住民、舞蹈人類學、儒家舞蹈與唐讌樂舞蹈文化及古譜之譯解。舞蹈風格結構嚴謹,肢體語彙簡潔有力,獨特的舞蹈空間安排,宛如一首首精緻完美的交響詩。
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藝術總監|盧怡全
\n\n臺北市立大學舞蹈碩士、新古典舞團藝術總監、化踊舞輯創辦人。承襲了劉鳳學對文化的熱情與研究的精神,將客家文化與舞蹈作一個完整的融合。
\n\n盧總監接任新古典舞團後,除了稟持新古典精神外,也融入個人編創特色,擅長低水平與爆發力的動作運用,他認為,「東方與西方舞蹈不同之處在於重心的使用」,因此舞作中也常揉合武術、特技與太極等肢體,發展出屬於東方舞者的低水平移動特色。他不僅以舞蹈創作了客家,也從客家創作了屬於世界客家文化的舞蹈,將現代舞融入本身文化,讓觀眾不只看見用舞蹈表現的故事,還有它背後的文化背景與反思。
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指揮|簡文彬
\n\n國家文藝獎得主。2001年至2007年間擔任國家交響樂團音樂總監,現為國家表演藝術中心衛武營國家藝術文化中心藝術總監。簡文彬長期旅歐,有豐富的歌劇指揮經驗,並受邀於奧地利、荷蘭、德國及瑞士等地劇院指揮演出。
\n\n1996年起,擔任萊茵德意志歌劇院之駐院指揮。1998年6月他率領該院首次於「維也納藝術節」演出,為該劇院以及臺灣指揮家寫下一頁新紀錄。1999年至2001年期間,簡文彬獲邀擔任國家交響樂團首席客座指揮,繼而於2001年至2007年擔任該團音樂總監。2012年簡文彬在時任文化部長龍應台邀請下,應允擔任文化部顧問,提供外國經驗與意見。2014年,簡文彬獲得國家表演藝術中心第一屆第一次董事會之正式任命,擔任衛武營國家藝術文化中心成立後首任藝術總監。
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女高音|黃莉錦
\n\n臺灣目前唯一一位由法國國立巴黎高等音樂院(Conservatoire National Supérieur de Musique et de Danse de Paris, CNSMD-Paris)藝術文憑(DFS)第一獎畢業的聲樂家,也是臺灣第一位考進並於2008年取得該校專業演奏家文憑(Diplôme de Perfectionnement et de Spécialisation)的聲樂家。自2018年起應聘專任於東吳大學音樂學系。
\n\n留歐期間,黃莉錦與音樂經紀公司Musicaglotz及Cédelle合作,在法國歌劇院Théâtre de Limoges、Opéra de Dijon、La Filature de Mulhouse、Opéra de Saint Étienne、Opéra de Besançon、Opéra de Marseille、Opéra de Bordeaux、Opéra d'Avignon、Cité de la Musique等演出重要角色。
\n\n黃莉錦更與國際級指揮大師,如 Kurt MASUR、Alain ALTINOGLU、Nicolau DE FIGUERIEDO、Rani CALDERON、David GIMENEZ、呂紹嘉、Franco TRINCA、Dominique TROTTEIN、André BERNARD, Theodor GUSCHBAUER、Sigiswald KUIJKEN、Laurence EQUILBEY、Louis LANGRÉE、Lucas VIS、Christian JOST、Joël SUHUBIETTE、Philippe CAILLARD、George VALAICULESCU、水藍、廖國敏等合作演出。
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女高音|賴珏妤
\n\n畢業於國立臺灣師範大學音樂系,2010年獲英國皇家音樂院音樂碩士學位。
\n\n2014年獲選臺北巴赫廳《巴赫新聲》、德國萊比錫克拉拉舒曼Lieder Duo大賽首獎。演出經歷包括兩廳院歌劇工作坊《睡美人》之公主,創世歌劇團《女人皆如此》之Despina、《卡門》之Frasquita,衛武營國家藝術文化中心歌劇《茶花女》之Annina、高雄市交響樂團《卡門》之Frasquita,並擔任臺北室內合唱團巡演普朗克《光榮頌》女高音獨唱及臺大合唱團《布蘭詩歌》女高音獨唱及臺中歌劇院《賽維亞的理髮師》之Berta。現為師大博士候選人,師事楊艾琳教授,並為臺灣新逸藝術合作音樂家,兩廳院歌劇工作坊成員,中華民國聲樂家協會會員,及斐陶斐榮譽學會榮譽會員。
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男高音|王典
\n\n畢業於中國文化大學及國立盧森堡音樂院,2000年以第一名成績取得Chant及Art Lyric盧森堡音樂院兩項最高演唱文憑。
\n\n王典致力於德法藝術歌曲鑽研及美聲劇碼拓展,已於1999年底、2000年1月、5月於羅馬尼亞、匈牙利、盧森堡等國家演唱《唐喬望尼》,飾Don Ottavio,《拉摩莫的的露奇雅》飾Edgardo;2000年7月底於盧森堡Wilz國際音樂節主演《西城故事》的Bernstein。王典旅居德國十餘年,任法蘭克福歌劇院專職團員;近年返國定居,目前任教於中國文化大學、國立海洋大學。
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男中音|趙方豪
\n\n任教於東海大學音樂系、國立臺灣師範大學音樂系、文化大學音樂系。德國威瑪李斯特音樂學院最高演奏家演唱文憑。德國威瑪李斯特音樂學院藝術家演唱文憑,師事Hans-Joachim BEYER教授。國立臺灣師範大學音樂系畢業,師事旅義資深聲樂家任蓉教授。國立臺灣馬公高中,師事陳珮琪老師。2012年聖彼得堡第9屆「國際三世紀古典藝術歌曲節比賽」榮獲第二獎。2005年臺北世華聲樂大賽新秀獎。國立臺灣師範大學音樂系協奏曲選拔及南海扶輪社獎學金選拔第一名。
\n\n2019年12月將參與NSO輕歌劇《風流寡婦》,飾演Baron Mirko Zeta。2020年底於臺中國家歌劇院的《波希米亞人》製作中,再次飾演畫家馬切洛。2017-2020年四度參與NSO綠野講座音樂會《跟著音樂去旅行》並多次參與NSO、臺中國家歌劇院主辦之講座音樂。
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主辦單位|國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心
\n\n協辦單位|財團法人新古典表演藝術基金會
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巡演場次:
\n\n9/16(五)-9/18(日) 國家兩廳院
\n\n11/19(六)-11/20(日) 臺中國家歌劇院
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※Discounts are not applicable for tickets tier at NT$300 and lower.
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The dance Carmina Burana is created by LIU Feng-shueh based on an oratorio the Carmina Burana by the German modern composer Carl ORFF. The lyrics of the play are poems (mostly love songs) written by some unnamed monks or poets in the thirteenth and fourteenth centuries. The content of the lyrics reflects their inner feelings, eulogizing secular life, religious awareness and criticism of the times.
\n\nAfter the oratorio was published in 1937, it has been widely read and recited, mainly because of the rhythmic charm and music that is filled with life . The dance structure of Carmina Burana created by LIU Feng-shueh is (1) Preface (2) Early Spring (3) Hotel (4) The Palace of Love.
\n\nThe dance shows the mental journey of a group of young monks with noble ideals when they build a spiritual temple for the world. However, after he/she broke the precepts, broke free from bondage, liberated their personalities, and wandered in secular life, they returned to their original point — persistence and principle.
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Pre-talk
\n\n2022/10/1(Sat)13:50 Opera House 2nd Floor
\n\n2022/10/2(Sun)13:50 Opera House 2nd Floor
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Program
\n\nI. Fortuna Imperatrix Mundi
\n\nO Fortuna
\n\nFortune plango vulnera
\n\nII.Primo vere
\n\nVeris leta facies
\n\nOmnia sol temperat
\n\nEcce gratum
\n\nTanz
\n\nFloret silva
\n\nChramer, gip die varwe mir
\n\n(a) Reie
\n\n(b) Swaz hie gat umbe
\n\n(c) Chume, chum, geselle min
\n\n(d) Swaz hie gat umbe
\n\nWere diu werlt alle min
\n\nIII. In Taberna
\n\nEstuans interius
\n\nOlim lacus colueram
\n\nEgo sum abbas
\n\nIn taberna quando sumus
\n\nIV. Cour d' amours
\n\nAmor volat undique
\n\nDies, nox et omnia
\n\nStetit puella
\n\nCirca mea pectora
\n\nSi puer cum puellula
\n\nVeni, veni, venias
\n\nIn trutina
\n\nTempus est iocundum
\n\nDulcissime
\n\nAve formosissima
\n\nO Fortuna
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Creative and Production Team
\n\nChoreographer|LIU Feng-shueh
\n\nComposer|Carl ORFF
\n\nConductor|CHIEN Wen-pin
\n\nArtistic Director|LU Yi-chuan
\n\nChief Executive Officer|CHEN Sheng-mei
\n\nExecutive Producer|CHANG Hui-chuen
\n\nLighting Design|Anthony BOWNE
\n\nCostume Design|CHIN Ping-ping
\n\nDance Consultant|CHANG Li-chu, LO Ya-jo
\n\nMusic Consultant|LEE Ho-pe, HUANG Chun-wei
\n\nLighting Revival Consultant|LEE Chung-yu
\n\nCostume Revival|WENG Meng-ching
\n\nStage Manager|CHEN Bai-yan
\n\nMaster Electrician|WANG Yong
\n\nRehearsal Director|LIN Wei-ling , CHEN I-min
\n\nRehearsal Assistant|LIN Wei-chen, CHEN Nai-chi
\n\nSecretary|LIN Wei-chen
\n\nAdministrator|CHEN Hsi-an
\n\nAdministrative Assistant|CHAO Hsiao-han
\n\nVocal Solo|HUANG Li-chin (Taipei, Taichung), LAI Chueh-yu (Kaohsiung), Fernando WANG, CHAO Fang-hao
\n\nPerformer(s)|Neo-Classic Dance Company, National Taiwan Symphony Orchestra, Taichung Artist Chamber Choir
\n\nPerforming with Department of Dance, National Taiwan University of Sport, Taichung Artist Children's Choir, Starlight Children's Choir
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Team Introduction
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Neo-Classic Dance Company
\n\nDr. LIU Feng-shueh, based on the spirit of "transforming the body into a pen of annals, and writing all sentiments and senses in the world of men," founded Neo-Classic Dance Company with her dedicated students in Taipei on March 20, 1976. Her purpose is to create modernity with a respect for traditions, that is, to shape the historical sentience into the dance of the world by well blending Chinese humanistic cultivation and western art, and to present a diverse body of modern dance through study, creations, and performances.
\n\nDr. LIU has taken the responsibility for choreography for 60 years. From 2019, her student, LU Yi-chuan, officially takes over Neo-Classic Dance Company as a successor. Since then, Dr. LIU has devoted her time to writing and researching.
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National Taiwan Symphony Orchestra
\n\nFounded in 1945, the National Taiwan Symphony Orchestra (NTSO) is the oldest symphony orchestra in Taiwan. Since its establishment, it has been successively affiliated with the Taiwan Garrison Command, Taiwan Art Construction Association, Taiwan Provincial Department of Education, and Department of Culture, etc. In July 1999, it was subordinate to council for Cultural Affairs, Executive Yuan. The title was then changed to the National Taiwan Symphony Orchestra. Since May 2012, it came under the auspices of the Ministry of Culture. The orchestra is located in Wufeng, Taichung. With an exclusive music hall and large and small rehearsal studios, it is a full-fledged music group with a full complement of software and hardware.
\n\nSince 2019, the internationally renowned conductor maestro Lan SHUI has taken on the position of the NTSO Principal Guest Conductor, cooperating with of NTSO Director LIU to enrich artistic skills, innovate on tradition, deepen education, and promoting aesthetics, thus enhancing the public's musical life, making music ever-present like air, water and sunshine.
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Taichung Artist Chamber Choir
\n\nTaichung Artist Chamber Choir (TACC) was founded in 2009 by Dr. CHUANG Pi-hua. After Dr. CHUANG received her DMA in choral conducting in America, she gathered together people who loved singing and choral music to compose this choir. The goal of Taichung Artist Chamber Choir is not only advocating the integration of choral art and life, but also striving to become the top chamber choir in the Taichung area.
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Taichung Artist Children's Choir
\n\nTaichung Artist Children's Choir was established in 2017 by Dr. Pi-hua CHUANG, artistic director of Taichung Artist Chamber Choir, together with choral instructors Yu-hsin CHEN and Tzu-kyun LIN aiming to extend children's choral music education. The choir was the first children's choir in the middle of Taiwan to adopt the "Kodály Method" and "Dalcroze Eurhythmics."
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Starlight Children's Choir
\n\nStarlight Children's Choir was established in 2018. The choir has grown from 20 members to the current 120 students. Starlight Children's Choir has performed in several cities in Taiwan as well as in Houston, Texas in collaboration with the Houston Children's Choir.
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Department of Dance, National Taiwan University of Sport
\n\nThe Department of Dance aims to nurture the dancers, educators and researchers for dance promotion, and administrators for dance performance through the combination of modern and traditional training. The curriculum in the Department of Dance integrates the theory and application. The Department of Dance organizes annual dance performance, performance in major festivals and holidays, as well as domestic and international tours.
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Presented|National Theater& Concert Hall (NTCH), National Taichung Theater, National Kaohsiung Center for the Arts (Weiwuying)
\n\nCo- Presented|Neo-Classic Performing Arts Foundation
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四位爵士演奏家,顛覆傳統,嶄新樂團組合;音樂時而雄壯、時而柔美,呈現出薩克斯風優雅浪漫且多變的情境。
\n\n由薩克斯風演奏家楊曉恩、李承育領軍,安排高音、中音、次中音及上低音薩克斯風組合成古典型態的四重奏室內樂。一種新型的室內樂演奏形式,擁有銅管五重奏的力度美和音效、弦樂四重奏的柔美和諧、木管五重奏的跳躍靈動,同時還具有高達四個半八度的音樂表現,成為室內樂中具有獨特魅力的音樂組合形式。然而,四位演奏家爵士音樂家的演奏背景,讓TSJO薩克斯風四重奏煥然一新,演奏風格涵蓋爵士、現代、甚至通俗與流行音樂,音樂的呈現時而雄壯、時而柔美;一個顛覆傳統,嶄新樂團組合,呈現出薩克斯風優雅浪漫且多變的情境。
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演出曲目
\n\n楊曉恩:淘氣的貓、 共情
\n\n李承育:依賴、媽媽之歌
\n\n潘子爵:月海、琴酒
\n\n廖莊廷:旅行、家
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演出暨製作團隊
\n\n高音、中音薩克斯風 | 楊曉恩
\n\n中音薩克斯風 | 潘子爵
\n\n次中音薩克斯風 | 廖莊廷
\n\n上低音薩克斯風 | 李承育
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Four jazz players, subverting traditions and creating a new orchestra; the music is sometimes majestic, sometimes soft, presenting a saxophone elegant, romantic and changeable situation.
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\nLed by saxophonists Shawn YANG and Cheng-Yu LEE, the soprano, alto, tenor and baritone saxophones are combined to form an ancient quartet chamber music. A new type of chamber music performance, with the dynamic beauty and sound effects of the brass quintet, the soft harmony of the string quartet, the jumping and agility of the woodwind quintet, and the musical performance of up to four and a half octaves. A unique and attractive musical composition. However, the playing background of the four jazz musicians makes the TSJO saxophone quartet take on a whole new look. The playing styles cover jazz, modern, and even popular and popular music. The presentation of music is sometimes majestic and sometimes soft; The ensemble combination of saxophone presents the elegant, romantic and changeable situation of saxophone.
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Program
\n\nShawn YANG: Naughty Cats, Empathy
\n\nCheng-Yu LEE: Reliance, For Mom
\n\nRuby PAN: Sea of the Moon, Gin
\n\nJustin LIAO: Travel, Home
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Creative and Production Team
\n\nSoprano Saxophone|Shawn YANG
\n\nAlto Saxophone|Ruby PAN
\n\nTenor Saxophone|Justin LIAO
\n\nBaritone Saxophone|Cheng-Yu LEE
\n\n\n\n
\n',team:""},createdAt:1655256657,updatedAt:1660915471,updatedBy:"通泰系統管理員",host:!1},{_id:"62b12dc1b3860e0008f9d1fc",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662877800,discrete:[{time:1662877800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1530113793608597509"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bea8b804df4b57b58967581d58ed80f4",title:"2022 巴雀 Camerata Taiwan《古典魂 classicAnima》"}],related:[],title:"2022 巴雀 Camerata Taiwan《古典魂 classicAnima》",cover:"8a8c880aa56288cc22183e28930b8742",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
《古典魂》是一場穿越時空與跨越疆界的音樂對話。
\n\n\n\n
演出首先帶來楊聰賢的《弦樂二章:<西北有高樓>、<小的夜曲>》,聆聽作曲家透過創作省思生命,與古詩詞以及義大利作曲家達拉匹寇拉的音樂對話。接著讓我們從稍近一點的二十世紀出發,聆聽施尼特克於《Moz-Art à la Haydn》筆下的莫札特與海頓。特別邀請臺灣新生代最受矚目的大提琴家李孟坡,帶來海頓大提琴協奏曲。音樂會的最後將演出莫札特第29號交響曲,在音樂中聽見海頓與莫札特忘年之交的珍貴情誼。
\n\n\n\n
演出曲目
\n\n施尼特克:《Moz-Art á la Haydn》
\n\n海頓:《第二號大提琴協奏曲》
\n\n楊聰賢:《弦樂二章:<西北有高樓>、<小的夜曲>》
\n\n莫札特:《第29號交響曲》
\n\n\n\n
演出暨製作團隊
\n\n指 揮|楊書涵
\n\n大提琴|李孟坡
\n\n樂 團|巴雀 Camerata Taiwan
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bea8b804df4b57b58967581d58ed80f4",title:"2022 巴雀 Camerata Taiwan《古典魂 classicAnima》"}],related:[],title:'2022 Camerata Taiwan "classicAnima"',cover:"8a8c880aa56288cc22183e28930b8742",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
At the beginning, Camerata Taiwan will present works of YANG Tsung-hsien. These pieces are written through contemplation of the composer's life. Throwback a bit to the early 20th century, the second work in the program is Alfred Schnittke's Moz-Art à la Haydn, a regeneration of Mozart and Haydn in Neo-classical style. The special guest soloist, LEE Mon-puo will join in the cello concerto of Haydn. The last repertoire of the concert is Mozart's Symphony No. 29 in A Major, which represent the precious friendship between Mozart and Haydn.
\n\n\n\n
Program
\n\nAlfred Schnittke: Moz-Art á la Haydn
\n\nJoseph Haydn: Cello Concerto No. 2 in D major
\n\nTsung-Hsien Yang: Two Essays: "Un sospiro" & "Musica Notturna Dallapiccola", for String Orchestra
\n\nWolfgang Amadeus Mozart: Symphony No. 29 in A major, K. 201
\n\n\n\n
Creative and Production Team
\n\nConductor|YANG Su-han
\n\nCello|LEE Mon-puo
\n\nCamerata Taiwan
\n\n\n\n
\n',team:""},createdAt:1655778753,updatedAt:1656053716,updatedBy:"林蔚行",host:!1},{_id:"62b17fc2b3860e0008f9dfa9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663482600,discrete:[{time:1663482600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1ZWCG1I"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d97c4be0123eb9236baf591365899384",title:"「水與火」2022黃楚涵鋼琴獨奏會"}],related:[],title:"「水與火」2022黃楚涵鋼琴獨奏會",cover:"ccace0b2b07ecabe4f38f7763caae9d8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
雷斯畢基的六首鋼琴曲呈現風光明媚的義大利風情,拉威爾根據法國詩人路易.貝特蘭散文詩為靈感,創作出強烈的聲音渲染並將詩裡的荒誕狂野與奇異故事如實呈現,營造出新層次的恐怖美學。蕭邦《船歌》呈現是搖曳與波光粼粼,綿延的旋律線及流暢的節奏,彷彿船伕奮力的划行,激起陣陣的水波蕩漾。史特拉汶斯的《火鳥》來自俄羅斯的傳說,咄咄逼人的「地獄之舞」,「催眠曲」精力流失,「終曲」火鳥成全美滿後昇華飛向天際。兩位國人的全新作品,林明儀《時雨》及劉聖賢的《時間之書》。
\n\n\n\n
演出曲目
\n\n雷斯畢基六首鋼琴作品
\n\n拉威爾 加斯巴之夜
\n\n蕭邦 船歌
\n\n劉聖賢 時間之書 III & IV(首演)
\n\n林明儀 時雨(首演)
\n\n史特拉汶斯基/阿果斯基 火鳥
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|黃楚涵
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d97c4be0123eb9236baf591365899384",title:"「水與火」2022黃楚涵鋼琴獨奏會"}],related:[],title:"Water and Fire",cover:"ccace0b2b07ecabe4f38f7763caae9d8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Respighi's 6 Pieces for Piano represents Italian landscape. Ravel's Gaspard de la nuit are based on a poem written by A. Bertrand. Chopin's Barcarolle features a sweepingly romantic and slightly wistful tone. Stravinsky's fire bird is a ballet and orchestra concert work. Agosti arranges it to a piano solo piece. Taiwanese composers Sheng-Hsien LIU Time Books III & IV and Ming-Yi LIN Shigure will be premiered in this concert.
\n\n\n\n
Program
\n\nOttorino Respighi: 6 Pieces for Piano, P. 44
\n\nMaurice Ravel: Gaspard de la nuit
\n\nFrédéric Chopin: Barcarolle, Op. 60
\n\nSheng-Hsien Liu: Time Books III & IV
\n\nMing-Yi Lin Shigure
\n\nIgor Stravinsky/AgostiL’Oiseau de feu
\n\n\n\n
Creative and Production Team
\n\nPiano|Chu-Han HUANG
\n\n\n\n
\n',team:""},createdAt:1655799746,updatedAt:1660367108,updatedBy:"通泰系統管理員",host:!1},{_id:"62ba5c53afe2d7000ae358d6",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1662791400,discrete:[{time:1662791400},{time:1662877800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1534079963978219522"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"733dbc3e78ea42f81f03bb5f08b3a1a6",title:"優人神鼓《轉山》"}],related:[],title:"優人神鼓《轉山》",cover:"88ad74db681e64450f45949c5ca28b60",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
轉山,是盛行於西藏地區莊嚴而神聖的儀式,人們相信繞著神山轉行可以洗滌一生罪孽,也視為對大自然及神山敬畏的具體表現。優人神鼓二十年前曾走過這趟神聖的行者之旅,至今仍無法忘懷,進而將西藏朝聖路途中的所見所感轉化為創作泉源,從看見內在心性的旅行,重新思考生命的意義。
\n\n\n\n
演出暨製作團隊
\n\n導演|劉若瑀
\n\n編舞/作曲|黃誌群
\n\n舞台設計|林克華
\n\n影像設計|王奕盛
\n\n互動媒體設計|黑川互動媒體藝術
\n\n燈光設計|李琬玲
\n\n服裝設計|葉錦添、UUIN
\n\n面具設計|張忘
\n\n民間音樂編曲|龍珠慈仁、柯智豪
\n\n書法題字|董陽孜
\n\n指導上師|江敏吉 大伏藏師
\n\n西藏文化顧問|劉國威、魏心怡
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"733dbc3e78ea42f81f03bb5f08b3a1a6",title:"優人神鼓《轉山》"}],related:[],title:"KAILASH PILGRIMAGE",cover:"88ad74db681e64450f45949c5ca28b60",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Circumambulate the mountain is a solemn and sacred ceremony prevalent in Tibet. People believe that walking around the holy mountain can wash the sins of a lifetime away. It is also regarded as a manifestation of reverence for nature and the holy mountain. The spiritual journey U-Theatre took 20 years ago remains impressive to this day. During the pilgrimage in Tibet, we gazed at our inner selves and reconsidered the meaning of life. What we saw and felt becomes the inspiration for the creation "Kailash Pilgrimage".
\n\n\n\n
Creative and Production Team
\n\nDirector|LIU Ruo-yu
\n\nChoreographer / Music Director|HUANG Chih-chun
\n\nStage Design|LIN Keh-hua
\n\nVideo Designer| Ethan WANG
\n\nInteractive Media Design|Peppercorns Interactive Media Art Inc.
\n\nLighting Design|Lulu LEE
\n\nCostume Design|YIP Kam-tim, UUIN
\n\nMask Design|CHANG Wang
\n\nFolk Music Arrangement|Lhundup Tsering, Blaire KO
\n\nCalligraphy|TONG Yang-tze
\n\nTibetan Culture Consultant|LIU Kuo-wei, WEI Xin-yi
\n\nSpecial thanks to the Great Terton Min-chi CHIANG
\n\n\n\n
\n',team:""},createdAt:1656380499,updatedAt:1656388801,updatedBy:"林蔚行",host:!1},{_id:"62be9f5eafe2d7000ae41172",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662706800,discrete:[{time:1662706800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N20K8XWD"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a8796d313d60269399b3c4988e1626d2",title:"尼布恩系列1 —回《Return》"}],related:[],title:"尼布恩系列1 —回《Return》",cover:"6f7729bc64a299d13ade9a6ef1fec57a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
尼布恩系列1 —回《Return》回家 return to heart to home 之意。本場音樂會將規劃以歌舞劇方式演出,結合高雄六龜在地的文化特色,訴說八八風災後,屬於高雄六龜的山城音樂故事...尼布恩合唱團演出曲目包含國語、福佬語、原住民語、客語與外文歌曲,將透過歌聲唱出發自內心對土地的敬愛、對神靈的敬畏、對日常點滴的恬然歡愉、與對自然生命的感動。
\n\n\n\n
演出曲目
\n\n媽媽咪呀
\n\n草仔枝
\n\n如果明天就是下一生
\n\n媽媽的眼睛
\n\n從此刻起
\n\n化胎
\n\n布農組曲
\n\n輕鬆快樂
\n\n南王系之歌
\n\n惡水上的大橋
\n\n\n\n
演出暨製作團隊
\n\n指揮|陳俊志
\n\n導演|楊文忻
\n\n編劇|姜明琦
\n\n女高音|許家倫
\n\n鋼琴|盧舒涵
\n\n大提琴|張雅涵
\n\n小提琴|張簡瑞玟
\n\n合唱團|尼布恩合唱團
\n\n\n\n
指導單位|國家發展委員會、文化部、高雄市政府
\n\n主辦單位|財團法人陳啟川先生文教基金會、高雄市尼布恩人文教育關懷協會
\n\n協辦單位|刷樂國際股份有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a8796d313d60269399b3c4988e1626d2",title:"尼布恩系列1 —回《Return》"}],related:[],title:'Nibun Series 1 - "Return"',cover:"6f7729bc64a299d13ade9a6ef1fec57a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Return implies come back to heart and home. The concert will be hold in the form of musical, containing the distinctive culture of Liou-Guei town in Kaohsiung. We will show the music and the story in the town after Typhoon Morakot raged. Nibun Chorus will sing songs in Mandarin, Taiwanese, Indigenous languages, Hakka, and other foreign languages. By singing songs, we’ll convey the love to the earth from the deepest hearts, the awareness to Gods and Spirits, the joy to daily life, and the gratitude to the nature.
\n\n\n\n
Program
\n\nMamma Mia
\n\nSmall grass
\n\nIf Tomorrow Were the Next Life
\n\nCina
\n\nFrom now on
\n\nMother Mound
\n\nBunun Suite
\n\nEasy and Joyful
\n\nSong of Puyuma
\n\nBridge Over Trouble Water
\n\n\n\n
Creative and Production Team
\n\nConductor|Chun-Chih CHEN
\n\nDirector|Wen-Hsin YANG
\n\nScreenwriter|Ming-Chi JIANG
\n\nSoprano|Chia-Lun HSU
\n\nPiano|Shu-Han LU
\n\nCello|Ya-Han CHANG
\n\nViolin|Jui-Wen Chang CHIEN
\n\nChoir|Nibun Chorus
\n\n\n\n
Adviser|Ministry of Culture、National Development Council、Kaohsiung City Government
\n\nOrganizer|Frank.C.Chen Cultural&Educational Foundation、Kaohsiung Nibun Association
\n\nCo-organizer|SHALLOP INTERNATIONAL CO., LTD.
\n\n\n\n
\n',team:""},createdAt:1656659806,updatedAt:1657097152,updatedBy:"林蔚行",host:!1},{_id:"62bea7b4bb7c2e0007fd27b4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662809400,discrete:[{time:1662809400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N20K8XWK"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f795aa6b5d44ed630f2aa62604eb91e5",title:"純粹-公益音樂會"}],related:[],title:"《純粹-公益音樂會》",cover:"28638cc7272744ba9d4203cea77bc1a7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2019年武漢肺炎疫情爆發,醫院工作的第一線人員,為了保護全臺灣人民,負重前行,堅守工作岡位。2年過去,為臺灣守護美好家園交出一張美好成績單,現在這些醫療人員期待能與本會及高雄市超越巔峰關懷協會攜手一同開音樂會,並將演出的所得捐獻給弱勢團體。我們希望將善的能量透過合唱音樂傳遞出去,讓臺灣更美好。我們也以音樂感謝所有在疫情期間堅守的所有工作人員和所有配合疫情政策的民眾。純粹意為無雜質的。我們希望透過音樂傳達我們對音樂最純粹的喜愛,與感激之情。
\n\n\n\n
演出曲目
\n\n閃電俠樂團─流行金曲
\n\n垂憐經
\n\n天鵝
\n\n南十字星
\n\n我們的天父
\n\n天佑非洲
\n\n媽媽的眼睛
\n\n從此刻起
\n\n南王系之歌
\n\n地球的花園
\n\n美麗Formosa
\n\n婉如一場夢
\n\n台灣
\n\n民歌組曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|陳俊志
\n\n女高音|陳沅宜、許家倫、藍家陽
\n\n鋼琴|盧舒涵、林憶涵、黃俞憲
\n\n大提琴|張雅涵
\n\n小提琴|張簡瑞玟
\n\n擊樂|張原碩
\n\n歌手|王明哲
\n\n合唱團|尼布恩合唱團、高雄醫學大學聲樂社校友團、高雄醫學大學聲樂社
\n\n打擊樂團|閃電俠樂團
\n\n\n\n
指導單位|國家發展委員會、文化部、高雄市政府
\n\n主辦單位|財團法人陳啟川先生文教基金會、高雄市尼布恩人文教育關懷協會
\n\n協辦單位|高雄醫學大學、高雄市超越巔峰關懷協會
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f795aa6b5d44ed630f2aa62604eb91e5",title:"純粹-公益音樂會"}],related:[],title:"Purely-Charity concert",cover:"28638cc7272744ba9d4203cea77bc1a7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since the outbreak of COVID-19 pandemics in 2019, the first line staffs in hospital carry the load to protect people in Taiwan. As 2 years passed by, they have accomplished the jobs. The medical workers now hold the music concert together with Kaohsiung Nibun Association and the Beyond the Pinnacle Care Association, and we’ll donate the incomes to the vulnerable groups. We hope to convey the goodwill by singing choir songs. We are also grateful to the staffs who work hard and stick to their work in the COVID-19 pandemics, and to people who cooperate with the policies on the epidemics. We hope to express our purest love to music and gratitude by music.
\n\n\n\n
Program
\n\nGreatest pop songs
\n\nKyrie
\n\nNjoktje (The Swan)
\n\nSuiderkruis (Southern Cross)
\n\nBaba Yetu
\n\nNkosi Sikelela iAfrika (God Bless Africa)
\n\nCina
\n\nFrom now on
\n\nSong of Puyuma
\n\nThe garden of Earth
\n\nBeautiful Formosa
\n\nA dream with Peng Wan-Ru
\n\nTaiwan
\n\nFolk song suite
\n\n\n\n
Creative and Production Team
\n\nConductor|Chun-Chih CHEN
\n\nSoprano|Yuan-Yi CHEN, Chia-Lun HSU, Jia-Yang LAN
\n\nPiano|Shu-Han LU, Yi-Han LIN, Yu-Hsien HUANG
\n\nCello|Ya-Han CHANG
\n\nViolin|Jui-Wen CHANG CHIEN
\n\nPercussion|Yuan-Shuo CHANG
\n\nSpecial Invite|Ming-Je WANG
\n\nChoir|Nibun Chorus、KMU Singers Alumni Chorus、KMU Singers
\n\nPercussion Group|Percussion Group of Beyond the Pinnacle Care Association
\n\n\n\n
Adviser|Ministry of Culture、National Development Council、Kaohsiung City Government
\n\nOrganizer|Frank.C.Chen Cultural&Educational Foundation、Kaohsiung Nibun Association
\n\nCo-organizer|Kaohsiung Medical University、Beyond the Pinnacle Care Association
\n\n\n\n
\n\n
\n',team:""},createdAt:1656661940,updatedAt:1660367170,updatedBy:"通泰系統管理員",host:!1},{_id:"62beb0abafe2d7000ae414ae",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662377400,discrete:[{time:1662377400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1600,2e3,2400,2600,2800,3200,3800],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1ZE0AY4"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"78646594303fdcede11dc24efb342911",title:"《迪士尼動畫電影音樂會》"}],related:[],title:"《迪士尼動畫電影音樂會》",cover:"f3a0d79605c2e851159252588e9f5c94",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
風靡全球具標誌性的迪士尼熱門歌曲《小美人魚》、《冰雪奇緣》、《睡美人》、《阿拉丁》等,頂尖美國百老匯歌手現場演唱,超大螢幕高清播放原版動畫片段和管弦樂團磅礡演奏,匯集聲、光、影的視聽盛會,創造歡樂與夢想的動畫世界,引領觀眾一探迪士尼從經典到當代中夢幻的故事魅力,告訴我們世界上沒有不可能的事,「如果你願意繼續相信,你的美夢就會成真。」
\n\n\n\n
演出曲目
\n\n經典迪士尼序曲
\n\n《小美人魚》
\n屬於你的世界
\n海洋之心
\n悲慘靈魂
\n大白鱘閃光鱘
\n親吻那女孩
\n美好的結局
《海洋奇緣》
\n揚帆出發
《阿拉丁》
\n阿拉伯之夜
\n像我這樣的朋友
\n嶄新的世界
《魔髮奇緣》
\n我的生活何時才改變
《鐘樓怪人》
\n到外面去
《大力士》
\n邁向遠方
《冰雪奇緣》
\n放開手
《美女與野獸》組曲
\n貝兒
\n魔咒解除
\n當我們的嘉賓
\n美女與野獸
夢想成真的旋律組曲《仙履奇緣》
\n夢想是你內心最深的渴望
\n魔法變身時刻
\n這就是愛
《睡美人》
\n戰勝惡勢力
《可可夜總會》
\n請記得我/勿忘我
《獅子王》
\n榮耀之岩的獅子王
\n獅子來了
\n生生不息
\n我等不及要當國王
\n今晚感受我的愛
\n榮耀之地
\n生生不息
\n\n
演出暨製作團隊
\n\n樂團|臺中市交響樂團
\n\n歌手|麗莎.麗弗榭、惠特尼.克萊兒.科夫曼、亞倫.菲利普斯、安德魯.強森
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"78646594303fdcede11dc24efb342911",title:"《迪士尼動畫電影音樂會》"}],related:[],title:"Disney in Concert 2022",cover:"f3a0d79605c2e851159252588e9f5c94",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Disney in Concert is back on September and we are excited to invite you to be our guest, experiencing the most talented musical pieces featuring Disney all-time favorite movies, on the big screen with live orchestra and vocals who comes from the top Broadway singers.Tale as old as time, audiences will be transported to a whole new world as the concert brings these beloved stories and its characters to life through the musical talents played perfectly synchronised to the original animated clips.Be transported on an enchanting journey, bring the whole family to see Disney's beloved animations and hear the singers and orchestra perform arrangements from early classics to recent releases, including The Little Mermaid, Aladdin, Hunchback of Notre Dame, Frozen, Beauty and the Beast, Sleeping Beauty and The Lion King.
\n\n\n\n
Program
\n\nDisney Classics Overture (instrumental)
\n\nThe Little Mermaid
\n("Part of Your World", "Under the Sea", "Poor Unfortunate Soul", "Beluga Sevruga", "Kiss the Girl", "Happy Ending")
Moana
\n("How Far I'll Go")
Aladdin Medley
\n("Arabian Nights", "Friend Like Me", "A Whole New World")
Tangled
\n("When Will My Life Begin?")
Hunchback of Notre Dame
\n("Out There")
Hercules
\n("Go the Distance")
Frozen
\n("Let It Go")
Beauty and the Beast
\n("Belle", "Transformation", "Be Our Guest", "Beauty and the Beast")
A Dream is a Wish Medley (The Music of Cinderella)
\n("A Dream is a Wish Your Heart Makes", "Bibbidi-Bobbidi-Boo", "So This is Love")
Sleeping Beauty
\n("Battle with the Forces of Evil")
Coco
\n("Remember me")
The Lion King
\n("Circle of Life", "I Just Can't Wait To Be King", "Can You Feel the Love Tonight")
\n\n
Creative and Production Team
\n\nTaichung City Symphony Orchestra
\n\nSingers|Lisa LIVESAYi, Whitney Claire KAUFMAN, Aaron Phillips, Andrew Johnson
\n\n\n\n
\n',team:""},createdAt:1656664235,updatedAt:1657274220,updatedBy:"林蔚行",host:!1},{_id:"62c4f259f30b0e0007dc5d31",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662204600,discrete:[{time:1662204600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,1800,2500],link:"https://www.opentix.life/event/1541304604024557574"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6ff9d4166dcaee27b603cb8af2d70c8",title:"2022 Taiwan Connection音樂節《向巨人致敬》"}],related:[],title:"2022 Taiwan Connection音樂節《向巨人致敬》",cover:"4322d0cf8f422c1a322bcc6323554831",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
貝多芬的第五號交響曲《命運》始於c小調;終於C大調,一反當時結束與開始樂章同調性的習慣,而他說「歡樂隨著悲傷、陽光–雨。 讓我感到彷彿我正仰望晚星銀光閃閃。」無論社會局勢與思潮如何變化,貝多芬從耳疾絕望中奮起,不停在藝術中找尋自由。正因此,後世總以他的音樂或表彰或紀念巨人的奮鬥過程。尤其「命運」的第三樂章末至第四樂章,音樂匍匐前進,困頓摸索,而終至銅管大放異彩,彰顯「光明將戰勝黑暗」的精神大旗。
\n\n同場音樂會並邀請中提琴家Paul Neubauer與藝術總監胡乃元共同演出「交響協奏曲」。據聞中提琴是莫札特喜愛的樂器之一,而他離世三年前所創作的慢板與賦格,始與終都在c小調上,TC以此曲揭開音樂會序幕,用以呼應同樣調性、卻終於光明勝利的貝多芬《命運》。
\n\n\n\n
演出曲目
\n\n莫札特:《慢板與賦格》, K.546
\n\n莫札特:給小提琴、中提琴與管弦樂團的交響協奏曲
\n\n貝多芬:第五號交響曲《命運》
\n\n\n\n
演出暨製作團隊
\n\n音樂總監暨小提琴|胡乃元
\n\n中提琴|保羅·紐鮑爾
\n\nTC室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6ff9d4166dcaee27b603cb8af2d70c8",title:"2022 Taiwan Connection音樂節《向巨人致敬》"}],related:[],title:"2022 Taiwan Connection Festival",cover:"4322d0cf8f422c1a322bcc6323554831",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Beethoven pulled himself together from the despair in his hearing loss, seeking for freedom in arts. Therefore, the later generations always played his music to admire or memorize the struggles of great musicians. Especially in the end of the third movement to the fourth movement, the orchestra begins to build, but never reaches the climax of the phrase. At the finale is a powerful brass segment, highlighting the spiritual flag of "darkness cannot overcome the light" fluttering. Violaist Paul Neubauer was invited to perform Sinfonia Concertante (Symphony-Concerto) with the artistic director Nai-Yuan Hu at the concert. It is generally believed that the viola is one of Mozart's favorite instruments. His string quintets are often written for two violas, rather than two cellos. The adagio and fugue pieces he created three years before he passed away all start and end in C minor. TC used this song as the overture of the concert to echo with Beethoven's Fate as they share the same key, but the latter finishes in the light of victory.
\n\n\n\n
Program
\n\nWolfgang Amadeus Mozart: Adagio and Fugue in C Minor, K. 546
\n\nWolfgang Amadeus Mozart: Sinfonia concertante for Violin, Viola and Orchestra, K. 364
\n\nLudwig van Beethoven: Symphony No. 5 in C Minor, Op. 67
\n\n\n\n
Creative and Production Team
\n\nMusic Director, violin|HU Nai-Yuan
\n\nViola|Paul Neubauer
\n\nTaiwan Connection Chamber Orchestra
\n\n\n\n
\n',team:""},createdAt:1657074265,updatedAt:1657511864,updatedBy:"林蔚行",host:!1},{_id:"62c50838f30b0e0007dc6147",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663414200,discrete:[{time:1663414200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1537402704856825857"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab36823c98b716abddb13e35fbb291a4",title:"《懷舊非非With Nostalgia》"}],related:[],title:"「節目異動」《懷舊非非With Nostalgia》",cover:"62bea39953c7182198f6f3d5c507f6e8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年8月26日(五)19:30於衛武營表演廳演出之《懷舊非非With Nostalgia》,節目延期至2022年9月17日(六)19:30演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年9月17日(六)前完成辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
當視覺與聽覺交織呈現,你可以看見音樂!非非藝術團隊充滿藝術活力與創意,團員為藝術工作者、一線歌者、音樂教師和各大學音樂研究所在學學生。多年來以獨創的舞台魅力,忠實還原歌曲當中的真實生命,總為觀眾帶來視覺聽覺的雙重感動。除了在國家兩廳院定期的展演,也受邀出訪韓國丶美國丶新加坡丶馬來西亞各地巡迴演唱。非非藝術團隊8月26日將為南臺灣帶來溫暖懷舊的歌曲,曲目除了80年代的金曲改編,也包括雋永的《真善美》組曲 (The Sound of Music) 、《獅子王》組曲 (The Lion King)。
\n\n\n\n
演出曲目
\n\n當你相信(選自《埃及王子》)
\n\n往日情懷
\n\n羅大佑:童年
\n\n羅大佑:明天會更好
\n\n《真善美》組曲
\n\n今晚,你可感受到愛?(選自《獅子王》)
\n\n\n\n
演出暨製作團隊
\n\n藝術總監、編曲及指揮|詹怡嘉
\n\n合唱|非非藝術團隊
\n\n鋼琴|劉妍利
\n\n長笛|陳蕙萱 ,豎笛/曾彥淳
\n\n客席打擊|吳瑞宗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab36823c98b716abddb13e35fbb291a4",title:"《懷舊非非With Nostalgia》"}],related:[],title:"(Program changed) Filled with Nostalgia",cover:"62bea39953c7182198f6f3d5c507f6e8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2771-1270. | \n\t\t
\n\n
When visual and auditory are intertwined, you can see music! Feifei Artistic Team is full of artistic vitality and creativity. The members are art workers, singers, music teachers and music-major students from university. Over the years, the original stage charm has faithfully restored the real life in the songs, always bringing the audience a double touch of visual and auditory. On August 26th, Feifei Artistic Team will bring warm and nostalgic songs to southern Taiwan. The repertoire includes not only the golden songs of the 1980s, but also the meaningful《The Sound of Music》and《The Lion King》suite.
\n\n\n\n
Program
\n\nWhen You Believe (from The Prince of Egypt)
\n\nBarbra STREISAND: The Way We Were
\n\nLO Ta-you: Childhood
\n\nLO Ta-you: Tomorrow Will Be Better
\n\nSongs from The Sound of Music
\n\nCan You Feel the Love Tonight (from The Lion King)
\n\n\n\n
Creative and Production Team
\n\nArtistic Director, Arranger, Soprano|Gigi Chan
\n\nFeiFei Artistic Team
\n\nPiano|Yenli Liu
\n\nFlute|Hui-Xuan Chen
\n\nClarinet|Yen-chun Zeng
\n\nGuest percussion|Jui-Tsung Wu
\n\n\n\n
\n',team:""},createdAt:1657079864,updatedAt:1661485274,updatedBy:"林蔚行",host:!1},{_id:"62c695a2869db0000720bd2e",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1658372400,discrete:[],type:"continuous",continuous:{time:[1657162800],endTime:[1657198800],start:1658332800,end:1664035200}},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8d6c6f6d9182564364bce24d9141d4",title:"祈福許願樹"}],related:[{from:"links",key:"6258df5c7406e30007ca05ed",title:"康木祥《如意生命》特展"},{from:"programs",key:"6296013a68f93b0007f52df1",title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》"}],title:"祈福許願樹",cover:"7e22dd294200a556ec6babe90ee9bfa1",site:{isOther:!0,site:"",other:"榕樹廣場西側平台"},cautions:"",benefits:"",description:"祈福的瞬間,就是夢想的開始。透過科技與藝術的結合,在絢麗多彩的科技顯示技術下,將您的祈福心願,呈現在一張張的晶透屏幕中,傳遞到每一個人的心裡。",introduction:'
在這個紛亂的社會氛圍中,令人擔憂的疫情蔓延下,來祈個福、許個願吧!不管您在何地,只要透過Line App,就可以將您寶貴的祝福心願,傳遞到祈福許願樹上,讓您最心愛的人,深深感受到最誠摯的祝福!
\n\n經濟部技術處科技專案支持下,透過科技與藝術的完美結合,祈福許願樹將帶給您一場高科技的燈光、音樂饗宴,在衛武營環抱的藝術殿堂中,欣賞絢爛奪目,意境深遠的聲光展演!
\n\n孩子們最愛的可愛生物,活靈活現的在樹梢、樹幹間奔跑穿梭,還可以呈現在互動遊戲中由孩子們的雙手控制移動,營造最美麗的親子互動時光!
\n\n\n\n
開放時間
\n\n2022/7/9(六)-9/25(日)11:00-21:00
\n\n\n\n
製作團隊
\n\n工研院電子與光電系統研究所
\n\n人森工作室 涂皓欽 創辦人
\n\n中華民國工業設計協會副理事長 曾俊儒教授
\n\n成輝光電有限公司 詹茂華 董事長
\n\n偉揚藝術有限公司 吳佳展 董事長
\n\n酷奇思數位園有限公司 劉淑芬 總經理
\n\n\n\n
照片版權:財團法人工業技術研究院
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8d6c6f6d9182564364bce24d9141d4",title:"祈福許願樹"}],related:[],title:"Wishing Tree",cover:"7e22dd294200a556ec6babe90ee9bfa1",site:{isOther:!0,site:"",other:"Banyan Plaza"},cautions:"",benefits:"",description:"The moment to make a wish is the moment to make the dream come true.",introduction:'
The moment to make a wish is the moment to make the dream come true. The combination of technology and art under the colorful transparent displays deliver wishes to warmup everyone's heart.
\n\n\n\n
Production Teams
\n\nKevin C. Tseng, Deputy Director-general of Chinese Industrial Designers Association
\n\nCooky Liu, Chief Executive Officer of COOKY'S Digital Park Limited Company
\n\nSmoky Tu, Founder of Foresters Studio
\n\nWoody Chen, Chairman of TOPRGB OPTO Limited Company
\n\nChia-Chan Wu, Chairman of Wei Yang Iron Works Co., LTD.
\n\nIntelligent Vision System Division, Industrial Technology Research Institute
\n\n\n',team:""},createdAt:1657181602,updatedAt:1660897852,updatedBy:"通泰系統管理員",host:!1},{_id:"62cbdfc6869db0000721d22b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662274800,discrete:[{time:1662274800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N20EAKPB"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84a73791bdf0ed7e1245f75824ee5e77",title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》"}],related:[],title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》",cover:"14ca41bbce2b33e0e932ad17b4071b05",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市管樂團自2012年成立以來,已經舉辦了超過百場的音樂會屢屢深獲好評,2022年適逢為高雄市管樂團創團十週年,我們首檔合作對象將邀請國內相當知名的單簧管重奏團–魔笛單簧管四重奏合作,規劃一場以單簧管為主軸精彩的音樂會,除了演出席布卡的《單簧管旋風》與那瓦羅的《劍客們》兩首精彩的奏曲之外,也會由駐團作曲家周宣宏為本場音樂會創作一首給單簧管四重奏與管樂團的原創曲目,於當天進行全球首演,希望能創造更多話題吸引全國單簧管與管樂學習者前來高雄參與這場年度盛會。
\n\n\n\n
演出曲目
\n\n蘇佩:《維也納的晨、午、晚》序曲
\n\n理查‧史特勞斯:玫瑰騎士組曲
\n\n席布卡:單簧管旋風
\n\n納瓦羅:劍客們
\n\n周宣宏:給單簧管四重奏與管樂團
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n樂團|高雄市管樂團
\n\n魔笛單簧管四重奏|黃荻、林佩筠、韓健峰、林志謙
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84a73791bdf0ed7e1245f75824ee5e77",title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》"}],related:[],title:"Clarinet Fest",cover:"14ca41bbce2b33e0e932ad17b4071b05",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since founded in 2012, the Kaohsiung City Wind Orchestra has presented more than one hundred concerts. 2022 is the KCWO's 10th anniversary. The very first of the concert series to celebrate our 10th anniversary will work with the famous Magic Clarinet Quartet. We will present a concert with wonderful repertoire featuring clarinet, including Cibulka's Clarinova and Navarro's The Musketeers Fantasy. A new piece for clarinet quartet and wind symphony by the KCWO's composer in resident CHOU Hsuan-Hung will also be premiered.
\n\n\n\n
Program
\n\nFranz von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien Overture
\n\nRichard Strauss: Rosenkavalier Suite
\n\nFranz Cibulka: Clarinova
\n\nÓscar Navarro: "The Musketeers" Fantasy
\n\nHsuan-Hung CHOU: Concerto for Clarinet Quartet and Wind Band
\n\n\n\n
Creative and Production Team
\n\nConductor|Wang, CHAN
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\nMagic Clarinet Quartet|Ti HUANG, Pei-Yun LIN, Chien-Feng HAN, Chih-Chien LIN
\n\n\n\n
\n',team:""},createdAt:1657528262,updatedAt:1658923894,updatedBy:"林蔚行",host:!1},{_id:"62cbe351869db0000721d2e4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662463800,discrete:[{time:1662463800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1300,1600,1900,2200,2500,2800],link:"https://tickets.udnfunlife.com/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1L9IBGI"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d39de14f17a72cc11557e72473bc72c",title:"《阿卡貝拉超級天團-Take 6》"}],related:[],title:"《阿卡貝拉超級天團-Take 6》",cover:"4f251d7177f054f0f184a9f31a8b893d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
從爵士到流行、節奏藍調到純人聲重唱,Take 6都是數十年來執樂壇牛耳的超級人聲天團,近四十年歷史上不斷創下驚人紀錄,是音樂史上最成功、獲獎最多的演唱團體之一,曾與麥可傑克遜、史蒂夫汪達、艾拉費茲潔拉、雷查爾斯、惠妮休士頓等天王天后合作。Take 6成立三十多年擄獲各大音樂獎項與排行榜,2022巡演將是Take 6 首度來臺演唱會。
\n\n\n\n
演出曲目 (暫定)
\n\nSpread Love / Mark Kibble, Claude McKnight, Mervyn Warren
\nWade in the Water / Published in 'New Jubilee songs' by John Wesley Work II & Frederik J Work (Frisk Jubilee Singers)
\nSmile / John Turner, Geoffrey Parsons, Charlie Chaplin
\nWindmills of your mind / Alan Bergman, Marilyn Bergman, Michel Legrand
\nStand by me / Ben E King, Jerry Leiber, Mike Stoller
\nStraighten up and fly right / Nat King Cole & Irving Mills
\nJust in time / Jule Styne, Betty Comden, Adolph Green
\nDown Here I've Done my best / "Writer - Napoleon Brown with Selah Jubilee Singers Arranged - M Kibble, D Thomas, C Dentley"
\nAlleluia / "Writer - Randall Thompson Arranged - M Kibble"
\nSo much to say / Take 6
\nMary / Frisk Jubillee Singers
\nGet Away Jordan / Take 6
\nFamily of Love / Cedric Dent, Joel Kibble
\nHow come you don't call me / Prince
\nWipe my weeping eyes / Breath of life quartet
\nReminiscing / Graham Goble
\nCant' Hide Love / Skip Scarborough
\nWhat a fool believes / Michael Mcdonald, Kenny Loggins
\nI wish / Stevie Wonder
\nRock with you / Rod Temperton
\nRemember the time / Teddy Riley, Michael Jackson, Bernard Belle
\nThe way you make me feel / Michael Jackson
\nHuman Nature / Steve Porcaro, John Bettis
\nBeat It / Michael Jackson
\nBillie Jean / Michael Jackson
\nHeal the World / Michael Jackson
\nStayin Alive / Barry, Robin, Maurice Gibb
\nMy Friend / Take 6
\n\n
演出暨製作團隊
\n\n阿卡貝拉天團 Take 6
\n\n第一男高音|Claude McKnight、Mark Kibble
\n\n第二男高音|Joel Kibble、David Thomas
\n\n男中音|Khristian Dentley
\n\n男低音|Alvin Chea
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d39de14f17a72cc11557e72473bc72c",title:"《阿卡貝拉超級天團-Take 6》"}],related:[],title:"Take 6",cover:"4f251d7177f054f0f184a9f31a8b893d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The most awarded vocal group in history with 10 Grammy Awards, 10 Dove Awards, a Soul Train Award and two NAACP Image Award nominations. Take 6 has proven that success is possible in the music biz without compromising musical integrity.
\n
\nTake 6 has admirably and adeptly crossed most musical genres, from straight-ahead Jazz to Pop to adult R&B, doo wop to blues. Like a fine-tuned vocal orchestra (Alvin, bass; Khristian, baritone; Claude, Mark and Joel, tenors), the group continues to push the boundaries of creativity and musical genius with every new release, and with their ever-evolving live performances.
\n
\nAny singer who aspires for vocal excellence cannot overlook the contributions these men have made to music. Take 6 has performed with and won praise from such luminaries as Stevie Wonder, Brian Wilson, Ben E. King, Ladysmith Black Mambazo, Al Jarreau, Ella Fitzgerald, Ray Charles, and Whitney Houston, to name a very few.
\n
\nSome of the honors Take 6 has enjoyed over the past few years include being chosen as the first musical group to perform in Cuba at the normalization of relations between our two countries, and their induction into The Gospel Music Hall of Fame.
\n\n
Program
\n\nSpread Love / Mark Kibble, Claude McKnight, Mervyn Warren
\nWade in the Water / Published in 'New Jubilee songs' by John Wesley Work II & Frederik J Work (Frisk Jubilee Singers)
\nSmile / John Turner, Geoffrey Parsons, Charlie Chaplin
\nWindmills of your mind / Alan Bergman, Marilyn Bergman, Michel Legrand
\nStand by me / Ben E King, Jerry Leiber, Mike Stoller
\nStraighten up and fly right / Nat King Cole & Irving Mills
\nJust in time / Jule Styne, Betty Comden, Adolph Green
\nDown Here I've Done my best / "Writer - Napoleon Brown with Selah Jubilee Singers Arranged - M Kibble, D Thomas, C Dentley"
\nAlleluia / "Writer - Randall Thompson Arranged - M Kibble"
\nSo much to say / Take 6
\nMary / Frisk Jubillee Singers
\nGet Away Jordan / Take 6
\nFamily of Love / Cedric Dent, Joel Kibble
\nHow come you don't call me / Prince
\nWipe my weeping eyes / Breath of life quartet
\nReminiscing / Graham Goble
\nCant' Hide Love / Skip Scarborough
\nWhat a fool believes / Michael Mcdonald, Kenny Loggins
\nI wish / Stevie Wonder
\nRock with you / Rod Temperton
\nRemember the time / Teddy Riley, Michael Jackson, Bernard Belle
\nThe way you make me feel / Michael Jackson
\nHuman Nature / Steve Porcaro, John Bettis
\nBeat It / Michael Jackson
\nBillie Jean / Michael Jackson
\nHeal the World / Michael Jackson
\nStayin Alive / Barry, Robin, Maurice Gibb
\nMy Friend / Take 6
\n\n
Creative and Production Team
\n\nTake 6
\n\nClaude McKnight|First Tenor
\n\nMark Kibble|First Tenor
\n\nJoel Kibble|Second Tenor
\n\nDavid Thomas|Second Tenor
\n\nKhristian Dentley|Baritone
\n\nAlvin Chea|Bass
\n\n\n\n
\n',team:""},createdAt:1657529169,updatedAt:1658146511,updatedBy:"林蔚行",host:!1},{_id:"62ceb737869db0000722865b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664191800,discrete:[{time:1664191800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[250,500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1544224860493819908"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396d5f617e1f73b616b6d7ef34c1a25d",title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》"}],related:[],title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》",cover:"6577f237f544e95d904552875ea26faf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
震耳欲聾的砲彈聲,擊碎了每個人的心靈不論是否身在其中,人們還是渴求著和平的到來,台灣絃樂團2022年,為您獻上最顫動心弦的音樂會。
\n\n刺鼻的硝煙味,冷冽的氣息籠罩著整片大地,人們依偎在防空洞顫抖著,所謂的正常生活都變成渴求。一生中目睹多次革命的蕭斯塔科維契,以音樂訴說戰火的破壞性,於二戰結束後譜寫了《第三號絃樂四重奏》;厭惡戰爭的布瑞頓為了拒絕服兵役,創作了《前奏與賦格》。墜入黑暗深淵的同時,渴望著光明到來,如同柴可夫斯基的《第一號絃樂四重奏,作品11》,樸實且堅定的旋律,療癒、溫暖了受傷的心靈。擅長以音樂描繪樂曲背後的故事的台灣絃樂團,為您呈上如戲劇般、最深切的《戰爭與和平》。
\n\n\n\n
演出曲目
\n\n布瑞頓:前奏與賦格,作品29(給十八把絃樂器)
\n\n柴可夫斯基:室內交響曲根據第一號D大調絃樂四重奏改編,作品11(編曲:魯道夫.巴夏)
\n\n蕭斯塔科維契:F大調第三號交響曲,作品73(編曲:德米特里‧席特可維斯基)
\n\n\n\n
演出暨製作團隊
\n\n演出者|台灣絃樂團
\n\n長期贊助|中保科技、林燈文教公益基金會、中興保全文教基金會
\n\n贊助單位|2022TAIWAN TOP演藝團隊、豪勉科技、摩奇e21、彭以豪先生
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396d5f617e1f73b616b6d7ef34c1a25d",title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》"}],related:[],title:"2022 Academy of Taiwan Strings concert",cover:"6577f237f544e95d904552875ea26faf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Founded by violinist Mr. CHENG Sy-Joun in 1990, the Academy of Taiwan Strings is the home of top-rated Taiwanese string musicians. For ten consecutive years it has won the sponsorship of the Development Program for Outstanding Art Organizations from the Council of Cultural Affairs. The Academy has obtained recognitions from international maestros, among them Toru Yasunaga, First Violinist at the Berlin Philharmonic Orchestra, Victor Pikayzen, Professor at the Moscow Conservatory, and Lukas David, Honorary Professor at Hochschul fuer Musik Detmold, Germany, and has become the first Taiwanese orchestra invited to perform in Japan. It has also toured in Paris, Germany and Switzerland.
\n\nThe ATS strives to enrich the world with beautiful music and to excel in music performing. It is our greatest hope that in the future, when you think of "wonderful music," you will be thinking of the Academy of Taiwan Strings.
\n\nIn this concert, we will perform the songs about “War & Peace” in classical music.
\n\n\n\n
Program
\n\nB. Britten: Prelude and Fugue for 18-part String Orchestra, Op. 29
\n\nP. Tchaikovsky: Chamber Symphony according to first string quartet in D Major, Op. 11 (arr. Rudolf Barshai)
\n\nD. Shostakovich: String Symphony No.3 in F Major, Op. 73 (arr. Dimitry Sitkovetsky)
\n\n\n\n
Creative and Production Team
\n\nPerformer|Academy of Taiwan Strings
\n\nLong-Term Sponsor|TAIWAN SECOM CO., LTD. , Lin-Teng Public Welfare, Culture and Education Foundation, TAIWAN SECOM Culture and Education Foundation
\n\nSponsor|2022 NCAF TAIWAN TOP Performing Arts Group, Hauman Technologies Corp., MAGIC MEDIA CO., David PENG
\n\n\n\n
\n',team:""},createdAt:1657714487,updatedAt:1657871675,updatedBy:"林蔚行",host:!1},{_id:"62cfb2fe7d3750000747cc73",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1662188400,discrete:[{time:1662188400},{time:1662274800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a23830763f2577eb2e82251b01dd2bfd",title:"《武營秋浪漫 休揪看芭蕾》"}],related:[],title:"《武營秋浪漫 休揪看芭蕾》",cover:"8ca535f0574557dba0f0111efa4a1ab7",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
和風徐徐,初秋的午後
\n\n睽違兩年
\n\n台灣芭蕾舞團再次將芭蕾精緻藝術帶出劇院
\n\n\n\n
此次演出為戶外推廣演出,以古典小品以及本團創作為主,輔以芭蕾歷史、芭蕾訓練解析,並採互動式分享,讓民眾們近距離認識芭蕾起源與歷史,老少咸宜
\n\n✨休(show)揪(join)一起看芭蕾✨
\n\n\n\n
舞團介紹
\n\n台灣芭蕾舞團
\n\n2017年初華人古典芭蕾界崛起新能量!
\n\n由在台灣芭蕾舞蹈教育耕耘三十年的舞者、編舞家、芭蕾教師莊媛婷,發起創立的台灣芭蕾舞團,舞團計畫從台北到高雄落地深耕,藉由古典芭蕾的國際語言,堅持每年創作具有台灣底蘊的作品,我們積極創新、跨界破框,芭蕾搭配重金屬、臺灣民謠、原住民歌謠等,實踐「愈在地、愈國際」的溝通力量。
\n\n我們相信,舞蹈欣賞不應該侷限於社會中特定的階層和對象;秉持對芭蕾的熱愛以及對台灣芭蕾教育的堅持,我們期待以芭蕾藝術做為媒介,培養藝術欣賞人口。
\n\n\n\n\n\n
觀眾回饋
\n\n★諦聽古典音樂的優美,聆賞專業舞者的表現,沉浸藝術美學的洗禮。舞者台上專心、認真與投入的神情,,一顰一笑、一舉手投足, 牽繫著舞動芭蕾的夢想和圓自己土地的台灣藝術夢。 藉由他們分享自我成功與失敗的寶貴經驗中,鼓勵台下聆聽的每個人, 也能獲得正向、積極與勇於面對的生命力量。 期待始於在地的藝術團體【台灣芭蕾舞團】,在自己的土地上舞動、 分享、傳播的熱情能持續發散、影響並廣及更多的藝術力量。——台東新園國小校長 李惠敏
\n\n\n\n
「今天看了舞劇,很感動很精彩,真的是屬於臺灣的芭蕾舞。很希望這難得的表演可以場場爆滿,讓更多臺灣人也可以從舞蹈得到存在的力量!」——導演 魏德聖
\n\n\n\n
演出團隊
\n\n主持⼈|莊媛婷、洪嘉鈴
\n\n特邀舞者|青山由佳
\n\n舞者|陳玟樺、陳亭妤、翁佩姍、陳卉溱、杜筱琪、顧淑暖、呂思韻、謝芷嫻、胡育政
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a23830763f2577eb2e82251b01dd2bfd",title:"《武營秋浪漫 休揪看芭蕾》"}],related:[],title:"Romantic Autumn Ballet Afternoons at Weiwuying",cover:"8ca535f0574557dba0f0111efa4a1ab7",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
It's been two years since we've met in the windy afternoons of early autumn.
\nTaiwan Ballet Company is wince again bringing the exquisiteness of ballet out of the theatre.
\n
\nThis performance will be an outdoor promotional performance featuring short classical pieces as well as our original choreography. We will present ballet history as well as analysis of ballet training to allow the audience, young and old, to get to know the history and origins of ballet first hand.
\n
\nJoin us for an afternoon of ballet!
\n\n
\n",team:""},createdAt:1657778942,updatedAt:1661753025,updatedBy:"林蔚行",host:!1},{_id:"62d510f37d375000074a9bf9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664087400,discrete:[{time:1664087400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,500,600,800,1e3],link:"https://www.opentix.life/event/1545357136274546692"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fe0985c6c375c8d83f8367960bcafaaf",title:"《兩琴相悅》高雄市國樂團音樂會"}],related:[],title:"《兩琴相悅》高雄市國樂團音樂會",cover:"8b7ab46739d6dcf7119621ca58df8ac4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市國樂團下半年度樂季,首場別開生面的雙協奏曲音樂會,將由臺灣中生代極具代表性的指揮劉江濱,帶領高雄市國樂團和4組傑出音樂家,以成雙成對的音樂組合,不僅凸顯出演奏者的實力及樂器合聲效果,更要考驗兩兩搭配的默契,盡展音樂情誼、同台競藝,邀愛樂的您共享「入樂即心悅」的音樂饗宴!
\n\n\n\n
演出曲目
\n\n王雲飛:雙笛協奏曲《雪山上飛翔的鷹》
\n\n任重:雙二胡協奏曲《夜炫》
\n\n郭進財:雙嗩吶協奏曲《哈旗鼓》
\n\n鄭光智:雙打擊協奏曲《阿茲特蘭的傳說》
\n\n劉長遠:《絲竹交響》
\n\n\n\n
演出暨製作團隊
\n\n指揮|劉江濱
\n\n笛|歐陽孝宜、任重
\n\n二胡|彭苙榳、蔡佩怡
\n\n嗩吶|郭進財、周昭憲
\n\n打擊|王盈智、楊絢雯
\n\n高雄市國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fe0985c6c375c8d83f8367960bcafaaf",title:"《兩琴相悅》高雄市國樂團音樂會"}],related:[],title:"It Takes Two to Strike a Chord",cover:"8b7ab46739d6dcf7119621ca58df8ac4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kaohsiung Chinese Orchestra is going to have its first concert for the new season. Led by the guest conductor, LIU, Chiang-Pin, the concert invites many outstanding soloists including the guest musicians, OUYANG, Xiao-Yi, and JEN, Chung. It Takes Two to Strike a Chord, as coded in its name, will present several double concertos, taking the audience to enjoy the beauties of this form of composition.
\n\n\n\n
Program
\n\nWANG, Yun-Fei: The Eagles Flying Above the Snowy Mountains
\n\nJEN, Chung: Ye Xuan
\n\nKWOK, Chin-Chye: Ha Chi Gu
\n\nCHENG, Kuang-Chih: The Legend of Aztlān
\n\nLIU, Chang-Yuan: Symphony of Sizhu
\n\n\n\n
Creative and Production Team
\n\nConductor|LIU, Chiang-Pin
\n\nDi|OU-YANG, Xiao-Yi, JEN, Chung
\n\nErhu|PENG, Li-Ting, TSAI, Pei-I
\n\nSuona|KWOK, Chin-Chye, CHOU, Chao-Hsien
\n\nPercussion|WANG, Yin-Chih, YANG, Hsuan-Wen
\n\nKaohsiung Chinese Orchestra
\n\n\n\n
\n',team:""},createdAt:1658130675,updatedAt:1658462167,updatedBy:"林蔚行",host:!1},{_id:"62d528fb7d375000074aa171",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664692200,discrete:[{time:1664692200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1535163474299437059"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"865c8755e39b7a8e28c7d83ab0e49ea8",title:"《張正傑親子音樂會—動物狂歡節》"}],related:[],title:"「節目異動」《張正傑親子音樂會—動物狂歡節》",cover:"2b05394fd1c6aa3744b9c6130b4b71cf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年10月2日(日)14:30於衛武營音樂廳演出之《張正傑親子音樂會—動物狂歡節》,演出之人員因故異動,更換低音提琴演出者:汪育萱。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年10月2日(日)前完成辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
今年正逢動物狂歡節首演100週年!點子王張正傑這次要以臺灣版的動物狂歡節跟聖桑一較高下!正傑叔叔集合小朋友喜愛又熟悉的動物童謠,如小毛驢、兩隻老虎、小蜜蜂等等!現場大小朋友可以欣賞由西洋古典樂器演奏的童謠散發出溫暖又充滿童趣的韻味,還可以一起跟著唱,大朋友回味童年的歡笑,小朋友可以聽聽由樂器演奏出來的動物,又是如何得唯妙唯肖。
\n\n\n\n
演出曲目
\n\n聖桑:動物狂歡節
\n\n兩隻老虎、小毛驢、小蜜蜂、大象、一隻鳥仔哮救救等。
\n\n\n\n
演出暨製作團隊
\n\n大提琴|張正傑
\n\n小提琴|蘇顯達
\n\n小提琴|張芝庭
\n\n中提琴|徐曉虹
\n\n低音大提琴|汪育萱
\n\n長 笛|歐珈妏
\n\n豎 笛|陳威稜
\n\n打 擊|吳珮菁
\n\n鋼 琴|呂冠葶
\n\n鋼 琴|廖皎含
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"865c8755e39b7a8e28c7d83ab0e49ea8",title:"《張正傑親子音樂會—動物狂歡節》"}],related:[],title:"(Program changed) Cellist Chang's Family Concert",cover:"2b05394fd1c6aa3744b9c6130b4b71cf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2781-2306. | \n\t\t
\n\n
This year marks the 100th anniversary of the Carnival of the Animals premiere! Idea King Zhang Zheng-gjie is going to compete with Saint-Saëns this time with the Taiwanese version of the animal carnival! Uncle Zheng-gjie collects animal nursery rhymes that children love and are familiar with, such as a little donkey, two tigers, a little bee and more!
\n\n\n\n
Program
\n\nCamille SAINT-SAËNS: The Carnival of the Animals
\n\nA little donkey, two tigers, a little bee
\n\n\n\n
Creative and Production Team
\n\nCello|CHANG Zheng-jie
\n\nViolin|SU Xian-da, ZHANG Zhi-ting
\n\nViola|XU Xiao-hong
\n\nBass|Su Yi-Jung
\n\nFlute|OU Jia-wen
\n\nClarinet|CHEN Wei-leng
\n\nPercussion|WU Pei-jing
\n\nPiano|LU Guan-ting, LIAO Jiao-han
\n\n\n\n
\n',team:""},createdAt:1658136827,updatedAt:1664430418,updatedBy:"林蔚行",host:!1},{_id:"62d52c757d375000074aa22d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662377400,discrete:[{time:1662377400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1547167919078617093"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6e20b685343e21776fa1d6305de1548",title:"《定弦》2022張庭碩小提琴獨奏會"}],related:[],title:"《定弦》2022張庭碩小提琴獨奏會",cover:"4b679fa812854327d5f83a863ae12be3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「定弦」是將弦樂器的弦調整至約定俗成的特定音高,以小提琴而言,琴上的四條弦由低到高分別是以G、D、A、E為定弦。每個人在學琴的一開始,最先認識的便是這四個音,本場音樂會由在德國樂界發展的小提琴家張庭碩和鋼琴家黃湙騰擔綱演出,由以下曲目帶領聽眾尋找音色中最原初的純粹。
\n\n\n\n
演出曲目
\n\n莫札特: G大調小提琴奏鳴曲,作品301
\n\n法朗克: A大調小提琴奏鳴曲
\n\n韓德爾: E大調小提琴奏鳴曲,作品373
\n\n普羅高菲夫: D大調小提琴奏鳴曲,作品94a
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張庭碩
\n\n鋼琴|黃湙騰
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6e20b685343e21776fa1d6305de1548",title:"《定弦》2022張庭碩小提琴獨奏會"}],related:[],title:"\"L' accordatura\" 2022 Ting-Shuo Chang's Violin Recital",cover:"4b679fa812854327d5f83a863ae12be3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
“L'accordatura” indicates the set strings of an instrument. For a violin, the open strings are G, D, A, E. The four notes are the very first notes for any person who starts playing the violin. In the recital, Ting-shuo Chang, and Yi-teng Huang are guiding the audience to the true, original, and pure timbre of the sound of violin.
\n\n\n\n
Program
\n\nW. A. Mozart: Sonate für Klavier und Violine Nr. 18 G-Dur, K. 301
\n\nC. Franck: Sonate für Klavier und Violine A-Dur
\n\nG. F. Händel: Sonate für Violine und Basso continuo E-Dur, HWV 373
\n\nS. Prokofiev: Sonata for Violin and Piano in D Major, Op. 94a
\n\n\n\n
Creative and Production Team
\n\nViolin|Ting-Shuo CHANG
\n\nPiano|Yi-Teng HUANG
\n\n\n\n
\n',team:""},createdAt:1658137717,updatedAt:1658298985,updatedBy:"林蔚行",host:!1},{_id:"62d52ff77d375000074aa2ee",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663587e3,discrete:[{time:1663587e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600],link:"https://www.opentix.life/event/1545379864312668160"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"551b2ae10a4e0edf1147896a9e9a80f0",title:"《薈II》玎酉擊樂年度音樂會"}],related:[],title:"《薈II》玎酉擊樂年度音樂會",cover:"ae88576746b4247aacc923dab4c034d5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次音樂會邀請鍾耀光、陳鎧岳、陳廷銓老師創作全新作品,並與弦樂四重奏、長號四重奏搭配,呈現打擊樂器更多樣化的面貌。其中由鍾耀光老師創作的《疫情.愛情》,將呈現在現今疫情時代,人們如何維持愛,如何同舟共濟,又如何互相扶持?同場更邀請睽違4年再度來臺的駐團作曲家加藤大輝先生,以4首療癒的作品再次帶來溫馨感動的演出。以「薈」為核心理念,玎酉擊樂持續耕耘國人作品,使國人擊樂作品數量繁盛、茁壯,藉玎酉的手讓臺灣人的擊樂作品被擁有更多的舞台。
\n\n\n\n
演出曲目
\n\n陳鎧岳:《鏡・双生》擊樂四重奏(世界首演)
\n\n加藤大輝:馬林巴獨奏《搖籃曲》
\n\n加藤大輝:馬林巴與鐵琴二重奏《星光》(世界首演)
\n\n陳鎧岳:《春雨》擊樂與弦樂四重奏(世界首演) 弦樂四重奏:藝游愛樂室內樂團
\n\n鍾耀光:《疫情.愛情》木琴獨奏與打擊樂三重奏(世界首演)
\n\n加藤大輝:《彩虹碎片》擊樂三重奏(世界首演)
\n\n加藤大輝:《四人四色》擊樂四重奏(世界首演)
\n\n陳廷銓:《眩月》為四位擊樂家與長號四重奏(世界首演)長號四重奏:中島長號重奏
\n\n\n\n
演出暨製作團隊
\n\n玎酉擊樂|陳玟玎、丘利婷、余盈萱、林琬翎、馮凱琳、曾㦤漫、鄭嘉富、謝綺琪
\n\n作曲家|鍾耀光、陳鎧岳、陳廷銓、加藤大輝
\n\n中島長號重奏
\n\n藝游愛樂室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"551b2ae10a4e0edf1147896a9e9a80f0",title:"《薈II》玎酉擊樂年度音樂會"}],related:[],title:"Luxuriant II, T.U. Ensemble Annual Concert",cover:"ae88576746b4247aacc923dab4c034d5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert invites CHUNG Yiu‐kwong, CHEN Kai-yue and CHEN Ting-chuan to create new works, which are collaboration with string quartet, trombone quartet to present more aspect of percussion instruments. Among them, CHUNG Yiu‐Kwong's L(C)OVE(I)D is going to show how people maintain love, how people help each other and how people support each other in the current covid-19 epidemic era? Also, Mr. Daiki Kato, the composer-in-residence who came to Taiwan again after 4 years, was invited to bring a warm performance again with 4 healing works. With "Luxuriant" as the core concept, T.U. Ensemble has continued to cultivate Taiwanese people's works. With our hands, Taiwanese percussion works can be internationalization.
\n\n\n\n
Program
\n\nChen Kai-Yue: Mirror, Twins for Percussion Quartet
\n\nDaiki Kato: Lullaby for Solo Marimba
\n\nDaiki Kato: Starlight for Marimba and Vibraphone Duet
\n\nChen Kai-Yue: Spring Rain for Percussion Ensemble and String Quartet
\n\nChung Yiu‐Kwong: L(C)OVE(I)D for Solo Marimba and 3 Percussionists
\n\nDaiki Kato: Rainbow Fragment for Percussion Trio
\n\nDaiki Kato: Four Character for Percussion Quartet
\n\nChen Ting-Chuan: Glare Moon for 4 Percussionists and Trombone Quartet
\n\n\n\n
Creative and Production Team
\n\nT.U. Ensemble|CHEN Wen-ting, CHIU Li-ting, YU Ying-syuan, LIN Wan-ling, FENG Kai-lin, TSENG Yi-man, CHENG Chia-fu, CHE I-kei
\n\nComposer|CHUNG Yiu‐kwong, CHEN Kai-yue, CHEN Ting-chuan, Kato DAIKI
\n\nNakashima Trombone Ensemble
\n\nArt Tour Ensemble
\n\n\n\n
\n',team:""},createdAt:1658138615,updatedAt:1658298586,updatedBy:"林蔚行",host:!1},{_id:"62de4012869db00007251467",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663241400,discrete:[{time:1663241400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500],link:"https://www.opentix.life/event/1527488300365594629"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f550b07d5d234828db732783ef74d046",title:"《樂光-陳佳琦與封恩業古典吉他二重奏》"}],related:[],title:"《樂光-陳佳琦與封恩業古典吉他二重奏》",cover:"62313f3b41bb592d82aa9cda3d9f1f52",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
光,帶著希望,是低谷的指引,是藝術的介質。無數透光的思想情感,層層覆疊、累積,印襯著數百年來的文化遺產。有光即有影,也代表著吉他二重奏之間相互呼應的關係。
\n\n\n\n
演出曲目
\n\n嬉遊曲
\n\n三首序曲
\n\n前奏、賦格與變奏
\n\n桃莉組曲
\n\n兩首選曲
\n\n憂傷組曲
\n\n\n\n
演出暨製作團隊
\n\n主辦|加一吉他
\n\n演出者|吉他/陳佳琦、吉他/封恩業
\n\n錄音錄影|吳東晏
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f550b07d5d234828db732783ef74d046",title:"《樂光-陳佳琦與封恩業古典吉他二重奏》"}],related:[],title:"Fascination in Lucid",cover:"62313f3b41bb592d82aa9cda3d9f1f52",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The silver lining within hopes motivates out of rock bottom, through the light, waking the medium of art.
\n\nMoment taken by thoughtful and valuable scenes from life inner richness, some in light, some in shadow, and some will be read in the most beautiful way within flowing in guitar duet.
\n\n\n\n
Program
\n\nDivertissement, Op.38 by Fernando Sor
\n\nThree Overtures, op.106 by Ferdinando Carulli
\n\nPrelude, Fugue et Variation Op.18 by Cesar Franck
\n\nDolly Suite Op.56 by Gabriel Fauré
\n\nTwo works by Erik Marchelie
\n\nSuite Melancólica by Alfonso Montes
\n\n\n\n
Creative and Production Team
\n\nPresenter|Plus One Guitar
\n\nPerformer|Guitar/CHEN Chia-Chi、 Guitar/FENG En- Ye
\n\nRecord|WU Dong-Yen
\n\n\n\n
\n',team:""},createdAt:1658732562,updatedAt:1658911161,updatedBy:"林蔚行",host:!1},{_id:"62de455b4a57e7000891ed7b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663932600,discrete:[{time:1663932600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1536611035110653954"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6b16a554b408d38f71f6069dfae93e7",title:"簡志賢長笛獨奏會-『樂歡。新作』"}],related:[],title:"簡志賢長笛獨奏會-『樂歡。新作』",cover:"ea22cd76ff6679cc352c8a1ce1ac28cc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
吉他的歷史悠遠,19世紀之後更因為樂器的表現力豐富,成了許多人喜愛的樂器之一,而長笛在經過近百年的歷程,其獨特的優異表現也蔚為風潮。因浪漫時期的長笛有著優美且富有趣味的音色,以及古典吉他撥弦時的特殊色彩,兩種樂器在搭配上所產生的玩樂與悠閒感引起作曲家們的興趣;透過這樣新式組合,作曲家們跳脫出傳統作曲思維,以全新風格呈現出當代音樂美學。本次音樂會中,長笛家簡志賢將使用浪漫時期的八鍵式長笛,同時邀請知名古典吉他家林家瑋共同合作,演出當時創新發展出來的長笛吉他二重奏曲目。
\n\n\n\n
演出曲目
\n\n莫利諾:第二號夜曲,編號 38
\n\n卡爾:小夜曲,編號 54
\n\n朱利亞尼:大二重奏協奏曲,編號 85
\n\n迪亞貝里:選自貝多芬最受歡迎作品的第一號組合曲
\n\n\n\n
演出暨製作團隊
\n\n八鍵式長笛|簡志賢
\n\n古典吉他|林家瑋
\n\n主辦單位|安玓音服文化
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6b16a554b408d38f71f6069dfae93e7",title:"簡志賢長笛獨奏會-『樂歡。新作』"}],related:[],title:"Chih-Hsien CHIEN Recital",cover:"ea22cd76ff6679cc352c8a1ce1ac28cc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
After the 19th century, guitar became one of the favorite musical instruments of many people because of its rich expressiveness. After nearly a hundred years of history, the flute has become a trend for its unique and excellent performance.Because of the beautiful and interesting sound of the flute in the romantic period, as well as the special color of the guitar when plucked, composers are interested in the sense of playfulness and leisure created by the combination of the two instruments; through such a new combination, composers break away from traditional composition thinking and present contemporary music aesthetics in a new style. In this concert, flutist Chih-Hsien CHIEN will use the eight-keyed flute of the romantic period, and at the same time invite famous classical guitarist Chia-Wei LIN to cooperate with him to perform the flute and guitar duet repertoire that was innovatively developed at that time.
\n\n\n\n
Program
\n\nF. Molino (1768 - 1847):Nocturne No. 2, Op. 38
\n\nL. v. Call (1767-1815):Serenade, Op.54
\n\nM. Giuliani (1781 - 1828):Grand Duo Concertant, Op.85
\n\nA. Diabelli (1781 - 1858):Pot-Pourri aus Beethoven's beliebtesten Werken, No.1
\n\n\n\n
Creative and Production Team
\n\nFlutist: Chih-Hsien CHIEN
\n\nClassical Guitarist: Chia-Wei LIN
\n\nOrganizer: ANDmusic Service Lab
\n\n\n\n
\n',team:""},createdAt:1658733915,updatedAt:1659323902,updatedBy:"林蔚行",host:!1},{_id:"62de696e4a57e7000891f407",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1664537400,discrete:[{time:1664537400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[700,900,1200,1500,1800],link:"https://tickets.udnfunlife.com/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1KV61KF&kdid=A01"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d7999e21ec1d90720029e321f3d2c86",title:"《聲聲不息2.0 樂團來PK》"}],related:[],title:"《聲聲不息2.0 樂團來PK》",cover:"fe66ff5263c55ce1ebb4e215fae81b21",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
旅台多年的美籍鋼琴教授遇上天才視障鋼琴家20年的師生情誼
\n\n淬煉成舞台上的尖峰對彈2020年
\n\n全臺巡演超過15場 觀眾好評不斷歷屆一年構思,
\n\n「聲聲不息」推出第二部全新作品「聲聲不息2.0 樂團來PK」
\n\nTASO台灣藝術家交響樂團率團挑戰兩位鋼琴家的極限相聲X雜耍X古典樂
\n\n精湛琴藝結合趣味元素,顛覆一般觀眾對古典樂的刻板印象
\n\n\n\n
演出曲目
\n\n史特勞斯:拉黛斯基進行曲
\n\n巴哈:f小調協奏曲,作品1056,第一、二樂章 (節選)
\n\n莫札特:d小調第20號鋼琴協奏曲,作品466,第一樂章 (節選)
\n\n蕭邦:f小調第二號鋼琴協奏曲,作品21,第一樂章 (節選)
\n\n葛利格:a小調鋼琴協奏曲,作品16,第一樂章 (節選)
\n\n舒曼:a小調鋼琴協奏曲,作品54,第一樂章 (節選)
\n\n莫札特:C大調第21號鋼琴協奏曲,作品467,第一樂章 (節選)
\n\n貝多芬:C大調第一號鋼琴協奏曲,作品15,第三樂章 (節選)
\n\n貝多芬:c小調第三號鋼琴協奏曲,作品37,第一樂章 (節選)
\n\n李斯特:E大調第一號鋼琴協奏曲,作品124,第一樂章 (節選)
\n\n柴可夫斯基:降b小調第一號鋼琴協奏曲,作品23,第一樂章 (節選)
\n\n普羅高菲夫:C大調第三號鋼琴協奏曲,作品26,第一樂章 (節選)
\n\n拉赫曼尼諾夫:帕格尼尼主題狂想曲,作品43 (節選)
\n\n蓋西文:藍色狂想曲 (節選)
\n\n拉赫曼尼諾夫:c小調第二號鋼琴協奏曲,作品18,第三樂章 (節選)
\n\n理查.羅德尼.班尼特:憂傷的森巴
\n\n韓德爾:〈哈雷路亞〉,出自《彌賽亞》
\n\n李歐納.柯恩:哈雷路亞
\n\n雷.查爾斯:哈雷路亞我如此愛她
\n\n蕭邦:《雨滴》前奏曲,作品28-15
\n\n范德騰:《浴室好朋友》
\n\n范德騰:《加護病房之歌》
\n\n貝多芬:《熱情》奏鳴曲,作品57,第一樂章
\n\n貝多芬:第九號交響曲《合唱》,第四樂章〈快樂頌〉
\n\n李正帆:《快樂頌》(原唱:庾澄慶)
\n\n吳嘉祥:《歡喜就好》(原唱:陳雷)
\n\n菲瑞.威廉斯:快樂
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|范德騰、許哲誠
\n\n樂團指揮|呂景民
\n\n台灣藝術家交響樂團TASO
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d7999e21ec1d90720029e321f3d2c86",title:"《聲聲不息2.0 樂團來PK》"}],related:[],title:"Do You See What I Hear? 2.0: Taking on the Orchestra",cover:"fe66ff5263c55ce1ebb4e215fae81b21",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This show is about the very real connection made between two extremely different people. John Vaughan is an American piano professor who moved to Taiwan in 1993. In 1998 he began teaching HSU Zhe-Cheng, an 11-year-old Taiwanese blind wunderkind. After 10 years, they begin performing together, taking their real-life persona on stage and amuse audiences of all ages with their "piano lessons." Having performed in concert halls and theaters throughout Asia for over a decade, John and Zhe-Cheng have become masters at weaving stories about themselves, composers, and musical works with the actual music itself. "Do You See What I Hear" is their latest show, a hilariously funny and highly moving piano lesson that explores the different ways of "looking" at music.In this new updated version, the professor and his blind student are joined by an orchestra for a lively discussion about the Concerto.
\n\n\n\n
Program
\n\n\n\n
Pharrel Williams: Happy
\n\nJ.Strauss: Radetzky March
\n\nJ.S.Bach: Concerto in f minor, BWV 1056, 1st and 2nd movements (Excerpts)
\n\nW.A.Mozart: Piano Concerto No.20 in d minor, K. 466, 1st movement (Excerpt)
\n\nF.Chopin: Piano Concerto No. 2 in f minor, Op.21, 1st movement (Excerpt)
\n\nE.Grieg: Piano Concerto in a minor, Op.16, 1st movement (Excerpt)
\n\nR.Schumann: Piano Concerto in a minor, Op.54, 1st movement (Excerpt)
\n\nW.A.Mozart: Piano Concerto No.21 in C Major, K. 467, 1st movement (Excerpt)
\n\nL.v.Beethoven: Piano Concerto No. 1 in C Major, Op.15, 3rd movement (Excerpt)
\n\nL.v.Beethoven: Piano Concerto No. 3 in c minor, Op.37, 3rd movement (Excerpt)
\n\nF.Liszt: Piano Concerto No.1 in E Major, S.124, 1st movement (Excerpt)
\n\nP.I.Tchaikovsky: Piano Concerto No.1 in b-flat minor, Op.23, 1st movement (Excerpt)
\n\nS.Prokofiev: Piano Concerto No.3 in C Major, Op.26, 1st movement (Excerpt)
\n\nS.Rachmaninoff: Rhapsody on A Theme of Paganini, Op.43 (Excerpt)
\n\nG.Gershwin: Rhapsody in Blue (Excerpt)
\n\nS.Rachmaninoff: Piano Concerto No. 2 in c minor, Op.18, 3rd movement (Excerpt)
\n\nRichard Rodney Bennett: Samba Triste
\n\nGeorge Friderick Handel: Hallelujah Chorus from Messiah
\n\nLeonard Cohen: Hallelujah
\n\nRay Charles: Hallelujah I Love Her So
\n\nFrédéric Chopin: Prelude Op. 28, No. 15, Raindrop
\n\nLudwig van Beethoven: Movement I, from Piano Sonata No.23 in F minor, Op.57, Appassionata
\n\nLudwig van Beethoven: Movement IV, Ode to Joy, from Symphony No. 9 in D minor, Op.125
\n\nPharrel Williams: Happy
\n\n\n\n
Creative and Production Team
\n\nPiano|John Vaughan、Che-Chen HSU
\n\nConductor|Ching-Ming LU
\n\nTASO
\n\n\n\n
\n',team:""},createdAt:1658743150,updatedAt:1660367994,updatedBy:"通泰系統管理員",host:!1},{_id:"62df45b94a57e7000892899d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662809400,discrete:[{time:1662809400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,650,800],link:"https://www.opentix.life/event/1549712385720573960"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"096d86fff89e330d3dfbde7f52d656f5",title:"《漫步—楊欣潔鋼琴獨奏會》"}],related:[],title:"《漫步—楊欣潔鋼琴獨奏會》",cover:"5c29153aa0a23d1a1a5e859d2be602b5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
近年來延燒的新冠疫情,帶給世界一連串的震動。疫情,有如貝多芬的鋼琴奏鳴曲《暴風雨》,突如其來的闖入了巴赫《G大調法國組曲》的優雅之中,宛如漫步舒曼的《森林情景》-咒詛之地、獵人小屋及神秘的預言鳥…最後道別。聆聽普斯汀的輓歌,體會生者與死者的兩個平行世界,最終,透過應廣儀的《韻》,帶領我們回到自己,珍惜與身邊之人的互動,感受生命的韻律。
\n\n\n\n
演出曲目
\n\n巴哈:G大調法國組曲,作品BWV 816
\n\n貝多芬:D小調鋼琴奏鳴曲,作品31,第二首
\n\n舒曼:森林情景,作品82
\n\n普斯汀:輓歌
\n\n應廣儀:《韻》為一位武者,頌缽與鋼琴
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|楊欣潔
\n\n舞者協演|呂潔
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"096d86fff89e330d3dfbde7f52d656f5",title:"《漫步—楊欣潔鋼琴獨奏會》"}],related:[],title:"Wanders - Hsin-Chieh Anna Yang Piano Recital",cover:"5c29153aa0a23d1a1a5e859d2be602b5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Covid-19 that already spread in recent years has brought a series of shocks to the world.The epidemic, like Beethoven's piano sonata "The Tempest", suddenly breaks into the elegance of Bach's "French Suite in G Major", like meandering around in Schumann's "Waldszenen" -meet the place of the curse, the hunter's cottage and the mysterious bird of prophecy...then say goodbye to all. Listening to Vustin's "Lamento" , we experience the two parallel worlds of the living and the dead, and finally, through Ying, Kwang-I 's "Rhymes", we are led back to ourselves, cherishing our interactions with those around us, feeling the rhymes of life.
\n\n\n\n
Program
\n\nJ. S. Bach French Suite in G Major, BWV 816
\n\nBeethoven piano sonata in d minor, Op.31, No.2
\n\nSchumann “Waldszenen”, Op. 82
\n\nВустин: Lamento
\n\nYing, Kwang-I:"Rhymes" for a warrior, singing bows and piano
\n\n\n\n
Creative and Production Team
\n\nAdministration|Clockworking cat
\n\nMultimedia production|Hegu Multimedia Ltd.
\n\nPiano|Hsin-Chieh Anna Yang
\n\nDancer|Chieh Lu
\n\n\n\n
\n',team:""},createdAt:1658799545,updatedAt:1658911473,updatedBy:"林蔚行",host:!1},{_id:"62df86b84a57e7000892944c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663500600,discrete:[{time:1663500600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,2e3],link:"https://www.opentix.life/event/1544206799792889861"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8a8bb740b8e18077b5238c63b21e0c6f",title:"《臺北爵士大樂隊-TJCP臺灣歌謠爵士委託計畫巡迴音樂會》"}],related:[],title:"《臺北爵士大樂隊-TJCP臺灣歌謠爵士委託計畫巡迴音樂會》",cover:"7554c9057ebc4c06d0a489d143d3d1e2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺北爵士大樂隊,108、109年度獲選為臺北市傑出演藝團隊,110、111年度獲選為Taiwan Top演藝團隊。成立於2008年,由薩克斯風演奏家李承育擔任音樂總監及指揮,成員則結合活躍於國內重要表演活動之古典及爵士職業樂手。爆發十足的銅管組、柔情多變的薩克斯風組、充滿律動的節奏組交織成澎湃激昂的爵士大樂團,該場音樂會將臺灣歌謠經由葛萊美得Aaron Lington等多位國際編曲家重新披上爵士新衣,呈現完全耳目一新的絕對美式聽覺饗宴。
\n\n\n\n
演出曲目
\n\n基隆山之戀
\n\n四季紅
\n\n月夜愁
\n\n望春風
\n\n雨夜花
\n\n客家組曲
\n\n※詳細演出曲目請參見紛絲專頁
\n\n\n\n
演出暨製作團隊
\n\n\ufeff\ufeff\ufeff\ufeff客席指揮|Dr. Gene Aitken
\n\n薩克斯風|楊曉恩、李承育、潘子爵、廖莊廷、陳偉弘
\n\n長號|何亞螢、鄧亦峻、謝蓉慧、王翊辰
\n\n小號|鄭文鳳、梁志宇、黃政憲、何政融
\n\n鋼琴|烏野薰
\n\n吉他|陳子彰
\n\n貝斯|池田欣彌
\n\n鼓組|郭逸萱
\n\n\n\n
團隊介紹
\n臺北爵士大樂隊(Taipei Jazz Orchestra,簡稱TJO),108、109年度獲選為臺北市傑出演藝團隊,110、111年度獲選為Taiwan Top演藝團隊。成立於2008年的由薩克斯風演奏家李承育擔任音樂總監及指揮,成員則結合活躍於國內重要表演活動之古典及爵士職業樂手。目前該團每週固定團練,積極籌畫年度公演、校園及社區巡演、商業演出等各類音樂會,並設有不同類型的爵士演出團隊。TJO近年除了與Eric Marienthal、小野麗莎等國際知名音樂家合作演出之外,更藉由桃園管樂嘉年華的活動,與日本當代頂尖的東京藍調全明星大樂團交流合作共創演出節目,TJO持續露出於臺灣各地重要之音樂節慶舞台。而常年性的年度公演、聖誕音樂會、以及集結國內外十四個大樂團聯演的爵士大樂團嘉年華活動等,專業、優秀的成果已將TJO晉升為臺灣最具代表性之爵士大樂團。樂團陸續發行多張專輯,2011年由DOWNBEAT爵士名人堂Gene Aitken擔任製作人、葛萊美獎錄音師Jim Linahon擔任錄音師,發行首張樂團專輯《Knives Out》;2014年發行《朱渱琪&台北爵士大樂團-玫瑰玫瑰我愛你》;2019年發行《十年搖擺現場》紀念專輯,以及發行臺灣歌謠爵士大樂團委託計劃(Taiwanese Song Jazz Orchestra Commission Project,簡稱TJCP)首張專輯《基隆山之戀》,錄製計畫仍持續地在進行中。爆發力十足的銅管組、實力堅強的薩克斯風組、充滿律動的節奏組交織成澎湃激昂的爵士大樂團(big band)編制,呈現出耳目一新的絕對美式聽覺饗宴。
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8a8bb740b8e18077b5238c63b21e0c6f",title:"《臺北爵士大樂隊-TJCP臺灣歌謠爵士委託計畫巡迴音樂會》"}],related:[],title:"TJO Jazz Commission Project Concert ",cover:"7554c9057ebc4c06d0a489d143d3d1e2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Taipei Jazz Orchestra was selected as the Taipei Outstanding Performing Arts Team in 2019 and 2020, and was selected as the Taiwan Top Performing Arts Team in 2021 and 2022. Founded in 2008, Lee Cheng-Yu serves as the music director and conductor. The members combine classical and jazz professional musicians who are active in important domestic performances. The explosive brass group, the tender saxophone group, and the rhythm-filled rhythm group are intertwined into a surging and passionate jazz big band. This concert recreates Taiwanese songs by a number of international arrangers such as Grammy and Aaron Lington. Put on the new jazz clothes, presenting a completely refreshing and absolutely American swing.
\n\n\n\n
Program
\n\nKee-Lung Mountain
\n\nFour Taiwanese Folk Songs
\n\nHakka Suite
\n\n※Please refer to TJO official website for details of the project.
\n\n\n\n
Creative and Production Team
\n\nSaxophone|Shawna YANG. Cheng-Yu LEE. Ruby PAN. Justin LIAO. Wei-Hung HEN
\n\nTrombone|Ya-Ying HE. Yi-Chun TENG. Jung-Hui HSIEH. Yi-Chen WANG.
\n\nTrumpet|Wen-Feng ZHENG. Hawaii LIANG. Xian HUANG. Zheng Rong HE
\n\nGuitar|Zi Zhang CHEN
\n\nBass|Ikeda Kinya
\n\nPiano|Kaoru Uno
\n\nDrums|Yi Xuan GUO
\n\n\n\n
\n',team:""},createdAt:1658816184,updatedAt:1658922436,updatedBy:"林蔚行",host:!1},{_id:"62e76dcd869db000072723f1",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1664001e3,discrete:[{time:1664001e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program Cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"499b13f6f57c71507c6b33973c823df8",title:"《分手快樂》原創音樂劇"}],related:[],title:"「節目取消」《分手快樂》原創音樂劇",cover:"7da2956c5f2b16a9ca33c665618a1c3f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原訂2022年9月24日(六)14:30、19:30與9月25日(日)14:30於衛武營戲劇院演出之「《分手快樂》原創音樂劇」,節目取消。 \n\n\t\t\t※因節目異動,請於2022年10月20日(四)前完成退票,逾期系統將無法受理,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
影片來源:YouTube(製作循環Project Zero)
\n\n\n\n
★2017年新北市音樂劇節「音樂劇創作比賽實境秀」首獎
\n★2020年第十九屆台新藝術獎 第一季提名
\n
◎天作之合 藝術總監 冉天豪:「彷彿他們沒有過去的包袱,對未來充滿了膽識、新鮮感。」
\n\n◎歌手 莊鵑瑛(小球):「喜歡這有趣的題材,或許某些部分看到好像和自己無關的段落,還是會在某些地方冷不防被某些場景、某些台詞、某些隱約的戲產生共鳴。」
\n\n◎果陀劇場 藝術總監 梁志民:「非常有趣,在這個戲裡面享受關於各種愛情試煉的可能性。」
\n\n◎台新藝術獎 提名觀察人 張啟豐:「是少見的整體性佳、完成度高的音樂劇演出。」
\n\n◎作家 我是大A:「《分手快樂》這部音樂劇,沒有讓我哭泣,可是讓我想起為別人掉過的淚。」
\n\n\n\n
在未來式的時態,有⼀間名為「分⼿快樂」的事務所,專⾨處理分⼿後的各種情緒,只需植入⼀枚晶片,就能不再感受兩⼈之間所有悲傷難過情緒,不再有感覺,便能不再有牽絆,⼤步邁向各⾃的快樂⼈⽣。但這次,事務所成員要⾯對的不僅是陌⽣⼈的愛情記憶,更要⾯對⾃⼰的情感難題,七位都會男女交織出的詼諧愛情喜劇⾳樂劇,最終能「分⼿快樂」嗎?
\n\n\n\n
演出暨製作團隊
\n\n製作單位|製作循環工作室
\n\n贊助單位|財團法人國家文化藝術基金會
\n\n製 作 人|林家文
\n\n編劇作詞|汪鈞翌
\n\n作 曲|王絲涵
\n\n導 演|陳侑汝
\n\n演 員|蔡邵桓(叉燒)、于浩威、李曼、康雅婷、許照慈、周家寬、王意萱(依演員出場序排列)
\n\n歌唱詮釋指導|魏世芬
\n\n舞蹈設計|李明潔
\n\n舞臺設計|黃郁涵
\n\n重製燈光設計|丁浩祖
\n\n服裝設計|謝宜彣
\n\n編 曲|殷 陽
\n\n音效設計|鄭嘉富
\n\n音場設計|蔡鴻霖
\n\n舞蹈動作指導|王珩
\n\n技術統籌|楊理喬
\n\n舞台監督|王敏
\n\n執行製作|蕭藝萱
\n\n行銷統籌|余佩珊、劉孝聆
\n\n主視覺設計|低級失誤
\n\n宣傳照攝影|林景堅
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"499b13f6f57c71507c6b33973c823df8",title:"《分手快樂》原創音樂劇"}],related:[],title:"(Program Cancelled) Start Over: The Musical",cover:"7da2956c5f2b16a9ca33c665618a1c3f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2721-7738. | \n\t\t
\n\n\n\n
© YouTube(製作循環Project Zero)
\n\n\n\n
In the near future, there is an agency named "Start Over" which is specialized in dealing with all kinds of emotions triggered by breakups. By implanting a chip into their clients, all the emotions, no matter sadness or happiness, toward their ex will be erased. One can start over his or her life and move forward. However, this time, staffs in the agency have to deal with not only love memories from clients but also their own love dilemmas. Seven cosmopolitan men and women present this witty and romantic musical. Will they eventually start over and have their own happy ending?"
\n\n\n\n
Creative and Production Team
\n\nProduction Co|PROJECT ZERO Performing Arts Management
\n\nSponsor|National Culture and Arts Foundation
\n\nProducer|Jessie Lin
\n\nBook and Lyrics|WANG JIUN-YI
\n\nMusic|WANG SSU-HAN
\n\nDirector|CHEN YOW-RUU
\n\nCast|TSAI ANDY、YU HOWL、LEE MAN、KANG、HSU CHAO-TZU、CHOU CHIA-KUAN、WANG YI-HUSAN
\n\nVocal Coach|WEI SHIH-FEN
\n\nChoreography|LEE MING-CHIEH
\n\nScenic Design|HUANG YU-HAN
\n\nRevival Lighting Design|TING HAO-TSU
\n\nCostume Design|HSIEH YI-WEN
\n\nOrchestrations|YIN YANG
\n\nSound Effect Design|CHENG CHIA-FU
\n\nSound Design|TSAI HUNG-LIN
\n\nAssociate Choreographer|WANG Hen
\nProduction Manager|YANG JESSIE
Stage Manager|WANG MIN
\n\nExecutive Producer|HSIAO YI-HSUAN
\n\nMarketing Director|Mavis PeiShan YUE、LIU SALLY
\nKey Vision Design|SAITEMISS
Promotional Photos Photographer|LIN CHING-CHIEN
\n\n\n\n
\n',team:""},createdAt:1659334093,updatedAt:1663742449,updatedBy:"林蔚行",host:!1},{_id:"62e7764e4a57e7000895f4fd",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664278200,discrete:[{time:1664278200}],type:"discrete"},activity:{type:"free",free:{englishDescription:"Program cancelled",description:"節目取消"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e2807f1995b002173155f98a981e8a9",title:"《玉山音樂饗宴—維也納少年合唱團》"}],related:[],title:"「節目取消」《玉山音樂饗宴—維也納少年合唱團》",cover:"149c9a131ae9bffea1ab642a25964fe9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年9月27日(二)19:30於衛武營音樂廳演出之「玉山音樂饗宴—維也納少年合唱團」,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年9月30日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
\n\n
維也納少年合唱團創立於1498年,是世界上最著名的合唱團。招牌的水手服、黃鶯般的歌聲,這群來自藍色多瑙河畔傳唱超過500年的小天使,將為您帶來天籟般的音樂饗宴。
\n\n\n\n
演出曲目
\n\n華爾茲及波卡舞曲、世界名曲、聖歌、臺灣歌曲等。
\n\n\n\n
演出暨製作團隊
\n\n維也納少年合唱團
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e2807f1995b002173155f98a981e8a9",title:"《玉山音樂饗宴—維也納少年合唱團》"}],related:[],title:"(Program cancelled) Vienna Boys' Choir",cover:"149c9a131ae9bffea1ab642a25964fe9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2771-5676. | \n\t\t
\n\n\n\n
\n\n
The Vienna Boys' Choir was founded in 1498; it is the most famous choirs in the world. With their iconic sailor suit and nightingale-like voice, these angels sing for five centuries-old choir beside the blue Danube and will bring you their heavenly songs here.
\n\n\n\n
Program
\n\nWaltz, polka, world famous songs, hymns, and Taiwanese songs.
\n\n\n\n
Creative and Production Team
\n\nVienna Boys' Choir
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1659336270,updatedAt:1661157182,updatedBy:"林蔚行",host:!1},{_id:"62e77b74869db0000727266d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661772600,discrete:[{time:1661772600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1551780023257509893"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"08ca43bf67d6ea7c811f43b5b0694974",title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團"}],related:[],title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團",cover:"640ce233c5cbd66c35e3a61fc3cd0e00",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
南科音樂營教師管樂團將在本(111)年度首次於衛武營國家藝術文化中心演出,本次演出除特別邀請台北青年管樂團音樂家們,更邀請知名管風琴演奏家-余曉怡老師一同攜手合作,演出動人的管風琴與管樂團協奏曲;期待在酷熱的8月,為高雄愛樂朋友們帶來一場專業度十足且與眾不同的音樂會。
\n\n南科音樂營創辦於2015年,每年暑期假臺南科學園區舉行,營隊辦理期間均邀請國內外知名音樂家們擔任講師,希望藉由各地不同師資教導,讓學生於營隊中習得不同以往的音樂專業知識及技巧;學生們更可於營隊中與他校學生進一步交流,共同切磋,以達學習音樂獨樂樂不如眾樂樂、共榮共好之目標。
\n\n除專業音樂課程安排,營隊同時與國立臺南藝術大學、東吳大學、實踐大學等國內音樂系所合作策劃演出節目;演繹經典曲目外,也致力於探究當代創新作品,合作對象包括Jose Ignacio Blesa Lull、Joe Burgstaller、Julie Desbordes、工藤重典、鈴木英史、陳威陵、蔡佳修、李胤含、陳雅菁、林薏蕙、陳淞瑋、賴俊諺、林志謙、莊維霖、莊凱圍、韓健峰等知名音樂家,多年來演出皆廣受好評。
\n\n本次演出團隊由南科實中管樂團指揮林裕錫擔任音樂營總監,台北青年管樂團藝術總監侯宇彪擔任常任指揮;演出團員為營隊期間所邀請國內外優秀器樂演奏家,希冀在教學外,亦能以實際演奏為音樂營學員樹立良好學習典範,並為當日聽眾帶來精采的音樂饗宴。
\n\n\n\n
演出曲目
\n\nAlfred Reed / Alleluia! Laudamus Te
\n\nMichael Daugherty / Niagara Falls
\n\nAdam Gorb / Yiddish Dances
\n\nEugène Gigout / Grand Choeur Dialogué
\n\nThomas Trachsel / Concertino for Organ and Symphonic Wind Band
\n\n\n\n
演出暨製作團隊
\n\n樂團|南科音樂營教師管樂團feat.台北青年管樂團
\n\n指揮|侯宇彪
\n\n管風琴獨奏|余曉怡
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"08ca43bf67d6ea7c811f43b5b0694974",title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團"}],related:[],title:"2022 TSB International Master Concert-Johan de Meij",cover:"640ce233c5cbd66c35e3a61fc3cd0e00",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The First Taipei Symphonic Band concert at Kaoshiung in 2022, the band will invite the famous Nanke Summer Music Camp Faculty Band to perform together, also the wonderful organist Hsiao-Yi Yu will perform an organ concerto with TSB.
\n\n\n\n
Program
\n\nAlfred Reed / Alleluia! Laudamus Te
\n\nMichael Daugherty / Niagara Falls
\n\nAdam Gorb / Yiddish Dances
\n\nEugène Gigout / Grand Choeur Dialogué
\n\nThomas Trachsel / Concertino for Organ and Symphonic Wind Band
\n\n\n\n
Creative and Production Team
\n\nBand|Nanke Summer Music Camp Faculty Band feat. Taipei Symphonic Band
\n\nConductor|Leonard Yu-Biau Hou
\n\nOrganist|Hsiao-Yi Yu
\n\n\n\n
\n',team:""},createdAt:1659337588,updatedAt:1660895469,updatedBy:"通泰系統管理員",host:!1},{_id:"62e7806f4a57e7000895f6cc",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1664623800,discrete:[{time:1664623800},{time:1664692200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1200,1500],link:"https://www.opentix.life/event/1549701251740278786"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bb9d0966d155d390a4474420411013a8",title:"《左伯桃》"}],related:[],title:"《左伯桃》",cover:"7556986fbaec122c5f70ee84e139be6b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
化用傳統,提丹練氣——《左伯桃》紀慧玲/表演藝術評論平台
\n\n從《左伯桃》談姚一葦的新編戲曲觀——林乃文/表演藝術評論平台
\n\n單一而深刻,簡約且豐富——《左伯桃》劇評/張啟豐/台新銀行文化藝術基金會
\n\n\n\n
演出內容
\n\n姚一葦橫跨創作、藝術與美學理論,「左伯桃」是他創作生涯中唯一的平劇劇本。「左伯桃」劇本以傳說中左伯桃與羊角哀的故事為基底進行改編,全劇共有「辭家」、「訪友」、「行路」及「雪阻」四場,兩人在前往楚國的路上結伴而行,路遇風雪,左伯桃犧牲自己的生命,成就了羊角哀。故事架構並無修改,透過形式與內容上的調整,轉化以生命困境為題,書寫出富含人性、無私溫暖奉獻的精神。
\n\n\n\n
演出暨製作團隊
\n\n指導單位|教育部
\n\n製作單位|國立臺灣戲曲學院
\n\n贊助單位|趨勢教育基金會
\n\n製作人|劉晉立
\n\n藝術總監|林宜毓
\n\n製作總監|詹惠登
\n\n劇作家|姚一葦
\n\n導演|曹復永
\n\n音樂總監|游素凰
\n\n編腔及音樂設計|趙路加
\n\n舞台設計|房國彥
\n\n燈光設計|簡立人
\n\n服裝設計|林宜毓
\n\n舞蹈編排|萬裕民
\n\n舞台監督|程楚心
\n\n行銷宣傳|林裕紘
\n\n行政經理|王慧琳
\n\n行政助理|吳彥霖、黃怡萍
\n\n\n\n
演員
\n\n左伯桃|張德天
\n\n羊角哀|王璽傑
\n\n左妻|顏雅娟
\n\n樵夫|王辰鑫
\n\n\n\n
\n\n
舞者
\n\n雪童|張寶心、陳冠君、張仲翔、陶佑安、連哲穎、蔣傅宇
\n\n\n\n
樂師
\n\n林世連、郭彥麟、李經元、何永欽、張元霖、李承霖、李佳穎、簡彤恩、黃可嘉、張家碩、陳怡靜、陳品丞
\n\n\n\n
\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bb9d0966d155d390a4474420411013a8",title:'Beijing Opera Performance "Zuo Bo Tao"'}],related:[],title:'Beijing Opera Performance "Zuo Bo Tao"',cover:"7556986fbaec122c5f70ee84e139be6b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Yi-Wei Yao crossed over creative, artistic and aesthetic theories dimensions. "ZUO BO TAO" is the only Beijing Opera script in his creation career. The script of "ZUO BO TAO" is adapted based on the legendary story of "Bo-Tao Zuo and Jiao-Ai Yang." The whole play consists of four scenes: "Leaving home", "Visiting Friends", "Travelling" and "Blocked by the Snow Storm". These two men encountered the snow storm together on the road to Chu State. "Bo-Tao Zuo" sacrificed his life to keep "Jiao-Ai Yang" alive. The structure of the story has not been modified. Through the adjustment of form and content, the theme of the dilemma of life is transformed into a spirit full of humanity, selfless warmth and dedication.
\n\n\n\n
Creative and Production Team
\n\nAdvised by Ministry of Education
\n\nProduced by National Taiwan College of Performing Arts
\n\nSponsored by Trend Education Foundation
\n\nProducer|Jin-Li Liu
\n\nArtistic Director|Yi-Yu Lin
\n\nProduction Director|He-Don Zhan
\n\nPlaywrighter|Yi-Wei Yao
\n\nDirector|Fu-Yung Tsao
\n\nMusic Director|Su-Huang You
\n\nMusic Design|Luke Zhao
\n\nStage Design|Kuo-Yien Fang
\n\nLighting Design|Lee-Zen Chien
\n\nCostume Design|Yi-Yu Lin
\n\nDance choreography|Yu-Min Wan
\n\nStage Manager|Chu-Shin Ceng
\n\nMarketing Promotion|Yu-Hong Lin
\n\nBusiness Manager|Hui-lin Wang
\n\nAssistant to Business Manager|Yen-Lin Wu、I-Ping Huang
\n\n\n\n
Actors
\n\nBo-Tao Zuo|Tso-Kai Chang
\n\nJao-Ai Yang|Hsic-Hieh Wang
\n\nZuo's Wife|Ya-Jiuan Yen
\n\nWoodcutter|Chen-Xin Wang
\n\n\n',team:""},createdAt:1659338863,updatedAt:1664178878,updatedBy:"林蔚行",host:!1},{_id:"62e7862e869db00007272869",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664191800,discrete:[{time:1664191800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,600,800],link:"https://www.opentix.life/event/1552224330631503879"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38a2724cfbeb21baa341c1ee992d8f2c",title:"《迎曦女聲十五週年音樂會》"}],related:[],title:"《迎曦女聲十五週年音樂會》",cover:"14f239ac28e31e9e24adc72524f2eff7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
日本第26回寶塚國際室內合唱大賽浪漫樂派組金牌冠軍
\n\n四度蟬聯106~109年全國社會組合唱比賽女聲組金質獎
\n\n\n\n
迎曦女聲(中山女高校友合唱團)成立十五年來,除了持續提升演唱水準之外,也積極拓展曲目,不斷地尋求與作曲家們的合作,希望為臺灣留下更多屬於自己的合唱音樂。這場音樂會主題為「嶄新的地平線」,包括了委託斯洛維尼亞作曲家Ambrož Čopi創作的《Missa Spei》(希望彌撒曲)選曲,以及由鄭朝方和張舒涵合作的《陌上星空》、林松樺《看一隻鳥仔》、陳維斌《唱一首溫柔的歌》等作品,期盼以精緻的女聲合唱,與聽眾朋友們分享,讓大家重新找回被每天的工作與生活所磨滅的勇氣與生命力!
\n\n\n\n
演出曲目
\n\nDarius Lim|Winter Wind
\n\nAmbrož Čopi|Missa Spei(世界首演)
\n\nOla Gjeilo|Tundra
\n\nJake Runestad|Sing, Wearing the sky
\n\nGreg Gilpin|A New Horizon
\n\n劉毅|戇囝仔
\n\n謝宇威|旅途
\n\n陳維斌|花廳門、唱一首溫柔的歌
\n\n林松樺|看一隻鳥仔、夜的思想(世界首演)
\n\n佐藤賢太郎|朧月夜の淚
\n\n鄭朝方、張舒涵|陌上星空
\n\n\n\n
演出暨製作團隊
\n\n演出|迎曦女聲(中山女高校友合唱團)
\n\n藝術總監暨指揮|翁建民
\n\n鋼琴|蔡郁汶
\n\n聯演|天生音籟兒童合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38a2724cfbeb21baa341c1ee992d8f2c",title:"《迎曦女聲十五週年音樂會》"}],related:[],title:"A New Horizon",cover:"14f239ac28e31e9e24adc72524f2eff7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Amazing and lovely contemporary choral music from Ambrož Čopi' Missa Spei and Taiwanese composers
\n\n\n\n
Program
\n\nDarius Lim|Winter Wind
\n\nAmbrož Čopi|Missa Spei
\n\nOla Gjeilo|Tundra
\n\nJake Runestad|Sing, Wearing the sky
\n\nGreg Gilpin|A New Horizon
\n\n\n\n
Creative and Production Team
\n\nTaipei Laides Singers
\n\nArtistic Director & Conductor|WENG Chien-min
\n\nPiano|TSAI Yu-wen
\n\nGuest|Natus Cantorum Junior
\n\n\n\n
\n',team:""},createdAt:1659340334,updatedAt:1660620933,updatedBy:"通泰系統管理員",host:!1},{_id:"62eb70a2e924a300074b8fda",catalogs:["631e9d17e329d300077404cc","60175764537e520007436189","6007fc45ba34870007c22b8b"],dateTime:{first:1663988400,discrete:[],type:"continuous",continuous:{time:[1659582e3],endTime:[1659618e3],start:1663948800,end:1665331200}},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51605971d80de655066f15f40549f469",title:"【衛武營週年慶4.0】亞歷山大.李維《森聲不息》"}],related:[],title:"【衛武營週年慶4.0】亞歷山大.李維《森聲不息》",cover:"824f7d792cfe125e9436e6f8b7441b9d",site:{isOther:!0,site:"",other:"樹冠露台(東)"},cautions:'
《森聲不息》是一項互動式音樂裝置藝術,在不同的場域如市區或公園,搭起像林木般的雕刻木板,透過民眾靠近木板敲打或側耳傾聽,察覺自然環境中充滿詩意的細緻聲響。此藝術是由法國音樂家亞歷山大・李維所構思及創作,並在雕刻的紋路間鋪上一層導電漆,讓雕刻成為互動式,希望透過作品,找到人、環境及音樂之間的連結,感受環境的聲音脈動。李維過去曾在建築空間或自然遺產場域完成多個現地製作,他的作品結合了科技元素與自然人文,與多元的藝術跨域合作,並不再以表演者為中心,而更強調個體觀眾的感知。今年9月24日至10月10日,衛武營將邀請臺灣的打擊樂家,現場演奏李維結合電子元素的作品,歡迎民眾漫步到衛武營,用觸覺及聽覺,打開全新的沈浸體驗。
\n\n\n\n
展期
\n\n9/24(六)至10/10(一)
\n\n\n\n
音樂演出
\n\n9/24(六)16:00
\n\n10/8(六)17:00
\n\n10/9(日)17:00
\n\n10/10(一)14:30、17:30
\n\n\n\n
演後座談
\n\n2022/9/24(六)16:45 樹冠露台(東)
\n\n2022/10/10(一)18:00 樹冠露台(東)
\n\n與談人|吳瑪悧(藝術家)
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|亞歷山大・李維
\n\n視覺藝術家|索菲・勒孔特
\n\n擊樂|郭羽芝
\n\n電聲、合成器|王品心
\n\n藝術行政經理|佛羅倫斯.佩格利
\n\n\n\n
藝術家介紹
\n\n亞歷山大・李維
\n\n法國作曲家亞歷山大.李維畢業於巴黎音樂學院,並在布洛涅音樂學院學習電聲音樂(electroacoustic music)。李維擅長結合多元藝術,不僅跳脫傳統框架,甚至打破了表演者與觀眾間隱形的第四面牆。從古典交響曲到各類聲樂作品,從電聲音樂到跨領域的裝置藝術,李維的作品兼容並蓄,對於藝術美學有極高的開放性。李維於 2003 年創立了「聲學(AKousthéa)」 ,強調將數位、互動性及當代音樂三個元素融為一體,尋找每個場域的獨特性,因地制宜的設計出獨一無二的藝術作品,並透過音樂,轉錄當地珍貴的歷史與自然遺跡。受到國際肯定的李維,在 2015 年首度來臺展出作品,並廣獲好評,今年他將三度來臺,展出他的互動裝置藝術《森聲不息》。
\n\n\n\n
\n\n
感謝單位:
\n\nINSTITUT FRANÇAIS ET REGION CENTRE VAL DE LOIRE
\n\n龍塢樂府、基隼系統科技
\n\n十鼓文創股份有限公司
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51605971d80de655066f15f40549f469",title:"【Weiwuying Anniversary 4.0】Alexandre LÉVY - Vibration Forest"}],related:[],title:"【Weiwuying Anniversary 4.0】Alexandre LÉVY - Vibration Forest",cover:"824f7d792cfe125e9436e6f8b7441b9d",site:{isOther:!0,site:"",other:"East side of Crown Hall"},cautions:'
Performance duration is 30 minutes without intermission
\n\tVibration Forest is interactive installation art. In different areas, urban or park, carved wooden boards hang forest-like. Through touch, people can interact with the delicate and poetic natural sounds. It was created by French musician Alexandre LÉVY. The link between the audience, the place, and the music is central to this piece and its resonance with its environment. LÉVY has completed a number of In Situ projects in architectural and natural heritage spaces. His works merge technology, culture and nature, through collaboration with cross-genre artists. His work is not performer-centric; rather, it emphasizes the perception of the audience. From September to October, Weiwuying will invite Taiwanese percussionists to perform LÉVY's work. Everyone is welcome to come stroll among the sculpture, using touch to unlock a new experience.
\n\n\n\n
Post-talk
\n\n9/24(Sat)16:30 East side of Crown Hall
\n\n10/10(Mon)18:00 East side of Crown Hall
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Music|Alexandre LÉVY
\n\nVisual Artist|Sophie LECOMTE
\n\nPercussion|KUO Yu-chih
\n\nElectronic Musician|WANG Pin-hsin
\n\nGeneral Manager|Florence PEGOURIE
\n\nAn akousthea company production
\n\n\n\n
Artist Introduction
\n\nAlexandre LÉVY
\n\nFrench composer Alexandre LÉVY graduated from the Paris Conservatory and studied electroacoustic music at the Boulogne Conservatory. LÉVY is driven to combining diverse arts, breaking restrictions and even the invisible fourth wall between the performer and the audience. From instrumental music to vocal work, from electroacoustic music to cross-genre installation art, his works have inclusive aesthetics. LÉVY founded "AKousthéa" in 2003, where digital art, interactivity and contemporary music are integrated. It seeks the uniqueness of each venue, designs one-of-a-kind works of art, transcribes precious historical or environmental heritage. LÉVY, who has received broad international recognition, first exhibited his well-received works in Taiwan in 2015. This year, he will come to Taiwan for the third time to display his interactive installation art Vibration Forest.
\n\n\n\n
\n\n
Special Thanks:
\n\nINSTITUT FRANÇAIS ET REGION CENTRE VAL DE LOIRE
\n\n\n\n
\n',team:""},createdAt:1659596962,updatedAt:1665227424,updatedBy:"林蔚行",host:!0},{_id:"62f08952e924a300074ccbed",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661859e3,discrete:[{time:1661859e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,200,300],link:"https://www.opentix.life/event/1554020053692203013"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a518a42c96dfd7498c0af3565fe81f59",title:"《大海蒼蒼,高山昂昂》南一中百年校慶X校友管樂團第53次音樂會"}],related:[],title:"《大海蒼蒼,高山昂昂》南一中百年校慶X校友管樂團第53次音樂會",cover:"1de5299e99e49fb8aca19be8d20888ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺南一中歡慶百年校慶,過去一年於衛武營國家藝術中心、臺南文化中心、南一中群英堂等舉辦多場百年校慶系列音樂會,場場廣受好評。其中,半年前由臺南一中校友管樂團擔綱演奏的《百年築緣》音樂會,更是唯一登上國家級場館衛武營音樂廳的演出,感動近千位觀眾。
\n\n今年夏天,臺南一中校友管樂團將於8/30再次登上衛武營音樂廳作為百年校慶的壓軸演出。音樂會以母校校歌歌詞「大海蒼蒼,高山昂昂」作為主題發想,策劃一系列與大海、高山呼應之曲目,以精彩的樂音慶祝臺南一中的一百年,歡迎各位南一中的朋友一同蒞臨音樂會!
\n\n\n\n
演出曲目
\n\n清水大輔:《傳說的南極遠征》
\n\n布爾基:《磁山》
\n\n朱雲嵩/編曲─林晉名:《魚姬傳說》
\n\n哈佐:《馳騁》
\n\n史巴克:《高地組曲》
\n\n岩井直溥:《日本風情畫七—糖果合唱團精選》
\n\n\n\n
樂團介紹
\n\n臺南一中校友管樂團
\n\n1993年的臺南,處暑方過,在竹園岡上,甫褪下高中制服的一群青年為了音樂與彼此的情誼,憑著青春熱血,在蘇榮苗老師的指導下,成立了臺南一中校友管樂團。隨著時間流逝,樂團逐漸成長茁壯,至今已近三十個年頭,每年寒暑舉辦的「竹園留聲」音樂會,讓橫跨卅屆的竹園學子齊聚演出,帶給各方愛樂者豐富的音樂饗宴。
\n\n自創立以來,臺南一中校友管樂團立下許多里程碑——臺南歷史最悠久的管樂團,臺南第一個經政府立案為演藝團體的校友管樂團,臺灣唯一每年推出兩檔大型演出之校友管樂團,臺南第一個登上國家音樂廳、且唯一兩度登上國家音樂廳的管樂團等。為了讓更多人聽到來自「竹園岡」的聲音,樂團足跡遍布臺灣各地,不斷拉近音樂與人之間的距離。
\n\n1996年至2015年,樂團由指揮家馮麗朱老師擔任常任指揮,在關鍵時刻伴隨樂團成長,帶領樂團至新的階段。除了馮老師之外,樂團也與各地指揮家、音樂名家、校友共同合作,迴響熱烈。2015年,馮老師卸下常任指揮一職後,樂團仍持續與各方客席指揮激盪出絢爛的火花,更與各種領域之藝術家合作,嘗試為音樂圈帶來更多可能性。
\n\n邁過四分之一世紀,臺南一中校友管樂團臻於成熟,音樂風格穩健豐富。除了追求更完美的音樂表演,樂團也將繼續向前,為管樂藝術帶來更多創新展演,並以成為臺灣最熱情的管樂團為目標,築夢踏實。
\n\n\n\n
指揮介紹
\n\n林晉名
\n\n“具有唯美與精確的技巧” (羅徹斯特愛樂交響樂團長笛首席Rebecca Gilbert)
\n\n“富音樂性、技術精湛、具領導魅力” (指揮家、作曲家 Eduardo-Alonso Crespo)
\n\n“真誠不做作,能將豐富的音樂與情感賦予樂團” (馬里蘭交響樂團音樂總監Elizabeth Schulze)
\n\n受父母啟發接觸音樂,台南家專音樂科主修鋼琴、副修打擊樂,東海大學音樂系主修鋼琴、副修國樂和指揮,後赴美取得卡內基美隆大學鋼琴演奏碩士,並選修指揮與作曲個別課,畢業獲頒Phi Kappa Phi、Pi Kappa Lambda兩項學術殊榮,再以全額獎學金攻讀路易斯安那州立大學音樂藝術博士學位,同時完成管弦指揮碩士並擔任管弦樂團助理指揮。曾獲選歐美數個重要的指揮大師班,如Eastman School of Music Summer Conducting Institute、American Symphony Orchestra League Donald Thulean Conducting Workshop、California Conducting Institute、Institute Musical de Provence-Aubagne(Fr.)、Rose City International Conductors Workshop、Conductors Guild Fredonia Training Workshop與著名指揮家和職業樂團近身學習。
\n\n回國後意外踏進陌生的管樂合奏領域,深知自己不足時常參與國內外相關研習,如Art of Wind Band Teaching Symposium(UMN)、Wind Conducting and Teaching Workshop(TU)、Rodney Winther Conducting Symposium Taipei、Douglas Bostock Conducting Masterclass(NTHU)等,進而投入管樂合奏教學與研究,除協助長榮大學建立管樂社和國樂社外,曾指導台南二中管樂社連續多年獲得全國音樂比賽特優佳績,並帶領樂團參與亞太管樂節、澳門管樂藝術節、嘉義國際管樂節、台南管樂藝術季和南瀛國際音樂節等音樂會演出,另受邀指揮教育部國教署南區高級中等學校管樂觀摩演練和嘉義市青年管弦樂團音樂營《合奏的理念與實踐》講師,並時常擔任全國音樂比賽評審。
\n\n曾於臺東大學音樂系教授管弦樂合奏及指揮主修碩士課程,並受邀指揮成功大學管樂團、逢甲大學校友管樂團、臺南一中校友管樂團、鳳山高中校友管樂團、薪傳介壽校友管樂團、高雄之音管樂團、高雄夢想家青年管樂團、嘉頌重奏團、臺東回響樂團和台南藝術大學音樂劇《荒之島國》等音樂會。國樂方面曾任中國醫藥大學國樂社和成功大學國樂研究社指導老師,指揮成功大學86週年校慶音樂會《中西交響詩》及高雄應用科技大學南區國樂聯盟《犇》、《祭》和《澐》系列音樂會。2015年起指揮臺南二中校友管樂團演出多場具學術價值之專題音樂會,2020年以指揮專長升等通過並將研究成果出版專書【誰殺了哥白尼―音樂會曲目分析與指揮詮釋】。目前為長榮大學通識教育中心專任副教授,致力於音樂教育的推廣與深化。
\n\n\n\n
演出暨製作團隊
\n\n樂團|臺南一中校友管樂團
\n\n客席指揮|林晉名
\n\n樂團團長|王浩宇
\n\n行政總監|吳銘基
\n\n音樂總監|楊子萱
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a518a42c96dfd7498c0af3565fe81f59",title:"The 53rd Concert of Tainan Alumni Band"}],related:[],title:"The 53rd Concert of Tainan Alumni Band",cover:"1de5299e99e49fb8aca19be8d20888ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
To celebrate 100th anniversary of National Tainan Senior High School, the 53rd Concert of Tainan Alumni Band will be held with splendid concert pieces according to the meaning of the school song.
\n\n\n\n
Program
\n\nTo My Comrades - Shacleton's Legendary Antartic Expedition / Daisuke Shimizu
\n\nThe Magnetic Mountain / Mario Bürki
\n\nThe Legend of Takrahaz / Yun-Song Zhu
\n\nRide / Samuel R. Hazo
\n\nSuite from Hymn of the Highlands / Philip Sparke
\n\nJapanese Graffiti VII - Candies Medley / Naohiro Iwai
\n\n\n\n
Creative and Production Team
\n\nPerformance Groups|Tainan Alumni Band
\n\nGuest Conductor|LIN Chin-Ming
\n\nBand Director|WANG Hao-Yu
\n\nAdministration Director|Wu Ming-Chi
\n\nMusic Director|YANG ZIH-SYUAN
\n\n\n\n
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鋼琴家蔡佩娟將從精緻華美的巴哈揭開這場獨奏會的序幕、經過海頓、帶到史克里亞賓與李斯特,引領著聽眾進入一個長廊,進入一個無比浪漫、幻想馳騁的寬闊世界。整場音樂會在蔡佩娟的安排下,彷彿是個澄淨的四面體,光線透過四面體的不同角度會析出不同的顏色,光線顏色跳動變化,在有形的物體和無形的光之間,交織著光線色彩在這當中穿梭流動的自由與幻想,在音樂的框架中,樂音自由馳騁。
\n\n\n\n
演出曲目
\n\n巴赫 / 第二號C小調組曲
\n\n海頓 / 降E大調奏鳴曲
\n\n拉赫瑪尼諾夫 /音畫練習曲,作品39,第二號A小調
\n\n斯克里亞賓 / 第二號升G小調奏鳴曲,作品19
\n\n蕭邦 / 幻想波蘭舞曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|蔡佩娟
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b48f31dede2ad416d38c7506dfa00d9f",title:"《蔡佩娟2022鋼琴獨奏會》"}],related:[],title:"TSAI Pei-Chun 2022 Piano Recital",cover:"1e393ff1797315e47f750141478cc91d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
There is a kind of freedom that breaks out from the framework and discards the old model, and there is a kind of freedom that creates the maximum amount of flexibility within the framework.
\n\n\n\n
Program
\n\nJ. S. Bach / Partita no.2 in c minor
\n\nJ. Haydn / Sonata in E flat Major Hob.XVI:52
\n\nS. Rachmaninoff / Études-Tableaux Op. 39, No.2 in A-Minor
\n\nA. Scriabin / Sonata No.2 in G-sharp Minor, Op.19
\n\nF. Chopin / Poloniase-Fantasie op.61 in A-flat Major
\n\n\n\n
Creative and Production Team
\n\nPiano | TSAI Pei-chuan
\n\n\n\n
\n',team:""},createdAt:1660197661,updatedAt:1660620420,updatedBy:"通泰系統管理員",host:!1},{_id:"62f4a0b96f2d780008775912",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662118200,discrete:[{time:1662118200},{time:1662273e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program Cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c1edfc30c0802cc9f15856f1e4ea6dae",title:"《蘇勒斯2022鋼琴獨奏會》"}],related:[],title:"「節目取消」《蘇勒斯2022鋼琴獨奏會》",cover:"c120e5fccffda543b2932220eb4b254e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂於2022年9月2日(五)19:30及2022年9月4日(日)14:30於表演廳演出之《蘇勒斯2022鋼琴獨奏會》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年9月15日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
蘇勒斯的曲目涉獵甚廣,曾與巴黎的室內樂團與聖馬洛室內樂團合作演出,在葡萄牙、柯隆、洛杉磯、巴黎、波昂等地參與音樂節。2008-2012年間,他在德國的魯爾音樂節舉行音樂會。2012年,蘇勒斯在第67屆日內瓦國際大賽中同時拿下首獎、寶璣特殊大奬「寶璣之愛」、觀眾票選獎、年輕聽眾的特別獎,以及法國航空KLM大獎。
\n\n\n\n
演出曲目
\n\n9月2日(五)
\n\n阿爾班尼士:伊貝利亞
\n\n第一冊
\n\n一、回憶
\n\n二、海港
\n\n三、聖禮節
\n\n第二冊
\n\n一、隆德納舞曲
\n\n二、阿美利亞
\n\n三、杜利亞納
\n\n──中場休息──
\n\n德布西:映像
\n\n第一冊
\n\n一、水之倒影
\n\n二、向拉摩致敬
\n\n三、動態
\n\n第二冊
\n\n一、林間鐘聲
\n\n二、月落古廟
\n\n三、金魚
\n\n\n\n
9月4日(日)
\n\n貝多芬:C小調主題與32首變奏曲,WoO 80
\n\n史卡拉第:F大調奏鳴曲,K. 6
\n\n史卡拉第:d小調奏鳴曲,K. 9
\n\n史卡拉第:G大調奏鳴曲,K. 13
\n\n法雅:貝提卡幻想曲
\n\n──中場休息──
\n\n阿爾班尼士:伊貝利亞
\n\n第三冊
\n\n一、阿爾拜辛
\n\n二、波羅舞曲
\n\n三、拉瓦比斯
\n\n第四冊
\n\n一、馬拉加舞曲
\n\n二、赫列斯舞曲
\n\n三、艾利塔奈
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|蘇勒斯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c1edfc30c0802cc9f15856f1e4ea6dae",title:"《蘇勒斯2022鋼琴獨奏會》"}],related:[],title:"(Program cancelled) Lorenzo Soulès 2022 Piano Recital",cover:"c120e5fccffda543b2932220eb4b254e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2941-2155. | \n\t\t
\n\n
In 2004, Lorenzo Soulès won the Piano Campus Competition in Pontoise. Two years later, he received the Ravel Prize in the context of the Saint-Jean de Luz Ravel Academy and in 2009, the Gen Re Special Prize. He plays with the Ensemble Orchestral de Paris, the Saint-Malo Chamber Orchestra, in festivals in Portugal, as well as in Cologne, Los Angeles, Paris, Bonn, Arras, etc. Between 2008 and 2012, he performed in concert at the Ruhr Klavierfestival in Germany. He won First Prize, the special Breguet Coup de Coeur prize, the People's Choice Award, the special "Young Audience" prize, and the special Air France KLM prize at the 67th Geneva International Music Competition in 2012.
\n\n\n\n
Program
\n\n9/2(Fri.)
\n\nIsaac Albéniz: Iberia
\n\nBook 1
\n\nEvocación
\n\nEl Puerto
\n\nFête-dieu à Seville
\n\nBook 2
\n\n1. Rondeña
\n\n2. Almería
\n\n3. Triana
\n\n-Intermission-
\n\nClaude Debussy: Images
\n\nBook 1
\n\n1. Reflets dans l’eau
\n\n2. Hommage à Rameau
\n\n3. Mouvement
\n\nBook 2
\n\n1. Cloches à travers les feuilles
\n\n2. Et la lune descend sur le temple qui fu
\n\n3. Poissons d’or
\n\n\n\n
9/4 (Sun.)
\n\nL.v. Beethoven: 32 Variations on an Original Theme in c minor, WoO 80
\n\nD. Scarlatti: Sonata in F major, K. 6
\n\nD. Scarlatti: Sonata in d minor, K. 9
\n\nD. Scarlatti: Sonata in G major, K. 13
\n\nM. De Falla: Fantasia Baetica
\n\n-Intermission-
\n\nIsaac Albéniz: Iberia
\n\nBook 3
\n\n1. El Albaicín
\n\n2. El Polo
\n\n3. Lavapiés
\n\nBook 4
\n\n1. Málaga
\n\n2. Jerez
\n\n3. Eritaña
\n\n\n\n
Creative and Production Team
\n\nPIano|Lorenzo Soulès
\n\n\n\n
\n',team:""},createdAt:1660199097,updatedAt:1673514389,updatedBy:"林蔚行",host:!1},{_id:"62fcabf0cc080f000758a982",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1663327800,discrete:[{time:1663327800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,1500,2e3,2500],link:"https://www.opentix.life/event/1543874341315616772"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5969b01a7acb92c8898db71e1f880e08",title:"2022高雄成大校友文教基金會慈善音樂會《巴洛克的臺灣音話》"}],related:[],title:"2022高雄成大校友文教基金會慈善音樂會《巴洛克的臺灣音話》",cover:"40145ad45fb24ac288840854faf1860a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄成大校友文教基金會希冀團結高雄校友們的力量,發揮同島一命精神與愛心,藉由關懷與慈善兩大音樂會主軸,號召團結校友們貢獻一己之力。本次音樂會再度邀請來自高雄一時之選的巴洛克獨奏家樂團合作,在秋高氣爽的九月,假衛武營國家藝術文化中心音樂廳,舉辦〈巴洛克的臺灣音話〉音樂會,藉由音樂撫癒人心,並將贊助收入扣除演出成本後,捐贈給需要的社福弱勢單位,為社會注入一股暖暖的正能量,讓大家繼續勇敢堅定地向前行。
\n\n\n\n
演出曲目
\n\n早川正昭:臺灣四季
\n\n小城故事、但願人長久、愛人、讓月光代表我的心等鄧麗君經典改編
\n\n\n\n
演出暨製作團隊
\n\n巴洛克獨奏家樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5969b01a7acb92c8898db71e1f880e08",title:"2022高雄成大校友文教基金會慈善音樂會《巴洛克的臺灣音話》"}],related:[],title:"Taiwanese Music Chat Room of Baroque Camerata",cover:"40145ad45fb24ac288840854faf1860a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The members of the ensemble consist of musicians who have been trained in Taiwan, Europe and the United States not only focus on Baroque and early Classical music, but also Taiwanese folk and popular songs. The repertoire in this performance will include the favorite of the orchestra, from Masaaki Hayakawa- Four Seasons of Taiwan to the representative of all Teresa Tang's box selling songs.
\n\n\n\n
Program
\n\nMasaaki Hayakawa: Four Seasons of Taiwan
\n\nThe representative of all Teresa Tang's box selling songs
\n\n\n\n
Creative and Production Team
\n\nBaroque Camerata
\n\n\n\n
\n',team:""},createdAt:1660726256,updatedAt:1660884898,updatedBy:"林蔚行",host:!1},{_id:"62fcd46ef571db0007e3fe9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664451e3,discrete:[{time:1664451e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://www.opentix.life/event/1556934709387374596"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb46f1502de9840f7fe43a14d417591f",title:"《格朗戎鋼琴協奏曲之夜》"}],related:[],title:"《格朗戎鋼琴協奏曲之夜》",cover:"c3f950f8acf9437c404f6e7146b36689",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
法國鋼琴家格朗戎Jérôme Granjon睽違三年又再次來到臺灣,將與5位海外學成歸國之年輕音樂家一同演出蕭邦《第1號鋼琴協奏曲》,這首作品是蕭邦年輕時期的創作,技巧華麗,卻帶點憂鬱的心情。2022年,適逢斯克里亞賓150週年誕辰,格朗戎精選14首前奏曲,選自斯克里亞賓《24首前奏曲,op.11》,同時也將帶來李斯特三首作品,選自《巡禮之年-第一年:瑞士》,不同國家同時期的作曲家,由鋼琴家格朗戎帶領樂迷一起感受不同的浪漫派。
\n\n\n\n
演出曲目
\n\n斯克里亞賓:14首選曲,選自《24首前奏曲,作品11》
\n\n李斯特:華倫城湖畔,選自《巡禮之年-第一年:瑞士》
\n\n李斯特:在泉水邊,選自《巡禮之年-第一年:瑞士》
\n\n李斯特:歐伯曼山谷,選自《巡禮之年-第一年:瑞士》
\n\n蕭邦:第一號鋼琴協奏曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|格朗戎 Jérome Granjon
\n\n小提琴|左興、郭己溫
\n\n中提琴|盧明欣
\n\n大提琴|孫韻涵
\n\n低音提琴|賴詩筑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb46f1502de9840f7fe43a14d417591f",title:"《格朗戎鋼琴協奏曲之夜》"}],related:[],title:"La Nuit du Concerto - Jérôme Granjon",cover:"c3f950f8acf9437c404f6e7146b36689",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Looking forward to going to the concert for three years, the French pianist Jérôme Granjon is coming to Taiwan again. He is going to perform Chopin: Piano Concerto No.1 with five young musicians returning from abroad. The composition was taking shape during Chopin's youthful period which is technically demanding, and its style is splendid but along with a bit of gloom.
\n\n2022 marks the 150th anniversary of Alexander Scriabin, , and thus Granjon will play 14 preludes extracted from Scriabin: 24 Préludes, op.11 and 3 Liszt's pieces, from Première année: Suisse. He will lead fans to experience Romanticism via the two composers from different countries and eras.
\n\n\n\n
Program
\n\nScriabin: 14 Préludes, extract 24 Préludes, op.11
\n\nLizst: Lac de Wallenstadt, extrect Année de Pèlerinage, Première année: Suisse
\n\nLizst: Lac de Wallenstadt, extrect Année de Pèlerinage, Première année: Suisse
\n\nLizst: Vallée d'Oberman, extrect Année de Pèlerinage, Première année: Suisse
\n\nF. Chopin: Piano Concerto No.1, Op.11
\n\n\n\n
Creative and Production Team
\n\nPiano|Jérôme Granjon
\n\n\n',team:""},createdAt:1660736622,updatedAt:1661142594,updatedBy:"通泰系統管理員",host:!1},{_id:"63073997581fd70007c39f53",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664537400,discrete:[{time:1664537400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1557268385710112771"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"52fed658897d7fcd28358c5ba204fdbf",title:"《路易沙達2022鋼琴獨奏會》"}],related:[],title:"力晶2022藝文饗宴《藍色狂想曲-路易沙達鋼琴獨奏會》",cover:"7b2d0fbb4660603d0852e82a7e87d5b0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「路易沙達的演奏風格,讓樂曲中每一個音符都成為不可或缺的存在,挖掘出那些埋藏在樂譜最幽深之處、充滿詩意的主題。」
\n\n\n\n
1983年,路易沙達奪得奇亞尼(Dino Ciani)鋼琴大賽第二名,在米蘭史卡拉劇院的演奏獲得極佳評價。1985年,路易沙達獲得第11屆國際蕭邦鋼琴大賽第五名,開啟了他巡迴世界各地的演出生涯。路易沙達與DG簽約,發行一系列錄音,其中最受到注目的專輯包括蕭邦的圓舞曲、馬厝卡舞曲。路易沙達近年回到蕭邦,於2008年灌錄蕭邦鋼琴獨奏作品選集、2009年的馬厝卡舞曲、2011年的敘事曲,以及2014年的圓舞曲。
\n\n\n\n
演出曲目
\n\n蕭邦:四首馬厝卡舞曲,作品24
\n\n舒伯特:C大調第15號鋼琴奏曲《遺物》,D. 840
\n\n巴赫:第五號法國組曲,BWV 816
\n\n馬勒:第五號交響曲第四樂章(由薩洛改編為鋼琴獨奏版)
\n\n佛瑞:B大調第二號夜曲,作品33之2
\n\n佛瑞:降D大調第六號夜曲,作品63
\n\n蓋西文:藍色狂想曲(鋼琴獨奏版)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|路易沙達
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"52fed658897d7fcd28358c5ba204fdbf",title:"《路易沙達2022鋼琴獨奏會》"}],related:[],title:"Jean-Marc Luisada 2022 Piano Recital",cover:"7b2d0fbb4660603d0852e82a7e87d5b0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
“Luisada has the style to make every note indispensable and to uncover poetic motifs in the deepest recesses of the score.”
\n\n\n\n
In 1983, Mr Luisada gave a prize-winning performance at the Dino Ciani competition at La Scala in Milan. In 1985 he was a prize winner at the International Chopin Competition in Warsaw. Jean-Marc Luisada signed an exclusive contract with RCA Red Seal/BMG in 1998. His releases on the label feature the music of Bizet and Fauré (for which he received the Disc of the Year award), Dvorak, Schumann, Mozart, Haydn, Liszt, Scriabin, the Beethoven no. 4 piano concerto with the Orchestre Philharmonique de Radio France and of course several recordings featuring the composer Chopin, including his latest release in 2009.
\n\n\n\n
Program
\n\nF. Chopin: 4 Mazurkas, Op. 24
\n\nF. Schubert: Piano Sonata in C Major, D. 840 “Reliquie”
\n\nJ. S. Bach: French Suite No.5 in G Major, BWV 816
\n\nG. Mahler / A. Tharaud: Adagietto from Symphonie no.5
\n\nG. Fauré: Nocturne No 2 in B Major, Op. 33 No. 2
\n\nG. Fauré: Nocturne No 6 in D-flat Major, Op. 63
\n\nG. Gershwin: Rhapsody in Blue
\n\n\n\n
Creative and Production Team
\n\nPiano|Jean-Marc Luisada
\n\n\n\n
\n',team:""},createdAt:1661417879,updatedAt:1661736760,updatedBy:"林蔚行",host:!1},{_id:"63187e7fe329d300076ef1d1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664690400,discrete:[{time:1664690400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N25AJO0G"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32f9aaeac8e92b461f23a0c57763867b",title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》"}],related:[],title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》",cover:"8a8ba689f56131aef6dcd956eac029a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
來自羅馬尼亞的偉大小提琴家及作曲家George Enescu 恩奈斯庫,早年接受了維也納學派的扎實訓練,並且繼續前往藝術重鎮巴黎深造,他的三首小提琴奏鳴曲個性非常分明,第一號反映了作曲家早年在維也納學習受到布拉姆斯作品的影響,展現出扎實且工整的作曲功力,兩年後在巴黎所譜寫的第二號也明顯可以發現法國作曲家佛瑞的影子,第三號則是恩奈斯庫全盛時期的成熟之作。同時身為一位傳奇小提琴家的恩奈斯庫,寫作小提琴作品除了擁有厚實的曲式架構,也融合了強烈的民族色彩,聽眾能藉由這套作品,感受到如萬花筒般繽紛的歐洲風情,也許也能藉此讓愛樂者浸淫在不同國度的風景與文化中。
\n\n\n\n
演出曲目
\n\n喬治恩奈斯庫 第一號小提琴奏鳴曲 (1897)
\n\n喬治恩奈斯庫 第二號小提琴奏鳴曲 (1899)
\n\n喬治恩奈斯庫 第三號小提琴奏鳴曲 (1926)
\n\n\n\n
演出暨製作團隊
\n\n小提琴|李思緯
\n\n鋼琴|吳佳瑾
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32f9aaeac8e92b461f23a0c57763867b",title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》"}],related:[],title:"Ssu-Wei Lee 2022 Violin Recital -Flame of Romania-George Enescu Violin Sonatas",cover:"8a8ba689f56131aef6dcd956eac029a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
George Enescu, the most celebrated violinist and composer of Romania, received his proper musical educations in Vienna during his early years and further continued on in Paris. All of his three sonatas present distinctive characters and styles reflecting the composer's musical journey. Enescu's first sonata shows heavy Brahmsian influences from his Viennese-school education, and the second sonata from two years later in Paris contains obvious traits of Faure's style of writing, which can be traced back to his education at Conservatoire de Paris. After almost three decades, Enescu finally writes the third sonata, which one may say that it is the golden age of the composer for the high level of maturity and originality in the music. As a such brilliant violinist himself, Enescu is able to not only maintain strong compositional capabilities but also incorporate Romanian folk elements into his writing. With this program of all three Enescu Violin sonatas, listeners may expect to experience wide varieties of European music and culture through the lenses of Enescu.
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Program
\n\nGeorge Enescu: Violin Sonata No.1 in D Major ,Op.2 (1897)
\n\nGeorge Enescu: Violin Sonata No.2 in F minor ,Op.6 (1899)
\n\nGeorge Enescu: Violin Sonata No.3 in A minor "dans le caractère populaire Roumain" ,Op.25 (1926)
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Creative and Production Team
\n\nViolin|Ssu-Wei LEE
\n\nPiano|Chia-Chin WU
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