\nCat|Arr. Kazuhiro Morita
\nPhantom of the Opera|Arr. Johan de Meij
\nLes Misérables|Arr. Marcel Peeters
\nWest Side Story selection|Arr. Stephen Sondheim
\nABBA on Broadway|Arr. Michael Brown
\nBeauty And The Beast Medley|Arr. Toshio Mashima
\nThe Lion King|Arr. John Higgins
\n\n
Creative and Production Team
\n\nProducer / Conductor|HSIEH Wei-min
\n\nDirector|LIU Ke-chieh
\n\nGuide|HUANG Zi-Jiao
\n\nPerformer|Con Bello Symphonic Band
\n\n\n\n
\n',team:""},createdAt:1640850577,updatedAt:1652261928,updatedBy:"林蔚行",host:!1},{_id:"61e51d7a64481600079d801d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667215800,discrete:[{time:1667215800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1477809817202515972?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1af91a85e53f26747e5583ef916a2776",title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會"}],related:[],title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會",cover:"85487a88af3cfd9ad429950a35936cee",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年5月18日(三)19:30於衛武營音樂廳演出之《跟著動物去旅行》臺中教育大學音樂學系教師音樂會,節目延期至2022年10月31日(一)19:30於原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年10月31日(一)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
這是一場由國立臺中教育大學專任教師群共同籌劃,以動物為主題的音樂會,也是該系自 【聲琴吟擊】 和 【一沙一世界,攜手共展望】教師系列音樂後之後,將演奏觸角伸往南臺灣的首演會。節目將呈現義大利、奧地利、法國、英國和俄國作曲家們精采的作品集,且來聆聽音樂家們如何運用樂器的特殊聲響,以各自不同的作曲手法栩栩如生地描寫動物世界。演奏者們將以長笛、女高音、鋼琴和小提琴等不同的樂器組合,聯手音樂學系管弦樂團合作演出,帶領觀眾們以無限的想像【跟著動物去旅行】!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n演出|王如哲校長
\n\n策劃|莊敏仁院長
\n\n執行暨音樂總監|李麗蓉主任
\n\n行政總監|張碩宇
\n\n行政|馬廣駿
\n\n樂團指揮|許智惠教授、梶間聡夫
\n\n雙鋼琴|李麗蓉、劉蕙華
\n\n女高音|黎蓉櫻
\n\n管風琴、作曲|謝宗仁
\n\n小提琴|徐晨又
\n\n長笛|張碩宇
\n\n樂團|國立臺中教育大學音樂學系管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1af91a85e53f26747e5583ef916a2776",title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會"}],related:[],title:"(Program changed) NTCU Department of Music Faculty Concert",cover:"85487a88af3cfd9ad429950a35936cee",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-4-22181072. | \n\t\t
\n\n
The Music Department of National Taichung University of Education (NTCU) presents "Animals of the World" A Musical Tour
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nPerformance|WANG Ru-Jer
\n\nMusic Director|CHUANG Ming-Jen
\n\nExective Producert|LEE Li-Jung
\n\nDirector of Administration|CHANG Shuo-Yu
\n\nAdministration Producer|MA KUANG-CHUN
\n\nDirector of Orchestra|HSU Chih-Hui 、Fusao Kajima
\n\nPiano Duo|LEE Li-Jung、LIU Huey-Hwa
\n\nSoprano|LEE Jung-Ying
\n\nOrgan、Composer|HSIEH Tsung-Jen
\n\nViolin|HSU Chen-Yu
\n\nFlute|CHANG Shuo-Yu
\n\nOrchestra|National Taichung University of EducationMusic Department Orchestra
\n\n\n\n
\n',team:""},createdAt:1642405242,updatedAt:1658468364,updatedBy:"林蔚行",host:!1},{_id:"621600a1dbebd900074a9342",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667475e3,discrete:[{time:1667475e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,600],link:"https://www.opentix.life/event/1492069878343745541?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[{from:"programs",key:"6268a28302b8ab0007c7e112",title:"NSO《詩琴畫語》"},{from:"programs",key:"62399e347afcc40008ee9c8a",title:"《戀戀35-陳明章現場作品三十五年》"}],title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》",cover:"6bfb940cac040f622494d1703e4ba536",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年6月1日(三)19:30於音樂廳演出之《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》,節目延期至2022年11月3日(四)19:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年6月3日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
臺南藝術大學音樂學系管弦樂團由指揮范楷西率領,本場音樂會以〈來自南方〉展現獨特的熱情之聲,安排地理位置相對南端的臺灣、西班牙、義大利作曲家作品,分別為張曉雯〈管弦樂曲《氛圍》〉、羅塔《低音提琴嬉遊協奏曲》、雷史畢基《第三號古代歌調與舞曲》以及法雅《第二號三角帽組曲》,其中羅塔的作品將由音樂學系專任教授、低音提琴演奏家郭馥玫擔任獨奏。
\n\n\n\n
演出曲目
\n\n張曉雯:〈管弦樂曲《氛圍》〉
\n\n羅塔: 《低音提琴嬉遊協奏曲》
\n\n雷史畢基: 《第三號古代歌調與舞曲》
\n\n法雅: 《第二號三角帽組曲》
\n\n\n\n
演出暨製作團隊
\n\n指 揮│范楷西
\n\n低音提琴│郭馥玫
\n\n樂 團│國立臺南藝術大學管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[],title:"From the South",cover:"7522c847be6033b36ed57458c4d6e7bd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-6-6932012. | \n\t\t
\n\n
Led by conductor Kai-Hsi Fan, the Orchestra of TNNUA Music Department will show its special timbre by presenting "From the South" featuring composers from geographical south —Taiwan, Spain and Italy. The program includes "Die Stimmung" for Orchestra by Shiao-Wen Chang, Divertimento Concertante for Double Bass and Orchestra by Nino Rota, Ancient Airs and Dances No. 3 by Ottorino Respighi, and The Three-Cornered Hat Suite No. 2 by Manuel de Falla. TNNUA Music Department Faculty Bassist Fu-Mei Kuo will be the soloist for Rota's composition.
\n\n\n\n
Program
\n\nShiao-Wen Chang: "Die Stimmung" for Orchestra
\n\nNino Rota: Divertimento Concertante for Double Bass and Orchestra
\n\nO. Respighi: Ancient Airs and Dances No. 3
\n\nManuel de Falla: The Three-Cornered Hat Suite No. 2
\n\n\n\n
Creative and Production Team
\n\nConductor|FAN Kai-Hsi
\n\nDouble bass|KUO Fu-Mei
\n\nPerforming|TNNUA Orchestra
\n\n\n\n
\n',team:""},createdAt:1645609121,updatedAt:1659433710,updatedBy:"林蔚行",host:!1},{_id:"6232d6a6425eae00071feedd",catalogs:["5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1666405800,discrete:[{time:1666405800},{time:1666420200},{time:1666492200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,700,900,1100,1300],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N189Z6LV"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2e625ccf95913e79ff2c4417b050d7a",title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》"}],related:[],title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》",cover:"5ca2462f2ead268aa455a26b2ac01881",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原訂2022年7月2日(六)10:30、14:30 於衛武營戲劇院演出之 愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》,節目延期至2022年10月22日(六)10:30、14:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年6月7日(二)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
★ 「他們或許無法記得故事、看不懂全部的臺詞歌詞或人物,但我很確定這樣出色的製作會在他們腦海裡留下一個畫面,那將會是他們人生中對劇場最初始的感動。」—— 劇場評論家Angela
\n\n★ 「本來很緊張很擔心小朋友坐不住怎麼辦,結果青桃超級投入,跟著一起唱,唱得好大聲,根本幼兒五月天演唱會啊 」——知名主播陳乃瑜
\n\n★ 「小孩非常投入,很多時候全場唱成一片,我想說他們到底是看了幾遍,就是兒童版梁靜茹演唱會的感覺。」——網紅作家宅女小紅
\n\n★ 「看著袋熊育兒畫面整個忍不住紅了眼眶,好一首〈媽媽加油〉,整個贏得媽媽的心!真的好喜歡,歡樂又溫暖,是能讓爸爸媽媽和孩子一同擁有美好時光的演唱會!」——電台DJ咖啡糖賢齡
\n\n\n\n
親子圈口碑盛讚!全國巡迴最終篇!
\n\n萬名觀眾高分評價,絕對值得二三刷!
\n\n由人氣天團「謝欣芷的愛唱歌劇場」帶來2022年暑假必看《瑞比和安弟的樹洞狂想》,營造專屬親子的演唱會體驗,台上台下的精彩互動更甚以往,讓孩子們隨著瑞比和安弟的腳步,歷經一場難忘的冒險,並透過故事引導小朋友懂得欣賞自己、樂於分享與幫助他人。100分鐘的表演毫無冷場,串聯超過15首膾炙人口的原創兒歌,讓大小朋友一首又一首唱個過癮,邀請大家加入這趟充滿幸福與歡笑的音樂奇幻之旅!
\n\n\n\n
演出曲目
\n\n【上半場】
\n01. 哈囉歌 ★ 不同音程唱一遍,現場互動最熱烈!
\n02. 起床歌 ★ 最有元氣的早安歌!
\n03. 動物體操 ★ 跟著討喜的動物朋友一起動身體!
\n04. Dreamer ★ 每個孩子都是一名夢想家!
\n05. 蘋果面 ★ 經典台語原創童謠!
\n06. 走吧!走吧!★ 讓大自然走進我們的心裡頭!
\n07. 大近視 ★ 經典台語原創童謠!
\n08. 吃飯了 ★ 營養精靈開工囉!
\n09. 洗手搖滾 ★ 勤洗手向病毒說掰掰!
\n10. 小小美食家 ★ 跟著美食環遊世界去!
【下半場】
\n11. 刷刷刷 ★ 跟著動感牙寶寶們開開心心刷牙去!
\n12. 好笑歌 ★ 一聽就哈哈大笑的無厘頭紓壓兒歌!
\n13. 空氣出來了 ★ 育兒必唱曲!
\n14. 媽媽!加油!★ 為全天下辛苦的媽咪加油打氣!
\n15. 一點一點亮 ★ 2020最受矚目新歌首度演出!
\n16. 數星星 ★ 兩岸三地幼兒園必唱曲!
\n17. 幸福的孩子愛唱歌 ★ 愛唱歌的孩子幸福快樂!
\n\n
演出暨製作團隊
\n\n監 製|楊錦聰.蔣國弘
\n\n製 作 人|歐佳華
\n\n藝術總監|謝欣芷
\n\n編劇導演|周羿辰
\n\n音樂總監|謝漢揚
\n\n插畫設計|鹿雅
\n\n舞台設計|謝均安
\n\n舞蹈設計|周羿辰
\n\n服裝設計|抹抹設計 詹雅真
\n\n影像設計|鄭雅之
\n\n燈光設計|李昊
\n\n歌唱指導|鍾筱丹
\n\n舞台監督|林貞佑
\n\n演出人員|邱若瑜.湯為軍.蔡孟穎.林伯龍.羅智勇.朱珮慈.蘇禹綾
\n\n樂手|曾淵明(打擊).王瑋(吉他)
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2e625ccf95913e79ff2c4417b050d7a",title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》"}],related:[],title:"Fantastic Tree Cave Adventure Concert",cover:"5ca2462f2ead268aa455a26b2ac01881",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2341-9898. | \n\t\t
\n\n
The most exciting family event of your summer.
\n\nBring your family and join us on our final national tour.
\n\nBrought to you by the popular Kim Hsieh's Happy Singing Theater, The Fantastic Treehole Adventure is a must see event for your family. Come and experience the interactive concert with Rabbi and Andy. Give your children an unforgettable time of their lives. Through out the story, we all learn to appreciate, to share and to help other with all the lovely characters. This 100 minute long show consists of 15 top hits from Kim Hsieh. Don't wait. Join us on this fantastic adventure this summer.
\n\n\n\n
Program
\n\n01.〈Hello〉
\n02.〈The Wake Up Song〉
\n03.〈The Animal Dance〉
\n04.〈Dreamer〉
\n05.〈Apple Face〉
\n06.〈Go! Go! Let's Go!〉
\n07.〈Nearsighted〉
\n08.〈Let's Eat!〉
\n09.〈The Hand Washing Rock〉
\n10.〈The Little Gourmet〉
-Intermission-
\n\n11.〈The Brushing Song〉
\n12.〈The Funny Song〉
\n13.〈The Burping Song〉
\n14.〈A Song for My Mother〉
\n15.〈The Firefly〉
\n16.〈Counting Stars〉
\n17.〈Happy Children, Happy Singing〉
\n\n
Creative and Production Team
\n\nProduction supervisor|Chin-Tsung YANG, Johnny CHIANG
\n\nProducer|Jia-Hua OU
\n\nArtistic director|KIM Hsieh
\n\nScenarist director|Yi-Chen ZHOU
\n\nMusic director|Hank Hsieh
\n\nIllustration design|Luya
\n\nStage design|Jun-An HSIEH
\n\nChoreographers|Yi-Chen ZHOU
\n\nCostume design|Moi studio
\n\nDigital image design|Ya-Zhi ZHENG
\n\nLighting design|Li Hao
\n\nVocal coach|Xiao-Dan ZHONG
\n\nStage manager|Zhen-You LIN
\n\nActor & Actress|Ruo-Yu QIU, Wei-Jun TANG, Meng-ying TSAI, Bo-Long LIN, Zi-yoong LOH, pei-tzu CHU, Yu-ling SU
\n\nPercussion & Guitar|Yuan-Ming TSENG, Wei WANG
\n\n\n\n
\n',team:""},createdAt:1647498918,updatedAt:1661929030,updatedBy:"林蔚行",host:!1},{_id:"6242c65ce4b8a10007d7b589",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667388600,discrete:[{time:1667388600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f0fc1e32d2fd126ce268ce786362e1d",title:"《北境之歌-百年經典與傳承》"}],related:[],title:"「節目取消」《北境之歌-百年經典與傳承》",cover:"d57da3c6221849a0838c4b4633cd9370",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
主辦:VIO提琴樂集、迷樂.樂迷弦樂四重奏
\n\t協辦: 中信金融管理學院
\n\t\n\t\t\t ※原訂2022年11月2日(三)19:30於衛武營表演廳演出之《北境之歌-百年經典與傳承》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年11月2日(三)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
迷樂.樂迷弦樂四重奏為小提琴家張群、黃奐瑋;中提琴家劉穎文與大提琴家權雋文,四位自學生時期即一同演出的好友,各自走過世界另一端又齊聚一堂的組合。
\n\n此次以俄羅斯百年經典與傳承;演出十九世紀浪漫樂派以林姆斯基.高沙可夫為首,以俄國民謠創作主題與變奏,與柴可夫斯基創作生涯的初生之犢《第一號弦樂四重奏》;及二十世紀蕭士塔高維奇融合後浪漫主義及新古典主義《第八號弦樂四重奏》,期待呈現給觀眾俄羅斯民族主義的意識及融合現實主義內涵,又點綴著西方文化精髓的藝術。
\n\n\n\n
演出曲目
\n\n俄國作曲家:俄國民謠主題與變奏
\n\n蕭士塔高維奇:第八號弦樂四重奏
\n\n柴可夫斯基:第一號弦樂四重奏
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張群、黃奐瑋
\n\n中提琴|劉穎文
\n\n大提琴|權雋文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f0fc1e32d2fd126ce268ce786362e1d",title:"《北境之歌-百年經典與傳承》"}],related:[],title:"(Program cancelled) Songs From The North – A hundred years' classic and legacy",cover:"d57da3c6221849a0838c4b4633cd9370",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-988028951. | \n\t\t
\n\n
The Obbligato String Quartet posts a label of new and young sound in classical music field. With the violinists Chang Chun, Huang Huan-Wei, violist Liu Ying-Wen, and cellist Chuan Chun-Wen, they have been performed several concerts since they were in conservatory, and finally united together after living abroad for years. For presenting the 100 years of classic and legacy of Russian spirit, they will be performing the for String Quartet by various Russian composers, and the by Tchaikovsky, and the which merged Post-Romanticism and Neoclassicism by Shostakovich. They would like to show people the diversity of Russian spirit, which combines the awareness of Nationalism, contents of Realism and essence of western culture.
\n\n\n\n
Program
\n\nVarious Composers: Variations on a Russian Theme
\n\nDmitri Shostakovich: String Quartet No.8
\n\nPyotr Tchaikovsky: String Quartet No.1
\n\n\n\n
Creative and Production Team
\n\nViolin|CHANG Chun, HUANG Huan-Wei
\n\nViola|LIU Ying-Wen
\n\nCello|CHUAN Chun-Wem
\n\n\n\n
\n',team:""},createdAt:1648543324,updatedAt:1667180653,updatedBy:"林蔚行",host:!1},{_id:"6257d5b102b8ab0007c182c1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667111400,discrete:[{time:1667111400}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program Cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0112b6bc0f9dcbd3d76088dcbb66d4ec",title:"《歌劇詠嘆 與神對話》"}],related:[],title:"「節目取消」《歌劇詠嘆 與神對話》",cover:"dff4c22d74c25bb311e3785a66defdb7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年10月30日(日)14:30於衛武營表演廳演出之《歌劇詠嘆 與神對話》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年7月30日(六)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
La Voix d'AmiS 歌劇藝術樂坊成立至今已經四年,是歌劇愛好者與歌劇專業人士養成與演出舞台的平台,並在這四年中提供團員歌劇演出獨唱與合唱甚至與管弦樂團合作的機會,成立至今雖遇到許多阻擾與困難,但是大家越挫越勇敢,如今感念這一切都是冥冥中那創造宇宙萬物神的帶領,使我們更親身經歷從靈魂暗夜中看到黎明的曙光的恩典,藉著每一首團員精心挑選的歌劇詠嘆調,讓我們從音樂看到神的作為,與大自然宇宙共存的道理,體會到在世卻不屬世靈性美好的午宴!
\n\n\n\n
演出曲目
\n\n比才:噢!尊敬的婆羅神,選自歌劇《採珠者》
\n\n德弗札克:安息日的主我為你燃燒,聖母悼歌
\n\n《主啊,看看我所受的苦難》選自聖桑歌劇「參孫與大利拉」
\n\n威廉 戈麥斯:聖母頌
\n\n韋瓦第:"坐在聖父之右者,求祢憐憫我們"
\n\n普契尼:托斯卡 /為了藝術為了愛
\n\n……等曲目。
\n\n\n\n
演出暨製作團隊
\n\n指揮|劉盛福
\n\n鋼琴伴奏|林麥可
\n\n女高音|陳慧真、江柔、王曼嘉、鍾心欣、陳安妮
\n\n女中音|曹忠美、邱嬋、黃錦玫
\n\n男高音|施履誠
\n\n男中音|李達人
\n\n合唱團|LVA歌劇合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0112b6bc0f9dcbd3d76088dcbb66d4ec",title:"《歌劇詠嘆 與神對話》"}],related:[],title:"(Program cancelled) Opera Aria -Dialogue with God ",cover:"dff4c22d74c25bb311e3785a66defdb7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-929149270. | \n\t\t
\n\n
Opera is like life, the dark night and dawn of the soul run through the music, Let the soloists of LVA Opera House bring you divine inspiration from opera music.
\n\n\n\n
Program
\n\nGeorges Bizet:O Dieu Brahma (from the opera Les Pecheurs de perles)
\n\nAntonin Dvořák:Stabat Mater - Inflammatus et accensus......
\n\n“Vois ma misère, hélas” from SAMSON AND DALILAH by Saint-Saens
\n\nWilliam Gomez:Ave Maria ……
\n\nAntonio Lucio ”Qui sedes ad dexteram patris” dal Gloria RV589
\n\nPuccini: Tosca / Vissi d'arte..........
\n\n\n\n
Creative and Production Team
\n\nConductor|LIU SHENG FU
\n\nChoir|LVA Opera Singer chorus
\n\nsoloist:
\n\nSoprano|Hui-chen Chen / Chiang Jo / Angelrela Cattleya Tjoeng / WANG, MAN-JIA / Ching-Hui KUO / JIANG, ROU
\n\nMezzo Soprano|Tsao Chung-Mei / HUANG, JIN-MEI / CHIU, CHAN
\n\nBaritone|LI, TA-JEN
\n\nTenor|SHI, LU-CHENG
\n\n\n\n
\n',team:""},createdAt:1649923505,updatedAt:1656329119,updatedBy:"林蔚行",host:!1},{_id:"625933f47406e30007ca1357",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666420200,discrete:[{time:1666420200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400],link:"https://www.opentix.life/event/1512012388886556674"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4698b37b83169f506bd1ccdef7e5efd8",title:"2022黑種籽的音樂成長日記《遇見好朋友》"}],related:[],title:"「節目異動」2022黑種籽的音樂成長日記《遇見好朋友》",cover:"fbfe3250e116a6ad8fc98ff0ea112faa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※於2022年10月22日(六)於衛武營表演廳演出之「2022黑種籽的音樂成長日記《遇見好朋友》」演出人員異動,原演出人員劉凱妮將異動為林志謙。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年10月17日(一)止完成辦理全額退票,退票方式請詳OPENTIX。 \n\t\t\t | \n\t\t
\n\n
黑種籽單簧管合奏團為國內最具代表性的單簧管室內樂團之一,特有樂團編制在世界樂壇中並不常見,將是臺灣極具特色的室內樂組合。藉由專業的演出與持續開發的多元風格樂曲,展現出臺灣單簧管音樂的高水準及精緻化,帶給年輕學子及愛樂民眾耳目一新的音樂新體驗。本場音樂會由臺灣知名頂尖的單簧管演奏家林志謙,攜手黑種籽獨奏家楊雅淳、吳惠琪共同演出,以黃金陣容般的組合,將引領一股迷人又狂熱的單簧管風潮!
\n\n\n\n
演出曲目
\n\n酒井格:木の葉の旅
\n\n孟德爾頌:第二號音樂會小品,作品114
\n\n李佳盈 :謎「麋鹿 瀰漫 迷路」
\n\n巴爾托克:羅馬尼亞民族舞曲
\n\n侯志正:南方之春
\n\n巴赫:d小調觸技曲與賦格
\n\n龐基艾利:相遇
\n\n皮耶佐拉:遺忘
\n\n柴可夫斯基:胡桃鉗組曲
\n\n史麥塔納:被出賣的新娘
\n\n\n\n
演出暨製作團隊
\n\n指揮|宋威德
\n\n單簧管|林志謙、楊雅淳
\n\n巴賽管|吳惠琪
\n\n黑種籽單簧管合奏團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4698b37b83169f506bd1ccdef7e5efd8",title:"2022黑種籽的音樂成長日記《遇見好朋友》"}],related:[],title:"2022 Hey Seed Clarinet Ensemble Concert",cover:"fbfe3250e116a6ad8fc98ff0ea112faa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-933-948-920. | \n\t\t
\n\n
The Hey Seed Clarinet Ensemble is one of the prominent ensembles in Taiwan. This ensemble containing 4 clarinets, basset horn, bass clarinet and contra bass clarinet is not as popular as many other chamber groups. Therefore it is rather unique chamber group in Taiwan. Over the years this ensemble has regularly given performances in the national recital hall and all around Taiwan to promote clarinet ensemble music and Taiwanese clarinet compositions. With the passion of chamber music the Hey Seed Clarinet Ensemble will keep bringing exquisite repertoire to the audience. The Hey Seed Clarinet Ensemble has invited the principal clarinetists of Kaohsiung Symphony Orchestra clarinetists, Chih-Chien LIN ,Ya-Chun YANG and Hui-Chi WU to this concert. This great combo will give a splendid sound to fulfill the great hall of Weiwuying and show the audience the diversity of the clarinet ensemble.
\n\n\n\n
Program
\n\nItaru Sakai: Journey of Leaf
\n\nMendelssohn: Concert Piece No. 2
\n\nA.C. Lee: Enigma - An elk gets lost in the dense fog
\n\nBartok: Romanian Folk Dances
\n\nChih-Cheng Hou: Spring in the South Suite
\n\nJ.S. Bach: Toccata and Fugue in D minor BWV 565
\n\nPonchielli: Il Convegno
\n\nPiazzolla: Oblivion
\n\nTchaikovsky: The Nutcracker suite
\n\nSmetana: The Bartered Bride
\n\n\n\n
Creative and Production Team
\n\nConductor|Sung Wei-te
\n\nClarinet|Chih-Chien LIN, Yang Ya-chun
\n\nBasset Horn|Wu Hui-chi
\n\nHey Seed Clarinet Ensemble
\n\n\n\n
\n',team:""},createdAt:1650013172,updatedAt:1664847844,updatedBy:"林蔚行",host:!1},{_id:"6260d3bb02b8ab0007c5a0aa",catalogs:["65fa586c27df72000ad07c63"],dateTime:{first:1667561400,discrete:[{time:1667561400},{time:1667716200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3,2500],link:"https://www.opentix.life/event/1503997330248556548"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8fc4acf9b94d36c38ecf0276b6307bba",title:"2022歌劇《蔥仔開花》"}],related:[],title:"2022歌劇《蔥仔開花》",cover:"06a19d5c9fe68ca1f5eefde648e25f92",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
臺北市立國樂團自製推出的【TCO劇院】,繼歌劇《李天祿的四個女人》、《我的媽媽欠栽培》後,再度推出全新臺文國樂歌劇《蔥仔開花》,講述馬偕夫人張聰明女士傳奇的一生。
\n\n本劇由臺北市立國樂團製作,邀請名導魏德聖擔任創意總監、梁越玲劇本創作、李哲藝音樂設計、曾慧誠執導,並結合國內頂尖聲樂家陳美玲、蔣啟真、孔孝誠、林孟君等攜手獻演。
\n\n想知道張聰明如何從目不識丁的童養媳、一路蛻變至馬偕博士宣教的得力助手,當中經歷的笑與淚嗎?今年適逢馬偕來臺宣教150週年,竭誠歡迎您走入臺北表演藝術中心大劇院,一同以熱烈掌聲向新時代女性—張聰明致敬。
\n\n\n\n
演前導聆
\n\n主講人:曾慧誠(導演)、梁越玲(劇本)
\n\n2022/11/4(五)19:00 於歌劇院
\n\n2022/11/6(日)14:00 於歌劇院
\n\n\n\n
演出暨製作團隊
\n\n創意總監|魏德聖
\n作曲|李哲藝
\n劇本|梁越玲
\n導演|曾慧誠
\n合唱指導|陳麗芬
\n聲樂指導|謝欣容
\n舞台設計|范振罡、蕭登及
\n燈光設計|何定宗
\n影像設計|鄭雅之
\n道具設計|言行
\n音響設計|楊孟儒
\n服裝設計|張渝婕
\n髮型設計|楊攸仁
\n造型設計|曾均峰
\n舞蹈設計|張擎佳
\n平面設計|鄭秀芳
\n舞台監督|陳昭郡
\n
\n演出人員:
\n指 揮|江振豪
\n演 唱|陳美玲、蔣啟真、孔孝誠、鄭海芸、羅俊穎、陳慧如、范婷玉、李增銘、謝銘謀、王郁馨、劉夢潔、梁又中、宮天平、林映旻、王璟頤
\n群 演|胡雅絜、周貞妤、周宛怡、黃巨東、黃匯森、程筱琪、賴玟芳、王雯婷、陳福榮、劉俊德、王瑋麟、吳俊哲
\n臺北市立國樂團
\nTCO 合唱團
\n躍演
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8fc4acf9b94d36c38ecf0276b6307bba",title:"2022歌劇《蔥仔開花》"}],related:[],title:"Opera from the TCO Theater - Formosa Bloom",cover:"06a19d5c9fe68ca1f5eefde648e25f92",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Formosa Bloom takes the form of full-staged opera. Taiwanese humor, romantic music, fancy cast, and staff from the music and theater circle… it is an opera exclusively produced by TCO, and more than anything you could ever expect.
\n\n\n\n
Creative and Production Team
\n\nCreative Director|WEI Te-Sheng
\nComposer|LEE Che-Yi
\nLibrettist|LIANG Yue-Ling
\nDirector|TSENG Hui-Cheng
\nChorus Coach|CHEN Li-Fen
\nVocal Coach|HSIEH Hsin-Jung
\nStage Designer|FAN Chen-Kang、HSIAO Deng-Chi
\nLighting Designer|HO Ting-Tsung
\nImage Designer|Ashzey CHENG
\nProp Designer|YAN Xing
\nSound Engineer|YANG Meng-Ju
\nCostume Designer|CHANG Yu-Chieh
\nHairstyle Designer|YANG You-Ren
\nAppearance Designer|TSENG Chun-Feng
\nChoreographer|CHANG Ching-Chia
\nGraphic Designer|CHENG Siu-Fang
\nStage Manager|CHEN Chao-Chun
\n\n
Conductor|CHIANG Chen-hao
\nVocal|CHEN Mei-Lin, CHIANG Chi-Chen, KONG Siao-Cheng, CHENG Hai-Yun, Julian LO, CHEN Hui-Ju, FAN Ting-Yu, Rios LI, HSIEH Ming-Mou, WANG Yu-Hsin, LIU Meng-CHieh, LIANG You-Jhong, Kingston KUNG, LIN Yin-Ming, WANG Ching-Yi
\nTaipei Chinese Orchestra
\nTCO Chorus
\nVMTheatre Company
\n\n
\n',team:""},createdAt:1650512827,updatedAt:1710905843,updatedBy:"林蔚行",host:!1},{_id:"62668ac07406e30007cd6e4f",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635"],dateTime:{first:1664366400,discrete:[{time:1664366400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1526767076467490821"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cae8d30677df887a8bdcc3da5603ea90",title:"【衛武營小時光】《阿嘟之夜》"}],related:[],title:"【衛武營小時光】《阿嘟之夜》",cover:"b2ee04c0404f34bf53f3f7c827b38aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t多久沒有放鬆大笑了呢?就讓《阿嘟之夜》解決你所有的煩惱,忘卻過去所有的苦悶,甩開任何包袱,紓壓地大笑一場!
\n\n\n\n
YouTuber布萊克薛薛與阿拉斯延續自有頻道熱門節目「阿嘟主義」的精神——為觀眾身心靈拿主意,散發兩人獨有的絕佳默契,加上不可或缺的團員——阿米濕、瑞莎、楊楊、可謙,活力四射的歌舞、眾人葷腥不拘的脫口秀,將帶來一場療癒身心,不分你我、性別與族群,彷彿閨蜜間沒有形象的歡樂Party!
\n\n\n\n
「Adju」一詞源自排灣族,原為生理女性朋友之間的互稱,演變至今,代表無分生理性別的閨蜜、好朋友之意。
\n\n\n\n
演出者
\n\n布萊克薛薛、阿拉斯、阿米濕、瑞莎、楊楊、可謙
\n\n\n\n
藝術家介紹
\n\n布萊克薛薛,可以是你最神秘的閨蜜,有任何煩惱問題,都可以幫你拿主意;阿拉斯,集多元角色於一身,是老師、甜點師傅、也是演員,造就他成為一個有才華且獨一無二的表演者;團內唯一男性代表是阿米濕!?有著解釋不完的性別疑雲,但其實是正港的女生;楊楊,熱情如火的代表人物,瘋起來會嚇人,唱歌起來更驚人;擁有臺東二姐稱號的瑞莎,別看她身材這樣,那是她美麗正在膨脹;可謙,團內顏值代表,漂亮寶貝就是他,想跟他喝一杯還是唱首歌?
\n\n《阿嘟之夜》的成員個個身懷讓人笑歪腰的絕技,一踏入他們的世界絕對讓你感受無限驚喜!
\n\n\n\n
\n\n
本節目為【2022阿嘟之夜】金虎勝!金賀勝!臺北場精華版
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cae8d30677df887a8bdcc3da5603ea90",title:"【衛武營小時光】《阿嘟之夜》"}],related:[],title:"【Weiwuying Showtime】The Adju Night",cover:"b2ee04c0404f34bf53f3f7c827b38aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tPerformed in Mandarin without surtitles.
\n\tWhen was the last time you laughed like a drain? Let The Adju Night clear all your troublesome thoughts and make you forget all the sorrow. Get rid of all distress and laugh hard to release stress!
\n\n\n\n
YouTubers Drangadrang and Arase will uphold the spirit of "Adju-ism" from their own YouTube channel to direct a way for the audience. Through the two's well-synchronized performance, other member's spirited singing and dance, and the DIRTIEST talk show EVER! They will hold a therapeutic and delightful party that transcends individualism, gender, and ethnicity!
\n\n\n\n
"Adju", a word in the Paiwan language, was originally used by a girl to call her female friend; today, it refers to confidant or good friend.
\n\n\n\n
Performers
\n\nDrangadrang, Arase, Amis, Resa, Rayden, Harvey
\n\n\n\n
Artists Introduction
\n\nDrangadrang, your most mysterious and best friend, he can give you advice if you have any troubles. Arase has multiple careers as a teacher, dessert chef, and actor, making him a talented and unique performer. Amis, often misunderstood as the only male in the group, but she is actually female. Rayden, a very enthusiastic and crazy guy, singing is even more amazing. Resa, who has the title of Taitung "second sister", her figure represents that her beauty is expanding. Harvey, the beautiful baby in the group, would you like to have a drink with him or sing a song?
\n\nAll the members of The Adju Night have unexpected hilarious skills that will definitely surprise you just by stepping into their world!
\n\n\n\n
\n',team:""},createdAt:1650887360,updatedAt:1686710234,updatedBy:"林蔚行",host:!0},{_id:"62668fbf7406e30007cd6f3a",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635"],dateTime:{first:1666785600,discrete:[{time:1666785600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1524272187764289540"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0fb88d4f3874cae0776835adc8785ef4",title:"【衛武營小時光】嚎哮排演《啞侍改成脫口秀》"}],related:[],title:"【衛武營小時光】嚎哮排演《啞侍改成脫口秀》",cover:"d505ef051a2f2ba60173bff4f82a0d82",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t十年前,在一間不知名的汽車旅館當中,兩個男人坦誠相見,以為自己參加的是演員甄選,沒想到卻誤入歧途,意外走入地下世界成為殺手,這一殺就是十年。十年過去,步入中年的他們回首過往,告訴自己莫忘初衷。殺手出任務,老子今天不耍槍,改耍嘴皮子也要殺翻全場!
\n\n嚎哮排演十年磨一劍,《啞侍改成脫口秀》啟發自英國劇作家哈洛・品特經典作品《食物升降機》(The Dumb Waiter),也是嚎哮排演2011年初試啼聲之作《啞侍改》的三度改版。原作經由兩人的重新拆解、再組裝,僅保留劇中人物關係以及情境骨幹,轉而用道地而機智的臺灣語言重新書寫創造,頗受好評,並獲得了該屆臺北藝穗節喜劇中的喜劇獎,開啟了往後嚎哮排演的創作風格與方向,為日後十年的發展奠定了重要的基礎。
\n\n本次改版將原作戲劇形式調整為站立喜劇(Stand up comedy),結合脫口秀與漫才形式,以快節奏的語言盡展兩人嘴上功夫,大秀譏諷言詞、唇槍舌戰,保證讓人大呼過癮!
\n\n\n\n
演出暨製作團隊
\n\n演員|黃建豪、蕭東意
\n\n編劇|王健任、黃建豪、蕭東意
\n\n\n\n
團隊介紹
\n\n嚎哮排演
\n\n嚎哮排演是由演員黃建豪與蕭東意於2011年所創立的劇團,2015年編劇王健任加入團隊。秉持著「說好笑的故事作好玩的戲」、「題材尺度不設限」、「不以劇場作為唯一的創作領域」這三項大原則,持續創作不怠。作品帶有濃濃的「嚎哮式」獨創風格,不按牌理出牌、略帶即興趣味的演出方式可說是嚎哮排演的魅力所在。
\n\n在劇場之外,嚎哮排演更致力於開發各種說故事的形式,主創三人親力親為地輪流扛起攝影機,將原本熟悉的劇場語言轉化為鏡頭語言,創作影像短劇,短劇內容五花八門,有嚎哮一貫擅長的情境式喜劇(如:《深噎食堂》、《兇宅線上影集第一季》),亦有對綜藝節目、魔術實境秀,以及網紅進行諧仿的作品(如:《文科叔叔》、《我的藝術生活》系列)。2019年短片《隱食男女》獲得MOD微電影創作大賽金片子組優選。2020年短片《好HER》獲得公視「瞇電影:臺語微電影創作競賽」優選。2021 衛武營藝起秀創意短片徵選 銀獎 《WO/man 我門》。
\n\n\n\n
\n\n
劇照由 劉璧慈 拍攝
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0fb88d4f3874cae0776835adc8785ef4",title:"【衛武營小時光】嚎哮排演《啞侍改成脫口秀》"}],related:[],title:"【Weiwuying Showtime】HaoxHsiao Troupe - The Dumb Waiter Change The Play into Talk Show",cover:"d505ef051a2f2ba60173bff4f82a0d82",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tTwo hit-men, MaHao and CuiXiao, are waiting in a basement room for their assignment. As the play begins, Ben, the senior member of the team, is reading a newspaper, and Gus, the junior member, is tying his shoes. Gus asks Ben many questions as he gets ready for their job and tries to make tea. They argue over the semantics of "light the kettle" and "put on the kettle". Ben continues reading his paper for most of the time, occasionally reading excerpts of it to Gus. Ben gets increasingly animated, and Gus's questions become more pointed, at times nearly nonsensical.
\n\nBut due to the budget limit, we changed the play into a talk show.
\n\n\n\n
Creative and Production Team
\n\nPerformer|HUANG Chien-hao, HSIAO Tung-yi
\n\nPlaywright|WANG Jian-ren, HUANG Chien-hao, HSIAO Tung-yi
\n\n\n\n
Team Introduction
\n\nHaoxHsiao Troupe
\n\nEstablished by comedians Oscar HUANG and Kurt HSIAO, Hao Hsiao Troupe have been dedicating themselves to telling amusing stories and making creative plays. They never set limits on adopting controversial topics and methods of production and have created a number of comedies of high quality on stage and online. HUANG and HSIAO, the core artists, turn their consistent stage training into an unique "Hao Hsiao Acting Style", which often makes their performance seemingly improvisational and unpredictable but also accurate and powerful.
\n\n\n',team:""},createdAt:1650888639,updatedAt:1686710242,updatedBy:"林蔚行",host:!0},{_id:"6279e0927406e30007d2a991",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1665576e3,discrete:[{time:1665576e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1528730132076568580"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db26723e96522a88a90428b43af90f97",title:"【衛武營小時光】郎祖筠+林俊逸-《唱作俱佳》"}],related:[],title:"【衛武營小時光】郎祖筠+林俊逸《唱作俱佳》",cover:"c28e10f06c86dab2cd816c6b51340f50",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t一場生動的演出,不僅仰賴超群的技巧,更需要身歷其境的投入。
\n\n「郎姑」郎祖筠與林俊逸,兩者不但是金曲獎得主、舞台劇演員、主持人,他們也是多年的駐唱夥伴。兩人的戲劇背景與深厚交情,無疑賦予歌曲更豐富的層次與情感。在衛武營小時光推出《唱作俱佳》,邀請郎祖筠和林俊逸將live house帶到衛武營,歡迎觀眾朋友親身體驗來自音樂的微醺。
\n\n\n\n
演出者介紹
\n\n郎祖筠|演員、主持人
\n\n從國立藝術學院戲劇系畢業後,她在1991年以電視綜藝節目「連環泡」進入演藝圈。1997年,她以《我們一家都是人—臺灣精神》入圍金鐘獎最佳女配角。 此後,她陸續從事於舞台劇、導演、主持、相聲、電視、電影、廣播、配音、廣告、教學、公益活動、演講、傳統戲曲、寫作等不同領域。
\n\n\n\n
林俊逸|歌手
\n\n嗓音高亢清亮,表演台風穩健,是台視《五燈獎》〈小朋友歌唱比賽〉第一位五度五關得主,在過關後的1991年至1993年間陸續發行五張個人專輯,並以首張專輯《用愛擁抱世界》入圍第4屆金曲獎最佳新人獎。
\n\n在2011年11月於中視歌唱選秀節目第一屆《華人星光大道》PK踢館賽中創下4戰全勝紀錄,接者在2012年2月於中視模仿選秀節目第1屆《超級模王大道》模仿費玉清,不論是唱歌時的表情、腔調與動作和費玉清本人高度相似,並運用其獨特聲線搭配個人創意,巧妙詮釋其他知名歌手的歌曲,因此瞬間爆紅。同年8月12日《模王》總冠軍賽中奪得冠軍。
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db26723e96522a88a90428b43af90f97",title:"【衛武營小時光】郎祖筠+林俊逸-《唱作俱佳》"}],related:[],title:"【Weiwuying Showtime】Ann LANG + Sean LIN - Versatile",cover:"c28e10f06c86dab2cd816c6b51340f50",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tA vivid performance relies on great technique, and requires a commitment to the moment.
\n\nAside from winning Golden Melody Awards, treading the boards, and hosting, Ann LANG and Sean LIN have also been singing partners for many years. Their theatrical backgrounds and deep bond have undoubtedly given the songs they perform an extra layer of complexity and emotion. This season, Weiwuying Showtime has invited LANG and LIN to bring their live house performance to Weiwuying and spread the melodic buzz.
\n\n\n\n
Artists Introduction
\n\nAnn LANG|Actress、Host
\n\nAfter graduating from the Department of Drama of the National Institute of the Arts (now Taipei National University of the Arts), Ann LANG entered the entertainment industry in 1991 with the TV show Twin Bang. In 1997, she was nominated for the Best Supporting Actress Golden Bell award for This Family is All People. Since then, she has been engaged in different fields such as stage play, directing, hosting, crosstalk, television, film, radio, voiceover, advertising, teaching, public welfare activities, public speeches, traditional opera, and writing.
\n\n\n\n
Sean LIN|Singer
\n\nSean LIN has a crystal voice with a great performing technique on stage. He was the first winner of the Five Lights Award for kids, and after the competition released five albums between 1991 and 1993. The first album won him Best New Artist at the 4th Golden Melody Awards. In November 2011, he set a record of 4 victories as a challenger in the live TV singing competition Chinese Million Star. In 2022, he gained fame by imitating the famous Taiwanese singer FEI Yu-ching on the Taiwanese live TV show Super Copy King, with his tone, gestures, and expressions. He also was highly praised for his unique voice line and creativity. Skillfully interpreting many classic songs, he went on to win the championship that year.
\n\n\n\n
\n',team:""},createdAt:1652154514,updatedAt:1686710288,updatedBy:"林蔚行",host:!0},{_id:"62821d6e11b38700099b981c",catalogs:["5fe2bffdde1961000737545c","65fa586c27df72000ad07c63"],dateTime:{first:1666868400,discrete:[{time:1666868400},{time:1666954800},{time:1667025e3},{time:1667111400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,700,900,1e3,1200,1600,1800,2e3,2200,2600,2800,3e3,3200,3600,3800,3800,4200,5200,6e3],link:"https://www.opentix.life/event/1535199841218383876"}},attachment:{key:"e6682da5c11453faccd96084542a2d95",name:"威爾第歌劇《唐卡洛》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"周邊活動",content:'
時間 | \n\t\t\t活動 | \n\t\t\t地點 | \n\t\t\t連結 | \n\t\t
6/10(五)至7/24(日) | \n\t\t\t威爾第歌劇《唐卡洛》群眾演員徵選計畫 | \n\t\t\t衛武營 | \n\t\t\tLINK | \n\t\t
7/31(日) \n\t\t\t14:30 | \n\t\t\t《唐卡洛》: 歷史, 虛構, 與虛幻 | \n\t\t\t臺中國家歌劇院 角落沙龍 | \n\t\t\tLINK | \n\t\t
9/17(六) \n\t\t\t14:00-15:30 | \n\t\t\t【武營來開槓】愛恨交織、父子對立:你一定想知道的歌劇《唐卡洛》 | \n\t\t\t演講廳 | \n\t\t\tLINK | \n\t\t
9/17(六)至10/2(日) \n\t\t\t10:00-16:00 | \n\t\t\t【解密歌劇工作坊】 | \n\t\t\t1182排練室 | \n\t\t\tLINK | \n\t\t
10/15(六)至10/16(日) \n\t\t\t09:30-22:00 | \n\t\t\t歌劇《唐卡洛》大師班 | \n\t\t\t1182排練室 | \n\t\t\tLINK | \n\t\t
10/17(一) \n\t\t\t19:30-21:00 | \n\t\t\t【大師講座】歌劇《唐卡洛》設計揭密 | \n\t\t\t演講廳 | \n\t\t\tLINK | \n\t\t
10/19(三) \n\t\t\t19:30-21:00 | \n\t\t\t【大師講座】歌劇《唐卡洛》執行導演詹尼.桑圖奇的藝術觀點 | \n\t\t\t演講廳 | \n\t\t\tLINK | \n\t\t
10/27(四)-10/30(日) | \n\t\t\t威爾第歌劇《唐卡洛》 期間限定主題餐食 | \n\t\t\t歌劇院東側出入口 公共鋼琴區域 | \n\t\t\tLINK | \n\t\t
10/28(五) \n\t\t\t23:00-00:00 \n\t\t\t10/29(六) \n\t\t\t18:30-19:30 | \n\t\t\t【夜遊劇場】探索威爾第歌劇《唐卡洛》後台風景 | \n\t\t\t歌劇院 | \n\t\t\tLINK | \n\t\t
9/2(五)-10/1(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t歌劇院東北側玻璃櫥窗 | \n\t\t\tLINK | \n\t\t
10/1(六)-10/31(一) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\tSTAGE 5 | \n\t\t\tLINK | \n\t\t
\n'},{reference:[{from:"articles",key:"62f1fce9e924a300074d00a7",title:"從歌劇《唐卡洛》看帝王家的無奈與悲哀"},{from:"articles",key:"62c4016d98da02000aaf6bfc",title:"理想、愛情、自由與滅亡 威爾第的「大」歌劇《唐卡洛》"},{from:"articles",key:"62bd4c3cbb7c2e0007fc7507",title:"為何必看《唐卡洛》?(上)"},{from:"articles",key:"62d4fc30869db000072395f1",title:"為何必看《唐卡洛》?(下)"}],type:"reference",name:"相關文章",content:""},{reference:[],type:"content",name:"威爾第介紹",content:'
\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t |
\n'}],onShelf:!0,sliders:[{type:"image",key:"f8074d7a5b95b4fa90548c5c8f71f31f",title:"威爾第歌劇《唐卡洛》"}],related:[{from:"programs",key:"62ba9ef5afe2d7000ae36534",title:"【解密歌劇工作坊】"},{from:"programs",key:"62b92e60afe2d7000ae32c71",title:"歌劇《唐卡洛》導演大師班"},{from:"programs",key:"62b95ef4bb7c2e0007fa7274",title:"【大師講座】歌劇《唐卡洛》設計揭密"},{from:"programs",key:"62b9231abb7c2e0007fa66d7",title:"【大師講座】歌劇《唐卡洛》執行導演—詹尼.桑圖奇的藝術觀點"},{from:"programs",key:"62aaf8c856bcc00007758923",title:"【夜遊劇場】探索威爾第歌劇《唐卡洛》後台風景"},{from:"news",key:"630319b2581fd70007c31279",title:"STAGE 5餐酒館 《唐卡洛》歌劇禮賓餐酒個人套餐"}],title:"威爾第歌劇《唐卡洛》",cover:"6481a802c85376a6b75aec049791ec14",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
七大舞台場景轉換 歌劇榮景 臺灣登場
\n\n近300套傳統宮廷華服、千套道具配件 歌劇之美 臺灣首度亮相!
\n\n\n\n\n\n\n\n
「這部充滿野心的歌劇製作以卓越的音樂表現、傳統卻極精彩的場面調度而大獲成功⋯⋯這部華麗的歌劇足以和列日皇家歌劇院的輝煌歷史相互輝映。」——英國古典音樂網站Bachtrack
\n\n「在服裝設計費爾南德.魯伊斯的帶領下,二十幾位設計師製作出四百多套古裝、一千多套配件,藉由精心打造的服裝細節,帶領觀眾重返西班牙菲利普二世的帝國風光。舞台設計蓋瑞.麥肯則依循劇院宗旨,忠實呈現樂譜中指涉的場景。」——歌劇網站Ôlyrix
\n\n\n\n
跨國共製 旗艦歌劇
\n\n國內首度搬演《唐卡洛》
\n\n華麗佈景 傳統古裝 精彩宮鬥
\n\n比利時列日皇家歌劇院兩百週年盛大鉅獻
\n\n\n\n
雖說世間難有絕對,但稱《唐卡洛》是威爾第最豐富、最深刻、最刺激,甚至最偉大的創作,大概也不會招致反對。這原是為巴黎歌劇院——當時全世界資金最充裕、場面最鋪張、資源最豐富的舞台——所費心打造的五幕法文歌劇。首演後威爾第仍不斷修改,七易其稿,最終決定版為1882/83年四幕義語版,正是此次衛武營要呈現的經典。
\n\n《唐卡洛》改自席勒同名戲劇,劇中所有人都身不由己:法國公主伊莉莎白和西班牙王子唐卡洛情投意合,卻被迫嫁給唐卡洛之父菲利普二世。宮廷貴族愛波莉公主情繫唐卡洛,因妒生恨構陷王后,又委身成為孤獨國王的情婦。忠心臣子羅德利果為爭取宗教自由的法蘭德斯請命,大審判長則要他的項上人頭。宮鬥可比《甄嬛傳》,陰謀不輸《瑯琊榜》,在親子衝突、情愛糾葛、政治撕扯之外,《唐卡洛》還有王權與神權的鬥爭,讓人膽戰心驚又大呼過癮。
\n\n面對錯綜複雜的劇情,威爾第直球對決,寫出火力全開的詠嘆調與二重唱,以及壯麗又暗黑,恐怖直入人心的火刑場景,堪稱集德國戲劇、法式排場與義大利音樂之大成。多樣角色對應各類聲種,也讓《唐卡洛》成為豪華的聲樂饗宴。它是歌劇黃金時代最燦爛的產物,卻永遠不過時。其開放式的結局,更讓導演大展長才。跨國合作,臺灣首演,您絕對不能錯過!
\n\n\n\n
演前導聆
\n\n2022/10/27(四)18:20 歌劇院二樓大廳
\n\n2022/10/28(五)18:20 歌劇院二樓大廳
\n\n2022/10/29(六)13:50 歌劇院二樓大廳
\n\n2022/10/30(日)13:50 歌劇院二樓大廳
\n\n\n\n
近期周邊活動
\n\n時間 | \n\t\t\t活動 | \n\t\t\t地點 | \n\t\t\t連結 | \n\t\t
---|---|---|---|
10/19(三) \n\t\t\t19:30-21:00 | \n\t\t\t【大師講座】歌劇《唐卡洛》執行導演詹尼.桑圖奇的藝術觀點 | \n\t\t\t演講廳 | \n\t\t\tLINK | \n\t\t
10/27(四)-10/30(日) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t歌劇院東側出入口 公共鋼琴區域 | \n\t\t\tLINK | \n\t\t
10/28(五) \n\t\t\t23:00-00:00 \n\t\t\t10/29(六) \n\t\t\t18:30-19:30 | \n\t\t\t【夜遊劇場】探索威爾第歌劇《唐卡洛》後台風景 | \n\t\t\t歌劇院 | \n\t\t\tLINK | \n\t\t
10/1(六)-10/31(一) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\tSTAGE 5 | \n\t\t\tLINK | \n\t\t
\n\n
延伸閱讀
\n\n\n\n\n\n
演出暨製作團隊
\n\n指揮|簡文彬
\n\n導演|史蒂凡諾.馬佐尼斯.迪.普拉拉費拉
\n\n執行導演|詹尼.桑圖奇
\n\n舞台設計|蓋瑞.麥肯
\n\n服裝設計|費爾南德.魯伊斯
\n\n燈光設計|佛朗哥.馬里
\n\n\n\n
唐卡洛|伊拉克利.卡奇澤(10/27、10/29場次)、馬泰奧.法西耶(10/28、10/30場次)
\n\n菲利普二世|朴泰桓(10/27、10/29場次)、瑟吉.科夫涅(10/28、10/30場次)
\n\n伊莉莎白|耿立(10/27、10/29場次)、妮娜.穆霍(10/28、10/30場次)
\n\n羅德利果|巫白玉璽(10/27、10/29場次)、馬切羅.羅西耶洛(10/28、10/30場次)
\n\n愛波莉|翁若珮(10/27、10/29場次)、歌莎.高瓦蓮斯卡 (10/28、10/30場次)
\n\n大審判長|拉馬茲.奇克維拉澤
\n\n修士|謝銘謀
\n\n特巴爾多|賴珏妤
\n\n勒馬伯爵、皇家傳令官|李增銘
\n\n天上的聲音|梁又中
\n\n\n\n
樂團|長榮交響樂團
\n\n合唱團|高雄室內合唱團
\n\n舞台樂隊│高雄市管樂團
\n\n\n\n
\n\n
本製作由衛武營國家藝術文化中心與比利時列日皇家歌劇院共同製作
\n\n照片版權|2020年比利時列日皇家歌劇院首演劇照
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
贊助單位
\n\n\n\t\t |
\n\t\t |
\n\t\t |
\n\n
特別感謝
\n\n\n\t\t |
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f8074d7a5b95b4fa90548c5c8f71f31f",title:"威爾第歌劇《唐卡洛》"}],related:[{from:"articles",key:"62d4fc30869db000072395f1",title:"Why Is Don Carlo a Must-See? (part II)"},{from:"articles",key:"62bd4c3cbb7c2e0007fc7507",title:"Why Is Don Carlo a Must-See? (part I)"}],title:"G. VERDI - Don Carlo",cover:"6481a802c85376a6b75aec049791ec14",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
10/27-28:NT$300, 700, 1000, 1600, 2000, 2600, 3000, 3600, 3800, 5200
\n\t10/29-30:NT$300, 900, 1200, 1800, 2200, 2800, 3200, 3800, 4200, 6000※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Although there are few absolutes in this world, the prevailing opinion is that Don Carlo is Giuseppe VERDI's richest, most profound, most exciting, and possibly even his greatest creation. This work was originally a five-act, French-language opera commissioned for the Paris Opera, which was at that time the best funded, most ornate, and most resource-rich theater in the world. VERDI continued revising the opera after its premiere. After seven revisions, the final version was a four-act, Italian-language opera completed in 1882-83. This is the version that Weiwuying is staging.
\n\n\n\n
Don Carlo is based on Friedrich SCHILLER's play Don Carlos. In the story, all the characters are constrained. French Princess Elisabetta and Spanish Prince Don Carlo are in love, but she is forced to marry Carlo's father, King Filippo II. Princess Eboli is in love with Carlo. She frames the queen out of jealousy and hatred, while being the king's mistress herself. The loyal nobleman Rodrigo risks his life to plead for religious freedom for Flanders, and the Grande Inquisitore demands his execution. The plot involves intense palace infighting and intrigue. In addition to parent-child friction, amorous entanglements, and political conflicts, Don Carlo also shows the struggle between kingship and religious authority, which both agitates and enthralls people.
\n\n\n\n
VERDI's response to the tangled and complicated plot was to cut to the chase. He composed powerful arias and duets, as well as magnificent yet dark and terrifying scenes. It can be said this work is the culmination of German drama, French grand opera, and Italian music. The diverse roles call for a full vocal range, making Don Carlo a sumptuous vocal music feast. It is also the most brilliant product of opera's golden age and a timeless classic. The open ending of Don Carlo gives directors the opportunity to show their creativity. This is the premiere of this multinational co-production in Taiwan, and you won't want to miss it!
\n\n\n\n
\n\n
Pre-talk
\n\n2022/10/27(Thu)18:20 Opera House 2nd Floor
\n\n2022/10/28(Fri)18:20 Opera House 2nd Floor
\n\n2022/10/29(Sat)13:50 Opera House 2nd Floor
\n\n2022/10/30(Sun)13:50 Opera House 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nDirector|Stefano MAZZONIS DI PRALAFERA
\n\nRevival Director|Gianni SANTUCCI
\n\nScenic Designer|Gary McCANN
\n\nCostume Designer|Fernand RUIZ
\n\nLighting Designer|Franco MARRI
\n\nDon Carlo|Irakli KAKHIDZE (Oct 27 & 29), Matteo FALCIER (Oct 28 & 30)
\n\nFilippo II|Taihwan PARK (Oct 27 & 29), Sergii KOVNIR (Oct 28 & 30)
\n\nElisabetta|KENG Li (Oct 27 & 29), Nina MUHO (Oct 28 & 30)
\n\nRodrigo|WU Bai-yu-hsi (Oct 27 & 29), Marcello ROSIELLO (Oct 28 & 30)
\n\nEboli|WENG Jo-pei (Oct 27 & 29), Gosha KOWALINSKA (Oct 28 & 30)
\n\nIl Grande Inquisitore|Ramaz CHIKVILADZE
\n\nUn Frate|HSIEH Ming-mou
\n\nTebaldo|LAI Chueh-yu
\n\nIl Conte di Lerma, Un Araldo reale|Rios LI
\n\nVoce dal cielo|LIANG You-jhong
\n\nOrchestra|Evergreen Symphony Orchestra
\nChorus|Kaohsiung Chamber Choir
Stage Band │ Kaohsiung City Wind Orchestra
\n\n\n\n
\n\n
Co-produced by National Kaohsiung Center for the Arts (Weiwuying) and Opéra Royal de Wallonie-Liège
\n\nThe photographs were taken during the premiere at Opéra Royal de Wallonie-Liège.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
Sponsor
\n\n\n\t\t |
\n\t\t |
\n\t\t |
\n\n
Special Thank
\n\n\n\t\t |
\n\n\n',team:""},createdAt:1652694382,updatedAt:1710905821,updatedBy:"林蔚行",host:!0},{_id:"62833ca7a0e8a300073acf20",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1667043e3,discrete:[{time:1667043e3},{time:1667111400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,700,900,1200,1500,1800,2200,2500],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=N1VS9YE1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a1c77721ab7e81cc8f131aaff9d8a35f",title:"故事工廠《四姊妹》療癒劇場"}],related:[],title:"故事工廠《四姊妹》療癒劇場",cover:"71bb68857c296418c5f036990b237292",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
家,是避風港?還是修羅場?
\n\n如果手足是父母親留給我們的資產,我們是彼此的存款,還是相欠債?如果你的心裡,始終藏著一份好不了的傷,那會是關於什麼?如果需要給她一句話,會是「對不起」還是「我愛你」?
\n\n\n\n
「看到妳過得不好,我就安心了 」
\n\n各自成家的四姊妹,於母親的忌日相約在已改建成民宿的老家,卻被這晚的暴雨困住,過去的辛酸與秘密被一一掀起,童年沒有癒合的傷,隨著歲月的累積早已發炎、潰爛......
\n\n\n\n
演出暨製作團隊
\n\n監製|林佳鋒
\n\n製作人|江智慧、王宣琳
\n\n藝術總監|黃致凱
\n\n原始故事構想|王琄
\n\n編劇|張敦智
\n\n導演|王琄
\n\n舞台設計|張維文
\n\n服裝造型設計|林俞伶
\n\n燈光設計|高一華
\n\n音樂設計|黃韻玲
\n\n主視覺版畫設計|楊振華
\n\n主視覺設計|方序中、徐毅驊(究方社)
\n\n舞台監督|林世信
\n\n演員|丁寧、范瑞君、鄭家榆、謝汶錡(阿嬌)、蔡燦得、温貞菱、蕭東意
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a1c77721ab7e81cc8f131aaff9d8a35f",title:"故事工廠《四姊妹》療癒劇場"}],related:[],title:"Silent Sisterhood",cover:"71bb68857c296418c5f036990b237292",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
I hate you more than anyone else, but I also love you more than anyone else.
\n\nThe four sisters, who have been seldom reunited, met each other at their old-house-turned-B&B in the mountain at the anniversary of their mother's death.
\n\nOn a stormy night, these sisters are strapped in this old house and their older selves. Deep resentment and petty jealousy have soured their relationship. How can they find a way back into love?
\n\n\n\n
Creative and Production Team
\n\nExecutive Producers|LIN Chia-Feng
\n\nProduction Manager|CHIANG Chih-Hui
\n\nProduction Manager|WANG Hsuan-Lin
\n\nOriginal Story Idea|WANG Juan
\n\nPlaywrite|CHANG Dun-Chi
\n\nDirector|WANG Juan
\n\nStage Designer|CHANG Wei-Wen
\n\nCostume Designer|LIN Yu-Ling
\n\nLighting Designer|KAO Yi-Hua,
\n\nComposer and Sound Designer|Kay HUANG
\n\nPrintmaker|YANG Chen-Hua
\n\nVisual And Graphic Designer|Joe FANG, Fred (Joe Fang Studio)
\n\nStage Manager|LIN Shih-Hsin
\n\nActors/Actress|DING Ning, FAN Jui-Jun, CHENG Jia-Yu, HSIEH Wen-Chi(A-Jiao),Vega TSAI, WEN Jen-Ling, HSIAO Dung-Yi
\n\n\n\n
\n',team:""},createdAt:1652767911,updatedAt:1652871519,updatedBy:"林蔚行",host:!1},{_id:"6294ae57557b990008a59089",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1665747e3,discrete:[{time:1665747e3},{time:1665815400},{time:1665833400},{time:1665901800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200,1500,2e3,2500,3e3,3500,4e3,5e3],link:"https://www.opentix.life/event/1519881767931146242"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c5e0b135aa795304995baf398f8d0bb2",title:"綠光劇團《再會吧 北投》REVIVAL"}],related:[{from:"programs",key:"631df840e329d3000772e4d9",title:"【我們都是這樣打動觀眾的】會員限定講座"},{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"}],title:"綠光劇團《再會吧 北投》2.0 REVIVAL",cover:"3e35ae6ebc484a69ba61532605f388ac",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\n
《再會吧 北投》是我看過最好看的臺灣音樂劇,沒有之一。
\n\n有歌有舞,有多線劇情,多焦點,多層次;對白很細、很沉、很透,水到渠成。
\n\n臺灣自製音樂劇的標準,又有了新的參考高度。——知名作家 馬世芳
\n\n或許人生確實要經過一些風浪才能成長;或許一個時代的繁華背後也有人們默默獻出青春、悲苦活著⋯⋯時代的推移、人們的蛻變,一層一層從過去的小人物歷史中,堆疊出我們現代人的世界。——部落客 滄藍
\n\n\n\n
綠光劇團《再會吧 北投》第三度加演!
\n\n以民國50、60年代為背景,日據時期有溫柔鄉之稱的北投有著一間送往迎來的別有天飯店,歌舞昇平中看似歡樂,底下卻隱藏著一段段生命底層的動人情愛與悲歡離合,故事中也道出浮沈一世紀的北投榮華興衰。希冀讓臺灣北投文化特色透過舞台劇呈現,再度讓年輕世代感受當時時代的氛圍。全劇由大師吳念真及陳明章聯手打造,重現當時北投時代人物的純真與溫情,讓觀眾從中找到情感寄託與對未來的寄望。
\n\n\n\n
劇情簡介
\n\n民國56年,兩位女郎陪著一位美國大兵共浴的照片,登上美國時代雜誌。那是北投溫泉酒家林立,情色文化的興盛年代。其中「別有天溫泉旅館」是近二十年前,在王清水的資助下,由陳愛嬌所頂下經營,是愛嬌一生青春的心血,也是旅館員工生活的依靠。年輕時自殺而無法生育的愛嬌,十五年前買來養女純純,盼望母女相伴,一圓天倫親情夢。卻因為恩人王清水投資建廠,土地出現問題。唯一可以幫助王清水的議員,覬覦著純純正值青春的美貌。愛嬌為了報恩,不得不含淚拜託純純下海接客。面對事業的危機,親情的崩解,愛情的考驗以及員工的生存,愛嬌只能全力扛起。命運的無奈,逼出了人生的堅韌。看似不得不的選擇,最終也有意外的璀璨⋯⋯
\n\n\n\n
演出暨製作團隊
\n\n創意顧問|吳靜吉
\n\n藝術監督|吳念真、柯一正
\n\n製作人|雷輝、李永豐
\n\n團長|羅北安
\n\n編劇暨導演|吳念真
\n\n音樂總監|陳明章
\n\n舞台設計|劉達倫
\n\n燈光設計|鄭智謙
\n\n服裝設計|蔡毓芬、林俞伶
\n\n樂團|福爾摩沙淡水走唱團
\n\n演員|柯一正、謝銘祐、王彩樺、于子育、方宥心、林雨宣、楊大正、廖邱堃、于浩威……
\n\n(主辦單位保留人員異動的權益)
\n\n\n\n
團隊介紹
\n\n讓人人看到綠光
\n\n創團於1993年的綠光劇團,希冀透過劇場形式與內容的創新,為觀眾創造難忘的劇場經驗。綠光劇團從最早在國內鼓動原創「中文音樂劇」的製作及演出,到「世界劇場」、「國民戲劇-人間條件」、「臺灣文學劇場」、「都會生活劇場」新劇種的發起,都是在尋找最能直接切入人性,溫暖人心的戲劇作品與演出形式。
\n\n「綠光,是幸福之光,只要心中有愛,就能看見綠光」,我們希望透過劇場,將愛與希望帶給走進劇場親近藝文的每一個人。
\n\n\n\n
\n\n
主辦單位|綠光劇團
\n\n協辦單位|衛武營國家藝術文化中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c5e0b135aa795304995baf398f8d0bb2",title:"綠光劇團《再會吧 北投》REVIVAL"}],related:[],title:"Greenray Theatre - Farewell Beitou 2.0 REVIVAL",cover:"3e35ae6ebc484a69ba61532605f388ac",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\n
The THIRD run of Greenray Theatre Farewell Beitou!
\n\n\n\n
Musical Farewell Beitou 2.0 REVIVAL is written by acclaimed director and dubbed the best storyteller in Taiwan, WU Nien-jen, accompanied with the award-winning songwriter CHEN Ming-chang, and performed mostly in Holo, or commonly known as Taiwanese. The show has gripped the hearts of a cross-generation audience. The story is about the everyday happenings and struggles of the ordinary people in the 1960s Beitou, the northern part of Taipei city, which at the time was best known for men's clubs.
\n\n\n\n
This is a show which tells the rise and fall of Beitou in this century, the love and sorrow of an unrelated family. Throughout the play, the younger generation is able to relive the old times of Beitou once again. The music and drama of Musical Farewell Beitou 2.0 REVIVAL will definitely leave the audience in tears—the audience's emotional strides, sniffles are often heard in the dark, and it certainly will not leave a dry eye in the play house when the curtain comes down.
\n\n\n\n
Synopsis:
\n\nIn 1967, a picture which depicted two Taiwanese ladies accompanying a GI in a spa appeared on Time magazine. This image captures the heyday of Beitou as the hub of the hot-sulphur spa hotel and pleasure industry. One of the hotels named Bieyoutian ("Another Realm") is a property that engulfed the youth and energy of CHEN Ai-jiao.
\n\n\n\n
Due to the after effect of suicide, Ai-jiao is unable to be pregnant. She bought a girl, Chun-chun, to be her daughter. However, after a few years, Ai-jiao's lover, WANG Ching-shui, encounters a business crisis. A councilman asks to have an intimate service with Chun-chun as a reward for his political support of Ching-shui.
\n\n\n\n
Facing challenges in business, family life, and romantic relationships, the hotelier will find a new door open for her while the others are closed. A difficult choice may turn into an unexpected and delightful result in the end.
\n\n\n\n
Creative and Production Team
\n\nCreative Consultant|WU Jing-jyi
\n\nArtistic Directors|WU Nien-jen, KO I-chen
\n\nProducer|LEI Huei, LI Yong-feng
\n\nHead of Greenray Theatre|LUO Bei-an
\n\nPlaywright & Director|WU Nien-jen
\n\nMusic Director|CHEN Ming-chang
\n\nSet Design|LIU Ta-lun
\n\nLighting Design|CHENG Chih-chien
\n\nCostume Design|TSAI Yu-fen, LIN Yu-ling
\n\nOrchestra|Formosa Danshui Wandering Minstrels
\n\nPerformers|KO I-chen, HSIEH Ming-yu, Lotus WANG, Sara YU, FANG Yo-sing, Crystal LIN, Sam YANG, Liao-chiu Kun, Howl Yu
\n\n\n\n
\n\n
Presenter|Greenray Theatre Company
\n\nCo-Presenter|National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
\n',team:""},createdAt:1653911127,updatedAt:1662950039,updatedBy:"林蔚行",host:!1},{_id:"6295eead68f93b0007f52b50",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1664623800,discrete:[{time:1664623800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1534232282758758403"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f5145d9851156747fb4f1d005230ddf2",title:"《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》"}],related:[{from:"programs",key:"6296013a68f93b0007f52df1",title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》"},{from:"programs",key:"62ec75abc60b780008c41c09",title:"【講座】焚而不毀的音樂創作—音樂哲人陳泗治"}],title:"《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》",cover:"35582024822d08c705be048f2149a0e3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
超強卡司:年輕優秀鋼琴演奏家盧易之、傑出小提琴演奏家薛志璋、資深大提琴演奏家戴俐文與蘇慶俊教授所領導的福爾摩沙合唱團。
\n\n\n\n
西洋音樂的種子隨著西方傳教士在臺灣教會及教會學校開始紮根、發芽。陳泗治,便是這股音樂洪流的代表性作曲家、音樂教育家,而他更以基督的精神,成為臺灣西樂之路的先鋒,為臺灣以西洋音樂技法創作的開創者。然因陳泗治謙沖為懷、非常低調,又已逝世三十年,多數的愛樂者雖有聽聞他的名聲,但已經對他這些以臺灣為主體的優秀音樂創作不甚熟悉,相當可惜!2022年適逢陳泗治逝世三十周年,為呼應文化部「重建臺灣音樂史」,以音樂文化的強大力量,重建臺灣人民對於自身的音樂認同,以整場紀念音樂會重現其鋼琴曲、合唱曲與三重奏之創作。
\n\n\n\n
1911年出生於臺北士林的陳泗治,81歲的一生留下許多讚頌希望與愛的樂曲,注重人格教育,時常勉勵學生:「凡事要先懂得做人,才能夠做好事。」如春風化雨般,深深地影響他的學生。擔任淡江中學校長數十年間教育出很多優秀的人才、音樂家、藝術家。他的作品特色為其明顯的民族及鄉土色彩。值得一提的是,他的全部作品被收錄於鋼琴教育家Maurice HINSON的著作Guide to the Pianist's Repertoire (《鋼琴家演奏曲目指引》),並在其中與貝多芬、蕭邦等名家的作品並列,呂泉生曾稱他為「偉大的完人」。1992年9月23日於美國加州過世,2022年適逢陳泗治逝世三十周年,由臺灣知名鋼琴家盧易之、小提琴家薛志璋、大提琴家戴俐文與指揮蘇慶俊帶領的福爾摩沙合唱團演出陳泗治代表性作品,傳頌陳泗治對土地、對上帝的愛及奉獻。
\n\n\n\n
演後座談
\n\n2022/10/1(六)21:15 表演廳
\n\n\n\n
演出曲目
\n\n鋼琴三重奏:《G調嬉遊曲》
\n\n鋼琴曲:《龍舞》、鋼琴組曲《台灣素描》、《回憶》、《幻想曲-淡水》、《幽谷-阿美狂想曲》
\n\n合唱曲:《如鹿欣慕溪水》、《上帝愛世人》、《西面頌》、《在主內無分東西》、《讚美頌》、《咱人生命無定著》、《讚美主極大恩賜》、《逝去的悲傷歲月》、《上帝的羔羊》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|盧易之
\n\n小提琴|薛志璋
\n\n大提琴|戴俐文
\n\n合唱指揮|蘇慶俊
\n\n合唱伴奏|蔡昱姍
\n\n合唱團|福爾摩沙合唱團
\n\n\n\n
藝術家介紹
\n\n盧易之
\n\n盧易之是臺灣最優秀的年輕鋼琴家之一。曾在13項國際及區域大賽,獲得前三名的佳績。他的演奏足跡遍世界各國40餘城的重要音樂廳,並被德國阿爾高日報(Allgäuerzeitung)評為「一個超技且深具音樂性的響宴,有著精細的表情與音樂素養」。2006年維也納季弗拉基金會頒給他「季弗拉大獎」,表彰他在演出季弗拉作品上的成就。2012年其專輯《My Chopin; My Brahms》獲得金曲獎「最佳演奏獎」之肯定。
\n\n他至今已錄製布拉姆斯、蕭邦、臺灣作曲家洪綺蓮、陳泗治、及德國作曲家 Adolph Kurt BÖHM的鋼琴作品集。盧易之亦曾與世界各地知名的樂團合作演出。目前除獨奏之外,並積極從事現代音樂、室內樂以及各種伴奏的演出。
\n\n2020年起,為國立臺北藝術大學音樂學系專任助理教授。
\n\n\n\n
薛志璋
\n\n薛志璋1998年贏得國立臺灣交響樂團協奏曲大賽首獎,2000年負笈德國,師從義大利小提琴家Marco RIZZI,2003年以最高分取得德國Detmold音樂院藝術家文憑。曾擔任德國Detmold歌劇院樂團第二小提琴首席、澳門樂團副首席,國立臺灣交響樂團、高雄市交響樂團、Taiwan Connection Festival 樂團首席,客座首席包括臺北市立交響樂團、台北愛樂、深圳交響樂團、香港小交等。協奏曲合作包括國臺交、北藝大管絃樂團、北藝大弦樂團、Ensemble des Landestheater Detmold、澳門樂團、Taiwan Connection Orchestra、臺北市交、高雄市交及其他大小民間樂團。有聲出版品有《巴赫無伴奏小提琴組曲》、《臺灣純弦─弦舞臺灣》;著作出版有《從空弦開始─捨繁求簡的小提琴發音與練習觀念》一書以及樂譜《聖誕前奏曲》。2020年9月起,任職國立臺北藝術大學音樂系專任助理教授。
\n\n\n\n
戴俐文
\n\n戴俐文以渾厚的音色及濃烈的情感投注於音樂的詮釋之中。教學充滿熱情、經驗豐富,學生成績斐然。
\n\n研究所畢業於美國伊利諾大學,以優異成績獲選為Pi Kappa Lambda會員。任職高雄市交響樂團大提琴首席逾二十年,演奏生涯中曾多次與臺灣知名樂團合作演出協奏曲。推廣古典音樂不遺餘力,多次於廣播節目中接受專訪;帶領學生組成「高師樂苑」Cellissimo大提琴重奏團,獲邀至各音樂節演出。
\n\n經常受邀於學術單位、音樂營之大師班及個別指導教學;擔任國內重要比賽評審,大學入學招聯會委員、弦樂評審,「奇美藝術獎」音樂類弦樂組評審、NTSO「國際音樂人才頂尖計劃」弦樂評審。
\n\n目前為國立高雄師範大學音樂系專任大提琴教授,於106至108年度兼任系主任,亦任教於國立臺灣師範大學。
\n\n\n\n
福爾摩沙合唱團
\n\n成立於1994 年的福爾摩沙合唱團為臺灣最活躍的合唱團之一。由留美合唱指揮蘇慶俊教授創團並擔任藝術總監,以推廣優質臺灣合唱音樂、追求精緻化合唱藝術為成立宗旨。
\n\n福爾摩沙合唱團致力於豐富臺灣歌謠的內涵,將臺灣近百年來,從傳統到現代的旋律,賦予新的聲音與生命力。曾於2004年,應客家文化委員會委託創作、出版「客家歌謠合唱曲譜」的CD與合唱譜集;屢屢入圍並榮獲金曲獎之肯定,百餘首已出版的混聲和同聲合唱曲譜,對臺灣合唱發展有卓越之貢獻,被譽為臺灣最好的合唱團之一。自2002年起,福爾摩沙合唱團連續十九年獲選進入「國藝會演藝團隊年度獎助專案」,以「TAIWAN TOP 演藝團隊」為品牌,多次應邀於國內外藝術節表演,深獲好評。
\n\n\n\n
\n\n
特別感謝:國立傳統藝術中心臺灣音樂館、陳信雄、徐玫玲
\n\n\n\n
周邊活動
\n\n2022/9/2(五) - 2022/10/10(ㄧ) 衛武營展覽廳
\n\n►《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》
\n\n2022/9/3(六)14:30 衛武營排練室1192
\n\n\n\n\n\n
\n\t\t |
\n\n
贊助單位
\n\n\n\t\t |
\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f5145d9851156747fb4f1d005230ddf2",title:"《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》"}],related:[],title:"Love for God and Homeland-CHEN Su-ti Memorial Concert",cover:"35582024822d08c705be048f2149a0e3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
The seeds of western music were sown in Taiwan and nurtured by churches and Christian schools, and CHEN Su-ti, born in 1911, was one of the most representative composers and music educators of this era. With his Christian beliefs, CHEN became the pioneer of western music and composition techniques in Taiwan. Having led a humble and low-profile life before his passing 30 years ago, CHEN was known to most music lovers, but his outstanding musical works centered around Taiwan are foreign to many, which is a great pity. In response to the Ministry of Culture's Reconstructing Taiwan's Music History program and CHEN's 30th death anniversary in 2022, this concert aims to evoke Taiwanese people's recognition of their own music through the powerful force of musical culture with renditions of his piano, choral, and trio compositions by young and rising pianist LU Yi-chih, outstanding violinist HSUEH Chih-chang, cellist DAI Lee-wen and the Formosa Singers led by Prof. Julian Ching-chun SU. Join us at Weiwuying for the beautiful melodies inspired by CHEN Su-ti's devoted love for God and his hometown.
\n\n\n\n
Post-talk
\n\n2022/10/1(Sat)21:15 Recital Hall
\n\n\n\n
Program
\n\nPiano Trio: Divertimento
\n\nPiano: Dragon Dance, Taiwan Sketches-Suites for Solo Piano, Memories, Fantasia-Tamsui, Deep Valley-Amis Rhapsody
\n\nChoral: In Christ There Is No East or West, Nunc Dimittis, For God so Loved the World, As a Deer Long for Water Brook, How Uncertain Our Lives Are, Sadly Are the Days Gone by, Praise the Lord for His Great Blessings, The Lamb of God, Te Deum Laudamus
\n\n\n\n
Creative and Production Team
\n\nPiano|LU Yi-chih
\n\nViolin|HSUEH Chih-chang
\n\nCello|DAI Lee-wen
\n\nChorus Conductor|Julian Ching-chun SU
\n\nChorus|Formosa Singers
\n\n\n\n
\n\n
Special thank: National Center for Traditional Arts Taiwan Music Institute, Donald CHEN, SHYU Mei-ling
\n\n\n\n
More
\n\n2022/9/2 - 10/2 Weiwuying Exhibition Hall
\n\n►Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti
\n\n\n\n
Sponsor
\n\n\n\t\t |
出生於1911年的陳泗治,為臺灣以西洋音樂技法創作的先鋒者,1936年在日本伊豆半島完成神劇式的合唱曲《上帝的羔羊》,為臺灣最早的合唱曲,1939年在臺北完成鋼琴組曲《台灣素描》,為臺灣最早的鋼琴曲,紛紛創下紀錄。1981年1月23日赴美定居,1992年9月23日於美國加州過世。2022年適逢陳泗治逝世三十周年,此紀念展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯,展出其擔任牧師與淡江中學校長等重要職務之生前相關的文物,並以數位多媒體、紀錄片方式,讓他的音樂被更多人認識。此展覽以「上帝與家園的浪漫」為展覽主題,為凸顯陳泗治以西方浪漫手法的創作風格,和以基督信仰為中心的生命歷程與活動,也呼應今年為馬偕在臺宣教150年,展覽內容包括陳泗治生命簡史與日治時期的「鄉土訪問音樂演奏會」、陳泗治的啟蒙老師,即被稱為「北部教會音樂之母」的吳威廉牧師娘 — 吳瑪利、亦師亦友的德明利宣教師,被呂泉生尊稱為臺灣合唱之父的陳清忠,樂譜出版與唱片CD,和陳泗治數十年來的筆記、講道稿等,讓參觀的民眾體會到被敬稱為「音樂哲人」的陳泗治他集傳道、創作與教學的偉大一生。
\n\n\n\n
團隊介紹
\n\n計畫主持人與策展人|徐玫玲教授
\n\n國立臺灣師範大學音樂學系畢業,赴德學習、畢業於漢堡大學音樂學系,取得音樂學碩士與音樂學博士 (PhD),現為輔仁大學音樂學系專任教授。積極從事臺灣音樂研究,於專書和期刊論文發表相關之研究成果,並於2008年出版的《臺灣百科辭書》擔任〈流行篇〉之主編,並協助〈當代篇〉規劃、編輯臺灣音樂之重要人物、歌曲、唱片公司與相關重要事件等之辭條,邀請辭條撰稿人,並曾進行相關的人物訪談,在這費時五年的編輯期間,對臺灣音樂發展的脈動有深刻的掌握與研究心得;2021年8月起,執行為期一年的科技部專題研究計畫「焚而不毀的音樂傳承 — 陳泗治音樂生命史之研究」。
\n\n\n\n
展覽顧問與英文翻譯|陳信雄博士
\n\n陳泗治獨子陳信雄博士,取得美國茱麗亞音樂學院碩士、協和神學院教會音樂碩士,與愛荷華大學指揮博士,並曾任教於羅斯福大學芝加哥音樂學院,擔任管弦樂系系主任,不僅在管弦樂指揮技法上受過嚴格的訓練,又因是陳泗治的長子,對於陳泗治許多的文物、照片有深入的了解,是本展覽最佳諮詢對象。
\n\n\n\n
\n\n
共同主辦: 衛武營國家藝術文化中心、國立傳統藝術中心臺灣音樂館
\n\n\n\n
節目資訊
\n\n2022/10/1(六)19:30 衛武營表演廳
\n\n\n\n\n\n2022/9/3(六)14:30 衛武營排練室1192
\n\n\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
贊助單位
\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti "}],related:[],title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti ",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"Weiwuying Exhibition Hall"},cautions:"",benefits:"",description:"This commemorative exhibition honors CHEN Su-ti - a pioneer musician in the Taiwanese music industry who adopted western composing techniques.",introduction:'
Born in 1911, CHEN Su-ti was a pioneer musician in Taiwan who adopted western composing techniques. In 1936, he completed the oratorio-style chorus The Lamb of God—Taiwan's first chorus, in Izu Peninsula, Japan, and in 1939, completed the piano suites Taiwan Sketches—Taiwan's first piano piece, in Taipei, setting successive records. He moved to the United States on January 23, 1981 and passed away in California on September 23, 1992. The year 2022 marks the 30th death anniversary of CHEN Su-ti. This commemorative exhibition will present his musical career as a first-generation pianist and composer in Taiwan, cultural relics related to his roles as a pastor and the principal of Tamkang Senior High School, and makes use of digital multimedia and documentaries to allow more people to recognize his music. Under the theme Love for God and Homeland, this exhibition not only highlights CHEN Su-ti's western romantic-style composing techniques and his life course and events based on a Christian faith, but as this year coincides with the 150th anniversary of Rev. MACKAY's mission in Taiwan, also includes a brief history of CHEN Su-ti's life and the Hometown Visit Concert from during the Japanese colonial period. Elements such as his mentor Margaret GAULD- known as the "Mother of Northern Church Music" and wife of Rev. William GAUL, Miss Isabel Taylor, a teacher and friend, CHEN Ching-chung – named by LU Chuan-sheng as the "Father of Chorus in Taiwan", published music scores and CDs, as well as CHEN Su-ti's notes and sermon notes over the past few decades will allow attendees to experience CHEN's great life of preaching, composing and teaching.
\n\n\n\n
Program
\n\n2022/10/1(Sat)19:30 Recital Hall
\n\n►Love for God and Homeland-CHEN Su-ti Memorial Concert
\n\n\n\n
\n\t\t |
\n\n
Sponsor
\n\n\n\t\t |
\n',team:""},createdAt:1653997882,updatedAt:1662110311,updatedBy:"林蔚行",host:!0},{_id:"629609c468f93b0007f52f43",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11","5aec4184b01ea6000520f633"],dateTime:{first:1664605800,discrete:[{time:1664605800},{time:1664692200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2500],link:"https://www.opentix.life/event/1537332909574668292"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"59e81f3e97c32668baafef1d5abe4491",title:"新古典舞團《布蘭詩歌》"}],related:[{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"},{from:"programs",key:"63108760d8779100077061b7",title:"威爾第歌劇《唐卡洛》精選服裝展"}],title:"新古典舞團《布蘭詩歌》",cover:"6e5fdb71b6269917cb4dda6cdc8bd7f0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
「請把我過去的作品全部銷毀吧!我的作品將從《布蘭詩歌》開始。」——《布蘭詩歌》作曲家卡爾・沃夫(Carl Orff)
\n\n「《感恩之歌》與《春之祭》是融合智慧、藝術與靈魂的一場演出」——俄羅斯Kultura電視台
\n\n「劉鳳學,一位傑出的舞蹈學者、教育家,同時也是臺灣現代舞界的先鋒。」——紐約時報
\n\n\n\n
《布蘭詩歌》是卡爾・沃夫(Carl ORFF)代表性作品之一,在他的「完全劇場」理念下,創作完成的成功作品。卡爾・沃夫主要理念是集詩、歌、樂、舞,以交響樂、合唱、獨唱、重唱、舞蹈等,不分主角配角同時呈現於劇場。
\n\n编舞者劉鳳學以群舞、雙人舞、七人舞等,根據歌詞與樂曲密切配合,藉人聲、樂器、人體使三項藝術結合為一體,傳達視覺、聽覺與心靈震撼的效果。
\n\n此次演出將再為臺灣表演藝術展現「合作」之示範,並為本土詩、歌、樂、舞合作演出及表演藝術新型態創作多元化之參考。
\n\n\n\n
Carmina Burana清唱劇
\n\n舞蹈《布蘭詩歌》是劉鳳學取材自德國現代作曲家卡爾・沃夫的Carmina Burana清唱劇。該劇歌詞係由十三及十四世紀時,一些未具名的修士或吟唱詩人們所寫的詩歌(多屬情歌)。歌詞內容反應他們內心的感情,謳歌世俗生活、宗教意識及對時代的批判。
\n\n該清唱劇於1937年發表之後,廣為世人所傳誦,主要是因為樂曲充滿了節奏的魅力與生命的躍動。劉鳳學所創之《布蘭詩歌》舞蹈結構為(一)序(二)初春(三)酒店(四)愛情的宮殿。
\n\n該舞表現一群具有高度理想的青年修士們,為世人建立精神殿堂時的心路歷程。但,他/她們打破戒規,掙脫束縛,解放人格,漫游於世俗生活之後,卻又回到他/她們的原點 — 堅持與修持。
\n\n\n\n
演前導聆
\n\n2022/10/1(六)13:50 歌劇院二樓大廳
\n\n2022/10/2(日)13:50 歌劇院二樓大廳
\n\n\n\n
周邊活動
\n\n9/3(六)14:00 演講廳
\n\n\n\n\n\n
延伸閱讀
\n\n\n\n\n\n\n\n
曲目
\n\n(一)序:命運?世界的女王
\n\n1. 喔!命運
\n\n2. 痛苦命運帶來的創傷
\n\n(二)初春
\n\n3. 春之笑臉
\n\n4. 陽光普照
\n\n5. 可喜可盼
\n\n6. 舞蹈
\n\n7. 高貴森林開滿花朵
\n\n8. 商人,請給我脂粉
\n\n9. (a) 輪舞
\n\n(b) 那群不停地在轉的人
\n\n(c) 來吧,來吧,我的愛人
\n\n(d) 那群不停地在轉的人
\n\n10. 如果全世界都屬於我
\n\n(三)酒店
\n\n11. 內心沸騰
\n\n12.天鵝之歌
\n\n13. 我是院長
\n\n14. 當我們在酒館裡
\n\n(四)愛情的宮殿
\n\n15. 愛情處處飛
\n\n16. 日、夜,和一切
\n\n17. 紅衣少女
\n\n18. 我心深處
\n\n19. 愛之巢
\n\n20. 來,來,來吧
\n\n21. 我心徬徨
\n\n22. 快樂的時光
\n\n23. 甜蜜的人
\n\n24. 問候妳,美麗的女郎
\n\n25. 喔!命運
\n\n\n\n
演出暨製作團隊
\n\n舞蹈創作|劉鳳學
\n\n音樂作曲|卡爾・沃夫
\n\n指揮|簡文彬
\n\n藝術總監|盧怡全
\n\n行政總監|陳勝美
\n\n團長、執行製作|張惠純
\n\n燈光設計|安東尼.鮑恩
\n\n服裝設計|靳萍萍
\n\n舞蹈顧問|張麗珠、羅雅柔
\n\n音樂顧問|李和莆、黃鈞偉
\n\n燈光設計|安東尼.鮑恩
\n\n燈光復刻顧問|李俊餘
\n\n服裝重建|翁孟晴
\n\n舞台監督|陳百彥
\n\n燈光技術指導|王墉
\n\n舞蹈排練指導|林威玲、陳逸民
\n\n舞蹈排練|林韋岑、陳乃綺
\n\n特別行政助理|林韋岑
\n\n藝術行政|陳璽安
\n\n行政助理|曹筱涵
\n\n獨唱|黃莉錦(臺北場、臺中場)、賴珏妤(高雄場)、王典、趙方豪
\n\n演出|新古典舞團、國立臺灣交響樂團、台中藝術家室內合唱團
\n\n共同演出|國立臺灣體育運動大學舞蹈學系、台中藝術家兒童合唱團、星光兒童少年合唱團
\n\n\n\n
團隊介紹
\n\n新古典舞團
\n\n1976年3月20日,劉鳳學博士懷抱「化身體為春秋筆、寫盡人間情與理」之千古情懷,和一群獻身舞蹈文化的學生於臺北市創「新古典舞團」,稟「尊重傳統、創造現代」的精神,以深度的人文內涵,融會西方藝術,將歷史春秋之情化成天下之舞,透過研究、創作和演出,呈現多元化的風貌。
\n\n劉鳳學舞蹈創作生涯經歷一甲子,2019年起正式交棒子弟兵盧怡全,從編創身分退居幕後繼續執著於寫作與研究。
\n\n\n\n
國立臺灣交響樂團
\n\n國立臺灣交響樂團創立於1945年,為臺灣歷史最悠久的交響樂團。成立之初,先後隸屬於臺灣省警備司令部、臺灣省藝術建設協會、臺灣省政府教育廳及文化處等單位。1999年7月改隸行政院文化建設委員會,更名為「國立臺灣交響樂團」;2012年5月改隸文化部。團址座落於臺中霧峰,有專屬音樂廳、大小排練室,是擁有完整軟硬體的全方位音樂團體。
\n\n2019年起,國際知名音樂家水藍先生再度受邀擔任本團首席客席指揮,與劉團長共同合作,推動國立臺灣交響樂團「精進技藝、傳統創新、教育扎根、美學推廣」的任務,提昇全民音樂生活,讓音樂就如同空氣、水、陽光一般的在你我身邊。
\n\n\n\n
台中藝術家室內合唱團
\n\n台中藝術家室內合唱團成立於2009年,是由藝術總監暨指揮莊璧華博士學成歸國後創立之混聲合唱團,我們一直以來都以「深耕地方,培育合唱種子」作為目標,而實踐此目標的方式便是將各種類型的合唱作品呈現給社會大眾;無論欣賞的是近代元的各國合唱曲風,抑或是音樂史中傳唱百年的不朽經典鉅作,都能在無形中提升音樂涵養、培養對美感的認知,進一步能自然內化為個人優雅沉靜的氣質。近年所提倡的品格教育,在國外就是透過藝術教育培養而成,而我們便是從合唱音樂來輔助品格教育的提升。
\n\n\n\n
台中藝術家兒童合唱團
\n\n台中藝術家兒童合唱團由台中藝術家室內合唱團藝術總監莊璧華博士,為落實「合唱種子紮根」,於2017年9月成立。秉持推廣「兒童合唱音樂教育」的理念,特別聘請兒童合唱專業師資:陳郁心老師及林姿均老師,共同擔任合唱指導及律動講師,為中部第一個使用「柯大宜教學法」及「達克羅士音樂律動教學法」之兒童合唱團。
\n\n\n\n
星光兒童少年合唱團
\n\n臺中市星光兒童少年合唱團將以純真歡愉且溫暖內斂的歌聲,為觀眾帶來「心」的感動,團員由臺中市跨校、跨年齡、跨國籍的學童組成。合唱團成立的核心目標是期盼透過表演藝術,提供孩子一個與世界各地的國際級音樂人及專業藝文團體,進行音樂素養交流的平臺。透過誠摯和諧的歌聲讓世界看見臺灣,也讓臺灣看見世界。
\n\n\n\n
國立臺灣體育運動大學舞蹈學系
\n\n成立歷史悠久的舞蹈學系,以結合現代與傳統的訓練方式,針對當代社會的舞蹈表現藝術家、舞蹈推廣的教育與研究人員、以及表演所需的行政籌劃人才,進行多元且深入的專業訓練,配合例行年度公演、重大慶典與節日表演、及巡迴世界、國內各地演出,落實課程教學與實務工作之聯結。
\n\n\n\n
藝術家介紹
\n\n總監製、編舞者|劉鳳學
\n\n新古典舞團/唐樂舞創辦人、財團法人新古典表演藝術基金會創辦人、紅樹林劇場創辦人、國立臺灣師範大學名譽教授。
\n\n1965-1966在日本東京教育大學研究舞蹈學,同時在日本宮內廳研究唐朝(西元618-907)傳至日本之讌樂舞。1971-1972於德國福克旺藝術學院(Folkwang Hochschule)隨Albrecht KNUST及Hans ZÜLICH研究拉邦動作譜及舞蹈創作。1981-1987在英國拉邦舞蹈學院(Laban Centre for Movement and Dance)攻讀博士學位,1982-1987年期間,在劍橋大學教授L. E. R. PICKEN Sc. D. F.B.A.指導下撰寫博士論文,1987年通過口試,獲哲學博士Ph.D.學位。
\n\n她的研究領域涵蓋臺灣原住民、舞蹈人類學、儒家舞蹈與唐讌樂舞蹈文化及古譜之譯解。
\n\n舞蹈創作生涯歷經一甲子,主要包含現代舞蹈創作、唐樂舞重建、儒家舞蹈以及原住民舞蹈四大面向。於1968年首倡中國現代舞,並發表宣言:「現代舞是尊重個性和表達思想感情的一種創作舞蹈。她的研究領域涵蓋臺灣原住民、舞蹈人類學、儒家舞蹈與唐讌樂舞蹈文化及古譜之譯解。舞蹈風格結構嚴謹,肢體語彙簡潔有力,獨特的舞蹈空間安排,宛如一首首精緻完美的交響詩。
\n\n\n\n
藝術總監|盧怡全
\n\n臺北市立大學舞蹈碩士、新古典舞團藝術總監、化踊舞輯創辦人。承襲了劉鳳學對文化的熱情與研究的精神,將客家文化與舞蹈作一個完整的融合。
\n\n盧總監接任新古典舞團後,除了稟持新古典精神外,也融入個人編創特色,擅長低水平與爆發力的動作運用,他認為,「東方與西方舞蹈不同之處在於重心的使用」,因此舞作中也常揉合武術、特技與太極等肢體,發展出屬於東方舞者的低水平移動特色。他不僅以舞蹈創作了客家,也從客家創作了屬於世界客家文化的舞蹈,將現代舞融入本身文化,讓觀眾不只看見用舞蹈表現的故事,還有它背後的文化背景與反思。
\n\n\n\n
指揮|簡文彬
\n\n國家文藝獎得主。2001年至2007年間擔任國家交響樂團音樂總監,現為國家表演藝術中心衛武營國家藝術文化中心藝術總監。簡文彬長期旅歐,有豐富的歌劇指揮經驗,並受邀於奧地利、荷蘭、德國及瑞士等地劇院指揮演出。
\n\n1996年起,擔任萊茵德意志歌劇院之駐院指揮。1998年6月他率領該院首次於「維也納藝術節」演出,為該劇院以及臺灣指揮家寫下一頁新紀錄。1999年至2001年期間,簡文彬獲邀擔任國家交響樂團首席客座指揮,繼而於2001年至2007年擔任該團音樂總監。2012年簡文彬在時任文化部長龍應台邀請下,應允擔任文化部顧問,提供外國經驗與意見。2014年,簡文彬獲得國家表演藝術中心第一屆第一次董事會之正式任命,擔任衛武營國家藝術文化中心成立後首任藝術總監。
\n\n\n\n
女高音|黃莉錦
\n\n臺灣目前唯一一位由法國國立巴黎高等音樂院(Conservatoire National Supérieur de Musique et de Danse de Paris, CNSMD-Paris)藝術文憑(DFS)第一獎畢業的聲樂家,也是臺灣第一位考進並於2008年取得該校專業演奏家文憑(Diplôme de Perfectionnement et de Spécialisation)的聲樂家。自2018年起應聘專任於東吳大學音樂學系。
\n\n留歐期間,黃莉錦與音樂經紀公司Musicaglotz及Cédelle合作,在法國歌劇院Théâtre de Limoges、Opéra de Dijon、La Filature de Mulhouse、Opéra de Saint Étienne、Opéra de Besançon、Opéra de Marseille、Opéra de Bordeaux、Opéra d'Avignon、Cité de la Musique等演出重要角色。
\n\n黃莉錦更與國際級指揮大師,如 Kurt MASUR、Alain ALTINOGLU、Nicolau DE FIGUERIEDO、Rani CALDERON、David GIMENEZ、呂紹嘉、Franco TRINCA、Dominique TROTTEIN、André BERNARD, Theodor GUSCHBAUER、Sigiswald KUIJKEN、Laurence EQUILBEY、Louis LANGRÉE、Lucas VIS、Christian JOST、Joël SUHUBIETTE、Philippe CAILLARD、George VALAICULESCU、水藍、廖國敏等合作演出。
\n\n\n\n
女高音|賴珏妤
\n\n畢業於國立臺灣師範大學音樂系,2010年獲英國皇家音樂院音樂碩士學位。
\n\n2014年獲選臺北巴赫廳《巴赫新聲》、德國萊比錫克拉拉舒曼Lieder Duo大賽首獎。演出經歷包括兩廳院歌劇工作坊《睡美人》之公主,創世歌劇團《女人皆如此》之Despina、《卡門》之Frasquita,衛武營國家藝術文化中心歌劇《茶花女》之Annina、高雄市交響樂團《卡門》之Frasquita,並擔任臺北室內合唱團巡演普朗克《光榮頌》女高音獨唱及臺大合唱團《布蘭詩歌》女高音獨唱及臺中歌劇院《賽維亞的理髮師》之Berta。現為師大博士候選人,師事楊艾琳教授,並為臺灣新逸藝術合作音樂家,兩廳院歌劇工作坊成員,中華民國聲樂家協會會員,及斐陶斐榮譽學會榮譽會員。
\n\n\n\n
男高音|王典
\n\n畢業於中國文化大學及國立盧森堡音樂院,2000年以第一名成績取得Chant及Art Lyric盧森堡音樂院兩項最高演唱文憑。
\n\n王典致力於德法藝術歌曲鑽研及美聲劇碼拓展,已於1999年底、2000年1月、5月於羅馬尼亞、匈牙利、盧森堡等國家演唱《唐喬望尼》,飾Don Ottavio,《拉摩莫的的露奇雅》飾Edgardo;2000年7月底於盧森堡Wilz國際音樂節主演《西城故事》的Bernstein。王典旅居德國十餘年,任法蘭克福歌劇院專職團員;近年返國定居,目前任教於中國文化大學、國立海洋大學。
\n\n\n\n
男中音|趙方豪
\n\n任教於東海大學音樂系、國立臺灣師範大學音樂系、文化大學音樂系。德國威瑪李斯特音樂學院最高演奏家演唱文憑。德國威瑪李斯特音樂學院藝術家演唱文憑,師事Hans-Joachim BEYER教授。國立臺灣師範大學音樂系畢業,師事旅義資深聲樂家任蓉教授。國立臺灣馬公高中,師事陳珮琪老師。2012年聖彼得堡第9屆「國際三世紀古典藝術歌曲節比賽」榮獲第二獎。2005年臺北世華聲樂大賽新秀獎。國立臺灣師範大學音樂系協奏曲選拔及南海扶輪社獎學金選拔第一名。
\n\n2019年12月將參與NSO輕歌劇《風流寡婦》,飾演Baron Mirko Zeta。2020年底於臺中國家歌劇院的《波希米亞人》製作中,再次飾演畫家馬切洛。2017-2020年四度參與NSO綠野講座音樂會《跟著音樂去旅行》並多次參與NSO、臺中國家歌劇院主辦之講座音樂。
\n\n\n\n
\n\n
主辦單位|國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心
\n\n協辦單位|財團法人新古典表演藝術基金會
\n\n\n\n
巡演場次:
\n\n9/16(五)-9/18(日) 國家兩廳院
\n\n11/19(六)-11/20(日) 臺中國家歌劇院
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"59e81f3e97c32668baafef1d5abe4491",title:"新古典舞團《布蘭詩歌》"}],related:[],title:"Neo-Classic Dance Company - Carmina Burana",cover:"6e5fdb71b6269917cb4dda6cdc8bd7f0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
The dance Carmina Burana is created by LIU Feng-shueh based on an oratorio the Carmina Burana by the German modern composer Carl ORFF. The lyrics of the play are poems (mostly love songs) written by some unnamed monks or poets in the thirteenth and fourteenth centuries. The content of the lyrics reflects their inner feelings, eulogizing secular life, religious awareness and criticism of the times.
\n\nAfter the oratorio was published in 1937, it has been widely read and recited, mainly because of the rhythmic charm and music that is filled with life . The dance structure of Carmina Burana created by LIU Feng-shueh is (1) Preface (2) Early Spring (3) Hotel (4) The Palace of Love.
\n\nThe dance shows the mental journey of a group of young monks with noble ideals when they build a spiritual temple for the world. However, after he/she broke the precepts, broke free from bondage, liberated their personalities, and wandered in secular life, they returned to their original point — persistence and principle.
\n\n\n\n
Pre-talk
\n\n2022/10/1(Sat)13:50 Opera House 2nd Floor
\n\n2022/10/2(Sun)13:50 Opera House 2nd Floor
\n\n\n\n
Program
\n\nI. Fortuna Imperatrix Mundi
\n\nO Fortuna
\n\nFortune plango vulnera
\n\nII.Primo vere
\n\nVeris leta facies
\n\nOmnia sol temperat
\n\nEcce gratum
\n\nTanz
\n\nFloret silva
\n\nChramer, gip die varwe mir
\n\n(a) Reie
\n\n(b) Swaz hie gat umbe
\n\n(c) Chume, chum, geselle min
\n\n(d) Swaz hie gat umbe
\n\nWere diu werlt alle min
\n\nIII. In Taberna
\n\nEstuans interius
\n\nOlim lacus colueram
\n\nEgo sum abbas
\n\nIn taberna quando sumus
\n\nIV. Cour d' amours
\n\nAmor volat undique
\n\nDies, nox et omnia
\n\nStetit puella
\n\nCirca mea pectora
\n\nSi puer cum puellula
\n\nVeni, veni, venias
\n\nIn trutina
\n\nTempus est iocundum
\n\nDulcissime
\n\nAve formosissima
\n\nO Fortuna
\n\n\n\n
Creative and Production Team
\n\nChoreographer|LIU Feng-shueh
\n\nComposer|Carl ORFF
\n\nConductor|CHIEN Wen-pin
\n\nArtistic Director|LU Yi-chuan
\n\nChief Executive Officer|CHEN Sheng-mei
\n\nExecutive Producer|CHANG Hui-chuen
\n\nLighting Design|Anthony BOWNE
\n\nCostume Design|CHIN Ping-ping
\n\nDance Consultant|CHANG Li-chu, LO Ya-jo
\n\nMusic Consultant|LEE Ho-pe, HUANG Chun-wei
\n\nLighting Revival Consultant|LEE Chung-yu
\n\nCostume Revival|WENG Meng-ching
\n\nStage Manager|CHEN Bai-yan
\n\nMaster Electrician|WANG Yong
\n\nRehearsal Director|LIN Wei-ling , CHEN I-min
\n\nRehearsal Assistant|LIN Wei-chen, CHEN Nai-chi
\n\nSecretary|LIN Wei-chen
\n\nAdministrator|CHEN Hsi-an
\n\nAdministrative Assistant|CHAO Hsiao-han
\n\nVocal Solo|HUANG Li-chin (Taipei, Taichung), LAI Chueh-yu (Kaohsiung), Fernando WANG, CHAO Fang-hao
\n\nPerformer(s)|Neo-Classic Dance Company, National Taiwan Symphony Orchestra, Taichung Artist Chamber Choir
\n\nPerforming with Department of Dance, National Taiwan University of Sport, Taichung Artist Children's Choir, Starlight Children's Choir
\n\n\n\n
Team Introduction
\n\n\n\n
Neo-Classic Dance Company
\n\nDr. LIU Feng-shueh, based on the spirit of "transforming the body into a pen of annals, and writing all sentiments and senses in the world of men," founded Neo-Classic Dance Company with her dedicated students in Taipei on March 20, 1976. Her purpose is to create modernity with a respect for traditions, that is, to shape the historical sentience into the dance of the world by well blending Chinese humanistic cultivation and western art, and to present a diverse body of modern dance through study, creations, and performances.
\n\nDr. LIU has taken the responsibility for choreography for 60 years. From 2019, her student, LU Yi-chuan, officially takes over Neo-Classic Dance Company as a successor. Since then, Dr. LIU has devoted her time to writing and researching.
\n\n\n\n
\n\n
\n\n
National Taiwan Symphony Orchestra
\n\nFounded in 1945, the National Taiwan Symphony Orchestra (NTSO) is the oldest symphony orchestra in Taiwan. Since its establishment, it has been successively affiliated with the Taiwan Garrison Command, Taiwan Art Construction Association, Taiwan Provincial Department of Education, and Department of Culture, etc. In July 1999, it was subordinate to council for Cultural Affairs, Executive Yuan. The title was then changed to the National Taiwan Symphony Orchestra. Since May 2012, it came under the auspices of the Ministry of Culture. The orchestra is located in Wufeng, Taichung. With an exclusive music hall and large and small rehearsal studios, it is a full-fledged music group with a full complement of software and hardware.
\n\nSince 2019, the internationally renowned conductor maestro Lan SHUI has taken on the position of the NTSO Principal Guest Conductor, cooperating with of NTSO Director LIU to enrich artistic skills, innovate on tradition, deepen education, and promoting aesthetics, thus enhancing the public's musical life, making music ever-present like air, water and sunshine.
\n\n\n\n
\n\n
\n\n
Taichung Artist Chamber Choir
\n\nTaichung Artist Chamber Choir (TACC) was founded in 2009 by Dr. CHUANG Pi-hua. After Dr. CHUANG received her DMA in choral conducting in America, she gathered together people who loved singing and choral music to compose this choir. The goal of Taichung Artist Chamber Choir is not only advocating the integration of choral art and life, but also striving to become the top chamber choir in the Taichung area.
\n\n\n\n
Taichung Artist Children's Choir
\n\nTaichung Artist Children's Choir was established in 2017 by Dr. Pi-hua CHUANG, artistic director of Taichung Artist Chamber Choir, together with choral instructors Yu-hsin CHEN and Tzu-kyun LIN aiming to extend children's choral music education. The choir was the first children's choir in the middle of Taiwan to adopt the "Kodály Method" and "Dalcroze Eurhythmics."
\n\n\n\n
Starlight Children's Choir
\n\nStarlight Children's Choir was established in 2018. The choir has grown from 20 members to the current 120 students. Starlight Children's Choir has performed in several cities in Taiwan as well as in Houston, Texas in collaboration with the Houston Children's Choir.
\n\n\n\n
\n\n
Department of Dance, National Taiwan University of Sport
\n\nThe Department of Dance aims to nurture the dancers, educators and researchers for dance promotion, and administrators for dance performance through the combination of modern and traditional training. The curriculum in the Department of Dance integrates the theory and application. The Department of Dance organizes annual dance performance, performance in major festivals and holidays, as well as domestic and international tours.
\n\n\n\n
\n\n
Presented|National Theater& Concert Hall (NTCH), National Taichung Theater, National Kaohsiung Center for the Arts (Weiwuying)
\n\nCo- Presented|Neo-Classic Performing Arts Foundation
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n\n
\n',team:""},createdAt:1654000068,updatedAt:1663844933,updatedBy:"林蔚行",host:!0},{_id:"6297026cc9bbe00007281a94",catalogs:["5fe2bffdde1961000737545c","631e9d17e329d300077404cc","5aec418cb01ea6000520f635","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1665210600,discrete:[{time:1665210600},{time:1665228600},{time:1665297e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900],link:"https://www.opentix.life/event/1534674574603374594"}},attachment:{key:"447fa9504659fa0f5a703c836f7a4f06",name:"愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9aa9d7034c429a13548286884e72eb4f",title:"愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊"}],related:[],title:"【衛武營週年慶4.0】愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊",cover:"6fa505857a63a4e5380e5e5b1bd6b176",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※本演出原飾演羊一郎演員顏志翔,因故異動為羅維恩,不便之處敬請見諒! \n\t\t\t | \n\t\t
\n\n
觀眾迴響(截自愛樂劇工廠粉絲頁)
\n\n\n\n
武林盛傳:得《仙草寶典》者,可無敵於天下。
\n\n\n\n
狼族、羊族、犬族為了爭奪寶典,展開一場激烈的大戰……
\n\n\n\n
\n\n
\n\n
愛樂劇工廠最受歡迎的親子音樂劇
\n\n\n\n
華文原創音樂劇史上首部中國風武俠鉅獻
\n\n\n\n
改編自膾炙人口的聖經故事〈一百隻羊〉
\n\n\n\n
媲美迪士尼、百老匯的音樂劇鋪陳
\n\n\n\n
感動大朋友、小朋友的親情、友情與包容
\n\n\n\n
\n\n
故事改編自聖經〈一百隻羊〉,描述世界三大族群狼族vs羊族vs犬族,在爭奪延壽仙丹的「仙草寶典」時,狼族大軍入侵了羊族要害,並放火燒了仙草寺,史稱「燒仙草之亂」。羊族及犬族因遭受到劇烈的滅族危機,羊族長老帶領著100隻小羊及寶典逃到深山裡,至於犬族唯一存活的武俠奇才天兵則繼續其守護羊族的使命,大勝的狼族殲滅了羊族卻沒找到「仙草寶典」的下落,羊族將如何守護「仙草寶典」?讓我們繼續看下去……
\n\n武俠音樂劇《小羊晚點名》披著狼皮的羊由愛樂劇工廠製作,力邀新銳編導高天恒及作曲家朱怡潔攜手合作,自2017年底推出以來巡迴全臺累積二十餘場佳評不斷,2022年10月首度登上衛武營戲劇院溫馨上演!劇情藉由劇中羊族長老、狼族母后的角色,突顯父母親對孩子無私的關愛,雖然每個人都不一樣,但每一位孩子都一樣寶貴,同時也藉由羊族與狼族之間的真誠情感,讓孩子們理解與同儕之間團結和包容的重要性,劇情溫馨動人,歌曲琅琅動聽,是您絕對不可錯過的親子音樂劇。
\n\n\n\n
演前導聆
\n\n2022/10/8(六)13:50 戲劇院二樓大廳
\n\n2022/10/8(六)18:50 戲劇院二樓大廳
\n\n2022/10/9(日)13:50 戲劇院二樓大廳
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|杜黑
\n\n編導|高天恒(小糕)
\n\n作曲|朱怡潔
\n\n編舞|達姆拉.楚優吉
\n\n舞台設計|陳俞任
\n\n服裝設計|胡哲誠
\n\n影像設計|羅士翔
\n\n\n\n
聯演團隊│
\n\n10/8 14:30 天生音籟兒童合唱團
\n\n10/8 19:30 高雄市福山國小兒童合唱團
\n\n10/9 14:30 世紀合唱團
\n\n\n\n
演員名單│(依演員姓名筆劃排列)
\n\n于浩威、朱珮慈、李曼、李振源、林煒盛、張雅筑、陳碧珠、劉鎮嘉、賴冠穎、賴盈螢、羅維恩
\n\n\n\n
藝術家介紹
\n\n編導|高天恒
\n\n國立臺灣師範大學表演藝術研究所第一位以音樂劇導演專業資質畢業,對臺灣音樂劇發展有極大熱忱,並以原創中文音樂劇為主要創作目標,創立「刺點創作工坊」劇團後,已創作且執導多部原創中文音樂劇和兒童音樂劇,在臺灣各個劇場和校園巡迴演出超過百餘場。亦曾與瘋戲樂、果陀劇場、全民大劇團、故事工廠、愛樂劇工廠、C MUSICAL、唱歌集音樂劇場、天馬戲創作劇團、滾石唱片、國立臺灣交響樂團、台北市民管樂團、高雄市立交響樂團、巧連智、奇美企業等單位合作多部跨界原創音樂劇和親子戲劇。曾入圍美國亞洲文化協會(ACC)戲劇研習獎助計劃,2018年12th韓國大邱國際音樂劇節以《焢肉遇見你》入圍「最佳國際音樂劇獎」導演,曾任「臺北大城小肆音樂劇節」策展人,並列名臺師大優秀校友榜。
\n\n\n\n
作曲|朱怡潔
\n\n臺北人,國立臺灣大學Global MBA、多倫多大學教育碩士及電影社會學雙學士。
\n\n音樂是青梅竹馬的玩伴,一輩子忘不了、甩不掉。先後師事陳琇玟、賴如琳、簡銘耀、王犁。十歲起參與教會音樂事奉,十七歲開始嘗試作曲,多次於競賽中獲獎。
\n\n曾出版《鋼琴動畫館》、《交響情人夢》、《iTouch流行鋼琴雜誌》、《老鼠娶親之公主不想嫁》等多本樂譜、音樂劇作品及個人創作專輯《櫻花飛舞的祝福》。現任【拾穗藝術】負責人,從事詞曲創作、編曲、藝文活動統籌等工作,並致力於華文音樂劇製作及推廣。
\n\n\n\n
編舞|達姆拉.楚優吉
\n\n臺東排灣族
\n\n音樂劇演員 歌手 舞者 編舞 導演
\n\n復興高中戲劇科
\n\n臺北藝術大學舞蹈系
\n\n\n\n
舞蹈設計:
\n\n舞鈴劇場《島嶼》
\n\nAM安徒生與莫札特創意劇場《TARU!恐龍復活了》
\n\n廣藝劇場 鄧麗君音樂劇《何日君再來》
\n\n天作之合《寂寞瑪奇朵》
\n\n廣州戲胞《巴拉拉小魔仙》
\n\n臺北市立交響樂團歌劇《聰明的女人》
\n\n師大表藝所《八美圖》、《回家的路》、《花嫁的逆襲》
\n\n朱宗慶打擊樂二團
\n\n福爾摩沙青年合唱團《媽媽咪阿》
\n\n愛樂青年合唱團《Glee》、《La La Land》
\n\n愛樂劇工廠《微風往事》、《小羊晚點名》
\n\n海山戲館《阿隆苦戀歌》
\n\n如果兒童劇團《隱形貓熊三》、《林旺爺爺》
\n\n樹林高中原住民班
\n\n巧虎劇場《123遊戲國》、《冷冰冰王國》
\n\n\n\n
導演/編舞 作品:
\n\n廣藝劇場《廣藝組曲》
\n\n愛樂劇工廠《很愛很愛你》
\n\n雲林愛樂《在你心深處》
\n\n\n\n
舞台設計|陳俞任
\n\n三立電視台《兩個爸爸》美術設計、黃煒翔獨立製作《第六病房》舞台設計、松菸誠品The R∞m房間狂想創作展、辜泳妍×陳子懿×陳俞任聯合畢製獨呈《 情人The Lover 》舞台設計、嚎哮排演《凶宅》、《凶宅二》舞台設計、小滿大劇團《Who is Cathy Chang》舞台設計、 綠島人權藝術季《綠島百合》舞台設計、愛樂劇工廠《小羊晚點名》舞台設計、連江縣政府文化處及愛樂劇工廠協同製作馬祖心情記事系列音樂劇《寶姨》、《相約十五暝》、《重返前線1979》。
\n\n\n\n
影像設計|羅士翔
\n\n國立臺北藝術大學新媒體藝術研究所。曾任國立臺北藝術大學戲劇學系兼任專技講師、國立臺灣戲曲學院劇場藝術學系兼任講師。專業多媒體影像設計師。善用視覺藝術與空間投影等創作參與臺灣各大型展覽及劇場。作品橫跨藝術與商業領域,從音樂歌舞劇、兒童戲劇、現代戲劇至傳統戲曲,音樂會、電影、MV、品牌商演等類型多元豐富。近期劇場影像設計作品:明華園戲劇總團《蓬萊大仙》、《雪狐情》、國立臺北藝術大學戲劇學院學製《Pornography》、愛樂劇工廠《小羊晚點名》、雲林愛樂《小時代-惠來里158號檔案》、全民大劇團《最後一封情書》、春河劇團《四季的童話》、動見體劇團《XY事件簿》、春美歌劇團《聶采霞的心》、一心戲劇團《仙凡奇緣》、《啾咪.愛咋》等。
\n\n\n\n
服裝設計|胡哲誠
\n\n影視造型設計作品
\n\n\n\n
舞台劇服裝設計作品
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9aa9d7034c429a13548286884e72eb4f",title:"愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊"}],related:[],title:"【Weiwuying Anniversary 4.0】Taipei Philharmonic Theatre - A Lamb Roll-Call: Wolf in Disguise",cover:"6fa505857a63a4e5380e5e5b1bd6b176",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Rumor has it that whoever gets hold of the Treasure Book of Celestial Herbs gains invincible power.
\n\nAnd so it begins... an unprecedented battle between the wolf, sheep, and hound clans.
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
The most popular kid-friendly musical produced by Taipei Philharmonic Theatre.
\n\nThe first-ever Chinese martial arts musical,
\n\nadapted from the well-known Parable of the Lost Sheep.
\n\nA musical comparable to Disney and Broadway productions
\n\nabout family love, friendship, and the power of unity.
\n\n\n\n
\n\n
\n\n
Adapted from the Parable of the Lost Sheep in the Bible, the story depicts the battle between the world's three biggest groups, the wolves, the sheep, and the hounds, for the "elixir of life", the Treasure Book of Celestial Herbs. During the "War of the Herbs", the wolves invaded the home of the sheep and burned down the Temple of the Herbs. Fearing that the whole sheep and hound family would be wiped out, the elders led 100 lambs, with the Book in hand, to hide in depths of mountains, while the only surviving hound warrior continued its mission of safeguarding the sheep. Winning such a victory in the invasion, the wolves, however, failed to locate the Book. How would the sheep protect the Book? Come see the musical to find out.
\n\nThe martial arts musical A Lamb Roll-Call: Wolf in Disguise is produced by Taipei Philharmonic Theatre. Jointly created by the cutting-edge director KAO Tien-heng and composer CHU Yi-chieh, the musical has run for more than 20 performances throughout Taiwan since its premiere in 2017, continuously receiving positive reviews. This year, in April, 2022, the production is going to be staged at the Playhouse of the National Kaohsiung Center for the Arts (Weiwuying) for the first time. As seen from the elders of the sheep and the queen of the wolves, the story emphasizes parents' unconditional love towards children, who are all unique in their own way. The sincere relation between the sheep and the wolves will show the younger audience the importance of unity and inclusion between peers. With a moving storyline and great songs, it is a family musical that you wouldn't want to miss.
\n\n\n\n
Pre-talk
\n\n2022/10/8(Sat)13:50 Playhouse 2nd Floor
\n\n2022/10/8(Sat)18:50 Playhouse 2nd Floor
\n\n2022/10/9(Sun)13:50 Playhouse 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Dirk DU-hei
\n\nScenarist-Director|KAO Tien-heng
\n\nComposer|CHU Yi-chieh
\n\nChoreographer|CHUYOJI Damula
\n\nStage Designer|CHEN Yu-ren
\n\nCostume Designer|Dodo HU
\n\nImage Design|LO Shi-siang
\n\n\n\n
Choir│
\n\n10/8(Sat)14:30 Natus Cantorum Junior
\n\n10/8(Sat)19:30 Kaohsiung Fu-Shan Elementary School Children's Choir
\n\n10/9(Sun)14:30 Century Voice Choir
\n\n\n\n
Cast│
\n\nYU Hao-wei, CHU Pei-tzu, LEE Man, LEE Cheng-yuan, LIN Wei-sheng, CHANG Ya-chu, HUANG Chih-chia, Jilly LIU, LAI Kuan-ying, LAI Ying-ying, Wein LO
\n\n\n\n
Artists Introduction
\n\nScenarist-Director|KAO Tien-heng
\n\nThe first person to graduate from National Taiwan Normal University (NTNU) with a master degree in Musical Direction. With great passion for developing musicals in Taiwan and an ambition of creating Chinese musicals, KAO established Punctum Drama. Since then, he has created and directed several original Chinese musicals and children's musicals, which have been played for a total of over a hundred performances in theaters and schools throughout Taiwan. He has worked with and supported by Studio M, Godot Theatre Company, All U People Theatre, Story Works, Taipei Philharmonic Theatre, C MUSICAL, TOTAL Musical Theatre, Tien Circus Theatre, Rock Records, National Taiwan Symphony Orchestra, Taipei Civic Symphonic Band, Kaohsiung Symphony Orchestra, Benesse Corporation, and CHIMEI Corporation in the creation for several musicals. KAO was one of the nominees of the Asian Culture Council (ACC) Fellowship Grant for the category of theater, and he was nominated for the Best Director of Best International Musical Award in the 12th Daegu International Musical Festival in 2018 for his work Meant to Meet. He was the curator of Taipei musical festival, Once UPON 5 Musicals, and is listed as one of the outstanding alumni of NTNU.
\n\n\n\n
Composer|CHU Yi-chieh
\n\nMs. CHU has been contributing to Sunday worship services since the age of ten. She has won numerous awards and prizes in local/international composition contests since the age of seventeen. In 2013, she released her first Christian music album, Cherry Blossom Blessings. Ms. CHU is now a keen producer of Mandarin original musicals, composer, lyricist, arranger and art activity coordinator. She is also the founder and art director of Glean Arts, CEO of Wistrium Co., Ltd., and Creative Director of Digital Future Research Center under National Taiwan University.
\n\n\n\n
Choreographer|CHUYOJI Damula
\n\nA Taitung Paiwan aboriginal musical actor, singer, dancer, choreographer, and director. Graduated from the Drama Department of Fuxing Senior High School and Taipei National University of the Arts (TNUA) School of Dance.
\n\n\n\n
As Choreographer:
\n\nIsland (Diabolo Dance Theatre), Musical TARU! (AMCreative), A Time to Remember (Quanta Theatre), Single Shot Macchiato, the Musical (Perfect Match Theatre), Balala Fairies (Guangzhou Drama Cells), Opera Die Kluge (Taipei Symphony Orchestra), 8 Femmes, The Way Back Home, The Counterattack of a Bride (Graduate Institute of Performing Arts, NTNU), Mamma Mia! (Formosa Youth Choir), Glee, La La Land (Taipei Philharmonic Youth Choir), Breeze and Memories, A Lamb Roll-Call: Wolf in Disguise (Taipei Philharmonic Theatre), Invisible Panda 3, Elephant Grandpa Lin Wang (If Kids Theatre), 123 Game Kingdom, Ice Cold Kingdom (Aboriginal class of Shulin High School, Benesse Theatre)
\n\n\n\n
As Director/Choreographer:
\n\nQuanta Suite (Quanta Theatre), Love You So Much (Taipei Philharmonic Theatre), All About Love (Yunlin Philharmonic Chamber Choir)
\n\n\n\n
Stage Designer|CHEN Yu-ren
\n\nProduction designer of Sanlih Entertainment Television series Two Fathers; stage designer of HUANG Wei-hsaing's independent production The Sixth Ward; co-creator of the exhibition The R∞m, held at Eslite Songshan; stage designer of HaoxHsiaoTroupe's Haunted House and Haunted House 2, Xiao Man Troupe's Who is Cathy Chang, Green Island Human Rights Arts Festival's Green Island Lily, Taipei Philharmonic Theatre's A Lamb Roll-Call: Wolf in Disguise, and Matsu Story Musical Series Aunt Bao, Meet Up At The 15th, and Back To The Frontline 1979, produced by Cultural Affairs Department of Lienchiang County Government and Taipei Philharmonic Theatre.
\n\n\n\n
Image Design: LO Shi-siang
\n\nLO had a MA degree from the Taipei National University of The Arts Department of New Media Art in Taiwan (2014-2017). He is a part-time lecturer in the Department of Theatrical Arts, National Taiwan College of Performing Arts, dedicating his time and efforts to teaching and creating stage projection design to bring innovative interaction and ingredients to Taiwan traditional theatre, such as Taiwanese opera (Ming Hwa Yuan Arts & Cultural Group), transforming and connecting with the different generation. Besides, he is always open to cross-disciplinary cooperation to seek inspiration and excellence, including modern dramas, traditional operas, musicals, concerts, movies and MVs.
\n\n\n\n
\n\t\t |
\n\t\t |
\n',team:""},createdAt:1654063724,updatedAt:1664855729,updatedBy:"林蔚行",host:!0},{_id:"629715a0c9bbe00007281e56",catalogs:["5fe2bffdde1961000737545c","631e9d17e329d300077404cc","5aec4184b01ea6000520f633"],dateTime:{first:1665228600,discrete:[{time:1665228600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1536770692068347908"}},attachment:{key:"05d4b46071bb5387e0a2ffe82018b366",name:"管風琴綺響《布穀鳥與夜鶯》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"75ca589c7d3ffa3d6d8a9e20b550c003",title:"管風琴綺響《布穀鳥與夜鶯》"}],related:[{from:"programs",key:"62b92e60afe2d7000ae32c71",title:"歌劇《唐卡洛》導演大師班"},{from:"programs",key:"62971e8dcd649e00076f8f21",title:"【衛武營週年慶4.0】《幻想賦格》菲利克斯.黑爾管風琴獨奏會"}],title:"【衛武營週年慶4.0】管風琴綺響《布穀鳥與夜鶯》",cover:"a99dbe6ac4894db59024faab78273641",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'《美國管風琴家》雜誌讚譽道「其演奏水平讓許多頗負盛名的樂壇前輩望塵莫及。」
\n\n\n\n
菲利克斯.黑爾為德國管風琴家,九歲受邀至俄國舉辦獨奏會,十一歲便已在世界巡演,是出道甚早的國際新秀。黑爾將帶領臺灣觀眾聆聽不同型態的管風琴作品,本場為三場系列音樂會的首場,由衛武營藝術總監簡文彬指揮,聯手高雄市交響樂團,帶來韓德爾的F大調管風琴協奏曲《布穀鳥與夜鶯》及約瑟夫.容根寫給管風琴與管絃樂團的協奏交響曲。韓德爾擅長管風琴即興演奏,他的管風琴協奏曲多為歌劇院所譜寫,少了肅穆的宗教色彩,多了繽紛的絢麗技巧,從《布穀鳥與夜鶯》中,能聽到以鳥語作為動機的輕盈旋律,管風琴演奏起來十分傳神。比利時作曲家容根所寫的協奏交響曲,被譽為是最傑出的管風琴交響作品,世界一流的管風琴家與樂團都經常演奏及錄製此作。管風琴在其中幾乎像是自成一個管絃樂團,兩個磅礡的樂團聲響在交流中,繪製成充滿畫面感的浪漫作品。
\n\n\n\n
演前導聆
\n\n2022/10/8(六)18:50 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n韓德爾:F大調管風琴協奏曲,《布穀鳥與夜鶯》,HWV 295
\n\n李哲藝:《思想再起》幻想曲
\n\n約瑟夫.容根:給管風琴與管絃樂團的協奏交響曲,作品81
\n\n\n\n
演出暨製作團隊
\n\n指揮|簡文彬
\n\n管風琴|菲利克斯.黑爾
\n\n高雄市交響樂團
\n\n\n\n
藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第十八屆國家文藝獎。
\n\n\n\n
管風琴|菲利克斯.黑爾
\n\n德籍管風琴家菲利克斯‧黑爾是全球最炙手可熱的管風琴演奏家之一,曾以獨奏家及協奏曲獨奏家的身分參與900多場音樂會演出,足跡遍及北美、歐洲、亞洲和澳洲。《美國管風琴家》雜誌讚譽道:「其演奏水平讓許多頗負盛名的樂壇前輩望塵莫及。」
\n\n他至今發行過12張錄音專輯,最新作品《如詩幻影》則收錄了由多位德國作曲家所譜寫的浪漫管風琴樂曲。在黑爾的「橫越美國音樂計畫」中,他帶著專屬的巡迴管風琴一邊旅行、一邊表演,並在未裝設管風琴的空間內演奏協奏曲和舉辦獨奏會,使該樂器擺脫了長久以來受限於表演場地的侷限性。此外,黑爾更以多樣化且創新的表演而聞名,演奏曲目涵蓋了五個世紀的管風琴樂曲,他也曾以馬拉松式的表演形式演繹巴赫的全套管風琴作品(約250首曲目、演出總長度近20個小時),並因此而獲得全球樂評聽眾的矚目。他至今曾彈奏過四輪全套巴哈管風琴作品,而最近一次是2013年於韓國首爾演出。
\n\n黑爾致力於推廣新型態的管風琴樂曲,並經常與作曲家合作。他曾先後就讀於美國紐約茱莉亞音樂學院、費城寇提斯音樂學院(音樂學士),以及巴爾的摩琵琶地音樂學院(演奏家文憑、音樂碩士、音樂藝術博士),並於2007年獲頒約翰霍普金斯大學著名的傑出畢業生獎。
\n\n\n\n
高雄市交響樂團
\n\n1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局史哲局長出任董事長。2010年,朱宏昌先生出任執行長。2011年,楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。
\n\n樂團以高雄代表自許,曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作,厚植樂團演奏實力及建立品牌。除堅守古典演奏形式,也積極走出廳堂,結合不同場域、型態的表演藝術擁抱大眾;尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與臺灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目,精湛演出受國內樂壇及樂迷一致肯定。
\n\n先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出,跨越城市與國界,逐步以國際性樂團為目標,堅定向前。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"75ca589c7d3ffa3d6d8a9e20b550c003",title:"管風琴綺響《布穀鳥與夜鶯》"}],related:[],title:"【Weiwuying Anniversary 4.0】The Splendor of Organ - CHIEN Wen-pin & Felix HELL & KSO",cover:"a99dbe6ac4894db59024faab78273641",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'German organist Felix HELL launched his international career at a young age, with a recital in Russia at nine. At eleven had already toured around the world. HELL will be showcasing diverse organ works across three concerts at Weiwuying. In this first, together with the Kaohsiung Symphony Orchestra conducted by Weiwuying Artistic Director CHIEN Wen-pin, HELL will perform HANDEL's Organ Concerto in F Major, The Cuckoo and the Nightingale, and Joseph JONGEN's Symphonie Concertante for Organ and Orchestra. HANDEL was expert in organ improvisation. His organ concertos were written for opera - less solemn and holy, more gorgeous and virtuosic. Here the organ expresses a cheerful bird song motif. Belgian composer JONGEN's concerto symphony is regarded as one of the most outstanding organ symphony works and is frequently performed and recorded by world-class organists and orchestras. The organ itself plays like an orchestra; the two majestic orchestras draw a romantic work full of images
\n\n\n\n
Pre-talk
\n\n2022/10/8(Sat)18:50 Concert Hall 3rd Floor
\n\n\n\n
Program
\n\nGeorge Frideric HANDEL: Organ Concerto in F Major "The Cuckoo and the Nightingale", HWV 295
\n\nLEE Che-yi: Hengchun Folk Song Fantasy for Symphony Orchestra
\n\nJoseph JONGEN: Symphonie Concertante for organ and orchestra, Op.81
\n\n\n\n
Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nOrgan|Felix HELL
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
Artists Introduction
\n\nConductor: CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded with Master degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Dusseldorf/Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan), 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic), during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete "Der Ring des Nibelungen" by Richard Wagner in Chinese speaking areas, upon orchestra’s 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was winner of the "National Award for Arts" in 2014.
\n\n\n\n
Organ: Felix HELL
\n\nA native of Germany, Felix Hell is one of the most sought after concert organists in the world. He has been featured as a recitalist and concerto soloist in more than 1000 concerts throughout North America, Europe, Asia and Australia. The American Organist raved that he "sets standards that older and honored players would struggle to equal."
\n\nFelix Hell's discography includes 12 CDs. His most recent recording titled "Poetic Visions" features Romantic Organ Music by German Composers. It was recored on the historic 1902 E.F. Walcker Organ in Lüdenscheid, Germany and includes works by Reger, Mendelssohn, Rheinberger, Brahms and Liszt. His recordings are frequently broadcast throughout the United States and across the world; he has appeared on television globally.
\n\nHis project "Music Across America" allows him to travel with his own Touring Organ, performing organ concertos and recitals in spaces that do not house pipe organs, liberating the instrument from its historic confines.
\n\nFelix Hell is known for his diverse and innovative programming, drawing upon a repertoire encompassing five centuries. Furthermore, he has received global recognition for his marathon performances of the entire organ works of J.S. Bach, which encompass about 250 compositions and close to 20 hours of performance time. He has since performed the complete Bach cycle four times, most recently in 2013 in Seoul, Korea.
\n\nMr. Hell is an avid supporter of new music for organ and frequently collaborates with composers.
\n\nFelix Hell studied at the Juilliard School in New York, the Curtis Institute of Music in Philadelphia (BM), the Peabody Institute in Baltimore (AD, MM, DMA). In 2007, he received Johns Hopkins University's prestigious Outstanding Graduate Award.
\n\nMr. Hell holds positions of Organ Artist Associate at Saint Peter's Lutheran Church in Manhattan, Distinguished Artist in Residence at the United Lutheran Seminary in Gettysburg, and Adjunct Professor of Organ at the Sunderman Conservatory in Gettysburg, PA. In 2011, Felix Hell was appointed Distinguished Visiting Artist at Kosin University in Busan, South Korea.
\n\n\n\n
Kaohsiung Symphony Orchestra
\n\nFounded in 1981, the Kaohsiung Symphony Orchestra(KSO)taking pride as the music ambassador of Kaohsiung City, has collaborated with a variety of renowned artists at home and abroad, including Josep CARRERAS, Hayley WESTENRA, Rudolf BUCHBINDER, Vadim REPIN, Shlomo MINTZ, Mischa MAISKY and Akiko SUWANAI, to name a few. KSO strives to pursue music excellence while establishing its branding image: in addition to performing classic concerts in concert halls, KSO expands its repertoire by visiting different venues and space, and producing non-traditional performing arts close the audiences, as well as building up an unexplored arts population. KSO is in particular known for its featured participation in the annual Kaohsiung Spring Art Festival, including the open-air Grassland Concerts, the Amadeus Baby Concerts and the full Opera productions. More in the recent 2018 season, KSO has appeared in various opening programs of National Kaohsiung Center for the Arts - Weiwuying, the largest performance venue in Taiwan; the performances all earned KSO great acclaim.
\n\nKSO has been widely invited to perform in different regions of the world, including the United States, Macau, Nanjing, Shanghai, Qingdao, Suzhou, Singapore, Beijing, Japan and Hong Kong, receiving internationally-acclaimed applause. Crossing national and continental borders, the Kaohsiung Symphony Orchestra continues to push forwards an international first-class orchestra.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n',team:""},createdAt:1654068640,updatedAt:1664329104,updatedBy:"林蔚行",host:!0},{_id:"62971e8dcd649e00076f8f21",catalogs:["5fe2bffdde1961000737545c","631e9d17e329d300077404cc","5aec4184b01ea6000520f633"],dateTime:{first:1665297e3,discrete:[{time:1665297e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1537820026419482628"}},attachment:{key:"36b79624bdbe15235f37c881d3de3186",name:"《幻想賦格》菲利克斯.黑爾管風琴獨奏會 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fbe75d471ef57121cb7cd68e88175713",title:"《幻想賦格》菲利克斯.黑爾管風琴獨奏會"}],related:[],title:"【衛武營週年慶4.0】《幻想賦格》菲利克斯.黑爾管風琴獨奏會",cover:"87b70c552be7254ea9776ef9a1906b45",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'菲利克斯.黑爾的首場管風琴獨奏會,將帶來多首歷久彌新的萬世之作,包括一提到管風琴音樂,就會聯想到的巴赫d小調觸技曲與賦格,其開頭前兩小節,可稱作鬼魅電影的音樂代名詞。同樣來自巴赫的管風琴作品,還有俗稱「大賦格」的g小調幻想曲與賦格,由於曲長長於之前的作品578「小賦格」,故以大小作區分。巴赫縝密的賦格,不但使聽覺上充滿層次,且能量層層堆疊,讓情感上也充滿張力;這些作品也深深啟發了近代德國作曲家雷格,並以巴赫名字的字母為創作框架,譜寫了另一首需要高超演奏技巧的幻想曲與賦格。另外,雷格相當著名的作品《祝福》,是一首溫暖又明淨的小品,充分發揮管風琴溫潤如玉的音色。同樣撫慰人心的作品,還有來自李斯特第四號安慰曲,降D大調柔版。最後,將演出連李斯特本人都承認很具挑戰性的《贖靈作用之水》幻想與賦格曲。
\n\n\n\n
演前導聆
\n\n2022/10/9(日)13:50 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n巴赫:g小調幻想曲與賦格,作品542
\n\n李斯特:降D大調柔版
\n\n雷格:《以巴赫為名的幻想與賦格曲》
\n\n巴赫:d小調觸技曲與賦格,作品565
\n\n雷格:《祝福》,作品59
\n\n李斯特:《贖靈作用之水》幻想與賦格曲
\n\n\n\n
藝術家介紹
\n\n管風琴|菲利克斯.黑爾
\n\n德籍管風琴家菲利克斯.黑爾是全球最炙手可熱的管風琴演奏家之一,曾以獨奏家及協奏曲獨奏家的身分參與900多場音樂會演出,足跡遍及北美、歐洲、亞洲和澳洲。《美國管風琴家》雜誌讚譽道:「其演奏水平讓許多頗負盛名的樂壇前輩望塵莫及。」
\n\n他至今發行過12張錄音專輯,最新作品《如詩幻影》則收錄了由多位德國作曲家所譜寫的浪漫管風琴樂曲。在黑爾的「橫越美國音樂計畫」中,他帶著專屬的巡迴管風琴一邊旅行、一邊表演,並在未裝設管風琴的空間內演奏協奏曲和舉辦獨奏會,使該樂器擺脫了長久以來受限於表演場地的侷限性。此外,黑爾更以多樣化且創新的表演而聞名,演奏曲目涵蓋了五個世紀的管風琴樂曲,他也曾以馬拉松式的表演形式演繹巴哈的全套管風琴作品(約250首曲目、演出總長度近20個小時),並因此而獲得全球樂評聽眾的矚目。他至今曾彈奏過四輪全套巴哈管風琴作品,而最近一次是2013年於韓國首爾演出。
\n\n黑爾致力於推廣新型態的管風琴樂曲,並經常與作曲家合作。他曾先後就讀於美國紐約茱莉亞音樂學院、費城寇提斯音樂學院(音樂學士),以及巴爾的摩琵琶地音樂學院(演奏家文憑、音樂碩士、音樂藝術博士),並於2007年獲頒約翰霍普金斯大學著名的傑出畢業生獎。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fbe75d471ef57121cb7cd68e88175713",title:"《幻想賦格》菲利克斯.黑爾管風琴獨奏會"}],related:[],title:"【Weiwuying Anniversary 4.0】Felix HELL Organ Recital - Classic Fugues",cover:"87b70c552be7254ea9776ef9a1906b45",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'In the first of two Organ Recitals, Felix HELL presents numerous timeless works, including BACH's Toccata and Fugue in d minor, whose classic first two bars stand for ghost movies. Another work from BACH, the Great Fantasia and Fugue in g minor, got its name to distinguish it from the earlier and shorter Little Fugue in g minor. BACH's meticulous fugue techniques not only create layers but also stack energy, building emotional tension. These works also inspired the modern German composer REGER, using the letters of BACH's name as the musical framework to compose another Fantasy and Fugue that requires superb performance skills. The program continues with REGER's well-known work Benedictus, a warm piece that gives full play to the round and gentle timbre of the organ, followed by LISZT's soothing Consolations, Adagio in D-flat Major. Finally, LISZT's Fantasy and Fugue on Ad Nos, Ad Salutarem Undam, is an extremely virtuosic piece that even the composer admitted is challenging.
\n\n\n\n
Pre-talk
\n\n2022/10/9(Sun)13:50 Concert Hall 3rd Floor
\n\n\n\n
Program
\n\nJ.S. BACH: Fantasy & Fugue in g minor, BWV 542
\n\nF. LISZT: Adagio in D-flat Major
\n\nM. REGER: Fantasy & Fugue on B-A-C-H
\n\nJ.S. BACH: Toccata & Fugue in d minor, BWV 565
\n\nM. REGER: Benedictus, Op. 59
\n\nF. LISZT: Fantasy & Fugue on Ad Nos, Ad Salutarem Undam
\n\n\n\n
Artists Introduction
\n\nOrgan|Felix HELL
\n\nA native of Germany, Felix Hell is one of the most sought after concert organists in the world. He has been featured as a recitalist and concerto soloist in more than 1000 concerts throughout North America, Europe, Asia and Australia. The American Organist raved that he "sets standards that older and honored players would struggle to equal."
\n\nFelix Hell's discography includes 12 CDs. His most recent recording titled "Poetic Visions" features Romantic Organ Music by German Composers. It was recored on the historic 1902 E.F. Walcker Organ in Lüdenscheid, Germany and includes works by Reger, Mendelssohn, Rheinberger, Brahms and Liszt. His recordings are frequently broadcast throughout the United States and across the world; he has appeared on television globally.
\n\nHis project "Music Across America" allows him to travel with his own Touring Organ, performing organ concertos and recitals in spaces that do not house pipe organs, liberating the instrument from its historic confines.
\n\nFelix Hell is known for his diverse and innovative programming, drawing upon a repertoire encompassing five centuries. Furthermore, he has received global recognition for his marathon performances of the entire organ works of J.S. Bach, which encompass about 250 compositions and close to 20 hours of performance time. He has since performed the complete Bach cycle four times, most recently in 2013 in Seoul, Korea.
\n\nMr. Hell is an avid supporter of new music for organ and frequently collaborates with composers.
\n\nFelix Hell studied at the Juilliard School in New York, the Curtis Institute of Music in Philadelphia (BM), the Peabody Institute in Baltimore (AD, MM, DMA). In 2007, he received Johns Hopkins University's prestigious Outstanding Graduate Award.
\n\nMr. Hell holds positions of Organ Artist Associate at Saint Peter's Lutheran Church in Manhattan, Distinguished Artist in Residence at the United Lutheran Seminary in Gettysburg, and Adjunct Professor of Organ at the Sunderman Conservatory in Gettysburg, PA. In 2011, Felix Hell was appointed Distinguished Visiting Artist at Kosin University in Busan, South Korea.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n',team:""},createdAt:1654070925,updatedAt:1665041327,updatedBy:"林蔚行",host:!0},{_id:"62972f8bc9bbe00007282367",catalogs:["5fe2bffdde1961000737545c","631e9d17e329d300077404cc","5aec4184b01ea6000520f633"],dateTime:{first:1665142200,discrete:[{time:1665142200},{time:1665149400},{time:1665210600},{time:1665228600},{time:1665235800},{time:1665297e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1e3],link:"https://www.opentix.life/event/1534669584018485251"}},attachment:{key:"9b387d11434d8594c4345f4b3a764fc5",name:"五樓創意《Bonfire-你怕黑嗎?》 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2951c20103ad102f503fad83bda28843",title:"五樓創意《Bonfire-你怕黑嗎?》"}],related:[],title:"【衛武營週年慶4.0】五樓創意《Bonfire-你怕黑嗎?》",cover:"a1a194acd7e2d7ce58f648abbca1d69b",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
互動演出場全長約60分鐘,無中場休息,建議7歲以上觀眾觀賞
\n\t派對場全長約90分鐘,無中場休息,建議18歲以上觀眾觀賞
\n\t演出部分含強光、煙霧、巨大聲響、將於觀眾入場時攝影並將其影像投影於LED牆面,請留意並斟酌購票。
\n\t演出中開放觀眾攝錄影。
\n\t本節目演出過程將全程進行攝影、錄音及錄影,購買本節目票券之觀眾視同同意並授權演出團隊拍攝、修飾、使用(含公開展示)本人之肖像,用於演出紀錄存檔、行銷宣傳及相關非營利目的利用。
\n\t遲到觀眾須遵循工作人員指示入場。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
要是突然全世界都暗了,會怎麼樣?或是全世界突然亮的刺眼,又會怎麼樣?
\n\n我們的先祖圍著火光,一邊唱歌一邊起舞,慶祝著脫離了黑暗的控制。找到光後的幾千萬年來,圍著火光慶祝的事情可能不同。但我們對光、對音樂的渴望,以及人們聚在一起能量,卻從來沒有變過。
\n\n\n\n
《Bonfire》是一座巨型的環狀聲光互動裝置。是由6面LED牆、6組喇叭環繞音場 、66支LED燈管組成的科技藝術作品,觀眾可自由走動,體驗不同位置得到的視覺及聽覺效果。
\n\n「你怕黑嗎?」是節目的核心概念,以亮、暗、響、靜等反差元素設計演出。時而伸手不見五指時而高強度閃光,樂器在耳邊細語後隨即一個過門,襲來的是高音壓的重節奏。整趟旅程將帶來各種感官衝擊。
\n\n\n\n
互動演出場節目包含「互動」與「演出」模式。互動模式中,透過體感偵測裝置,一舉一動都會被 Bonfire 抓下。也可以利用手機,透過 Web App 連線,將訊息直接投射到大螢幕上。
\n\n演出則以音樂表演為脈絡。頂尖音樂家的現場演奏觸發電腦程式,裝置自動生成圖像及閃光。在 Bonfire 內的觀眾與演出者隨著音樂舞動合而為一,在光與暗的包覆下像是一個生命體。
\n\n\n\n
派對場將搭配手機與裝置的互動及投票功能,邀請大家到衛武營歌劇院的舞台上一起體驗『互動派對』的全新玩法。10/7,臺南的派對品牌民生電氣將帶來『這場派對由你決定』,以觀眾透過Bonfire裝置投票選出當晚的DJ陣容。10/8,高雄孩子王之稱的DJ賴皮將帶來『DJ賴皮呈現:拍打仔』,介紹道地的高雄嘻哈音樂。經由DJ的高能量音樂與VJ將音樂視覺化的設計,Bonfire將在接近午夜時刻把觀眾的感官刺激推到極限。
\n\n\n\n
簡單來說,這場節目有的聽、有的看、又有新鮮的科技體驗。
\n\n一起來玩吧!
\n\n\n\n
場次時間
\n\n10/7(五)19:30 互動演出場/21:30派對場 feat. 民生電氣、DJ QuestionMark、DJ Din Din、DJ SamuleMie
\n\n10/8(六)14:30 互動演出場/19:30互動演出場/21:30派對場 feat. DJ Mr. Skin 賴皮、FRαNKIE 阿法、馬克 Savage.M
\n\n10/9(日)14:30 互動演出場
\n\n\n\n
周邊活動
\n\n\n\t\t |
10/8(六)13:30-16:00、18:30-23:30
\n\n10/9(日)13:30-16:00
\n\n歌劇院2F大廳
\n\n※歡迎於指定營業時段,由歌劇院東或西主入口進場選購。
\n※提醒您:禁止酒駕 飲酒過量有礙健康
\n\n
演出暨製作團隊
\n\n製作人|應奇軒
\n\n音樂製作|謝明諺、DJ QuestionMark
\n\n技術統籌暨互動燈光裝置設計|應奇峰
\n\n視覺統籌|王詠億(毛鼠)
\n\n互動設計|蔡銘、石耀中
\n\n視覺設計|楊峻鵬
\n\n音響系統設計|陳星奎
\n\n\n\n
互動演出場(樂團演出)
\n\nDJ|DJ QuestionMark
\n\n薩克斯風|謝明諺
\n\n低音提琴|王群婷
\n\n鍵盤|Dac
\n\n爵士鼓|林偉中
\n\n\n\n
派對場(DJ演出)
\n\n10/7(五)
\n民生電氣、DJ QuestionMark、DJ Din Din、DJ SamuleMie
10/8(六)
\nDJ Mr. Skin 賴皮、FRαNKIE 阿法、馬克 Savage.M
\n\n
演出暨製作團隊
\n\n五樓創意有限公司
\n\n致力以音樂為媒介結合各種不同領域的藝術。從概念規劃、創作設計到現場執行一手包辦。目標是『用最認真的態度做最鬧的事』打造讓觀眾有新奇體驗的高品質節目。
\n\n2020年受邀參與多項大型製作,於白晝之夜舉辦《橘牆樂園》,主打結合各種高品質節目包含DJ、樂手、摔角、特技、裝置等內容,打造「迷你音樂祭」。曾受衛武營邀請舉辦《電波作業簿》將臺灣兩大獨特派對《電波歌劇院》與《國語作業簿》結合,現場吸引逾千人參與。
\n\n\n\n
節目製作人、音樂製作及演出|應奇軒 DJ QuestionMark
\n\n旅英跨領域藝術家,英國金匠大學音樂碩士。身兼DJ、音樂製作人、節目製作人及長笛手。
\n\nDMC世界DJ大賽臺灣冠軍,也曾獲金曲獎最佳演奏類音樂製作人及金音獎最佳樂團提名。招牌的長笛、刷碟、DJ合一的演出方式獨步全球。演出作品橫跨派對、時尚、劇場、影像、舞蹈等多種不同領域。曾於 London Fashion Week、New York Fashion Week、Edinburgh Fringe、Glastonbury、SXSW、Midem等世界級的時裝週、音樂節、藝穗節上演出。
\n\n自2020年回臺灣後開始著手線上直播演出領域與結合新媒體的節目製作開發。過去一年曾受邀與衛武營、白晝之夜、貴人散步音樂節、大港開唱等活動演出。目前已受邀參加2022年於美國德州主辦的SXSW音樂節。
\n\n\n\n
音樂製作及薩克斯風演奏|謝明諺
\n\n金曲獎最佳演奏類專輯得主。布魯塞爾皇家音樂院爵士薩克斯風演奏碩士、碩士後文憑。
\n\n個人首張專輯『Firry Path』以來,著眼於發掘及探索新的領域。在爵士、電子、實驗音樂範疇有廣大樂迷。不論是個人或是跨刀作品皆獲得了金曲、金音獎等多方的高度肯定。
\n\n眾多跨界邀演中也包括了2017年台北世大運閉幕式的熄聖火樂:『薪傳』。
\n\n自2021疫情以來仍繼續創作。參與製作包含兩廳院《夏日爵士超級大連結》;That's My Shhh的Live Stream《Shhh Week》;白晝之夜《夜夢電影院》;國內實體的演出包括Leo王/ GreenEye!/ LazyHabit的《大港開唱》;林生祥的《我庄三部曲》;臺北及臺中爵士音樂節,交響六堆心300紀念音樂會;與Go Go Machine/ Lazy Habit《貴人散步》。在2022預計將有與詩人鴻鴻合作的《爵士詩靈魂夜》黑膠,臺灣地景音樂vol.1以及非/密閉空間等實體專輯發行。
\n\n\n\n
派對演出|民生電氣
\n\n發源自臺南的派對品牌。以「音樂即是民生」為理念,堅信音樂是民生必需品,是致力推廣高質感好音樂的品牌。累積了近百場大小的活動經驗,曾經在公寓頂樓、咖啡廳、理髮廳、服飾店,甚至是在廟宇、里民活動中心等各式各樣的地方舉辦派對,將音樂與生活中的各式場域結合。甚至透過特殊企劃來將環保、流浪動物等公益議題帶入活動當中,讓音樂有了更深的意義。
\n\n\n\n
派對演出|DJ 賴皮
\n\nRed Bull 3 Style世界DJ大賽臺灣冠軍。
\n\n創立<國語作業簿>及<下港體制>派對,他現場演出的奇異能量讓觀眾有如深陷邪教般著迷。也因此,他經營的展演空間Cocco & Co.被賦予了高雄最酷夜店的盛名。
\n\n\n\n
技術統籌暨互動燈光裝置設計|應奇峰
\n於紐約接受演出技術工程及科技藝術之專業訓練;曾參與外百老匯知名劇場Public Theatre演出製作。近年鑽研數位LED燈控制系統,致力於燈光聲響、電腦軟體與使用者之互動更為流暢。現為NK LAB主理人,曾參與Cocco.Co Taipei燈光設計,白晝之夜《橘牆樂園》及《電波歌劇院》燈光裝置設計暨執行,《上台之前》燈光、燈光裝置、互動燈桿設計暨執行等。
\n\n
視覺統籌|王詠億(毛鼠)
\n\n相較於純粹的視覺製作,更擅長於現場Live視訊動畫製作與執行;追求視覺與表演者、燈光及舞台設計之間的協調與結合之下所創造出的整體觀看體驗。主要負責演唱會或大型商業活動之視覺統籌與製作以及現場執行。
\n\n擔任2012至今伍佰 and China Blue 大型巡演的視覺導演、2012-2017臺北與上海《 Simple Life 簡單生活節》演唱會、MCHOTDOG熱狗《貧民百萬歌星》《聲色犬王》、《兄弟本色日落黑趴巡迴演唱會》巡迴演唱會的製作與現場執行、八三夭《顛倒世界》巡迴演唱會的現場執行。
\n\n\n\n
互動設計|蔡銘
\n\n「口口實驗室」與「口口工作室」的主要負責人,同時為自由接案的程式工作者。
\n\n2018年起,開始以個人名義參與各類科技與藝術計畫的製作。其中包含與藝術家「蘇紳源」在科技融藝跨界創作補助計畫《社群織衍計畫3sth.net》以及數位藝術創作案《界.在線|獸之初》;分別負責視覺程式與人工智慧研發等部分。另與藝術家「謝瀞瑩」在國家歌劇院微劇場計畫《聲遊記》中,參與視覺與互動程師開發的部分。近年與中研院的蘇黎教授合作,以古典音樂的為基礎的機械學習與生成為主軸進行各類型協力開發。
\n\n於2016年創立表演團體「口口實驗室」,並以團體名義正式接觸各類表演藝術創作。固定每年會有古典音樂節目為主的節目製作,另外會以協作或共同製作的方式與其他創作人合作。同時亦以團體名義承接各類型軟體互動案件。於2022年成立,「口口工作室」作為商業專案與表演藝術作為區分。
\n\n\n\n
互動設計|石耀中
\n\n出生香港,畢業於澳洲蒙納許大學計算機科學學系,現定居於臺灣的互動工程師。過去8年在廣告及多媒體產業發展,曾與不同知名品牌合作,如蘭蔻、凡迪、賓士、星巴克、樂事等,從數位藝術展覽、機場快閃店、室內外推廣、到遊樂園的互動體驗館,皆有製作經驗。以及與日本、韓國及新加坡的製作團隊於當地機場為客戶製作品牌推廣活動的經驗。
\n\n\n\n
視覺設計|楊峻鵬
\n\nVJ視訊執行、動態視覺設計、視覺影像創作、3D動畫製作專業。
\n\n近年來擔任《炎上》、《第56屆金馬獎》的VJ執行;《海尼根Silver City星銀音樂節》、《KKBOX 演唱會》、《NIHOW × KFDF 韓國時裝電影展》的VJ執行與製作,以及
\n\n《宇宙人演唱會》VJ內容製作。
\n\n\n\n
音響系統設計|陳星奎
\n\n鐵吹製作創辦人。專職演唱會、音樂會、戲劇演出現場成音以及音響系統設計。
\n\n近年來參與許多沈浸式系統(in Max/MSP)、現代音樂及新媒體演出的設計。
\n\n近年來參與音響系統設計、校正及現場成音製作:博恩夜夜 show 第二季、第三季的現場成音及後製、Nulbarich/宇宙人《Tokyo Music Liner》的FOH、彭佳慧《每一個她 都如此美麗》演唱會臺北場的監聽工程、朱宗慶擊樂實驗室《每個動作都有一個聲音》、LEO王《無病呻吟有情抒情》專輯巡迴臺北、高雄場的監聽工程。
\n\n\n\n
\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2951c20103ad102f503fad83bda28843",title:"五樓創意《Bonfire-你怕黑嗎?》"}],related:[],title:"【Weiwuying Anniversary 4.0】5F Studio Production: Bonfire - Absence of Darkness",cover:"a1a194acd7e2d7ce58f648abbca1d69b",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Performance: Duration is 60 minutes without intermission. Age guidance 7+
\n\tThe Party: Duration is 90 minutes without intermission. Age guidance 18+
\n\tThe performance contains bright light, smoke, and loud noise. The audience will be photographed and projected on the LED wall when they enter the venue. Please be aware of this when purchasing tickets.
\n\tThis program will be enjoyed by moving around the stage. There are no seats.
\n\tThe audience is free to film and photograph during the performance.
\n\tThe entire program, including all members of the audience, will be photographed and recorded (audio and video). By purchasing tickets to this program, you agree to be recorded and authorize the team to use (including public display) and modify your image, for performance archiving, marketing, and other not-for-profit purposes.
\n\tLatecomers must follow staff instructions for entry and re-entry.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Music × Theatre × Interactive Installation × Party
\n\n\n\n
What will it be like when the world gets dark?
\n\nWhat will it be like when the world gets dazzling bright?
\n\nMillions of years ago, our ancestors sang and danced around the bonfire celebrating the discovery of the light. Many many years later, the reason of getting around the bonfire might be different, but the strong desire of the light, music and gathering with people has never changed.
\n\n\n\n
Bonfire is an oversized interactive audiovisual installation built by 6 huge LED panels, 6-speakers and 66 LED bars. The round shape design of the installation and 6-channels surround sound system gives unique experiences to the audience.
\n\n\n\n
Absence of Darkness is the core concept of the show. Live music, light and visuals are designed to emphasise the contrasts of darkness, light, silence and loudness. Expect the unexpected, this is not a concert. It's a journey through music and light.
\n\n\n\n
During the "Interactive Show," you will be a part of the performance, in control of elements of what you see, play with the elements in the LED screen with your movements or connect with Bonfire. Or connect with Bonfire through the web app and leave messages on the LED walls by using your phone.
\n\nIn the performance part, the installation generates visual elements and lights by listening and analysing the music played live by 5 of the best musicians in Taiwan. Unique moments are created when the audience, the performers and the installation are corresponding to each other.
\n\n\n\n
"The Party" comes after the "Interactive Shows." (Tickets are sold separately.) It wouldn't be called a party without DJs, VJs and party people, simple as that! Energetic music, magical light, audiovisual works and Bonfire will be pushing the vibes until midnight. On 7th Oct, Minelectro Inc. will present a new way of partying. Party people will be able to vote for their favourite genres of music to decide the lineup of the night. On 8th Oct., DJ Mr. Skin, a Kaohsiung based DJ who will present the best music and secret acts from Kaohsiung Hip Hop scene.
\n\n\n\n
Long story short, you will have cool music, cool visuals and the experience of being a part of it all yourself, creating and collaborating with everyone in the building. Just come and have fun!
\n\n\n\n
Creative and Production Team
\n\nShow Producer|YING Chi-shaun
\n\nMusic Producer|HSIEH Min-yen, DJ QuestionMark
\n\nTechnical Coordinator & Lighting Designer|YING Chi-feng
\n\nVisual Coordinator|WANG Yung-yi (Mosu)
\n\nInteraction Designer|TSAI Ming、SHEK Yiu-Chung
\n\nVisual Designer|YANG Chin-phang
\n\nSound System Designer|CHEN Hsin-kuei
\n\n\n\n
Performance (Live Band)
\n\nElectronic Instrument|DJ QuestionMark
\n\nSaxophone|HSIEH Min-yen
\n\nDouble Bass|WANG Chun-ting
\n\nSynthesiser & Electric Piano|Dac CHANG
\n\nDrum|LIN Wei-chung
\n\n\n\n
The Party (DJ)
\n\n10/7(Fri)
\nMinelectro Inc、DJ QuestionMark、DJ Din Din、DJ SamuleMie
10/8(Sat)
\nDJ Mr. Skin、FRαNKIE、Savage.M
\n\n
Teams Introduction
\n\n5F Studio Production
\n\nWe are a team that works very hard in putting different kinds of arts and technologies together.
\n\nIn 2020, we produced Orange Wall Paradise, a tiny festival with various kinds of arts like DJ, instrumentalists, wrestling, BMX, Diablo and interactive installations. In the same year, we combined two of the most famous parties IP in Taiwan, Meme’s Opera House and Mandarin Homework, into Meme’s Homework, which was hosted in Weiwuying with thousands of audience.
\n\n\n\n
Show Producer, Music producer and performer|YING Chi-shuan / DJ QuestionMark
\n\nLondon based DJ, music producer, flutist and interdisciplinary artist.
\n\nMaster of Music from Goldsmiths, University of London.
\n\nYING has won DMC World DJ Championship Taiwan Champion and was nominated by Golden Melody Award for Best instrumental music producer and by Golden Indie Music Award for Best band.
\n\nHis remarkable show routines which mix scratch DJing with live fluteboxing (flute+beatboxing) solos make his name unforgettable to the audience. He makes different genres of music including jazz, funk, pop, hip hop, electronic, experimental and contemporary classical. His shows can be found in many scenes, such as party, fashion, theatre, film and dance.
\n\nDJ QuestionMark has performed in international events like SXSW (USA), Glastonbury Festival (UK), Edinburgh Festival Fringe (UK), London Fashion Week (UK) and New York Fashion Week (USA).
\n\nSince 2020, he has started developing shows like live streamings and new media projects. In the past year, he has been invited to perform in Weiwuying, Nuit Blanche Taipei, Sun Festival, Mega Port and SXSW.
\n\n\n\n
\n\n
Music Producer & Saxophonist|HSIEH Min-yen
\n\nHe has got the Best Instrumental Recording Album by Golden Melody Award. He is one of the best saxophone players in Taiwan and well known in jazz, pop, electronic and experimental music. Hsieh can be taken as the box office guarantee.
\n\n\n\n
\n\n
The Party|Minelectro Inc.
\n\nMinelectro Inc. is a Tainan based party promoter. They are DJs focusing on making high-end and quality events. Minelectro has years of experience in holding parties in many different spaces like coffee shops, barber shops, temples and town council halls. They even have held parties to get people’s attention about stray animals and eco-friendly issues.
\n\n\n\n
The Party|DJ Mr. Skin
\n\nRed Bull 3 Style World DJ Championship Taiwan Champion.
\n\nMr. Skin is the founder of both <Mandarin Homework> and <Shotgun System>. The unique energy he had in the performances made the audience worship him. He is always made fun by calling him a cult leader. For the same reason, the club he owns - Cocco & Co. has earned the reputation of the coolest club in Kaohsiung.
\n\n\n\n
Technical Coordinator & Lighting design|YING Chi-feng
\n\nYING has been professionally trained in entertainment technology and multimedia arts. He has been involved in multiple musical productions in world-renowned off-broadway theatre - Public Theatre. Recent years, YING has been working on LED control system designs which is aim on improve the communications between audio, visuals, programs and the users.
\n\n\n\n
Visual Coordinator|WANG Yung-yi (Mosu)
\n\nWang as known as Mosu is a VJ, animator and visual director. He specialises in coordinating visual elements between live acts, lighting design, stage design and videos on live shows. Mosu has been participated in many Taiwanese top artists' tour concerts as visual director and video producer.
\n\n\n\n
Interaction Designer|SHEK Yiu-Chung
\n\nShek is an interactive engineer, graduated from Monash University majoring in Computer Science with a Bachelor's degree in Australia. He was the Technical leader in Artgital and experiences on brand promotions by using XR devices. He has also worked with the local team to build a pop-up shop in Japan, Korea and Singapore.
\n\n\n\n
Visual Designer|YANG Chin-phang
\n\nYang is one of the most talented animator in Taiwan. He specialises in 3D animation production, motion graphics design and VJ.
\n\n\n\n
Sound System Designer|CHEN Hsin-kuei
\n\nFounder of Feblow Production.
\n\nChen is a professional sound system designer and consultant for live concerts and theatre productions. He has designed sound system for classical concerts, pop concerts, theatre shows and stand up comedy shows. With Max / MSP, he has designed immersive surrounding sound systems for new media shows and sonic art pieces.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
\n\n
\n',team:""},createdAt:1654075275,updatedAt:1665042880,updatedBy:"林蔚行",host:!0},{_id:"6298298dc9bbe00007287760",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1666956600,discrete:[{time:1666956600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1538859317799108611"}},attachment:{key:"b63c1d0c1951ea3eac4b6ecbf2a197d2",name:"原聲巴洛克樂團《樂遊國境—音符聆國界》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[{reference:[],type:"content",name:"周邊活動",content:'
原聲巴洛克《樂遊國境——音符聆國界》藝術推廣音樂會 演出日程表
\n\n\n\t\t\t 學校/場館 \n\t\t\t | \n\t\t\t \n\t\t\t 演出日期 \n\t\t\t | \n\t\t\t \n\t\t\t 備註 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市電影館 \n\n\t\t\t高雄電影節:滑板新噪聲 派對市集 \n\t\t\t | \n\t\t\t\n\t\t\t 10/16(日) 17:00-18:00 \n\t\t\t | \n\t\t\t\n\t\t\t 自由參與 \n\t\t\t | \n\t\t
\n\n
《幻境夢遊》戲劇音樂會 演出日程表
\n\n\n\t\t\t 學校/場館 \n\t\t\t | \n\t\t\t \n\t\t\t 演出日期 \n\t\t\t | \n\t\t\t \n\t\t\t 演出地點 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 左新分館 \n\t\t\t | \n\t\t\t\n\t\t\t 8/27(六) 11:00-12:00 演出 \n\n\t\t\t14:50 (快閃) \n\n\t\t\t15:00-16:00 演出 \n\n\t\t\t8/28(日) 09:50 (快閃) \n\n\t\t\t10:00-11:00 演出 \n\n\t\t\t14:50 (快閃) \n\n\t\t\t15:00-16:00 演出 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 李科永紀念圖書館 \n\t\t\t | \n\t\t\t\n\t\t\t 8/26(五) 19:30-20:30 \n\n\t\t\t8/28(日) 14:00-15:00 \n\n\t\t\t9/16(五) 19:30-20:30 \n\t\t\t | \n\t\t\t\n\t\t\t 多功能教室 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 橋頭分館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/3(六) 10:00-11:00 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 中崙分館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/3(六) 15:00-16:00 | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 岡山分館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/4(日) 10:00-11:00 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 大東藝術圖書館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/7(三) 19:00-20:00 \n\n\t\t\t9/14(三) 19:00-20:00 \n\n\t\t\t9/21(三) 19:00-20:00 \n\n\t\t\t9/28(三) 19:00-20:00 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 衛武營國家藝術文化中心 \n\t\t\t | \n\t\t\t\n\t\t\t 9/10(六) 17:00-18:00 \n\n\t\t\t9/11(日) 17:00-18:00 \n\t\t\t | \n\t\t\t\n\t\t\t 黃昏市集 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 鼓山分館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/17(六) 10:20-11:20 \n\n\t\t\t10/1(六) 10:20-11:20 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市政府文化局 岡山文化中心 \n\t\t\t | \n\t\t\t\n\t\t\t 10/8(六) 10:00-11:00 \n\n\t\t\t10/15(六) 10:00-11:00 \n\t\t\t | \n\t\t\t\n\t\t |
\n\t\t\t 高雄市立圖書館 左營分館 \n\t\t\t | \n\t\t\t\n\t\t\t 9/18(日) 15:20-16:20 \n\n\t\t\t9/25(日) 15:20-16:20 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市文化中心 \n\t\t\t | \n\t\t\t\n\t\t\t 9/24(六) 11:00-12:00 \n\n\t\t\t16:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 故事屋 \n\t\t\t | \n\t\t
\n\t\t\t 高雄市立圖書館 草衙分館 \n\t\t\t | \n\t\t\t\n\t\t\t 10/22(六) 15:00-16:00 \n\t\t\t | \n\t\t\t\n\t\t\t 藝文教室 \n\t\t\t | \n\t\t
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"bc29a116dc67b983069c06fec796ce74",title:"原聲巴洛克樂團《樂遊國境—音符聆國界》"}],related:[],title:"原聲巴洛克樂團《樂遊國境—音符聆國界》",cover:"a76b24ec92f2c5c610f3cff776e05597",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
★音樂會使用樂器為巴洛克時期原樣樂器,音色細膩,各具特色。
\n\n★集臺灣、日本、德國音樂家與歐洲頂尖古樂音樂家共同演出,打造亞洲古樂新地標。
\n\n\n\n
巴洛克時期的作曲家們藉由旅行與透過旅人們的訊息,將他們的所見所聞以及所感受到的音樂氛圍透過自己譜寫的曲目展現出來,讓聽眾可以乘著音樂而神遊於各個不同國家與地區。
\n\n\n\n
在泰勒曼的《波蘭協奏曲》中,以波蘭地區特殊的音樂形態做為架構,呈現出波蘭音樂專有音樂氣息;而在他《降B大調序曲》中,雖沒有標題,但是卻透過不同形式的小篇幅組曲來將各國的民族特徵表現出來。《第一號組曲-法國》則是選自於集法國巴洛克音樂大成庫普蘭的《諸國》,此作品集中共有四套組曲,每一套組曲是以國家或是王朝命名。而沒有冠以國家名稱的大協奏曲《佛利亞舞曲》,在音樂元素以及歷史追溯上,則直接與西班牙有極為緊密的連結。
\n\n\n\n
期待透過音樂的旅行,讓聽眾更能感受各國的音樂色彩。
\n\n\n\n
演前導聆
\n\n2022/10/28(五)18:50 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n泰勒曼:波蘭協奏曲,TWV 43:G7
\n\n庫普蘭:第一號組曲《法國》
\n\n泰勒曼:降B大調序曲,TWV 55:B5
\n\n傑米尼亞尼: d小調大協奏曲,《佛利亞舞曲》,H. 143
\n\n\n\n
文章閱讀
\n\n\n\n\n\n
演出暨製作團隊
\n\n樂團首席|安東 史戴克
\n\n低音部首席|魏爾勒 馬自克
\n\n\n\n
巴洛克長笛|簡志賢、吳正宇
\n\n巴洛克小提琴|簡旭模、保坂喬子、天野寿彦、呂珮菱、黃宇珩、陳正曜、李日辰、許詠鈞、楊勝元
\n\n巴洛克中提琴|周瓦絲里、陳怡伶
\n\n巴洛克大提琴|黃琪芝、吳依婷
\n\n巴洛克低音大提琴|西澤誠治
\n\n魯特琴|太田耕平
\n\n大鍵琴|李怡瑩、陳思儒
\n\n\n\n
團隊介紹
\n\n原聲巴洛克樂團
\n\n「原聲巴洛克樂團」成立於2008年,為臺灣首創由在地古樂演奏家所組成之專業巴洛克樂團。演奏家們皆旅歐多年接受嚴謹的古樂詮釋研究與演奏法專業訓練,並取得古樂器演奏專業文憑,為臺灣極少數專精巴洛克音樂的演奏家。十多年走來樂團堅持以古樂器演奏,重現巴洛克音樂原聲原味經典色彩!
\n\n有鑑於臺灣在地巴洛克樂器演奏家缺乏發聲舞台,2011年起樂團開始擴大編制,讓有志投身巴洛克音樂研究、演奏、推廣的臺灣巴洛克演奏家,能夠藉由年度國際性音樂會、導聆音樂會、專題講座等場合發聲。並同時針對不同聽眾對象設計合適的課程、專題內容,希望打破大眾對於巴洛克音樂只適合成人、特定藝術愛好者欣賞的刻板印象。
\n\n2017-2019年與衛武營國家藝術文化中心共同合作「巴洛克音樂工作坊」, 培訓出的一批巴洛克音樂家們,在樂團的帶領下,除了實現年輕一代音樂家們拓展演出風格的目標之外,更於2020年藉由與高雄年輕在地團隊「響座劇場」攜手合作。戲劇與巴洛克音樂結合,一同進入全新的推廣藝術人文層面,讓巴洛克音樂不再只是單純的音樂會,看戲也聽音樂。同時也為親子觀眾群設計演出,期望向下扎根,培養臺灣民眾從孩童時期便開始聆賞音樂會的興趣與習慣。每學期亦固定進入偏鄉校園,藉由音樂戲劇演出,落實文化平權,將巴洛克樂器結合親子元素帶入山區、非鄉非市或是資源較為缺乏等較少接觸藝文演出的校園,讓孩童在小學階段便能將歷史課堂與藝術課本中的「巴洛克藝術」、「巴洛克時代」等生硬的詞彙以互動、戲劇等方式親身地感受。
\n\n\n\n
\n\t\t |
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bc29a116dc67b983069c06fec796ce74",title:"原聲巴洛克樂團《樂遊國境—音符聆國界》"}],related:[],title:"Essential Sound Baroque Ensemble - Traveling through the Baroque Wonderland",cover:"a76b24ec92f2c5c610f3cff776e05597",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Baroque composers take their audiences through time and space with the music they composed to express the sights and sounds they experienced in the countries and regions they traveled to or described by other travelers.
\n\n\n\n
Georg Philipp TELEMANN structured his Concerto Polonois on the special musical style of the Polish region, creating a unique piece filled with Polish flair. Music of Ouverture in B flat major, being no title, on the other hand, is a series of short suites, composed to present the ethnic elements of different countries. Premier Ordre: La Françoise, an excerpt of Les Nations by François COUPERIN, consists of four suites, each named after a nation or a kingdom. In contrary, La Folia bears no direct indication to any nation, but has been directly and closely linked to the musical elements and history of Spain.
\n\n\n\n
This concert aims to bring the audience through a sensory journey to experience the rainbow colors of world music.
\n\n\n\n
Pre-talk
\n\n2022/10/28(Fri)18:50 Concert Hall 3rd Floor
\n\n\n\n
Program
\n\nG. P. TELEMANN: Concerto Polonois, TWV 43:G7
\n\nF. COUPERIN: Premier Ordre: La Françoise
\n\nG. P. TELEMANN: Ouverture in B-flat Major, TWV 55:B5
\n\nF. GEMINIANI: Concerto Grosso in d minor, H.143. La Follia
\n\n\n\n
Creative and Production Team
\n\nConcertmaster|Anton STECK
\n\nPtinciple Cellist|Werner MATZKE
\n\n\n\n
Baroque Flute|CHIEN Chih-hsien, WU Cheng-yu
\n\nBaroque Violin|CHIEN Hsu-mo, HOSAKA Motoko, AMANO Toshihiko, LU Pei-ling, HUANG Yu-heng, CHEN Zheng-yao, LEE Justin, HSU Yung-chun, YANG Sheng-yuan
\n\nBaroque Viola|TSOTSOLIS Vassilis, CHEN I-ling
\n\nBaroque Cello|HUANG Chi-chih, WU E-ting
\n\nBaroque Double-bass|NISHIZAWA Seiji
\n\nLute|OTTA Kohei
\n\nHarpsichord|LI I-ing, CHEN Shi-ju
\n\n\n\n
Team Introduction
\n\nEssential Sound Baroque Ensemble
\n\nEstablished in 2008, Essential Sound Baroque Ensemble is the first professional Baroque ensemble formed by Taiwanese period-instrument musicians. The members have all studied in Europe for many years, where they received rigorous training on the interpretation and performance of Baroque music and acquired professional diplomas for period-instrument performance, and are thus among the few performers specializing in Baroque performance in Taiwan. Throughout more than a decade, the ensemble has persisted in performances using period instruments with aim to present the original sound of Baroque music!
\n\nOwing to the lack of performance opportunities for Taiwanese performers of period instruments, the ensemble started expanding in 2011 to give performers who were dedicated to the research, performance, and promotion of Baroque music the opportunities to voice themselves on venues such as international concerts, lecture concerts, and seminars. In addition, courses and seminars were designed to break the stereotype that Baroque music can only be enjoyed by adults and niche music lovers.
\n\nFrom 2017 to 2019, the ensemble held the Baroque Music Workshop together with National Kaohsiung Center for the Arts (Weiwuying), which trained Baroque musicians and allowed them to expand their styles and goals. In 2020, the ensemble collaborated with the young Kaoshiung-based group Shine Zone Theatre, which by combining drama with Baroque music, effectively created a new genre that incorporates drama in Baroque music concerts. Concerts suitable for families with children were also held to stimulate interest in children and help them to form the habit of going to concerts at a young age. By integrating elements that appeal to students, and performing musicals and introducing period instruments at rural schools or schools with scarce artistic and cultural resources, the ensemble was able to bridge the cultural gap, while students were given the opportunity to interact with the monotonous textbook terms "Baroque art" and "Baroque period" from another perspective by engaging in in-person interactions and watching dramas.
\n\n\n\n
\n\t\t |
\n',team:""},createdAt:1654139277,updatedAt:1666258681,updatedBy:"林蔚行",host:!0},{_id:"629856aac9bbe00007287eae",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1667629800,discrete:[{time:1667629800},{time:1667647800},{time:1667716200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2500],link:"https://www.opentix.life/event/1538785998810845188"}},attachment:{key:"d728c8f2d83175c3fdc368c2350fc2b2",name:"阮劇團×楊輝《釣蝦場的十日談》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9b3564477c75c002e38c57bdfebbb996",title:"阮劇團×楊輝《釣蝦場的十日談》"}],related:[],title:"阮劇團×楊輝《釣蝦場的十日談》",cover:"b30c8f196494d387073bb179aa3f128f",site:{isOther:!0,site:"",other:"戲劇院"},cautions:'
中文、臺語演出,中文、臺語字幕。
\n\t11/6(日)場次提供口述影像服務(含演前觸覺導聆)
\n\t演出部分含不雅字眼、裸露、性愛、暴力與巨大聲響,請留意並斟酌入場。
\n\t11/5(六)14:30及11/6(日)14:30場次建議15歲以上觀眾觀賞。
\n\t11/5(六)19:30場次為無碼版,限滿18歲觀眾觀賞。如驗證未滿18歲者,應至售票處辦理退票(酌收10%手續費)。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
嘉義天團阮劇團首度跨界布袋戲
\n\n國際偶戲大師楊輝擔綱主演/導演
\n\n打造瘟疫時代布袋戲的臺式嬉皮
\n\n\n\n
1348年繁華的佛羅倫斯發生一場殘酷的瘟疫(黑死病),喪鐘亂鳴,死了十多萬人,在整個歐洲,因此病死的人多達千萬人。隔年,薄伽丘以這場瘟疫為背景寫下了《十日談》,講述七女三男為躲避瘟疫來到佛羅倫斯郊外山上,在賞心悅目的園林別墅裡住了下來,災難當前只求放鬆心情,在十天之間,說了一百則輕鬆幽默的冒險故事、色情笑話等。
\n\n\n\n
時序來到現代,震撼全球的新冠肺炎,世界各地無一倖免,原本高速發展的社會隨之停擺,現代版的臺灣十日談——《釣蝦場的十日談》,就設定在如此時空下,描寫瘟疫苦苦相逼的日子裡,一群人在嘉義鄉間複合式釣蝦場裡偷得浮生十日閒,訴說十個真真假假的情慾故事。
\n\n\n\n
阮劇團藝術總監汪兆謙與國際偶戲大師楊輝聯手執導,特邀臺灣布袋戲明星陣容同場拼戲,探討這場新世紀瘟疫對全球造成的改變。故事取材驚世駭俗的西方《十日談》,結合人戲、偶戲、即時投影等複合演出形式,在葷腥不忌與嬉笑怒罵的演出中,反映疫情當下的荒誕人性,其中晚場尺度大開,只在衛武營獨家無碼演出!
\n\n\n\n
演前導聆
\n\n2022/11/5(六)13:50 戲劇院二樓大廳
\n\n2022/11/5(六)18:50 戲劇院二樓大廳
\n\n2022/11/6(日)13:50 戲劇院二樓大廳
\n\n\n\n
演後座談
\n\n2022/11/5(六)16:10 戲劇院觀眾席
\n\n\n\n
\n\t\t\t 視障觀眾口述影像席次與票價 \n\n\t\t\t11/6(日)場次提供口述影像席(含演前觸覺導聆服務) \n\n\t\t\t對象:以有相關需求使用者為主,例如:視障者、視力退化年長者、學習障礙者。 \n\n\t\t\t票價:900。 \n\n\t\t\t優惠:視障觀眾享5折優惠,及其必要陪同者1人購票5折(須與優待身分者同時購票),入場需出示有效證件,並同時進/出場觀賞。 \n\n\t\t\t座位: \n\n\t\t\t二樓20排28,30號 \n\n\t\t\t二樓21排26,28,30,32,34,36,33,35號 \n\n\t\t\t
● 演前觸覺導聆為提供參與者觸摸演出相關物件以更快了解展演內容之服務,活動於11/6(日)12:30-13:15進行,請於12:15-12:30至戲劇院一樓售票處取票報到。 \n\n\t\t\t● 欲收聽口述影像演前導聆者,請於14:05分入座口述影像席次並佩戴耳機。 \n\n\t\t\t
| \n\t\t
\n\n
周邊活動
\n\n10/2(日)14:00 演講廳
\n\n►【武營來開槓】這時候只要笑就可以了—《釣蝦場的十日談》變啥蝦?
\n\n\n\n
演出暨製作團隊
\n\n《十日談》原著|薄伽丘
\n\n戲劇顧問|何一梵
\n\n製作人暨導演|汪兆謙
\n\n導演暨主演|楊輝
\n\n編劇|集體創作
\n\n劇本整合|吳明倫
\n\n臺語協力暨口述影像|MC JJ
\n\n舞臺設計|李柏霖
\n\n燈光設計|莊知恆
\n\n服裝設計|林玉媛
\n\n影像設計|王正源
\n\n音樂與音效設計|柯鈞元
\n\n主視覺設計|廖小子
\n\nDJ|李冠億
\n\n演員|王凱生、余品潔、李京曄、吳盈萱、林曉函、莊庭瑜、陳佳豪、黃僑偉、蘇俊穎(依筆畫順序排列)
\n\n口述影像設計|阮劇團
\n\n\n\n
團隊介紹
\n\n阮劇團簡介
\n\n阮,就是臺語的「我們」:一群人,一起完成一件事。
\n\n阮劇團立基於南臺灣嘉義,致力發展不同於都會觀點的劇場美學,將在地的民俗文化揉合於現代戲劇中,也思考、實踐著,讓表演藝術更積極地走向民眾與社會,探索當代「常民戲劇」的更多可能。
\n\n\n\n
戲劇顧問|何一梵
\n\n國立臺北藝術大學戲劇學系副教授、英國威爾斯大學戲劇博士。專長為戲劇顧問、西方戲劇史。曾擔任阮劇團《十殿》戲劇顧問,以及青藝盟花樣戲劇節—全國高中戲劇比賽「戲劇顧問計畫」主持人。 著有:《劇場敘事學》(2018)、《莎士比亞不做的事》(2016)。
\n\n\n\n
導演&製作人|汪兆謙
\n\n國立臺北藝術大學劇場藝術研究所碩士,主修導演。阮劇團創辦人,藝術總監暨團長;新嘉義座創辦人。國家兩廳院『藝術基地計畫』駐館藝術家(2021-2022年)。
\n\n大學時期返鄉創立阮劇團,長年於嘉義地區進行戲劇創作與教學推廣工作。近年以「常民文化」為核心創作主軸,探索「常民文化與現代劇場」接軌之可能性。近期主導創作包括:《十殿》、《你嘛好啊!!》、2021臺灣文博會《照起工》、《皇都電姬》、《大路:七天》、《嫁妝一牛車》等。
\n\n\n\n
導演&主演|楊輝
\n\n楊輝1964年出生於中國福建省漳州市的布袋戲世家。1980年代末期起,楊輝就帶著木偶遊走於全世界的舞臺,2001年至今定居於法國。楊輝的演出足跡遍佈世界五大洲。除了演出,也以教學推廣傳統布袋戲藝術。他在法國著名的國際偶戲學校沙勒維爾梅濟耶爾(l‘École Nationale Supérieure des Arts de LaMarionnette)擔任導師,並受邀在德國、西班牙、俄羅斯、義大利、波蘭、巴西、以色列、澳大利亞等國家開辦大師班。
\n\n\n\n
\n\n
劇本整合│吳明倫
\n\n嘉義市人,臺大戲劇所畢業。現為阮劇團編劇。曾任國家兩廳院「藝術基地計畫」駐館藝術家(2019-2020年)。創作企圖透過現代眼光重看民間信仰、連結在地文化,期望說出屬於臺灣的故事。
\n\n\n\n
特邀演出|李京曄
\n\n「真雲林閣掌中劇團」第二代負責人,接掌劇團口白、主演、創作等職務。
\n\n曾擔任沈明正廣播劇團操偶師、台藝衛星電視傳統布袋戲節目現場導播,製作節目有《孫龐演義》、《羅通掃北》、《包公傳》等。
\n\n近年的作品《汪洋中的一條船》、《兩隻老虎》、《傲氣之珠—幽冥節度使》、《夢・斷・情河》等,皆深受觀眾喜愛。多次獲得雲林偶戲節金掌獎肯定,2016年獲得第27屆傳藝金曲獎榮獲「最佳個人表演新秀獎」。
\n\n\n\n
特邀演員|黃僑偉
\n\n黃僑偉由臺灣的國寶級布袋戲大師李天祿先生啟蒙,並師事陳錫煌、李傳燦二位老師,是臺灣極少數有完整傳統布袋戲學習的演師,一路走來,眼見傳統藝術的式微,還是毅然決然的在保持傳統元素,並不斷地融入跨界的藝術,一路學習南管、傀儡、歌仔戲、京劇、小劇場、現代舞蹈、古典音樂、燈光、劇場設計、編劇、導演等。
\n\n\n\n
阮劇團班底演員|余品潔
\n\n嘉義人,於眷村成長。國立臺北藝術大學戲劇系主修表演。18歲與夥伴共同創立阮劇團,現為阮劇團副團長。長年定居嘉義,表演風格夾帶巨大能量與道地生猛的地氣。與阮劇團密切合作19年,擔綱各個製作的主要角色。近年演出作品:《十殿》、《嫁妝一牛車》、《家族排列》等。
\n\n\n\n
特邀演員|蘇俊穎
\n\n1989年出生於臺南善化。臺南應用科技大學美術系畢業。成立蘇俊穎木偶劇團與蘇大俠文創工作室,於國中與國小教授美術與表演藝術。
\n\n曾獲教育部藝術菁英培育計畫個人獎優選與團體金牌獎,協助張三李四用布袋戲拍/拆MV榮獲第28屆金曲獎最佳音樂錄影帶獎。
\n\n\n\n
特邀演員|王凱生
\n\n1989 年出生,為義興閣掌中劇團第四代傳人,現為嘉義市傑出演藝團隊「義興閣掌中劇團」製作人/主演。
\n\n專業領域為布袋戲口白、操偶、音樂設計、詞曲創作、編曲、教學推廣、吉他演奏。曾任多所學校布袋戲指導,並曾任臺灣南北傳統戲劇協會籌備委員與第一及二屆監事、南北戲劇祖師會副會長。首創「布袋戲搖滾音樂劇」表演形式,獲第九、十屆雲林偶戲金掌獎「最佳配樂音效獎,2018 臺灣原創流行音樂大獎「河洛語組」入圍。
\n\n\n\n
特邀演員|林曉函
\n\n中山大學劇場藝術學系畢業,劇場自由工作者,以演員為主,亦擔任編劇、導演、戲劇教學等工作,近年延伸探索偶戲與物件劇場,尋找火花。期望能成為一個安穩樹洞,傾聽每個相遇的生命,好好說故事、聽故事。
\n\n\n\n
特邀演員|陳佳豪
\n\n偶戲工作者及劇場演員,跨足傳統布袋戲與當代偶戲,與不同偶團及劇團合作,也和梁夢涵以偶人工作桌的名義進行各種偶戲創作及小型偶戲演出。
\n\n近年演出:再現劇團《物怪之里》、山豬影像《毛神仔》、偶人工作桌《嘶嘶嗷嗷》、真快樂掌中劇團X台灣國樂團《落花斷情雨》、真快樂掌中劇團《破窯記呂蒙正》、偶人工作桌《繭》、飛人集社《天堂動物園》、鞋子兒童實驗劇團《爸爸的爸爸的爸爸的寶藏》、《奶奶與他的精靈》、兩廳院X楊輝《邊界》…等。
\n\n\n\n
阮劇團班底演員|吳盈萱
\n\n臺灣嘉義人。畢業於國立中山大學劇場藝術系表演導演組。曾任樓閣舞蹈劇場團員,現為阮劇團演員組組長。
\n\n近年演出作品:阮劇團《皇都電姬》、《熱天酣眠》、《城市戀歌進行曲》、《家族排列》等。
\n\n\n\n
阮劇團班底演員|莊庭瑜
\n\n臺南人,畢業於國立臺北藝術大學戲劇學系,主修表演;現任阮劇團演員、Podcast《這聲好啊!》主持群。近期演出作品:阮劇團《十殿》、《家族排列》、《城市戀歌進行曲》等。
\n\n\n\n
\n\n
\n\t\t |
\n\t\t |
\n\t\t |
攝影|馬雨辰
\n\n\n\n
感謝單位|台新銀行文教基金會
\n\n本節目由衛武營國家藝術文化中心、國家兩廳院、臺中國家歌劇院、國立傳統藝術中心共同製作
\n\n前期創研由國藝會跨域合創專案計畫支持
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9b3564477c75c002e38c57bdfebbb996",title:"阮劇團×楊輝《釣蝦場的十日談》"}],related:[],title:"Our Theatre ft. YEUNG Fai - The Prawning Decameron",cover:"b30c8f196494d387073bb179aa3f128f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Performed in Chinese and Taiwanese with Chinese and Taiwanese surtitles
\n\tPlease note that the performance contains coarse language, nudity, sex, violence and loud noise.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
In 1348, a tragic plague suddenly ravaged the prosperous Florence, resulting in more than ten thousand deaths. People who died were as high as ten million across Europe back then. The next year, BROCCACCIO's The Decameron was written with the Black Death as the background, telling the story of seven women and three men who ran to the mountains, settling down in a beautiful garden to escape the plague. Facing the disaster, all they wanted was some peaceful time. One hundred happy, humorous adventure stories, erotic jokes, and more were told in ten days.
\n\n\n\n
When COVID-19 spreads around the world, the high-speed society has no choice but to pause. Now, we present to you a modern version of The Decameron that belongs to the Taiwanese—The Prawning Decameron. It portrays that in the gloomy life haunted by the plague, a bunch of people are goofing around for ten days in a prawn-fishing farm in rural Chiayi, trying to have fun by telling lust stories that no one can tell if they were true or not.
\n\n\n\n
The artistic director of Our Theatre, WANG Jhao-cian, and puppet master, YEUNG Fai, co-direct this work. The performance also features a star studded cast of Taiwanese glove puppetry, exploring the changes brought forth by the pandemic. Following the narrative structure of the earth-shattering Decameron, the performance assembles dramas, puppet shows, and interactive projections, illustrating the absurdity of humanity that is revealed in midst of the pandemic.
\n\n\n\n
Pre-talk
\n\n2022/11/5(Sat)13:50 Playhouse 2nd Floor
\n\n\n\n
Post-talk
\n\n2022/11/5(Sat)16:10 Playhouse Auditorium
\n\n2022/11/5(Sat)18:50 Playhouse Auditorium
\n\n2022/11/6(Sun)13:50 Playhouse Auditorium
\n\n\n\n
Creative and Production Team
\n\nInspired by|Giovanni BOCCACCIO's Decameron
\n\nDramaturg|HO I-fan
\n\nProducer & Director|WANG Jhao-cian
\n\nDirector, Leading Role|YEUNG Fai
\n\nPlaywright|Collective Creation
\n\nScript Integration|WU Ming-lun
\n\nTaiwanese Adviser & Audio Description|MC JJ
\n\nSet Designer|LI Po-lin
\n\nLighting Designer|CHUANG Chih-heng
\n\nVideo Designer|WANG Cheng-yuan
\n\nSound & Music Designer|KO Chun-yuan
\n\nKey Visual Design|Godkidlla
\n\nDJ|Daiken LEE
\n\nCast|WANG Kai-sheng, YU Pen-chieh, LI Ching-yen, WU Ying-hsuan, LIN Hsiao-han, CHUANG Ting-yu, CHEN Chia-hao, HUANG Chiao-wei, SU Chun-ying
\n\nAudio Description Design|Our Theatre
\n\n\n\n
Team Introduction
\n\nOur Theatre
\n\nOur Theatre is the first performing arts group for contemporary theatre to be officially established in the greater Chiayi area. It intentionally distances itself from the metropolitan areas and chooses Chiayi as its base. The troupe focuses on folk culture and common people and is devoted to developing productions from a southern point of view and experimenting with a new generation of Taiwanese-language works. It strives to set a new direction for the development of art and culture in Chiayi. At the same time, it is constantly aware of the question of how theatre should connect with people and society.
\n\n\n\n
Producer, Director|WANG Jhao-cian
\n\nThe founder and artistic director of Our Theatre. He also founded an experimental theater in Chiayi City in 2018. Artist-in-residence at the NTCH 2021-2022. With the encouragement of his mentor, he returned to his hometown and founded Our Theatre after graduating from NTUA.
\n\n\n\n
Director, Leading Role|YEUNG Fai
\n\nBorn into a well-known glove puppetry family in Zhangzhou, Fujian Province, China in 1964, YEUNG Fai had toured stages across the globe with nothing but his puppets since the late 1980s and up until 2001, when he settled down in France. YEUNG's paths spanned all five major continents of the world. In addition to performances, he is also a dedicated educator and promoter of traditional glove puppetry art. He holds a teaching position at the renowned École Nationale Supérieure des Arts de La Marionnette in France, and he regularly gives master classes in Germany, Spain, Russia, Italy, Poland, Brazil, Israel, and Australia.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\t\t |
Photo © 馬雨辰
\n\n\n\n
Special thanks|Taishin Bank Foundation for Arts and Culture
\n\nCo-produced by National Kaohsiung Center for the Arts (Weiwuying), National Theater & Concert Hall, National Taichung Theater and National Center for Traditional Arts
\n\nThe early stage of the creative research was supported by The Rainbow Initiative grant of National Culture and Arts Foundation
\n\n\n\n
\n\n
\n',team:""},createdAt:1654150826,updatedAt:1667377055,updatedBy:"林蔚行",host:!0},{_id:"62aaa13588978700082490ba",catalogs:["631e9d17e329d300077404cc","6007fc45ba34870007c22b8b"],dateTime:{first:1665111600,discrete:[],type:"continuous",continuous:{time:[1658890800],endTime:[1658926800],start:1665072e3,end:1665331200}},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"售票演出",content:'
\n\n
售票演出
\n\n\n\t\t |
\n\n
五樓創意《Bonfire-你怕黑嗎?》
\n\n\n\t\t |
要是突然全世界都暗了,會怎麼樣?或是全世界突然亮的刺眼,又會怎麼樣?
\n\n《Bonfire》是一座巨型的環狀聲光互動裝置。是由6面LED牆、6組喇叭環繞音場 、66支 LED 燈管組成的科技藝術作品,觀眾可自由走動,體驗不同位置得到的視覺及聽覺效果。
\n\n► 打開∞詳情
\n\n\n\n
愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊
\n\n\n\t\t |
\n\n
媲美迪士尼、百老匯的音樂劇鋪陳,感動大朋友、小朋友的親情、友情與包容
\n\n\n\n
愛樂劇工廠最受歡迎的親子音樂劇,巡迴全臺累積二十餘場佳評不斷,10月首度衛武營戲劇院溫馨上演!
\n\n► 打開∞詳情
\n\n\n\n
管風琴綺響《布穀鳥與夜鶯》
\n\n\n\t\t |
\n\n
世界知名的德國管風琴家黑爾,將帶來不同型態的管風琴作品。
\n\n黑爾將與指揮簡文彬、高雄市交響樂團合作,演奏輕盈躍動的《布穀鳥與夜鶯》,及磅礡經典的協奏交響曲。
\n\n► 打開∞詳情
\n\n\n\n
《幻想賦格》菲利克斯.黑爾管風琴獨奏會
\n\n\n\t\t |
\n\n
施展鍵盤上的魔力,超越感官的盛宴
\n\n\n\n
黑爾的首場獨奏會,將演奏膾炙人口的經典作品,包括耳熟能詳的巴赫d小調觸技曲與賦格、難度超高的《贖靈作用之水》,及作曲家雷格著名的溫暖小品《祝福》。
\n\n► 打開∞詳情
\n\n\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"Open house",content:'
\n\n
\n\t\t |
\n\t\t |
\n\n
線上報名
\n\n萬衛之路
\n\n\n\t\t |
手把手帶您一探劇場秘辛
\n\n「打開劇院⼤⾨」——這是開館以來衛武營國家藝術⽂化中⼼在週年慶系列活動中的慣例和特⾊。經過三年的劇院巡禮節目後,這次「萬衛之路」系列將焦點轉移到排練場,民眾可以藉由與專業劇場⼯作者的合作,理解劇場⼈究竟在做什麼?劇場⼈如何⼯作?各項藝術⼯作⼜是如何互相串聯、協調?
\n\n► 打開∞詳情
\n\n\n\n\n\n
\n\n
索票節目
\n\n\n\n
《武營歐普拉 Let's Opera !》
\n\n\n\t\t |
歌劇舞台的圓夢之旅,素人歌手唱給你聽!
\n\n「高手在民間」相信有許多深藏不露的歌唱高手隱身於各個領域,因此只要你敢挑戰,不論年齡、性別、職業、國籍,都有機會登上世界級舞台一展歌喉。
\n\n► 打開∞詳情
\n\n\n\n
菲利克斯.黑爾管風琴獨奏會
\n\n\n\t\t |
倘若還沒感受過全亞洲最大管風琴,您絕不可錯過此場音樂會。
\n\n9085支音管響徹雲霄的現場魅力!除了能聆聽國際管風琴大師所帶來的精彩演奏,曲目上將一睹近代及當代作曲家的管風琴作品。
\n\n► 打開∞詳情
\n\n\n\n
臺灣豫劇團《盜銀壺》
\n\n\n\t\t |
曾由許孝存老師親授《盜銀壺》一折的豫劇新秀李安傑,將透過此劇秀出驚艷好功夫,讓人看完頻頻拍手叫好!
\n\n本劇主角邱小義以武丑見長,以輕巧敏捷的身手,搭配滑稽且豐富的面部表情,表現其面對困境時的悠遊自若及滿滿自信。最後更站上俗稱「兩張半」的高度(兩張桌子加一張椅子),以長竹竿盜得銀壺、完美落地,展現演員深厚紮實的基本功底。
\n\n► 打開∞詳情
\n\n\n\n
創造焦點《三鴕大變》
\n\n\n\t\t |
當今世俗社會有太多令人厭煩的瑣事,生活在人來人往、時間急促的都市節奏裡,被壓得喘不過氣,是否很久沒有好好放鬆一下?
\n\n距離上一次的放聲大笑是多久之前呢?給我們一個機會,讓我們一起暫時逃離這個紛擾的社會吧!
\n\n► 打開∞詳情
\n\n\n\n
索票方式
\n\n\n\n\n\n
\n\n
※優先索票不適用衛武營小時光系列。
\n\n\n\n
※依主辦單位現場公告為主。
\n\n\n\n
「OPEN HOUSE優先索票」適用之衛武營9、10月主辦節目票劵(貴賓票除外)如下:音樂說故事劇場《湖底之鬼》、無垢舞蹈劇場《觀》、唐美雲歌仔戲團《冥遊記─帝王之宴》、《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》、新古典舞團《布蘭詩歌》、五樓創意《Bonfire-你怕黑嗎?》、愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊、管風琴綺響《布穀鳥與夜鶯》、《幻想賦格》菲利克斯.黑爾管風琴獨奏會、威爾第歌劇《唐卡洛》、原聲巴洛克樂團《樂遊國境—音符聆國界》。
\n\n\n\n
\n'},{reference:[],type:"content",name:"戶外參與",content:'
\n\n
戶外參與
\n\n眾人的搖擺 演唱會
\n\n\n\t\t |
\n\n
衛武營週年慶最盛大的狂歡,眾所期盼的「新聲代」強勢登臺!
\n\n歌手|榮忠豪、Julia 吳卓源、高爾宣、蔡佩軒
\n\n► 打開∞詳情
\n\n\n\n
樹洞派對 泥灘地浪人
\n\n\n\t\t |
\n\n
與泥灘地浪人,一起同樂!泥灘地浪人由一群旅居臺灣的美國、英國音樂家們組成,在這美好的夜晚,用藍調、搖擺爵士、撥絃樂、亞洲民謠形式帶來多元的歌曲,點燃臺灣搖擺新風潮。
\n\n► 打開∞詳情
\n\n\n\n
衛武營黃昏市集
\n\n\n\t\t |
\n\n
好吃好玩又好逛!
\n\n► 打開∞詳情
\n\n\n'},{reference:[],type:"content",name:"期間限定",content:'
\n\n
主題活動
\n\nBonfire X 酉鬼啤酒快閃吧
\n\n\n\t\t |
五樓創意《Bonfire-你怕黑嗎?》節目特別邀請「UGLY HALF BEER 酉鬼啤酒」於歌劇院2F前廳進駐啤酒快閃吧,就讓精釀啤酒的好味道,陪你舉杯歡暢,派對時間Non-Stop!
\n※提醒您:禁止酒駕 飲酒過量有礙健康
時間:10/7(四)-10/9(日)
\n\n► 打開∞詳情
\n\n\n\n
工作坊體驗店
\n\n\n\t\t |
衛武營週年慶4.0期間特別邀請「Lay皮革精品設計」推出紀念皮革鑰匙圈及俄羅斯編織畫體驗工作坊,在這特別的場館4歲生日慶,於皮革打上專屬自己獨一無二的WEIWUYING字符,還有時下最流行的毛線手作畫,配合衛武營週年慶別具紀念意義的主視覺圖案提供體驗,現場也販售各式質感皮件,期待喜歡手作的大小朋友,一起來玩!
\n\n時間:10/1(一)-10/16(日) 假日限定
\n\n► 打開∞詳情
\n\n\n\n
武營彈珠台
\n\n\n\t\t |
場館迎接盛大的4週年生日慶,特別推出「武營彈珠台」限定活動,達成指定任務即可試手氣拿好禮!各風格店鋪也推出期間限定品項,一同歡慶四歲生日。
\n\n時間:10/1(六)-10/16(日) 11:00-21:00
\n\n► 打開∞詳情
\n\n\n\n
精選優惠套組
\n\n\n\t\t |
場館4週年生日慶,特別推出三款「衛武營精選優惠套組」讓你把對衛武營滿滿的感動帶回家!
\n\n時間:2022/10/1(六)-2023/1/31(二)
\n\n\n\n
活動地點
\n\n實體購買:3F樹冠大廳西側 (武營彈珠台旁)
\n\n線上購買:衛武營線上商店
\n\n► 衛武營線上商店
\n\n\n\n
OPEN RUN免費導覽
\n\n\n\t\t |
將由導覽人員帶領穿梭建築公共空間,介紹場館歷史、建築與設計理念。同時更整理當日場館周年慶活動及演出資訊一次介紹,適合第一次前來認識衛武營的你/妳,也歡迎不想錯過周年慶任何活動的你/妳。
\n\n時間:10/8(六)-10/10(一) 11:30-12:30
\n\n\n\n
OPEN RUN導覽好康優惠
\n\n凡參加10/8(六)-10/10(一)之Open run導覽場次,可享
\n\n► 打開∞詳情
\n\n\n\n
92度半咖啡衛武營快閃店
\n\n\n\t\t |
\n\n
衛武營週年慶4.0期間特別邀請「92度半咖啡」行動餐車進駐於1F東南側轉角(近風格店舖「跳舞香水歐式餐廳」)!!
\n\n現場販售精緻咖啡與飲品,歡迎於活動日期蒞臨參觀。
\n\n\n\n
時間:10/9(日)-10/10(一) 13:00-21:00
\n\n地點:1F東南側轉角(近風格店舖「跳舞香水歐式餐廳」)
\n\n► 打開∞詳情
\n\n\n\n
\n\n
精選店家合作優惠
\n\n\n\t\t |
\n\n
衛武營秉持著「發掘在地文化」與「塑造城市精神」,於週年慶期間特別與鳳山周邊店家串聯,推出限定專屬優惠活動。
\n\n於10月份期間憑衛武營演出之10月份節目票券,至指定精選店家消費享有專屬折扣優惠。
\n\n讓我們一同歡慶衛武營四週年吧!
\n\n時間:2022年10月
\n\n► 精選店家名單
\n\n\n\n
STAGE 5餐酒館 《唐卡洛》歌劇禮賓餐酒個人套餐
\n\n\n\t\t |
威爾第歌劇《唐卡洛》故事訴說著文藝復興時期法國與西班牙於宮廷中,親子衝突、情愛糾葛、政治撕裂等,強烈、刺激且複雜的故事,在衛武營首演期間,STAGE 5推出同名《唐卡洛》歌劇之特製主題調酒,讓品嚐者在舌尖味蕾間同步感受年度大秀的精彩。
\n※提醒您:禁止酒駕 飲酒過量有礙健康
時間:10/27(四)-10/30(日)
\n\n► 打開∞詳情
\n\n\n\n
\n'},{reference:[],type:"content",name:"周邊活動",content:'
\n\n
周邊活動
\n\n\n\t\t |
\n\n
《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》
\n\n\n\t\t |
\n\n
臺灣西樂之路的先鋒-陳泗治,為臺灣以西洋音樂技法創作的開創者。他以臺灣為主體的優秀音樂創作,傳頌對土地、對上帝的愛及奉獻。
\n\n\n\n
► 打開∞詳情
\n\n\n\n
亞歷山大.李維《森聲不息》
\n\n\n\t\t |
► 打開∞詳情
\n\n\n\n
混齡肢體工作坊
\n\n\n\t\t |
由蘇格蘭國家舞蹈中心前藝術總監Morag Deyes 擔任教師,透過肢體律動,自在的表達內心感受,開啟兩個世代的對話橋樑。
\n\n► 打開∞詳情
\n\n\n\n
大手拉小手-無價的生命經驗
\n\n\n\t\t |
透過肢體舞蹈,陪伴不同世代的青春生命,勇敢走上屬於自己的成長旅程。
\n\n► 打開∞詳情
\n\n\n\n
【衛武營親子日】花露露的星際迷航:BOOK星球「繪本製造所」
\n\n\n\t\t |
星球主人愛看書,每天都一定要看故事書聽故事才睡得著。可是這天,星球上所有的書都被他看完了!
\n\n► 打開∞詳情
\n\n\n'},{reference:[],type:"content",name:"會員專屬",content:'
\n\n
會員專屬
\n\n會員獨家辦卡禮
\n\n\n\t\t |
\n\n
活動期間:10/1~10/31 歡慶衛武營四週年慶。於活動期間新申辦生活卡者,即贈衛武營獨家特色商品《四廳院書籤乙枚》。
\n\n兌換方式:於活動期間至衛武營3F服務中心,出示會員登入頁面,確認於活動期間(10/1-10/31)申辦成功,即可獲得《四廳院書籤乙枚》,每人限換一次,數量有限,贈完為止。
\n\n兌換期限:111年10月31日止。
\n\n\n\n\n\n
\n\n
青年一起來搖擺-抽獎活動
\n\n\n\t\t |
衛武營首次為青年卡會員舉辦《青年一起來搖擺-專屬抽獎活動》,準備多樣獨家獎項。
\n\n只要你是衛武營有效青年卡會員,參加專屬抽獎活動即可獲得抽獎機會。
\n\n衛武營一年一度的狂歡盛典邀請你一同共襄盛舉!
\n\n活動報名|青年卡限定,2022年9月24日(六)中午12:00至2022年10月10日(一)中午12:00截止
\n\n► 打開∞詳情
\n\n\n'},{reference:[],type:"content",name:"視覺概念",content:'
\n\n
釋放無限
\n\n「∞」象徵藝術文化包容與融合,能自由揮灑出無限種可能。想像一下,當「無限大」的中間呈現透明地帶,讓人恣意地填上圖案,可能是放射光束、節慶符號,或是擺入一張照片、對應一個現實風景、一筆隨意塗鴉,你即是創造者。而我們在「∞」無限大符號中填入衛武營的建築框線,以色彩三原色─紅、黃、藍,象徵在這個單一屋頂下,調合出各式創意、跨域演出與表現形式。歡迎與我們同慶生日,釋放這份毫不設限的精神。
\n\n\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t |
\n\t\t |
\n'}],onShelf:!0,sliders:[{type:"image",key:"4c62bdf4fe8d85dcc1c78a7e9a1d247a",title:"衛武營週年慶4.0"}],related:[{from:"programs",key:"629715a0c9bbe00007281e56",title:"【衛武營週年慶4.0】管風琴綺響《布穀鳥與夜鶯》"},{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"}],title:"衛武營週年慶4.0",cover:"d0d58d2c7513f6e852408bf1ce6d9247",site:{isOther:!0,site:"5b102875da0322000751e9a6",other:"衛武營"},cautions:"",benefits:"",description:"衛武營週年慶4.0以「釋放無限」為主題,在疫情、分離與戰爭阻隔的2022年,以「∞」無限大符號象徵藝術的包容與融合,為眾人創造勇敢無畏與自由想像的無限可能。",introduction:'
\n\n
釋放無限
\n\n衛武營週年慶4.0以「釋放無限」為主題,在疫情、分離與戰爭阻隔的2022年,以「∞」無限大符號象徵藝術的包容與融合,為眾人創造勇敢無畏與自由想像的無限可能。
\n\n10/7-10/10週年慶四檔強力推薦,票券熱銷中。
\n\n票券秒殺級管風琴家菲利克斯‧黑爾,專程為亞洲最大的衛武營管風琴,量身打造絢麗魔幻的獨奏以及與交響樂團氣勢磅薄的合奏兩套節目;《Bonfire–你怕黑嗎?》挑戰你坐下看演出的老習慣,讓身體感官遊走在超震撼聲光環繞的沉浸式體驗空間;《小羊晚點名》是讓孩子目不轉睛,讓大人也開懷輕鬆的武俠親子音樂劇。
\n\n10/10 OPEN HOUSE一年一次敞開大門全部免費,邀您從白晝到夜晚把衛武營玩透透。
\n\n精心規劃衛武營四廳院、戶外劇場、榕樹廣場、樹冠大廳、東露台及展覽廳遍地開花。帶您深入後台工作核心區、素人飆唱歌劇名曲、豫劇壓箱絕技、馬戲特技、臺灣音樂家陳泗治紀念特展。太陽下山後越夜越美麗,萬眾矚目的《眾人的搖擺》「新聲代」強勢登臺,跟著當紅歌手嗨起來!緊接著《樹洞派對》藍調「泥灘地浪人」旅臺美英歌手接力登場,周邊黃昏市集也將特別延長到晚上九點半。(9/15起四廳院活動開放索票/報名,請密切關注搶票熱訊)
\n\n\n\n\n\n
\n\n
焦點
\n\n\n\n
\n\n
衛武營週年慶4.0 ─「釋放無限」,勇敢創造,表達自我不設限。
\n\n\n\n\n\n
贊助單位
\n\n\n\t\t |
\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Program",content:'
Programs
\n\n5F Studio Production: Bonfire - Absence of Darkness
\n\n\n\t\t |
\n\n
What will it be like when the world gets dark?
\n\nWhat will it be like when the world gets dazzling bright?
\n\n\n\n
Millions of years ago, our ancestors sang and danced around the bonfire celebrating the discovery of the light. Many many years later, the reason of getting around the bonfire might be different, but the strong desire of the light, music and gathering with people has never changed.
\n\n\n\n
Taipei Philharmonic Theatre - A Lamb Roll-Call: Wolf in Disguise
\n\n\n\t\t |
\n\n
\n\n
The most popular kid-friendly musical produced by Taipei Philharmonic Theatre.
\n\nThe first-ever Chinese martial arts musical,
\n\nadapted from the well-known Parable of the Lost Sheep.
\n\nA musical comparable to Disney and Broadway productions
\n\nabout family love, friendship, and the power of unity.
\n\n\n\n
\n\n
The Splendor of Organ - CHIEN Wen-pin & Felix HELL & KSO
\n\n\n\t\t |
\n\n
\n\n
Organist Felix HELL will present diverse organ works The Cuckoo and the Nightingale and a majestic organ concerto, with Kaohsiung Symphony Orchestra, conducted by CHIEN Wen-pin.
\n\n\n\n
\n\n
Felix HELL Organ Recital - Classic Fugues
\n\n\n\t\t |
\n\n
The first of Felix HELL's two Organ Recitals will present numerous timeless works, including the famous BACH's Toccata and Fugue in d minor, and two virtuosic Fantasy and Fugues.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Open house",content:'
Registration
\n\nOne Way Try and Go
\n\n\n\t\t |
"Open the house for you" is what Weiwuying has been doing in the past three years. For its anniversary 4.0, Weiwuying this time turns its focus to the rehearsal venues. Are you interested in theatre staff's daily life? How to put different artistic works together? Now you have a chance to turn curiosity into a real, exciting experience. Come and join us at Weiwuying Anniversary 4.0: One Way Try and Go!
\n\n\n\n\n\n
\n\n
Free Ticket
\n\n\n\n
Let's Opera!
\n\n\n\t\t |
We believe many great talents are hidden like gems in all walks of life. As long as you dare to challenge yourself, no matter your age, gender, occupation, or nationality, you will have the opportunity to let your voice shine on the world stage.
\n\n\n\n
Felix HELL Organ Recital
\n\n\n\t\t |
【Weiwuying Anniversary 4.0】 will present Felix HELL's Organ Recital free for the public. If you've yet to experience the charisma of the 9085 resounding pipes of the largest organ in Asia live, don't miss this chance. You will hear an international organ master performing important modern organ works.
\n\n\n\n
Taiwan Bangzi Opera Company Stealing the Silver Pot
\n\n\n\t\t |
A banquet is under way at Marshal YANG's mansion, but a valuable silver pot has gone missing, throwing everyone into panic. Why did QIU Xiaoyi steal it, return it, and then take the challenge of stealing it again? Will he succeed in re-stealing the pot without anyone being the wiser? The main character of this play stole the silver pot with a long bamboo stick, showcasing the skills and agility of a wu chou (martial arts comedian) that make this show a must-see.
\n\n\n\n
Eye Catching Circus The Three Ostriches
\n\n\n\t\t |
This new form of circus performance uses the clever connection between humans and animals to create sparks and hilariously presents three different ostriches.
\n\n\n\n
Open house Ticketing Information
\n\n\n'},{reference:[],type:"content",name:"Outdoor",content:'
Outdoor
\n\nSwing Party
\n\n\n\t\t |
\n\n
Weiwuying is having a huge party for its anniversary with outstanding new-generation performers!
\n\nSinger|Stephen RONG, Julia WU, OSN GAO,Ariel TSAI
\n\n\n\n
The Muddy Basin Ramblers
\n\n\n\t\t |
\n\n
In Weiwuying Anniversary 4.0 Party at Wonderland, The Muddy Basin Ramblers will perform a series of songs which cover blues, swing jazz, string-band, and Asian folk music. If you are craving for some romantic jazz time at Banyan Plaza, we invite you to join this group of American/British musicians' party this year. Come and enjoy the exciting party and the new Taiwanese style swing with us!
\n\n\n\n
\n'},{reference:[],type:"content",name:"More",content:'
More
\n\nLove for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti
\n\n\n\t\t |
\n\n
The year 2022 marks the 30 th death anniversary of CHEN Su-ti. This exhibit will present the musical career of CHEN Su-ti as a first-generation pianist and composer in Taiwan, showcases related cultural relics from before his lifetime, and makes use of digital multimedia and documentaries to allow more people to learn about this great artist.
\n\n\n\n
\n\n
Alexandre LÉVY - Vibration Forest
\n\n\n\t\t |
French musician Alexandre LÉVY's Vibration Forest is interactive installation art. Through touching and hearing the wood, you will be immersed in the environment and music.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"4c62bdf4fe8d85dcc1c78a7e9a1d247a",title:"衛武營週年慶4.0"}],related:[],title:"Weiwuying Anniversary 4.0",cover:"d0d58d2c7513f6e852408bf1ce6d9247",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:"",benefits:"",description:"Infinite Release",introduction:'
Infinite Release
\n\nWeiwuying Anniversary 4.0's theme is "Infinite Release." With Covid, separation, and war characterizing 2022, we have chosen infinity as a symbol of tolerance and harmony as well as the unlimited possibilities that come through boldness and the freedom to imagine.
\n\nFour programs from 10/7 to 10/10 you don't want to miss—but tickets are going fast!
\n\nPipe organist Felix HELL, whose concerts usually sell out in seconds, has tailor-made a brilliant, imaginative show for Asia's largest pipe organ with a fantastical solo performance and grand ensemble pieces with the Kaohsiung Symphony Orchestra. The immersive experience Bonfire – Absence of Darkness challenges your habit of sitting to watch a performance as it requires you to wander around within an atmosphere of pumping music and light. A Lamb Roll-Call: Wolf in Disguise is a musical kids absolutely love and that adults, too, find fun and relaxing.
\n\n10/10 OPEN HOUSE: The once-a-year free look at Weiwuying from morning to night!
\n\nCheck out our four performance venues, outdoor venue, Banyan Plaza, Crown Hall, Eastern Crown Terrace, and Exhibition Hall, all of which will have numerous brilliant programs. You will get to see major backstage areas, amateurs singing famous opera songs, outstanding Henan opera, circus acrobatics, and a memorial exhibition on Taiwanese musician CHEN Su-ti. After dusk, the darker it gets, the more Weiwuying shines! Swing Party's new-generation performers will take the stage with famous names. Then, for Partiers in Wonderland, the Muddy Basin Ramblers, with members who have lived in Taiwan, the US, and the UK, will take the baton. Also, the street fair will stay open until 9:00 p.m. (Stay updated and ready! Tickets will be available/registration will begin for events in the four indoor performance venues on 9/15!)
\n\n\n\n\n\n
\n\n
FOCUS
\n\n\n\n\n\n
\n\n
Sponsor
\n\n\n\t\t |
\n\t\t |
\n',team:""},createdAt:1655349557,updatedAt:1665320316,updatedBy:"林蔚行",host:!0},{_id:"62b3dca4f54874000a2b822d",catalogs:["631e9d17e329d300077404cc","5aec4184b01ea6000520f633"],dateTime:{first:1665381600,discrete:[{time:1665381600},{time:1665390600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1567094248331243521"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"演出者介紹",content:'
依演出順序排列
\n\n阮婕容
\n\n\n\t\t |
自小學習繪畫和鋼琴,曾多次參加繪畫比賽取得優秀成績,也曾在校內舉辦之學生音樂會中演奏鋼琴及展露歌喉。考大學時正取國立嘉義大學外國語文學系及國立臺北藝術大學美術學系藝術理論與視覺研究組,最後選擇就讀北藝大。因為依舊喜歡音樂,也認為自己可以嘗試學習聲樂,於是在大二時決定輔修音樂系聲樂組,並師事蔣啟真教授。在學習聲樂的過程中,除了感受到歌唱的喜悅,也發現聲樂是我未來想持續進行及學習的一門專業,希望有朝一日,能以我的歌聲帶給他人力量。
\n\n\n\n
陳致平
\n\n\n\t\t |
1965出生於臺灣之心—南投縣埔里鎮。 父親從事教育工作,母親是典型純樸的家庭主婦。因為從小喜歡唱歌,在小學四年級參加了合唱團,在當時重視升學的環境裡,加上家中人口眾多,也沒有多餘的金錢可以去學習音樂技能。國中畢業後,選擇考上師專,也順利考進音樂組,師專時遇到男高音許國良老師,他常常免費幫我加課,幫我奠定基礎。後來他介紹從維也納歸國的姚和順教授進一步琢磨歌藝。畢業後擔任教職,很幸運能與音樂相伴,也從事許多音樂工作,921地震後,房屋倒塌,幸運存活,人生有更深刻體驗,也發願要成為音樂花圃的綠手指,啟發學生內在的律動及進入身心靈一起享受歌唱。
\n\n\n\n
李兆鈞
\n\n\n\t\t |
高雄人,畢業於國立高雄師範大學音樂系,主修聲樂。畢業後赴德國與維也納繼續修習聲樂,曾師事萊比錫歌劇院歌手Sejong Chang及國立維也納表演暨藝術大學Prof. Sebastian Vittucci。在學期間也榮獲2015年獲得高雄市學生音樂比賽,男中低音大專A組優等第一名;2016南海扶輪社聲樂獎選金甄選首獎;2016高師大協奏曲之夜選拔優勝;2018年11月在美國紐約獲得第七屆華人美聲大賽優秀獎等。目前從事藝術行政的工作,如今有機會能再次站上舞台,心中充滿期待與感謝。
\n\n\n\n
吳亦婷
\n\n\n\t\t |
高雄人,畢業於國立臺南藝術大學應用音樂系,國立中山大學音樂研究所,畢業後即進入婚姻生活,目前育有三子。自幼常聆聽祖父吹奏口琴以及自學電子琴,家人與姐姐的耳濡目染與悉心栽培,逐漸開啟音樂之路。現於高雄愛樂室內合唱團與香光合唱團擔任伴奏。
\n\n自幼喜愛表演望有朝一日可獨當一面,生活繁忙因而埋藏但卻忘不了從小的初心,感謝先生的支持,感謝衛武營歐普拉圓我內心的夢想!!
\n\n\n\n
吳慶蓀
\n\n\n\t\t |
倫敦政治經濟學院國際政治碩士及政治大學外交學士。對於永續發展與氣候變遷議題富有熱忱,2022年10月將加入一間管理顧問公司擔任相關領域的顧問。聲樂先後師事陳美玲教授及林玲慧教授。2008年獲選台北市交普契尼歌劇《強尼・史基基》Gherardino一角。2011年榮獲世華聲樂大賽聲樂新秀獎,三度奪得全國學生音樂比賽女高音冠軍。2014年赴歐參加薩爾茲堡音樂營,接受Renate Faltin 及 Ildikò Raimondi 聲樂指導。2018年受邀與閃亮木管五重奏團於國家演奏廳演出《小飛俠彼得潘的奇幻世界》,擔任女高音及說書人,佳評如潮。
\n\n\n\n
林理凱
\n\n\n\t\t |
花蓮人,31歲,高中始對聲樂感興趣,考取音樂系後便一路讀到碩畢。畢業後忙於工作,未再開口唱歌。2022年初因工作之故搬到高雄,看了幾場衛武營的歌劇後,又重新點燃對唱歌的熱情。花了2個月時間慢慢找回聲音後,便決定重拾興趣。
\n\n\n\n
林怡嘉
\n\n\n\t\t |
高雄人,聲樂師事連筱筠老師。自幼修習音樂,10歲受孫玉芳老師啟蒙,開啟歌唱及合唱藝術之路。現為微行星聲樂藝術工房行政經理,微行星女聲合唱團團員暨行政經理,Lumière綠迷人聲樂團女低音。歌唱與合唱魂陪我走過各各人生難關與悲歡離合,即將進入人生下半段,以聲樂獨唱做為突破,給自己一份勇於挑戰的禮物,願自己能開啟更寬廣的新篇章。
\n\n\n\n
曹忠美
\n\n\n\t\t |
記得在五專畢業前夕,我在自己的筆記本裡寫下:「有時候無法達到藝術的核心地位,也可以遊走在他的邊緣享受他的美感」。殊不知其實這一段話只是為了我年輕歲月的叛逆所找的藉口。
\n\n這麼多年來,我一直遊走在美聲藝術的邊緣:製作歌劇節目或是演唱流行歌曲。雖然我的演出經驗頗豐富,但是非常少以聲樂或美聲唱法來演出。
\n\n近幾年,對歌劇的愛好越來越濃烈,在欣賞演出或製作節目後,看到台上歌者精湛的演出,心中總有一個夢想-希望有一天,我也能藉由演唱歌劇的曲目,獲得大家的鼓勵~
\n\n感謝衛武營在我53歲的生日幫我圓了夢。
\n\n誰說追逐夢想是年輕人的權利?只要把握當下,有夢就追,才是藝術的真諦…..
\n\n\n\n
鋼琴|林麥可
\n\n\n\t\t |
先後畢業於高雄新興國中、高雄市立新莊高中、高雄師範大學音樂系,畢業後赴德國隨Alexander Schmalcz 學習德文藝術歌曲伴奏。曾擔任多齣著名歌劇鋼琴排練,如莫札特《唐.喬凡尼》、《女人皆如此》、《魔笛》、史特勞斯《蝙蝠》、梅諾蒂《電話》、美聲歌仔戲《什細記》(又名 烈女傳)等。並擔任多場音樂會鋼琴合作,2018宜蘭《水田音樂會》與高雄市交響樂團小號首席David Argenta、2019至2022屏東演藝廳《沙龍音樂會》、2020聲協新秀音樂會《當貝多芬遇上雷哈爾》、2020台南奔放音樂節《漫遊舒伯特》、2020至2022《武營歐普拉》、2021《你喜愛的歌》、2021至2022《焦元溥瘋歌劇》與知名樂評焦元溥、知名聲樂家郭錦慧、林健吉、趙方豪、鄭思筠等共同演出。2022《愛與幻想》女高音曹書文獨唱會、2022《台南藝術節》宣傳短片中擔任鋼琴家等。
\n\n\n\n
主持人|笑哈哈 - 江老師
\n\n\n\t\t |
江宇婷(江老師)
\n\n畢業於東海大學音樂系研究所,目前以鋼琴合作以及笑哈哈江老師的身分活躍音樂圈,曾有多次出國擔任大賽伴奏之經驗,所到國家有天津、韓國、香港、日本等。在校期間獲得校內協奏曲冠軍,並且多次任大師班上台之示範演奏。在《LOL 笑哈哈》平台中,江老師善用戲劇張力呈現各種音樂人的生活百態,誇張的肢體以及臉部表情常讓粉絲又愛又恨。而江老師的劇本也常戳中音樂人心坎裡,原汁原味呈現音樂生態的酸甜苦辣也是受歡迎的原因之一。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"272599e50cb9511dd229f1eda082dbda",title:"【衛武營週年慶4.0】《武營歐普拉 Let's Opera !》"}],related:[],title:"【衛武營週年慶4.0】《武營歐普拉 Let's Opera》",cover:"0eafeb5ad97d3bc452b877414f17ab86",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「OPEN HOUSE優先索票」適用之衛武營9、10月主辦節目票劵(貴賓票除外)如下:音樂說故事劇場《湖底之鬼》、無垢舞蹈劇場《觀》、唐美雲歌仔戲團《冥遊記─帝王之宴》、《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》、新古典舞團《布蘭詩歌》、五樓創意《Bonfire-你怕黑嗎?》、愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊、管風琴綺響《布穀鳥與夜鶯》、《幻想賦格》菲利克斯.黑爾管風琴獨奏會、威爾第歌劇《唐卡洛》、原聲巴洛克樂團《樂遊國境—音符聆國界》。
\n\t\n\n
「高手在民間」相信有許多深藏不露的歌唱高手隱身於各個領域,今年第三屆《武營歐普拉 Let's Opera》,透過兩輪的選拔、激烈的競爭,最終挖掘出8位素人歌手,這8位獲選者經由李文智、林慈音、林健吉三位聲樂名家專業指導後,最終登上衛武營世界級舞台一展動人歌唱實力。
\n\n\n\n
索票方式
\n\n※優先索票不適用衛武營小時光系列。
\n\n\n\n
※依主辦單位現場公告為主。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|衛武營國家藝術文化中心
\n\n製作執行|歐普思音樂藝術
\n\n評審暨聲樂指導|李文智、林慈音、林健吉
\n\n評審|陳巧儀、藍貝芝
\n\n演出者|李兆鈞、阮婕容、吳亦婷、吳慶蓀、林怡嘉、林理凱、曹忠美、陳致平
\n\n鋼琴|林麥可
\n\n主持人|笑哈哈-江老師
\n\n舞台監督|李尹蘋
\n\n燈光暨影像工程|秉冠有限公司
\n\n影像製作暨執行|謝欣如
\n\n\n\n
閱讀更多
\n\n►2022《武營歐普拉 Let's Opera》甄選結果出爐 8位素人歌手即將站上國際級舞台實現夢想
\n►《武營歐普拉 Let's Opera》素人歌劇演出甄選詳細資訊
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"272599e50cb9511dd229f1eda082dbda",title:"【衛武營週年慶4.0】《武營歐普拉》"}],related:[],title:"【Weiwuying Anniversary 4.0】Let's Opera",cover:"0eafeb5ad97d3bc452b877414f17ab86",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
We believe many singing talents hide undiscovered in all walks of life. This is the third year of Weiwuying's Let's Opera. After two rounds of fierce competition, we selected 8 brilliant finalists from the pool of amateur singers. They will be coached by three well-known vocalists, Peter LEE, Grace Lin, and Claude Lin, and finally, step on the international stage of Weiwuying, and show the world how beautifully they can sing.
\n\n\n\n
Program
\n\n\n\n
Cast and Production Team
\n\nProduced by National Kaohsiung Center for the Arts (Weiwuying)
\n\nProduction Operator|Opus Music Arts
\n\nAudition Consultant and Vocal Coach|Peter LEE, Grace Lin, Claude LIN
\n\nAudition Consultant|Joy CHEN, LAN Pei-chih
\n\nPerformer|LEE Jau-jiun, JUAN Chieh-jung, WU Yi-ting, WU Chin-sun, LIN Yi-chia, LIN Lee-kai, TSAO Chung-mei, CHEN Jr-ping
\n\nPiano|Lin Mai-ke
\n\nThe Host|Ms. CHIANG from the LOL Music YouTube Channel
\n\nStage Manager|LI Yin-ping
\n\nLighting & Video Engineer|Pinggune CO.,LTD.
\n\nVideo Maker & Operator|Hsieh Hsin-Ju
\n\n\n\n
\n',team:""},createdAt:1655954596,updatedAt:1665471906,updatedBy:"林蔚行",host:!0},{_id:"62bead59bb7c2e0007fd28d1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665903600,discrete:[{time:1665903600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N202ENW8"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d23f6683176e5504ccfb798967bce446",title:"《金色光芒–銅管豪傑與高雄市管樂團》"}],related:[],title:"《金色光芒–銅管豪傑與高雄市管樂團》",cover:"f9563702a670a75a28913f127c7f44cd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市管樂團自2012年成立以來,已經舉辦超過百場的音樂會,這些年來我們不斷邀請國內外優秀的音樂家與樂團合作演出,而本場音樂會我們特別邀請到小號演奏家侯傳安、上低音號組演奏家楊宇翰、長號演奏家田智升,以及法國號演奏家沈柏鑫,四位獨奏者將分別與樂團合作演出協奏曲,我們將帶給大家一場宛如節慶般的音樂饗宴,讓觀眾從中深深感受到銅管樂器金色般燦爛的音色與音樂魅力。
\n\n\n\n
演出曲目
\n\n貝拉.巴爾托克:管弦樂協奏曲第一樂章
\n\n奧托.施瓦茲:合恩角
\n\n林姆斯基.高沙可夫:長號協奏曲
\n\n菲利浦.維爾比:上低音號協奏曲(第三、二樂章)
\n\n米奇斯瓦夫.范貝格:小號協奏曲,作品94
\n\n大衛‧霍爾辛格:走出堅硬的岩石大道
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n小號獨奏|侯傳安
\n\n法國號獨奏|沈柏鑫
\n\n上低音號獨奏|楊宇翰
\n\n長號獨奏|田智升
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d23f6683176e5504ccfb798967bce446",title:"《金色光芒–銅管豪傑與高雄市管樂團》"}],related:[],title:"Golden Light, Brass Talents with the KCWO",cover:"f9563702a670a75a28913f127c7f44cd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since founded in 2012, the Kaohsiung City Wind Orchestra has presented more than one hundred concerts. In recent years, we invited great musicians, both domestic and abroad, to work with the KCWO. This concert features the trumpet player, HOU Chuan-an, the Euphonium player, YANG Yu-han, the trombone player, TIEN Chig-Shen, and the French horn player, SHEN Bo-hsin. The four soloists will be on stage with the KCWO performing concerti. We will bring our audiences a musical feast like a festival. Come and enjoy the glorious sound and the charm of the brass.
\n\n\n\n
Program
\n\nBéla Bartók: Concerto for Orchestra,Sz.116-1.Introduzione
\n\nOtto M.Schwarz: Cape Horn
\n\nRimsky Korsakov: Trombone Concerto
\n\nPhilip WILBY: Euphonium Concerto (Mov. III、II)
\n\nMieczyslaw Weinberg: Trumpet Concerto Op.94 (arr. by Hsuan Hung Chou)
\n\nDavid R.Holsinger: Scootin' on Hardrock
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nTrumpet Solo|HOU Chuan-an
\n\nFrench Horn Solo|SHEN Bo-hsin
\n\nEuphonium Solo|YANG Yu-han
\n\nTrombone Solo|TIEN Chig-Shen
\n\n\n\n
\n',team:""},createdAt:1656663385,updatedAt:1657001730,updatedBy:"林蔚行",host:!1},{_id:"62beb6c5bb7c2e0007fd2aaf",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665901800,discrete:[{time:1665901800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600],link:"https://www.opentix.life/event/1539586010511785989"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8f41b0b2f4aa22060a1095fb577eb56d",title:"《遊.藝》"}],related:[],title:"《遊.藝》",cover:"ae9c9296bdd046f505b4431c4f4e6260",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
巴洛克獨奏家樂團聲部首席與名小提琴家李俊穎,精緻呈現樂壇上難得一見的珍稀曲目帶領樂迷遊藝於巴洛克時期音樂的絕美風華!
\n音樂會上半場選巴赫兩首小提琴與大鍵琴奏鳴曲及一首為古提琴與大鍵琴奏鳴曲。下半場則以巴洛克時期德奧地區三位作曲家畢伯、泰勒曼和韓德爾的三重奏鳴曲為主體,三重奏鳴曲是巴洛克時期相當流行的室內樂形式,此次所有曲目都以速度「慢-快-慢-快」四個樂章的教會奏鳴曲形式的寫作作品,樂迷將充分感受從17世紀下半至18世紀初器樂音樂創作的傳承與創新。
\n\n
演出曲目
\n\n巴赫:第三號E大調小提琴奏鳴曲,作品一〇一六
\n\n巴赫:大提琴與大鍵琴奏鳴曲,作品一〇二七
\n\n巴赫:第五號F小調小提琴奏鳴曲,作品一〇一八
\n\n泰勒曼:D大調給兩把小提琴與數字低音三重奏,作品42:D1
\n\n畢伯:「技藝的和諧-如歌旋律」給兩把小提琴與數字低音,組曲一
\n\n韓德爾:第二號三重奏鳴曲,作品五
\n\n\n\n
演出暨製作團隊
\n\n特邀小提琴|李俊穎
\n\n小提琴|莊秉育
\n\n大提琴|許佳盈
\n\n大鍵琴|李美文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8f41b0b2f4aa22060a1095fb577eb56d",title:"《遊.藝》"}],related:[],title:"Sonata da Chiesa",cover:"ae9c9296bdd046f505b4431c4f4e6260",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The first half of the concert centers on 18th century duo sonatas and trio sonatas. This order shows that Bach has such different ideas for harpsichord in chamber music genre in which it was originally used only to fill in and provide harmonies. The second half of concert features 3 trio sonatas of 3 composers, the trio sonata is supported by 2 violins and a basso continuo pair- cello and harpsichord, so that the actual performers are four. All pieces are written in the form of sonata da Chiesa in 4 movements at the tempos of slow-fast-slow-fast.
\n\n\n\n
Program
\n\nJ. S. Bach:Violin Sonata in E Major, No. 3, BWV1016
\n\nJ. S. Bach:Sonata for Cello and Harpsichord, BWV1027
\n\nJ. S. Bach:Violin Sonata in F Minor, No. 5, BWV1018
\n\nG. P. Telemann:Trio for two Violins and Basso Continuo in D Major, TWV 42:D1
\n\nHeinrich Biber:Harmonia artificioso-ariosa, Partita No. 1
\n\nG. F. Handel:Trio Sonata, No. 2, Op. 5
\n\n\n\n
Creative and Production Team
\n\nSolo Violin|LEE Chun-ying
\n\nViolin|CHUANG Ping-yu
\n\nCello|HSU Chia-ying
\n\nHarpsichord|LEE Mei-wen
\n\n\n\n
\n',team:""},createdAt:1656665797,updatedAt:1657098889,updatedBy:"林蔚行",host:!1},{_id:"62c4eef698da02000aafbf69",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667043e3,discrete:[{time:1667043e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1541684448728649733"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"20ac92516e4b2ddefc2f239955757545",title:"《追憶-鋼琴三重奏》"}],related:[],title:"《追憶-鋼琴三重奏》",cover:"23872e1f7dd7178cde6686361caa32ad",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
兩首鋼琴三重奏,瀰漫懷舊的情緒以及追憶的思念
\n\n巴巴賈尼安揉合東西文化色彩,呈現驚艷的和聲質感。 柴可夫斯基將滿溢的情緒寄予創作,成就史詩格局不朽傑作。
\n\n\n\n
本次音樂會精選兩首鋼琴三重奏代表性之作,創作的脈絡皆包含了懷舊的情緒以及追憶的思念,而曲目特色在於鋼琴提供與交響樂團相媲美的深度和質感,並結合小提琴和大提琴的精湛技藝和抒情性。巴巴賈尼安的音樂根植於其民間音樂和傳說之上,展示了亞美尼亞音樂的豐盛美麗, 此曲揉合著東西方文化色彩,呈現令人耳目一新的和聲質感,亦表達出宗教性的素樸悠遠。 柴可夫斯基則是以輓歌的風格,傳遞了多面向的情緒層次,層層交織的變化除了呈現天地的廣大視角,也提供了幽微悸動的親密感。
\n\n\n\n
演出曲目
\n\n巴巴賈尼安:升F小調鋼琴三重奏
\n\n柴可夫斯基: A小調鋼琴三重奏,《向偉大藝術家致敬》作品.50
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|王佩瑤
\n\n小提琴|李宜錦
\n\n大提琴|高炳坤
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"20ac92516e4b2ddefc2f239955757545",title:"《追憶-鋼琴三重奏》"}],related:[],title:"Nostalgias – Piano Trio",cover:"23872e1f7dd7178cde6686361caa32ad",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The grandeur of the Piano Trio in chamber music genre owe to the piano's ability to create depth and texture comparable to symphonic settings. Combined with both virtuosity and lyricism of the violin and cello, any listener will be drawn to the captivating Piano Trios of Tchaikovsky and Babadjanian.Deeply rooted in Armenian folk music, Arno Babadjanian showcases the beauty of Armenian folk music while using the virtuosic writing of Rachmaninoff in his Piano Trio. Full of exotic sounding melodies, and adventurous harmonic texture, the trio also offers a religious simplicity in the second movement, and also an uninhibited dance-like rhythm of the third movement.The elegiac quality of Tchaikovsky's opening is a reminder of the pain felt when someone close and meaningful is lost. Tchaikovsky offers not only a vast range of emotions but also both intimacy and magnitude in weaving through the different variations of the second movement. A celebratory final variation gives a sense of joy and hope, but only to segue to the reality of someone lost, creating anguish and despair, and ending 'til the last heart beat.
\n\n\n\n
Program
\n\nA. Babadjanian: Piano Trio in F sharp minor
\n\nP. Tchaikovsky: Piano Trio in A minor, Op. 50 "In Memory of a Great Artist"
\n\n\n\n
Creative and Production Team
\n\nPiano|Pei-Yao Wang
\n\nViolin|I-Ching Li
\n\nCello|Victor Coo
\n\n\n\n
\n',team:""},createdAt:1657073398,updatedAt:1657113678,updatedBy:"林蔚行",host:!1},{_id:"62c5005df30b0e0007dc5fb9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666506600,discrete:[{time:1666506600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1531575735742218242"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9d8a5482c55766f4d6b6f357e339a30",title:"《古樂傳奇-郭德堡大鍵琴變奏曲》"}],related:[],title:"《古樂傳奇-郭德堡大鍵琴變奏曲》",cover:"4c571c15fff29002b2736f840fc17216",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
★ 1994 灌錄了郭德堡變奏曲大鍵琴版本,被各大雜誌封為「荒島必備唱片」
\n\n★ 2019 留聲機雜誌五十張最佳年度巴赫專輯
\n\n★ 2021 留聲機雜誌評論家最喜歡及編輯推薦的古典專輯
\n\n\n\n
《郭德堡變奏曲》是巴赫晚年重要的大鍵琴傑作,堪稱為變奏曲史上登峰造極的經典代表。全作品包括主題Aria及30段變奏,體現了巴赫爐火純青的藝術造詣,優雅動聽的主題,時常出現在廣告電影之中。全曲對鍵盤演奏者在技術上有著極高的挑戰。皮耶韓岱早在1994年錄製他個人的第一版郭德堡變奏曲專輯,並於2019年榮獲留聲機選入"巴赫五十張最佳專輯唱片" 的最高榮譽,經過多年淬鍊,親炙現場一睹鍵盤名家丰采,領略巴洛克晚期藝術的集大成之美。
\n\n\n\n
演出曲目
\n\n巴赫:《郭德堡變奏曲》 作品988
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|福爾摩沙巴洛克古樂團
\n\n大鍵琴|皮耶·韓岱
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9d8a5482c55766f4d6b6f357e339a30",title:"《古樂傳奇-郭德堡大鍵琴變奏曲》"}],related:[],title:"Pierre Hantai Goldberg Variations ",cover:"4c571c15fff29002b2736f840fc17216",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The soloist, Pierre Hantai approach to the Goldbergs is tremendously spirited and energetic but also disciplined….Ouverture (Var 16), the Quodlibet and much else here have an irresistible esprit, a happy conjunction of heart and mind. Another triumph for an enterprising label.——Gramophone
\n\n\n\n
Program
\n\nJ. S. Bach: Goldberg Variations, BWV 988
\n\n\n\n
Creative and Production Team
\n\nPresenter|Formosa Baroque
\n\nPerformer|Harpsichord, Pierre Hantai
\n\n\n\n\n\n
\n',team:""},createdAt:1657077853,updatedAt:1661140318,updatedBy:"林蔚行",host:!1},{_id:"62ceb737869db0000722865b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664191800,discrete:[{time:1664191800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[250,500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1544224860493819908"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396d5f617e1f73b616b6d7ef34c1a25d",title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》"}],related:[],title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》",cover:"6577f237f544e95d904552875ea26faf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
震耳欲聾的砲彈聲,擊碎了每個人的心靈不論是否身在其中,人們還是渴求著和平的到來,台灣絃樂團2022年,為您獻上最顫動心弦的音樂會。
\n\n刺鼻的硝煙味,冷冽的氣息籠罩著整片大地,人們依偎在防空洞顫抖著,所謂的正常生活都變成渴求。一生中目睹多次革命的蕭斯塔科維契,以音樂訴說戰火的破壞性,於二戰結束後譜寫了《第三號絃樂四重奏》;厭惡戰爭的布瑞頓為了拒絕服兵役,創作了《前奏與賦格》。墜入黑暗深淵的同時,渴望著光明到來,如同柴可夫斯基的《第一號絃樂四重奏,作品11》,樸實且堅定的旋律,療癒、溫暖了受傷的心靈。擅長以音樂描繪樂曲背後的故事的台灣絃樂團,為您呈上如戲劇般、最深切的《戰爭與和平》。
\n\n\n\n
演出曲目
\n\n布瑞頓:前奏與賦格,作品29(給十八把絃樂器)
\n\n柴可夫斯基:室內交響曲根據第一號D大調絃樂四重奏改編,作品11(編曲:魯道夫.巴夏)
\n\n蕭斯塔科維契:F大調第三號交響曲,作品73(編曲:德米特里‧席特可維斯基)
\n\n\n\n
演出暨製作團隊
\n\n演出者|台灣絃樂團
\n\n長期贊助|中保科技、林燈文教公益基金會、中興保全文教基金會
\n\n贊助單位|2022TAIWAN TOP演藝團隊、豪勉科技、摩奇e21、彭以豪先生
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396d5f617e1f73b616b6d7ef34c1a25d",title:"《戰爭與和平 2022台灣絃樂團 絃樂經典》"}],related:[],title:"2022 Academy of Taiwan Strings concert",cover:"6577f237f544e95d904552875ea26faf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Founded by violinist Mr. CHENG Sy-Joun in 1990, the Academy of Taiwan Strings is the home of top-rated Taiwanese string musicians. For ten consecutive years it has won the sponsorship of the Development Program for Outstanding Art Organizations from the Council of Cultural Affairs. The Academy has obtained recognitions from international maestros, among them Toru Yasunaga, First Violinist at the Berlin Philharmonic Orchestra, Victor Pikayzen, Professor at the Moscow Conservatory, and Lukas David, Honorary Professor at Hochschul fuer Musik Detmold, Germany, and has become the first Taiwanese orchestra invited to perform in Japan. It has also toured in Paris, Germany and Switzerland.
\n\nThe ATS strives to enrich the world with beautiful music and to excel in music performing. It is our greatest hope that in the future, when you think of "wonderful music," you will be thinking of the Academy of Taiwan Strings.
\n\nIn this concert, we will perform the songs about “War & Peace” in classical music.
\n\n\n\n
Program
\n\nB. Britten: Prelude and Fugue for 18-part String Orchestra, Op. 29
\n\nP. Tchaikovsky: Chamber Symphony according to first string quartet in D Major, Op. 11 (arr. Rudolf Barshai)
\n\nD. Shostakovich: String Symphony No.3 in F Major, Op. 73 (arr. Dimitry Sitkovetsky)
\n\n\n\n
Creative and Production Team
\n\nPerformer|Academy of Taiwan Strings
\n\nLong-Term Sponsor|TAIWAN SECOM CO., LTD. , Lin-Teng Public Welfare, Culture and Education Foundation, TAIWAN SECOM Culture and Education Foundation
\n\nSponsor|2022 NCAF TAIWAN TOP Performing Arts Group, Hauman Technologies Corp., MAGIC MEDIA CO., David PENG
\n\n\n\n
\n',team:""},createdAt:1657714487,updatedAt:1657871675,updatedBy:"林蔚行",host:!1},{_id:"62d51c41869db00007239d49",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666438200,discrete:[{time:1666438200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1600,2e3],link:"https://www.opentix.life/event/1546413388218097667"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2af4c3e763c08a14a08dd9189c3c8f14",title:"《晚安・克里米亞》大提琴家薩爾克 X KSO"}],related:[],title:"《晚安.克里米亞》大提琴薩爾克 & KSO",cover:"9dffced34d6bbaedfec6d2980089676b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
由指揮楊智欽率領高雄市交響樂團與法國當代大提琴演奏家-弗朗索瓦以樂音共同為烏克蘭響起和平的樂章。透過弗朗索瓦.薩爾克精湛的琴藝,以扎實的演奏技巧,演繹出不同時空背景下,因戰火肆虐而譜出的生命樂章。
\n弗朗索瓦.薩爾克是一位自省極深且技巧深厚的大提琴演奏家,擁有耶魯大學的音樂碩士學位,曾在洛桑、日內瓦、慕尼黑等地比賽獲獎,以及1994年「柴可夫斯基大賽」第四名,並贏得法國「向托特利爾與詹德隆致敬比賽」及「傅尼葉比賽」首獎,贏得多項國際大賽肯定。
\n\n
演出曲目
\n\n艾爾加:e小調大提琴協奏曲,作品85
\n\n西貝流士:D大調第二號交響曲,作品43
\n\n\n\n
演出暨製作團隊
\n\n大提琴|弗朗索瓦·薩爾克
\n\n指揮|楊智欽
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2af4c3e763c08a14a08dd9189c3c8f14",title:"《晚安・克里米亞》大提琴家薩爾克 X KSO"}],related:[],title:"Francois Salque & KSO ",cover:"9dffced34d6bbaedfec6d2980089676b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The concert night will start with one of the most popular cello concertos of all time, Elgar: Cello Concerto in e minor, Op.85. French cellist Francois Salque is soloist in this soulful, challenging work. The Orchestra also reveals the intensity and incandescence of Sibelius's Symphony No.2. The energy and precision of the piece demand virtuosic performances from the KSO musicians and Conductor Chih-Chih YANG. Through the music, solidarity with Ukraine.
\n\n\n\n
Program
\n\nEdward Elgar: Cello Concerto in E minor, Op.85
\n\nJean Sibelius: Symphony No. 2 in D Major, Op.43
\n\n\n\n
Creative and Production Team
\n\nCello|Francois Salque
\n\nConductor|Chih-Chin, YANG
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1658133569,updatedAt:1658462322,updatedBy:"林蔚行",host:!1},{_id:"62d528fb7d375000074aa171",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664692200,discrete:[{time:1664692200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1535163474299437059"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"865c8755e39b7a8e28c7d83ab0e49ea8",title:"《張正傑親子音樂會—動物狂歡節》"}],related:[],title:"「節目異動」《張正傑親子音樂會—動物狂歡節》",cover:"2b05394fd1c6aa3744b9c6130b4b71cf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年10月2日(日)14:30於衛武營音樂廳演出之《張正傑親子音樂會—動物狂歡節》,演出之人員因故異動,更換低音提琴演出者:汪育萱。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年10月2日(日)前完成辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
今年正逢動物狂歡節首演100週年!點子王張正傑這次要以臺灣版的動物狂歡節跟聖桑一較高下!正傑叔叔集合小朋友喜愛又熟悉的動物童謠,如小毛驢、兩隻老虎、小蜜蜂等等!現場大小朋友可以欣賞由西洋古典樂器演奏的童謠散發出溫暖又充滿童趣的韻味,還可以一起跟著唱,大朋友回味童年的歡笑,小朋友可以聽聽由樂器演奏出來的動物,又是如何得唯妙唯肖。
\n\n\n\n
演出曲目
\n\n聖桑:動物狂歡節
\n\n兩隻老虎、小毛驢、小蜜蜂、大象、一隻鳥仔哮救救等。
\n\n\n\n
演出暨製作團隊
\n\n大提琴|張正傑
\n\n小提琴|蘇顯達
\n\n小提琴|張芝庭
\n\n中提琴|徐曉虹
\n\n低音大提琴|汪育萱
\n\n長 笛|歐珈妏
\n\n豎 笛|陳威稜
\n\n打 擊|吳珮菁
\n\n鋼 琴|呂冠葶
\n\n鋼 琴|廖皎含
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"865c8755e39b7a8e28c7d83ab0e49ea8",title:"《張正傑親子音樂會—動物狂歡節》"}],related:[],title:"(Program changed) Cellist Chang's Family Concert",cover:"2b05394fd1c6aa3744b9c6130b4b71cf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-2781-2306. | \n\t\t
\n\n
This year marks the 100th anniversary of the Carnival of the Animals premiere! Idea King Zhang Zheng-gjie is going to compete with Saint-Saëns this time with the Taiwanese version of the animal carnival! Uncle Zheng-gjie collects animal nursery rhymes that children love and are familiar with, such as a little donkey, two tigers, a little bee and more!
\n\n\n\n
Program
\n\nCamille SAINT-SAËNS: The Carnival of the Animals
\n\nA little donkey, two tigers, a little bee
\n\n\n\n
Creative and Production Team
\n\nCello|CHANG Zheng-jie
\n\nViolin|SU Xian-da, ZHANG Zhi-ting
\n\nViola|XU Xiao-hong
\n\nBass|Su Yi-Jung
\n\nFlute|OU Jia-wen
\n\nClarinet|CHEN Wei-leng
\n\nPercussion|WU Pei-jing
\n\nPiano|LU Guan-ting, LIAO Jiao-han
\n\n\n\n
\n',team:""},createdAt:1658136827,updatedAt:1664430418,updatedBy:"林蔚行",host:!1},{_id:"62d54bab869db0000723a721",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667302200,discrete:[{time:1667302200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1200,1600,2e3,2500],link:"https://www.opentix.life/event/1544656811971649541"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d5d88d44912d6b8c10a576670395299f",title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水"}],related:[],title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水",cover:"534d4a50aaaddf71526da8f0b7584954",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
導演李小平、編劇施如芳、聯手四位作曲家—洪千惠、櫻井弘二、楊祖垚、蔡昀恬共同創作。透過幾個富有聲響想像的生命情境,聚焦臺灣知識啟蒙時光,引領觀眾翱翔於屬於蔣渭水、也屬於那個時代澎湃的天空。振筆疾書的窸窣作響、鐵鍊鐐銬的鋃鐺碰撞……豐富的擊樂音色,展現的不只是文化協會的時代聲響,更是代表著蔣渭水跨越百年,向著現代人的文明呼喊!透過加入合唱團等多元表演型態及劇場元素運用,器樂與人聲交織出一片共振迴響,也邀請觀眾以聲音為線索,追尋歷史的痕跡,省思前人是如何透過不斷的奮鬥與啟迪,造就了我們能自由謳歌的當代!
\n\n\n\n
演出曲目
\n\n洪千惠:《委託創作》
\n\n櫻井弘二:《委託創作》
\n\n蔡昀恬:《委託創作》
\n\n楊祖壵:《委託創作》
\n\n\n\n
演出暨製作團隊
\n\n朱宗慶打擊樂團與20位合唱協演
\n\n王宣惟、呂季泓、李明照、林維、夏振軒、張羽和、梁詠鈞、許郁晨、陳光展、陳俊男、陳宣卉、陳潔儀、舒克理、黃奎霖、廖子堂、劉羽謙、潘致允、鍾易修、魏新祐(依姓氏筆畫排序)
\n\n\n\n
藝術總監|朱宗慶
\n\n導演|李小平
\n\n編劇|施如芳
\n\n音樂創作|洪千惠、櫻井弘二、楊祖垚、蔡昀恬
\n\n舞台設計|陳慧
\n\n燈光設計|車克謙
\n\n服裝設計|林秉豪
\n\n合唱指導|陳麗芬
\n\n臺語指導|許澤耀
\n\n視覺設計|吳姿儀
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d5d88d44912d6b8c10a576670395299f",title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水"}],related:[],title:"2022 Ju Percussion Group Annual Concert - A Hero's Radiance––Chiang Wei-shui Awakens Taiwan",cover:"534d4a50aaaddf71526da8f0b7584954",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Fearlessly forging ahead
\n\nceaselessly pursuing freedom and justice
\n\nthe hero shines a brief but radiant light
\n\n\n\n
A hundred years ago, during the Japanese Taisho Democracy period that followed World War I, intellectuals of the Taiwanese Cultural Association drew up various blueprints for creating an ideal homeland, enriching Taiwanese society with nutrients drawn from diverse thought trends. It was a period of cultural transition between old and new, a golden age of intellectual awakening!
\n\nDirector Lee Hsiao-ping, scriptwriter Shi Ru-fang, and composers Hung Chien-hui, Koji Sakurai, Yang Tsu-yao, and Tsai Yun-tien revisit that glorious era, presenting scenes from the life of democracy pioneer Chiang Wei-shui in music. The rich sounds and imaginative scenarios recapture the years of Taiwan's intellectual awakening, immersing audiences in the world of Chiang Wei-shui's life and the times.
\n\nThe brisk rustle of the writing brush, the metallic clang of prison chains and shackles… The rich, percussive tonalities not only represent the historic Taiwanese Cultural Association but also embody Chiang Wei-shui's century-spanning call to modern society. Choral and theatrical elements, instrumental music, and vocals intertwine and resonate, inviting us to follow sonic clues and trace history's vestiges, urging us to ponder how our forbears' ceaseless struggles and penetrating insights opened the way for the freedom of expression we enjoy today.
\n\n\n\n
Program
\n\nHung,Chien-Hui: New Commissioned Work
\n\nKoji Sakurai: New Commissioned Work
\n\nTsai, Yun-Tien: New Commissioned Work
\n\nYang,Tsu-Yao: New Commissioned Work
\n\n\n\n
Creative and Production Team
\n\nPerformers:
\n\nJu Percussion Group & Ensemble
\n\nWANG, SHIUAN-WEI
\n\nLYU, JIHONG
\n\nLEE, MING-JAW
\n\nLIN WEI
\n\nHSIA, CHENG-HSUAN
\n\nCHANG, YU-HO
\n\nLIANG, YUNG-CHUN
\n\nHSU, YU-CHEN
\n\nCHEN, KUANG-CHAN
\n\nCHEN CHUN NAN
\n\nCHEN, XUAN-HUI
\n\nCHEN, Jessie-Linda
\n\nSU, KO-LI
\n\nHUANG, KUEI-LIN
\n\nHUANG, CHIEH-LING
\n\nLIAO, ZI-TANG
\n\nLIU, YU-CHIEN
\n\nPAN, CHIH-YUN
\n\nCHUNG, YI-HSIU
\n\nWEI, SIN-YOU
\n\n\n\n
Artistic Director|JU,Tzong-Ching
\n\nDirector|LEE, Hsiao-Ping
\n\nPlaywright|SHIH, Ju-Fang
\n\nComposer|HUNG, Chien-Hui、Koji Sakurai、YANG, Tsu-Yao、TSAI, Yun-Tien
\n\nSet Designer|CHEN, Hui
\n\nLighting Designer|CHE, Ko-Chien
\n\nCostume Designer|LIN, Bing-Hao
\n\nChorus Instruct|CHEN, Li-Fen
\n\nTaiwanese Instruct|HSU, Tzer-yaw
\n\nGraphic Designer|WU, Zi-Yi
\n\n\n\n
\n',team:""},createdAt:1658145707,updatedAt:1658814919,updatedBy:"林蔚行",host:!1},{_id:"62d7961f869db00007240bdc",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665487800,discrete:[{time:1665487800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1800,2400,2800,3800,4200,4800,5200,5800],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N21AK7XT"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a53fc59856cc8d3126e5f7f1a1fa333f",title:"《布拉格愛樂管弦樂團》"}],related:[],title:"《布拉格愛樂管弦樂團》",cover:"734c314f6b2c1590ad106b07c800a87c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
布拉格愛樂管弦樂團為全球頂級的交響樂團之一! 成立於1994年,創辦人為指揮家吉里·貝洛拉維克(Jiří Bělohlávek )(1946-2017)。 維也納古典主義音樂派別的經典樂團,以海頓、莫札特、貝多芬等傑出代表的曲目為其特點。
\n\n\n\n
演出曲目
\n\n貝多芬:《艾格蒙序曲》
\n\n莫札特:《D小調第20號鋼琴協奏曲》,作品K466
\n\n貝多芬:《A大調第七交響曲》,作品92
\n\n\n\n
演出暨製作團隊
\n\n指揮|列奧·斯瓦羅夫斯基
\n\n鋼琴|安德魯‧馮‧歐延
\n\n樂團|布拉格愛樂管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a53fc59856cc8d3126e5f7f1a1fa333f",title:"《布拉格愛樂管弦樂團》"}],related:[],title:"Prague Philharmonia",cover:"734c314f6b2c1590ad106b07c800a87c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Prague Philharmonia was founded in 1994 on the initiative of the conductor Jiří Bělohlávek (1946-2017) under the original name Prague Chamber Philharmonia. Today it is one of the most recognized orchestras, not only in Czech ensembles but also worldwide. Regular invitations to international tours as well as recording projects with the most renowned international labels bear testimony to this.
\n\n\n\n
Program
\n\nLudwig van Beethoven: “Egmont” Overture, Op. 84
\n\nWolfgang Amadeus Mozart: Piano Concerto No. 20 in D minor, K.466
\n\nLudwig van Beethoven: Symphony No. 7 in A major, Op. 92
\n\n\n\n
Creative and Production Team
\n\nConductor|Svárovský
\n\nPiano|Andrew Von Oeyen
\n\nOrchestra|Prague Philharmonia
\n\n\n\n
\n',team:""},createdAt:1658295839,updatedAt:1658315858,updatedBy:"林蔚行",host:!1},{_id:"62da5a607d375000074d5aad",catalogs:["631e9d17e329d300077404cc","6007fc45ba34870007c22b8b"],dateTime:{first:1665284400,discrete:[{time:1665284400},{time:1665291600},{time:1665298800},{time:1665306e3},{time:1665370800},{time:1665378e3},{time:1665385200},{time:1665392400}],type:"discrete"},activity:{type:"signup",signup:{limit:212,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"63204e8ae329d300077558f1",text:"參加場次 Attending Session",english:"參加場次 Attending Session"},{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5c518b1b62156f00067321fe",text:"性別 Gender",english:"性別 Gender"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"custom_text_1663061062665",text:"身分證字號後四碼:",english:""},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"63204b2ce329d3000775585f",text:"職業 Occupation ",english:"職業 Occupation "},{required:!0,key:"custom_text_1663061212917",text:"參加組別志願1(需排出志願1-4)組別包括:燈光設計組、音樂設計組、服裝設計組、舞台設計組,若超過預計人數將會以抽籤方式決定,未中籤者依序轉至其他組別。",english:""},{required:!0,key:"custom_text_1663061346542",text:"參加組別志願2",english:""},{required:!0,key:"custom_text_1663061347697",text:"參加組別志願3",english:""},{required:!0,key:"custom_text_1663061866415",text:"參加組別志願4",english:""},{required:!0,key:"63204b44879fba00072fb672",text:"是否參加過萬衛系列或是衛武營導覽活動",english:"是否參加過萬衛系列或是衛武營導覽活動"},{required:!1,key:"custom_text_1663061399763",text:"想對衛武營說的話(如果過程中有需要協助的地方,歡迎留言讓我們知道)",english:""}],vip:{start:1663214400,end:1664251259},open:{start:1663214400,end:1664251259},description:'
節目即將上演,我們進劇場開工啦!
\n\n歡迎加入《萬衛之路》劇組,體驗舞台、燈光、音樂及服裝的設計和製作工作,集結眾人之力的燒腦策劃及討論,只為呈現每場演出的獨特感動!
\n\n而你,就是成就舞台演員閃耀的一員!
\n\n\n\n
報名期間
\n\n9/15(四)中午12:00起至09/27(二)中午12:00止。(每場限額30名,報名額滿為止。)
\n\n\n\n
活動時間
\n\n10/09(日)11:00(無限卡專場), 13:00, 15:00, 17:00
\n\n10/10(一)11:00, 13:00, 15:00, 17:00
\n\n\n\n
注意事項
\n\n\n',englishDescription:"",payment:{type:"free",method:["virtual","credit"],invoiceEnable:!0,pays:[],multiple:!1}}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d0f19774a17f7e06a207c826cd5e2436",title:"【衛武營週年慶4.0】萬衛之路"}],related:[],title:"【衛武營週年慶4.0】萬衛之路",cover:"a6a8ca03a8ec957229b013d1c65391ff",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
「打開劇院⼤⾨」——這是開館以來衛武營國家藝術⽂化中⼼在週年慶系列活動中的慣例和特⾊。經過三年的劇院巡禮節目後,這次「萬衛之路」系列將焦點轉移到排練場,民眾可以藉由與專業劇場⼯作者的合作,理解劇場⼈究竟在做什麼?劇場⼈如何⼯作?各項藝術⼯作⼜是如何互相串聯、協調?
\n\n\n\n
對喜愛劇場的民眾來說,這些專業問題或許從未獲得解答。《萬衛之路》是一場約60分鐘的活動,讓眾人走進衛武營的另一面——跟不同的劇場⼯作者⼯作、實際參與從創作到演出執行會遇到的種種挑戰。建立對劇場後台環境的基本認識後,民眾將參與獨特的「設計會議」,深入了解燈光、音樂、舞臺以及服化等領域的設計如何進行,點點滴滴的工作腳步最終如何匯聚成一場成功的表演。
\n\n\n\n
除了參觀後台、實際觀摩劇場工作,這次,衛武營將不只提供⼀探產業運作的過程的機會,更是把隔著帷幕的想像化為真實情境,拉近舞臺與觀眾的距離。
\n\n\n\n
報名時間
\n\n9月15日中午12:00起開放官網報名(人數額滿為止)。
\n\n\n\n
日期/時間
\n\n10/9(日)11:00(無限卡友專場)/ 13:00 / 15:00 / 17:00
\n\n10/10(一)11:00 / 13:00 / 15:00 / 17:00
\n\n\n\n
報到地點
\n\n衛武營西側營運辦公室入口
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|衛武營國家藝術文化中心
\n\n導演|陳御弼
\n\n編劇|陳御弼
\n\n演員|陳盈達、賴家萱
\n\n舞台監督|程楚心
\n\n舞台設計|程楚心
\n\n音樂設計|鍾仰哲
\n\n燈光設計|邱品學
\n\n服裝設計|黃稚揚
\n\n執行製作|江怡璇
\n\n舞台助理|陳亦琳
\n\n音樂助理|蔡斯涵
\n\n燈光助理|陶曉慧
\n\n服裝助理|蔡宓玹
\n\n導演助理|侯又加
\n\n排練助理|廖恩佳
\n\n行政助理|謝云綺
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d0f19774a17f7e06a207c826cd5e2436",title:"【衛武營週年慶4.0】萬衛之路"}],related:[],title:"【Weiwuying Anniversary 4.0】One Way Try and Go",cover:"a6a8ca03a8ec957229b013d1c65391ff",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:'
"Open the house for you" is what Weiwuying has been doing in the past three years. For its anniversary 4.0, Weiwuying this time turns its focus to the rehearsal venues. Are you interested in theatre staff's daily life? How to put different artistic works together? Now you have a chance to turn curiosity into a real, exciting experience. Come and join us at Weiwuying Anniversary 4.0: One Way Try and Go!
\n\n\n\n
Time
\n\n10/9(Sun)11:00(Weiwuying Unlimited members only)/ 13:00 / 15:00 / 17:00
\n\n10/10(Mon)11:00 / 13:00 / 15:00 / 17:00
\n\nAssemble at Ground Floor Backstage Entrance (West)
\n\n\n\n
Creative and Production Team
\n\nProduced by National Kaohsiung Center for the Arts (Weiwuying)
\n\nDirector|CHEN Yu-bi
\n\nPlaywright|CHEN Yu-bi
\n\nActors|CHEN Ying-da, LAI Chia-hsuan
\n\nStage Manager|CHENG Chu-hsin
\n\nStage Design|CHENG Chu-hsin
\n\nMusic Design|CHUNG Yang-che
\n\nLighting Design|CHIU Pin-hsueh
\n\nCostume Design|HUANG Chih-yang
\n\nExecutive Producer|CHIANG Yi-hsuan
\n\nStage Manager Assistant|CHEN Yi-lin
\n\nMusic Design Assistant|TSAI Sih-han
\n\nLighting Design Assistant|TAO Siao-huei
\n\nCostume Design Assistant|TSAI Mi-hsuan
\n\nDirector Assistant|HOU You-chia
\n\nRehearsal Assistant|LIAO En-chia
\n\nAdministrative Assistant|HSIEH Yun-chi
\n\n\n\n
\n',team:""},createdAt:1658477152,updatedAt:1686021823,updatedBy:"林蔚行",host:!1,hasSignup:!0},{_id:"62da6979869db00007247b08",catalogs:["631e9d17e329d300077404cc","5aec4184b01ea6000520f633","6007fc45ba34870007c22b8b"],dateTime:{first:1665378e3,discrete:[{time:1665378e3},{time:1665388800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1567571795778736131"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2629ba16096456d8e28ed3ae8d6a6d5d",title:"【衛武營週年慶4.0】菲利克斯.黑爾管風琴獨奏會"}],related:[],title:"【衛武營週年慶4.0】菲利克斯.黑爾管風琴獨奏會",cover:"e6e0a4935cc87cecab711eafa74ae462",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「OPEN HOUSE優先索票」適用之衛武營9、10月主辦節目票劵(貴賓票除外)如下:音樂說故事劇場《湖底之鬼》、無垢舞蹈劇場《觀》、唐美雲歌仔戲團《冥遊記─帝王之宴》、《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》、新古典舞團《布蘭詩歌》、五樓創意《Bonfire-你怕黑嗎?》、愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊、管風琴綺響《布穀鳥與夜鶯》、《幻想賦格》菲利克斯.黑爾管風琴獨奏會、威爾第歌劇《唐卡洛》、原聲巴洛克樂團《樂遊國境—音符聆國界》。
\n\t【衛武營週年慶4.0】將為民眾帶來免費索票的《菲利克斯.黑爾管風琴獨奏會》,倘若還沒感受過全亞洲最大管風琴,9085支音管響徹雲霄的現場魅力,您絕不可錯過此場音樂會。除了能聆聽國際管風琴大師所帶來的精彩演奏,曲目上將一睹近代及當代作曲家的管風琴作品:臺灣管風琴家陳巧喜為家鄉所譜的《臺灣組曲》;由法國管風琴家隆格列所寫,充滿複雜調性及有趣旋律線條的《派對》;德國電影配樂師施耐德為1995年電影《沉睡兄弟》所寫的觸技曲,從混沌的延音到後面爆發性的快速樂句,帶來衝擊性的聲響;法國管風琴家魏多的第九號交響曲是他本人最得意的交響作品,此次演奏的第二樂章《延宕的行板》則是內斂和煦,不徐不急的悠揚琴聲;巴黎聖母院的管風琴師維爾納以浪漫豐富的和聲著稱,曾寫下六首管風琴交響曲,此次帶來第一號的最終樂章。
\n\n\n\n
索票方式
\n\n※優先索票不適用衛武營小時光系列。
\n\n\n\n
※依主辦單位現場公告為主。
\n\n\n\n
演出曲目
\n\n隆格列:《派對》
\n\n陳巧喜:《臺灣組曲》I. 滿山春色 II. 月夜愁 III. 青春嶺
\n\n施耐德:《沉睡兄弟》觸技曲
\n\n魏多:第九號交響曲,作品70,第二樂章《延宕的行板》
\n\n維爾納:第一號交響曲,作品14,第六樂章《終曲》
\n\n\n\n
藝術家介紹
\n\n管風琴|菲利克斯.黑爾
\n\n德籍管風琴家菲利克斯.黑爾是全球最炙手可熱的管風琴演奏家之一,曾以獨奏家及協奏曲獨奏家的身分參與900多場音樂會演出,足跡遍及北美、歐洲、亞洲和澳洲。《美國管風琴家》雜誌讚譽道:「其演奏水平讓許多頗負盛名的樂壇前輩望塵莫及。」
\n\n他至今發行過12張錄音專輯,最新作品《如詩幻影》則收錄了由多位德國作曲家所譜寫的浪漫管風琴樂曲。在黑爾的「橫越美國音樂計畫」中,他帶著專屬的巡迴管風琴一邊旅行、一邊表演,並在未裝設管風琴的空間內演奏協奏曲和舉辦獨奏會,使該樂器擺脫了長久以來受限於表演場地的侷限性。此外,黑爾更以多樣化且創新的表演而聞名,演奏曲目涵蓋了五個世紀的管風琴樂曲,他也曾以馬拉松式的表演形式演繹巴哈的全套管風琴作品(約250首曲目、演出總長度近20個小時),並因此而獲得全球樂評聽眾的矚目。他至今曾彈奏過四輪全套巴哈管風琴作品,而最近一次是2013年於韓國首爾演出。
\n\n黑爾致力於推廣新型態的管風琴樂曲,並經常與作曲家合作。他曾先後就讀於美國紐約茱莉亞音樂學院、費城寇提斯音樂學院(音樂學士),以及巴爾的摩琵琶地音樂學院(演奏家文憑、音樂碩士、音樂藝術博士),並於2007年獲頒約翰霍普金斯大學著名的傑出畢業生獎。
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2629ba16096456d8e28ed3ae8d6a6d5d",title:"【衛武營週年慶4.0】菲利克斯.黑爾管風琴獨奏會"}],related:[],title:"【Weiwuying Anniversary 4.0】Felix HELL Organ Recital",cover:"e6e0a4935cc87cecab711eafa74ae462",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
【Weiwuying Anniversary 4.0】 will present Felix HELL's Organ Recital free for the public. If you've yet to experience the charisma of the 9085 resounding pipes of the largest organ in Asia live, don't miss this chance. You will hear an international organ master performing important modern organ works. Taiwanese organist Chelsea CHEN composed Taiwanese Suite for her homeland. Fête by French composer Jean LANGLAIS is full of intricating modes and fascinating melodies. German film composer Enjott SCHNEIDER wrote Toccata for 1995's Brother of Sleep. From the muffled and unsettled sostenutos to the explosive fast phrases, the piece strikes with impactful contrasts. French organist Charles-Marie WIDOR's Symphony No. 9 is his most proud. The second movement 'Andante sostenuto' is gentle, unhurried, melodious. Louis VIERNE, erstwhile organist of Notre Dame, is known for romantic and rich harmony. He wrote six organ symphonies; this program concludes with the final movement of his first.
\n\n\n\n
Ticketing Information
\n\n\n\n
Program
\n\nJean LANGLAIS: Fête
\n\nChelsea CHEN: Taiwanese Suite
\n\nI. Hills in the Springtime II. Moonlight Blue III. Mountain of Youth
\n\nEnjott SCHNEIDER: Toccata Brother of Sleep
\n\nCharles-Marie WIDOR: Symphony No. 9, Op. 70 II. Andante Sostenuto
\n\nLouis VIERNE: Symphony No. 1, Op. 14 VI. Final
\n\n\n\n
Artist Introduction
\n\nOrgan|Felix HELL
\n\nA native of Germany, Felix HELL is one of the most sought after concert organists in the world. He has been featured as a recitalist and concerto soloist in more than 900 concerts throughout North America, Europe, Asia and Australia. The American Organist raved that he "sets standards that older and honored players would struggle to equal."
\n\nFelix HELL's discography includes 12 CDs. His most recent recording titled Poetic Visions features Romantic Organ Music by German Composers. His project "Music Across America" allows him to travel with his own Touring Organ, performing organ concertos and recitals in spaces that do not house pipe organs, liberating the instrument from its historic confines. Felix HELL is known for his diverse and innovative programming, drawing upon a repertoire encompassing five centuries. Furthermore, he has received global recognition for his marathon performances of the entire organ works of J.S. BACH, which encompasses about 250 compositions and close to 20 hours of performance time. He has since performed the complete BACH cycle four times, most recently in 2013 in Seoul, Korea.
\n\nMr. HELL is an avid supporter of new music for organ and frequently collaborates with composers. Felix HELL studied at the Juilliard School in New York, the Curtis Institute of Music in Philadelphia (BM), the Peabody Institute in Baltimore (AD, MM, DMA). In 2007, he received Johns Hopkins University’s prestigious Outstanding Graduate Award.
\n\n\n\n
\n',team:""},createdAt:1658481017,updatedAt:1665227287,updatedBy:"林蔚行",host:!0},{_id:"62da6f20869db00007247c24",catalogs:["5fe2bffdde1961000737545c","631e9d17e329d300077404cc","5aec418cb01ea6000520f635","6007fc45ba34870007c22b8b"],dateTime:{first:1665383400,discrete:[{time:1665383400},{time:1665392400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1567577710969716739"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9599bf41c1e29ca30e1155f6ac60ce3d",title:"【衛武營週年慶4.0】創造焦點《三鴕大變》"}],related:[],title:"【衛武營週年慶4.0】創造焦點《三鴕大變》",cover:"aaf5c0428e67a8edb4f328d3f2ce2297",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
「OPEN HOUSE優先索票」適用之衛武營9、10月主辦節目票劵(貴賓票除外)如下:音樂說故事劇場《湖底之鬼》、無垢舞蹈劇場《觀》、唐美雲歌仔戲團《冥遊記─帝王之宴》、《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》、新古典舞團《布蘭詩歌》、五樓創意《Bonfire-你怕黑嗎?》、愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊、管風琴綺響《布穀鳥與夜鶯》、《幻想賦格》菲利克斯.黑爾管風琴獨奏會、威爾第歌劇《唐卡洛》、原聲巴洛克樂團《樂遊國境—音符聆國界》。
\n\t當今世俗社會有太多令人厭煩的瑣事,生活在人來人往、時間急促的都市節奏裡,被壓得喘不過氣,是否很久沒有好好放鬆一下?距離上一次的放聲大笑是多久之前呢?給我們一個機會,讓我們一起暫時逃離這個紛擾的社會吧!
\n\n本作品的主角為「三隻個性迥異的鴕鳥」,藉由鴕鳥的習性,遇到困難或緊張時會把頭埋進洞裡,來比喻當今社會上的人們,當問題發生時往往會用消極的方式去面對。運用新馬戲形式「以人扮演鴕鳥」,呈現鴕鳥的習性與特色,利用人與動物之間的巧妙轉換而激起新火花,創造出多元多變的新馬戲表演,作品中除了有雜耍元素、肢體喜劇、特技疊羅漢串在其中,更有現場音樂伴奏的搭配,是一場適合各個年齡層觀賞的演出。
\n\n\n\n
索票方式
\n\n※優先索票不適用衛武營小時光系列。
\n\n\n\n
\n\n
\n\n
※依主辦單位現場公告為主。
\n\n\n\n
演出暨製作團隊
\n\n製作人|李仕洋
\n\n導演|周鈞翔
\n\n燈光設計|蘇耕立
\n\n演員|王躍愷、周鈞翔、林建賢、黃淑靖
\n\n\n\n
團隊介紹
\n\n創造焦點
\n\n成立於2015年,藉由十餘年的專業學習資歷,投入創新傳承,挾專業特技和劇場實力,已累積不少海內外演出經驗,致力於運用當代的思維、新穎的風格,融合特技、馬戲,詮釋當代馬戲藝術及特色。「創造焦點」目標是保留傳統,創新未來,集結各領域表演藝術人才,積極推廣與發展臺灣當代馬戲。未來也期望與各國藝術團隊交流學習,將經驗與創作能量帶回臺灣,創造出當代馬戲的新焦點。《創造焦點》體認到馬戲、雜技文化之豐富精彩、透過國際型活動,以及臺灣藝文活動展演平台,更能將臺灣瑰麗文化帶給所有參與的民眾,亦能在國際大型藝術節中吸取寶貴經驗、劇場專業,在既有的基礎之上重新扎根,厚實自我能力,不管是表演藝術經驗、品牌經營、劇場行銷,皆能有長足的成長,期待未來讓更多大眾看見臺灣新生代馬戲創作者,將傳統文化與當代藝術並駕而出的當代馬戲美學。
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9599bf41c1e29ca30e1155f6ac60ce3d",title:"【衛武營週年慶4.0】創造焦點《三鴕大變》"}],related:[],title:"【Weiwuying Anniversary 4.0】Eye Catching Circus The Three Ostriches",cover:"aaf5c0428e67a8edb4f328d3f2ce2297",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Let's escape from this troublesome world for a while! The world is full of annoying trivialities. Living in the city, you are overwhelmed by the hastening crowds. When was the last time you felt relaxed? When was the last time you laughed out loud?
\n\nThis work focuses on "three ostriches with very different personalities. "The ostrich is portrayed by humans, presenting its habits and characteristics. The ostrich's habit of burying its head in a hole when it is troubled or stressed alludes to people's passive attitude when problems occur. This new form of circus performance uses the clever connection between humans and animals to create sparks and hilariously present three different ostriches. This is a show for all ages, with juggling, physical comedy, stunts, and live musical accompaniment.
\n\n\n\n
Ticketing Information
\n\n\n\n
Creative and Production Team
\n\nProducer|LI Shih-yang
\n\nDirector|CHOU Chun-hsiang
\n\nLighting Designer|SU Keng-li
\n\nPerformers|WANG Yao-kai, CHOU Chun-hsiang, LIN Chien-hsien, HUANG Shu-ching
\n\n\n\n
Team Introduction
\n\nEye Catching Circus
\n\nFounded in 2015, Eye Catching Circus uses new ideas, styles, and acrobatics to re-interpret the essence and characteristics of contemporary circus. Our goal is to preserve tradition and introduce innovation by gathering talents from various performing arts fields to promote and develop contemporary circus in Taiwan. In the future, we hope to engage with and learn from international artistic groups, bring the experience and creative energy back to Taiwan, and create a new focus for contemporary circus.
\n\nThrough international events and the stage of Taiwan's performing arts, we can bring the wonders of Taiwan's circus and acrobatics to all participants and absorb the invaluable experience and theatrical expertise to our existing foundation.This opportunity will spur us in artistic philosophy, brand management, and theater marketing and allow us to give back to the performing arts community in the future. We hope that more people will see the contemporary circus aesthetic of Taiwan's new generation of circus creators, where traditional culture and contemporary art go hand in hand.
\n\n\n\n
\n',team:""},createdAt:1658482464,updatedAt:1665227340,updatedBy:"林蔚行",host:!0},{_id:"62de4f004a57e7000891ef4e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666956600,discrete:[{time:1666956600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1547937123062145026"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"198f36c5b9c702c51ffbab4c4ecc4a7d",title:"《尼古拉.薩拉托斯基2022鋼琴獨奏會》"}],related:[],title:"《尼古拉.薩拉托斯基2022鋼琴獨奏會》",cover:"0d404d31cb402ba847a1274d7fc11f1e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
享譽國際樂壇之新生代俄國鋼琴家尼古拉.薩拉托斯基本次獨奏會將為喜愛鋼琴藝術的愛樂觀眾,帶來最精彩兩部曠世巨作:李斯特之12首完整《超技練習曲》,以及俄國作曲家拉赫曼尼諾夫作品39號全套9首《音畫練習曲》。將這兩部重量級練習曲作品安排於同一場音樂會當中,不僅展現出鋼琴家尼古拉.薩拉托斯基深厚的演出實力與精湛技巧,更是透過演奏家的雙手,將兩位歷史上兩位鋼琴巨擘所精心刻劃的音樂作品,以最忠實的面貌呈現給愛樂觀眾,絕對是一次極為難得的演出,愛樂的朋友將不容錯過!
\n\n\n\n
演出曲目
\n\n李斯特:超技練習曲,作品139
\n\n拉赫曼尼諾夫:音畫練習曲,作品39
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|尼古拉.薩拉托斯基
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"198f36c5b9c702c51ffbab4c4ecc4a7d",title:"《尼古拉.薩拉托斯基2022鋼琴獨奏會》"}],related:[],title:"Nikolai Saratovsky 2022 Piano Recital",cover:"0d404d31cb402ba847a1274d7fc11f1e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Renowned in the international music field, the Russian pianist Nikolai Saratovsky will give a piano recital with two masterpieces: Franz Liszt's "Études d’exécution transcendante, S.139", and Sergei Rachmaninoff's "Etudes-tableaux, Op.39". Arranging these two significant works into one program shows the profound abilities and exquisite skills of a pianist. Through the faithful performance, Nikolai will bring a purity of musicality that enthralls his listeners into a direct connection with the composers themselves.
\n\n\n\n
Program
\n\nFranz Liszt (1811 – 1886): 12 Transcendental Etudes, S. 139
\n\nSergei Rachmaninov (1873-1943): Etudes-tableaux, Op.39
\n\n\n\n
Creative and Production Team
\n\nPiano|Nikolai Saratovsky
\n\n\n\n
\n',team:""},createdAt:1658736384,updatedAt:1659941047,updatedBy:"林蔚行",host:!1},{_id:"62de696e4a57e7000891f407",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1664537400,discrete:[{time:1664537400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[700,900,1200,1500,1800],link:"https://tickets.udnfunlife.com/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1KV61KF&kdid=A01"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d7999e21ec1d90720029e321f3d2c86",title:"《聲聲不息2.0 樂團來PK》"}],related:[],title:"《聲聲不息2.0 樂團來PK》",cover:"fe66ff5263c55ce1ebb4e215fae81b21",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
旅台多年的美籍鋼琴教授遇上天才視障鋼琴家20年的師生情誼
\n\n淬煉成舞台上的尖峰對彈2020年
\n\n全臺巡演超過15場 觀眾好評不斷歷屆一年構思,
\n\n「聲聲不息」推出第二部全新作品「聲聲不息2.0 樂團來PK」
\n\nTASO台灣藝術家交響樂團率團挑戰兩位鋼琴家的極限相聲X雜耍X古典樂
\n\n精湛琴藝結合趣味元素,顛覆一般觀眾對古典樂的刻板印象
\n\n\n\n
演出曲目
\n\n史特勞斯:拉黛斯基進行曲
\n\n巴哈:f小調協奏曲,作品1056,第一、二樂章 (節選)
\n\n莫札特:d小調第20號鋼琴協奏曲,作品466,第一樂章 (節選)
\n\n蕭邦:f小調第二號鋼琴協奏曲,作品21,第一樂章 (節選)
\n\n葛利格:a小調鋼琴協奏曲,作品16,第一樂章 (節選)
\n\n舒曼:a小調鋼琴協奏曲,作品54,第一樂章 (節選)
\n\n莫札特:C大調第21號鋼琴協奏曲,作品467,第一樂章 (節選)
\n\n貝多芬:C大調第一號鋼琴協奏曲,作品15,第三樂章 (節選)
\n\n貝多芬:c小調第三號鋼琴協奏曲,作品37,第一樂章 (節選)
\n\n李斯特:E大調第一號鋼琴協奏曲,作品124,第一樂章 (節選)
\n\n柴可夫斯基:降b小調第一號鋼琴協奏曲,作品23,第一樂章 (節選)
\n\n普羅高菲夫:C大調第三號鋼琴協奏曲,作品26,第一樂章 (節選)
\n\n拉赫曼尼諾夫:帕格尼尼主題狂想曲,作品43 (節選)
\n\n蓋西文:藍色狂想曲 (節選)
\n\n拉赫曼尼諾夫:c小調第二號鋼琴協奏曲,作品18,第三樂章 (節選)
\n\n理查.羅德尼.班尼特:憂傷的森巴
\n\n韓德爾:〈哈雷路亞〉,出自《彌賽亞》
\n\n李歐納.柯恩:哈雷路亞
\n\n雷.查爾斯:哈雷路亞我如此愛她
\n\n蕭邦:《雨滴》前奏曲,作品28-15
\n\n范德騰:《浴室好朋友》
\n\n范德騰:《加護病房之歌》
\n\n貝多芬:《熱情》奏鳴曲,作品57,第一樂章
\n\n貝多芬:第九號交響曲《合唱》,第四樂章〈快樂頌〉
\n\n李正帆:《快樂頌》(原唱:庾澄慶)
\n\n吳嘉祥:《歡喜就好》(原唱:陳雷)
\n\n菲瑞.威廉斯:快樂
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|范德騰、許哲誠
\n\n樂團指揮|呂景民
\n\n台灣藝術家交響樂團TASO
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d7999e21ec1d90720029e321f3d2c86",title:"《聲聲不息2.0 樂團來PK》"}],related:[],title:"Do You See What I Hear? 2.0: Taking on the Orchestra",cover:"fe66ff5263c55ce1ebb4e215fae81b21",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This show is about the very real connection made between two extremely different people. John Vaughan is an American piano professor who moved to Taiwan in 1993. In 1998 he began teaching HSU Zhe-Cheng, an 11-year-old Taiwanese blind wunderkind. After 10 years, they begin performing together, taking their real-life persona on stage and amuse audiences of all ages with their "piano lessons." Having performed in concert halls and theaters throughout Asia for over a decade, John and Zhe-Cheng have become masters at weaving stories about themselves, composers, and musical works with the actual music itself. "Do You See What I Hear" is their latest show, a hilariously funny and highly moving piano lesson that explores the different ways of "looking" at music.In this new updated version, the professor and his blind student are joined by an orchestra for a lively discussion about the Concerto.
\n\n\n\n
Program
\n\n\n\n
Pharrel Williams: Happy
\n\nJ.Strauss: Radetzky March
\n\nJ.S.Bach: Concerto in f minor, BWV 1056, 1st and 2nd movements (Excerpts)
\n\nW.A.Mozart: Piano Concerto No.20 in d minor, K. 466, 1st movement (Excerpt)
\n\nF.Chopin: Piano Concerto No. 2 in f minor, Op.21, 1st movement (Excerpt)
\n\nE.Grieg: Piano Concerto in a minor, Op.16, 1st movement (Excerpt)
\n\nR.Schumann: Piano Concerto in a minor, Op.54, 1st movement (Excerpt)
\n\nW.A.Mozart: Piano Concerto No.21 in C Major, K. 467, 1st movement (Excerpt)
\n\nL.v.Beethoven: Piano Concerto No. 1 in C Major, Op.15, 3rd movement (Excerpt)
\n\nL.v.Beethoven: Piano Concerto No. 3 in c minor, Op.37, 3rd movement (Excerpt)
\n\nF.Liszt: Piano Concerto No.1 in E Major, S.124, 1st movement (Excerpt)
\n\nP.I.Tchaikovsky: Piano Concerto No.1 in b-flat minor, Op.23, 1st movement (Excerpt)
\n\nS.Prokofiev: Piano Concerto No.3 in C Major, Op.26, 1st movement (Excerpt)
\n\nS.Rachmaninoff: Rhapsody on A Theme of Paganini, Op.43 (Excerpt)
\n\nG.Gershwin: Rhapsody in Blue (Excerpt)
\n\nS.Rachmaninoff: Piano Concerto No. 2 in c minor, Op.18, 3rd movement (Excerpt)
\n\nRichard Rodney Bennett: Samba Triste
\n\nGeorge Friderick Handel: Hallelujah Chorus from Messiah
\n\nLeonard Cohen: Hallelujah
\n\nRay Charles: Hallelujah I Love Her So
\n\nFrédéric Chopin: Prelude Op. 28, No. 15, Raindrop
\n\nLudwig van Beethoven: Movement I, from Piano Sonata No.23 in F minor, Op.57, Appassionata
\n\nLudwig van Beethoven: Movement IV, Ode to Joy, from Symphony No. 9 in D minor, Op.125
\n\nPharrel Williams: Happy
\n\n\n\n
Creative and Production Team
\n\nPiano|John Vaughan、Che-Chen HSU
\n\nConductor|Ching-Ming LU
\n\nTASO
\n\n\n\n
\n',team:""},createdAt:1658743150,updatedAt:1660367994,updatedBy:"通泰系統管理員",host:!1},{_id:"62df9208869db000072544d8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664883e3,discrete:[{time:1664883e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200],link:"https://www.opentix.life/event/1550373747877195778"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29c008ad0f147efa2d92c420579c205e",title:"《2022華姵長笛獨奏會》"}],related:[],title:"《2022華姵長笛獨奏會》",cover:"690358524ef069b0344ce272f715cb76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
《La Flûte c'est ma vie》長笛對華姵來說,是活躍的靈魂、全然的生命!這場音樂會,長笛演奏家-華姵將與鋼琴演奏家-廖皎含詮釋不同風格的長笛音樂,並特邀客席豎笛演奏家-陳威稜,一起展現室內樂的藝術張力,帶給大家最美麗的音樂饗宴。
\n\n\n\n
演出曲目
\n\n杜普勒:瓦拉幾亞曲調幻想曲.
\n\n羅伯特.穆欽斯基:長笛奏鳴曲 Op. 14《第四樂章Cadenza改編:華姵、廖皎含》
\n\n聖桑:給長笛、豎笛、鋼琴的塔朗泰拉舞曲
\n\n施密特:三重小奏鳴曲,為鋼琴、長笛和豎笛,作品 85
\n\n蓋瑞.夏克:懊悔與決心
\n\n盧亮輝:「春風夜雨情」長笛協奏曲
\n\n\n\n
演出暨製作團隊
\n\n長笛 | 華姵
\n\n鋼琴 | 廖皎含
\n\n客席豎笛 | 陳威稜
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29c008ad0f147efa2d92c420579c205e",title:"《2022華姵長笛獨奏會》"}],related:[],title:"2022 Hua Pei Flute Recital 《La Flûte c'est ma vie》",cover:"690358524ef069b0344ce272f715cb76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"La Flûte c'est ma vie" The flute is an active soul and a complete life to Hua Pei. In this concert to show the artistic tension of chamber music together and bring you the best Beautiful music feast.
\n\n\n\n
Program
\n\nA. Franz Doppler:Airs Valaques , Op. 10 for Flute and Piano
\n\nRobert Muczynski:Sonata For Flute And Piano Op. 14 IV. Allegro Con Moto
\n\nSaint-Saens:Tarantella for Flute Clarinet and Piano
\n\nFlorent Schmitt:Sonatine en Trio for Flute, Clarinet and Piano, Op. 85
\n\nGary Schocker (1959--):Regrets and Resolutions, for Flute and Piano
\n\nLo Leung-fai:Flute Concerto No.1 in D Major
\n\n\n\n
Creative and Production Team
\n\nFlute | Hua Pei
\n\nPiano| Chiao-Han LIAO
\n\nClarinet | William Wei-Leng CHEN
\n\n\n\n
\n',team:""},createdAt:1658819080,updatedAt:1660282697,updatedBy:"林蔚行",host:!1},{_id:"62e359f6869db00007261ae3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666351800,discrete:[{time:1666351800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500,1800],link:"https://www.opentix.life/event/1550304495702007813"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5ec2c1752253a455f3ecdbeb0ada9d68",title:"《奇美音樂節【靈魂的印痕】NTSO的浪漫狂想》"}],related:[],title:"《奇美音樂節【靈魂的印痕】NTSO的浪漫狂想》",cover:"dafeb197881ca25c51af394ff6bc63c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
相關優惠請至購票網站查詢。
\n\t節目全長約120分鐘,含中場休息20分鐘+導聆。
\n\t建議7歲以上觀眾觀賞。
\n\t遲到觀眾須遵循工作人員指示入場。
\n\t主辦:國立臺灣交響樂團、財團法人奇美博物館基金會
\n\t伴隨十九世紀一系列武裝革命,浪漫主義最後帶動了民族主義興起,使原本隱身在地方的文學與音樂,開始納入主流德法樂曲寫作中,最後形成更豐沛的西方音樂體系。德弗札克便是在這樣背景下,以波希米亞、摩拉維亞的樂曲素材,成功寫出捷克人的音樂。他的大提琴協奏曲採用了大量的調式旋律和舞蹈節奏,並融入對往日情人的追憶,讓整部作品充滿濃厚的鄉愁與情愁。
\n\n\n\n
下半場兩首則聚焦神秘又熱情的西班牙靈魂。在拿破崙征戰鄰國後,來自伊比利半島的文化開始廣為流傳,它因為同時擁有伊斯蘭、基督教與吉普賽特色,深深啟發了許多他國作曲家。拉威爾由於母親就是西班牙巴斯克人,因此在《西班牙狂想曲》中除了可以聽見由不同舞風創造出的華麗之聲,也充滿了令人迷戀的懷舊感。同樣擅長管弦樂法的林姆斯基-高沙可夫,則利用樂團打造出五樂章的《西班牙隨想曲》,每個段落都各有不同樂器獨奏帶領,彷彿讓聽者遍歷一場目不暇給的旅行。
\n\n\n\n
演出曲目
\n\n德弗札克:B小調大提琴協奏曲,作品一〇四
\n\n林姆斯基-高沙可夫:西班牙隨想曲,作品三十四
\n\n拉威爾:西班牙狂想曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|多利安.威爾森
\n\n大提琴|潘怡慈
\n\n國立臺灣交響樂團
\n\n導聆|吳毓庭
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5ec2c1752253a455f3ecdbeb0ada9d68",title:"《奇美音樂節【靈魂的印痕】NTSO的浪漫狂想》"}],related:[],title:"CHIMEI Music Festival‘The Impressions of The Soul’",cover:"dafeb197881ca25c51af394ff6bc63c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Duration is 120 minutes with a 20-minute intermission.
\n\tAge guidance 7+
\n\tLatecomers must follow staff instructions for entry and re-entry
\n\tPresenter: National Taiwan Symphony Orchestra, CHIMEI Museum Foundation
\n\tFor ticket information, please contact OPENTIX or 06-266-0808
\n\tFor more offers, please visit the ticketing website.
\n\tCHIMEI Music Festival 'The Impressions of The Soul' Rise of Nationalism- NTSO Rhapsody
\n\nWith a series of revolutions in 19th century, Romanticism finally led to the rise of nationalism. The literature and music that had been concealed in the countryside began to be incorporated into mainstream German and French music, and finally transformed into Western music system. Dvořák successfully composed Czech music with Bohemian and Moravian materials in this trend. His cello concerto contains lots of modal scales, dance elements, as well as personal memories of past love, making this work nostalgia and sentimental.
\n\n\n\n
In the second half program, there are two masterpieces focusing on mysterious and passionate Spanish soul. Following Napoleon's conquest of neighboring countries, the culture from the Iberian Peninsula began to spread widely, and it deeply inspired many composers from other countries due to its Islamic, Christian and Gypsy characteristics. Because Ravel's mother was from Basque, we can hear both the splendid sound created by different dance styles, and fascinating emotions in "Rapsodie Espagnole". Rimsky-Korsakov, who is also a master of orchestration, composed five-movement "Capriccio Espagnol", utilizing different instruments' solo for various sections, as if taking listeners to a marvelous travel.
\n\n\n\n
Program
\n\nAntonín Dvořák: Cello Concerto in B minor, Op. 104
\n\nNikolai Rimsky-Korsakov: Capriccio Espagnol Op. 34
\n\nMaurice Ravel: Rapsodie Espagnole
\n\n\n\n
Creative and Production Team
\n\nConductor: Dorian Wilson
\n\nCello: Yi-Tzu Pan
\n\nNational Taiwan Symphony Orchestra
\n\nGuider: Yu-Ting Wu
\n\n\n\n
\n',team:""},createdAt:1659066870,updatedAt:1660549869,updatedBy:"林蔚行",host:!1},{_id:"62e7764e4a57e7000895f4fd",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664278200,discrete:[{time:1664278200}],type:"discrete"},activity:{type:"free",free:{englishDescription:"Program cancelled",description:"節目取消"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e2807f1995b002173155f98a981e8a9",title:"《玉山音樂饗宴—維也納少年合唱團》"}],related:[],title:"「節目取消」《玉山音樂饗宴—維也納少年合唱團》",cover:"149c9a131ae9bffea1ab642a25964fe9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年9月27日(二)19:30於衛武營音樂廳演出之「玉山音樂饗宴—維也納少年合唱團」,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年9月30日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
\n\n
維也納少年合唱團創立於1498年,是世界上最著名的合唱團。招牌的水手服、黃鶯般的歌聲,這群來自藍色多瑙河畔傳唱超過500年的小天使,將為您帶來天籟般的音樂饗宴。
\n\n\n\n
演出曲目
\n\n華爾茲及波卡舞曲、世界名曲、聖歌、臺灣歌曲等。
\n\n\n\n
演出暨製作團隊
\n\n維也納少年合唱團
\n\n\n\n
贊助單位
\n\n\n\t\t |
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e2807f1995b002173155f98a981e8a9",title:"《玉山音樂饗宴—維也納少年合唱團》"}],related:[],title:"(Program cancelled) Vienna Boys' Choir",cover:"149c9a131ae9bffea1ab642a25964fe9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2771-5676. | \n\t\t
\n\n\n\n
\n\n
The Vienna Boys' Choir was founded in 1498; it is the most famous choirs in the world. With their iconic sailor suit and nightingale-like voice, these angels sing for five centuries-old choir beside the blue Danube and will bring you their heavenly songs here.
\n\n\n\n
Program
\n\nWaltz, polka, world famous songs, hymns, and Taiwanese songs.
\n\n\n\n
Creative and Production Team
\n\nVienna Boys' Choir
\n\n\n\n
Sponsor
\n\n\n\t\t |
\n\n
\n',team:""},createdAt:1659336270,updatedAt:1661157182,updatedBy:"林蔚行",host:!1},{_id:"62e7806f4a57e7000895f6cc",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1664623800,discrete:[{time:1664623800},{time:1664692200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1200,1500],link:"https://www.opentix.life/event/1549701251740278786"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bb9d0966d155d390a4474420411013a8",title:"《左伯桃》"}],related:[],title:"《左伯桃》",cover:"7556986fbaec122c5f70ee84e139be6b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
化用傳統,提丹練氣——《左伯桃》紀慧玲/表演藝術評論平台
\n\n從《左伯桃》談姚一葦的新編戲曲觀——林乃文/表演藝術評論平台
\n\n單一而深刻,簡約且豐富——《左伯桃》劇評/張啟豐/台新銀行文化藝術基金會
\n\n\n\n
演出內容
\n\n姚一葦橫跨創作、藝術與美學理論,「左伯桃」是他創作生涯中唯一的平劇劇本。「左伯桃」劇本以傳說中左伯桃與羊角哀的故事為基底進行改編,全劇共有「辭家」、「訪友」、「行路」及「雪阻」四場,兩人在前往楚國的路上結伴而行,路遇風雪,左伯桃犧牲自己的生命,成就了羊角哀。故事架構並無修改,透過形式與內容上的調整,轉化以生命困境為題,書寫出富含人性、無私溫暖奉獻的精神。
\n\n\n\n
演出暨製作團隊
\n\n指導單位|教育部
\n\n製作單位|國立臺灣戲曲學院
\n\n贊助單位|趨勢教育基金會
\n\n製作人|劉晉立
\n\n藝術總監|林宜毓
\n\n製作總監|詹惠登
\n\n劇作家|姚一葦
\n\n導演|曹復永
\n\n音樂總監|游素凰
\n\n編腔及音樂設計|趙路加
\n\n舞台設計|房國彥
\n\n燈光設計|簡立人
\n\n服裝設計|林宜毓
\n\n舞蹈編排|萬裕民
\n\n舞台監督|程楚心
\n\n行銷宣傳|林裕紘
\n\n行政經理|王慧琳
\n\n行政助理|吳彥霖、黃怡萍
\n\n\n\n
演員
\n\n左伯桃|張德天
\n\n羊角哀|王璽傑
\n\n左妻|顏雅娟
\n\n樵夫|王辰鑫
\n\n\n\n
\n\n
舞者
\n\n雪童|張寶心、陳冠君、張仲翔、陶佑安、連哲穎、蔣傅宇
\n\n\n\n
樂師
\n\n林世連、郭彥麟、李經元、何永欽、張元霖、李承霖、李佳穎、簡彤恩、黃可嘉、張家碩、陳怡靜、陳品丞
\n\n\n\n
\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bb9d0966d155d390a4474420411013a8",title:'Beijing Opera Performance "Zuo Bo Tao"'}],related:[],title:'Beijing Opera Performance "Zuo Bo Tao"',cover:"7556986fbaec122c5f70ee84e139be6b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Yi-Wei Yao crossed over creative, artistic and aesthetic theories dimensions. "ZUO BO TAO" is the only Beijing Opera script in his creation career. The script of "ZUO BO TAO" is adapted based on the legendary story of "Bo-Tao Zuo and Jiao-Ai Yang." The whole play consists of four scenes: "Leaving home", "Visiting Friends", "Travelling" and "Blocked by the Snow Storm". These two men encountered the snow storm together on the road to Chu State. "Bo-Tao Zuo" sacrificed his life to keep "Jiao-Ai Yang" alive. The structure of the story has not been modified. Through the adjustment of form and content, the theme of the dilemma of life is transformed into a spirit full of humanity, selfless warmth and dedication.
\n\n\n\n
Creative and Production Team
\n\nAdvised by Ministry of Education
\n\nProduced by National Taiwan College of Performing Arts
\n\nSponsored by Trend Education Foundation
\n\nProducer|Jin-Li Liu
\n\nArtistic Director|Yi-Yu Lin
\n\nProduction Director|He-Don Zhan
\n\nPlaywrighter|Yi-Wei Yao
\n\nDirector|Fu-Yung Tsao
\n\nMusic Director|Su-Huang You
\n\nMusic Design|Luke Zhao
\n\nStage Design|Kuo-Yien Fang
\n\nLighting Design|Lee-Zen Chien
\n\nCostume Design|Yi-Yu Lin
\n\nDance choreography|Yu-Min Wan
\n\nStage Manager|Chu-Shin Ceng
\n\nMarketing Promotion|Yu-Hong Lin
\n\nBusiness Manager|Hui-lin Wang
\n\nAssistant to Business Manager|Yen-Lin Wu、I-Ping Huang
\n\n\n\n
Actors
\n\nBo-Tao Zuo|Tso-Kai Chang
\n\nJao-Ai Yang|Hsic-Hieh Wang
\n\nZuo's Wife|Ya-Jiuan Yen
\n\nWoodcutter|Chen-Xin Wang
\n\n\n',team:""},createdAt:1659338863,updatedAt:1664178878,updatedBy:"林蔚行",host:!1},{_id:"62e7862e869db00007272869",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664191800,discrete:[{time:1664191800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,600,800],link:"https://www.opentix.life/event/1552224330631503879"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38a2724cfbeb21baa341c1ee992d8f2c",title:"《迎曦女聲十五週年音樂會》"}],related:[],title:"《迎曦女聲十五週年音樂會》",cover:"14f239ac28e31e9e24adc72524f2eff7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
日本第26回寶塚國際室內合唱大賽浪漫樂派組金牌冠軍
\n\n四度蟬聯106~109年全國社會組合唱比賽女聲組金質獎
\n\n\n\n
迎曦女聲(中山女高校友合唱團)成立十五年來,除了持續提升演唱水準之外,也積極拓展曲目,不斷地尋求與作曲家們的合作,希望為臺灣留下更多屬於自己的合唱音樂。這場音樂會主題為「嶄新的地平線」,包括了委託斯洛維尼亞作曲家Ambrož Čopi創作的《Missa Spei》(希望彌撒曲)選曲,以及由鄭朝方和張舒涵合作的《陌上星空》、林松樺《看一隻鳥仔》、陳維斌《唱一首溫柔的歌》等作品,期盼以精緻的女聲合唱,與聽眾朋友們分享,讓大家重新找回被每天的工作與生活所磨滅的勇氣與生命力!
\n\n\n\n
演出曲目
\n\nDarius Lim|Winter Wind
\n\nAmbrož Čopi|Missa Spei(世界首演)
\n\nOla Gjeilo|Tundra
\n\nJake Runestad|Sing, Wearing the sky
\n\nGreg Gilpin|A New Horizon
\n\n劉毅|戇囝仔
\n\n謝宇威|旅途
\n\n陳維斌|花廳門、唱一首溫柔的歌
\n\n林松樺|看一隻鳥仔、夜的思想(世界首演)
\n\n佐藤賢太郎|朧月夜の淚
\n\n鄭朝方、張舒涵|陌上星空
\n\n\n\n
演出暨製作團隊
\n\n演出|迎曦女聲(中山女高校友合唱團)
\n\n藝術總監暨指揮|翁建民
\n\n鋼琴|蔡郁汶
\n\n聯演|天生音籟兒童合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38a2724cfbeb21baa341c1ee992d8f2c",title:"《迎曦女聲十五週年音樂會》"}],related:[],title:"A New Horizon",cover:"14f239ac28e31e9e24adc72524f2eff7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Amazing and lovely contemporary choral music from Ambrož Čopi' Missa Spei and Taiwanese composers
\n\n\n\n
Program
\n\nDarius Lim|Winter Wind
\n\nAmbrož Čopi|Missa Spei
\n\nOla Gjeilo|Tundra
\n\nJake Runestad|Sing, Wearing the sky
\n\nGreg Gilpin|A New Horizon
\n\n\n\n
Creative and Production Team
\n\nTaipei Laides Singers
\n\nArtistic Director & Conductor|WENG Chien-min
\n\nPiano|TSAI Yu-wen
\n\nGuest|Natus Cantorum Junior
\n\n\n\n
\n',team:""},createdAt:1659340334,updatedAt:1660620933,updatedBy:"通泰系統管理員",host:!1},{_id:"62eb70a2e924a300074b8fda",catalogs:["631e9d17e329d300077404cc","60175764537e520007436189","6007fc45ba34870007c22b8b"],dateTime:{first:1663988400,discrete:[],type:"continuous",continuous:{time:[1659582e3],endTime:[1659618e3],start:1663948800,end:1665331200}},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51605971d80de655066f15f40549f469",title:"【衛武營週年慶4.0】亞歷山大.李維《森聲不息》"}],related:[],title:"【衛武營週年慶4.0】亞歷山大.李維《森聲不息》",cover:"824f7d792cfe125e9436e6f8b7441b9d",site:{isOther:!0,site:"",other:"樹冠露台(東)"},cautions:'
《森聲不息》是一項互動式音樂裝置藝術,在不同的場域如市區或公園,搭起像林木般的雕刻木板,透過民眾靠近木板敲打或側耳傾聽,察覺自然環境中充滿詩意的細緻聲響。此藝術是由法國音樂家亞歷山大・李維所構思及創作,並在雕刻的紋路間鋪上一層導電漆,讓雕刻成為互動式,希望透過作品,找到人、環境及音樂之間的連結,感受環境的聲音脈動。李維過去曾在建築空間或自然遺產場域完成多個現地製作,他的作品結合了科技元素與自然人文,與多元的藝術跨域合作,並不再以表演者為中心,而更強調個體觀眾的感知。今年9月24日至10月10日,衛武營將邀請臺灣的打擊樂家,現場演奏李維結合電子元素的作品,歡迎民眾漫步到衛武營,用觸覺及聽覺,打開全新的沈浸體驗。
\n\n\n\n
展期
\n\n9/24(六)至10/10(一)
\n\n\n\n
音樂演出
\n\n9/24(六)16:00
\n\n10/8(六)17:00
\n\n10/9(日)17:00
\n\n10/10(一)14:30、17:30
\n\n\n\n
演後座談
\n\n2022/9/24(六)16:45 樹冠露台(東)
\n\n2022/10/10(一)18:00 樹冠露台(東)
\n\n與談人|吳瑪悧(藝術家)
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|亞歷山大・李維
\n\n視覺藝術家|索菲・勒孔特
\n\n擊樂|郭羽芝
\n\n電聲、合成器|王品心
\n\n藝術行政經理|佛羅倫斯.佩格利
\n\n\n\n
藝術家介紹
\n\n亞歷山大・李維
\n\n法國作曲家亞歷山大.李維畢業於巴黎音樂學院,並在布洛涅音樂學院學習電聲音樂(electroacoustic music)。李維擅長結合多元藝術,不僅跳脫傳統框架,甚至打破了表演者與觀眾間隱形的第四面牆。從古典交響曲到各類聲樂作品,從電聲音樂到跨領域的裝置藝術,李維的作品兼容並蓄,對於藝術美學有極高的開放性。李維於 2003 年創立了「聲學(AKousthéa)」 ,強調將數位、互動性及當代音樂三個元素融為一體,尋找每個場域的獨特性,因地制宜的設計出獨一無二的藝術作品,並透過音樂,轉錄當地珍貴的歷史與自然遺跡。受到國際肯定的李維,在 2015 年首度來臺展出作品,並廣獲好評,今年他將三度來臺,展出他的互動裝置藝術《森聲不息》。
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
感謝單位:
\n\n\n\t\t |
INSTITUT FRANÇAIS ET REGION CENTRE VAL DE LOIRE
\n\n龍塢樂府、基隼系統科技
\n\n十鼓文創股份有限公司
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51605971d80de655066f15f40549f469",title:"【Weiwuying Anniversary 4.0】Alexandre LÉVY - Vibration Forest"}],related:[],title:"【Weiwuying Anniversary 4.0】Alexandre LÉVY - Vibration Forest",cover:"824f7d792cfe125e9436e6f8b7441b9d",site:{isOther:!0,site:"",other:"East side of Crown Hall"},cautions:'
Performance duration is 30 minutes without intermission
\n\tVibration Forest is interactive installation art. In different areas, urban or park, carved wooden boards hang forest-like. Through touch, people can interact with the delicate and poetic natural sounds. It was created by French musician Alexandre LÉVY. The link between the audience, the place, and the music is central to this piece and its resonance with its environment. LÉVY has completed a number of In Situ projects in architectural and natural heritage spaces. His works merge technology, culture and nature, through collaboration with cross-genre artists. His work is not performer-centric; rather, it emphasizes the perception of the audience. From September to October, Weiwuying will invite Taiwanese percussionists to perform LÉVY's work. Everyone is welcome to come stroll among the sculpture, using touch to unlock a new experience.
\n\n\n\n
Post-talk
\n\n9/24(Sat)16:30 East side of Crown Hall
\n\n10/10(Mon)18:00 East side of Crown Hall
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Music|Alexandre LÉVY
\n\nVisual Artist|Sophie LECOMTE
\n\nPercussion|KUO Yu-chih
\n\nElectronic Musician|WANG Pin-hsin
\n\nGeneral Manager|Florence PEGOURIE
\n\nAn akousthea company production
\n\n\n\n
Artist Introduction
\n\nAlexandre LÉVY
\n\nFrench composer Alexandre LÉVY graduated from the Paris Conservatory and studied electroacoustic music at the Boulogne Conservatory. LÉVY is driven to combining diverse arts, breaking restrictions and even the invisible fourth wall between the performer and the audience. From instrumental music to vocal work, from electroacoustic music to cross-genre installation art, his works have inclusive aesthetics. LÉVY founded "AKousthéa" in 2003, where digital art, interactivity and contemporary music are integrated. It seeks the uniqueness of each venue, designs one-of-a-kind works of art, transcribes precious historical or environmental heritage. LÉVY, who has received broad international recognition, first exhibited his well-received works in Taiwan in 2015. This year, he will come to Taiwan for the third time to display his interactive installation art Vibration Forest.
\n\n\n\n
\n\t\t |
\n\t\t |
\n\n
Special Thanks:
\n\n\n\t\t |
INSTITUT FRANÇAIS ET REGION CENTRE VAL DE LOIRE
\n\n\n\n
\n',team:""},createdAt:1659596962,updatedAt:1665227424,updatedBy:"林蔚行",host:!0},{_id:"62eb7c1ee924a300074b91dd",catalogs:["631e9d17e329d300077404cc","5aec418cb01ea6000520f635","6007fc45ba34870007c22b8b"],dateTime:{first:1665388800,discrete:[{time:1665388800},{time:1665394200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[0],link:"https://www.opentix.life/event/1566706242025910275"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"42ae6608d2bd4ac2dee7b65ee2a2875c",title:"【衛武營週年慶4.0】臺灣豫劇團《盜銀壺》"}],related:[],title:"【衛武營週年慶4.0】臺灣豫劇團《盜銀壺》",cover:"13157f36c2c28b23ed210dec9ae616f3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
「OPEN HOUSE優先索票」適用之衛武營9、10月主辦節目票劵(貴賓票除外)如下:音樂說故事劇場《湖底之鬼》、無垢舞蹈劇場《觀》、唐美雲歌仔戲團《冥遊記─帝王之宴》、《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》、新古典舞團《布蘭詩歌》、五樓創意《Bonfire-你怕黑嗎?》、愛樂劇工廠-武俠音樂劇《小羊晚點名》披著狼皮的羊、管風琴綺響《布穀鳥與夜鶯》、《幻想賦格》菲利克斯.黑爾管風琴獨奏會、威爾第歌劇《唐卡洛》、原聲巴洛克樂團《樂遊國境—音符聆國界》。
\n\t《盜銀壺》劇情描述北宋時,義賊邱小義,身手敏捷輕功了得,人稱「半空飛」,一日自帥府盜得一盞銀壺,無意中在廟內聽到一對母女對話,原來因楊存中帥府遺失銀壺,懷疑是張定所竊,必須賠賞五十兩銀,家境貧寒的張定竟然想賣女賠償,邱小義心生不忍決定還壺救張女,親自到帥府還壺,楊帥欲試邱小義的本領和智慧,許以晚間若能再由帥府將銀壺盜走,便不追究。儘管帥府防守嚴密,銀壺還是被邱二次盜走,楊帥不但不追究邱小義的偷盜之罪,而且贈其白銀二百兩,助其在西城之外開一酒館店名「半空飛」,準備日後另有重用。
\n\n本劇主角邱小義以武丑見長,以輕巧敏捷的身手,搭配滑稽且豐富的面部表情,表現其面對困境時的悠遊自若及滿滿自信。最後更站上俗稱「兩張半」的高度(兩張桌子加一張椅子),以長竹竿盜得銀壺、完美落地,展現演員深厚紮實的基本功底。而此次的主角是由資深武丑許孝存老師親授的新秀李安傑擔綱演出,將透過此劇秀出驚艷好功夫,讓人看完頻頻拍手叫好!
\n\n\n\n
索票方式
\n\n※優先索票不適用衛武營小時光系列。
\n\n\n\n
※依主辦單位現場公告為主。
\n\n\n\n
演出暨製作團隊
\n\n製作人|彭宏志
\n\n藝術總監|王海玲
\n\n導演|許孝存、殷青群
\n\n排練指導|殷青群
\n\n主持人|張瑄庭
\n\n主演|李安傑
\n\n主弦|范揚賢
\n\n司鼓|唐昀詳
\n\n\n\n
團隊介紹
\n\n臺灣豫劇團
\n\n豫劇屬梆子劇種,深具北方率真、奔放、豪邁之特色。臺灣豫劇團立基高雄左營耕耘逾一甲子,由臺灣豫劇皇后王海玲與開枝散葉的新生代演員,不斷努力創新,融入臺灣在地人文風情及藝術涵養,形成獨特的臺灣風格豫劇。每年皆製作年度大戲,結合現代劇場菁英並廣於跨界合作、教育推廣,足跡履及海內外,成果豐碩。
\n\n\n\t\t |
\n\t\t |
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"42ae6608d2bd4ac2dee7b65ee2a2875c",title:"【衛武營週年慶4.0】臺灣豫劇團《盜銀壺》"}],related:[],title:"Taiwan Bangzi Opera Company Stealing the Silver Pot",cover:"13157f36c2c28b23ed210dec9ae616f3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Set in the Northern Song Dynasty, Stealing the Silver Pot tells the story of QIU Xiaoyi, a gentleman thief with exceptional martial arts and acrobatic kung fu. After stealing the silver pot from Marshal YANG's mansion, he overheard a conversation between a mother and her daughter. Realizing that Marshal YANG has mistaken ZHANG Ding as the culprit and that the poor ZHANG is thinking of selling her daughter to pay for the loss, a sympathetic QIU decided to return the pot in person to save ZHANG's daughter.
\n\n\n\n
Marshal YANG wants to put QIU's skills and intelligence to the test, and he promised not to arrest QIU for theft if he successfully steals the silver pot again this evening. Although the mansion is tightly guarded, QIU still ended up snatching the pot. Marshal YANG not only kept his promise but also gave QIU a considerable sum of money, enough for opening up a tavern. It seems that Marshal YANG may have something else in store for QIU in the future.
\n\n\n\n
Ticketing Information
\n\n\n\n
Creative and Production Team
\n\nProducer|PENG Hong-zhi
\n\nArtistic Director|WANG Hai-ling
\n\nDirector|XU Xiao-cun, YIN Qing-qun
\n\nRehearsal Director|YIN Qing-qun
\n\nHost|ZHANG Xuan-ting
\n\nCast|LI An-jie
\n\nBanhu|FAN Yang-xian
\n\nDrummer|TANG Yun-xiang
\n\n\n\n
\n\t\t |
\n\t\t |
\n',team:""},createdAt:1659599902,updatedAt:1665227357,updatedBy:"林蔚行",host:!0},{_id:"62f06e69c60b780008c5a82b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666870200,discrete:[{time:1666870200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1548937345748033540"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c4db2d2e5e837564b69dabe32897a75",title:"《2022吳語桐 鋼琴獨奏會》"}],related:[],title:"《2022吳語桐 鋼琴獨奏會》",cover:"d351ecdbb02253a64dc839c8f004b645",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「過程」-每個人都會經歷的,不論在人生或是習得專業上;而過程中所遇之喜、怒、哀及樂都是滋養一個人成長的泉源。2009年出生於臺北,在高雄成長的小小鋼琴家吳語桐自小即展現鋼琴天賦,熱愛表演的他於六歲時即榮獲日本浜松縣PIARA鋼琴大賽金牌及審查員特別獎,更於2020年入圍德國杜塞道夫.舒曼國際青少年鋼琴大賽。這些種種過程及在音樂路上的碰撞皆是令他的音樂思維成長茁壯的關鍵,而自小所散發的音樂天賦更是難得一見。10月27日邀請愛樂的觀眾朋友們與小小鋼琴家吳語桐相遇衛武營表演廳,與他一同相遇在習琴的那條路上!
\n\n\n\n
演出曲目
\n\n巴赫:G大調第五號《法國組曲》,作品816
\n\n莫札特:A大調鋼琴奏鳴曲,作品 331
\n\n舒曼:《蝴蝶》,作品 2
\n\n蕭邦:第一號升C小調《夜曲》,作品 27
\n\n蕭邦:第二號降D大調《夜曲》,作品 27
\n\n蕭邦:第二號降B小調《詼諧曲》,作品 31
\n\n\n\n
演出暨製作團隊
\n\n鋼 琴| 吳語桐
\n\n指 導| 潘祖欣
\n\n執行製作| 許 可
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c4db2d2e5e837564b69dabe32897a75",title:"《2022吳語桐 鋼琴獨奏會》"}],related:[],title:"2022 Yu Tung Wu Piano Recital",cover:"d351ecdbb02253a64dc839c8f004b645",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Yu Tung Wu, twelve, resides with his family in Kaohsiung, Taiwan (R.O.C). Yu Tung began playing the piano at very early age. Yu Tung won First Prize as well as Special Jury Award at the PIARA Piano Competition at age of six in Hamamatsu, Japan. He was also one of the candidates at Robert Schumann Düsseldorf International Competition for Young Pianist in 2020, Germany. We would like to invite you to Yu Tung's piano performance on 27th of October, 2022 (Thursday) in Recital Hall of National Kaohsiung Center for the Arts (Weiwuying), Kaohsiung.
\n\n\n\n
Program
\n\nJ. S. Bach: French Suite No. 5 in G Major, BWV 816
\n\nW.A. Mozart: Piano Sonata in A Major, KV 331
\n\nR. Schumann: Papillons, Op. 2
\n\nF. Chopin: Nocturne in C-sharp Minor, Op. 27 No. 1
\n\nF. Chopin: Nocturne in D-flat Major, Op. 27 No. 2
\n\nF. Chopin: Scherzo No. 2 in B-flat Minor, Op. 31
\n\n\n\n
Creative and Production Team
\n\nPiano | Yu Tung WU
\n\nMentor | Tsu-hsin PAN
\n\nProducer | Ko HSU
\n\n\n\n
\n',team:""},createdAt:1659924073,updatedAt:1660620611,updatedBy:"通泰系統管理員",host:!1},{_id:"62f07520e924a300074cc803",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667302200,discrete:[{time:1667302200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400],link:"https://www.opentix.life/event/1547031954443100161"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1f277c6b84c2a83d5f514b0f8c7b0c",title:"《張雅晴2022小提琴音樂會-海翁繪続》"}],related:[],title:"《張雅晴2022小提琴音樂會-海翁繪続》",cover:"98b0ef6cdc609ea7b5ffdc84264f64b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
張雅晴與王文娟的演奏「無論是小品奏鳴曲或連篇組曲,小提琴與鋼琴都能合作無間,既各自揮灑、又相互扶持,充分表現完美的二重奏精神。」——金曲獎評論
\n\n\n\n
由張雅晴製作的《海翁繪続》,是繼2018年獲得傳藝金曲獎最佳專輯的《海翁繪》後原班人馬再一力作。"続"是"續"之意,蔡淩蕙的《海翁樂繪》以十數首排灣族古調為素材,打造出足以代表臺灣文化、邁向國際的小提琴協奏曲;音樂會以畫作與音樂做結合呈現,有別於概略的搭配畫面與音樂,本場音樂會畫作與音樂是從深層的文化面理解後所做的製作。劉聖賢的《福爾摩沙》組曲來自於不同族群的音樂素材,呈現臺灣多元文化樣貌。音樂會也將包含極少被演奏的極簡主義音樂《鏡中鏡》。
\n\n\n\n
演出曲目
\n\n帕特 《鏡中鏡》
\n\n劉聖賢 《福爾摩沙》組曲為小提琴與鋼琴(世界首演)
\n\n蔡淩蕙 《海翁樂繪》小提琴協奏曲(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n製作人|張雅晴
\n\n作曲者|蔡淩蕙、劉聖賢
\n\n小提琴|張雅晴
\n\n鋼琴|王文娟
\n\n美術指導|曾媚珍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1f277c6b84c2a83d5f514b0f8c7b0c",title:"CHANG Ya-ching 2022 violin concert - The Hai-ang Paint II"}],related:[],title:"CHANG Ya-ching 2022 violin concert - The Hai-ang Paint II",cover:"98b0ef6cdc609ea7b5ffdc84264f64b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The program include Arvo Pärt : Spiegel im Spiegel, Sheng-hsien Liu : Taiwanese Folk Songs for violin and piano, and Ling-huei Tsai : "The Hai-ang Paint II" violin concerto.
\n\n\n\n
Program
\n\nArvo Pärt : Spiegel im Spiegel
\n\nSheng-hsien LIU : Taiwanese Folk Songs for violin and piano
\n\nLing-huei TSAI : "The Hai-ang Paint II" violin concerto
\n\n\n\n
Creative and Production Team
\n\nChoreographer|CHANG Ya-ching
\n\nComposer|TSAI Ling-huei, LIU Sheng-hsien
\n\nViolin|CHANG Ya-ching
\n\nPiano|WANG Wen-chuan
\n\nArt Director|TSENG Mei-chen
\n\n\n\n
\n\n
\n',team:""},createdAt:1659925792,updatedAt:1660620585,updatedBy:"通泰系統管理員",host:!1},{_id:"62f07e1fe924a300074cc9f5",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665815400,discrete:[{time:1665815400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1200],link:"https://www.opentix.life/event/1548978069733093377"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4879617fe4ccbafcf9c3be0cdc2ef35f",title:"《大提琴家Arturo COSTA在台十週年巡迴音樂會》"}],related:[],title:"《大提琴家Arturo COSTA在台十週年巡迴音樂會》",cover:"7d641cc936670b8decbf80caf31c4c02",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
來自西班牙的大提琴家Arturo Costa(柯源盛)已定居臺灣十年,本次音樂會巡迴將精心安排演出多位西班牙作曲家經典作品,有喬奎因.寧《西班牙組曲》、法雅《六首小品》、卡薩多《奏鳴曲》及現代西班牙作曲家安東.奧考德( Antón Alcalde) 的幻想曲,曲風熱情且浪漫。另外為表達他對於臺灣這塊土地無比的熱愛,Arturo Costa特別為觀眾演出三首臺灣音樂大師,蕭泰然、馬水龍及郭芝苑的作品,包含《客家綺想曲》、《隨想曲》及《兩首賽夏族弦律》。藉由大提琴極具歌唱性來詮釋,即使沒有任何歌詞,卻彷彿在低語訴說一則又一則感人的故事。
\n\n\n\n
演出曲目
\n\n喬奎因.寧:西班牙組曲
\n\n郭芝苑:兩首賽夏族弦律
\n\n卡薩多:奏鳴曲
\n\n蕭泰然:客家綺想曲
\n\n法雅:六首小品
\n\n馬水龍:隨想曲
\n\n安東•奧考德:古代聖歌
\n\n\n\n
演出暨製作團隊
\n\n大提琴|柯源盛
\n\n鋼琴|林晏馳
\n\n當代表演藝術家|張逸軍
\n\n佛朗明哥舞者|柯乃馨
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4879617fe4ccbafcf9c3be0cdc2ef35f",title:"《大提琴家Arturo COSTA在台十週年巡迴音樂會》"}],related:[],title:"Arturo COSTA 10th ANNIVERSARY ",cover:"7d641cc936670b8decbf80caf31c4c02",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Spanish cellist Arturo Costa will perform some works by famous Spanish and Taiwanese composers, including FALLA, CASSADO, Tyzen Hsiao and Kuo Chih-Yuan, which the style is warm and romantic.
\n\nThe outstanding Spanish cellist Arturo Costa has settled in Taiwan for ten years. This concert tour will perform the classic works of three famous Spanish composers, including Joaquin NIN, Manuel de FALLA, and Gaspar CASSADO, which the style is warm and romantic. In addition, to express his incomparable love for the land of Taiwan, Arturo Costa specially performed three pieces by Taiwanese music masters Tyzen Hsiao, KUO Chih-Yuan, and MA Shui-long. Combining music and dance, this concert will bring the audience a feast for both hearing and vision.
\n\n\n\n
Program
\n\nJoaquin NIN: Suite Española
\n\nChih-Yuan KUO: Two Saisiyat Melodies
\n\nGaspar CASSADO: Sonata al antiguo estilo español
\n\nTyzen HSIAO: Capriccio in Hakka Melody
\n\nManuel de FALLA: Suite Popular Española
\n\nShullong MA: Capriccio for cello and piano
\n\nAntón Alcalde: Cantigas
\n\n\n\n
Creative and Production Team
\n\nCello|Arturo Costa
\n\nPiano|Yen-Chih Lin
\n\nContemporary Performing Arts|Billy Chang
\n\nFlamenco Dancer|Olga Ko
\n\n\n\n
\n\n
\n',team:""},createdAt:1659928095,updatedAt:1660620572,updatedBy:"通泰系統管理員",host:!1},{_id:"62f083c9c60b780008c5ac24",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666179e3,discrete:[{time:1666179e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,1600,2e3,2500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N2382D8V"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60be0cc89e8264b6328670fcb0e5f780",title:"《飛躍的青春 遇見生命心樂章音樂饗宴》"}],related:[],title:"《飛躍的青春 遇見生命心樂章音樂饗宴》",cover:"d7bc3a983025021da1e1b905b6f1f7ca",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
黎明昇起;涓涓流水聲中告別了白色的雪國,青年男女挽手跳起匈牙利舞曲,農村的春釀儼然讓這兒成了酒國,鄉村騎士啜了一口春天迷人的醉飲,夏日樹下的熏風令人昏盹欲睡…金色號角猶如王者降臨,在獵犬吠聲中,皇家的秋狩已然展開,很快地;大地再次覆上靄靄白雪。雪叢深處的小木屋中,老人輕撫著垂暮的老伴,在即將告別的時刻,分不清是愛之悲抑是愛之喜…淚眼婆娑中頓時釋然:原來人生正如四季週而復始,只是在下一個春天來臨時;我們是否再次相遇?
\n\n\n\n
Classical這個字應譯為「經典」,所有曾流行、成為當代時尚都將名列「經典」而不朽,南台交將橫跨巴洛克、古典、浪漫、現代數個音樂時代,與您細數生命中曾經的美好。
\n\n\n\n
演出曲目
\n\n王者降臨
\n\n韋瓦第四季 op.8
\n\n海頓 /第45號 告別交響曲 第四樂章
\n\n匈牙利舞曲 第一號/布拉姆斯
\n\n查爾達斯 小提琴 協奏曲
\n\n鄉間騎士/馬斯卡尼間奏曲
\n\n愛之悲/克萊斯勒
\n\n黎明昇起
\n\n漫威復仇者聯盟
\n\n\n\n
演出暨製作團隊
\n\n指揮|蔡淑媛
\n\n首席|江敬業
\n\n獨奏家|江敬業、林玥
\n\n歌者|曹忠美、盧戎秀
\n\n南台灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60be0cc89e8264b6328670fcb0e5f780",title:"《飛躍的青春 遇見生命心樂章音樂饗宴》"}],related:[],title:"leap of youth Meet the heart of life music feast",cover:"d7bc3a983025021da1e1b905b6f1f7ca",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Dawn rises; farewell to the white snow country with the sound of trickling water, young men and women join hands and dance the Hungarian dance, the spring brew in the countryside seems to make this place a wine country, the country knight sips the charming drunk of spring, and under the summer trees The smoky wind is drowsy…The golden horn came like a king, and amid the barking of the hounds, the royal autumn hunt had begun, and soon; the earth was once again covered with mist and snow. In the log cabin deep in the snow, the old man caressed his dying wife. When he was about to say goodbye, he couldn't tell whether it was the sadness of love or the joy of love... The tearful eyes were suddenly relieved: it turns out that life is just like the four seasons repeating itself, just in the next When a spring comes; shall we meet again?
\n\n\n\n
The Southern Taiwan Symphony Orchestra has always been well-known for its excellent story interpretation. This time, "Classic Music Era - From Baroque to Modern Times" will share with the audience the classic music of 400 years in Europe.What is "classic"? In fact, the word "classical" should be translated as "classic". Classic is not an inherent type. All the popular, popular, and contemporary fashions will be listed as "classic" and immortalized. The performance of Nantaijiao this night will span Baroque, classical, romantic, and modern music eras, and you will count the good times in your life.
\n\n\n\n
Program
\n\nHere comes The King
\n\nAntonio Vivaldi The four Season op.8
\n\nHaydn Symphony No.45 Farewell Symphony / Joseph Haydn
\n\nHungarian Dance No.1/ Brahms
\n\nVittorio Monti Csardas
\n\nCavalleria Rusticana / Pietro Mascagni
\n\nLiebesleid (Sadness of Love) / Kreisler
\n\nMain Theme From The Dark Knight Rises
\n\nThe Avengers Theme / Music by Alan Silvestri
\n\n\n\n
Creative and Production Team
\n\nConductor|Cai Shuyuan
\n\nChief|Jiang Jingye
\n\nSinger|Cao Zhongmei, Lu Rongxiu
\n\nSouthern Taiwan Pops Orchestra
\n\n\n\n
\n',team:""},createdAt:1659929545,updatedAt:1660620549,updatedBy:"通泰系統管理員",host:!1},{_id:"62f31689c60b780008c6fec8",catalogs:["631e9d17e329d300077404cc","6007fc45ba34870007c22b8b"],dateTime:{first:1665396e3,discrete:[{time:1665396e3}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7ffe7b460cb56a047927fe470d8348ac",title:"【衛武營週年慶4.0】《眾人的搖擺》"}],related:[],title:"【衛武營週年慶4.0】《眾人的搖擺》",cover:"91ca16a391082d2ecde333800c5f8b34",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:'
演出全長約180分鐘,無中場休息
\n\t席地而坐,歡迎自備野餐墊
\n\t衛武營週年慶最盛大的狂歡,眾所期盼的「新聲代」強勢登臺!
\n\n暖場演出先由榮忠豪以歌聲助陣,交棒創作歌手蔡佩軒、高爾宣、Julia 吳卓源輪番上陣。他們將透過率性而自在的嗓音,把對於當下的獨有覺察,唱成廣納眾人的同溫層,邀集你我在屬於這個時代的流行、饒舌、嘻哈、R&B唱作之中,實踐不拘一格的搖擺精神!
\n\n\n\n
演出者介紹 (依演出順序排列)
\n\n\n\t\t\t | \n\t\t\t 榮忠豪 \n\n\t\t\t「藝術可以改變世界」是始終不變的初心,也是督促自己向前的動力。第五屆《超級偶像》出道,發行過合輯、個人單曲和EP外,也有很多戲劇與主持的經驗。近年來在亞洲電台擔任DJ的角色,甚至還有與Ruby盧春如主持每個禮拜更新的真實犯罪Podcast節目「暗黑森林」。榮忠豪也有跟其他知名歌手(如:Lara梁心頤,王大文,倪安東等等)組成了阿卡貝拉團「尷尬美聲」。在各種領域發展的他,享受著精彩斜槓的人生。 \n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t 蔡佩軒 \n\n\t\t\t新生代創作女歌手,出生於臺灣臺北,從小移居加拿大溫哥華。5歲開始學鋼琴,從小喜歡音樂喜歡寫歌,在14歲的時候寫出第一首創作曲〈每一次想你〉。2016年9月Ariel開始在臉書經營自彈自唱的直播節目,翻唱許多熱門排行榜好歌深獲觀眾喜愛,至今累積超過50集,平均每集直播10-20萬次瀏覽,至今YouTube頻道總觀看次數破億。2018年1月發行〈遇見ARIEL〉個人實體迷你專輯;其創作歌曲在亞洲KKBOX華語歌榜均創下佳績。 \n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t 高爾宣 \n\n\t\t\t高人氣新生代創作歌手,具多元豐富創作能力,受廣大粉絲喜愛,也曾受邀為電影主題曲創作演唱,健康帥氣的外型,更是廣告及各大品牌的力邀合作對象。 \n\n\t\t\t2019 / \n\n\t\t\t憑藉單曲《 Without You 》 \n\n\t\t\t獲得Mnet亞洲音樂大獎最佳亞洲新人獎 \n\n\t\t\t同年發行首張個人專輯《#osnrap》 \n\n\t\t\t入圍第 31 屆金曲獎最佳新人獎以及最佳年度歌曲 \n\n\t\t\t2021 / \n\n\t\t\t發行個人第二張專輯《 #OSNRAP-BYGONES》 \n\n\t\t\t同年12月發行《Circles》 \n\n\t\t\t2022 / \n\n\t\t\t5月《Matters》 \n\n\t\t\t6月《Drowning》 \n\n\t\t\t8月《Some Body Else》 \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t Julia 吳卓源 \n\n\t\t\t「為人生圓夢,尋找不一樣的自己」是 Julia 吳卓源的最佳寫照。自小受父母薰陶成為古典鋼琴家,卻愛上能讓她盡情表達自我的 R&B音樂,遠赴臺灣發展,向製作人毛遂自薦,進而實現自己的音樂夢。 \n\n\t\t\t2017年,Julia 吳卓源發行個人首張EP《H.E.N.R.Y》,而後推出個人首張專輯《1:28》,當中收錄〈你是不是有點動心〉至今已破兩千萬點擊率,同年與其他五位繞舌歌手合作創作《走到飛》,並與饒舌歌手熊仔合唱千萬點擊名曲《買榜》。2019年受邀參加第十四屆KKBOX風雲榜,在萬人面前與國際DJ Alan Walker合作演出。2020年舉辦個人首場大型演唱會,締造四千張門票秒殺紀錄;同年不僅持續進行國際合作,更跨足時裝界活動演出。2021年,Julia 吳卓源發行第四張華語專輯《2622》,擔綱統籌製作人,將她一路走來烙印下的痕跡,與累積時日的養分,萃取出最貼近個人色彩的實驗性作品,展現不同面貌,國際時尚品牌相繼邀請合作。 \n\n\t\t\t2022年Julia 吳卓源預計推出新作品外,也計畫與更多國際音樂人合作,希望將她追逐夢想的精神,傳播到世界各地的角落。 \n\t\t\t | \n\t\t
\n\n
\n\n
\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7ffe7b460cb56a047927fe470d8348ac",title:"【衛武營週年慶4.0】《眾人的搖擺》"}],related:[],title:"【Weiwuying Anniversary 4.0】Swing Party",cover:"91ca16a391082d2ecde333800c5f8b34",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:'
Weiwuying is having a huge party for its anniversary with outstanding new-generation performers!
\n\nStephen RONG's opening will be followed in succession by Ariel TSAI, OSN GAO, and Julia WU. With their free, unrestrained voices and unique perception of today's world, they perform in ways that allow everyone to get into the groove of their eclectic array of pop, rap, hip hop, and R&B.
\n\n\n\n
Artists Introduction
\n\n\n\t\t\t | \n\t\t\t Stephen RONG \n\n\t\t\t"Art is what shapes the world" has always been Stephen RONG's motto in life, and is what motivates him to work in the entertainment industry. He began his career as a contestant in Super Idol: Season 5 and has had his music shared through compilation albums, singles, and an EP. Stephen has also had experience in acting, hosting TV shows and major events, as well as having a weekly radio show at Asia FM. His most recent works include a true crime podcast Dark Forest as well as leading an all-star a cappella group "Awkwapella." A true Jack-of-all-trades, Stephen has no plans of slowing down! \n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t Ariel TSAI \n\n\t\t\tAriel TSAI, born in Taiwan and raised in Canada, is a new-generation singer-songwriter. She began playing the piano at five and soon developed a passion for music and songwriting. She wrote her first song, "Every Time I Think of You," at age 14. She began live streaming cover songs on the piano on Facebook in 2016, amassing a huge following and averaging between 2,000 to 5,000 simultaneous views per stream. She is also one of only four musicians on Taiwan's Top 100 YouTube Channels list. In 2019, she was the Taiwan-region endorser for Roland. \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t OSN GAO \n\n\t\t\tEccentric OSN GAO is a new-generation artist with an assorted array of ammunition and a huge fan base. He's done film theme songs, and with his hot looks, advertisers and brands love collaborating with him. His 2019 single "Without You" won Best New Asian Artist (Mandarin) at the Mnet Asian Music Awards. The same year, he released his first solo album, #osnrap, which got him nominated for Best New Artist and Song of the Year at the 31st Golden Melody Awards. In 2021, he released his second solo album, #OSNRAP-BYGONES, and toward the end of that year, he put out the singles "Circles," "Matters," and "Drowning." His next solo album is slated for 2023. \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t | \n\t\t\t Julia WU \n\n\t\t\tThe best way to describe Julia WU is to say that she is an achiever of dreams who is always exploring different possibilities for who she is. Her parents had her learn classical piano from a young age, but she fell in love with R&B, a genre that lets her fully express herself. She later came to Taiwan and made her dream of a career in music come true. \n\t\t\t \n\n\t\t\tShe released her first EP, H.E.N.R.Y, in 2017, followed by her first solo album, 1:28, containing the song "Aren't You a Little Tempted," which has over 20 million views. That same year, she worked with five other rap artists on the album Zou Dao Fei and performed "My Bong" (ten million views) with rapper Kumachan. In 2019, she performed with Alan Walker in front of an audience of about 10,000 at the 14th KKBOX Music Awards. In 2020, she held her first big solo concert, selling 4,000 tickets in just seconds. That year, she not only continued collaborating with international artists but also performed for the fashion world. In 2021, she released 2622, her fourth Mandarin album, which she produced, using both the positive and negative experiences she has accumulated over time in creating an experimental piece that is so her and exhibits her many sides. She is often sought out by major international brands for collaboration. \n\n\t\t\tFor 2022, aside from new songs, Julia is planning collaborations with more artists from abroad to spread her spirit of dream-chasing to every corner of the world. \n\t\t\t | \n\t\t
\n\n
\n',team:""},createdAt:1660098185,updatedAt:1665227380,updatedBy:"林蔚行",host:!0},{_id:"62f31ca8c60b780008c6ffb8",catalogs:["631e9d17e329d300077404cc","6007fc45ba34870007c22b8b"],dateTime:{first:1665406800,discrete:[{time:1665406800}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Coming Soon"}},attachment:{key:"19d5c85e1f4db4cf25c75fde21b31481",name:"【節目單】非售票節目-電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7d91b27b2d4add4bb32027399042856a",title:"【衛武營週年慶4.0】《樹洞派對》"}],related:[],title:"【衛武營週年慶4.0】《樹洞派對》",cover:"720d0d15f4be283d3db39c6817b2a29a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
這次週年慶4.0的《樹洞派對》邀請泥灘地浪人樂團,以藍調、搖擺爵士、撥弦樂、亞洲民謠形式帶來多元的歌曲,與你一起在榕樹廣場上享受爵士樂的浪漫。快來衛武營與一群旅居在美國和英國的音樂家們在這美好的夜晚,一起享受充滿趣味與高昂的情緒,點燃臺灣搖擺新風潮。
\n\n\n\n
藝術家介紹
\n\n泥灘地浪人 The Muddy Basin Ramblers
\n\n\n\t\t |
一群來自美國和英國、現旅居臺灣的音樂家,在2003年臺北大安森林公園流浪之歌音樂節的舞台上,半開玩笑地自稱為「泥灘地浪人」。他們的音樂取材自美國早期藍調和民間音樂中,充滿趣味性與高昂的情緒,點燃了臺灣搖擺樂的新風潮。這些年來,浪人們忠於對音樂的初衷並力求精進,試圖在傳統音樂中找出新穎的形式。在專輯〈擒虎記〉裡,22首曲目幾乎皆為原創歌曲,曲風涵蓋戰前藍調、爵士、撥弦樂、亞洲民謠,回應種族、移民及宗教信仰等當代話題。
\n\n\n\n
獲獎紀錄:
\n\n葛萊美最佳包裝設計獎〈寶島賣藥秀〉Formosa Medicine Show-入圍 2015
\n\n葛萊美最佳包裝設計獎〈擒虎記〉Hold That Tiger-入圍 2020
\n\n金曲獎最佳裝幀設計獎〈擒虎記〉 Hold That Tiger-得獎 2020
\n\n美國獨立音樂獎最佳藍調歌曲 Best Blues Song Dharma Train–入圍2020
\n\n美國獨立音樂獎最佳草根/鄉村製作人 Best Roots / Country Producer–團長David CHEN入圍2020
\n\n\n\n
\n\n
了解更多
\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c382f7df61b20e94750b16bbd469f44e",title:"【衛武營週年慶4.0】《樹洞派對》"}],related:[],title:"【Weiwuying Anniversary 4.0】The Muddy Basin Ramblers ",cover:"a6f259873379e65f7895fbca1f2c9102",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
In Weiwuying Anniversary 4.0 Party at Wonderland, The Muddy Basin Ramblers will perform a series of songs which cover blues, swing jazz, string-band, and Asian folk music. If you are craving for some romantic jazz time at Banyan Plaza, we invite you to join this group of American/British musicians' party this year. Come and enjoy the exciting party and the new Taiwanese style swing with us!
\n\n\n\n
Artists Introduction
\n\nThe Muddy Basin Ramblers
\n\n\n\t\t |
The Muddy Basin Ramblers are a favorite in Taipei's live music scene for their blend of "old-time" American music styles, including early 1920s and 1930s blues, swing jazz, bluegrass, and string-band and fiddle music. Formed by a group of US/UK expatriates in 2003, the Ramblers have played events big and small throughout Ihla Formosa, including the National Theatre and Concert Hall's Summer Jazz Party and the Migration Music Festival. Outside of Taiwan, the Ramblers have headlined the Yokohama Jug Band Festival in Japan and the Gloomy Island Blues Festival in Hong Kong. With their arsensal of homemade instruments, guitars, violins, harmonicas, and brass horns, this seven-piece band are beloved by audiences everywhere for their joyously cacophonic, irresistibly danceable music and soulful, good-time vibes. The Ramblers are well-recognized recording artists, having received two Grammy nominations for their CDs, Formosa Medicine Show and Hold That Tiger (both for Best Album Packaging). The band have also received accolades from the American Independent Music Awards, with nominations for Best Blues Song Dharma Train, and best American roots producer (bandleader David CHEN). Band members David CHEN and Conor PRUNTY are active in Taiwan's music circles, with both having received Golden Melody Music Awards–Taiwan's highest music honor–for their work with Taiwanese Hakka singer LO Sirong.
\n\nBand Members: The Muddy Basin Ramblers are David CHEN, originally from Chillicothe, Ohio, on vocals, guitars, drums and banjos; Tim HOGAN, of California, on washboard and percussion; TC LIN, originally from the US but now a proud Taiwanese citizen, on washtub bass, baritone, and trumpet; Cristina PARADISE, of Scranton, PA, on violin, mandolin, and various wind instruments; Zach PARADISE, of Scranton, PA, on whistles, saxophone, and ukulele, Conor PRUNTY, of London, England, on harmonica, washtub bass, and ukulele; Will "Slim" THELIN, from Omaha, Nebraska, on jug, tap shoes, kazoos, trombone, harmonica, and vocals.
\n\n\n\n
\n',team:""},createdAt:1660099752,updatedAt:1665227397,updatedBy:"林蔚行",host:!0},{_id:"62f475959601d600072114bf",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665055800,discrete:[{time:1665055800}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4ddef447fb490212dd77d5332bdf885c",title:"王秋雯 & 曾慶宜 聲樂鋼琴室內樂系列2022- 《原點的悸動》"}],related:[],title:"「節目取消」王秋雯 & 曾慶宜 聲樂鋼琴室內樂系列2022- 《原點的悸動》",cover:"3b89d807de057c1d2c5ebe78719f6cef",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂於2022年10月06日(四)19:30於 衛武營表演廳演出之王秋雯 & 曾慶宜 聲樂鋼琴室內樂系列2022- 《原點的悸動》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年10月06日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
聲樂家王秋雯與鋼琴家曾慶宜,精心挑選了充滿熱情灑脫和蘊含內斂的中國民歌謠及藝術歌曲,以及當代臺灣作曲家的臺語歌謠帶領大家彷彿回到了原點的那心裡的悸動?
\n\n同是旅義的聲樂家王秋雯與鋼琴家曾慶宜繼返臺後於2019年演出首場室內樂音樂會《義聲琴》大獲好評,今年再度攜手合作推出室內樂系列 2022 -《原點的悸動》。音樂家精心挑選了幾套充滿熱情灑脫的中國民歌謠,和蘊含內斂的當代中文藝術歌曲,下半場則是帶來當代臺灣作曲家的臺語歌謠,帶領大家彷彿回到那熟悉的家鄉熟悉的身影,月光下阿母閃著灰白頭髮的光芒成了髻鬃花,招一招手等著外出的遊子們,餐桌前模糊的眼睛是熱湯的霧氣?或是回到了原點的那心裡的悸動?
\n\n\n\n
演出曲目
\n\n趙季平:《關雎》
\n\n先秦詞 劉青:《越人歌》
\n\n陸游詞 周易:《釵頭鳳》
\n\n劉雪庵:《紅豆詞》
\n\n雲南民歌:《小河淌水》
\n\n安徽民歌:《如今唱歌用籮裝》
\n\n\n\n
錢南章:《誘惑》
\n\n《一顆開花的樹》
\n\n《最後的一句》
\n\n\n\n
游昌發:《庄腳囝仔》
\n\n《七爺八爺》
\n\n《澎風師》
\n\n\n\n
賴德和:《油桐花若開》
\n\n陳維斌:《月光下的頭鬃》
\n\n\n\n
林福裕:《夢你》
\n\n《想起》
\n\n《今夜阮有一條歌》
\n\n《阿母的搖嬰仔歌》
\n\n《冬至圓》
\n\n\n\n
演出暨製作團隊
\n\n女高音|王秋雯
\n\n鋼 琴|曾慶宜
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4ddef447fb490212dd77d5332bdf885c",title:"王秋雯 & 曾慶宜 聲樂鋼琴室內樂系列2022- 《原點的悸動》"}],related:[],title:"(Program cancelled) Voice and Piano duo Recital tour 2022",cover:"3b89d807de057c1d2c5ebe78719f6cef",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-905852941. | \n\t\t
\n\n
After the first successful "Italian Singing with Piano" concert in 2019, the opera singer Chiu-Wen Wang and the pianist Ching-I Tseng will have a new Voice & Piano duo Recital tour "Affection for the Origin" in 2022. The musicians carefully pick several passionate Chinese ballads and Contemporary Chinese Art songs. The second part of the performance are composed of the Contemporary Taiwanese ballads which can bring the audience back to the home town with the familiar faces. The mother's grey hairs resemble the pretty flowers shining under the moonlight. She waves her hands to call the children back for the dinner. Is the blur vision in front of the dinner table due to the hot soup or the affection for the origin of life?
\n\n\n\n
Creative and Production Team
\n\nSoprano|WANG Chiu-Wen
\n\nPiano|TSENG Ching-I
\n\n\n\n
\n',team:""},createdAt:1660188053,updatedAt:1664855381,updatedBy:"林蔚行",host:!1},{_id:"62fca3d1cc080f000758a83f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666092600,discrete:[{time:1666092600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1100,1600,2500],link:"https://www.opentix.life/event/1549670845552861186"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b10b40c5c657de4a7d531e8bfccba0e0",title:"《2022音樂瑞士之夜─流動的幻境》"}],related:[],title:"「節目異動」《2022音樂瑞士之夜─流動的幻境》",cover:"90799562fba348dace4f39f64aa91786",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※本節目演出之曲目及人員異動,因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年10月25日(二)前完成辦理全額退票,請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
2022音樂瑞士之夜以「流動的幻境」為名,將以一系列精彩樂曲來呈現音樂中的水元素,同時也透過這些音樂作品,連結國際知名的瑞士與臺灣音樂家,彼此相互交流激盪。音樂會上半場,將演出著名瑞士作曲家法比安‧穆勒別出心裁的大提琴二重奏作品《茶之樂》,是其受一位臺灣茶藝大師的啟發而創作,試圖將數種精緻茶葉的特性轉化成音樂。本場音樂會,將由他的妻子、國際著名的臺灣旅瑞大提琴家簡碧青,與傑出臺灣大提琴家劉姝嫥搭檔演出《茶之樂》;下半場,則將由著名臺灣鋼琴家嚴俊傑帶來一系列與瑞士相關的音樂演出,曲目範圍廣泛,包含浪漫樂派到瑞士當代作品,演出蕭邦《船歌》、拉威爾(其父親為瑞士人)著名作品《水之嬉戲》及選自《加斯巴之夜》的〈水精靈〉、瑞士作曲家詹‧安東尼‧德朗格斯出色的鋼琴作品,以及與瑞士關係緊密的拉赫瑪尼諾夫的代表作《第二號鋼琴奏鳴曲》。
\n\n\n\n
演出曲目
\n\n法比安‧穆勒:《茶之樂》,給雙大提琴
\n\n-中場休息-
\n\n蕭邦:船歌,作品60
\n\n拉威爾:《水之嬉戲》,給鋼琴獨奏
\n\n拉威爾:《夜之加斯巴》,作品M.50 第一首〈水精靈〉
\n\n詹·安東尼·德朗格斯:《幻想組曲》,作品82,第七樂章選段
\n\n拉赫瑪尼諾夫:降B小調第二號鋼琴奏鳴曲,作品36
\n\n\n\n
演出暨製作團隊
\n\n大提琴|簡碧青、劉姝嫥
\n\n鋼 琴|嚴俊傑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b10b40c5c657de4a7d531e8bfccba0e0",title:"《2022音樂瑞士之夜─流動的幻境》"}],related:[],title:"(Program changed) Swiss Music Night 2022",cover:"90799562fba348dace4f39f64aa91786",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-970476726. | \n\t\t
\n\n
The Swiss Music Night 2022 features a program with the focus on great musical moments reflecting the element water in music and enables on the same time a wonderful encounter of internationally celebrated Swiss and Taiwanese musicians. The first half is dedicated to a very special project of awarded Swiss composer Fabian Müller. Inspired by a Taiwanese tea master he tried to transcend the complex character of some exquisite teas into music. The Swiss Music Night concerts 2022 will begin with this special music performed by his wife, the internationally acclaimed Taiwanese-Swiss cellist Pi-Chin Chien and highly respected Taiwanese cellist Chu-Chuan Liu. The second half of the evening with acclaimed Taiwanese pianist Chun-Chieh Yen is dedicated to a Swiss-related program spanning a wide spectrum, from romantic music to Swiss contemporary music,such as Chopin’s Barcarole, Ravel's famous works «Jeux d‘eau» and «Ondine», a brilliant new work by Swiss composer Gion Antoni Derungs and Rachmaninoff's 2nd sonata.
\n\n\n\n
Program
\n\nFabian Müller: Tea for Two Cellos
\n\n-Intermission-
\n\nFrédéric Chopin: Barcarolle Op.60
\n\nMaurice Ravel: Jeux d'eau , for piano
\n\nGaspard de la nuit , M.55 - I. Ondine
\n\nGion Antoni Derungs: Suita fantastica, Op. 82, mov. 7
\n\nSergei Rachmaninov: Sonata No.2 in B flat minor, Op.36
\n\n\n\n
Creative and Production Team
\n\nCello|Pi-Chin Chien, LIU Chu-Chuan
\n\nPiano|Chun-Chieh Yen
\n\n\n\n
\n',team:""},createdAt:1660724177,updatedAt:1665625718,updatedBy:"林蔚行",host:!1},{_id:"62fcd117f571db0007e3fe22",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665660600,discrete:[{time:1665660600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1551760901905178629"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fd47a644eb8bce317ebb90dad84e2747",title:"《琵琶遇知音~2022林慧寬琵琶獨奏會》"}],related:[],title:"《琵琶遇知音~2022林慧寬琵琶獨奏會》",cover:"6b96deb1c6d9881171d31e70be6fd6ac",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
琵琶的當代音樂在西方各式音樂的洗禮以及疫情的肆虐下,還能傳達什麼樣的人文精神與入世關懷?琵琶演奏家林慧寬希望與作曲家在音樂中對談, 談人生哲學、談過去未來, 談藝術文化,談疫情生死,藉由緊密的對話與綿密的交流, 找到音樂創作的出口,找到生命靈魂的啟發。
\n邀請6位國內知名的中新生代作曲家董昭民、彭靖、任真慧、吳宗憲、郭靖沐、盧煥韋,為琵琶尋找她的知音以及新的指引。林慧寬近三十年來在國內外,為琵琶嘗試了多面向的實驗與實踐,藉由樂器連結了演奏家經驗與作曲家創想,期待再尋琵琶演奏更多的可能性,構築出當代聲響,讓傳統樂器音樂的創造源源不斷。
\n\n
演出曲目
\n\n《風》琵琶與簫 吳宗憲 作曲(世界首演)
\n\n《秋林》琵琶與聲樂 董昭民 作曲(世界首演)
\n\n《二重奏》琵琶與大提琴 彭靖 作曲(世界首演)
\n《1一》琵琶與古箏 郭靖沐 作曲(世界首演)
《寂山依稀》琵琶與小提琴 任真慧 作曲(世界首演)
\n\n《瀾》琵琶與擊樂 盧煥韋 作曲(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n琵琶|林慧寬
\n\n簫|吳宗憲
\n\n小提琴|張家倫
\n\n大提琴|張智惠
\n\n古箏|郭靖沐
\n\n打擊|陳玟玎
\n\n聲樂|林姿吟
\n\n作曲家|蕫昭民、任真慧、吳宗憲、彭靖、郭靖沐、盧煥韋
\n\n\n\n
贊助單位
\n\n\n\t\t |
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fd47a644eb8bce317ebb90dad84e2747",title:"《琵琶遇知音~2022林慧寬琵琶獨奏會》"}],related:[],title:"PIPA DUETS--LIN,HUI-KUAN Recital",cover:"6b96deb1c6d9881171d31e70be6fd6ac",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Under the baptism of various Western music and the raging epide mic, what kind of humanistic spirit and concern for joining the world can the contemporary music of Pipa convey? Pipa player Lin Huikuan hopes to have a conversation with the composer in music, about the philosophy of life, the past and the future, art and culture, and about the life and death of the epidemic. Through close dialogue and muture communication, to find the outlet of music creation and the inspiration of the soul of life. Six well-known composers of the middle and new generation in Taiwan, Tung Chao-ming, Peng Jing, Jen Chen-hui, Wu Chung-hsien, Kuo Jing-mu, and Lu Huan-wei, were invited to find her bosom friend and new guidance for Pipa. In the past 30 years, Lin Huikuan has tried various experiments and practices for pipa in the world. Through musical instruments, she has connected the experience of performers and the creativity of composers, and looking forward to finding more possibilities for pipa to build a contemporary sound, so that The creation of traditional instrumental music could be endless.
\n\n\n\n
Program
\n\nWind / for Pipa and Xiao Wu, Chung-Hsien
\n\nAutumn Forest / for Pipa and Vocal Tung, Chao-Ming
\n\nDuo / for Pipa and Cello Peng Jing
\n\n1一 / for Pipa and Zheng Kuo, Jing-Mu
\n\nStill mountains, still… / for Pipa and Violin Jen, Chen-Hui
\n\nWave / for Pipa and Percussion Lu, Huan-Wei
\n\n\n\n
Creative and Production Team
\n\nPipa|Lin Hui-kuan
\n\nXiao|Wu Chung-Hsien
\n\nViolin|Chang Chia-lun
\n\nCello|Chang Chih-hui
\n\nZheng|Kuo Jing-Mu
\n\nPercussion|Chen Wen-ting
\n\nVocal|LIN,Tzu-Yin
\n\nComposer|Tung Chao-ming, Peng Jing, Jen Chen-hui, Wu Chung-hsien, Kuo Jing-mu, Lu Huan-wei
\n\n\n\n
\n',team:""},createdAt:1660735767,updatedAt:1663238526,updatedBy:"林蔚行",host:!1},{_id:"62fcd46ef571db0007e3fe9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664451e3,discrete:[{time:1664451e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://www.opentix.life/event/1556934709387374596"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb46f1502de9840f7fe43a14d417591f",title:"《格朗戎鋼琴協奏曲之夜》"}],related:[],title:"《格朗戎鋼琴協奏曲之夜》",cover:"c3f950f8acf9437c404f6e7146b36689",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
法國鋼琴家格朗戎Jérôme Granjon睽違三年又再次來到臺灣,將與5位海外學成歸國之年輕音樂家一同演出蕭邦《第1號鋼琴協奏曲》,這首作品是蕭邦年輕時期的創作,技巧華麗,卻帶點憂鬱的心情。2022年,適逢斯克里亞賓150週年誕辰,格朗戎精選14首前奏曲,選自斯克里亞賓《24首前奏曲,op.11》,同時也將帶來李斯特三首作品,選自《巡禮之年-第一年:瑞士》,不同國家同時期的作曲家,由鋼琴家格朗戎帶領樂迷一起感受不同的浪漫派。
\n\n\n\n
演出曲目
\n\n斯克里亞賓:14首選曲,選自《24首前奏曲,作品11》
\n\n李斯特:華倫城湖畔,選自《巡禮之年-第一年:瑞士》
\n\n李斯特:在泉水邊,選自《巡禮之年-第一年:瑞士》
\n\n李斯特:歐伯曼山谷,選自《巡禮之年-第一年:瑞士》
\n\n蕭邦:第一號鋼琴協奏曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|格朗戎 Jérome Granjon
\n\n小提琴|左興、郭己溫
\n\n中提琴|盧明欣
\n\n大提琴|孫韻涵
\n\n低音提琴|賴詩筑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb46f1502de9840f7fe43a14d417591f",title:"《格朗戎鋼琴協奏曲之夜》"}],related:[],title:"La Nuit du Concerto - Jérôme Granjon",cover:"c3f950f8acf9437c404f6e7146b36689",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Looking forward to going to the concert for three years, the French pianist Jérôme Granjon is coming to Taiwan again. He is going to perform Chopin: Piano Concerto No.1 with five young musicians returning from abroad. The composition was taking shape during Chopin's youthful period which is technically demanding, and its style is splendid but along with a bit of gloom.
\n\n2022 marks the 150th anniversary of Alexander Scriabin, , and thus Granjon will play 14 preludes extracted from Scriabin: 24 Préludes, op.11 and 3 Liszt's pieces, from Première année: Suisse. He will lead fans to experience Romanticism via the two composers from different countries and eras.
\n\n\n\n
Program
\n\nScriabin: 14 Préludes, extract 24 Préludes, op.11
\n\nLizst: Lac de Wallenstadt, extrect Année de Pèlerinage, Première année: Suisse
\n\nLizst: Lac de Wallenstadt, extrect Année de Pèlerinage, Première année: Suisse
\n\nLizst: Vallée d'Oberman, extrect Année de Pèlerinage, Première année: Suisse
\n\nF. Chopin: Piano Concerto No.1, Op.11
\n\n\n\n
Creative and Production Team
\n\nPiano|Jérôme Granjon
\n\n\n',team:""},createdAt:1660736622,updatedAt:1661142594,updatedBy:"通泰系統管理員",host:!1},{_id:"63073997581fd70007c39f53",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664537400,discrete:[{time:1664537400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1557268385710112771"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"52fed658897d7fcd28358c5ba204fdbf",title:"《路易沙達2022鋼琴獨奏會》"}],related:[],title:"力晶2022藝文饗宴《藍色狂想曲-路易沙達鋼琴獨奏會》",cover:"7b2d0fbb4660603d0852e82a7e87d5b0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「路易沙達的演奏風格,讓樂曲中每一個音符都成為不可或缺的存在,挖掘出那些埋藏在樂譜最幽深之處、充滿詩意的主題。」
\n\n\n\n
1983年,路易沙達奪得奇亞尼(Dino Ciani)鋼琴大賽第二名,在米蘭史卡拉劇院的演奏獲得極佳評價。1985年,路易沙達獲得第11屆國際蕭邦鋼琴大賽第五名,開啟了他巡迴世界各地的演出生涯。路易沙達與DG簽約,發行一系列錄音,其中最受到注目的專輯包括蕭邦的圓舞曲、馬厝卡舞曲。路易沙達近年回到蕭邦,於2008年灌錄蕭邦鋼琴獨奏作品選集、2009年的馬厝卡舞曲、2011年的敘事曲,以及2014年的圓舞曲。
\n\n\n\n
演出曲目
\n\n蕭邦:四首馬厝卡舞曲,作品24
\n\n舒伯特:C大調第15號鋼琴奏曲《遺物》,D. 840
\n\n巴赫:第五號法國組曲,BWV 816
\n\n馬勒:第五號交響曲第四樂章(由薩洛改編為鋼琴獨奏版)
\n\n佛瑞:B大調第二號夜曲,作品33之2
\n\n佛瑞:降D大調第六號夜曲,作品63
\n\n蓋西文:藍色狂想曲(鋼琴獨奏版)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|路易沙達
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"52fed658897d7fcd28358c5ba204fdbf",title:"《路易沙達2022鋼琴獨奏會》"}],related:[],title:"Jean-Marc Luisada 2022 Piano Recital",cover:"7b2d0fbb4660603d0852e82a7e87d5b0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
“Luisada has the style to make every note indispensable and to uncover poetic motifs in the deepest recesses of the score.”
\n\n\n\n
In 1983, Mr Luisada gave a prize-winning performance at the Dino Ciani competition at La Scala in Milan. In 1985 he was a prize winner at the International Chopin Competition in Warsaw. Jean-Marc Luisada signed an exclusive contract with RCA Red Seal/BMG in 1998. His releases on the label feature the music of Bizet and Fauré (for which he received the Disc of the Year award), Dvorak, Schumann, Mozart, Haydn, Liszt, Scriabin, the Beethoven no. 4 piano concerto with the Orchestre Philharmonique de Radio France and of course several recordings featuring the composer Chopin, including his latest release in 2009.
\n\n\n\n
Program
\n\nF. Chopin: 4 Mazurkas, Op. 24
\n\nF. Schubert: Piano Sonata in C Major, D. 840 “Reliquie”
\n\nJ. S. Bach: French Suite No.5 in G Major, BWV 816
\n\nG. Mahler / A. Tharaud: Adagietto from Symphonie no.5
\n\nG. Fauré: Nocturne No 2 in B Major, Op. 33 No. 2
\n\nG. Fauré: Nocturne No 6 in D-flat Major, Op. 63
\n\nG. Gershwin: Rhapsody in Blue
\n\n\n\n
Creative and Production Team
\n\nPiano|Jean-Marc Luisada
\n\n\n\n
\n',team:""},createdAt:1661417879,updatedAt:1661736760,updatedBy:"林蔚行",host:!1},{_id:"63074281581fd70007c3a0a4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666265400,discrete:[{time:1666265400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3,2500],link:"https://reurl.cc/pMWEQx"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d43e05398e9f493726aeec96db25805",title:"《琴迷卡汀-角野隼斗鋼琴獨奏會》"}],related:[],title:"《琴迷卡汀-角野隼斗鋼琴獨奏會》",cover:"12cf8929cce32905fa6c3c9312ec57bf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
角野隼斗(Hayato Sumino)為日本鋼琴界的閃耀新星,演奏風格跨越古典、流行與爵士,並以「Cateen」(卡汀)之名經營YouTube頻道,持續地創作各式音樂類型的影片。
\n2018年,仍於東京大學求學期間的角野隼斗,以黑馬之姿於日本「PTNA鋼琴大賽」奪得首獎,其後,又於「國際蕭邦鋼琴大賽」大放異彩,備受國際矚目邀演不斷。首次訪臺音樂會,將以蕭邦及李斯特的作品為主軸,並穿插自身創作及改編作品,展現其無可取代的風格詮釋。
\n\n
演出曲目
\n\n蕭邦:b小調第一號詼諧曲,作品20
\n\n魏森伯格:《四月的巴黎》
\n\n蕭邦:降E大調華麗大圓舞曲,作品18
\n\n角野隼斗:大貓圓舞曲
\n\n蕭邦:降A大調波蘭舞曲,作品53
\n\n李斯特:《愛之夢》(角野隼斗改編)
\n\n李斯特:《灰色的雲》,作品199
\n\n聖桑斯 / 李斯特:《骷髏之舞》,作品555
\n\n李斯特:第二號匈牙利狂想曲(角野隼斗改編)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|角野隼斗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d43e05398e9f493726aeec96db25805",title:"《琴迷卡汀-角野隼斗鋼琴獨奏會》"}],related:[],title:"Hayato Sumino 2022 Piano Recital in Kaohsiung",cover:"12cf8929cce32905fa6c3c9312ec57bf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Born in 1995, Hayato Sumino won the Grand Prix of the Special Class of the PTNA Piano Competition while he was a graduate student at the University of Tokyo in 2018. In 2021, he was a semi-finalist at the XVIII International Chopin Piano Competition. In addition to performing concerts in Japan and abroad, he also writes, arranges, and performs his own music under the name "Cateen" on YouTube. For his debut in Taiwan, Hayato Sumino is performing the works of Chopin and Liszt as the core, with his original works joining to light up the repertoire.
\n\n\n\n
Program
\n\nF. Chopin: Scherzo No.1 in B minor, Op. 20
\n\nA. Weissenberg: En avril à paris
\n\nF. Chopin: Waltz No.1 in E-flat Major, Op. 18
\n\nH. Sumino: Big Cat Waltz
\n\nF. Chopin: Polonaise in A-flat Major, Op. 53
\n\nF. Liszt: Liebesträume No. 3 (Arr. Hayato Sumino)
\n\nF. Liszt: Nuages Gris S. 199
\n\nC. Saint-Saens / F. Liszt: Dance Macabre S. 555
\n\nF. Liszt: Hungarian Rhapsody No. 2 (Arr. Hayato Sumino)
\n\n\n\n
Creative and Production Team
\n\nPiano|Hayato Sumino
\n\n\n\n
\n',team:""},createdAt:1661420161,updatedAt:1661497474,updatedBy:"林蔚行",host:!1},{_id:"630d8113189adc00075e66ab",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667475e3,discrete:[{time:1667475e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[499,800,1100,1300,1600,2e3,3e3],link:"https://www.opentix.life/event/1562030138977832962"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"655d55e4b2ad010dc9c1106895781e3b",title:"《2022范·克萊本國際鋼琴大賽金牌-任奫燦鋼琴獨奏會》"}],related:[],title:"《2022范·克萊本國際鋼琴大賽金牌-任奫燦鋼琴獨奏會》",cover:"e49802a5714019c85ab5f5283d9be79c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
來自韓國,現年18歲的任奫燦(Yunchan Lim)是2022年范‧克萊本國際鋼琴大賽金牌得主,也是該大賽有史以來最年輕的金牌得主,同時囊括最佳觀眾票選獎與最佳新作品演奏獎,卓越非凡的深度表現與令人目眩神迷的演奏技巧,讓他一躍成為國際古典樂壇最受矚目的超級新星。大師藝術很榮幸與范‧克萊本國際鋼琴大賽合作,邀請任奫燦首度訪臺巡演,他將為臺灣樂迷帶來浪漫樂派大師布拉姆斯、孟德爾頌與李斯特等極富挑戰性與音樂表現力的鋼琴代表作。
\n\n\n\n
演出曲目
\n\n布拉姆斯:四首敘事曲,作品10
\n\n孟德爾頌:升f 小調幻想曲,作品28
\n\n李斯特:
\n兩首《傳奇》,作品S.175
\n第一首〈向鳥兒傳道的聖方濟〉
\n第二首〈在水面上行走的保羅聖方濟〉
〈但丁詩篇讀後感 - 奏鳴曲風幻想曲〉,選自《巡禮之年第二年:義大利》,作品161之7
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|任奫燦
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"655d55e4b2ad010dc9c1106895781e3b",title:"《2022范·克萊本國際鋼琴大賽金牌-任奫燦鋼琴獨奏會》"}],related:[],title:"2022 Van Cliburn Gold Medalist- Yunchan Lim Piano Recital",cover:"e49802a5714019c85ab5f5283d9be79c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Pianist Yunchan LIM, Gold Medal winner at this year's Van Cliburn Competition, is the youngest performer ever to do so. Now just 18, at his debut concert in Taiwan, Yunchan LIM plans to perform Brahms's four Ballades, Mendelssohn's Fantasie in F-sharp Minor, the renowned piece "Dante Sonata" and late famous piano works of Franz Liszt.
\n\n\n\n
Program
\n\nBrahms: 4 Ballades, Op.10
\n\nMendelssohn: Fantasie in F-sharp Minor, Op.28
\n\nF.Liszt:
\nTwo Légendes, S. 175
\nNo.1 "St. François d’Assise, La prédication aux oiseaux"
\nNo.2 "St. François de Paule: marchant sur les flots"
Après une Lecture de Dante: Fantasia quasi Sonata from "Années de pèlerinage, Deuxième Année:Italie", S.161/7
\n\n\n\n
Creative and Production Team
\n\nPiano|Yunchan LIM
\n\n\n\n
\n',team:""},createdAt:1661829395,updatedAt:1664767967,updatedBy:"林蔚行",host:!1},{_id:"630d855d189adc00075e6781",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667561400,discrete:[{time:1667561400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,1800,2300],link:"https://www.opentix.life/event/1560549096893038599"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79b2613140383db6a46cfbd20d58c1ab",title:"《對位與大師有約-VI 大提琴詩人Sung-Won Yang梁盛苑》"}],related:[],title:"《對位與大師有約系列VI - 國際知名大提琴家 Sung-Won Yang》",cover:"835f6dbb6f597e3e6b7b6d47dcf10143",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「梁盛苑的表演富想像力,技巧超凡卓越、精準…音色宏亮多彩」——《華盛頓郵報》
\n\n「極度傑出之藝術家,擁有抒情而又宏亮的演奏」——《星期日泰晤士報》
\n\n「Sung-Won Yang,一位技巧超卓、大膽具表現力的樂手,才能表達出Kodaly獨奏奏鳴曲的雄偉壯麗!」——《留聲機》
\n\n\n\n
國藝會Taiwan Top「演藝團隊年度獎助專案」團隊之一的對位室內樂團,今年將邀請於國際樂壇履獲好評之大提琴家,法國布爾代西耶爾城堡Owon音樂節藝術總監、錄製16張專輯,現為韓國EMI專屬藝術家 Sung-Won YANG來臺演出。《泰晤士報》譽為「極度傑出之藝術家」,擁有抒情而又宏亮的演奏」! 樂團並將演出柴可夫斯基以西歐傳統古典音樂的曲式融入俄羅斯民謠的《C大調弦樂小夜曲》,及臺灣作曲家楊聰賢的作品,一場東西方特色之聽覺饗宴!
\n\n\n\n
演出曲目
\n\n楊聰賢:《聽風、聽雨、也聽晴》為琵琶與十支弦樂 (2017)
\n\n柴可夫斯基:C大調弦樂小夜曲,作品48
\n\n舒曼:A小調大提琴協奏曲,為弦樂團
\n\n\n\n
演出暨製作團隊
\n\n客席大提琴|Sung-Won YANG
\n\n演出團隊|對位室內樂團
\n\n藝術總監|梁孔玲
\n\n樂團首席|林佳霖
\n\n客席琵琶|趙怡然
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79b2613140383db6a46cfbd20d58c1ab",title:"《對位與大師有約-VI 大提琴詩人Sung-Won Yang梁盛苑》"}],related:[],title:"Master Cellist Sung-Won Yang",cover:"835f6dbb6f597e3e6b7b6d47dcf10143",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Sung-Won Yang offered performances loaded with imagination, technical brilliance and pinpoint accuracy in intonation. Contours were skillfully shaped, scalar nuances were crafted with exquisite care and the whole rang with a resounding richness."——《Washington Post》
\n\n\n\n
"…an immensely accomplished artist with a huge sound and a way of playing that is lyrical and intense without a hint of preciousness."——《The Sunday Times》
\n\n\n\n
Program
\n\nTsung-Hsien, YANG: < Hearing Serenity in Weathers Stormy and Sunny > (2017)
\n\nTchaikovsky: Serenade for String Orchestra in C Major, Op. 48
\n\nSchumann: Cello Concerto in A minor, arr. for String Orchestra
\n\n\n\n
Creative and Production Team
\n\nCello Solo|Sung-Won YANG
\n\nPerformance|Counterpoint Ensemble
\n\nArtistic Director|LIANG Kung-Ling
\n\nViolin|LIN Bonnie
\n\nPipa|CHAO I-Jan
\n\n\n\n
\n',team:""},createdAt:1661830493,updatedAt:1662105005,updatedBy:"林蔚行",host:!1},{_id:"63156730e329d300076d26c9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1665747e3,discrete:[{time:1665747e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1564785467758936068"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab712acaafe6742ae5b8ca29739b2cd7",title:"《張群2022小提琴獨奏會》"}],related:[],title:"《張群2022小提琴獨奏會》",cover:"c92c21a32952c9398754e18b6d9b053a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
小提琴家張群與鋼琴家許昱琦,2022年將帶來挪威作曲家葛利格(Edvard Grieg,1843-1907)完成於1865年的《F大調第一號奏鳴曲》、1867年的《G大調第二號奏鳴曲》以及1890年創作的《C小調第三號奏鳴曲》三首洋溢著豐富抒情性的優美旋律與透明晶瑩的北國氣氛的小提琴奏鳴曲。
\n\n\n\n
演出曲目
\n\n葛利格
\n\nF大調第一號小提琴奏鳴曲,作品八
\n\nG大調第二號小提琴奏鳴曲,作品十三
\n\nC小調第三號小提琴奏鳴曲,作品四十五
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張群
\n\n鋼 琴|許昱琦
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab712acaafe6742ae5b8ca29739b2cd7",title:"《張群2022小提琴獨奏會》"}],related:[],title:"Chun Chang Violin Recital",cover:"c92c21a32952c9398754e18b6d9b053a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The violinist Chun Chang of VIO strings and the pianist YuChi Hsu will perform most famous Grieg violin sonata at Concert, including Violin Sonata No.1 in F Major, Op.8, and Violin Sonata No.2 in G Major, Op.13 and Violin Sonata No.3 in C minor, Op.45.
\n\n\n\n
Program
\n\nE. Grieg
\n\nViolin Sonata No.1 in F Major, Op.8
\n\nViolin Sonata No.2 in G Major, Op.13
\n\nViolin Sonata No.3 in C minor, Op.45
\n\n\n\n
Creative and Production Team
\n\nViolin|Chun CHANG
\n\nPiano|Yu-Chi HSU
\n\n\n\n
\n',team:""},createdAt:1662347056,updatedAt:1662543194,updatedBy:"林蔚行",host:!1},{_id:"63185690879fba00072d77fd",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667716200,discrete:[{time:1667716200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500,2e3],link:"https://www.opentix.life/event/1563346754283646978"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79190a23ce675d645b907781bd1e57ce",title:"《NTSO 克里斯蒂安.阿爾明,程碩聰「海頓Classics」》"}],related:[],title:"《NTSO 克里斯蒂安.阿爾明,程碩聰「海頓Classics」》",cover:"1c2660ec8bc18a5e7682c0abef9d07f8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
國立臺灣交響樂團創立於民國34年,為臺灣歷史最悠久的交響樂團。成立之初,先後隸屬於臺灣省警備司令部、臺灣省藝術建設協會、臺灣省政府教育廳、文化處及行政院文化建設委員會等單位,101年5月改隸文化部。108年起,國際知名音樂家水藍先生再度受邀擔任本團首席客席指揮,與劉團長共同合作,推動國立臺灣交響樂團「精進技藝、傳統創新、教育扎根、美學推廣」的任務,提昇全民音樂生活,讓音樂就如同空氣、水、陽光一般的在你我身邊。
\n\n\n\n
演出曲目
\n\n海頓:C大調第八十二號交響曲《熊》
\n\n海頓:C大調第一號大提琴協奏曲
\n\n海頓: D大調第一百零四號交響曲《倫敦》
\n\n\n\n
演出暨製作團隊
\n\n指揮|克里斯蒂安.阿爾明
\n大提琴|程碩聰
\n國立臺灣交響樂團
\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79190a23ce675d645b907781bd1e57ce",title:"《NTSO 克里斯蒂安.阿爾明,程碩聰「海頓Classics」》"}],related:[],title:"Christian Arming, Bryan Cheng & NTSO",cover:"1c2660ec8bc18a5e7682c0abef9d07f8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Founded in 1945, the National Taiwan Symphony Orchestra (NTSO) is the oldest symphony orchestra in Taiwan. Since its establishment, it has been successively affiliated with the Taiwan Garrison Command, Taiwan Art Construction Association, Taiwan Provincial Department of Education, Department of Culture, Council for Cultural Affairs, and the Executive Yuan. Since 2019, the internationally renowned conductor maestro Lan Shui has taken on the position of the NTSO Principal Guest Conductor, cooperating with the NTSO Director Liu to enrich artistic skills, innovate on tradition, deepen education, and promote aesthetics, thus enhancing the public's musical life, making music ever-present like air, water and sunshine.
\n\n\n\n
Program
\n\nJ. Haydn: Symphony No. 82 in C Major, Hob. I:82 "The Bear"
\n\nJ. Haydn: Cello Concerto No. 1 in C Major, Hob.VII b:1
\n\nJ. Haydn: Symphony No. 104 in D Major, Hob. I:104 "London"
\n\n\n\n
Creative and Production Team
\n\nConductor|Christian Arming
\n\nCello|Bryan Cheng
\n\nNational Taiwan Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1662539408,updatedAt:1663145089,updatedBy:"林蔚行",host:!1},{_id:"63187e7fe329d300076ef1d1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1664690400,discrete:[{time:1664690400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N25AJO0G"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32f9aaeac8e92b461f23a0c57763867b",title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》"}],related:[],title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》",cover:"8a8ba689f56131aef6dcd956eac029a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
來自羅馬尼亞的偉大小提琴家及作曲家George Enescu 恩奈斯庫,早年接受了維也納學派的扎實訓練,並且繼續前往藝術重鎮巴黎深造,他的三首小提琴奏鳴曲個性非常分明,第一號反映了作曲家早年在維也納學習受到布拉姆斯作品的影響,展現出扎實且工整的作曲功力,兩年後在巴黎所譜寫的第二號也明顯可以發現法國作曲家佛瑞的影子,第三號則是恩奈斯庫全盛時期的成熟之作。同時身為一位傳奇小提琴家的恩奈斯庫,寫作小提琴作品除了擁有厚實的曲式架構,也融合了強烈的民族色彩,聽眾能藉由這套作品,感受到如萬花筒般繽紛的歐洲風情,也許也能藉此讓愛樂者浸淫在不同國度的風景與文化中。
\n\n\n\n
演出曲目
\n\n喬治恩奈斯庫 第一號小提琴奏鳴曲 (1897)
\n\n喬治恩奈斯庫 第二號小提琴奏鳴曲 (1899)
\n\n喬治恩奈斯庫 第三號小提琴奏鳴曲 (1926)
\n\n\n\n
演出暨製作團隊
\n\n小提琴|李思緯
\n\n鋼琴|吳佳瑾
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32f9aaeac8e92b461f23a0c57763867b",title:"《李思緯 2022 小提琴獨奏會 -來自羅馬尼亞的聖火-恩奈斯庫小提琴奏鳴曲全集》"}],related:[],title:"Ssu-Wei Lee 2022 Violin Recital -Flame of Romania-George Enescu Violin Sonatas",cover:"8a8ba689f56131aef6dcd956eac029a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
George Enescu, the most celebrated violinist and composer of Romania, received his proper musical educations in Vienna during his early years and further continued on in Paris. All of his three sonatas present distinctive characters and styles reflecting the composer's musical journey. Enescu's first sonata shows heavy Brahmsian influences from his Viennese-school education, and the second sonata from two years later in Paris contains obvious traits of Faure's style of writing, which can be traced back to his education at Conservatoire de Paris. After almost three decades, Enescu finally writes the third sonata, which one may say that it is the golden age of the composer for the high level of maturity and originality in the music. As a such brilliant violinist himself, Enescu is able to not only maintain strong compositional capabilities but also incorporate Romanian folk elements into his writing. With this program of all three Enescu Violin sonatas, listeners may expect to experience wide varieties of European music and culture through the lenses of Enescu.
\n\n\n\n
Program
\n\nGeorge Enescu: Violin Sonata No.1 in D Major ,Op.2 (1897)
\n\nGeorge Enescu: Violin Sonata No.2 in F minor ,Op.6 (1899)
\n\nGeorge Enescu: Violin Sonata No.3 in A minor "dans le caractère populaire Roumain" ,Op.25 (1926)
\n\n\n\n
Creative and Production Team
\n\nViolin|Ssu-Wei LEE
\n\nPiano|Chia-Chin WU
\n\n\n\n
\n',team:""},createdAt:1662549631,updatedAt:1663145116,updatedBy:"林蔚行",host:!1},{_id:"6322cff823a9b00007873bc2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666351800,discrete:[{time:1666351800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1567088624952373251"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb694951f41cb9d152a040403010a12d",title:"《情深之時~2022呂承祐長笛獨奏會》"}],related:[],title:"《情深之時~2022呂承祐長笛獨奏會》",cover:"4a180a1d89cf66f2e1eaa8092a33ef00",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
長笛演奏家呂承祐與長年合作的鋼琴家祖齊瑄攜手,精選舒曼、克拉拉、布拉姆斯與同時期的藍乃克作品,以及國人作曲家呂文慈的中音長笛獨奏曲。以五首樂曲素描愛情的不同面向。
\n\n\n\n
演出曲目
\n\n呂文慈:緣起緣滅(1991)
\n\n舒曼:三首浪漫曲,作品94
\n\n克拉拉.舒曼:三首浪漫曲,作品22
\n\n布拉姆斯:G大調第一號小提琴奏鳴曲,作品78
\n\n卡爾.藍乃克:長笛與鋼琴奏鳴曲〈水妖〉,作品167
\n\n\n\n
演出暨製作團隊
\n\n長笛|呂承祐
\n\n鋼琴|祖齊瑄
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb694951f41cb9d152a040403010a12d",title:"《情深之時~2022呂承祐長笛獨奏會》"}],related:[],title:"2022 York LU Flute Recital",cover:"4a180a1d89cf66f2e1eaa8092a33ef00",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Program
\n\nLU Wen-Tze: 緣起緣滅 (1991)
\n\nRobert Schumann: Three Romances, Op. 94
\n\nClara Schumann: Three Romances, Op. 22
\n\nJohannes Brahms: Violin Sonata No.1 in G Major, Op. 78
\n\nCarl Reinecke: Sonata "Undine", Op. 167
\n\n\n\n
Creative and Production Team
\n\nFlute|York LU
\n\nPiano|TSU Chi-hsuan
\n\n\n\n
\n',team:""},createdAt:1663225848,updatedAt:1663743468,updatedBy:"林蔚行",host:!1},{_id:"6322d8383c4392000a84ae85",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667647800,discrete:[{time:1667647800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1564932385758101509"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34a48cbfbfc4da9db3be28611f459e70",title:"《鄞蔚婷2022鋼琴獨奏會》"}],related:[],title:"《鄞蔚婷2022鋼琴獨奏會》",cover:"41125874adaf3ee2bf1890fcd9283b48",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
就藝術作品言,無中生有難,有中求變更難,變中出新又能綻放光芒尤難。是以2022年北高各一場的演奏會,乃傳達"新變"主題的藝術魅力。演出曲目有巴赫/布梭尼 D小調夏康舞曲、莫札特《入睡的李頌》九段變奏曲、李蓋悌鋼琴練習曲選曲、舒伯特/李斯特藝術歌曲改編曲及李斯特/布梭尼費加洛歌劇幻想曲。上半場藉由曲風的反差,呈現各自獨特性;下半場則是展現李斯特變中求新的藝術特色,藉由伴奏與聲部的層次變化,既保留曲目的原汁原味又能展現改編後的新貌。
\n\n\n\n
演出曲目
\n\n巴赫/布梭尼 : D小調夏康舞曲,作品 1004
\n\n莫札特 : 以《入睡的李頌》為主題的九段變奏曲,作品264
\n\n李蓋悌 : 鋼琴練習曲 (第一冊)
\n 第四首 : 號角
\n 第十首 : 魔法師的學徒
舒伯特/李斯特:小夜曲
\n\n舒伯特/李斯特:紡車旁的葛蕾卿
\n\n舒伯特/李斯特:往何方?
\n\n舒伯特/李斯特:聖母頌
\n\n舒伯特/李斯特:水上吟
\n\n李斯特/布梭尼:莫札特歌劇《費加洛婚禮》幻想曲,作品697
\n\n\n\n
演出暨製作團隊
\n\n演出者|鄞蔚婷
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34a48cbfbfc4da9db3be28611f459e70",title:"《鄞蔚婷2022鋼琴獨奏會》"}],related:[],title:"2022 Wei-Ting Yin Piano Recital",cover:"41125874adaf3ee2bf1890fcd9283b48",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Wei-Ting YIN received her Doctor of Musical Art from the University of Cincinnati College-Conservatory of Music. She is an active performer of solo and chamber music, and is also a prizewinner of several competitions. For this recital, Wei-Ting Yin will perform J.S. Bach/Busoni: Chaconne in D Minor, BWV 1004, W. A. Mozart: 9 Variations on "Lison Dormait" in C Major, K. 264, G. Ligeti: Études Pour Piano (Book 1), No. 4 and 10, Schubert/Liszt transcriptions and Liszt/Busoni Figaro Fantasy.
\n\n\n\n
Program
\n\nJ. S. Bach/Busoni: Chaconne in D Minor, BWV 1004
\n\nW. A. Mozart: 9 Variations on "Lison Dormait" in C Major, K. 264
\n\nG. Ligeti: Études Pour Piano (Book 1)
\n No. 4 Fanfares
\n No. 10 Der Zauberlehrling
F. Schubert / F. Liszt: Ständchen, S. 560 No. 7
\n\nF. Schubert / F. Liszt: Gretchen am Spinnrade, S. 558 No. 8
\n\nF. Schubert / F. Liszt: Wohin, S. 565 No. 5
\n\nF. Schubert / F. Liszt: Ave Maria, S. 558 No. 12
\n\nF. Schubert / F. Liszt: Auf dem Wasser zu singen, S. 558 No. 2
\n\nF. Liszt/F. Busoni: Fantasy on two themes from Mozart's Opera "Figaro's wedding", S. 697
\n\n\n\n
Creative and Production Team
\n\nPerformer|YIN Wei-Ting
\n\n\n\n
\n',team:""},createdAt:1663227960,updatedAt:1663743499,updatedBy:"林蔚行",host:!1},{_id:"6327d7eb3c4392000a857c63",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1666611e3,discrete:[{time:1666611e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1569591961620852738"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"23cf390319333dccd6ab192463ef7645",title:"2022台北青管名家系列~吳志桓薩克斯風獨奏會《獨聲》"}],related:[],title:"2022台北青管名家系列~吳志桓薩克斯風獨奏會《獨聲》",cover:"8fdca2adc730091c66648933ae046e8f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
台北青管2021年開始的名家系列,邀請了臺灣在各項樂器知名的演奏家,在室內樂召集人王騰寬博士的策劃下,舉辦「名家系列」獨奏會。除了以這些名家的示範演奏,給予學子學習觀摩的機會之,並促進提升臺灣管樂的音樂演奏水平,另一個教育面的含意,就是推廣該樂器的音樂與曲目,讓更多一般大眾可以認識,增加藝文氣息與素養。此場由臺灣藝術大學音樂系兼任薩克斯風助理教授吳志桓博士擔綱主角,帶來多首薩克斯風獨奏名曲,給予觀眾與音樂學習者不一樣的發現與感受。
\n\n\n\n
演出曲目
\n\n巴赫《無伴奏大提琴組曲第四號》
\n\n德布西《潘神笛》
\n\n勞巴《難》
\n\n魯弗《奏鳴曲》
\n\n史托克豪森《友誼》
\n\n\n\n
演出暨製作團隊
\n\n薩克斯風獨奏|吳志桓
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"23cf390319333dccd6ab192463ef7645",title:"2022台北青管名家系列~吳志桓薩克斯風獨奏會《獨聲》"}],related:[],title:'2022 TSB Master Series- Chih-Huan WU Saxophone Recital "Solo Voices"',cover:"8fdca2adc730091c66648933ae046e8f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2022 TSB Master Series, the wonderful and excellent saxophone player Chih-Huan WU, will presents a really special program with couples of beautiful saxophone solo repertoire.
\n\n\n\n
Program
\n\nJohann Sebastian Bach: Cello Suite No.4 in Eb Major, BWV 1010
\n\nClaude Debussy: Syrinx
\n\nChristian Lauba: Hard
\n\nJeanine Rueff: Sonate
\n\nKarlheinz Stockhausen: In Freundschaft
\n\n\n\n
Creative and Production Team
\n\nSaxophone Solo|Chih-Huan WU
\n\n\n\n
\n',team:""},createdAt:1663555563,updatedAt:1664363828,updatedBy:"林蔚行",host:!1},{_id:"6334058112f38c0008286e70",catalogs:["5c1f073a5a5bea0006f3eb11","60175764537e520007436189"],dateTime:{first:1666407600,discrete:[],type:"continuous",continuous:{time:[1664334e3],endTime:[1664362800],start:1666368e3,end:1668873600}},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"邀映作品",content:'
臺灣
\n\n余彥芳 2021五國駐地計畫—《你跳舞嗎?》, 2021
\n\n2017年,衛武營與歐陸青年編舞者網絡 Aerowaves 展開合作,因創意歐洲專案(Creative Europe)支持之「跳舞博物館」(Dancing Museums)計畫,開展了橫跨歐、亞兩大洲的「五國駐地交流計畫」。藝術家余彥芳延續與夥伴徐宏愷對已故歌手鳳飛飛的研究,並在此次聚焦舞蹈與身體的連結。駐地期間深入探索70至80年代,臺灣秀場文化熱潮下的社會氛圍,同時回顧個人兒時記憶、求學軌跡,及自我身分認同的身體脈絡。
\n\n\n\t\t |
© 攝影|林峻永
\n\n\n\n
\n\n
臺灣
\n\n劉彥成 2021 五國駐地計畫 2.0—《回顧 2022 匿名者二號 》, 2022
\n\n\n\n
2017年,衛武營與歐陸青年編舞者網絡Aerowaves展開合作,因創意歐洲專案(Creative Europe)支持之「跳舞博物館」(Dancing Museums)計畫,開展了橫跨歐、亞兩大洲的「五國駐地交流計畫」。藝術家劉彥成在2021年創作了駐地呈現《匿名者二號》,並以線上線下混合展演的方式與觀眾分享。
\n\n而彥成本次以回顧的角度,重新審視當時的創作,站在2022年的現在,往回看過去發生的事情。從過去看間未來的更多可能性
\n\n\n\t\t |
© 攝影|帽子
\n\n\n\n
\n\n
臺灣
\n\n微光製造 《半島來跳舞》, 2022
\n\n\n\n
\n\n
南方的山風,喚出了月琴的曲調音色,
\n\n南方的海風,撫過了這些身體的形色,
\n\n沈浸歌謠中的我們,在春天裡的半島,
\n\n牽起彼此的手,踏著步伐,一起跳舞。
\n\n\n\t\t |
© 半島歌謠祭提供 攝影|邱家驊
\n\n\n\n
\n\n
臺灣
\n\n黎宇文《波麗露在高雄》 , 2022
\n\n\n\n
\n\n
\n\n
衛武營首位駐地藝術家周書毅,自2010年帶著「周先生與舞者們」,在板橋火車站演出於英國沙徳勒之井劇院獲獎作品《1875 拉威爾與波麗露》。隔年啟動「舞蹈旅行計畫」,途經14個城市演出60場次。 2022年以「波麗露在高雄」為名,帶著一群高雄獨立舞者與左營高中舞蹈班,在高雄感受舞蹈旅行的美好。
\n\n\n\t\t |
© 攝影|陳長志
\n\n\n\n
\n\n
臺灣
\n\n田孝慈 《14分鐘的清醒夢》, 2021
\n\n\n\n
\n\n
\n\n
\n\n
此作品為新加坡濱海藝術中心2021年與國家兩廳院國際共製,臺中國家歌劇院等單位國際共演,臺灣端演出由進港浪製作統籌,da:ns festival⟪14⟫之參演作品。在偌大空曠的觀眾席與舞台之間爬行、遊走,鏡頭切碎了連貫的清醒,片段拼湊,使得寫實失去時間線性。作品回應生命中不斷發生的內在與外在對話,一個清醒的夢。
\n\n\n\t\t |
\n\n
\n\n
臺灣
\n\n驫舞劇場《自由步——與百年相遇的美好——濁水水力發電所》, 2022
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
《自由步-與百年相遇的美好》,為驫舞劇場與臺灣電力公司合作項目,以身體意象重新連結歷史建築。此錄像為編舞蘇威嘉與導演陳冠宇在雲林林內濁水發電所進行,濁水發電所是日治時期因應嘉南水利會籌建烏山頭水庫所需電力而建,2004年由雲林縣府公告為縣定古蹟,是雲嘉南唯一平地型川流發電廠,也是全臺少數位於田野間發電廠。
\n\n\n\t\t |
\n\n
\n\n
臺灣
\n\n黎宇文 × 巴魯.瑪迪霖 bulabulay mun?(環境版)
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
蒂摩爾古薪舞集以南排灣牡丹古調「e ne lja古謠讚」重現淹沒於時光的戰爭史—「牡丹社事件」,花費500天籌劃拍攝出臺灣第一部以歷史事件出發,並由專業舞者與在地居民共演之舞蹈電影。
\n\nbulabulay mun?你好嗎?踩著前進戰場的步伐,在古謠百轉千迴的律動之中,向天地放聲嘶喊。
\n\n\n\t\t |
\n\n
\n\n
臺灣
\n\n葉名樺 《SHE O.S.》, 2021
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
2020年,葉名樺開始《SHE》計畫,以經典女性舞蹈家為主題:大英帝國芭蕾伶娜瑪歌.芳婷(1919–1991)、中國第一位向西方學習的舞蹈家裕容齡(1889–1973),及臺灣頂尖舞蹈家羅曼菲(1955-2006)。從個人角度出發重詮經典人物,演繹跳舞的女人。
\n\n\n\t\t |
© 攝影|陳宥中
\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"獲選作品",content:'
新加坡
\n\n陳傑孝《馬不停蹄》, 2021
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
從注意著廣州的日常,投射出城市高檔化背後的血肉必經之路。
\n\n百世之留芳,建立於何等重冤上。
\n\n時代變了遷,犧了人為牲。
\n\n\n\t\t |
\n\n
印度
\n\n薩加里卡·德比納特 & 帕拉迪·薩達 《點陣身體》, 2020
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
《點陣身體》兩位舞者透過電話回憶她們的大學年度公演,她們憶起當時是如何在燈光昏暗的舞台及音質低劣的音響環繞下,演出「七宗罪」並慢慢失去對自己身體的控制。 動作中伴隨著刺耳的厄運,她們重演了當時的表演排練場景,當窗簾、燈光和舞台都變成了耳邊揮之不去的迴聲,這場電話追溯回舞者生存本能背後的旅程,像極了身為舞者的七宗罪。
\n\n\n\t\t |
\n\n
臺灣
\n\n\n\n
小事製作《五虎將》FIGHTERS , 2021
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
創作源自歷史名著《三國演義》中,五名上將的義勇精神及氣度,透過舞作與影像的建構,探討當代表演者於後疫情時代尋找自我價值認同,所面臨的困境與應對之道。特邀臺灣民俗電音團隊「三牲獻藝」,同時加入臺語說書人「辯士」等元素,以打破界限的混種形式,重新詮釋經典文本。
\n\n\n\t\t |
© 攝影|劉璧慈
\n\n\n\n
\n\n
塞爾維亞
\n\n馬科·佩喬維 《瞥見》, 2019
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
此短片由「讓我們一起」團隊製作。舞者(體格健全者、聾人、盲人與輪椅使用者)、編舞家與導演共同發想舞蹈、主題與架構。概念奠基於四條不同的舞蹈線:私密的內省、他人瞥見自身的無助,自身能力超越框架限制的過程,以及團結精神。每條舞蹈線皆用不同呈現手法,並展現獨特拍攝語言。
\n\n\n\t\t |
\n\n
\n\n
希臘
\n\n絲特菈·馬斯托羅斯特奧斯 《我沒看見鹿》, 2018
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
以編舞研究探究身體與城市空間之間的相互關係。此作創造出僅使用於特定位址、短暫出現的影像,並藉該影像玩味熟悉與不熟悉間的界線,進而藉此強調都市空間中的另類旅程,並發掘更多身處城市與思索城市的有趣可能性。
\n\n\n\t\t |
\n\n
馬來西亞
\n\n劉佩鑫《當代舞:我記得的身體 (Seni Tari Kontemporari: Memori Seketul Jasad )》, 2022
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
穿插日常生活,與馬來西亞舞者駱素琴進行一場關於身體動作、記憶與勞動的漫步。
\n\n\n\t\t |
\n\n
\n\n
韓國
\n\nTrust Dance Theatre《紛亂中的秩序》, 2021
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
秩序中有紛亂,紛亂中有秩序;紛亂是我們無法理解的規則。為什麼這個世界佈滿著擾攘?為什麼這個世界充塞著分歧?或許這些混亂是大自然或上帝安排準繩。在同一片天空下,每個人都背負著自己的行李,無人知曉目的地,僅享受與表達感受。旅程繼續前進,在紛亂之中。
\n\n\n\t\t |
\n\n
荷蘭
\n\n卡爾.范.拉爾《緩慢》, 2014
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
在機器與系統等設備環繞下,人體毫無防禦能力。卡爾(Karel)注意到臺灣設有許多嚴規,且人們無法忽視這些規則。在影片中,男孩乘著隱形電動車,在臺灣的都市間緩慢卻冷靜地移動著,他,營造出毫無防禦能力的人體與周圍混亂世界之間有趣而奇妙的對比。
\n\n\n\t\t |
\n\n
\n\n
俄羅斯
\n\n迪娜·維魯蒂娜《霧》, 2022
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
他與她正等著那陣霧。
\n\n像使用毛毯一般將霧包裹,讓一切消逝!
\n\n但兩人都相信當霧來臨時,一切都會改變!
\n\n\n\t\t |
\n\n
\n\n
香港
\n\n區志恒《電車路》, 2022
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
《電車路》在2022上半年,香港正受疫情肆虐,讓這個原先充滿活力的城市委靡不振。記憶與現實的並列呈現出極顯著的對比。迷失的靈魂由表演者賦予人性,在電車軌上漫步,並由東向西穿越整座城市。
\n\n\n\t\t |
\n\n
\n\n
\n\n
\n'},{reference:[],type:"content",name:"特別注目",content:'
烏克蘭
\n\n安東·奧夫欽尼科夫《單一》, 2022
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
彷彿,只有我的身體「屬於我」。有時很強壯,但大多虛弱與脆弱。身體會表現內心真正的感受。
\n\n2月24日晚,俄國入侵烏克蘭。我離開基輔,被迫暫居鄉村。4月時,烏軍擊退附近的俄軍,帶來靜謐。我決定拍攝即興舞蹈,觀察身體變化。中立不復存在,人們非友即敵。我覺得紀錄當下非常重要,也是這部電影的由來。
\n\n\n\t\t |
\n\n
\n'},{reference:[],type:"content",name:"舞蹈聲音展",content:'
林強
\n\n音樂工作者,主要製作電影和紀錄片配樂,也參與短片、廣告、舞蹈、燈光裝置藝術、VR等配樂,嘗試與各領域的藝術家交流合作,近期探索抽象電子聲響與實驗及環境音樂創作。
\n\n\n\t\t |
© 攝影|林韶安
\n\n\n\n
雲門舞集《十三聲》, 2016
\n\n\n\n
\n\t\t |
© 雲門舞集《十三聲》|編舞 鄭宗龍| 攝影 劉振祥
\n\n\n\n
\n\n
\n\n
王榆鈞
\n\n\n\n
創作領域橫跨劇場、舞蹈、電影與當代藝術,也是臺灣少數結合詩與文學的歌者。持續在邊界探索,以歌聲詠唱生命的真實。近期特別關注社會現象與人權,回望歷史與身體、影像共同創造出的內在聽覺意象,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。在不斷地聆聽與提問之中,找尋與世界對話的方式。
\n\n\n\t\t |
\n\n
周書毅《無用之地》, 2018-2020
\n\n\n\n
\n\t\t |
\n\n
人‧舞團《盤》, 2020-2021
\n\n\n\n
\n\t\t |
© 攝影|Bernie Ng
\n\n\n\n
周書毅 X 鄭志忠 《阿忠與我》, 2020-2021
\n\n\n\n
\n\t\t |
\n\n
\n\n
\n\n
李世揚
\n\n李世揚的許多創作都蘊含著即興的成分,通常是現場,並由本人親自演奏。毫無疑問地,這能提升現場的可看性,讓每次演出都鮮活起來,但也伴隨著變數和風險。然而,也希望藉此與合作的夥伴在當下產生關聯,同時激盪著彼此。
\n\n\n\t\t |
© 攝影|陳藝堂
\n\n\n\n
驫舞劇場《兩男關係 》, 2012
\n\n\n\n
\n\t\t |
\n\n
張婷婷獨立製作《肢‧色系列2:時空抽屜》, 2015
\n\n\n\n
\n\t\t |
\n\n
許雁婷
\n\n創作常映照聲音與環境、個人/集體記憶或內在情緒的關係。交織田野錄音、電子和物件聲響,其探索常擺盪在錄音聲音的紀錄及虛構、敘事及想像特質間。
\n\n\n\t\t |
© 臺灣當代文化實驗場 提供
\n\n\n\n
張婷婷獨立製作 X 陳逸恩《不回家》, 2018
\n\n\n\n
\n\t\t |
© 香港比舞 提供 攝影|曾景輝
\n\n\n\n
安娜琪舞蹈劇場 X 董怡芬《與時間牽手II—我們就是時間》, 2019
\n\n\n\n
\n\t\t |
© 攝影|何肇昇
\n\n\n\n
晟
\n\n作品跨足實驗聲響、電影、劇場之間,如:《消失的情人節》《范保德》《青田街一號 》《八八》《孤單在一起》等,曾多次提名入圍金馬獎最佳音效及台新藝術獎。現著重於聲音的取樣調變、顆粒合成,融合擬音、環境音和田野錄音,加上測試音效和傳統樂器。企圖創造出屬於未來臺灣的電子聲響。
\n\n\n\t\t |
\n\n
葉名樺《寂靜敲門》, 2015
\n\n\n\n
\n\t\t |
© 攝影|李欣哲
\n\n\n\n
葉名樺《十七年蟬》, 2018
\n\n\n\n
\n\t\t |
© 攝影|李欣哲
\n\n\n\n
林廷緒《八八》, 2020
\n\n\n\n
\n\t\t |
© 攝影|陳十
\n\n\n\n
林廷緒《在山海來去》, 2022
\n\n\n\n
\n\t\t |
© 攝影|吳柏源
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"a0772c3758253104ee9fcdd593686f15",title:"【2022臺灣舞蹈平台】『身體上線』舞蹈影像/聲音展"}],related:[],title:"【2022臺灣舞蹈平台】『身體上線』舞蹈影像/聲音展",cover:"afed3eefa020f5c484e99a3d26980e5d",site:{isOther:!0,site:"",other:"展覽廳"},cautions:"",benefits:"",description:"疫情下,舞蹈上載,身體上線,穿越無國界的連結",introduction:'\n\n
\n\t\t\t 疫情下,舞蹈上載,身體上線,穿越無國界的連結 \n\n\t\t\t兩年一度的衛武營臺灣舞蹈平台再次啟動,策展人周書毅提出《身體上線》命題,首度對全球展開舞蹈影像作品的徵件,有來自二十多個國家投件,最後將選出十部作品,與邀映作品實體展出。聲音展的部分,邀請五位臺灣音樂創作人,分享他們為舞蹈創作的音樂作品,用聆聽的角度認識舞蹈。靜態攝影展的部分,將帶領觀眾一起回看這兩年在疫情下,仍在衛武營順利上演的舞蹈風景。 \n\n\t\t\t\n\n\t\t\t 在這兩年劇場幾度停擺又重新開啟的時代,身體真實的表演如何傳遞上線,又是如何在真實的世界中,找尋可以釋放的舞臺。影像,改變了身體與表演的關係,創造獨有的語彙。聲音,創作了走入舞蹈的故事。攝影,留存下舞台生命的瞬間。 \n\n\t\t\t\n\n\t\t\t 藉由策展形式融合「舞蹈」、「影像」及「聲音」三大相得益彰的藝術創作元素,透過展場設計與藝術家觀點與角度的詮釋、相互搭配,爬梳身體真實的語言及對話方式。在一道道設計過的展場區域內,是以『身體上線』為概念的體驗式展覽,觀眾遊走在舞蹈影像作品、現場展演與音樂創作的交織,跟著藝術家的思緒,一同重新思索與世界「連結」的方式與意義。 \n\t\t\t | \n\t\t
\n\n
身體上線-舞蹈影像展
\n\n舞蹈影像展是衛武營首次向全球徵件,自今年(2022)7月啟動以來,邀請亞洲的舞蹈影像作品,同時也向全世界各地的藝術家、舞者、導演、影像製作人以及跨界共創的藝術家徵求投件,共收到來自五大洲46個國家地區藝術家合計256件踴躍投稿,最後選出10件來自不同國家的舞蹈影像作品及1部特別注目的作品。同時和有8部是臺灣在地創作的邀映作品,引領我們透過影像遊歷世界的身體語彙與生活處境。
\n\n影片將於10月22日(六)至11月20日(日)止,在衛武營展覽廳播映,藉由影像媒介,重新尋找身體真實的舞臺語言及對話方式,共同省思舞蹈更長遠的發展。
\n\n\n\n
展覽日期:2022.10.22-11.20
\n\n展覽時間:11:00-19:00
\n\n展覽地點:展覽廳
\n\n\n\n
展出藝術家與合作舞蹈作品列表
\n\n臺灣 | \n\t\t\t余彥芳 2021 五國駐地計畫—《你跳舞嗎?》 | \n\t\t
臺灣 | \n\t\t\t劉彥成 2020 五國駐地計畫 2.0—《回顧 匿名者二號 》 | \n\t\t
臺灣 | \n\t\t\t微光製造 《半島來跳舞》 | \n\t\t
臺灣 | \n\t\t\t黎宇文《波麗露在高雄》 | \n\t\t
臺灣 | \n\t\t\t田孝慈 《14分鐘的清醒夢》 | \n\t\t
烏克蘭 | \n\t\t\t安東·奧夫欽尼科夫《單一》 | \n\t\t
印度 | \n\t\t\t薩加里卡·德比納特 & 帕拉迪·薩達 《點陣身體》 | \n\t\t
香港 | \n\t\t\t區志恒《電車路》 | \n\t\t
俄羅斯 | \n\t\t\t迪娜·維魯蒂娜《霧》 | \n\t\t
臺灣 | \n\t\t\t驫舞劇場《自由步—與百年相遇的美好—濁水水力發電所》 | \n\t\t
臺灣 | \n\t\t\t小事製作《五虎將》 FIGHTERS | \n\t\t
臺灣 | \n\t\t\t黎宇文 X 巴魯.瑪迪霖 《bulabulay mun? (環境版)》 | \n\t\t
馬來西亞 | \n\t\t\t劉佩鑫《當代舞:我記得的身體 (Seni Tari Kontemporari: Memori Seketul Jasad )》 | \n\t\t
新加坡 | \n\t\t\t陳傑孝《馬不停蹄》 | \n\t\t
希臘 | \n\t\t\t絲特菈·馬斯托羅斯特奧斯 《我沒看見鹿》 | \n\t\t
荷蘭 | \n\t\t\t卡爾.范.拉爾《緩慢》 | \n\t\t
臺灣 | \n\t\t\t葉名樺 《SHE O.S.》 | \n\t\t
塞爾維亞 | \n\t\t\t馬科·佩喬維 《瞥見》 | \n\t\t
韓國 | \n\t\t\tTrust Dance Theatre《紛亂中的秩序》 | \n\t\t
\n\n
身體上線-舞蹈聲音展
\n\n邀請臺灣音樂創作人林強、王榆鈞、李世揚、許雁婷、晟,展出並記錄下他們曾為舞蹈創作的音樂作品,帶領民眾認識他們曾為舞蹈作品創作的故事,可能是他們的第一個為舞蹈的創作,也可能是最深刻難忘的生命旅程。他們創造身體的聲音, 用音符引領您造訪記憶中那場充滿震撼的演出現場。期待這次展翅,能作為梳理臺灣舞蹈音樂創作脈絡的開始,讓我們有機會從音樂家的角度去聽見舞蹈的聲音。
\n\n\n\n
展覽日期:2022.10.22-11.20
\n\n展覽時間:11:00-19:00
\n\n展覽地點:展覽廳
\n\n\n\n
展出藝術家與合作舞蹈作品列表
\n\n林強 | \n\t\t\t雲門舞集《十三聲》 | \n\t\t
王榆鈞 | \n\t\t\t周書毅《無用之地》|人‧舞團《盤》| 周書毅 X 鄭志忠 《阿忠與我》 | \n\t\t
李世揚 | \n\t\t\t驫舞劇場《兩男關係 》| 張婷婷獨立製作《肢‧色系列2:時空抽屜》 | \n\t\t
許雁婷 | \n\t\t\t\n\t\t\t 張婷婷獨立製作 X 陳逸恩《不回家》| 安娜琪舞蹈劇場 X 董怡芬《與時間牽手II—我們就是時間》 \n\t\t\t | \n\t\t
晟 | \n\t\t\t\n\t\t\t 葉名樺 《寂靜敲門》| 葉名樺 《十七年蟬》|林廷緒 《八八 》|林廷緒 《在山海來去》 \n\t\t\t | \n\t\t
\n\n
\n\n
過往歷程
\n\n\n\n\n\n\n\n\n\n
了解更多
\n\n►新聞稿-2022臺灣舞蹈平台[身體上線]用舞蹈影像向世界徵集作品,找尋未來的力量。 10/22衛武營展覽廳上線
\n\n\n\n\n\n\n\t\t |
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Highlighted",content:'
Highlighted Taiwanese Dance Films
\n\nTaiwan
\n\nYU Yen-fang, 2021, Museum of Human Emotions—Do You Dance?
\n\nThe project originates from the cooperation between Weiwuying and young European choreographer network, Aerowaves in 2017, and launched the "Museum of Human E-motions" project across Europe and Asia supported by Creative Europe and Dancing Museums. For the residency, the artist YU Yen-fang continued with the extensive research from her working partner, HSU Honk-kai, on the late singer FENG Fei-fei. This time she focused on the connection between dance movements and the body. She took a deep dive into the bustling culture of live performances during the 70s and 80s in Taiwan while also reflecting on her childhood memories, educational experience, and her identity in the context of the body.
\n\n\n\t\t |
© Photo|林峻永
\n\n\n\n
\n\n
Taiwan
\n\nLIU Yen-cheng, 2020, Museum of Human Emotions 2.0—Retrospection —Anonymous No. 2
\n\n\n\n
The project originates from the cooperation between Weiwuying and young European choreographer network, Aerowaves in 2017, and launched the "Museum of Human E-motions" project across Europe and Asia supported by Creative Europe and Dancing Museums. Choreographer LIU Yen-Cheng shared an online presentation, Anonymous No.2, at the end of the project. A year later, Yen-Cheng looked back to the time by making a film. He said, As we stand at this point of 2022 and look back upon what has happened so far, we may learn more about the possibilities that await us in the future.
\n\n\n\t\t |
© Photo|帽子
\n\n\n\n
\n\n
Taiwan
\n\nShimmering Production, 2022, Hand in Hand, We Dance
\n\n\n\n
\n\n
Southern wind in the mountain arouses yueqin's melodies and tones,
\n\nsouthern wind from the sea touches the skin of the bodies;
\n\nimmersed in the melodies of folk songs, on this peninsula in spring,
\n\nwe hold each other's hands and dance together.
\n\n\n\t\t |
© 半島歌謠祭 Photo|邱家驊
\n\n\n\n
\n\n
Taiwan
\n\nMaurice LAI , 2022, Bolero in Kaohsiung
\n\n\n\n
\n\n
\n\n
Weiwuying's very first artist-in-residence, CHOU Shu-yi, initiated the "Dance-Travel Project" ten years ago, having travelled to 14 cities and given 60 performances in open spaces without sets and lighting. With the support of Weiwuying, CHOU restarted this project. He recruited freelance dancers and dance students of Zuoying High School to perform together across Kaohsiung, bringing performing arts out of the theatre and into the city.
\n\n\n\t\t |
© Photo|陳長志
\n\n\n\n
\n\n
Taiwan
\n\nTIEN Hsiao-tzu, 2021, Lucid Dream in 14 minutes
\n\n\n\n
\n\n
\n\n
\n\n
Lucid Dream in 14 minutes is part of creation 14 that was commissioned by Esplanade – Theatres on the Bay (Singapore) , co-produced by National Theater & Concert Hall, as well as co-present by National Taichung Theater and 5 others theaters in 2021. Taiwan's production was organized by KingKongWave. It is a response to the incessant conversations between the self and its surroundings. The performer roams the vast, empty space between the audience and stage, while the cameras break down the stream of consciousness. These fragmented memories are pieced together, but the linearity of time has lost its meaning.
\n\n\n\t\t |
\n\n
\n\n
Taiwan
\n\n\n\n
HORSE, 2022, FreeSteps: The Beauty of Meeting a Centennial / Linnei Zhoushui Power Plant
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
It is a collaboration between HORSE and Taiwan Power Company on reconnecting body images to historical buildings. This video was filmed by diretor CHEN Kuan-yu and choreograher SU wei-chia in Linnei Zhoushui Power Plant, which was built during the period of Japanese rule to supply the electricity that the Chianan Irrigation Association needed to build the Wushantou Dam. In 2004, the plant was registered as a heritage site by the Yunlin County Government; it is the only run-of-river hydroelectric power plant located on a flat plain in Yunlin, Chiayi, and Tainan, and one of the few field-based power plants in Taiwan.
\n\n\n\t\t |
\n\n
\n\n
Taiwan
\n\n\n\n
Maurice LAI X Baru MADILJIN bulabulay mun?
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
Tjimur Dance Theatre's bulabulay mun? was adopted from Southern Paiwan's ancient song "e ne lja sinvaudjan a nia qati". With 500 days of planning and production, this movie marks the first Taiwanese dance film based on forgotten stories of war through performances by professional dancers and local residents.
\n\n\n\t\t |
\n\n
\n\n
Taiwan
\n\n\n\n
YEH Ming-hwa, 2021, SHE O.S.
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
YEH Ming-hwa revisits female dance icons, such as Margot FONTEYN (1919–1991), Nellie YU (1889–1973), and LO Man-Fei (1955-2006), in parallel to her reflections as a dancer and choreographer growing up in Taiwan.
\n\n\n\t\t |
© Photo|陳宥中
\n\n\n\n
\n\n
\n'},{reference:[],type:"content",name:"Shortlisted",content:'
Shortlisted Dance Films
\n\nSingapore
\n\nChen Jiexiao, 2021, Amaranthine
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
From observations of daily life in Guangzhou, to chilling conciliation with the untold sacrificial stories beneath gentrification.
\n\n\n\t\t |
\n\n
India
\n\nSagarika DEBNATH &Prakriti SHARDA, 2020, Dotted Bodies
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
What happens when an enthusiastic philosophy major and a bored motion graphic designer meet? An accidental film.
\n\nPrakriti Sharda aspires to become an art director, while Sagarika Debnath dreams of making films. They spend their evenings at a tiny coffee shop, debating over films, music and zines and what started out as a dissertation, evolved into a study of memories and movement.
\n\n\n\t\t |
\n\n
Taiwan
\n\n\n\n
Les Petites Choses Production, 2021, FIGHTERS
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
Drawn from Romance of Three Kingdoms, this stylishly buoyant show by Yang Nai-Hsuan 's Les Petites Choses Production is fierce fun for all ages. Introduced by a welcoming narrator, five godly characters spring vividly to life from page to stage. The game cast's energising fusion of hip-hop and contemporary dance is further enlivened by a folk-techno soundtrack.
\n\n\n\t\t |
© Photo|劉璧慈
\n\n\n\n
\n\n
Serbia
\n\n\n\n
Marko PEJOVIĆ, 2019, Glance
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
GLANCE is a short, inclusive dance film produced by the Group "Let's…". The film was co-created by dancers (without disabilities, deaf and blind people, and wheelchair users), choreographer and director. It is conceptually set as four intertwined dance lines: an intimate self-reflected glance, a glance (from another perspective) of one's own helpless parts, a glance of one's capacity to transcend the set frames, and togetherness.
\n\n\n\t\t |
\n\n
\n\n
Greece
\n\n\n\n
Stella MASTOROSTERIOU, 2018, I DON'T SEE DEER
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
I DON'T SEE DEER is a choreographic study of the interrelations between the body and urban space. Creating ephemeral site-specific images that play with the boundary between the familiar and the unfamiliar, it attempts to highlight an alternative journey in the urban space, discovering more playful ways of being in/thinking about the city.
\n\n\n\t\t |
\n\n
Malaysia
\n\nLOW Pey sien, 2022, Movement: We Are Bodies (Part 1)
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
A reflective journey with Malaysian movement artist, Loke Soh Kim on body movement, memory and labour while weaving through the routine of everyday life.
\n\n\n\t\t |
\n\n
\n\n
South Korea
\n\nTrust Dance Theatre, 2021, Order In Chaos
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
There is chaos within the rules, and within rules there is chaos. Chaos is the rule that we cannot comprehend. Why is there disorder in this world? Perhaps, the disorder is a multidimensional disorder. Under the same sky, we embark on a journey, each of us carrying our bags. Nobody knows where the destination is. We just enjoy it when we can. We express what we feel, and we journey on, within chaos.
\n\n\n\t\t |
\n\n
Netherlands
\n\n\n\n
Karel van LAERE, 2014, SLow
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
SLow is a performance that shows the defenceless human body surrounded by machines, systems, etc.
\n\nKarel noticed that Taiwanese people live by strict rules which can not be easily put aside. Slowly but imperturbably, the boy in the video follows his own path. Using an invisible electric tackle, he drags himself in an even tempo through the Taiwanese urban landscape. He marks an entertaining and wondrous contrast between the defenceless human body and the hectic world surrounding it.
\n\n\n\t\t |
\n\n
\n\n
Russia Federation
\n\n\n\n
Dina VERYUTINA, 2022, The Fog
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
He and she are waiting for the fog.
\n\nTo wrap on fog like in a blanket and let everything fade away!
\n\nBut both believe that when the fog comes down, everything will change!
\n\n\n\t\t |
\n\n
\n\n
Hong Kong
\n\n\n\n
Jeremy Chi-hang AU, 2022, Tramways
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
In early 2022, Hong Kong had been shaken by the demonic virus. The once energetic city became pale. The juxtaposition of memories and the then present portrayed a very striking contrast. The lost souls, personified by the performer, meander along the tramways across the city from east to west.
\n\n\n\t\t |
\n\n
\n\n
\n\n
\n'},{reference:[],type:"content",name:"Special Mention",content:'
Shortlisted Dance Films- Special Mention
\n\nUkraine
\n\n\n\n
Anton OVCHINNIKOV, 2022, Monochrome
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
There's a feeling, of all that is really "mine," I have only my body left. Sometimes strong, but more often weak and vulnerable. Let the body tell you what your heart feels.
\n\nOn the evening of February 24, when Russia began its invasion of Ukraine, I left Kyiv and went into forced isolation in Morozyvka. In April, the Ukrainian Army drove out Russian troops, and it became quiet. I decided to film improvisations, looking at my bodily transformations.
\n\nHalftones disappeared; people were divided into "friends" and "foes". I felt it was important to capture this moment. That's how the movie came out.
\n\n\n\t\t |
\n\n
\n'},{reference:[],type:"content",name:"Dance Sound",content:'
Dance Sound Exhibition
\n\nLIM Giong
\n\nLIM Giong is a musician who mainly writes scores for feature films and documentaries. He also composes for short films, commercials, dance performances, light art installations, and VR experiences. LIM enjoys collaborating with artists from different disciplines. Recently, he has been experimenting with abstract electronic sound and ambient music.
\n\n\n\t\t |
© Photo|林韶安
\n\n\n\n
Cloud Gate Dance Theatre of Taiwan, 2016, 13 Tongues
\n\n\n\n
\n\t\t |
© 雲門舞集《十三聲》|編舞 鄭宗龍|Photo 劉振祥
\n\n\n\n
\n\n
\n\n
WANG Yujun
\n\n\n\n
WANG Yujun composes music for dance, theatre, visual art and fiction/non-fiction film. She is also a singer-songwriter who is keen to combine poetry and literature into her works for portraying soundscapes in between. She takes the everyday happenings as points of inspiration, internalizing these moments into the expressions of her music. Recently she is interested to experiment the dialogue between sound and body, social phenomena and human rights. Music to her is to explore what is yet to be known in the linear time, and simultaneously, a call to the lineage of being. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\t\t |
\n\n
CHOU Shu-yi, 2018-2020, Break&Break!
\n\n\n\n
Soundtrack: Break&Break!
\n\n\tConcept of Composition: Starting from within, a spiritual resistance and a deep concern for nature are transformed into the momentum that sustains music, giving the body the intellectual support to produce sound in a vast space.
\n\t\n\t\t |
\n\n
The Human Expression Dance Company, 2020-2021, Pán
\n\n\n\n
\n\t\t |
© Photo|Bernie Ng
\n\n\n\n
CHOU Shu-yi X CHENG Chih-chung, 2020, The Center
\n\n\n\n
\n\t\t |
\n\n
\n\n
\n\n
LEE Shih-yang
\n\nLEE Shih-yang is a musician known for his live performances where he creates improvisational pieces on the spot. Improvisation can undoubtedly brighten up a concert, but it may also bring its fair share of risks and uncertainties. LEE enjoys co-creating music with his collaborators and bouncing musical ideas off of each other, and he believes that improvisation is the ultimate way of the creation and exploration of self as it faithfully reflects the player's state of mind.
\n\n\n\t\t |
© Photo|陳藝堂
\n\n\n\n
HORSE, 2012, 2 Men
\n\n\n\n
\n\t\t |
\n\n
T.T.C.Dance Body Platform, 2015, Persistence of Memory (Cabinet 2)
\n\n\n\n
\n\t\t |
\n\n
HSU Yen-ting
\n\nHSU Yen-ting's works often reflect the relationships between sound and the environment, individual/collective memories, or inner emotions. Interweaving field recordings, electronic music, and sounds of objects, her explorations tend to oscillate between documentary and fictional, narrative and imaginative qualities.
\n\n\n\t\t |
© 臺灣當代文化實驗場
\n\n\n\n
T.T.C.Dance X CHEN Yi-en, 2018, No Returning Back
\n\n\n\n
\n\t\t |
© Photo|曾景輝
\n\n\n\n
Anarchy Dance Theatre X TUNG I-feng, 2019, Time Within Us
\n\n\n\n
Soundtrack: Reliance, Monster
\n\n\tConcept of Composition: Music is created to weave different rhythms of life and music, expressing the subjective and objective differences of time and the memory of the flow of time.
\n\t\n\t\t |
© Photo|何肇昇
\n\n\n\n
SHENG
\n\nSHENG was born in Taipei, Taiwan. He is a sound artist, sound designer and music producer crossing between experimental sound/film/theatre. Currently, he combines granular synthesis, Foley, ambient sound, field recording, test tones, and traditional instruments, attempting to create an electronic sound of future Taiwan.
\n\n\n\t\t |
\n\n
YEH Ming-hwa, 2015, Nordic
\n\n\n\n
\n\t\t |
© Photo|李欣哲
\n\n\n\n
YEH Ming-hwa, 2018, 17 Years Cicada
\n\n\n\n
\n\t\t |
© Photo|李欣哲
\n\n\n\n
LIN Ting-syu, 2020, Deluge
\n\n\n\n
\n\t\t |
© Photo|陳十
\n\n\n\n
LIN Ting-syu, 2022, Voyage through Mountains and Seas
\n\n\n\n
\n\t\t |
© Photo|吳柏源
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"a0772c3758253104ee9fcdd593686f15",title:"【2022臺灣舞蹈平台】『身體上線』舞蹈影像/聲音展"}],related:[],title:"【2022 Taiwan Dance Platform】Body Online, Screendance / Dance Sound Exhibition ",cover:"afed3eefa020f5c484e99a3d26980e5d",site:{isOther:!0,site:"",other:"Exhibition Hall"},cautions:"",benefits:"",description:"Dance Upload, Body Online, Connection Without Borders in face of COVID-19",introduction:'\n\n
\n\t\t\t Dance Upload, Body Online, Connection Without Borders in face of COVID-19 \n\n\t\t\tThe biennial Weiwuying Taiwan Dance Platform is taking place once again. The curator, CHOU Shu-Yi, sets the theme of Body Online, showcasing a collection of dance works to the entire world for the first time. Ten works out of submissions from over 20 countries will be selected and showcased on screen. Five music producers from Taiwan are invited to share the music they created for the dances and demonstrate their understanding of dance as a listener. A photography exhibition will take visitors on a tour of the dance scenes that were successfully performed at Weiwuying in the past two years during the pandemic. \n\n\t\t\t\n\n\t\t\t Over the past two years in which the theater has opened and closed several times, we contemplated how the real performance of the body can be delivered in a virtual world and how a dance stage for this performance can be found in the real world. Image changes how the body is related to dance, creating unique vocabularies. Sound sets the story into which the dance walks. Photography forever captures the moment of life on stage. \n\n\t\t\t\n\n\t\t\t "Dance," "image," and "sound," the three elements of art creation each complementing one another, are infused curatorially, unraveling the real language and dialogue of the body through a combination of exhibition designs and interpretations from an artist's perspective and point of view. Every thoughtfully designed area in the exhibition showcases immersive exhibitions based on the concept of Body Online. As visitors weave through dance films, live performances, and music creations—each intertwined with the thoughts of their creator, they reflect on the way they "connect" with the world and the meaning behind it. \n\t\t\t | \n\t\t
\n\n
Body Online — Screendance Exhibition
\n\nBody Online — Screendance Exhibition is the fruit of Weiwuying's first call to artists around the world to submit short dance films. Since submissions first started being accepted in July, Weiwuying received 256 from 46 countries/regions across five continents. In total 10 shortlisted works, 1 special mention and 8 Taiwanese films will be presented. The films will be shown in the Exhibition Hall from October 22 (Sat.) to November 20 (Sun.) as a means of discovering how the body converses with the stage and thinking about the long-term direction of dance's future evolution.
\n\n\n\n
Exhibition Date: 2022.10.22–11.20
\n\nExhibition Time: 11:00–19:00
\n\nExhibition Venue: Exhibition Hall
\n\n\n\n
Artists
\n\nTaiwan | \n\t\t\tYU Yen-fang / 2021 Museum of Human Emotions—Do You Dance? | \n\t\t
Taiwan | \n\t\t\tLIU Yen-cheng / 2020 Museum of Human Emotions 2.0—Retrospection —Anonymous No. 2 | \n\t\t
Taiwan | \n\t\t\tShimmering Production / Hand in Hand, We Dance | \n\t\t
Taiwan | \n\t\t\tMaurice LAI / Bolero in Kaohsiung | \n\t\t
Taiwan | \n\t\t\tTIEN Hsiao-tzu / Lucid Dream in 14 minutes | \n\t\t
Ukraine | \n\t\t\tAnton OVCHINNIKOV / Monochrome | \n\t\t
India | \n\t\t\tSagarika DEBNATH &Prakriti SHARDA / Dotted Bodies | \n\t\t
Hong Kong | \n\t\t\tJeremy Chi-hang AU / Tramways | \n\t\t
Russia | \n\t\t\tDina VERYUTINA / The Fog | \n\t\t
Taiwan | \n\t\t\tHORSE / FreeSteps: The Beauty of Meeting a Centennial / Linnei Zhoushui Power Plant | \n\t\t
Taiwan | \n\t\t\tLes Petites Choses Production / FIGHTERS | \n\t\t
Taiwan | \n\t\t\tMaurice LAI X Baru MADILJIN / bulabulay mun? | \n\t\t
Malaysia | \n\t\t\tLOW Pey Sien / Movement: We Are Bodies (Part 1) | \n\t\t
Singapore | \n\t\t\tChen Jiexiao / Amaranthine | \n\t\t
Greece | \n\t\t\tStella MASTOROSTERIOU / I DON'T SEE DEER | \n\t\t
Netherlands | \n\t\t\tKarel van LAERE / SLow | \n\t\t
Taiwan | \n\t\t\tYEH Ming-hwa / SHE O.S. | \n\t\t
Serbia | \n\t\t\tMarko PEJOVIĆ / Glance | \n\t\t
South Korea | \n\t\t\tTrust Dance Theatre / Order In Chaos | \n\t\t
\n\n
Body Online—Dance Sound Exhibition
\n\nThere will be established music artists LIM Giong, WANG Yujun, LEE Shih-yang, HSU Yen-ting, and SHENG to present their signature composition works. Let us hear the sound of their artistic life.
\n\n\n\n
Exhibition Date: 2022.10.22–11.20
\n\nExhibition Time: 11:00–19:00
\n\nExhibition Venue: Exhibition Hall
\n\n\n\n
Artists
\n\nLIM Giong | \n\t\t\tCloud Gate Dance Theatre of Taiwan / 13 Tongues | \n\t\t
WANG Yujun | \n\t\t\tCHOU Shu-yi / Break&Break! |The Human Expression Dance Company / Pán| CHOU Shu-yi X CHENG Chih-chung / The Center | \n\t\t
LEE Shih-yang | \n\t\t\tHORSE / 2 Men| T.T.C.Dance / Body Platform: Persistence of Memory (Cabinet 2) | \n\t\t
HSU Yen-ting | \n\t\t\t\n\t\t\t T.T.C.Dance X CHEN Yi-en / No Returning Back|Anarchy Dance Theatre X TUNG I-feng / Time Within Us \n\t\t\t | \n\t\t
SHENG | \n\t\t\t\n\t\t\t YEH Ming-hwa / Nordic| YEH Ming-hwa / 17 Years Cicada|LIN Ting-syu / Deluge|LIN Ting-syu / Voyage through Mountains and Seas \n\t\t\t | \n\t\t
\n\n
\n\n
Learn More
\n\n►2022 Taiwan Dance Platform “Body Online” International screendance showcase from October 22 in Weiwuying Exhibition Hall
\n\n►【2022 Taiwan Dance Platform】Body Online - Dance through Photography
\n\n\n\n\n\n\n\t\t |
\n',team:""},createdAt:1664353665,updatedAt:1667274109,updatedBy:"林蔚行",host:!0},{_id:"63340a2126fa1000089385c9",catalogs:["5c1f073a5a5bea0006f3eb11","60175764537e520007436189"],dateTime:{first:1665198e3,discrete:[],type:"continuous",continuous:{time:[1664334e3],endTime:[1664373600],start:1665158400,end:1670083200}},activity:{type:"free",free:{description:"免費觀賞",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"展出作品",content:'
(※實體展出時,照片將以黑白呈現)
\n\n\n\n
2022.7-9
\n\n編舞家|蘇威嘉
\n\n攝影師|林峻永
\n\n\n\t\t |
《自由步》是編舞者蘇威嘉於2013年發起的「十年編舞計畫」,以十年的時間,持續開發舞步與身體的可能,在不同的舞者身上刻畫與挖掘舞蹈的樣態,展現出他們不同的身體姿態,發展出《自由步》作品多樣的的形式。
\n\n\n\n
2022.6
\n\n編舞家|周書毅
\n\n攝影師|陳長志
\n\n\n\t\t |
\n\n
2022.6
\n\n編舞家|周書毅
\n\n攝影師|林峻永
\n\n\n\t\t\t\n\t\t\t | \n\t\t
衛武營首位駐地藝術家周書毅,以「波麗露在高雄」為名,將帶著一群來高雄跳舞的獨立舞者們與左營高中舞蹈班,跳出衛武營;隨著波麗露的樂曲,在都會區、新興文化場域、歷史人文地景、隱身小城小巷內,用舞蹈拜訪高雄各區演出28場,讓表演與觀眾之間相互靠近。
\n\n\n\n
2021.11
\n\n周書毅x陳芯宜
\n\n攝影師|林峻永
\n\n\n\t\t |
2021年,當世界還在習慣著疫情,當所有人都在日常裡尋找如常的記憶痕跡,在生活中試著找到平衡的端點,《留給未來的殘影衛武營特別展演場》2021版,將透過限地創作的這40分鐘,提供溫度,讓觀者汲取在殘影裡的吉光片羽對照自己的生命體驗,感受溫度。
\n\n\n\n
2021.9
\n\n編舞|黎海寧
\n\n攝影師|劉振祥
\n\n\n\t\t |
2021年,衛武營與城市當代舞蹈團共同製作,獻上皮亞佐拉破天荒寫出的史上第一部「探戈輕歌劇」─布宜諾斯艾利斯的瑪麗亞,透過超現實的敘事風格,描繪女主角瑪麗亞於阿根廷首都的生死徘徊,暗喻此南美國家的在宗教與歷史上,與西方的拉扯。序曲的手風琴音一下,保證顛覆觀眾對於「歌劇」的各種既定印象,臺港共同製作攜手指揮簡文彬、編舞家黎海寧,再現令人無法抗拒的探戈魅力!
\n\n\n\n
2021.10
\n\n布拉瑞揚舞團
\n\n攝影師|陳建豪
\n\n\n\t\t |
布拉瑞揚舞團2021年最新力作《沒有害怕太陽和下雨》是舞團2015年在臺東成立後的第七個作品,繼獲台新藝術獎年度大獎《路吶》之後,第二支部落田調作品。《沒有害怕太陽和下雨》經過五年醞釀,兩年發展,希望將這個作品——以阿美族巴卡路耐(Pakarongay)年齡階級邁入成年的訓練過程為根基——藉由舞者們自身成長的自省,作為創團五年來階段性的里程碑,也獻給在成長過程中需要力量的人。
\n\n\n\n
2022.5
\n\n雲門舞集 鄭宗龍
\n\n攝影師|林峻永
\n\n\n\t\t |
朝日將起或夕日沉落前,在雲層之上所折射出的美麗色彩,那是《霞》。
\n\n是無邊的空間中,劃開黑暗的天光。
\n\n舞者如雲般,詮釋蘊含不同意念的內在狀態。我行我素的身態,伴隨著生命經驗的創造過程,折射出多變的每一個自我。
\n\n\n\n
2021.4
\n\n比利時吻與淚創作群
\n\n攝影師|林峻永
\n\n\n\t\t |
《指尖上的幸福人生》講述一系列相異的人生際遇,並在其中增添意想不到的幽默感。洗車意外事件、胸罩鈕扣誤吞、謀殺犯的自盡......故事藉由七段看似荒謬的死亡,於生命盡頭回顧人生美好時光。鏡頭在夢境和現實間切換,透過萬花筒的視角看待生命;而手在舞台上的微型世界舞動,帶領觀眾穿越生死及如煙往事。
\n\n\n\n
2022.2
\n\n黃翊工作室 +
\n\n攝影師|林峻永
\n\n\n\t\t |
《黃翊與庫卡》驚艷全球觀眾之後,黃翊攜手迷你庫卡在舞台上泡咖啡、做甜點,開啟人類與機器人互助共生的新世界。
\n\n黃翊工作室+《小螞蟻與機器人:遊牧咖啡館》,劇情主軸為未來咖啡廳,將對未來世界的期待,放進這個世界裡;也將美好的時刻,留存在這個世界裡。
\n\n「與其被動的等待未來,不如現在就動手創造未來。」
\n\n\n\n
2021.12
\n\n蘇威嘉
\n\n攝影師|林峻永
\n\n\n\t\t |
\n\n
2022.1
\n\n李尹櫻
\n\n攝影師|李奕瑲
\n\n\n\t\t |
茶餘飯後想運動,除了健身房、公園、活動中心,衛武營提供一個新選擇!
\n\n不論街舞、國際標準舞、即興、當代舞、芭蕾舞、太極等,「武營來跳舞」通通都有!歡迎來到榕樹廣場,共享舞動身體的快樂,一起跳舞做運動!
\n\n\n\n
2020.6
\n\n葉名樺
\n\n攝影師|李奕瑲
\n\n\n\t\t |
編舞者葉名樺2020年一月於衛武營四國駐地交流計畫的舞作呈現,以「懷舊」(Nostalgia)來作為當時的創作總結:記住過去的時光和人事物;回憶過去的美好時光與相識。在這不斷討論「當代」或「實驗」的年代,需要勇氣來聲明「人」皆懷念那些不會再回來的過去,即使有好有壞,有開心也有悲傷。作品運用了歌劇院的前廳轉化成舞台,玻璃窗裡宛如看見了回憶一幕幕上演的客廳,廣場迴盪著那些熟悉的旋律,一張搖椅,一個小紅桌,是許多人的回憶。
\n\n\n\n
2022.6
\n\n何曉玫MeimageDance
\n\n攝影師|陳建豪
\n\n\n\t\t |
歡迎光臨2022默島新樂園!
\n\n華麗混雜的巨大芭比狂歡派對再度開趴,你的臺式扮裝玩偶之夜即將到來!
\n\n舊時廟埕、迎神出巡的文化經驗劇場再現,由編舞家何曉玫的島嶼系列經典作品《默島新樂園》再度開園。這是一場從家將神祇、檳榔西施、布袋人偶到芭比娃娃等各種辨識度極高的臺灣特殊文化符號再度匯集,結合強烈的視覺裝置,將臺灣傳統元素以劇場現代語言深刻詮釋,經典不敗震撼之作於衛武營戲劇院華麗上演。
\n\n\n\n
2022.9
\n\n無垢舞蹈劇場
\n\n攝影師|林峻永
\n\n\n\t\t |
無垢舞蹈劇場藝術總監林麗珍以「緩」與「減法」的理念貫穿藝術創作,並將常民文化的生命體驗、祭典儀式、集體記憶及神話寓言鎔鑄其中,發展出獨特的身體語彙。《觀》延續無垢一貫的舞蹈美學與莊嚴純淨的儀式劇場風格,以白鳥與鷹族的故事為題,藉由靜謐細膩的肢體動作映現心靈本質,探討慾念與人心,同時悲憫自然、表達對土地的關懷,是林麗珍醞釀9年而成,亦是其舞作「天、地、人三部曲」最終章。
\n\n林麗珍希望透過空緩的肢體語言與對萬物的關懷,為疫情時代的臺灣帶來療癒與力量,並為周圍環境、有形與無形的生命,以及萬物眾生祈福。
\n\n\n\n
2021.9
\n\n周書毅×鄭志忠
\n\n攝影師|李奕瑲
\n\n\n\t\t |
他是周書毅。 他是鄭志忠。
\n\n這是一部關於對等與不對等的討論,現代舞蹈工作者周書毅邀請1989年即參與劇場表演工作的鄭志忠一起對話合作,透過身體的差異性與生命不同的起點,開啟生命與家庭、社會、國家依存關係的討論,頻頻叩問何謂生而平等?何謂不平等?
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"ae80c841d8c3b473ae74c2a39681197e",title:"【2022臺灣舞蹈平台】『身體上線』舞蹈攝影展"}],related:[],title:"【2022臺灣舞蹈平台】『身體上線』舞蹈攝影展",cover:"4b3f38e081dc6b00dd9bd9c88d8d77c4",site:{isOther:!0,site:"",other:"榕樹廣場(歌劇院櫥窗)"},cautions:"",benefits:"",description:"疫情下,舞蹈上載,身體上線,穿越無國界的連結",introduction:'
\n\t\t\t 疫情下,舞蹈上載,身體上線,穿越無國界的連結 \n\n\t\t\t兩年一度的衛武營臺灣舞蹈平台再次啟動,策展人周書毅提出《身體上線》命題,首度對全球展開舞蹈影像作品的徵件,有來自二十多個國家投件,最後將選出十部作品,與邀映作品實體展出。聲音展的部分,邀請五位臺灣音樂創作人,分享他們為舞蹈創作的音樂作品,用聆聽的角度認識舞蹈。靜態攝影展的部分,將帶領觀眾一起回看這兩年在疫情下,仍在衛武營順利上演的舞蹈風景。 \n\n\t\t\t\n\n\t\t\t 在這兩年劇場幾度停擺又重新開啟的時代,身體真實的表演如何傳遞上線,又是如何在真實的世界中,找尋可以釋放的舞臺。影像,改變了身體與表演的關係,創造獨有的語彙。聲音,創作了走入舞蹈的故事。攝影,留存下舞台生命的瞬間。 \n\n\t\t\t\n\n\t\t\t 藉由策展形式融合「舞蹈」、「影像」及「聲音」三大相得益彰的藝術創作元素,透過展場設計與藝術家觀點與角度的詮釋、相互搭配,爬梳身體真實的語言及對話方式。在一道道設計過的展場區域內,是以『身體上線』為概念的體驗式展覽,觀眾遊走在舞蹈影像作品、現場展演與音樂創作的交織,跟著藝術家的思緒,一同重新思索與世界「連結」的方式與意義。 \n\t\t\t | \n\t\t
\n\n
\n\n
身體上線-舞蹈攝影展
\n\n\n\n
用鏡頭紀錄疫情下的舞動瞬間
\n\n跨越生命的舞台光景
\n\n精選這兩年在疫情下仍在衛武營上演的舞蹈節目,帶領民眾透過靜態攝影的視角,感受身體凝結瞬間的力量,透過不同攝影師的詮釋,看見舞蹈在此留下的記憶。——周書毅 / 策展人
\n\n\n\n
展覽日期:2022.10.8-12.4
\n\n展覽時間:11:00-22:00
\n\n展覽地點:衛武營榕樹廣場(歌劇院前廳)
\n\n\n\n
攝影師
\n\n劉振祥
\n\n陳長志
\n\n林峻永
\n\n陳建豪
\n\n李奕瑲
\n\n\n\n
了解更多
\n\n►新聞稿-2022臺灣舞蹈平台[身體上線]用舞蹈影像向世界徵集作品,找尋未來的力量。 10/22衛武營展覽廳上線
\n\n\n\n\n\n\n\t\t |
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Photographs",content:'
2022.7-9
\n\nChoreographer|SU Wei-chia
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
Kaohsiung-born choreographer SU Wei-chia explores the choreographic and physical possibilities with his ten-year project Freesteps, launched in 2013, which depicts and discovers the forms of different dancers. With the purely dancing body as material, SU ponders the possibilities of the performer-audience relationship in contemporary dance, looking to introduce a different viewing experience.
\n\n\n\n
2022.6
\n\nKaohsiung Museum of Fine Arts
\n\nChoreographer|CHOU Shu-yi
\n\nPhotographer|CHEN Chang-chih
\n\n\n\t\t |
\n\n
2022.6
\n\nWeiwuying, Banyan Plaza
\n\nChoreographer|CHOU Shu-yi
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t\t\n\t\t\t | \n\t\t
Weiwuying's very first artist-in-residence, CHOU Shu-yi, plans to restart the "Dance-Travel Project" by inviting professionals to teach dance to the dance students of Zuoying High School through educational cooperation. Moreover, thanks to Weiwuying, CHOU intends to recruit freelance dancers to perform a dance piece across Kaohsiung, bringing performing arts out of the theater and into the city.
\n\n\n\n
2021.11
\n\nCHOU Shu-yi x CHEN Singing
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
In 2021, the world is still getting accustomed to the epidemic situation and everyone is looking for traces of ordinary memories in their daily lives in the search for balance. "Afterimage for Tomorrow – Weiwuying Special Performance Edition" (2021) is a 40-minute, site-specific creation that allows audiences to compare their life experiences to the remnants of the after-image landscape, bringing to them warmth.
\n\n\n\n
2021.9
\n\nChoreographer|Helen LAI
\n\nPhotographer|LIU Chen-hsiang
\n\n\n\t\t |
2021, Weiwuying and Hong Kong's City Contemporary Dance Company have joined forces to perform PIAZZOLLA's María de Buenos Aires,—the world's first tango opera and a novelty at the time of its writing. A hyperrealistic narrative style is used to depict the life and death experiences of the heroine María in the Argentine capital, which acts as a metaphor for this South American country's religious and historical links to Western culture. As soon as the sound of the accordion in the overture takes off, audience members' established ideas about "Western opera" are sure to be overturned. Instantly, Weiwuying's Recital Hall is transformed into a tiny South American tavern, giving way to production full of irresistible and tantalizing charm!
\n\n\n\n
2021.10
\n\nBulareyaung Dance Company
\n\nPhotographer|CHEN Chien-hao
\n\n\n\t\t |
After five years of planning and two years of development, Not Afraid of the Sun and Rain, the newest and the seventh production by the Bulareyaung Dance Company since its founding in Taitung in 2015, has finally come into being. Following LUNA, which won the 2019 Taishin Arts Award Grand Prize, the work is also based on tribal fieldwork, this time on Pakarongay, an Amis training system for youngsters to undergo to be officially recognized as adults. As a celebration piece for the 5th anniversary of the Company, Not Afraid of the Sun and Rain is dedicated to those who require strength during personal development, as it delves into the introspective world of the dancers as they plod along the path of self-growth and renewal.
\n\n\n\n
2022.5
\n\nCloud Gate Dance Theatre of Taiwan
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
Emerging like clouds, dancers reveal facets of self-loneliness, hesitation, fear… Their bodies – whether in movement or stillness – appear against shifting bursts of color, animating the creative processes of the human experience.
\n\n\n\n
2021.4
\n\nKiss&Cry Collective
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
A plane journey, a forest in the fog, seven unexpected deaths...Cold Blood unveils a series of different lives in a hypnotic story laced with offbeat humour. The show explores the minuscule and surveys little worlds where life is viewed through a kaleidoscope. With a certain lightness, life celebrates its final moments of happiness and memories file past, at times languid, at times more vibrant.
\n\n\n\n
2022.2
\n\nHUANG YI STUDIO +
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
HUANG Yi has dazzled audiences around the world with his ground-breaking work, HUANG Yi & KUKA, in which he and his dancers perform alongside an industrial robot he programmed. In Little Ant and Robot, HUANG and his robotic friends will team up to run a cafe, unveiling a harmonious new world shared by man and robot.
\n\n\n\n
2021.12
\n\nfeat. LEE Yin-ying
\n\nPhotographer|Kito LI
\n\n\n\t\t |
\n\n
2022.1
\n\nfeat. LEE Yin-ying
\n\nPhotographer|Kito LI
\n\n\n\t\t |
After a meal, people who wish to exercise generally go to gyms, parks, and activity centers. Now, people can go to Weiwuying as well! Weiwuying offers a variety of dance options including street dances, international standard dances, impromptu dances, contemporary dances, ballet, and tai chi. Visit the Weiwuying Banyan plaza and enjoy the joy of exercising and dancing together!
\n\n\n\n
2020.6
\n\nYEH Ming-hwa
\n\nPhotographer|Kito LI
\n\n\n\t\t |
In January 2020, choreographer YEH Ming-hwa’s presentation was themed Nostalgia, the final part of the Museum of Human Emotions project. Nostalgia is a remembrance of things past and a reminiscence of good times and encounters with friends and loved ones. In an age that gives precedence to the contemporary and experimental, it takes courage to declare that people miss the past, which—good or bad, happy or sad—can never be recaptured. This work is staged in the foyer of Weiwuying's Opera House, where a peek into the glass windows is like looking into your own living room and seeing a reflection of your past. With its rocking chair, small red table, and familiar melodies, this is a space that evokes the fondest of memories.
\n\n\n\n
2022.6
\n\nMeimageDance
\n\nPhotographer|CHEN Chien-hao
\n\n\n\t\t |
Welcome to New Paradise of Silent Island 2022!
\n\nThe glamorous and colorful party with giant Barbies is back! Your Taiwanese dress-up night is coming soon.
\n\nChoreographer HO Hsiao-mei's New Paradise of Silent Island brings the cultural landscape of the temple square and deity procession back to the theater. This classic performance at Weiwuying Playhouse brings together highly recognizable Taiwanese cultural symbols, such as family deities, betel nut beauties, glove puppetry, and Barbie dolls. It incorporates strong visual installations to interpret traditional Taiwanese elements through contemporary theatrical expressions.
\n\n\n\n
2022.9
\n\nLegend Lin Dance Theater
\n\nPhotographer|LIN Chun-yung
\n\n\n\t\t |
"There was a mysterious river, a mysterious eagle race, and a mysterious realm where time and space did not yet exist. The two brothers who led the eagle race vowed to protect this stunningly beautiful land forever as it was. One day, however, the vows were broken and the land encountered change…… The river of Life is mutable. And desires are variable and multiple. Change, therefore, is a basic condition we rehearse every day….
\n\nListening to the chanting of the shaman and watching the landscape metamorphosis, one beholds how the fluctuating rhythm of life echoes the illusive voice of the Primordial Soul. But no one can predict the form in which any transformation eventually settles." – LIN Lee-chen
\n\nOnce again, Legend Lin Dance Theatre presents for the entire humanity in praise of its complexity that breeds the utmost poetry.
\n\n\n\n
2021.9
\n\nCHOU Shu-yi X CHENG Chih-chung
\n\nPhotographer|Kito LI
\n\n\n\t\t |
He is CHOU Shu-yi. He is CHENG Chih-chung.
\n\nThis is a discussion about equivalence and in-equivalence. Modern dancer CHOU Shu-Yi invited CHENG Chih-chung, who has been involved in theater performances since 1988, to engage in a chat, with their bodies, about life, family, and society.
\n\nThese two performers, of distinct physical conditions, convey discourses about human rights that never stop, attempting to drag the whole society into this dialogue.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"ae80c841d8c3b473ae74c2a39681197e",title:"【2022臺灣舞蹈平台】『身體上線』舞蹈攝影展"}],related:[],title:"【2022 Taiwan Dance Platform】Body Online - Dance through Photography",cover:"4b3f38e081dc6b00dd9bd9c88d8d77c4",site:{isOther:!0,site:"",other:"Banyan Plaza (Opera House window display)"},cautions:"",benefits:"",description:" ",introduction:'
\n\t\t\t Dance Upload, Body Online, Connection Without Borders in face of COVID-19 \n\n\t\t\tThe biennial Weiwuying Taiwan Dance Platform is taking place once again. The curator, Chou Shu-Yi, sets the theme of Body Online, showcasing a collection of dance works to the entire world for the first time. Ten works out of submissions from over 20 countries will be selected and showcased on screen. Five music producers from Taiwan are invited to share the music they created for the dances and demonstrate their understanding of dance as a listener. A photography exhibition will take visitors on a tour of the dance scenes that were successfully performed at Weiwuying in the past two years during the pandemic. \n\n\t\t\tOver the past two years in which the theater has opened and closed several times, we contemplated how the real performance of the body can be delivered in a virtual world and how a dance stage for this performance can be found in the real world. Image changes how the body is related to dance, creating unique vocabularies. Sound sets the story into which the dance walks. Photography forever captures the moment of life on stage. \n\n\t\t\t"Dance," "image," and "sound," the three elements of art creation each complementing one another, are infused curatorially, unraveling the real language and dialogue of the body through a combination of exhibition designs and interpretations from an artist's perspective and point of view. Every thoughtfully designed area in the exhibition showcases immersive exhibitions based on the concept of Body Online. As visitors weave through dance films, live performances, and music creations—each intertwined with the thoughts of their creator, they reflect on the way they "connect" with the world and the meaning behind it. \n\t\t\t | \n\t\t
\n\n
\n\n
Body Online—Dance through Photography
\n\n\n\n
\n\n
The Dancing Moments through Lenses during the Epidemic
\n\nA Stage Scene across Span of Life
\n\n\n\n
With a fine selection of photographs showcasing successful dance performances that took place in Weiwuying over the past two years during the pandemic, visitors are guided to feel the power of the moment the body freezes in time, and take a trip down the dancers’ memory lane through the eyes of different photographers.——CHOU Shu-yi / Curator
\n\n\n\n
Exhibition Date: 2022.10.08–12.04
\n\nExhibition Time: 11:00–22:00
\n\nExhibition Venue: Banyan Plaza (Opera House window display)
\n\n\n\n
Photographer
\n\nLIU Chen-hsiang
\n\nCHEN Chang-chih
\n\nLIN Chun-yung
\n\nCHEN Chien-hao
\n\nKito LI
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n\t\t |
\n',team:""},createdAt:1664354849,updatedAt:1667274171,updatedBy:"林蔚行",host:!0},{_id:"6336496726fa100008942711",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667041200,discrete:[{time:1667041200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[3e3,3500,4e3,4500,5e3,5500,6e3,6500,7e3,7500,8500,9e3,9500,11e3,12500],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P00FFFNV&kk=NEUeBPpm68Te6fNESkz5SSaDWSfxSrC4"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"48261eae53f56d45488a35fbdc658597",title:"維也納愛樂在衛武營"}],related:[],title:"《維也納愛樂在衛武營》",cover:"d0ce17ffdbc5dc171ed14b5d3d016340",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
優惠方案
\n\n理查·史特勞斯曾於1906年至1944年間多次指揮維也納愛樂,1919年擔任維也納國家歌劇院首席指揮,他曾說:「維也納愛樂能夠將所有小提琴家都吸引到維也納來。」他們不僅是音樂人心中最嚮往的音樂殿堂,更是全球古典樂迷心中永遠的金字招牌!
\n\n\n\n
黃金之聲,獨傲全球!維也納愛樂攜手指揮大師魏瑟-莫斯特,首訪衛武營!
\n\n維也納愛樂今年10月首訪衛武營!由奧地利國寶大師朗茲.魏瑟-莫斯特掌舵,黃金之聲即將響徹高雄夜空!維也納愛樂對最高品質的堅持,在艱難時刻持續感染著我們,睽違多年,遙不可及的璀璨時刻,終於嶄露光芒。
\n\n\n\n
2022秋天,高雄將親眼見證黃金之聲,最盛大的文化饗宴,誠摯邀請所有樂迷朋友共襄盛舉!
\n\n\n\n
演出曲目
\n\n布拉姆斯:《大學慶典》序曲
\n\n布拉姆斯:第三號交響曲
\n\n理查・史特勞斯:交響詩《查拉圖斯特拉如是說》
\n\n\n\n
演出暨製作團隊
\n\n指揮|弗朗茲.魏瑟-莫斯特
\n\n維也納愛樂
\n\n\n\n
周邊活動
\n\n\n\t\t\t \n\n\t\t\t \n\n\t\t\t 維也納愛樂在衛武營-戶外轉播 \n\n\t\t\t
\n\n\t\t\t
\n\n\t\t\t 注意事項 \n\n\t\t\t
\n\n\t\t\t 戶外轉播主要贊助 \n\n\t\t\t
\n\n\t\t\t 指導 \n\n\t\t\t
\n\n\t\t\t 主辦 \n\n\t\t\t
\n\n\t\t\t 共同主辦 \n\n\t\t\t
\n\n\t\t\t 協力夥伴 \n\n\t\t\t
| \n\t\t
With the golden sound that overwhelms the world, the Vienna Philharmonic joins hands with virtuoso conductor Franz WELSER-MÖST for their debut at Weiwuying!
\n\nThe Vienna Philharmonic is to visit Weiwuying for the first time! Led by virtuoso conductor Franz WELSER-MÖST, the orchestra will present BRAHMS' Academic Festival Overture and Symphony No. 3, the latter premiered by the orchestra in 1883, as well as Richard STRAUSS's Also sprach Zarathustra. With their golden sound that wins over the world, this is a once-in-a-lifetime opportunity not to be missed!
\n\n\n\n
Program
\n\nJ. BRAHMS: Academic Festival Overture
\n\nJ. BRAHMS: Symphony No. 3
\n\nR. STRAUSS: Also sprach Zarathustra
\n\n\n\n
Creative and Production Team
\n\nConductor|Franz WELSER-MÖST
\n\nVienna Philharmonic
\n\n\n\n
\n',team:""},createdAt:1664502119,updatedAt:1666773136,updatedBy:"林蔚行",host:!0},{_id:"63451f5826fa100008a2476e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667129400,discrete:[{time:1667129400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1e3,1500,2e3],link:"https://www.opentix.life/event/1575075301677256706"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"62cefb290e8a7a51d3d62f55e39daa51",title:"《聲琴樂語 III》"}],related:[],title:"《聲琴樂語 III》",cover:"865a9f2fe6907988ceb3f2a90d094c87",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
聲琴樂語 III是由女高音演唱家戴旖旎、小提琴家陳沁紅、單簧管家楊蕙祺、大提琴家曾史妃與鋼琴家林欣潔自2019年首次合作演出大受好評後,今年再度帶來七首不同室內樂形式演出,帶給聽眾一個浪漫而歡愉的夜晚。
\n\n\n\n
演出曲目
\n\n卡黎沃達:三首藝術歌曲給女高音、單簧管與鋼琴
\n\n家鄉之歌
\n\n鄉愁之歌
\n\n柴可夫斯基:A小調三重奏為小提琴、大提琴與鋼琴「為紀念一位偉大藝術家」
\n\n哈察都量 :三重奏為小提琴、單簧管與鋼琴
\n\n李和莆:臺灣民謠改編 ;為女高音、單簧管、小提琴、大提琴及鋼琴
\n\n\n\n
演出暨製作團隊
\n\n女高音|戴旖旎
\n\n小提琴|陳沁紅
\n\n單簧管|楊蕙祺
\n\n大提琴|曾史妃
\n\n鋼琴|林欣潔
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"62cefb290e8a7a51d3d62f55e39daa51",title:"Sounds of Music III"}],related:[],title:"Sounds of Music III",cover:"865a9f2fe6907988ceb3f2a90d094c87",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
After the well-received Chamber Concert in 2019, Soprano Ini Tai, violinist Nanette Chen, clarinetist Hwei-Chi Yang, cellist Shih-Fei Tseng and pianist Shin-Je Lin join hands together again this year with seven wonderful pieces, hope to bring the audience a lovely evening with the "Sounds of Music III"
\n\n\n\n
Program
\n\nJohann Baptist Wenzel Kalliwoda: for Soprano, Clarinet and Piano
\n\nHeimathlied, Op.117
\n\nDer Sennin Heimweh, Op.236
\n\nPyotr Ilyich Tchaikovsky (1840-1893): Piano Trio in A minor for Violin,Cello and Piano, Op.50 « À la mémoire d'un grand artiste » - In memory of a great artist=
\n\nAram Khachaturian (1903-1978): Trio for Violin, Clarinet and Piano
\n\n\n\n
Creative and Production Team
\n\nSoprano|Ini Tai
\n\nViolin|Nanette CHEN
\n\nClarinet|Hwei-Chi YANG
\n\nCello|Shi-Fei TSENG
\n\nPiano|Shin-Je LIN
\n\n\n\n
\n',team:""},createdAt:1665474392,updatedAt:1666337088,updatedBy:"林蔚行",host:!1},{_id:"634636f712f38c00082e53ab",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1666428e3,discrete:[{time:1666428e3},{time:1666514400},{time:1668241200},{time:1668327600}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"546353188f69698881b3af80cffa734f",title:"【2022臺灣舞蹈平台】《身體上線 - 即刻拍攝》"}],related:[],title:"【2022臺灣舞蹈平台】《身體上線-即刻拍攝》",cover:"d06b537162e202a3543a89988769df42",site:{isOther:!0,site:"",other:"樹冠大廳西側露台"},cautions:'
參與活動即同意以下授權及擔保事項創作影像授權
\n\n\n\n
與藝術家一起即興創作出屬於你的舞蹈影像
\n\n什麼是編舞?什麼是即興表演?什麼是舞蹈影像?【身體上線-即刻拍攝】帶你一起與舞蹈家走入創作的世界。
\n\n2022臺灣舞蹈平台將邀請滯留島舞蹈劇場藝術總監張忠安及聲舞團藝術總監吳思瑋,於樹冠大廳西露台空間即興演出15-20分鐘,隨機搭配由衛武營藝術總監簡文彬所挑選之曲目,並開放民眾即刻拍攝,依照以下的遊戲規則創作出屬於自己的舞蹈影像,上傳至IG限動,或是投件至平台,你的作品就有機會現身展覽廳!
\n\n\n\n
演出場次
\n\n10/22(六)16:40 張忠安
\n\n10/23(日)16:40 吳思瑋
\n\n11/12(六)16:20 吳思瑋
\n\n11/13(日)16:20 張忠安
\n\n\n\n
即刻拍攝X民眾參與
\n\nStep1️⃣ 觀賞藝術家現場即興舞蹈演出
\n\nStep2️⃣ 拿出您的手機,拍攝創作出屬於自己的舞蹈影像,分享至IG限動,並標記 @taiwandanceplatform_weiwuying
\n\nStep3️⃣ 或掃描QR code將您的作品即刻上傳投件
\n\nStep4️⃣ 有機會成為身體上線-舞蹈影像/聲音展中的一部分
\n\n\n\n
投件作品規格
\n\n※獲選作品將於身體上線-舞蹈影像展期間,於衛武營展覽廳投放
\n\n\n\n
藝術家介紹
\n\n\n\t\t |
張忠安|滯留島舞蹈劇場 藝術總監/編舞家
\n\n來自屏東的視障編舞張忠安在十七歲那年因右眼失明,放棄北藝大舞蹈系回到南部家鄉,然而編舞及身體語彙是他表達思想、與世界溝通鏈結的重要存在,持續不間斷地為自己和他人進行訓練、教學和編舞。在沒有學術資源與經歷下,以對舞蹈的熱忱及追尋夢想的勇氣在2010年創立了滯留島舞蹈劇場,期望將人才滯留南方。舞團近年更致力於透過公共性的參與、藝術創作及節慶式的共融活動來提升大眾關注文化平權。
\n\n\n\n
\n\t\t |
吳思瑋|聲舞團 團長暨藝術總監
\n\n來自彰化,自左營高中舞蹈班畢業後,前往德國福克旺藝術大學舞蹈系就讀,並於2006年榮獲Josef und Else Classen Stiftung獎學金畢業,2008年於Master class choreography畢業。旅德期間和伍國柱、吳俊憲、蘇珊娜.連基(Susanne LINKE)、約翰尼斯.維蘭德(Johannes WIELAND)、艾迪.馬丁尼茲(Eddie MAERINEZ)等許多舞蹈家合作。
\n\n曾經為碧娜.鮑許《春之祭》的客席舞者,與烏帕塔舞蹈劇場到世界各地巡迴演出、為德國卡塞爾市立劇院客席舞者,也是法籍編舞家馬盧.艾勞多(Malou AIRAUDO)長期合作舞者,作品Irgendwo更獲選2010年德國10大最好舞作,作品Su、der verlorene Drache、Du O和Afternoon目前也持續巡迴演出。
\n\n旅德17年編創許多優質作品Pale、Nirgendwo hin、 working proccess 、TSCHU 、 ... step and... 和 allein Stehen,而在德國Herne Pottprous舞蹈節首次發表的cernes,也受邀在2013年NRW藝術節中演出,同年受邀於迪迪舞蹈劇場編作《on my way home》也獲得國藝會的藝術新秀肯定,2014年由迪迪舞蹈劇場製作與德籍街舞舞者一同創作《渡鳥/車站》,在臺南藝術節–城市舞台首演後獲好評,也到高雄及臺北車站巡迴演出。
\n\n2016年思瑋加入德國不來梅劇院的舞團為正式舞者,與編舞薩米爾.阿基卡(Samir AKIKA)合作數支舞作,The Maidenhair Tree & The Silver Apricot、AkikaX、polariods、Golden Heart by Alize Zandwijk、crash by Frederik Rohn、Andere Töne、Heimat#3-infinite Stream by Levin Handschuh。於2019年成為北京舞蹈學院創意學院客座教授。
\n\n思瑋在2016年決定在臺灣創立聲舞團,並持續投入創作,代表作品有XQ- kreuz und quer、《我知道我是誰》、《老時光》、《夭壽浪漫》,2021年《一杯眾人的咖啡》更於彰化縣議會議事廳中演出,成為臺灣第一個open house議事廳的製作。
\n\n\n\n
了解更多
\n\n\n\n\n\t\t |
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"daadf387556cac985e381953c96bfeee",title:"【2022臺灣舞蹈平台】《身體上線 - 即刻拍攝》"}],related:[],title:"【2022 Taiwan Dance Platform】Body Online - Dance Livestream",cover:"088308c26cb418302cdae2043d7dff00",site:{isOther:!0,site:"",other:"Crown Hall 3F (West Terrace)"},cautions:'
By participating in this event, the participants consent to the following authorization and liability rules:
\n\n\n\n
Create your own dance videos with the artists improvisationally
\n\nEver wondering how artists choreograph and create improvisational performances? What is a dance film? Body Online - Dance Livestream will lead you into artists' world of creation.
\n\nCome enjoy the improvisational live dance performances by artists CHANG Chung-an (Artistic Director of Resident Island Dance Theater) and WU Szu-wei (Artistic Director of S. Dance), along with choices of music by CHIEN Wen-pin (General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying)), and feel welcome to create your own dance videos throughout the show. Simply follow the rules and share them through IG stories, or upload your works. You may win a chance to have them projected in the exhibition hall!
\n\n\n\n
Schedule
\n\n10/22 16:40 CHANG Chung-an
\n\n10/23 16:40 WU Szu-wei
\n\n11/12 16:20 WU Szu-wei
\n\n11/13 16:20 CHANG Chung-an
\n\n\n\n
Create your own dance videos
\n\nStep1️⃣ Enjoy the improvisational live dance performance by the artist.
\n\nStep2️⃣ Create your own dance videos with your devices, share them on IG stories, and tag @taiwandanceplatform_weiwuying
\n\nStep3️⃣ Or scan QR code and upload your works directly.
\n\nStep4️⃣ Win a chance to have your works showcased as a part of Body Online exhibition.
\n\n\n\n
Submission Inquiries
\n\n\n\n
Artists Introduction
\n\n\n\t\t |
CHANG Chung-an|Artistic Director/Choreographer of Resident Island Dance Theatre
\n\nCHANG Chung-an, an award-winning and prolific choreographer, established Resident Island Dance Theatre in 2010. CHANG started to lose sight in his right eye during his dance training in high school. As the condition worsened, he decided not to pursue further education at the university. He returned to his home town Pingtung, south of Taiwan. A place that has limited art resources. However, he believes dancing, movement and choreography are tools which he can express his thoughts through, and therefore continues with self-training, teaching, and choreographing for himself and for others. His work inspiration is mostly associated with mental care and social impact subjects.
\n\n2018 Invited by the British Council to visit Unlimited Festival in London. Disabled Arts are the key to opening another door for Chung-an and the beauty of life is beyond the arts themselves.
\n\n2019 British Council UK-Taiwan culture exchange program grant. Summer choreography lab R&D at Stopgap (UK).
\n\n2020 ICE AGE work in progress was invited by Want to Dance Festival, ISPA pitch new work, and one of the triple bills at the Taiwan Dance Platform.
\n\n2021 ICE AGE production was supported and granted by the Rainbow Initiative, National Culture and Arts Foundation. Community inclusion workshop supported by the National Kaohsiung Center for the Arts (Weiwuying). Inclusive site-specific performance supported by the Taikang Culture Center.
\n2022 ICE AGE invited by Gathered Together Festival (Glasgow, Scotland). R&D at Dance Base. World premiere at Edinburgh Fringe Festival.
\n\n
\n\t\t |
WU Szu-wei|Artist Director of S. Dance
\n\n1984 born in Changhua County, Taiwan, and started her dance journey from the age of 2. Graduated from Tsoying high school in 2001. 2006 graduated from Folkwang University dance department with the prize der Josef und Else Classen- Stiftung". 2006-2008 finished the Master class choreography study from Folkwang university.
\n\nWorked with several renowned choreographers while in Germany, such as WU Kuo-Chu, Susanne LINKE ,WU Chun-hsien ( Double C ), Eddie MARTINEZ , Johannes WIELAND in Staatstheater Kassel , and Tanztheater Wuppertal Le sarce du Printemps.
\n\nFrom 2010, started working with Malou AIRAUDO in cooperation with Renegade in Schauspielhaus Bochum Irgendwo, 2011 der verlorene Drache, in 2012 SU and DU O by Malou AIRAUDO. In 2014 , the production of Ruhm by Neco CELIK in cooperation with Renegade in Schauspielhaus Bochum. In 2015 , the production of the Fairy queen by Tom RYSER and Lillian STILLWELL in Theater Lübeck, the production of afternoon by Malou AIRAUDO produced by Renegade ,and production volvere by Waltzbinaire.
\n\nIn 2016, joined Theater Bremen as an ensemble dancer, and performed in several productions, such as The maidenhair tree & the silver Apricot by Samir AKIKA. WU also created S. Dance in Changhua County, Taiwan, in the same year.
\n\n2018 started presenting her own choreography for S. Dance, such as XQ- kreuz und quer and #iknowwhoiam, 2019 the old time, 2020 fxxking romantic, 2021 a sharing coffee.
\n\n2019 invited as a visiting professor in Beijing Dance Academy Creative College.
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\t\t |
\n',team:""},createdAt:1665545975,updatedAt:1667274192,updatedBy:"林蔚行",host:!0}]}},fetched:!0},shippingAreas:{rows:[],loaded:!1},userAuth:{logined:!1,status:"NORMAL",inited:!1,data:null,showNsoOverlay:!1},announce:{show:!0},youthOverlay:{show:!1,showed:!1},featureCategories:{rows:[],loaded:!1,loading:!1},features:{rows:[],loaded:!1,loading:!1},newsCatalogs:{rows:[],loaded:!1,loading:!1},chronologies:{rows:[],loaded:!1,loading:!1}},routing:{locationBeforeTransitions:null}}