\n',benefits:"",description:" ",introduction:'
\n\n《仲夏夜汁夢》是台南人劇團「莎士比亞音樂劇」創作計劃的二部曲,主創團隊─導演呂柏伸、作曲柯智豪、編劇/作詞趙啟運和編舞蘇威嘉,繼《第十二夜》之後,再度聯手創作的全新莎翁音樂劇,企圖以當代性別光譜和情慾流動的角度,重新翻轉改寫莎翁經典浪漫愛情喜劇,為此,在這個音樂劇版本,原著當中不少主要角色都被改設定為LGBTQ的人物,目的是讓這些邊緣人物發聲,讓他們的情慾有機會現身,藉以打破長久以來人們對於性別和情慾的刻板印象。
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【改編版的劇情大綱】
\n\n拜金女郝蜜雅與賴山德熱戀,但蜜雅的父親卻要她嫁給傳產二代阿狄,賴山德於是相約蜜雅準備私奔!蜜雅的好閨密Allen,原是阿狄的男友,卻慘遭阿狄拋棄,為了再得到阿狄的愛,於是將私奔消息透露給阿狄,四人不約而同闖進知名夜店 THE WOOD。
\n\nDrag界的神仙教父與神仙教母正為爭奪一位印尼男孩而火爆開戰,神仙教父為了惡整神仙教母,派遣親信羅賓採取「魔童乖乖水」讓神仙教母誤喝,當她睜開眼所看見的第一個人就會瘋狂愛上,沒想到那個人竟是慘遭捉弄變成驢頭人的演員林浩。
\n\n此外,神仙教父為了成全Allen的癡心,指派羅賓使用乖乖水讓阿狄再度愛上Allen,但羅賓弄巧成拙把賴山德給一塊掰彎,搞到最後阿狄和賴山德都瘋狂愛上Allen,讓原本女一的郝蜜雅瞬間失寵,於是Gay蜜姐妹撕逼,兄弟吃醋爭寵,四個戀人大亂鬥…
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演出暨製作團隊
\n\n製作人|李維睦、呂柏伸
\n\n原著|威廉・莎士比亞 William Shakespeare
\n\n導演|呂柏伸
\n\n劇本改寫暨作詞|趙啟運
\n\n作曲暨編曲|柯智豪
\n\n編舞|蘇威嘉
\n\n舞臺設計|李柏霖
\n\n燈光設計|陳大再
\n\n服裝設計|李育昇
\n\n演員|王世緯、李宗康、莊凱喻、崔台鎬、張念誠、張博翔、張詠齊、張宇勝、凱爾、曾志遠、買黛兒.丹希羅倫、劉桓、謝孟庭(依筆劃排序)
\n\n現場樂團|哈管幫
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團隊介紹
\n\n台南人劇團
\n\n臺灣藝文媒體界譽為現代戲劇模範生的台南人劇團,1987年成立,是臺灣最具歷史與規模的現代戲劇團體。自1998年起,年年榮獲文化部「分級獎勵團隊」的補助(現改為國藝會「演藝團隊年度獎助專案」),且評鑑成績總是名列前茅,並數次奪得第一名的殊榮。
\n\n在現任藝術總監呂柏伸規劃下,持續推動「西方經典新詮」、「莎士比亞不插電」、「尋找劇作家的台南人」及「歐美當代經典」等不同系列的演出計劃,不僅展現臺灣跨文化戲劇製作的高度創意,同時,也積極引介當代臺灣及歐美劇作家的作品。
\n\n近年來台南人致力音樂劇的創作與推廣,已先後完成《木蘭少女》(與瘋戲樂工作室共製)、《美女與野獸》、《第十二夜》和《tick, tick…BOOM!》,這四齣音樂劇皆獲得各界高度肯定和讚賞,其中《木蘭少女》還曾受邀至新加坡聖淘沙名勝世界劇場進行36場的定目劇演出;《第十二夜》則是從2018年首演至今,已三度加演,口碑盛讚,被譽為最成熟最爽看的臺灣音樂劇。
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主辦單位|衛武營國家藝術文化中心、台南人劇團
\n\n指導單位|文化部
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\n 贊助單位
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A Mid-Summer Night's EROTIC Dream is the second production of Tainaner Ensemble's Shakespearean Musical Project, conceived by the artistic director LU Po-Shen, the composer Blaire KO and the playwright CHAO Chi-Yun as a way to open up/take a different look into what most consider to be Shakespeare's plays – using songs, dance, contemporary language and re-written text. This production seeks to encompass a large part of the original text's overt eroticism, some characters have therefore changed their gender and sexual orientation (Helena becomes Allen, a young gay). And, the fairy characters have all been dragged. In addition, the wood in the original text becomes a famous night club named The Wood with the drag shows.
\n\nA fairy King and Queen cross paths with four runaway lovers and a troupe of performers of the night club trying to rehearse a play for their new boss' wedding party. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
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Creative and Production Team
\n\nProducer|LEE Wei-Mu, LU Po-Shen
\n\nPlaywright|William Shakespeare
\n\nDirector|LU Po-Shen
\n\nScript Adapted and Lyrics|CHAO Chi-Yun
\n\nComposer and Arrangement|Blaire KO
\n\nChoreography|SU Wei-Chia
\n\nSet Designer|LI Po-Lin
\n\nLighting Designer|CHEN Dazai
\n\nCostume Designer|LI Yu-Shen
\n\nPerformer|Jasmine WANG, LEE Tsung-Kang, CHUANG Kai-Yu, TSUEI Tai-Hao, N-chen, CHANG Po-Hsiang, CHANG Yung-Chi, CHANG Yu-Sheng, LO Kyle, TSENG Jhih-Yuan, Maital•dakiludun, LIU Huan, HSIEH Meng-Ting
\n\nLive Band|Hot Tubes
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Team introduction
\n\nTainaner Ensemble
\n\nTainaner Ensemble was established in 1987. Tainaner strives to stimulate worldwide audience's imagination and creativity by way of innovative and experimental techniques that display great "theatricality". Under the leadership of the current artistic director, LU Po-Shen, Tainaner continues to expand its repertoire of "Western canon adaptations", "Taiwanese originals", "contemporary Euro-American classics", etc., which not only displayed Tainaner's enthusiasm towards cross-cultural praxis, but also its commitment in introducing the works of contemporary Taiwanese and foreign playwrights.
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Presenter|National Kaohsiung Center for the Arts (Weiwuying)、Tainaner Ensemble
\n\nSupervisor|MINSTRY OF CULTURE
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\n Sponsor
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單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t圖像、影像與身體 I \n\t\t\t王柏偉 | \n\t\t\t圖像、影像與身體 II \n\t\t\t王柏偉 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
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單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
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王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
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王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
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謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
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紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n',team:""},createdAt:1636616445,updatedAt:1669861032,updatedBy:"林蔚行",host:!0},{_id:"6204bb0606407a00079d566d",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1648864800,discrete:[{time:1648864800},{time:1648951200},{time:1656727200},{time:1656813600},{time:1662775200},{time:1662861600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名參與",englishDescription:"Registration"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"課程介紹",content:'
單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1669861021,updatedBy:"林蔚行",host:!0},{_id:"621f665c911ce9000757573c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500],link:"https://www.opentix.life/event/1473566843968241669?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"333ea25ed3f74c7aaac8f47d31806ae0",title:"《Lawa的彩虹橋》"}],related:[],title:"《Lawa的彩虹橋》",cover:"7ec7c03bff36b9a04bd6c68cf5577460",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
生命,會給你什麼?
\n\n每個人的答案,或許都不一樣。
\n\n\n\n
「爸爸媽媽真的在彩虹橋的那邊嗎?」
\n\n\n\n
親愛愛樂全新製作《Lawa的彩虹橋》,用音樂將戲劇性的畫面編織起來,述說一個親子皆宜的冒險故事。音樂描述一個叫做Lawa的小孩,從小跟祖母Yaki相依為命,生活平凡而簡單。有一天,祖母生病了,Lawa決定鼓起勇氣走進魔鬼森林尋找傳說中神秘的生命之泉,帶著寄望展開了一連串冒險的歷程,也慢慢地從女孩的單純懵懂,蛻變為在面對困境時,展現出無比的勇敢與真誠……。
\n\n不論是傷痛,是遺憾,生命終究有其難以迴避的課題。親愛愛樂全新推出的《Lawa的彩虹橋》,充滿魔幻冒險風格,樂團在現實與虛幻之間與觀眾展開互動,引領台下眾人參與主角拉娃歷經的冒險,隨著音樂體會獨自挑戰各種關卡並逐漸醒悟的人生旅程,這場旅程會隨年齡轉變有著不同感受,相當適合親子共賞。
\n\n\n\n
演出暨製作團隊
\n\n演出|親愛愛樂
\n\n作曲|親愛愛樂
\n\n第一小提琴|沈上暘、曾韋華、周巧恩、周子安、曾欣明、曾馨葶、吳宗瑋、賴建廷、吳宗恩、石芯恩
\n\n第二小提琴|張皓平、吳宗儒、石志祥、沈上麟、陳妤軒、曾欣月、林玟、周益賢、胡翎恩
\n\n中提琴|白妤柔、張郁庭、張恩琦、周子榮、廖秉君、吳佳穎
\n\n大提琴|曾詩芸、白叟恩、王小月、張琳、白喬琳
\n\n低音大提琴|白栩慈、周慧琳、石志羚、呂昱、藍晧丞、石芷睛
\n\n\n\n
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"Lawa’s Rainbows Bridge" tells the story of Lawa, a girl brought up by her Yaki (grandma) alone. Whenever Lawa asks about her parents, Yaki always say, "They are on the other side of the Rainbow Bridge." As Lawa grew up, Yaki became old and sick. Lawa is determined to find the mystery fountain to save Yaki's life. What waited ahead will be an extraordinary adventure!
\n\nChin-Ai Music presents "Lawa's Rainbows Bridge" in the form of music theatre. All script, direct, music and set design are produced in house, taking the audience through Lawa's happiness, sorrow and excitement filled adventure.
\n\n\n\n
Creative and Production Team
\n\nComposer|Chin-Ai Music
\n\nPerformer|Chin-Ai Music
\n\n\n\n
\n',team:""},createdAt:1646224988,updatedAt:1660915221,updatedBy:"通泰系統管理員",host:!1},{_id:"622876abe082e6000838f930",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659958200,discrete:[{time:1659958200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1541710221107355650"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"00e28dba2055b6fba86ba2d9004fbf99",title:"張維紓長笛獨奏會【浪漫之夜】"}],related:[],title:"張維紓長笛獨奏會【浪漫之夜】",cover:"6d4999ddc2035ce7e3abec4e36755cab",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
『在一個瞬間,似乎讀懂了音樂中的語言,原來一切都是如此的貼近生活貼近我們。』
\n\n作曲家們在創作一部作品,就像寫日記一樣,是當下的生活體驗,激發了腦中的靈感,並把他創作下來的一個歷程。皮耶左拉雖然寫的是探戈的歷史,從底層到登堂入室的過程,但他同時也在描述自己的一生。柴可夫斯基當時自身的感情經歷就如同尤金奧尼金歌劇中的角色一樣,於是為了男二連斯基寫了全劇最動人的詠嘆調,以抒發他的內心。音樂會特別加入兩首臺灣作曲家的作品,蕭泰然的湖畔孤影,樂曲中可聽見蕭泰然與臺灣土地最深的情懷,以及郭宗翰老師在大學時期的作品心扉,亦表達了當時他心中的千絲萬縷。
\n\n音樂會曲目橫跨三個世紀,包括法國、阿根廷、德國、臺灣的音樂。這次特別邀請吉他家蔡世鴻,共同演出上半場音樂會,下半場將與白袍鋼琴家林品安,帶來一系列浪漫時期以及浪漫後旋律性強的曲目,希望藉由這些耳熟能詳的曲目慢慢帶領大家體驗古典音樂之美~
\n\n\n\n
演出曲目
\n\n易貝爾:間奏曲
\n\n蒲佇:布宜諾斯艾利斯組曲 - 巴勒摩
\n\n皮耶佐拉:探戈的歷史
\n\n柴可夫斯基:連斯基詠嘆調,選自歌劇尤金奧尼金
\n\n戈貝爾:敘事曲
\n\n華格納:浪漫曲,作品94
\n\n郭宗翰:心扉
\n\n伯恩:卡門幻想曲,改編自比才歌劇卡門
\n\n蕭泰然:湖畔孤影
\n\n\n\n
演出暨製作團隊
\n\n長笛|張維紓
\n\n畢業於巴黎師範音樂院長笛最高演奏家文憑(等同博士學位)師承巴士底歌劇樂團長笛手Philippe Lesgourgues,於奧內音樂院攻讀短笛文憑,師事Pierre Monty,同時也在巴黎市立音樂院與Phillipe Alain Dupre 學習巴洛克長笛,後來為了精進現代音樂,跟隨現代長笛家 Patrice Bocquillant 學習長笛現代技法。接受過許多大師Michel Moragues, Philippe Pierlot, Vincent Lucas, Paolo Tabaillione等指導。
\n\n在臺灣求學期間,先後畢業於曉明女中音樂班曾及東海大學音樂系,師事馬曉珮教授吳義明教授,短笛師事張碩宇教授。求學期間多次參與國際比賽並獲得佳績,曾入圍日本琵琶湖第二十一回長笛國際大賽第三輪半決賽。2021年回台後致力於表演藝術推廣,並於2022/3/14在台北國家演奏廳舉辦第一場與舞蹈跨界的音樂會。
\n\n\n\n
鋼琴|林品安
\n\n畢業於國立臺中一中、中山醫學大學醫學系後, 出生于臺灣臺中市的優秀青年鋼琴家—林品安, 即被媒體大眾廣稱"白袍鋼琴家",目前在彰化基督教醫院擔任住院醫師。曾在多項國際級國內鋼琴大賽中贏得大獎, 包括2009年紐約國際華人鋼琴大賽銅獎, 2005年日本大阪國際鋼琴大賽第三名, 2007年河合臺灣鋼琴大賽首獎等,並在2012年與唱片公司「金牌大風」簽下合約。
\n\n近年來活躍在國際及國內的樂壇, 如2008在國家音樂廳與國立臺灣交響樂團合作演出"蕭邦第一號鋼琴協奏曲", 與胞兄"國際小提琴演奏家—林品任" 長期在多國合作演出更是傳為佳話! 2013~18年間巡演日本東京、仙台名古屋、澳門、臺灣各地,並一起錄製了「布拉姆斯小提琴奏鳴曲」專輯。2016~2018年更以獨奏家身分在日本和臺灣各地為台日交流協會以獨奏、和樂團合作形式巡演。
\n\n\n\n
吉他|蔡世鴻
\n\n現任教於國立高雄餐旅大學通識教育中心專案專任助理教授。
\n\n回臺後成立『方圓之間室內樂團』,擔任團長一職。積極主辦各項音樂演出活動。2002年秋季,特別邀請巴黎師範音樂院的指導教授來台,舉行多場演奏會與講習會,並且推廣Pujol學派音樂,發揚吉他之父泰雷嘉(Tarrega)精神。
\n\n2022年雲林文化中心家湖廳吉他獨奏會。2021 年高雄衛武營國家藝術文化中心吉他獨奏會。2010年開始至2013年受衛武營藝術文化中心籌備處委託策劃舉辦了「春季三部曲」、「清涼藝夏音樂會」、「夏日吉時樂-國際吉他演奏會暨樂器展」、「樂夏˙探戈Tango In the Moonlight音樂會」等音樂會。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"00e28dba2055b6fba86ba2d9004fbf99",title:"《張維紓 x 林品安 跨界音樂會》"}],related:[],title:"crossover concert",cover:"6d4999ddc2035ce7e3abec4e36755cab",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
French-based flutist CHANG Wei-su and Taiwanese promising young pianist LIN Pin-an are going to collaborate with premier dancer to present a series of program about love and romance.
\nWhat will the spark be like? When the classical opera encounter classical old movie!
\n\n
Program
\n\nIbert: Entr'ecte
\n\nPujol: Suite Buenos Aires - II. Palermo
\n\nAstor Piazzolla: Histoire du Tango
\n\nTchaikovsky: Lenski's Aria from Eugene Onegin
\n\nGaubert: Ballade
\n\nWagner: Romance WWV94
\n\nGuo Zong-Han: My Window
\n\nBorne: Carmen Fantasie
\n\nTyzen Hsiao: Fantasia for flute and piano
\n\n\n\n
Creative and Production Team
\n\nFlute|CHANG Wei-su
\n\nPiano|LIN Pin-an
\n\nGuitar|TSAI Shih-hung
\n\n\n',team:""},createdAt:1646818987,updatedAt:1657006883,updatedBy:"林蔚行",host:!1},{_id:"622eef81e082e600083a9919",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1657711800,discrete:[{time:1657711800},{time:1657798200},{time:1657884600},{time:1657953e3},{time:1657971e3},{time:1658034e3},{time:1658052e3},{time:1658230200},{time:1658316600},{time:1658403e3},{time:1658489400},{time:1658557800},{time:1658575800},{time:1658638800},{time:1658656800},{time:1658835e3},{time:1658921400},{time:1659007800},{time:1659094200},{time:1659162600},{time:1659180600},{time:1659243600},{time:1659261600},{time:1659439800},{time:1659526200},{time:1659612600},{time:1659699e3},{time:1659767400},{time:1659785400},{time:1659848400},{time:1659866400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1800,2800,3800,4800,5800,6600],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1TAMBT6#"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4044615d0ed8031113475152e591e52e",title:"百老匯音樂劇《獅子王》THE LION KING"}],related:[{from:"programs",key:"62cbab557d37500007460a88",title:"【獅子王座談會幕後大揭密!】衛武營會員專屬活動"},{from:"features",key:"62208c74911ce9000757ea9b",title:" 2022花露露的童樂節"},{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"},{from:"programs",key:"62ba9ef5afe2d7000ae36534",title:"【解密歌劇工作坊】"}],title:"百老匯音樂劇《獅子王》THE LION KING",cover:"8d433ab5e2de9eda4c7b3e4c9b46dc8f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
譽冠全球的百老匯音樂劇《獅子王》改編自1994年在動畫史上締造多項輝煌紀錄、並榮獲奧斯卡最佳原著音樂和最佳電影主題曲的迪士尼經典同名動畫片,一段愛與冒險的生命感動之旅,透過令人驚豔讚嘆的視覺特效、創意無限的舞台道具、撼動人心的音樂及生動逼真的非洲叢林及原野動物中展開,絕不可再錯過這次美妙的體驗歷程,《獅子王》傑出的視覺藝術技巧、非凡的音樂表現和攝人心魄的舞蹈設計,精確且細緻的傳達滿滿生命堅毅與溫度,值得每一位觀眾細細品嚐。
\n\n\n\n
演出暨製作團隊
\n\n製作公司|迪士尼劇場製作、麥可.卡索集團
\n\n導演|茱莉‧泰默
\n\n音樂創作|艾爾頓‧強
\n\n歌詞創作|提姆‧萊斯
\n\n演出|達肖恩·楊、艾曼達‧庫娜拉、托科吉西‧安凱‧坎伊雷、芙希‧敏隆勾、安東尼‧勞倫斯、尼克‧摩索、皮耶爾‧凡‧希爾頓
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4044615d0ed8031113475152e591e52e",title:"百老匯音樂劇《獅子王》THE LION KING"}],related:[],title:"The Lion King",cover:"8d433ab5e2de9eda4c7b3e4c9b46dc8f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Seen by 100,000,000+ Audience Members Worldwide The World's #1 Musical THE LION KING IS BACK. Adapted from Disney's animated film of the same name, which premiered in 1994 and won two Academy Awards, the Tony Award Winning Director director, Julie Taymor, and the most innovative creative team on Broadway transformed the beloved film into a dazzling experience that redefines audiences' expectations of theatre. Taiwanese audiences will have the opportunity to experience this theatrical phenomenon, THE LION KING, this year, thus summer.
\n\n\n\n
Creative and Production Team
\n\nProducer|Disney Theatrical Productions, Michael Cassel Group
\n\nDirector|Julie Taymor
\n\nMusic|Elton John
\n\nLyrics|Tim Rice
\n\nCast|Dashaun Young, Amanda Kunene, Emkay Khanyile, Futhi Mhlongo, Anthony Lawrence, Nick Mercer, Pierre Van Heerden
\n\n\n\n
\n\n
\n',team:""},createdAt:1647243137,updatedAt:1660362729,updatedBy:"通泰系統管理員",host:!1},{_id:"623b110261a791000951382b",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1660390200,discrete:[{time:1660390200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1400,1800,2200,2600,3e3],link:"https://www.opentix.life/event/1496058491364524037?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"《外公的咖啡時光》",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
一杯咖啡香,圍繞祖孫三代間的情感。改編自真人真事暖心繪本—《永恆的咖啡時間》,講述三代同堂家庭,在外公罹患失智症後,長期照護老伴的外婆也因故住院,部份重擔落在孫子瀚瀚身上。瀚瀚因此多了許多與外公相處的時間,祖孫的角色像是被翻轉過來,常常被外公的孩子氣逗弄哭笑不得!瀚瀚卻也發現,看似癡呆糊塗的外公,因為透過一杯咖啡,才能找回對愛的記憶片段,也讓家中原本冷淡的關係,再度升溫連結了起來。而當外公病情日趨嚴重,甚且開始連自己的家人都認不得,在這一路倒退的人生風景中,瀚瀚決心要完成外公的心願,在咖啡冷卻之前…
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|丁乃箏
\n\n導演|丁乃箏
\n\n首演版導演|呂曼茵
\n\n監製|丁乃竺、馬維欣
\n\n製作人|藍大鵬
\n\n繪本作者|馬維欣(《永恆的咖啡時間》繪本)
\n\n編劇|王靖惇
\n\n改編劇本|丁乃箏、呂曼茵、馬維欣
\n\n領銜主演|樊光耀、范瑞君、王鏡冠、李辰翔、呂名堯、李劭婕
\n\n舞台設計|黎仕祺
\n\n燈光設計|張廷仲
\n\n音樂設計|洪予彤
\n\n服裝設計|姜睿明
\n\n平面設計|張巖
\n\n\n\n
演出製作:表演工作坊文化創意股份有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"The Eternal Coffee Time",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
The aroma of a cup of coffee envelopes the emotions of the three generations of Han Han's family.
\n\nAdapted from "Eternal coffee time," a heartwarming picture book that is based upon a true story, this play depicts the story of three generations of a family. After half a century together hand in hand, the family is faced with the grandfather suffering from dementia, the grandmother who had taken care of her husband for a long time has now also become hospitalized. The burdens of the family fall upon the grandson Han Han. Consequently, Han Han spends a great deal of time with his grandfather and the roles of grandparents and grandchild now become reversed. He is often vexed by his grandfather's childish behavior, not knowing if he should laugh or cry. Han Han discovers that even from a confused state of dementia his grandfather can be brought back by a steaming cup of coffee. When his grandfather's condition worsens and he is unable to even recognize his own family members, Han Han is determined to make his grandfather's wish come true before the cup of coffee cools...
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Ismene TING
\nDirector|Ismene TING
\nDirector of the premiere|Man-Yin LU
\nExecutive Producer|Rebecca MA、Nai-Chu DING
\nProducer|Da-Peng LAN
\nPicture Book Author|Rebecca MA
\nScreenwriter|Daniel WANG
\nAdapted Screenplay|Ismene TING、Man-Yin LU、Rebecca MA
\nActors|Kuang-Yao FAN、Ray FAN、Ching-kuan WANG、Spark LEE、Ming-Yao LYU、Clara LEE
\nPerformance Production Corporation|Performance Workshop
\n\n
\n',team:""},createdAt:1648038146,updatedAt:1652693834,updatedBy:"林蔚行",host:!1},{_id:"6278eea97406e30007d25ba6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661583600,discrete:[{time:1661583600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1522110179546558467"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"《富澤直子安可音樂會2022》",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
極地之光管弦樂團於2017年起推出系列音樂會計畫,2022年8月將安排極地之光管弦樂團中提琴首席富澤直子安可音樂會,並邀請鋼琴家星原真美以及小提琴家林暉鈞,精心安排多首樂曲目,並透過演奏家音樂會現場解說方式以觀眾互動,讓觀眾渡過美好的週末時光。
\n\n\n\n
演出曲目
\n\n邦奇・健治:〈直到下一次〉,中提琴獨奏
\n\n保羅・克雷提:〈來自我心〉,中提琴與鋼琴
\n\n搖擺巴赫~來自巴赫第一號大提琴組曲,G大調,作品1007,中提琴與鋼琴
\n\n多布林卡・塔巴克瓦:爵士風組曲第三樂章,中提琴與鋼琴
\n\n保羅・克雷提:〈星光〉,中提琴與小提琴二重奏
\n\n小小音樂教室:鼓掌的方式
\n\n日本歌曲:〈線〉,中提琴與鋼琴
\n\n\n\n
演出暨製作團隊
\n\n中提琴|富澤直子
\n\n小提琴|林暉鈞
\n\n鋼 琴|星原真美
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"tomy's encore Concert 2022",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Apex Orchestra's violaist Tomizawa Naoko and pianist Hoshihara Mami and Violist Hui-Chun Lin will perform the most famous Viola, Piano and Violin music at the concert, including Kenji Bunch, Paul Coletti、Swinging Bach、Dobrinka Tabakova and Japan Folk Songs.
\n\n\n\n
Program
\nKenji Bunch: “Until Next Time” for solo viola
\nPaul Coletti: “From My Heart” for viola and piano
\n“Swinging Bach” for viola and piano ~ a free interpretation of Cello Suite no.1 in G Major by J. S. Bach, BWV1007
\nDobrinka Tabakova: Suite in Jazz Style for viola and piano, 3rd movement
\nPaul Coletti : “Starlight” for viola and violin duo
\nMini Workshop: How we applaud?
\n日本の歌:「糸」for viola and piano
\n\n
Creative and Production Team
\n\nViola|Tomizawa Naoko
\n\nViolin|Hui-chun LIN
\n\nPiano|Hoshihara Mami
\n\n\n\n
\n',team:""},createdAt:1652092585,updatedAt:1660915191,updatedBy:"通泰系統管理員",host:!1},{_id:"627907757406e30007d25ecd",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1660132800,discrete:[{time:1660132800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1527210929604964355"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【衛武營小時光】宇宙人《小宇宙時光》",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t金曲金音雙入圍的宇宙人用一首曲風funky的〈要去高雄〉讓聽眾耳洞大開,也因此與港都結下不解之緣。宇宙人音樂性強烈,創作元素包山包海包宇宙,舉凡流行、搖滾、放克、爵士都能被他們玩出一種宇宙獨有的味道。歷年巡迴演出皆秒殺完售的宇宙人,也在2022年發行全新專輯《理想狀態》,歡迎大家相聚衛武營,讓宇宙人帶我們重遊《小宇宙時光》,探索沈睡體內的groovy細胞。
\n\n\n\n
演出者
\n\n主唱暨鍵盤|小玉
\n\n吉他|阿奎
\n\n貝斯|方Q
\n\n\n\n
演出者介紹
\n\n宇宙人
\n\n入圍過27屆金曲獎「最佳樂團」及第9屆金音獎「最佳現場演出」、「最佳樂手」的宇宙人成立於2004年的夏天,音樂性強烈,創作元素包山包海海包宇宙,舉凡Pop、Funk、Disco、Jazz、Rock都能被他們玩出一種宇宙獨有的味道;直來來直往的歌詞,甜膩熱情,詼諧卻不失誠懇,總能不偏不倚擊中年輕世代的內心。
\n\n至今發行四張完整專輯,三人持續秉持著實驗精神,一次又一次顛覆樂迷對宇宙人的想像,同時藉著高水準的現場演出累積人氣,2019年的「再陪我玩十年」十九場巡迴在各地皆秒殺完售,樂迷人數不斷上升中,2020年2月更首次前進臺北小巨蛋!
\n\n2022年3月份005新專輯理想狀態正式發行
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【Weiwuying Showtime】Cosmospeople - Cosmic Time Machine",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
Artists
\n\nLead Vocal & Keyboard|Jade
\n\nGuitar|Kuei
\n\nBass|FunQ
\n\n\n\n
Artists Introduction
\n\nCosmospeople
\n\nIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
\n',team:""},createdAt:1652098933,updatedAt:1686710272,updatedBy:"林蔚行",host:!0},{_id:"6283195fa0e8a300073ac9d9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660303800,discrete:[{time:1660303800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1522088710173192197"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"100把大提琴的美麗冒險 《 與環保的思辨之旅》",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「100把大提琴」是一個由南部大提琴學子所組成的大提琴樂團,樂團雖由大提琴單項樂器所組成,但演出曲目多元,本次音樂會中不僅有多首不同時期的古典樂曲,也有磅礡的電影配樂。另外,在這個疫情肆虐的時代中,會讓人們思考更多與環境的關係,本次音樂會就要藉由大提琴合奏來傳達「環保」的理念,除了演出多首有環保議題的曲目外,更邀請了高雄室內重奏團使用環保樂器來和大提琴樂團合作演出,相信定能擦出更多的創意火花。
\n\n\n\n
演出曲目
\n\n佛里德里西‧葛呂茲馬赫:為四把大提琴而作《奉獻詩》,作品編號六十五
\n\n阿拉姆‧哈察都量:劍舞
\n\n拉敏·賈瓦帝:《權力遊戲》組曲
\n\n阿斯托爾‧皮耶佐拉:遺忘
\n\n彼得‧柴可夫斯基:1812序曲
\n\n張原碩:《港都意象》擊樂三重奏與大提琴重奏團
\n\n陳建寧:《孩子的天空》
\n\n貝爾·阿珀蒙特:《諾亞方舟》
\n\n\n\n
演出暨製作團隊
\n\n樂團|欣弦大提琴室內樂團、弓爵大提琴室內樂團、高雄室內重奏團
\n\n指揮|林昌龍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"A Fabulous Adventure of 100 Cellos",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"100 Cellos" is a cello Orchestra composed of students from Southern Taiwan. Although the Orchestra is composed of a single instrument, the repertoire is diverse. In this concert, there are not only classical pieces from different periods, but also majestic movies soundtrack. In addition, in this era of raging epidemic, people will think more about the relationship with the environment. This concert will convey the concept of "environmental protection" through the cello Orchestra. We also invited the Kaohsiung Chamber Ensemble to use environmentally friendly instruments to perform with the Cello Orchestra. We believe that our cooperation will collide with different sparks.
\n\n\n\n
Program
\n\nFriedrich Grützmacher: Consecration Hymn for Four Cellos Op.65
\n\nAram Khachaturian: Sabre Dance
\n\nGroup|Hsin-Hsien Cello Orchestra、Gong-Jue Cello Orchestra、 Kaohsiung Chamber Ensemble
\n\nConductor|LIN Chang-Lung
\n\n\n\n
\n
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\n\n
課程統籌
\n\n蔡佾玲
\n\n專業演員、國立臺灣藝術大學戲劇學系助理教授。
\n\n演出作品風格橫跨古典與當代,多次獲得國家獎助出國進修與發表作品,目前持續與臺灣各表演團隊及藝術家合作演出,也是近年臺灣劇場跨國製作,歐陸重量級導演指定合作演員。
\n\n重要作品:
\n\n國家兩廳院國際劇場藝術節《酒神的女信徒》、《葉瑪》;台南人劇團《愛的落幕》等。
\n\n\n\n
基礎班講師
\n\n故事課程《角色慾望》|王靖惇
\n\n臺灣大學戲劇學研究所碩士,第一屆臺中歌劇院駐館藝術家,專長編導、表演,作品以原創劇本及臺灣背景為創作核心,觀照反映當代議題。編導作品曾巡演至北京、上海、廣州、深圳、澳門等地。作品曾獲 2017 年曼谷藝術節最佳劇本、最佳導演、最佳藝術設計及最佳肢體類演出四項大獎。著有《如此美好:王靖惇劇本集》。
\n\n\n\n
聲音課程《聽見自己的聲音》|竺定誼
\n\n國立臺灣藝術大學戲劇學系、國立臺北藝術大學劇場藝術研究所表演組畢業,現為四把椅子劇團團長、劇場演員、國立臺灣藝術大學戲劇學系兼任教師。近期演出作品:四把椅子劇團《春眠》、《好事清單》。瘋戲樂工作室《台灣有個好萊塢》。台南人劇團《愛的落幕》。全民大劇團《你好,我是接體員》。
\n\n\n\n
肢體課程《用身體打開空間》|譚天
\n\n1984年生,臺灣臺北人。2015年畢業於賈克樂寇國際戲劇學校(École Internationale de Théâtre Jacques Lecoq)。現職國立臺灣藝術大學戲劇學系講師。2016年創立我 製作,教授樂寇方法,專注於肢體、當代默劇、馬戲、面具與小丑等形式創作與教學。2020年入選國立臺灣藝術大學駐村藝術家,以表演者角度探索非劇場空間的展演形式。
\n\n\n\n
進階班講師
\n\n故事課程《情境中的表演創作》|潘冠宏
\n\n倫敦大學中央演說戲劇學校演員訓練與指導碩士(MA in Actor Training and Coaching, Central School of Speech and Drama, University of London)2011~2012。
\n\n現為楊景翔演劇團核心成員、臺灣藝術大學戲劇學系兼任講師。
\n\n\n\n
聲音課程《聲音中的表演想像》|鄭尹真
\n\n窮劇場藝術總監,ACC亞洲文化協會受獎人。劇場演員/業餘讀者/南管聽眾。近期創作關注不同歷史時期音聲審美所折射的時間觀念。曾任獨立文化媒體《破週報》記者。2007年,加入江之翠劇場,受業於周逸昌先生,潛心摸索脫胎自傳統戲樂之聲法、身度、氣韻,建立以靜為本的當代劇場表演美學。 2014年,與長期夥伴高俊耀共同創立窮劇場。2016年,獲ACC獎助赴印尼日惹、韓國首爾進修傳統樂舞 。近期創作演出莎劇獨角戲《母親.李爾王》(王墨林執導)榮獲第二十屆台新藝術獎年度入圍。
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肢體課程《動物轉化–傳統武術中的動物性》|魏雋展
\n\n國立臺北藝術大學劇場藝術研究所表演組畢業,現任三缺一劇團藝術總監,臺北藝術大學戲劇系講師、文化大學舞蹈系講師。身為一個創作者,魏雋展有著極度敏銳的觀察和感受力,生活中各類事件、人物與議題,經由他的裁切、選擇與結構,都能成為表演的原料,並從這種日常性自我創造中,擴及對社會議題與價值體系的挖掘,展現對生存的反思詰問與辯證。對他而言,表演的施力點是自己與角色的對話過程,因此,一場演出永遠是一個意見,一種態度的聲明與選擇。
\n\n\n\n
共同課程講師
\n\n《一場「物」會》─ 物件探索工作坊
\n\n洪健藏
\n\n持續與臺灣頗具創作力的劇團合作,嘗試各類演出形式,亦致力於探索偶戲、物件與人的表演關係,先後與歐、美多國偶戲藝術家學習。
\n\n近年代表作品:飛人集社劇團《THE浮浪貢OF龍興46》、動見体劇團《病號》、台南人劇團《Re/turn》、再拒劇團《明白歌》,果陀劇場《解憂雜貨店》、阮劇團《十殿》、長義閣《掌中家書‧朱一貴》、臺法共製節目《邊界》。
\n\n\n\n
林頎姍
\n\n畢業於臺灣大學戲劇學系與社會學系。饕餮劇集藝術總監,編導《迎魂歸來》系列、《白噪音》、《After piece_從今以後》。近期合作有:飛人集社《The浮浪貢of龍興46》執行導演、盜火劇團《回聲》導演助理、阮劇團《十殿》助理導演等。平時亦任舞臺監督、燈光設計、音響技術、執行製作等職。
\n\n\n\n
《媽呀,選擇困難的多重宇宙》─ 職人講座
\n\n趙啟運
\n\n1985年生,國立中山大學劇場藝術學系畢業,編劇作品多於台南人劇團發表,創作類型涵蓋話劇劇本、新文本、沈浸式劇場劇本,擅寫演員獨角戲,近年多用功於音樂劇創作、莎士比亞在地化改編,題材多聚焦於女性生活、酷兒經驗、美食分享、陰陽鬼神民俗信仰、流行文化。
\n\n\n'},{reference:[],type:"content",name:"成果發表",content:'
\n\n
\n\n
成果發表暨結業式
\n\n經過四天的劇場課程洗禮,在相互激發創意的過程中,試圖讓學員們創造自己的價值。運用現成文本為素材,形式上基礎班以讀劇呈現、進階班將運用簡單道具與配樂做戲劇演出。
\n\n\n\n
演出時間:2022/8/14(日)14:30
\n\n演出地點:衛武營繪景工廠
\n\n演出長度:約120分鐘(分組呈現,一組呈現約15分鐘)
\n\n\n\n
活動流程
\n\n活動流程 | \n\t\t|
14:00-14:30 | \n\t\t\t觀眾入場 | \n\t\t
14:30-14:35 | \n\t\t\t開場 | \n\t\t
14:35-15:35 | \n\t\t\t成果發表會上半場 | \n\t\t
15:35~15:50 | \n\t\t\t中場休息 | \n\t\t
15:50~16:50 | \n\t\t\t成果發表會下半場 | \n\t\t
16:50~17:00 | \n\t\t\t回饋講評 | \n\t\t
17:00~17:20 | \n\t\t\t頒發結業證書 | \n\t\t
17:20~17:30 | \n\t\t\t大合照 | \n\t\t
17:30 | \n\t\t\t散場 | \n\t\t
\n'}],onShelf:!0,sliders:[{type:"image",key:"8408d0fa8a46e874b5f2c0973d2e1a41",title:"2022衛武營青少年戲劇營"}],related:[],title:"2022衛武營青少年戲劇營",cover:"c8591d42580dd30c2278f2fb1ee68942",site:{isOther:!0,site:"",other:"繪景工廠及排練室"},cautions:'
\n\n
\n\n
Action! 尋光航行,匯劇成星!
\n\n衛武營邁入第七屆青少年戲劇營,將迎接懷抱夢想又或正值迷惘的年輕世代,一同尋著光、航向光、成為光。
\n\n\n\n
本屆特別邀請到國立臺灣藝術大學戲劇學系助理教授暨劇場界知名演員蔡佾玲擔任課程統籌,攜手王靖惇、潘冠宏、竺定誼、鄭尹真、譚天、魏雋展、飛人集社劇團、台南人劇團等夢幻師資,一同帶領學員認識劇場、探究表演。透過文本、聲音、肢體等三門核心課程進行開發及訓練,並融入劇場導覽、互動遊戲、職人講座、工作坊等多元內容,引導學員貫穿所學、實務演練,最後與夥伴們攜手登台展現成果。沉浸於玩樂與學習中,同時提升戲劇涵養、找到自我價值,在劇場裡閃耀發光!
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加入2022衛武營青少年戲劇營,跟我們一起循著光點踏入劇場,在這趟探索旅程中,
\n\n啟動感知、認識自己、建立連結、激發無限想像!
\n\n站上舞台,成為最獨特的光芒!
\n\n\n\n
\n\n
報名辦法
\n\n課程時間:2022/8/10(三) 至 8/14(日)09:00-18:00,共五天(8/14為成果發表日)
\n\n適合對象:15~19歲青少年,基礎班-對表演藝術有興趣者/進階班-就讀戲劇相關科系或有戲劇基礎經驗者
\n\n課程名額:基礎班及進階班各32名
\n\n課程費用:NT$3,000
\n\n課程地點:1186/1192衛武營排練室(上課教室)、繪景工廠(成果發表會)
\n\n報名時間:2022/6/1(三)12:00 至 7/10(日)23:59
\n\n報名流程:官網報名→資格審核→通知審核結果→進行繳費→完成報名。收到審核結果後請於繳費期限內繳交費用;逾期未繳者,將釋出名額。
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
課程總表
\n\n※導師課程內容將依兩班學員程度設計與調整教學內容。
\n\n歷屆學員口碑推薦
\n\n\n\n
團隊名單
\n\n課程統籌|蔡佾玲
\n\n講師|王靖惇、竺定誼、譚天、潘冠宏、鄭尹真、魏雋展
\n\n導師|鄭尹真、蘇鈺婷、宮能安、蔡志擎
\n\n助教|謝岫倫、鄭宇淑、侯又加、彭漪婷
\n\n工作坊|飛人集社劇團:洪健藏、林頎姍
\n\n職人講座|台南人劇團:趙啟運
\n\n\n\n
\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
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Cancellation policy
\n\n\n\n
Action! Sailing in search of light, becoming a star!
\n\nThe Teens in Theater program is now in its seventh edition, and Weiwuying is once again ready to serve as a beacon. We welcome youths who want to realize their dreams yet feel lost to join us in seeking the light, navigating towards the light, and becoming the light.
\n\n\n\n
This year, we invited famous theater performer TSAI Yi-Ling to plan the program. The dream instructor lineup includes Daniel WANG, PAN Kuan-Hung, CHU Ding-Yi, CHENG Yin-Chen, TAN Tian, WEI Chun-Chan, Flying Group Theatre, and Tainaner Ensemble. Together, they will guide students in learning more about theater and delving into performances. Students will undergo development and training in the three core courses of words, sounds, and body, which are integrated with interactive games, lectures, and workshops. This will allow them to link what they learn and practice to ultimately collaborate with their classmates to present their achievements on stage. Students can immerse themselves in playing and learning and improve their theater skills all at the same time. They will discover their own self-worth and shine in theater.
\n\n\n\n
Sign up for the 2022 Weiwuying Teens in Theater, and join us in stepping into the world of theater in search of light. During this exploratory journey, you'll activate your awareness, get to know yourself, build connections, and stimulate your imagination!
\n\nWhen you stand on stage, you'll discover that everyone becomes their own unique light!
\n
Register Here
\n\n►Basic Course
\n\n►Advanced Classes
\n\n\n\n
Teams
\n\nCurriculum Coordinator|TSAI Yi-ling
\n\nLecturer|Daniel WANG, CHU Ding-yi, TAN Tian, PAN Kuan-hung, CHENG Yin-chen, WEI Chun-chan
\n\nMentor|CHENG Yin-chen, SU Yu-ting, KUNG Neng-an, TSAI Chih-ching
\n\nTeaching Assistant|HSIEH Hsiu-lun, CHENG Yu-shu, HOU Yu-chia, PENG Yi-ting
\n\nWorkshop|Flying Group Theatre (HONG Chien-tsang, LIN Chi-shan)
\n\nCareer Lecture|Tainaner Ensemble (CHAO Chi-yun)
\n\n\n\n
\n',team:""},createdAt:1653285443,updatedAt:1653982086,updatedBy:"林蔚行",host:!0},{_id:"628c435de50ccd000afae40d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659699e3,discrete:[{time:1659699e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1XYRXF4"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"《重生˙希望-林洛安2022鋼琴獨奏會》",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」
\n\n\n\n
鋼琴家林洛安博士曾獲得多項鋼琴比賽獎項,包括2012年聖安東尼奧國際鋼琴比賽首獎、以及最佳巴洛克作品詮釋獎,更被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」在睽違多年之後即將再次返國舉辦鋼琴獨奏會,以「重生.希望」為主題,預計帶來法朗克、史克里亞賓、與貝多芬等作曲家的鋼琴作品,期待能表達出揮別2020年全球受到疫情肆虐、展望2021年能迎接重生與希望!林洛安曾獲頒耶魯大學音樂院(Yale School of Music)演奏家文憑、以及伊士曼音樂學院(Eastman Music School)鋼琴演奏博士學位,2020年起受聘於蘇州大學音樂系擔任助理教授。
\n\n\n\n
演出曲目
\n\n法朗克:前奏、聖詠與賦格,作品21
\n\n史克里亞賓:B小調幻想曲,作品28
\n\n貝多芬:C小調第32號鋼琴奏鳴曲,作品111
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林洛安
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"Lo-an Lin 2022 Piano Recital",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2020 was a challenging year for everyone in the world. With the global pandemic, we all faced perhaps more uncertainties than ever. However, through surviving all the difficulties in 2020, we also witness the unbelievable strength of the human spirit. Award winning pianist Dr. Lo-An Lin is presenting a concert with the theme of "Rebirth and Hope". "Rebirth and Hope" represents parting from the challenges of 2020 and being reborn with hope and optimism in 2022. This recital will feature master pieces by Franck, Scriabin and Beethoven's last piano sonata. Each piece presents musical struggles and the eventual victory through transformation, and in the case of Beethoven's Piano Sonata Op. 111, transcendence. Through experiencing these carefully selected pieces, we all can reflect on the challenges of 2020, remember the lessons we have learned, and embark on the future with a renewed sense of hope and spirit.
\n\n\n\n
Program
\n\nCésar Franck: Prelude, Choral et Fugue, FWV 21 (18min)
\n\nAlexander Scriabin: Fantasy in B minor, Op. 28 (9min)
\n\nLudwig van Beethoven Piano Sonata No. 32 in C minor, Op. 111 (27min)
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN Lo-An
\n\n\n\n
\n\n
\n',team:""},createdAt:1653359453,updatedAt:1653978259,updatedBy:"林蔚行",host:!1},{_id:"628c4f0f6ddb37000708f8ec",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1519157939001937922"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"《台灣獨奏家交響樂團 X 李欣芸》",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
音樂會上半場由樂團兩位首席帶來莫札特《小提琴與中提琴交響協奏曲,K. 364》,莫札特的音樂總是充盈著純真與喜悅,藉由優美的旋律安撫人心。 下半場特別邀請音樂才女─李欣芸為樂團量身打造,製作一場別開生面的跨界音樂會。透過她細膩的視角,帶著樂迷們用聽覺與視覺一起旅行,看見各地特殊的人文風土與景緻,認識這塊美麗的土地。金黃色的稻穗、山谷翱翔的老鷹、湖面上月光灑落泛起的漣漪、伴著遠處傳來陣陣的部落歌聲,在動人樂章中彷彿看見臺灣最美好的風景。
\n\n\n\n
演出曲目
\n\n莫札特:降E大調小提琴與中提琴交響協奏曲,K. 364
\n\n德沃札克:狂歡節序曲
\n\n排灣古調:小鬼湖之戀
\n\n陸森寶:美麗的稻穗、如在天堂
\n\n李欣芸:湖岸月光
\n\n李欣芸:舊城敘事曲
\n\n李欣芸:雨巷
\n\n李欣芸:部落之音
\n\n李欣芸:鷹之谷
\n\n\n\n
演出暨製作團隊
\n\n演出|台灣獨奏家交響樂團
\n\n指揮|蕭邦享
\n\n小提琴|陳依萱
\n\n中提琴|莊孟勳
\n\n金曲歌手|南王姊妹花
\n\n音樂總監|李欣芸
\n\n製作人|程 馗
\n\n硬體總監|劉家明
\n\n\n\n
藝術家介紹
\n\n製作|李欣芸
\n\n生於高雄,長於臺北,李欣芸自幼接受古典音樂訓練,畢業於東吳大學音樂系,並於美國Berklee College of Music研習爵士作曲及現代編曲。身為編曲者、作曲者和製作人,她的作品跨足流行音樂、電影配樂和跨界演奏,曾多次榮獲金曲獎與金馬獎的肯定。由於在她之前華語電影從未有過女性擔任配樂的角色,因此又被同業稱為「華語電影百年來首位女配樂師」。除了創作和教學,李欣芸目前也擔任高雄流行音樂中心執行長一職。
\n\n\n\n
音樂總監|蕭邦享
\n\n「蕭邦享,一位擁有深度及細膩的詮釋力,不同凡響的熱情與生命力的指揮家。」2000年蕭邦享邀集南台灣樂壇菁英成立了台灣獨奏家交響樂團,並親自擔任音樂總監暨指揮,2016年起擔任臺邦獨奏家樂團藝術總監,2021年起接任臺南市交響樂團音樂總監暨指揮。蕭邦享指揮的曲目從古典到現代相當廣泛,無論是交響樂鉅作或經典歌劇在他恢宏的氣度,深度及細膩的詮釋下都有精彩的演出,引起廣大的迴響,並獲得極高的讚譽。
\n\n\n\n
小提琴|陳依萱
\n\n小提琴家陳依萱,美國密西根州立大學音樂藝術博士。返臺後,活躍於樂壇,數次以獨奏身份與台灣獨奏家交響樂團合作演出,2016年於故鄉臺南創立臺邦獨奏家樂團,每年常態演出多場高精緻度、具特色的沙龍音樂會,以多變廣泛的曲目及近距離的聆賞樂趣廣受樂迷喜愛。現任臺邦獨奏家樂團音樂總監、中信金融管理學院專任助理教授、台灣獨奏家交響樂團樂團首席、臺南市交響樂團代理首席、臺南市青少年暨市民管弦樂團指揮。
\n\n\n\n
中提琴|莊孟勳
\n\n美國新英格蘭音樂院中提琴演奏博士。2005年與鋼琴家林瑞萍組成之Morning Glory 二重奏贏得由美國新英格蘭室內樂協會所舉辦之國際室內樂大賽首獎,受邀至紐約卡內基音樂廳之懷爾廳演出。2006年獲選為國家音樂廳之年度樂壇新秀,同年受邀成為新英格蘭室內樂協會客座藝術家。現任台灣獨奏家交響樂團中提琴首席。
\n\n\n\n
金曲歌手|南王姊妹花
\n\n金曲獎最佳演唱組合-南王姐妹花,是由來自臺東卑南族南王部落的李諭芹、陳惠琴、徐美花三人組成。細聽三姐妹的歌聲,您的思緒會被那細緻聲音所縈繞,在歲月的沈澱下,聲音蘊成潮水般穩實的氣韻,猶似醇酒的後勁,總令人在不知覺中醺醉。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"Autumn Concert 2022",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Combining video and music, a crossover concert specially tailored for Taiwan Soloists Symphony Orchestra by the Golden Horse Award for Best Original Film Score winner, Cincin Lee.
\n\nThrough the composer's delicate perspective, Cincin guides the audience to travel with her by hearing and vision, visiting the special cultural customs and scenery of various place, the golden ears of rice, soaring eagles in the sky, ripples of the moonlight on the lake, accompanied by the sound of the pestle and tribal songs from a distance, all seem to see the most beautiful scenery in Taiwan in the moving music.
\n\n\n\n
Program
\n\nMozart:Sinfonia Concertante in E flat Major, K. 364
\n\nDvozak:Overture Carnival, Op.92
\n\nPaiwan Ancient Ballad:Love of the Little Ghost Lake
\n\nBaliwakes Raera:Beautiful Rice Grain、As in Heaven
\n\nCincin Lee:Ripples in the Moonlight
\n\nCincin Lee:NanKang Ballad
\n\nCincin Lee:Rainy Café
\n\nCincin Lee:The Voice of the Tribe
\n\nCincin Lee:Where the Eagle Soars
\n\n\n\n
Creative and Production Team
\n\nPerformer|Taiwan Soloists Symphony Orchestra
\n\nConductor|HSIAO Pang-hsing
\n\nViolin|CHEN I-hsuan
\n\nViola|CHUANG Meng-hsun
\n\nVocal|Nanwan Sisters
\n\nMusic Director|Cincin LEE
\n\nProducer|CHENG Kuei
\n\nTechnical Director|LIU Chia-ming
\n\n\n\n
\n',team:""},createdAt:1653362447,updatedAt:1653449504,updatedBy:"林蔚行",host:!1},{_id:"628c72516ddb37000708fde9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661686200,discrete:[{time:1661686200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1524244613777420294"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"玩弦四度《新生》音樂會",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「新生」,是漫漫長夜之後,天空微微現出的光明;是風雨過後的狼藉中,悄悄萌生的綠芽;是絕望的死寂裡,不知從哪裡傳來的悠揚旋律···經歷了久違的寒冬,在疫情的全球風暴之中,能夠走過來的每個人,都是不容易的。經歷了團員的離去與歸來,以及新成員的加入,玩弦四度也像是在這次的風暴中,經歷了一次重整的過程。帶著新的元素與力量,再次出發。玩弦四度將回歸到最單純的弦樂四重奏,延續創團以來所堅持的原創精神,團員們將一起探索,過去這段時間與經歷,帶給每個團員的生命意義。
\n\n\n\n
演出曲目
\n\n〈新生〉作曲: 黃偉駿
\n\n〈腳踏車之旅〉作曲: 葉棣綺
\n\n〈初舞〉作曲: 葉棣綺
\n\n〈輓歌〉作曲: 黃偉駿
\n\n〈夜〉作曲: 蔡佳恩
\n\n〈拉吉吉散布魯斯〉作曲: 黃偉駿
\n\n〈湄公河〉作曲: 黃偉駿
\n\n〈蘭布拉大道〉作曲: 黃偉駿
\n\n〈聽你說〉作曲: 黃偉駿
\n\n〈寒冬日焱〉 作曲: 葉俊麟
\n\n〈葛公思雨〉作曲: 黃偉駿
\n\n〈胎藏〉作曲: 黃偉駿
\n\n\n\n
演出暨製作團隊
\n\n第一小提琴|黃偉駿
\n\n第二小提琴|晴恩
\n\n中提琴|葉棣綺
\n\n大提琴|葉俊麟
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"《The Newborn》",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「The Newborn」 is the light that appears in the sky after a long night; it is the green shoot that quietly sprouts in the mess after the storm; it is the melodious melody that comes from nowhere in the desperate dead silence... After a long-lost winter, in the global storm of the epidemic, it is not easy for everyone who can come through. After experiencing the departure and return of the members of the group, as well as the addition of new members, playing the string four degrees is also like going through a process of reorganization in this storm. With new elements and powers, set off again. Playing with strings will return to the purest string quartet, continuing the original spirit that has been adhered to since the founding of the troupe, and the members of the troupe will explore together, and the past time and experience will bring meaning to the life of each member.
\n\n\n\n
Program
\n\n〈The Newborn〉Composed by Stephen Huang
\n\n〈Bicycle Trip 〉Composed by Chiee Yeh
\n\n〈The First Dance〉Composed by Chiee Yeh
\n\n〈Lament〉Composed by Stephen Huang
\n\n〈The Night〉Composed by En Tsai
\n\n〈Rising Sun Blues〉Composed by Stephen Huang
\n\n〈Mekong〉Composed by Stephen Huang
\n\n〈La Rambla〉Composed by Jiro Yeh
\n\n〈Listening to You〉Composed by Stephen Huang
\n\n〈Cold Winter & Sun Fire〉Composed by Jiro Yeh
\n\n〈When Gershwin Meets Yu-Shien Deng 〉Composed by Stephen Huang
\n\n〈The Womb of Earth〉Composed by Stephen Huang
\n\n\n\n
Creative and Production Team
\n\n1st Violin|Stephen HUANG
\n\n2nd Violin|Chin EN
\n\nViola|Chiee YEH
\n\nCello|Jiro YEH
\n\n\n\n
\n',team:""},createdAt:1653371473,updatedAt:1660915344,updatedBy:"通泰系統管理員",host:!1},{_id:"628ddb0e557b990008a3a31c",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1657071e3,discrete:[],type:"continuous",continuous:{time:[1653442200],endTime:[1653471e3],start:1657036800,end:1659715200}},activity:{type:"free",free:{description:"報名參與",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講師介紹",content:'
專業師資
\n\n王正源
\n\n國立臺灣大學戲劇系專任講師,專長影像設計。
\n\n\n\n
️周志瑋
\n\n樹德科技大學表演藝術系專任講師,專長舞臺技術。
\n\n\n\n
️陳志峰
\n\n臺灣大學戲劇系講師。
\n\n\n\n
️高一華
\n\n專業劇場燈光設計師、《At Full:劇場燈光純技術》專書作者。
\n\n\n\n
️陳星奎
\n\n鐵吹製作公司負責人,專長燈光音響硬體整合。
\n\n️
\n\n黃致凡
\n\n專業劇場服裝設計師、輔仁大學織品服裝學系講師。
\n\n\n\n
️黃曉雯
\n\n台裕國際股份有限公司業務經理。
\n\n\n\n
️陳昭郡
\n\n劇場自由工作者,專長燈光設計與舞台管理。
\n\n\n\n
️林恆正
\n\n實踐大學時尚系教授/高雄校區文化與創意學院院長。
\n\n\n\n
️林璞
\n\n華山1914文創園區藝文總監、社團法人台灣技術劇場協會理事長。
\n\n\n\n
️鄭涵文
\n\n國家兩廳院節目企劃部,製作人。
\n\n\n\n
️莊士賢
\n\n社團法人中華職業技能發展學會安衛管理處處長。
\n\n\n\n
單信瑜
\n\n台灣防災產業協會監事。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022衛武營技術人才培育工作坊",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"衛武營(依課程內容安排教室)"},cautions:'
近年來隨著各類演出節目數量攀升,劇場技術專業人才需求若渴,為積極推動南臺灣地區表演藝術環境發展,衛武營國家藝術文化中心委託社團法人台灣技術劇場協會承辦《2022衛武營技術人才培育工作坊》,針對不同程度的學習需求及技術專業,開辦「劇場技術基礎班」、「舞台管理基礎班」,期以逐步建置南臺灣劇場技術人力能量,提升劇場技術人才的質與量。同時因應國內新型冠狀病毒肺炎疫情多變狀況,提出線上課程規劃做為疫情備案。「劇場技術基礎班」和「舞台管理基礎班」包括「劇場通識」與「基礎技術」單元,建立「基礎技術人員」及「舞台管理者」二職位之初階技術能力。延聘劇場專業講師/業師分享專業技能,輔加以實作演練,讓學員即學即用,提升學習成效,培育南臺灣地區劇場相關從業技術人才。
\n\n\n\n
劇場技術基礎課程(160H)
\n\n厚實劇場技術人力,為技術劇場培育新血,以本會日前開發之「劇場基礎技術」技能標準,設計規劃基礎課程,採理論與實務兼具的方式,並依據場館設備進行系統建置教學,培養初入劇場技術行業之必要技能。
\n\n\n\n
舞台管理基礎課程(70H)
\n\n舞台管理是一門整合性的工作,需串聯劇場製作各個環節,來成就演出的順利進行。本課程定位為初階課程,幫助學員系統性地瞭解舞台管理工作與演出製作流程,並輔以實作練習,養成舞台管理工作的基礎技能。
\n\n\n\n
報名方式
\n\n劇場技術基礎班35人,每人6,000元
\n\n舞台管理基礎班30人,每人4,800元
\n\n報名日期:2022/6/4(六)12:00 至 2022/6/23(四)23:59
\n\n\n\n
\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
主辦單位:國家表演藝術中心衛武營國家藝術文化中心
\n\n執行單位:台灣技術劇場協會
\n\n\n\n
團隊介紹
\n\n#關於TATT授課團隊
\n\n社團法人台灣技術劇場協會(Taiwan Association of Theatre Technology,簡稱 TATT)創立於西元1998年1月18日,為國際舞台美術家、劇場建築師暨劇場技術師組織(International Organization of Scenographers, Theatre Architects and Technicians,簡稱 OISTAT)的臺灣會員中心。
\n\nTATT的宗旨在於建立並推進國內外有關技術劇場的知識與經驗的交流,提升劇場設計創造力及技術水準,以促進表演藝術的蓬勃發展。TATT的成員包括劇場設計與技術、影視美術、劇場相關教育及學術研究、劇場資訊出版、劇場經營管理、劇場器材設備以及劇場建築設計等所有專業技術劇場領域相關的個人及團體。
\n\n\n\n
\n\n
\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022 Training Program for Theater Technicians",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:'
The growing number and variety of performances in recent years has led to much greater demand for theater technicians. To push the development of the performing arts environment in southern Taiwan, Weiwuying has commissioned TATT to hold the 2022 Training Program for Theatre Technicians, which consists of two different courses, Theater Technology 101 and Stage Management 101, to boost the quality and number of technicians in the region. In the event of another major Covid outbreak, the program will be conducted online. Each of the courses consists of two units: General Theater Education and Introduction to Theater Technology, aimed at establishing basic skills for technicians and stage managers. As experts in the field share their knowledge, trainees will be given opportunities to learn hands-on to firmly root what they have learned in the classroom.
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Theater Technology 101 (160 hours)
\n\nThis introductory course is aimed at bringing people into the field of theater technology. Designed based on TATT's recently formulated Basic Theater Technology Standards, the course includes both theoretical and hands-on aspects in systematic instruction on the use of theater equipment and related essential skills.
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Stage Management 101 (70 hours)
\n\nStage management entails numerous integrated aspects. Stage managers must handle the various links of theater production to ensure performances go smoothly. This introductory course is aimed at giving trainees a systematic understanding of stage management tasks and the process of stage production both theoretically and through hands-on experiences to learn the basic skills required for such work.
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Course Fees
\n\nTheater Technology 101, Maximum of 35 applicants to be accepted, NTD.6000 per person
\n\nStage Management 101, Maximum of 30 applicants to be accepted, NTD.4800 per person
\n\nRegistration Time: 6/4(Sat)12:00 to 6/23(Thu)23:59
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Team Introduction
\n\nAbout the TATT team of instructors
\n\nThe Taiwan Association of Theatre Technology (TATT), founded on January 18, 1998, is Taiwan's center for members of the International Organization of Scenographers, Theatre Architects and Technicians.
\n\nTATT's mission is to conduct and promote the exchange of knowledge and experience of theater technicians and boost creativity and technical skill in theater design domestically and internationally as a means of advancing the thriving development of the performing arts. TATT members include individuals and organizations involved in such theater-related fields as design, technology, education, research, publication, operations, management, equipment, and architectural design, as well as artists in the TV and film industries.
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本次勝利交響樂團的巡迴音樂會,以大人小孩皆適合聆聽的曲目為主要安排,將一首首耳熟能詳的經典作品,精彩演繹給熱愛古典音樂的觀眾們。演出曲目包括:《蘇佩:輕騎兵序曲》、《佛漢·威廉斯:英國民謠組曲》等,期待以扣人心弦的樂音安撫人心,以悅耳愉快的音樂振奮人心,令世界充滿希望,同時讓有音樂點綴的生活更多元而豐富。
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演出曲目
\n\n莫札特:《G 大調第 3 號小提琴協奏曲》
\n\n柴可夫斯基:《C大調弦樂小夜曲》
\n\n蘇佩:歌劇《輕騎兵》序曲
\n\n佛漢·威廉斯:《英國民謠組曲》
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演出暨製作團隊
\n\n樂團首席|歐之瑀
\n\n樂團|勝利交響樂團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"055ebe3c48dde98b0f216f13f5e388b9",title:"勝利交響樂團-巡迴音樂會《絢麗之夏》"}],related:[],title:"Gorgeous Summer",cover:"82e420972223160a54fce2c7ccebe659",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Victor Symphony Orchestra will present a selection of well-known classic repertoires suitable for adults and children in the upcoming tour to audiences who love classical music.The selection includes Tchaikovsky: Serenade for String Orchestra in C Major, Op.48, Mozart: Violin Concertos, Suppé: Light Cavalry Overture, and Ralph Vaughan Williams: English Folk Song Suite, etc.
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Program
\n\nMozart:Concerto no. 3 in G major
\n\nTchaikovsky:Serenade for String in C Majior
\n\nFranz von Suppé:Light Cavalry Overture
\n\nR.V. Williams:English Folk Song Suite
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Creative and Production Team
\n\nConductor|Duan,Fu Hsuan
\n\nPrincipal|Ou, Chih-Yu
\n\nOrchestra|Victory Symphony Orchestra
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延續往年令人驚豔的演出,TMAF仍持續探索年輕音樂家的更多潛力,在經過頂尖樂團首席、知名室內樂家,以及活躍的獨奏家們密集指導下共同登台,由指揮大師長野健帶領TMAF管絃樂團演出,集結三位獨奏家與樂團合作貝多芬三重協奏曲,以及如歌、精巧、宛如天國之聲的馬勒第四號交響曲。為人津津樂道的傳統亦將承襲,師資與學子比肩而坐,使後進不僅親炙大師指導,更實際同台創造音樂。疫情固然形成挑戰,但TMAF仍在經歷風霜後持續茁壯,成為一股堅定並不可忽視的力量。去年,這個音樂節美麗的名字響徹舊金山;今年,將再度把世界帶回臺灣。
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演前導聆
\n\n2022/8/13(六)18:30 音樂廳三樓大廳
\n\n由夜鶯基金會贊助,張皓閔老師主講
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演出曲目
\n\n貝多芬:C大調三重協奏曲,作品 56
\n\n馬勒:G大調第四號交響曲
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演出暨製作團隊
\n\n指揮|長野健
\n\n女高音|艾莉卡.拜科夫
\n\n小提琴|林昭亮
\n\n大提琴|卡特.布雷
\n\n鋼琴|兒玉麻里
\n\n台北大師星秀音樂節管弦樂團
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團隊介紹
\n\n指揮|長野健
\n\n長野健被視為現今最傑出的歌劇及管絃樂指揮家之一。自2015年起,他開始在漢堡國家歌劇院擔任音樂總監暨漢堡愛樂國家管絃樂團首席指揮。自2006至2020年間,長野健亦同時於蒙特婁交響樂團擔任音樂總監,並在2021年2月成為該團的榮譽指揮。2006年,長野健應聘為柏林德意志交響樂團榮譽指揮,並於2019年與科隆協奏團進行「解讀華格納」計畫。在國際樂壇上極受歡迎的長野健,經常受邀與世界各地一流交響樂團合作,其中包括巴伐利亞廣播交響樂團、法國廣播交響樂團及維也納交響樂團等。
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女高音|艾莉卡.拜科夫
\n\n俄裔美籍女高音艾莉卡.拜科夫在大都會歌劇院2021/22樂季中,於魏格勒指揮下首次登台演出,演唱穆梭斯基歌劇《鮑利斯.戈多諾夫》庫賽妮雅一角,並在音樂總監亞尼克.聶澤-賽金帶領下演唱莫札特歌劇《費加洛的婚禮》的芭芭麗娜。2018至2020年間,拜科夫為里昂歌劇院駐團歌手,曾飾演的角色包括拉威爾歌劇《頑童與魔法》中的火、公主及夜鶯,布拉赫爾歌劇《羅密歐與茱麗葉》中的茱麗葉,並在魯斯提歐尼指揮里昂歌劇院管弦樂團演出馬勒第四號交響曲。近期則在瑞士韋爾比耶音樂節的歌劇樂坊中演出普契尼《波西米亞人》穆塞塔一角。2022年她首次在葛拉茲音樂協會廳登台,演出威爾第歌劇《納布果》安娜一角。
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小提琴|林昭亮
\n\n出生於臺灣,其具說服力的演奏和一流的音樂技巧廣受世人認可。在超過三十年的演奏生涯中,以獨奏家的身分自在優遊於管絃協奏、獨奏會、室內樂及教學等舞台。作為當代音樂的倡導者,林昭亮樂於和作曲家合作,曾首演如譚盾、約翰.哈比森、克里斯朵夫.盧瑟、拉羅.席弗林、盛宗亮等人的作品。2001年起擔任加州拉荷雅音樂協會夏日音樂節音樂總監,將這個過去僅以室內樂為主的音樂節,發展成為多學科的節慶,內容含括舞蹈、爵士樂以及迅速發展的新音樂節目。他亦活躍於亞洲樂壇,經常與環太平洋地區的各大樂團合作,並擔任香港國際室內樂節的藝術總監。由於熱衷音樂教育,創立台北大師星秀音樂節,希望把一流的師資及教育方式帶給有才華的年輕音樂家。
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大提琴|卡特.布雷
\n\n卡特.布雷於1996年成為紐約愛樂大提琴首席,由 The Fan Fox and Leslie R. Samuels基金會贊助其席位。次年,他首次以獨奏家身份與紐約愛樂在當時音樂總監庫特.馬舒指揮下,演出柴科夫斯基《洛可可變奏曲》。此後,他幾乎每個樂季都以獨奏家身份演出,並在愛樂的音樂節「巴哈變奏」中,演出巴哈整套無伴奏大提琴組曲。2020年2月,在音樂總監梵志登指揮下,於林肯中心演出海頓C大調大提琴協奏曲。布雷於1981年贏得羅斯托波維奇國際大提琴大賽,引起國際樂壇關注。他亦獲得包括格雷戈爾.皮亞提果斯基紀念獎、艾佛.費雪職業生涯獎和青年藝術演奏家邁可斯獎,也是第一位獲得美國藝術委員會表演藝術獎的音樂家。
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鋼琴|兒玉麻里
\n\n兒玉麻里深刻而自然的音樂性,以及她獨特且清晰的音色表現力,使她成為國際頂尖鋼琴家之一。她被視為貝多芬權威,其擅長曲目更是跨越各個時期的管絃樂、室內樂及獨奏鋼琴作品,皆獲得高度讚賞。兒玉麻里自1995年於紐約卡內基廳首次登台後,即開始她輝煌的演奏生涯,與各大頂尖樂團及一流指揮家合作演出,足跡遍布世界各大音樂場館。此外,兒玉麻里亦經常受邀於各大音樂節演出。她的貝多芬鋼琴作品專輯備受矚目,她所詮釋的貝多芬已成為一個典範。她亦是少數出版過貝多芬奏鳴曲全集的女性鋼琴家,這一套耗時十一年的系列專輯於2014年發行,獲得極好的評價。
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台北大師星秀音樂節管弦樂團
\n\n由藝術總監林昭亮號召創立於2019年之台北大師星秀音樂節(TMAF)管絃樂團、是由所有參與的師生共同組成:來自世界各地15至30歲之間的年輕音樂家,經甄選脫穎而出並完成兩週密集訓練之後,在大師們帶領之下一同巡迴演出。歴屆帶領TMAF管絃樂團演出指揮大師包括林望傑(2019),史拉特金(Leonard SLATKIN)(2021),以及長野健(Kent NAGANO) (2022)。巡迴演出地點包括臺北國家音樂廳、臺中國家歌劇院、高雄衛武營國家藝術文化中心、奇美博物館、史丹佛大學戶外劇場(Frost Amphitheater) 以及舊金山音樂學院休姆音樂廳 (Caroline H. Hume Concert Hall)等,備受好評。近年來TMAF管絃樂團每年夏季定期巡迴演出,已成為亞洲重要的音樂盛事之一。
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指導單位|文化部
\n\n主辦單位|台北大師星秀音樂節
\n\n協辦單位|衛武營國家藝術文化中心、國立臺北藝術大學音樂學院、墨宇文化有限公司
\n\n贊助單位|力晶文化基金會、勇源教育發展基金會、富邦金控、財團法人張榮發基金會、財團法人文龍文化藝術教基金會、信義房屋、和德昌股份有限公司(麥當勞)、京城銀行
\n\n指定住宿|晶華酒店、捷絲旅
\n\n指定航空|長榮航空
\n\n永續夥伴|安聯投信
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\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"734384bd30e0068df1e320767d9e2ce1",title:"台北大師星秀音樂節《2022大師星秀音樂節交響音樂會》"}],related:[],title:"Taipei Music Academy & Festival - 2022 TMAF Orchestra Concert",cover:"8c892e949ae431c87446f22d7baf1684",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
As with the outstanding performances of the previous years, TMAF will continue to discover the potential of young musicians this year. They will receive in-depth coaching from the principals of the world's leading orchestras, renowned chamber groups, and many other active and prominent musicians. Under the baton of Maestro Kent NAGANO, the TMAF Orchestra will perform BEETHOVEN's Triple Concerto, comprising three soloists, and MAHLER's liltingly exquisite and heavenly Symphony No. 4.
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The much-heralded tradition will carry on, with the faculty performing side-by-side with the participants, creating music together on stage.
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Despite the challenges of the pandemic, TMAF continues to thrive in the face of the storm and is a force to be reckoned with. Last year, TMAF's remarkable reputation resonated throughout San Francisco. This year, TMAF puts Taiwan on the global stage once again.
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Pre-talk
\n\n2022/8/13(Sat)18:30 Concert Hall 3rd Floor
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Program
\n\nL. v. BEETHOVEN: Triple Concerto in C Major, Op. 56
\n\nG. MAHLER: Symphony No. 4 in G Major
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Creative and Production Team
\n\nConductor|Kent NAGANO
\n\nSoprano|Erika BAIKOFF
\n\nViolin|LIN Cho liang
\n\nCello|Carter BREY
\n\nPiano|Mari KODAMA
\n\nTMAF Orchestra
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Advisor|Ministry of Culture
\n\nOrganizer / Presenter: Taipei Music Academy & Festival
\n\nCo-organizer|National Kaohsiung Center for the Arts (Weiwuying), Taipei National University of the Arts School of Music, Atmos Culture Company Limited
\n\nSponsor|Powerchip Cultural Foundation, Chen-Yung Foundation, Fubon Financial Holding Co., Ltd, Chang Yung-Fa Foundation, Wen Long Cultural Foundation, Sinyi Realty Inc., Prospect Hospitality Co. Ltd (McDonald's Restaurants), King's Town Bank
\n\nAccommodation|Regent Taipei, Just Sleep
\n\nAirlines|Eva Airways Corporation
\n\nSustainable Partnership: Allianz Global Investors
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\n',team:""},createdAt:1653882440,updatedAt:1655897293,updatedBy:"林蔚行",host:!1},{_id:"629449b143d46d000729f01e",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662118200,discrete:[{time:1662118200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3,1200,1500,1800,2500],link:"https://www.opentix.life/event/1539928884034093058"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《世代對話—魏德曼之夜》"}],related:[],title:"NSO國家交響樂團《世代對話—魏德曼之夜》",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
孟德爾頌與舒曼是浪漫樂派兩位深具代表性的作曲家,孟德爾頌較舒曼年長一歲,兩人的足跡在前者擔任萊比錫布商大廈管絃樂團指揮時交會。除了私下往來之外,孟德爾頌亦演出舒曼的作品,譬如說舒曼第二號交響曲首演時,就由孟德爾頌擔任指揮。孟德爾頌對圖像的感覺敏銳,曾說「我從繪畫、廢墟及自然景觀中找到最豐富的音樂。」,《芬加爾岩洞》序曲是很好的例子。他藉這首樂曲描繪首次訪英之行,赴蘇格蘭芬加爾岩洞的旅遊印象。音樂鋪陳構成這個岩洞的玄武岩柱巍峨矗立的壯觀,孤佇一隅、空無人煙的寂寥以及暴風雨襲擊、呼嘯、浪捲澎湃的景象。舒曼畢生受精神疾病的困擾,在沮喪與亢奮兩極之間迴盪。當他譜寫第二號交響曲之前,陷入嚴重的情緒低潮,儘管如此,舒曼勉力完成了這首作品,稱它為一個黑暗時期的紀念。樂曲藉由明與暗、光與影的對比,反映出舒曼內心的抗爭,他的煩躁、易怒的心境。這場音樂會中同時演出德國當代作曲家魏德曼為妹妹量身訂作的小提琴協奏曲。他親任指揮,妹妹擔任獨奏。這是見證作曲者與被題獻者親密互動的歷史性一刻,務必把握。
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演前導聆
\n\n2022/9/2(五)18:50 音樂廳三樓大廳
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演出曲目
\n\n孟德爾頌:《芬加爾岩洞》序曲,作品26
\n\n魏德曼:第二號小提琴協奏曲
\n\n舒曼:C大調第二號交響曲,作品61
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演出暨製作團隊
\n\n指揮|約格・魏德曼
\n\n小提琴|卡洛琳・魏德曼
\n\n樂團|國家交響樂團
\n\n\n\n
團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
\n\n\n\n
\n\n
共同主辦:國家交響樂團、衛武營國家藝術文化中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《世代對話—魏德曼之夜》"}],related:[],title:"National Symphony Orchestra - Jörg & Carolin WIDMANN",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
MENDELSSOHN and SCHUMANN were two leading composers of the Romantic period. One year older than SCHUMANN, MENDELSSOHN met him in Leipzig while the former was directing the Leipzig Gewandhaus Orchestra. In addition to sharing a close friendship, many of SCHUMANN's compositions were performed under MENDELSSOHN's baton, such as the premiere of his Second Symphony. MENDELSSOHN's sense of visual structure was compelling. Once he stated, "it is in pictures, ruins, and natural surroundings that I find the most music." No work and no surroundings produced as much compositional success as MENDELSSOHN's trip to Scotland and the writing of his Hebrides Overture. The grandeur of the caves, the solitude that comes from being in the middle of nowhere, the swelling of the sea, and the fury of the waves breaking on the cliffs were distinctly portrayed. SCHUMANN's life was marked by alternating periods of depression and exhilaration. By the time he began writing his Second Symphony, he had hit rock bottom. Gradually, he recovered the will to carry on and complete the work and commented that "it reminds me of dark days." The contrasts between radiance and darkness, light and shadow in the music reflects the internal struggles of SCHUMANN, his unrest and frustrations. In this concert the German composer WIDMANN will lead the NSO in performing his Violin Concerto No. 2 which was custom-made for his sister. This intimate communication between composer and dedicatee is a must-hear.
\n\n\n\n
Pre-talk
\n\n2022/9/2(Fri)18:50 Concert Hall 3rd Floor
\n\n\n\n
Program
\n\nF. MENDELSSOHN: The Hebrides Overture, Op. 26
\n\nJörg WIDMANN: Violin Concerto No. 2
\n\nR. SCHUMANN: Symphony No. 2 in C Major, Op. 61
\n\n\n\n
Creative and Production Team
\n\nConductor: Jörg WIDMANN
\n\nViolin: Carolin WIDMANN
\n\nOrchestra: National Symphony Orchestra
\n\n\n\n
Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n',team:""},createdAt:1653885361,updatedAt:1661339891,updatedBy:"林蔚行",host:!1},{_id:"62945f9a557b990008a58280",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1662186600,discrete:[{time:1662186600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,800,1200],link:"https://www.opentix.life/event/1539938701842407426"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《魏德曼綺想》"}],related:[],title:"NSO國家交響樂團《魏德曼綺想》",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
現代音樂創作,實驗性強、手法前衛,這是優勢,但也是觀眾卻步的原因。事實上,就因為包羅萬象,造就了現代音樂的多元化,更能開拓聆聽者的視野。
\n\n\n\n
德國單簧管演奏家兼作曲家約格・魏德曼,他的音樂語法時而古典、時而現代,不論是哪種樂器編制,在他的筆下總有讓人炫目、充滿趣味的舞台效果,引人入勝。此次演出的《狩獵》弦樂四重奏,藉著生動的肢體語言,加上維妙維肖的音響設計,音樂中有畫面,絕對讓您身歷其境!
\n\n\n\n
魏德曼的單簧管獨奏曲《三首影舞》,把這項木管樂器的音色變化,發揮得淋漓盡致。他為小提琴獨奏所作的練習曲,緊繃的音樂張力,扣人心弦,彷彿一部希區考克風格的微電影。帶著想像力來聆聽,您也是創作者之一!
\n\n\n\n
現代音樂,難懂嗎?音樂家兄妹現身說法,讓你聽其然,更聽其所以然!
\n\n\n\n
演出曲目
\n\n魏德曼:第三號弦樂四重奏《狩獵》
\n\n魏德曼:小提琴練習曲,I-III
\n\n魏德曼:《三首影舞》
\n\n巴爾托克:《對比》給小提琴、單簧管和鋼琴
\n\n\n\n
演出暨製作團隊
\n\n單簧管:約格・魏德曼
\n\n小提琴:卡洛琳・魏德曼、鄧皓敦、李宜錦
\n\n中提琴:黃瑞儀
\n\n大提琴:連亦先
\n\n鋼琴:王佩瑤
\n\n\n\n
團隊介紹
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任 NSO藝術顧問,2022年1月起改任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
\n\n\n\n
\n\n
共同主辦:國家交響樂團、衛武營國家藝術文化中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"07fe95a3731c32b7fb99473b58a12793",title:"國家交響樂團《魏德曼綺想》"}],related:[],title:"National Symphony Orchestra - WIDMANN with Friends",cover:"4edf5cca01d2c894051353bc7356a880",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Modern music is highly experimental and avant-garde, which is an advantage, but it is also the reason why it challenges the audience. It is because of its inclusiveness that modern music is so diversified and can expand the horizons of listeners.
\n\nGerman clarinetist and composer Jörg WIDMANN, whose musical grammar is a mix of Classical and Modern, can always create a dazzling and intriguing stage effect regardless of instrumentation. His Hunting Quartet will be performed with vivid body language and fascinating acoustic design, and definitely will provide you with an immersive experience with the music full of images. WIDMANN's clarinet solo piece, Three Shadow Dances, brings the timbre of this woodwind instrument into full play. The etudes he wrote for the violin have a strong tension that tugs at the heartstrings, just like a HITCHCOCK-style micro-movie. Enjoy the music with imagination, and you can be the creator of your experience. Is modern music difficult to understand? Let's hear out this pair of musician siblings, and let them show you the hows and whys through their brilliant performance.
\n\n\n\n
Program
\n\nJörg WIDMANN: String Quartet No.3, Hunting Quartet
\n\nJörg WIDMANN: Études, I-III
\n\nJörg WIDMANN: Three Shadow Dances
\n\nB. BARTÓK: Contrasts for Violin, Clarinet, and Piano
\n\n\n\n
Creative and Production Team
\n\nClarinet|Jörg WIDMANN,
\n\nViolin|Carolin WIDMANN, TENG Hao-tun, LI I-ching,
\n\nViola|Grace HUANG
\n\nCello|LIEN Yi-Shien
\n\nPiano|WANG Pei-yao
\n\n\n\n
Team Introduction
\n\nNational Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of artistic advisor Jun MÄRKL since August 2021, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FRENI, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
\n',team:""},createdAt:1653890970,updatedAt:1661339927,updatedBy:"林蔚行",host:!0},{_id:"6296013a68f93b0007f52df1",catalogs:["5fe2bffdde1961000737545c","60175764537e520007436189"],dateTime:{first:1662087600,discrete:[],type:"continuous",continuous:{time:[1653966e3],endTime:[1654002e3],start:1662048e3,end:1665331200}},activity:{type:"free",free:{description:"免費觀賞",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》"}],related:[{from:"programs",key:"6295eead68f93b0007f52b50",title:"《上帝與家園的浪漫─陳泗治逝世三十周年紀念音樂會》"},{from:"programs",key:"62ec75abc60b780008c41c09",title:"【講座】焚而不毀的音樂創作—音樂哲人陳泗治"}],title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"衛武營展覽廳"},cautions:"",benefits:"",description:"此展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯...",introduction:'
出生於1911年的陳泗治,為臺灣以西洋音樂技法創作的先鋒者,1936年在日本伊豆半島完成神劇式的合唱曲《上帝的羔羊》,為臺灣最早的合唱曲,1939年在臺北完成鋼琴組曲《台灣素描》,為臺灣最早的鋼琴曲,紛紛創下紀錄。1981年1月23日赴美定居,1992年9月23日於美國加州過世。2022年適逢陳泗治逝世三十周年,此紀念展覽將呈現陳泗治身為臺灣第一代鋼琴家與作曲家的音樂生涯,展出其擔任牧師與淡江中學校長等重要職務之生前相關的文物,並以數位多媒體、紀錄片方式,讓他的音樂被更多人認識。此展覽以「上帝與家園的浪漫」為展覽主題,為凸顯陳泗治以西方浪漫手法的創作風格,和以基督信仰為中心的生命歷程與活動,也呼應今年為馬偕在臺宣教150年,展覽內容包括陳泗治生命簡史與日治時期的「鄉土訪問音樂演奏會」、陳泗治的啟蒙老師,即被稱為「北部教會音樂之母」的吳威廉牧師娘 — 吳瑪利、亦師亦友的德明利宣教師,被呂泉生尊稱為臺灣合唱之父的陳清忠,樂譜出版與唱片CD,和陳泗治數十年來的筆記、講道稿等,讓參觀的民眾體會到被敬稱為「音樂哲人」的陳泗治他集傳道、創作與教學的偉大一生。
\n\n\n\n
團隊介紹
\n\n計畫主持人與策展人|徐玫玲教授
\n\n國立臺灣師範大學音樂學系畢業,赴德學習、畢業於漢堡大學音樂學系,取得音樂學碩士與音樂學博士 (PhD),現為輔仁大學音樂學系專任教授。積極從事臺灣音樂研究,於專書和期刊論文發表相關之研究成果,並於2008年出版的《臺灣百科辭書》擔任〈流行篇〉之主編,並協助〈當代篇〉規劃、編輯臺灣音樂之重要人物、歌曲、唱片公司與相關重要事件等之辭條,邀請辭條撰稿人,並曾進行相關的人物訪談,在這費時五年的編輯期間,對臺灣音樂發展的脈動有深刻的掌握與研究心得;2021年8月起,執行為期一年的科技部專題研究計畫「焚而不毀的音樂傳承 — 陳泗治音樂生命史之研究」。
\n\n\n\n
展覽顧問與英文翻譯|陳信雄博士
\n\n陳泗治獨子陳信雄博士,取得美國茱麗亞音樂學院碩士、協和神學院教會音樂碩士,與愛荷華大學指揮博士,並曾任教於羅斯福大學芝加哥音樂學院,擔任管弦樂系系主任,不僅在管弦樂指揮技法上受過嚴格的訓練,又因是陳泗治的長子,對於陳泗治許多的文物、照片有深入的了解,是本展覽最佳諮詢對象。
\n\n\n\n
\n\n
共同主辦: 衛武營國家藝術文化中心、國立傳統藝術中心臺灣音樂館
\n\n\n\n
節目資訊
\n\n2022/10/1(六)19:30 衛武營表演廳
\n\n\n\n\n\n2022/9/3(六)14:30 衛武營排練室1192
\n\n\n\n\n\n
\n\t\t |
\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd3197a2b56191fb867a6b12a9e8db96",title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti "}],related:[],title:"Love for God and Homeland-A Memorial Exhibition of Taiwan Musician CHEN Su-ti ",cover:"b450df7dadbe7651b0682051b19af6e6",site:{isOther:!0,site:"",other:"Weiwuying Exhibition Hall"},cautions:"",benefits:"",description:"This commemorative exhibition honors CHEN Su-ti - a pioneer musician in the Taiwanese music industry who adopted western composing techniques.",introduction:'
Born in 1911, CHEN Su-ti was a pioneer musician in Taiwan who adopted western composing techniques. In 1936, he completed the oratorio-style chorus The Lamb of God—Taiwan's first chorus, in Izu Peninsula, Japan, and in 1939, completed the piano suites Taiwan Sketches—Taiwan's first piano piece, in Taipei, setting successive records. He moved to the United States on January 23, 1981 and passed away in California on September 23, 1992. The year 2022 marks the 30th death anniversary of CHEN Su-ti. This commemorative exhibition will present his musical career as a first-generation pianist and composer in Taiwan, cultural relics related to his roles as a pastor and the principal of Tamkang Senior High School, and makes use of digital multimedia and documentaries to allow more people to recognize his music. Under the theme Love for God and Homeland, this exhibition not only highlights CHEN Su-ti's western romantic-style composing techniques and his life course and events based on a Christian faith, but as this year coincides with the 150th anniversary of Rev. MACKAY's mission in Taiwan, also includes a brief history of CHEN Su-ti's life and the Hometown Visit Concert from during the Japanese colonial period. Elements such as his mentor Margaret GAULD- known as the "Mother of Northern Church Music" and wife of Rev. William GAUL, Miss Isabel Taylor, a teacher and friend, CHEN Ching-chung – named by LU Chuan-sheng as the "Father of Chorus in Taiwan", published music scores and CDs, as well as CHEN Su-ti's notes and sermon notes over the past few decades will allow attendees to experience CHEN's great life of preaching, composing and teaching.
\n\n\n\n
Program
\n\n2022/10/1(Sat)19:30 Recital Hall
\n\n►Love for God and Homeland-CHEN Su-ti Memorial Concert
\n\n\n\n
\n\n
Sponsor
\n\n\n',team:""},createdAt:1653997882,updatedAt:1662110311,updatedBy:"林蔚行",host:!0},{_id:"629f0a44c9bbe000072a98c1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1460532366136508421"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"《2022雙子二重奏 打擊樂音樂會》"}],related:[],title:"《2022雙子二重奏 打擊樂音樂會》",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
雙子二重奏首次的臺灣巡演,將呈現這三年內於丹麥及世界各地演奏受到大量迴響的作品,音樂風格跨古典、現代、電音、民謠、極簡主義等風格,以四大主題的展現-經典再現、雙子精神、古體擊用、以及臺灣故事,來完整詮釋屬於現階段的雙子二重奏。
\n\n\n\n
演出曲目
\n\n天黑黑
\n\n帕薩卡利亞
\n\n42 街輪旋曲
\n\n飄移
\n\n分層元素
\n\n木琴靈歌
\n\n草螟弄雞公
\n\n\n\n
演出暨製作團隊
\n\n節目製作|雙子二重奏
\n\n演出者|簡任廷
\n\n演出者|簡任佑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"2022 Twincussion Duo Recital"}],related:[],title:"2022 Twincussion Duo Recital",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert is their debut in Kao-Hsiung, they will bring a distinguished selection of music, including transcriptions on marimba, newly commissioned works, exciting drum beats, Taiwanese folks songs, and audience-interaction to the audience in Southern Taiwan.
\n\n\n\n
Program
\n\nCloudy Sky
\n\nPassacaglia
\n\n42nd Street Rondo
\n\nDrift
\n\nLayered Elements
\n\nMarimba Spiritual II
\n\nGrasshopper Playing Tricks on a Rooster
\n\n\n\n
Creative and Production Team
\n\nProduce|Twincussion Duo
\n\nMusician|Jen-Ting CHIEN
\n\nMusician|Jen-Yu CHIEN
\n\n\n\n
\n',team:""},createdAt:1654590020,updatedAt:1654850644,updatedBy:"林蔚行",host:!1},{_id:"629f130dcd649e000771e8a7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659853800,discrete:[{time:1659853800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[350,700],link:"https://www.opentix.life/event/1531875460622172165"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab17a4eef59166c8e5702eb6adb3c4a1",title:"《顏容2022獨奏會II - 視界之外》"}],related:[],title:"《顔華容2022鋼琴獨奏會-II 前奏與終曲—鋼琴雙傑一百五十年紀念》",cover:"b126d9dd6ec1766f18c7da05f9047de6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
無每一個音高、每一分移動、每一抹音色、每一 縷和聲,都有著「或許」的「必然」。前奏曲可說是「作曲鋼琴家」們最鍾愛的小曲,形體袖珍,言簡意賅,卻能「解壓縮」發揮無限創意。雖說世間之音不僅24種調,但在作曲家手中,24個刻度已幻化出無數色彩、光影。鋼琴家顏華容重現引起樂迷高度興趣的「調性與調興——北國的年輕蕭邦們」,更加碼首演從未在臺灣完整演出的阿任斯基12首前奏曲,補齊來自柴科夫斯基的影響,呈現聖彼得堡與莫斯科派的鋼琴音樂學派理念,讓愛樂者同場聽到巴赫與蕭邦遺風在俄羅斯大地滋長盛開的繽紛色彩。
\n\n\n\n
演出曲目
\n\n拉赫瑪尼諾夫:升G小調前奏曲,作品32第12首
\n\n拉赫瑪尼諾夫:升F小調前奏曲,作品23第1首
\n\n斯克里亞賓:第二號升G小調鋼琴奏鳴曲,作品19
\n\n斯克里亞賓:第三號升F小調鋼琴奏鳴曲,作品23
\n\n斯克里亞賓:第十號鋼琴奏鳴曲,作品70
\n\n拉赫瑪尼諾夫:第二號降B小調鋼琴奏鳴曲,作品36
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|顏華容
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab17a4eef59166c8e5702eb6adb3c4a1",title:"《顏容2022獨奏會II - 視界之外》"}],related:[],title:"Artemis Yen Piano Recital 2022",cover:"b126d9dd6ec1766f18c7da05f9047de6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Long deemed as "small pieces,' the preludes were actually the perfect combination of virtuosity and creativity. Short and indeed short of burdened of heavy forms, preludes became, through times , composer-pianists' showcase of craftiness of both their pianist- and composer- selves.Chopin took the torch from Bach, infused the essence of 24 tonalities into piano, and thus set the "Preludes in all tonalities" tradition. This beautiful tradition was well garnered by the Russian composer-pianists such as Arensky, Scriabin, and Shostakovich, and many more. Pianist Artemis Yen revives her well-acclaimed Scriabin-Shostakovich set and will introduce the rarely played Arensky 12 preludes in this concert presenting Preludes of 24 shades by "Young Russian Chopins"
\n\n\n\n
Program
\n\nRachmaninoff: Prelude in G-sharp Minor, Op.32, No. 12
\n\nRachmaninoff: Prelude in F-sharp Minor, Op.23, No. 1
\n\nAlexander Scriabin: Sonata No.2 in G-sharp minor, Op.19
\n\nAlexander Scriabin: Sonata No.3 in F-sharp minor, Op.23
\n\nAlexander Scriabin: Sonata No.10, Op.70
\n\nRachmaninoff: Piano Sonata No.2 in B-flat minor, Op.36
\n\n\n\n
Creative and Production Team
\n\nPiano|Artemis Yen
\n\n\n\n
\n',team:""},createdAt:1654592269,updatedAt:1659317793,updatedBy:"林蔚行",host:!1},{_id:"62a008dccd649e0007724965",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1500],link:"https://www.opentix.life/event/1530070491366637573"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e44a55a1eb4b134c50ed942018a9b409",title:"2022台東回響樂團《台東灶下》夏季音樂會"}],related:[],title:"2022台東回響樂團《台東灶下》夏季音樂會",cover:"0a47c4f6cd30841c9cd9721c1730bf97",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
民以食為天,音樂家也不例外,音樂家吃貨還真是不少,甚至為了美食放棄音樂都可以,如知名的作曲家羅西尼。可想而知美食是多麼誘人呀!!!民以食為天,音樂應存在於日常生活之中,台東回響樂團希望透過此次的音樂美食音樂會,來闡述美食與音樂家的點點滴滴,邀請日本女中音佐佐木菜穗子、擅長於跨界音樂呈現的指揮張尹芳、小提琴家張恆碩,和交響樂團共同演出。
\n\n\n\n
2022年8月6日高雄場夏季音樂會則以美食為發想,發掘作曲家鮮為人知、深愛美食的一面。音樂會以具故事性導聆方式,與交響樂團共同演出,喚起每一位參與體驗的觀眾的想像力,能夠透過自己的方式理解音樂、理解美食,成為藝術創作的一部分。拉近古典音樂與人的距離,認識美食音樂文化。(*高雄埸原多媒體部分因故取
\n\n
演出曲目
\n\n羅西尼:阿爾及爾的義大利女郎序曲
\n\n羅西尼:灰姑娘《不再悲傷》
\n\n羅西尼:第一號弦樂奏鳴曲,第一樂章
\n\n羅西尼:塞維里亞理髮師《我聽到一縷歌聲》
\n\n帕格尼尼:摩西幻想曲
\n\n貝多芬:普羅米修斯序曲
\n\n羅西尼:阿爾及爾的義大利女郎《想想故鄉》
\n\n巴哈:咖啡清唱劇《唉!多麼香醇甜美的咖啡》,改編為管弦樂團
\n\n莫札特:唐‧喬凡尼《香檳之歌》,改編為管弦樂團
\n\n威爾第:茶花女《飲酒歌》,改編為管弦樂團
\n\n威爾第:納布果《思念乘著金色的翅膀》,改編為管弦樂團
\n\n\n\n
演出暨製作團隊
\n\n指揮|張尹芳
\n\n女中音|佐佐木菜穗子
\n\n小提琴|張恆碩
\n\n管弦樂團|台東回響樂團
\n\n製作團隊|樂阿爾氪有限公司 慕樂藝識
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e44a55a1eb4b134c50ed942018a9b409",title:"2022台東回響樂團《台東灶下》夏季音樂會"}],related:[],title:"2022 Taitung Echo Orchestra《Taitung Kitchen》Summer Concert",cover:"0a47c4f6cd30841c9cd9721c1730bf97",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In the summer season 2022, the Taitung Echo Orchestra will present a concert inspired by food, and explore the little-known side of the composers who loves food. The concert will arouse our imagination with a story-telling way, allowing us to experience music and imagine food in our own way, and shorten the distance between classical music and us, so as to get a glimpse of different music cultures.
\n\n\n\n
Program
\n\nRossini: L'italiana in Algeri, Overture
\n\nRossini: La Cenerentola "Nacqui all'affanno e al pianto"
\n\nRossini: String Sonata No.1 in G major, mvt. 1
\n\nRossini: Il Barbiere di Siviglia "Una voce poco fa"
\n\nPaganini: Moses Fantasy
\n\nBeethoven: The Creatures of Prometheus, Op. 43, Overture
\n\nRossini: L'italiana in Algeri "Pensa alla Patria"
\n\nBach: Coffee Cantata BWV 211 "Ei! Wie schmeckt der Kaffee süße", arr. for Orchestra
\n\nMozart: Don Giovanni "Fin ch'han dal vino", arr. for Orchestra
\n\nVerdi: La Traviata "Libiamo, ne' lieti calici" , arr. for Orchestra
\n\nVerdi: Nabucco "Va, pensiero" , arr. for Orchestra
\n\n\n\n
Creative and Production Team
\n\nConductor|Yin-Fang Chang
\n\nMezzo-Soprano|Naoko Sasaki
\n\nViolin|Hen-Shou Chang
\n\nOrchestra|Taitung Echo Orchestra
\n\nProduction team|Le Ark, Mûlleur Arts
\n\n\n\n
\n',team:""},createdAt:1654655196,updatedAt:1658147090,updatedBy:"林蔚行",host:!1},{_id:"62a00ce6c9bbe000072aeaf7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660131e3,discrete:[{time:1660131e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1530028335732551684"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b0daae53d354497b5880389544aaa80",title:"《從廢墟中站起》- 台大交響夏季公演"}],related:[],title:"《從廢墟中站起》- 台大交響夏季公演",cover:"5182403e956b14c3494733db5fd18b7f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
交響曲台大交響樂團成立於1968年,創團之初篳路藍縷,在歷任指揮及指導老師、歷屆團長及幹部辛苦經營奉獻和經驗傳承、及諸多社會人士的熱誠參與協助下,樂團逐漸成長茁壯,組織規模、演奏水準日益提昇,近年來在台大校方的支持以及許多位畢業校友熱心支援下,各方面皆獲得多方熱烈迴響及好評。
\n\n\n\n
台大交響將於本場音樂會帶來膾炙人口的貝多芬《田園交響曲》以及布拉姆斯《悲劇序曲》,並與小提琴家張恆碩、大提琴家高炳坤聯手,合作布拉姆斯《雙重協奏曲》,為今夏增添德奧樂派獨有的色彩。
\n\n\n\n
演出曲目
\n\n貝多芬:第六號交響曲《田園》
\n\n布拉姆斯:悲劇序曲
\n\n布拉姆斯:雙重協奏曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|莊文貞
\n\n小提琴|張恆碩
\n\n大提琴|高炳坤
\n\n樂團|台大交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b0daae53d354497b5880389544aaa80",title:"《從廢墟中站起》- 台大交響夏季公演"}],related:[],title:"NTUSO Summer Concerto Tour",cover:"5182403e956b14c3494733db5fd18b7f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
NTUSO was founded in 1968. The orchestra endured great hardship in the beginning, thanks to the effort from the successive conductors, guiding mentors ,and members, the orchestra could gradually thrived. For the past few years, NTUSO harvested wide a range of affirmation from all sides under the support from NTU and some enthusiastic alumni.In this summer, NTUSO is going to bring the famous symphony "Pastoral" from Beethoven and the Tragic Overture from Brahms to the concert, and also the Double Concert from Brahms accompanied with the violinist CHANG Hen-Shuo and the cellist Victor COO, adding special color to this summer.
\n\n\n\n
Program
\n\nLudwig van Beethoven: Symphony No. 6 "Pastoral"
\n\nJohannes Brahms: Tragic Overture, Op. 81
\n\nJohannes Brahms: Double Concerto in A Minor, Op.102
\n\n\n\n
Creative and Production Team
\n\nConductor|CHUANG Wen-Chen
\n\nViolin|CHANG Hen-Shuo
\n\nCello|Victor COO
\n\nOrchestra|National Taiwan University Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1654656230,updatedAt:1655279908,updatedBy:"林蔚行",host:!0},{_id:"62a931f256bcc00007750685",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660375800,discrete:[{time:1660375800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1524653001567686657"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b873635c824e881d4c66addb87b3767",title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演"}],related:[],title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演",cover:"60614e878d578b05848dc5cff7c46941",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
打破對吉他的認知,臺灣唯一的吉他交響樂團,在登上國家歌劇院後,米可吉他醞釀四年的最新力作!由古典跨越流行,展現屬於古典吉他的當代魅力。
\n\n米可吉他創始團員由一群留日音樂家組成,懷抱著對吉他合奏與教育推廣的熱情,創辦人趙柏群於2008年成立米可吉他,其後多次拿下台灣吉他大賽合奏組首獎,奠定了臺灣吉他合奏龍頭的地位。吉他合奏近年在歐美地區帶起了一股風潮,然而在亞洲,吉他合奏的文化已經醞釀了數十年。師承自日本的吉他合奏編制,米可吉他的表演涵蓋古典樂與流行樂,從古典音樂的大師作品,到當代作曲家為吉他樂團所寫的原創作品,不斷翻新大眾對「吉他」的認知。
\n\n\n\n
演出曲目
\n\n海上的白鳥
\n\n翼
\n\n昴星
\n\n星月夜
\n\n甜點組曲
\n\n民眾的吶喊變成了嘆息
\n\n嬉遊曲 K.137 第二樂章
\n\nG大調弦樂小夜曲
\n\n佛羅倫斯的山丘
\n\n鳥之歌
\n\n\n\n
演出暨製作團隊
\n\n指揮|趙柏群
\n\n首席|林紘妙
\n\n演出|陸美心、江芷涵、林元元、余盈穎、翁子茵、王瀞巧、郭瑞凡、吳博申、蔡亦程、孟奕明、林翔毅、吳儀萱、鄔汝蕙、毛䕒婧、陳星文、陳政言、劉子寬
\n\n\n\n
前台人員|邱建豫、黃姿瑱、郭靚玟、全廷芸
\n\n錄影導演|摩根音樂藝術
\n\n音控總監|許連錦
\n\n舞台總監|張皓倫
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b873635c824e881d4c66addb87b3767",title:"《淬煉淬鍊》2022米可吉他室內樂團定期巡迴公演"}],related:[],title:"Miko Guitar Ensemble 2022 Taiwan Tour Concert",cover:"60614e878d578b05848dc5cff7c46941",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The only guitar orchestra in Taiwan, Miko Guitar, has broken the recognition of "guitar". After performing at the National Opera House, Miko Guitar has prepared the whole new work for four years. One that brings classical guitar into pop music to show its contemporary charm.
\n\nThe original members of Miko Guitar is composed of the musicians who had studied in Japan. In 2008, the founder, Chao, Po-Chun, founded Miko Guitar with passion for guitar ensemble and educational promotion. Since then, Miko Guitar won the first prize in the ensemble group of Taiwan Guitar Competition many times, and has established the leadership position of Taiwan guitar ensemble.In recent years, guitar ensemble becomes an emerging fields in Europe and the United States. However, the culture of guitar ensemble has been developed for decades in Asia. The division of Miko Guitar Ensemble is based on the guitar ensemble from Japan. The performances cover both classical and pop music. Miko Guitar constantly renovating the public's recognition of "guitar". The performances include lots of masterpieces of classical music and the originals for guitar ensemble composed by contemporary composers.
\n\n\n\n
Program
\n\nSwans on the sea
\n\nTsubasa
\n\nSubaru
\n\nHoshizukuyo Ni Omou
\n\nSweets suite
\n\nPeople's cheer turns into a sigh
\n\nDivertimento, K. 137, 2nd movement "Allegro di molto"
\n\nEine Kleine Nachtmusik allegro
\n\nFlorence Mountain
\n\nTorinouta
\n\n\n\n
Creative and Production Team
\n\nConductor|CHAO Po-Chun
\n\nConcert master|LIN Hung-Miao
\n\nPerformers|LU Mei-Hsin、CHIANG Chih-Han、LIN Yuan-Yuan、YU Yin-Ying、WENG Tzu-Yin、WANG Ching-Chiao、KUO Jui-Fan、WU Po-Shen、TSAI Yi-Cheng、MENG Yi-Ming、LIN Hsiang-Yi、WU Yi-Hsuan、WU Ju-Hui、MAO Chia-Ching、CHEN Hsing-wen、CHEN Cheb-yen、LIU Zih-Kuan
\n\n\n\n
\n',team:""},createdAt:1655255538,updatedAt:1656054533,updatedBy:"林蔚行",host:!1},{_id:"62a9365156bcc0000775071e",catalogs:["5aec4184b01ea6000520f633","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1661945400,discrete:[{time:1661945400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1523912811261775877"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc7c168e203c6a2b59534de5bda1278d",title:"《聽-薩克斯風四重奏》"}],related:[],title:"《聽-薩克斯風四重奏》原創作品音樂會",cover:"1efa690bfe7af791e6b8c2c03688662d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
四位爵士演奏家,顛覆傳統,嶄新樂團組合;音樂時而雄壯、時而柔美,呈現出薩克斯風優雅浪漫且多變的情境。
\n\n由薩克斯風演奏家楊曉恩、李承育領軍,安排高音、中音、次中音及上低音薩克斯風組合成古典型態的四重奏室內樂。一種新型的室內樂演奏形式,擁有銅管五重奏的力度美和音效、弦樂四重奏的柔美和諧、木管五重奏的跳躍靈動,同時還具有高達四個半八度的音樂表現,成為室內樂中具有獨特魅力的音樂組合形式。然而,四位演奏家爵士音樂家的演奏背景,讓TSJO薩克斯風四重奏煥然一新,演奏風格涵蓋爵士、現代、甚至通俗與流行音樂,音樂的呈現時而雄壯、時而柔美;一個顛覆傳統,嶄新樂團組合,呈現出薩克斯風優雅浪漫且多變的情境。
\n\n\n\n
演出曲目
\n\n楊曉恩:淘氣的貓、 共情
\n\n李承育:依賴、媽媽之歌
\n\n潘子爵:月海、琴酒
\n\n廖莊廷:旅行、家
\n\n\n\n
演出暨製作團隊
\n\n高音、中音薩克斯風 | 楊曉恩
\n\n中音薩克斯風 | 潘子爵
\n\n次中音薩克斯風 | 廖莊廷
\n\n上低音薩克斯風 | 李承育
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc7c168e203c6a2b59534de5bda1278d",title:"《聽-薩克斯風四重奏》"}],related:[],title:"TSJO Saxophone Quartet",cover:"1efa690bfe7af791e6b8c2c03688662d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Four jazz players, subverting traditions and creating a new orchestra; the music is sometimes majestic, sometimes soft, presenting a saxophone elegant, romantic and changeable situation.
\n
\nLed by saxophonists Shawn YANG and Cheng-Yu LEE, the soprano, alto, tenor and baritone saxophones are combined to form an ancient quartet chamber music. A new type of chamber music performance, with the dynamic beauty and sound effects of the brass quintet, the soft harmony of the string quartet, the jumping and agility of the woodwind quintet, and the musical performance of up to four and a half octaves. A unique and attractive musical composition. However, the playing background of the four jazz musicians makes the TSJO saxophone quartet take on a whole new look. The playing styles cover jazz, modern, and even popular and popular music. The presentation of music is sometimes majestic and sometimes soft; The ensemble combination of saxophone presents the elegant, romantic and changeable situation of saxophone.
\n\n
Program
\n\nShawn YANG: Naughty Cats, Empathy
\n\nCheng-Yu LEE: Reliance, For Mom
\n\nRuby PAN: Sea of the Moon, Gin
\n\nJustin LIAO: Travel, Home
\n\n\n\n
Creative and Production Team
\n\nSoprano Saxophone|Shawn YANG
\n\nAlto Saxophone|Ruby PAN
\n\nTenor Saxophone|Justin LIAO
\n\nBaritone Saxophone|Cheng-Yu LEE
\n\n\n\n
\n',team:""},createdAt:1655256657,updatedAt:1660915471,updatedBy:"通泰系統管理員",host:!1},{_id:"62a942fd56bcc0000775092a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661513400,discrete:[{time:1661513400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://www.opentix.life/event/1527135925946118148"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f37c9eb77d6ef138524dce5ad729a17e",title:"《為了藝術為了愛》托斯卡薩氏輕歌劇"}],related:[],title:"《為了藝術為了愛》托斯卡薩氏輕歌劇",cover:"16f0b40a543eaa00257bb68fd197cdc1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
藝本道藉由「SaxOpera 薩氏輕歌劇」改編經典義大利歌劇《托斯卡》,融合薩克斯風、打擊、鋼琴等多元配器、輕量的劇場元素,將經典歌劇以不同形式重現。
\n\n\n\n
從普契尼的書信中可以發現他對於文本、台詞背後精神的講究,故作品中對於角色塑造、情節安排十分生動。音樂上,後人認為普契尼的歌劇富含個人特色,融合前輩威爾第對聲樂旋律線的講究,以及華格納配器手法的恢宏氣勢,結合異地情調與特色故事,以及連續不間斷的音樂引領劇情、音樂動機塑造角色,成為獨特的普氏歌劇一流。藝本道希望藉由「薩氏輕歌劇」改編創作,將此劇精簡化,融合薩克斯風、打擊、鋼琴等多元配器,使用輕量的劇場元素為輔助,讓經典歌劇更輕易呈現到一般觀眾眼前。
\n\n\n\n
演出曲目
\n\n伊藤康英:托斯卡之吻 改編:吳方喻
\n賈科莫·普契尼:托斯卡 改編:陳麒鈞
\n\n
演出暨製作團隊
\n\n團長|陳麒鈞
\n\n副團長|侯穎妤
\n\n指揮|陳麒鈞
\n\n協奏者|謝政良
\n\n編曲家|陳麒鈞、吳方喻
\n\n藝術總監|范家瑞
\n\n演出|藝本道薩克斯風重奏團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f37c9eb77d6ef138524dce5ad729a17e",title:"《為了藝術為了愛》托斯卡薩氏輕歌劇"}],related:[],title:"Vissi d'arte",cover:"16f0b40a543eaa00257bb68fd197cdc1",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Art Pondo Saxophone Ensemble hopes to use the brand-new concept of "SaxOpera" to recreate this great work—Tosca—for the audience. By combing saxophone, percussion, woodwinds, and piano we create a unique timbre. In addition, we use lightweight theater elements as a support to make it easier to present this lovely story to the audience.
\n\n\n\n
The exquisite aesthetic of "The spirit behind words" is where Puccini particular paid attention to: he is a true virtuoso in characterization and plot. Puccini's operas have an unique style, which merges melodic writing of Verdi and majestic orchestration of Wagner.APSE is bringing a new concept—SaxOpera, by recreating the well known TOSCA of Puccini. Besides, APSE presents a unique timbre by adding various instruments: Flute, Tuba, Bass…etc. Also, lightweight theater elements are used to embellish the recreation of Puccini's masterpiece.
\n\n\n\n
Program
\n\nYasuhide Ito: IL Bacio di Tosca arr. Fang-Yu WU
\n\nGiacomo Puccini: Tosca arr. Chi-Chun CHEN
\n\n\n\n
Creative and Production Team
\n\nDirector|Chi-Chun CHEN
\n\nVice Director|Silvia HOU
\n\nConductor|Chi-Chun CHEN
\n\nSoloist|Zheng-Liang XIE,
\n\nArranger|Chi-Chun CHEN, Fang-Yu WU
\n\nArtistic Director|Jia-Rui FAN
\n\nPerformer|Artpondo Saxophone Ensemble
\n\n\n\n
\n',team:""},createdAt:1655259901,updatedAt:1660915128,updatedBy:"通泰系統管理員",host:!1},{_id:"62b17c7bb3860e0008f9df26",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661668200,discrete:[{time:1661668200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,2500],link:"https://www.opentix.life/event/1530926184464429058"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7b3b47153dc6d2fd66143cbde92b242c",title:"《發現,亞美利堅》鮑恆毅與台北室內合唱團"}],related:[],title:"《發現・亞美利堅-鮑恆毅與台北室內合唱團》",cover:"22eda3193a59333f400b8bd0aa623b2f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
《發現・亞美利堅-鮑恆毅與台北室內合唱團》以「美國當代合唱巡禮」為題,邀請榮獲國際大獎的旅奧新生代指揮鮑恆毅,透過二十世紀以降不同風格的作品,展現美國當代合唱萬象!由二十世紀音樂傳奇伯恩斯坦所寫《奇徹斯特詩篇》出發,串連普立茲獎得主卡洛琳‧蕭《致雙手》組曲、山謬‧巴伯〈羔羊經〉、葛萊美獎得主韋塔克〈達文西夢見飛行器〉,以及摩西‧霍根編曲之黑人靈歌〈齊心前進〉等美國合唱傳世經典,邀請大家與我們一起從美國作曲家的視角「發現・亞美利堅」!
\n\n\n\n
演出曲目
\n\n卡洛琳・蕭:《致雙手》
\n\n克萊赫勒・詹森:〈旅人之歌〉
\n\n愛德華‧鮑納:〈名為天堂之都〉
\n\n亞歷・韋塔克:〈達文西夢見飛行器〉
\n\n傑克・魯內斯塔:〈幻花朵為慈愛〉、〈願我的愛得聞〉
\n\n雷納・伯恩斯坦:《奇徹斯特詩篇》、〈某個地方〉
\n\n喬瑟芬‧波林尼茨:〈名為天堂之都〉
\n\n莫頓・勞律森:〈光輝一夜〉
\n\n摩西・霍根:〈齊心前進〉
\n\n羅洛‧迪沃斯:〈領我到水邊〉
\n\n羅瑟芬・鮑爾:〈沉坐想望〉
\n\n山謬‧巴伯:〈羔羊經〉
\n\n尚恩・柯希納:〈甜美溪河〉、〈晴空萬里〉
\n\n\n\n
演出暨製作團隊
\n\n指揮|鮑恆毅
\n\n鋼琴|王乃加
\n\n演出|台北室內合唱團
\n\n管風琴|余曉怡
\n\n小提琴|張群、陳名涵
\n\n中提琴|林倢伃
\n\n大提琴|陳妍蓉
\n\n低音提琴|簡敏卉
\n\n豎琴|管伊文
\n\n打擊|廖邦豪
\n\n童聲高音|高奕淇
\n\n※小、中、大提琴與低音提琴樂手為VIO提琴樂集成員。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7b3b47153dc6d2fd66143cbde92b242c",title:"《發現,亞美利堅》鮑恆毅與台北室內合唱團"}],related:[],title:"America In Sight",cover:"22eda3193a59333f400b8bd0aa623b2f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Presented by Taiwanese conductor Heng-Yi PAO, winner of international conducting competitions, and Taipei Chamber Singers (TCS), the concert featuring a broad spectrum of contemporary choral music of America by Leonard Bernstein, Caroline Shaw, Eric Whitacre, Jake Runestad, Morten Lauridsen, Craig Hella Johnson, etc.
\n\n\n\n
Program
\n\nCaroline Shaw:"To the Hands"
\n\nCraig Hella Johnson:"Song from the Road"
\n\nEdward Boatner:"City Called Heaven"
\n\nEric Whitacre:"Leonardo Dreams of His Flying Machine"
\n\nJake Runestad:"Flower into Kindness", "Let My Love Be Heard"
\n\nLeonard Bernstein:"Chichester Psalms", "Somewhere"
\n\nMorten Lauridsen:"Sure on this Shining Night"
\n\nMoses Hogan:"Walk Together, Children"
\n\nRollo Dilworth:"Take Me to the Water"
\n\nRosephanye Powell:"To Sit and Dream"
\n\nSamuel Barber:"Agnus Dei"
\n\nShawn Kirchner:"Sweet Rivers", "Unclouded Day"
\n\n\n\n
Creative and Production Team
\n\nConductor|Heng-Yi PAO
\n\nPianist|Nai-Chia WANG
\n\nPerformer|Taipei Chamber Singers
\n\n\n\n
\n',team:""},createdAt:1655798907,updatedAt:1660895566,updatedBy:"通泰系統管理員",host:!1},{_id:"62b18a18f54874000a2b3510",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660217400,discrete:[{time:1660217400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1526162063920779270"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9664c5ddfd88483594d0ad79f9098c60",title:"《林繽紛小提琴獨奏會》"}],related:[],title:"《林繽紛小提琴獨奏會》",cover:"4d0e7e51acbe475852b6a0c3a2e8ea54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
林繽紛,生於長於高雄。
\n\n7歲開始學習小提琴,啟蒙於Steven Clark老師,曾師事吳宜真老師,現師事陳沁紅教授。 畢業於國立臺灣師範大學音樂學系 主修小提琴 副修鋼琴
\n\n\n\n
演出曲目
\n\n維塔利- g小調 夏康
\n\n畢琦-給小提琴與鋼琴的浪漫曲 op.23
\n\n葛林爾-D大調小提琴浪漫曲 op.3
\n\n布拉姆斯-第一號鋼琴三重奏 第一樂章
\n\n巴哈-雙小提琴協奏曲 第一樂章
\n\n\n\n
演出暨製作團隊
\n\n小提琴|林繽紛
\n\n鋼琴|潘祖欣
\n\n大提琴|鍾承宏
\n\n小提琴第二部|林絢麗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9664c5ddfd88483594d0ad79f9098c60",title:"《林繽紛小提琴獨奏會》"}],related:[],title:"Angeline Lin Violin Recital",cover:"4d0e7e51acbe475852b6a0c3a2e8ea54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Angelin Lin, born and raised in Taiwan.
\n\nEnlighten by Mr. Steven Clark, mentored by Ms. Yie Jhen Wu, currently studying with Ms. Nanette Chen.
\n\nGraduated from NTNU Music department, major in violin, minor in piano.
\n\n\n\n
Program
\n\nVitali - Chaconne for violin and piano in g minor
\n\nAmy Beach - Romance for Violin and Piano Op. 23
\n\nGliere - Romance for Violin and piano in D Major Op.3
\n\nJohannes Brahms - Piano Trio No. 1 in B Major, Op. 8 mov.1 Allegro con brio
\n\nBach - Concerto for two violins in D minor BWV 1043 mov.1 Vivace
\n\n\n\n
Creative and Production Team
\n\nViolin|Angeline Lin
\n\nPiano|Pan Zu Sin
\n\nCello|Jhong Cheng Hong
\n\nViolin2|Hope Lin
\n\n\n\n
\n',team:""},createdAt:1655802392,updatedAt:1656670731,updatedBy:"林蔚行",host:!1},{_id:"62ba548aafe2d7000ae35793",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660458600,discrete:[{time:1660458600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1500],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1ZS8PAN"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bfdabe1e7bac49244658b1f1f0d7ada",title:"《音樂之星—王馨平小提琴獨奏會》"}],related:[],title:"《音樂之星—王馨平小提琴獨奏會》",cover:"c45b50beea7376ec6003984a29aaf8e6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
新銳小提琴家王馨平同時也是一名作家、演員。她曾受邀於義大利Cremona X Archi音樂營、邁阿密音樂節、美國曼切斯特國際音樂節、加拿大蒙特婁國際音樂節等知名國際活動進行演出,並多次受邀與樂團、基金會合作演出擔任首席,亦為美國西北大學音樂研究所全額獎學金得主,是位跨界作品多元的演奏家。本次她將演奏巴哈、韋瓦第、理查‧史特勞斯的經典作品,透過音樂帶領大家跨越17到20世紀。
\n\n\n\n
演出曲目
\n\n韓德爾/哈佛森:帕薩加牙舞曲
\n\n巴哈:詠嘆調
\n\n韋瓦第:四季《秋》、《冬》
\n\n理查‧史特勞斯:降E大調小提琴奏鳴曲 作品18
\n\n\n\n
演出暨製作團隊
\n\n小提琴|王馨平
\n\n鋼琴|蘇映竹
\n\n樂團|台中市交響樂-弦樂團
\n\n製作團隊|台中市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0bfdabe1e7bac49244658b1f1f0d7ada",title:"《音樂之星—王馨平小提琴獨奏會》"}],related:[],title:"Music Star-Mia Wang Violin Recital",cover:"c45b50beea7376ec6003984a29aaf8e6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Emerging Violinist Mia Wang is also an author and actress. She has been invited to perform at well-known international events, such as Cremona X Archi Music Camp in Italy, Miami Music Festival, Manchester International Music Festival in the United States, and Montreal International Music Festival in Canada. She has been invited to perform with orchestras and foundations many times as the principal. She is also a full scholarship recipient of the Music Institute of Northwestern University. She is a performer with diverse cross-border works. This time, she will perform the classic works of Bach, Vivaldi and Richard Strauss, to lead everyone across the 17th to 20th centuries through the beautiful melody.
\n\n\n\n
Program
\n\nHandel / Halvorsen:passacagilia in g minor
\n\nBach:Air On G String
\n\nVivaldi:Fall, Winter
\n\nRichard Strauss - Violin Sonata in E-flat Major, Op. 18
\n\n\n\n
Creative and Production Team
\n\nViolin|Mia WANG
\n\nPiano|Ying-Chu SU
\n\nOrchestra|Taichung City Symphony Orchestra- String Orchestra
\n\nProduction Team|Taichung City Symphony Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1656378506,updatedAt:1656492003,updatedBy:"林蔚行",host:!1},{_id:"62ba57e6afe2d7000ae35825",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659853800,discrete:[{time:1659853800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1533707446457405440"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ebe862fe7368d3881821dc607739c32d",title:"《2022 Salut Taiwan 夏綠台灣音樂會》"}],related:[],title:"《2022 Salut Taiwan 夏綠台灣音樂會》",cover:"529907ad936a84d8e8f2cb6e920d6428",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
夏綠台灣音樂會由前維也納愛樂管弦樂團VESSELIN及NSO前首席吳庭毓領銜演出。在充實精彩忙碌的夏綠國際音樂節結束後,我們將跟愛樂朋友們再首次於衛武營音樂廳見面。期待!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|台灣傑出音樂家室內樂團
\n\n指揮|吳庭毓 簡伯修
\n\n小提琴|費瑟林 帕拉希克弗夫
\n\n演出團隊|夏綠節慶室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ebe862fe7368d3881821dc607739c32d",title:"《2022 Salut Taiwan 夏綠台灣音樂會》"}],related:[],title:"Salut Taiwan",cover:"529907ad936a84d8e8f2cb6e920d6428",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Salut Taiwan is led by Vesselin Paraschkevov, the former concertmaster of Vienna Philharmonic, and Ting-Yuh Wu, the former concertmaster of National Symphony Orchestra (NSO). Annually in the wake of an enriched, phenomenal and bustling Salut Festival International, Salut Taiwan will invite the elite groups who win out in the competitions of that year to perform with Salut Chamber Orchestra and resident musicians. Dear fans, this year let's have a rendezvous again at Weiwuying National Kaohsiung Center for the Arts .
\n\n\n\n
Program
\n\n\n\n
\n\n
Creative and Production Team
\n\nProduction Team|Excellent Musicians Ensemble Taiwan
\n\nConductor|Ting-yuh Wu Po-hsiu Chien
\n\nViolin|Vesselin Paraschkevov
\n\nPerformance Team|Salut Festival Chember Orchestra
\n\n\n\n
\n',team:""},createdAt:1656379366,updatedAt:1656560585,updatedBy:"林蔚行",host:!1},{_id:"62ba7394afe2d7000ae35d12",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659612600,discrete:[{time:1659612600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://citypercusssion.kktix.cc/events/citypercussion"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"162163aed3f2a031b4401e3e24e27b2d",title:"《2022年城市擊樂團第十回公演》"}],related:[],title:"《2022年城市擊樂團第十回公演》",cover:"cc4e84865bc87680e7330b81016f6d38",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
城市擊樂團為高雄在地基層推廣團體,聚集充滿熱情的擊樂家們,打造一場由心發起的擊樂音樂會。藉由對音樂的熱情,以及打擊樂器別具一格的魅力,共同完成的一場音樂會。有獨奏曲、室內樂及協奏曲等不同的擊樂作品,充分發揮出擊樂的多元發展性。風格多變的打擊,希望能藉由此場音樂會與大家分享各種擊樂的可能性。
\n\n\n\n
演出曲目
\n\n吉米・凱薩拉:幻化之門
\n\n伊萬・特維諾:兩千三百度
\n\n尼爾斯・羅威爾:彩色嘉年華
\n\n科瑞・福瑞德:摩嘻
\n\n麥可・布里特:絕地七騎士
\n\n伊萬・特維諾:追影
\n\n卡梅倫・布郎:艦隊
\n\n奈傑爾・偉斯特萊克:生命的諭示
\n\n達斯汀・舒爾茲:清醒咒
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|曾意鈞
\n\n演 出|城市擊樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"162163aed3f2a031b4401e3e24e27b2d",title:"《2022年城市擊樂團第十回公演》"}],related:[],title:"2022 City Percussion Ensemble Tenth Performance",cover:"cc4e84865bc87680e7330b81016f6d38",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
There are different percussion works such as solo, chamber music and percussion ensemble, giving full play to the diversified development of percussion. The percussion of various styles, City Percussion Ensemble hopes to share the possibility of various percussion with you through this concert.
\n\n\n\n
Program
\n\nAltered Gates Jim Casella
\n\nIvan Trevino:2300 Degree
\n\nNils Rohwer:Fiesta colores
\n\nKorry Friend:Moxie
\n\nMichael Burritt:The magnificent seven
\n\nIvan Trevino:Catching Shadow
\n\nCameron Brown:Fleet
\n\nNigel Westlake:Omphalo Centric Lecture
\n\nDustin Schulze:Lucid Mantra
\n\n\n\n
Creative and Production Team
\n\nDirector|TSENG I-Chun
\n\nPerformance|City Percussion Ensemble
\n\n\n\n
\n',team:""},createdAt:1656386452,updatedAt:1658375593,updatedBy:"林蔚行",host:!1},{_id:"62ba79c8afe2d7000ae35e45",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659353400,discrete:[{time:1659353400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,500],link:"https://www.opentix.life/event/1527564098058637316"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"498d035895f430852e10fdb9ee32086e",title:"「響樂.半甲子」 – 雄工校友管樂團三十週年音樂會"}],related:[],title:"「響樂.半甲子」 – 雄工校友管樂團三十週年音樂會",cover:"1a68e1dba2957d36635845c7c6db3eef",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
雄工校友管樂團至今已成立三十年,樂團成員皆是自高雄高工畢業的校友,為了延續對音樂的熱忱,成立樂團並於每年暑假舉行定期音樂會,至今風雨無阻仍未間斷。
\n\n本次音樂會之節目內容安排最耳熟能詳的原創管樂曲、經典電影原聲帶組曲、70年代日本暢銷唱片精選以及搖滾之王-貓王的組曲,一定能勾起許多觀眾當年的回憶!整場音樂會將安排兩首協奏曲,分別是周奕伶帶來的聲樂獨唱以及樂詠晨帶來的小號獨奏,兩位演奏家皆是自高雄高工畢業之校友,高中畢業後持續朝音樂之路邁進,如今已是高雄知名的演奏家及教育家,相信一定能帶給觀眾一場聽覺饗宴。
\n\n\n\n
演出曲目
\n\n鷹之徽序曲
\n\n再見!我將遠去,選自歌劇《La Wally》
\n\n宮崎駿爵士組曲
\n\n日本風情畫6
\n\n非洲交響曲
\n\n瑪卡蕾納少女
\n\n貓王演唱會
\n\n拉丁舞曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|黃鈺程、林傭順、戴瑋志、樂詠晨
\n\n小號獨奏|樂詠晨
\n\n聲樂獨唱|周奕伶
\n\n雄工校友管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"498d035895f430852e10fdb9ee32086e",title:"「響樂.半甲子」 – 雄工校友管樂團三十週年音樂會"}],related:[],title:"KIHS Wind Symphony - 30th Anniversary Celebration!",cover:"1a68e1dba2957d36635845c7c6db3eef",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
KIHS Wind Symphony has been established for 30 years.
\n\nThe members of the wind symphony are all alumni who graduated from KIHS.
\n\nIn order to continue their passion for music, the band was established and held regular concerts every summer vacation.
\n\n\n\n
Program
\n\nEaglecrest Overture / James Barnes
\n\nEbben! Ne andrò lontana,from Opera《La Wally》 / Alfredo Catalani
\n\nJAZZ Collection (ジブリ編 Vol.1) / 本澤なおゆき
\n\nJapanese Graffiti VI / Takashi Hoshide
\n\nAfrican Symphony / Naohiro Iwai
\n\nLa Virgen de la Macarena / Rafael Mendez
\n\nElvis in Concert / Peter Kleine Schaars
\n\nEl Cumbanchero / Naohiro Iwai
\n\n\n\n
Creative and Production Team
\n\nConductors|Yucheng Huang、YongShun Lin、Weizhi Dai、Yongchen Le
\n\nTrumpet Solo|Yongchen Le
\n\nVocal Solo|Yiling Zhou
\n\nKIHS Wind Symphony
\n\n\n\n
\n',team:""},createdAt:1656388040,updatedAt:1656482807,updatedBy:"林蔚行",host:!1},{_id:"62bec191afe2d7000ae417fd",catalogs:["5f6f57d6e0fdee000b536ba9","5aec4184b01ea6000520f633"],dateTime:{first:1661664600,discrete:[{time:1661664600},{time:1661675400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1530088699387752453"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"946395e688bd57d363aeefaebd4c4df5",title:"狂美親子音樂劇場《幻想曲》"}],related:[],title:"狂美親子音樂劇場《幻想曲》",cover:"626e8390e5f36b628067d4baac55f71e",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
★「狂美親子音樂劇場是我家寶貝認識表演藝術的敲門磚,音樂結合戲劇精彩又動人,又極富教育意涵。每場必看!極力推薦!」——眾申小姐(職業:金融業主管)
\n\n★「我進劇場的第一次體驗就給狂美了!在台下可以感受到每位音樂家對音樂的熱情,演出水準真高!原來聽音樂會也可以如此熱血沸騰,從此我就變成狂美粉了!之後劇場再相見!」——觀眾李先生(職業:國中老師)
\n\n★「狂美顛覆了我以往對聽音樂會的看法,透過你們接地氣的節目創作,原以為是艱澀的表演內容居然可以讓我意猶未盡的不想起身離開,以後我還會再來支持狂美的!期待之後的每部作品!」——觀眾邱小姐(職業:補教業老師)
\n\n\n\n
主人翁奇奇一家滿心期待的來到夢想王國遊玩,無意間闖入藏有各式魔法道具的房間,不小心觸碰到傳說中的魔法帽,導致一切完全失控!為了挽救失控一切,奇奇會做出什麼樣的艱難選擇?
\n深受大小觀眾喜愛的狂美交響管樂團,與靖學表演聯手打造旗艦版魔幻歌舞劇《幻想曲》。2022年嶄新製作,期盼給觀眾不同感受層次的音樂會體驗,一場結合現場樂團、奇幻歌舞及現代科技的魔幻冒險正要展開!
\n\n
演出曲目
\n\n《迪士尼幻想曲》∣ Arr.任沛晨
\n\n《小小世界》∣ Arr.任沛晨
\n\n《魔法師的門徒》
\n\n《阿爾戈號船員的勝利》∣ By羅伯特·謝爾登
\n\n《放開手》 -選自《冰雪奇緣》∣ Arr.任沛晨
\n\n《向未知探索》-選自《冰雪奇緣2》∣ Arr.任沛晨
\n\n《阿拉伯之夜》-選自《阿拉丁》∣ Arr.任沛晨
\n\n《像我這樣的朋友》-選自《阿拉丁》∣ Arr.任沛晨
\n\n《阿里王子》-選自《阿拉丁》∣ Arr.任沛晨
\n\n《兩個世界》-選自《泰山》∣ Arr.任沛晨
\n\n《海洋之心》-選自《海洋奇緣》
\n\n《我們心中已有方向》-選自《海洋奇緣》∣ Arr.任沛晨
\n\n《對著星星許願》-選自《木偶奇遇記》∣ Arr.佐藤博昭
\n\n\n\n
演出暨製作團隊
\n\n製作人/編劇/音樂設計|謝韋民
\n\n監 製|劉可婕
\n\n導 演|林靖
\n\n執行製作|李尚
\n\n編 曲|任沛晨
\n\n舞台設計|許之卉
\n\n舞蹈設計|王志慎
\n\n服裝設計|陳諺柔
\n\n燈光設計|蔣旺勳
\n\n歌唱指導|張淳菡
\n\n舞台監督|葉家彰
\n\n戲劇執行|靖學表演工作室
\n\n技術執行|邁思特藝創股份有限公司
\n\n音響執行|翰星藝聲光有限公司
\n\n行銷協力|獨秀文化有限公司
\n\n視覺設計|賣腦瓜工作室
\n\n樂團指揮|謝韋民
\n\n樂 團|狂美交響管樂團
\n\n演 員|李鉅瑄、吳為爵、高儀庭、陳大弋、陳沛汝、張茗筑、程穩育、蕭靖蓉 (按姓氏筆畫排序)
\n\n舞 者|王思涵
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"946395e688bd57d363aeefaebd4c4df5",title:"狂美親子音樂劇場《幻想曲》"}],related:[],title:'Children\'s Musical "Fantasia" by Con Bello Symphonic Band',cover:"626e8390e5f36b628067d4baac55f71e",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
The main character Chichi's family are looking forward to play in Dream Kingdom. They inadvertently broke into a room which collocated all kinds of magic props, touched the Legendary Magic Hat and caused everything messed up and out of control. For saving everything, let's see what difficult choice will Chichi make.
\n\nConbello Symphonic Band is popular with all kind of audience. Programming the Ultimate Fantasy Revue "Fantasia "with Jing's Drama Studio. We producing brand new program in 2022, looking forward to give the audience different levels of concert experience. A magical adventure combine with live orchestra, fantastic revue and modern technology is about to begin.
\n\n\n\n
Program
\n\nDisney Fantasy
\n\nIt's a Small World
\n\nThe Sorcerer's Apprentice
\n\nTriumph of the Argonauts
\n\nLet It Go
\n\nInto the Unknown
\n\nArabian Nights
\n\nFriend Like Me
\n\nPrince Ali
\n\nTwo Worlds
\n\nHow Far I'll Go
\n\nWe Know The Way
\n\nWhen You Wish Upon A Star
\n\n\n\n
Creative and Production Team
\n\nProducer, Playwright, Music Designer|HSIEH Wei-Min
\n\nExecutive Producer|LIU Ke-Chieh
\n\nDirector|LIN,JING
\n\nExecutive Producer|LI,SHANG
\n\nMusic Arranger|REN,PEI-CHEN
\n\nStage Designer|HSU,CHIH-HUI
\n\nChoreographer|WANG,JHIH-SHEN
\n\nCostume Designer|CHEN,YAN-ROU
\n\nLighting Designer|JIANG,WANG-SYUN
\n\nVocal Coach|JHANG,CHUN-HAN
\n\nStage Manager|YEH,CHIA-CHANG
\n\nExecutive Production|Jing's Drama Studio
\n\nTechnical Execution|MASTER ART & CREATION CO., LTD.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nVisual Desinger|MaiNaoGuaDesign Studio
\n\nConductor|HSIEH Wei-Min
\n\nPerformer|Con Bello Symphonic Band
\n\nActors/Actress|LI,JYU-SYUAN、WU,WEI-JYUE、GAO,YI-TING、CHEN,DA-YI、CHEN,PEI-RU、JHANG,MING-JHU、CHENG,WUN-YU、 SIAO,JING-RONG
\n\nDancer|WANG,SIH-HAN
\n\n\n\n
\n',team:""},createdAt:1656668561,updatedAt:1660915253,updatedBy:"通泰系統管理員",host:!1},{_id:"62c4f259f30b0e0007dc5d31",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662204600,discrete:[{time:1662204600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,1800,2500],link:"https://www.opentix.life/event/1541304604024557574"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6ff9d4166dcaee27b603cb8af2d70c8",title:"2022 Taiwan Connection音樂節《向巨人致敬》"}],related:[],title:"2022 Taiwan Connection音樂節《向巨人致敬》",cover:"4322d0cf8f422c1a322bcc6323554831",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
貝多芬的第五號交響曲《命運》始於c小調;終於C大調,一反當時結束與開始樂章同調性的習慣,而他說「歡樂隨著悲傷、陽光–雨。 讓我感到彷彿我正仰望晚星銀光閃閃。」無論社會局勢與思潮如何變化,貝多芬從耳疾絕望中奮起,不停在藝術中找尋自由。正因此,後世總以他的音樂或表彰或紀念巨人的奮鬥過程。尤其「命運」的第三樂章末至第四樂章,音樂匍匐前進,困頓摸索,而終至銅管大放異彩,彰顯「光明將戰勝黑暗」的精神大旗。
\n\n同場音樂會並邀請中提琴家Paul Neubauer與藝術總監胡乃元共同演出「交響協奏曲」。據聞中提琴是莫札特喜愛的樂器之一,而他離世三年前所創作的慢板與賦格,始與終都在c小調上,TC以此曲揭開音樂會序幕,用以呼應同樣調性、卻終於光明勝利的貝多芬《命運》。
\n\n\n\n
演出曲目
\n\n莫札特:《慢板與賦格》, K.546
\n\n莫札特:給小提琴、中提琴與管弦樂團的交響協奏曲
\n\n貝多芬:第五號交響曲《命運》
\n\n\n\n
演出暨製作團隊
\n\n音樂總監暨小提琴|胡乃元
\n\n中提琴|保羅·紐鮑爾
\n\nTC室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6ff9d4166dcaee27b603cb8af2d70c8",title:"2022 Taiwan Connection音樂節《向巨人致敬》"}],related:[],title:"2022 Taiwan Connection Festival",cover:"4322d0cf8f422c1a322bcc6323554831",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Beethoven pulled himself together from the despair in his hearing loss, seeking for freedom in arts. Therefore, the later generations always played his music to admire or memorize the struggles of great musicians. Especially in the end of the third movement to the fourth movement, the orchestra begins to build, but never reaches the climax of the phrase. At the finale is a powerful brass segment, highlighting the spiritual flag of "darkness cannot overcome the light" fluttering. Violaist Paul Neubauer was invited to perform Sinfonia Concertante (Symphony-Concerto) with the artistic director Nai-Yuan Hu at the concert. It is generally believed that the viola is one of Mozart's favorite instruments. His string quintets are often written for two violas, rather than two cellos. The adagio and fugue pieces he created three years before he passed away all start and end in C minor. TC used this song as the overture of the concert to echo with Beethoven's Fate as they share the same key, but the latter finishes in the light of victory.
\n\n\n\n
Program
\n\nWolfgang Amadeus Mozart: Adagio and Fugue in C Minor, K. 546
\n\nWolfgang Amadeus Mozart: Sinfonia concertante for Violin, Viola and Orchestra, K. 364
\n\nLudwig van Beethoven: Symphony No. 5 in C Minor, Op. 67
\n\n\n\n
Creative and Production Team
\n\nMusic Director, violin|HU Nai-Yuan
\n\nViola|Paul Neubauer
\n\nTaiwan Connection Chamber Orchestra
\n\n\n\n
\n',team:""},createdAt:1657074265,updatedAt:1657511864,updatedBy:"林蔚行",host:!1},{_id:"62c4f6f198da02000aafc0d3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659699e3,discrete:[{time:1659699e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,500],link:"https://www.opentix.life/event/1537668646962663426"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"87155ddfe0fbab1df6c1b4ad183450be",title:"台大薰風國樂團 2022暑期巡迴公演《黃金之風》"}],related:[],title:"台大薰風國樂團 2022暑期巡迴公演《黃金之風》",cover:"f19b2d0fa25a443a985fa751ec22ecfb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
如今社會中持續瀰漫著悲傷氛圍,疫情經過兩年並未趨緩、世界的另一端正烽火連天,民生問題接踵而至,遍地人心惶惶,人們對美好未來的想像似乎已被恐慌與絕望吞噬殆盡。正是在這樣的時節,台大薰風國樂團喜逢成立70週年,試圖將這陣蘊含讚頌人類、讚頌生命之黃金精神的徐徐暖風,吹向南北臺灣,使生活在壓抑環境中,早已苦不堪言的人們明白:仍有一群為了夢想與所愛之物不願放棄希望的學子們,透過樂聲,努力不輟地讚頌著生命美好、讚頌著人類偉大,在這或許艱苦的土地上,黃金之風依舊吹拂。
\n\n\n\n
演出曲目
\n\n鍾耀光:客家序曲
\n\n任重:蒼勁
\n\n錢兆熹:鐃歌
\n\n王丹紅:狂想曲
\n\n鍾耀光:飛向
\n\n劉文金:太行印象
\n\n王辰威:融
\n\n姜瑩:絲綢之路
\n\n\n\n
演出暨製作團隊
\n\n客席指揮|任燕平
\n\n樂團指揮|曾振維
\n\n揚琴|曾嘉煒
\n\n樂團|台大薰風國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"87155ddfe0fbab1df6c1b4ad183450be",title:"台大薰風國樂團 2022暑期巡迴公演《黃金之風》"}],related:[],title:"NTUCO 2022 Summer Concert - Golden Winds",cover:"f19b2d0fa25a443a985fa751ec22ecfb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
A ghostly sadness fogs our societies during this dire time of pandemic as the other side of the World is suffering from war. Financial hardships arrive one after another. Overwhelmed by anxiety, the hope and image for a bright future seems devoured by panic and despair. It is indeed in this moment, the Xun Feng Orchestra welcomes the 70th anniversary. We try to carry forward these warm breezes embedded with extolments for humanity and the Golden Spirit of life towards Northern and Southern Taiwan to bring forth an understanding to those in stressful agonizing situations: There still is a group of learners not willing to give up the hope for dreams and the things they love, sparing no effort extoling the beauty of life and the greatness of humanity through their music. In this perhaps tormenting land, the Golden Winds carry forward as usual.
\n\n\n\n
Program
\n\nYiu Kwong Chung:Hakka Overture
\n\nJen Chung:Vigorous
\n\nDanhong Wang:Rhapsodies
\n\nYiu Kwong Chung:Hakka Overture:Heading For
\n\nWenjin Liu:Image of T'ai-Hang Mountain
\n\nChenwei Wang:Confluence
\n\nJiang Ying:The Silk Road
\n\n\n\n
Creative and Production Team
\n\nConductor|JEN,YEN-PING
\n\nStudent Conductor|Tseng, Chen-Wei
\n\nYangqin|TSENG,CHIA-WEI
\n\nPerformer|NTUCO
\n\n\n\n
\n',team:""},createdAt:1657075441,updatedAt:1657266765,updatedBy:"林蔚行",host:!1},{_id:"62c4fb4b98da02000aafc18f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659612600,discrete:[{time:1659612600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1541268254013444100"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"70894ac0fb727f5e752dfa543f914647",title:"《日日是好日_天生音籟兒童合唱團-台日友好系列音樂會》"}],related:[],title:"《日日是好日_天生音籟兒童合唱團-台日友好系列音樂會》",cover:"2e601ec701fd9000672b4eebe9a3e53f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
疫情籠罩全球,生活型態與步調都隨之改變,不變的是我們持續堅定期待,希冀陰霾過去,陽光進來。於是,《日日是好日》成了貫穿整場音樂會的信念,除了感謝疫情一開始日本給予臺灣友好的所有援助與鼓勵,也以孩子們明亮有朝氣的歌聲來療癒每一顆心,回復恬靜平安的好日子。
\n\n本場音樂會將嶄新推出臺灣首演_日文兒童音樂劇《太陽的歌》,由兒童戲劇導演郝士淮精心策畫,結合劇場、燈光、服裝、舞蹈,讓「合唱不只是合唱」,呈現跨領域的多元藝術。並邀請福山國小合唱團攜手演出,展現合作、友好、團隊的力量。除了充滿正向能量的《太陽的歌》,還會演唱選自美國新創兒童歌謠的《動物組曲》,以逗趣活潑又童趣的歌聲來展現各種動物的習性與面貌。透過演唱不同語言的合唱音樂的結合,展現各國文化的優點與特色,也帶給聽眾更豐富多元的聆聽感受。
\n\n\n\n
演出曲目
\n\nわたしは こねこ 我有一隻小貓
\n\n好奇心のとびら 好奇心的門扉
\n\n《螞蟻在我褲子裡》組曲
\n\n《太陽的歌》-全日文音樂劇
\n\n地球的孩子
\n\n\n\n
演出暨製作團隊
\n\n製作人|劉常顥
\n\n藝術總監|陳安瑜
\n\n音樂總監|周奕伶、潘絃融
\n\n導演|郝士淮
\n\n指揮|張乃菁、程佳櫻、吳貞儀、陳妤潔、王晶晴、余青黛
\n\n鋼琴|林亭君
\n\n演出團體|天生音籟兒童合唱團、天生青年合唱團、福山國小合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"70894ac0fb727f5e752dfa543f914647",title:"《Every day is a good day》Natus cantorum junior "}],related:[],title:"《Every day is a good day》Natus cantorum junior ",cover:"2e601ec701fd9000672b4eebe9a3e53f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Every Day is a Good Day" is a special concert for the 2nd anniversary of the establishment of the "Natus Cantorum Junior", a sub-group of the Natural Singers Choir. The designated songs for the competition are the main ones; in the second half, the full Japanese children's musical "Song of the Sun" will be performed. In the age of chorus, Japanese choral music is second to none. We will show the spirit of Japanese choral music with an attitude of learning and admiration, and combine the form of small children's musicals to add diverse and rich contents to the concert.
\n\n\n\n
Program
\n\nI have a kitten
\n\nDoor of curiosity
\n\n《Ants in my pants》suite
\n\n《song of the sun》All Japanese Musical
\n\nChildren of the earth
\n\n\n\n
Creative and Production Team
\n\nProducer|Chang-Hao LIU
\n\nArtistic Director An-Yu CHEN
\n\nMusic Director|I-Ling CHOU、Xian-Rong PAN
\n\nConductors|Nai-Ching CHANG、Jia-Ying CHEN、Zhen-Yi WU、Yu-Jie CHEN、Jing-Cing WANG、Cing-Dai YU
\n\nDirector|Shi-Huai HAO
\n\nPiano|Ting-Chun Lin
\n\nPerformer|Natus Cantorum Junior、Natus Cantorum Youth Choir、Fu-Shan children choir
\n\n\n\n
\n',team:""},createdAt:1657076555,updatedAt:1657511967,updatedBy:"林蔚行",host:!1},{_id:"62c65946869db0000720b14e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660303800,discrete:[{time:1660303800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N219OXBB"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"518de070fc7eed829801b8cecfe57550",title:"《徐紹嘉個人獨奏會》"}],related:[],title:"《徐紹嘉個人獨奏會》",cover:"5884a981ba8da2eda93259e712bcfd89",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
法、日兩國的作曲家,是徐紹嘉音樂學習生涯當中接觸最多也最熟悉的兩個國度, 藉此和聽眾分享這20年來的學習精隨和喜悅。
\n\n\n\n
徐紹嘉自幼學習薩克斯風,以古典薩克斯風曲目為學習中心,已近20年,希望於生涯第20周年,以音樂會的方式,記錄下學習的里程碑;本次音樂會當中的曲目,都是法、日兩國的作曲家所創作,是徐紹嘉音樂學習生涯當中接觸最多也最熟悉的兩個國度,便藉此和聽眾分享這20年來的學習精隨和喜悅。
\n\n\n\n
演出曲目
\n\nRoger Boutry:Divertimento
\n\nPiet Swerts:Klonos
\n\n石川亮太 :Rhapsody on Japanese Folk Songs
\n\n石川亮太 :Taiwanese Rhapsody
\n\n長生淳:Paganini Lost
\n\n\n\n
演出暨製作團隊
\n\n薩克斯風|徐紹嘉、張晏瑋
\n\n鋼琴伴奏|陳柔安、陳奕儒
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"518de070fc7eed829801b8cecfe57550",title:"《徐紹嘉個人獨奏會》"}],related:[],title:"SHAO- CHIA HSU SAXOPHONE RECITAL",cover:"5884a981ba8da2eda93259e712bcfd89",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
In two decades of studying music and extending playing techniques, he focuses mainly on music of Japanese and French composers. Therefore, he wishes to joyfully share the result with the audience through a live recital. Which would also be set as a milestone in his musical career.
\n\n\n\n
Program
\n\nDivertimento
\n\nKlonos
\n\nRhapsody on Japanese Folk Songs
\n\nTaiwanese Rhapsody
\n\nPaganini Lost
\n\n\n\n
Creative and Production Team
\n\nSAXOPHONE|SHAO- CHIA HSU
\n\nPiano|CHEN Rou-an、CHEN Yi-ju
\n\n\n\n
\n',team:""},createdAt:1657166150,updatedAt:1658301583,updatedBy:"林蔚行",host:!1},{_id:"62c695a2869db0000720bd2e",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1658372400,discrete:[],type:"continuous",continuous:{time:[1657162800],endTime:[1657198800],start:1658332800,end:1664035200}},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8d6c6f6d9182564364bce24d9141d4",title:"祈福許願樹"}],related:[{from:"links",key:"6258df5c7406e30007ca05ed",title:"康木祥《如意生命》特展"},{from:"programs",key:"6296013a68f93b0007f52df1",title:"《上帝與家園的浪漫 – 臺灣音樂家陳泗治逝世三十周年紀念特展》"}],title:"祈福許願樹",cover:"7e22dd294200a556ec6babe90ee9bfa1",site:{isOther:!0,site:"",other:"榕樹廣場西側平台"},cautions:"",benefits:"",description:"祈福的瞬間,就是夢想的開始。透過科技與藝術的結合,在絢麗多彩的科技顯示技術下,將您的祈福心願,呈現在一張張的晶透屏幕中,傳遞到每一個人的心裡。",introduction:'
在這個紛亂的社會氛圍中,令人擔憂的疫情蔓延下,來祈個福、許個願吧!不管您在何地,只要透過Line App,就可以將您寶貴的祝福心願,傳遞到祈福許願樹上,讓您最心愛的人,深深感受到最誠摯的祝福!
\n\n經濟部技術處科技專案支持下,透過科技與藝術的完美結合,祈福許願樹將帶給您一場高科技的燈光、音樂饗宴,在衛武營環抱的藝術殿堂中,欣賞絢爛奪目,意境深遠的聲光展演!
\n\n孩子們最愛的可愛生物,活靈活現的在樹梢、樹幹間奔跑穿梭,還可以呈現在互動遊戲中由孩子們的雙手控制移動,營造最美麗的親子互動時光!
\n\n\n\n
開放時間
\n\n2022/7/9(六)-9/25(日)11:00-21:00
\n\n\n\n
製作團隊
\n\n工研院電子與光電系統研究所
\n\n人森工作室 涂皓欽 創辦人
\n\n中華民國工業設計協會副理事長 曾俊儒教授
\n\n成輝光電有限公司 詹茂華 董事長
\n\n偉揚藝術有限公司 吳佳展 董事長
\n\n酷奇思數位園有限公司 劉淑芬 總經理
\n\n\n\n
照片版權:財團法人工業技術研究院
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db8d6c6f6d9182564364bce24d9141d4",title:"祈福許願樹"}],related:[],title:"Wishing Tree",cover:"7e22dd294200a556ec6babe90ee9bfa1",site:{isOther:!0,site:"",other:"Banyan Plaza"},cautions:"",benefits:"",description:"The moment to make a wish is the moment to make the dream come true.",introduction:'
The moment to make a wish is the moment to make the dream come true. The combination of technology and art under the colorful transparent displays deliver wishes to warmup everyone's heart.
\n\n\n\n
Production Teams
\n\nKevin C. Tseng, Deputy Director-general of Chinese Industrial Designers Association
\n\nCooky Liu, Chief Executive Officer of COOKY'S Digital Park Limited Company
\n\nSmoky Tu, Founder of Foresters Studio
\n\nWoody Chen, Chairman of TOPRGB OPTO Limited Company
\n\nChia-Chan Wu, Chairman of Wei Yang Iron Works Co., LTD.
\n\nIntelligent Vision System Division, Industrial Technology Research Institute
\n\n\n',team:""},createdAt:1657181602,updatedAt:1660897852,updatedBy:"通泰系統管理員",host:!1},{_id:"62cbdfc6869db0000721d22b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662274800,discrete:[{time:1662274800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N20EAKPB"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84a73791bdf0ed7e1245f75824ee5e77",title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》"}],related:[],title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》",cover:"14ca41bbce2b33e0e932ad17b4071b05",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市管樂團自2012年成立以來,已經舉辦了超過百場的音樂會屢屢深獲好評,2022年適逢為高雄市管樂團創團十週年,我們首檔合作對象將邀請國內相當知名的單簧管重奏團–魔笛單簧管四重奏合作,規劃一場以單簧管為主軸精彩的音樂會,除了演出席布卡的《單簧管旋風》與那瓦羅的《劍客們》兩首精彩的奏曲之外,也會由駐團作曲家周宣宏為本場音樂會創作一首給單簧管四重奏與管樂團的原創曲目,於當天進行全球首演,希望能創造更多話題吸引全國單簧管與管樂學習者前來高雄參與這場年度盛會。
\n\n\n\n
演出曲目
\n\n蘇佩:《維也納的晨、午、晚》序曲
\n\n理查‧史特勞斯:玫瑰騎士組曲
\n\n席布卡:單簧管旋風
\n\n納瓦羅:劍客們
\n\n周宣宏:給單簧管四重奏與管樂團
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n樂團|高雄市管樂團
\n\n魔笛單簧管四重奏|黃荻、林佩筠、韓健峰、林志謙
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"84a73791bdf0ed7e1245f75824ee5e77",title:"《單簧饗宴–魔笛單簧管四重奏與高雄市管樂團》"}],related:[],title:"Clarinet Fest",cover:"14ca41bbce2b33e0e932ad17b4071b05",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since founded in 2012, the Kaohsiung City Wind Orchestra has presented more than one hundred concerts. 2022 is the KCWO's 10th anniversary. The very first of the concert series to celebrate our 10th anniversary will work with the famous Magic Clarinet Quartet. We will present a concert with wonderful repertoire featuring clarinet, including Cibulka's Clarinova and Navarro's The Musketeers Fantasy. A new piece for clarinet quartet and wind symphony by the KCWO's composer in resident CHOU Hsuan-Hung will also be premiered.
\n\n\n\n
Program
\n\nFranz von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien Overture
\n\nRichard Strauss: Rosenkavalier Suite
\n\nFranz Cibulka: Clarinova
\n\nÓscar Navarro: "The Musketeers" Fantasy
\n\nHsuan-Hung CHOU: Concerto for Clarinet Quartet and Wind Band
\n\n\n\n
Creative and Production Team
\n\nConductor|Wang, CHAN
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\nMagic Clarinet Quartet|Ti HUANG, Pei-Yun LIN, Chien-Feng HAN, Chih-Chien LIN
\n\n\n\n
\n',team:""},createdAt:1657528262,updatedAt:1658923894,updatedBy:"林蔚行",host:!1},{_id:"62ceb27a7d37500007472e27",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661167800,discrete:[{time:1661167800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300],link:"https://www.opentix.life/event/1542323921765130245"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1dbc147267ced16de69b0d4952fce812",title:"《巴巴里海盜--2022大義國中管樂團成果發表會》"}],related:[],title:"《巴巴里海盜--2022大義國中管樂團成果發表會》",cover:"5ba0768024435a5925975fe17d4dcdae",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
大義國中管樂團及所屬之打擊樂合奏及銅管五重奏團年年皆獲全國學生音樂比賽決賽及高雄市初賽特優或優等佳績,經常受邀至公家機關、學校、社區、民間公益團體、高雄管樂節展演,皆深獲好評。在在顯示本校管樂團不僅是大義國中的學校特色,且在本區中頗具知名度,受到大家的矚目。今年管樂班將於8月22日晚上7:30舉辦年度展演,內容含Barbaresque、鬼滅之刃組曲、逆風飛翔、龍貓、第九Brass Rock等,邀請您一同參與音樂的饗宴!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|陳建興、游弋姍、王蕙心、黃鈺程
\n\n演出人員|黃鈺程、王柏峻、吳以安、邱桓飛、施經浩、張仕鈞、毛宇婕、田歆婕、吳苡瑄、李宜臻、林妤庭、林怡亭、林琦悅、孫子惠、張榕芯、陳姿廷、陳詠欣、廖凱訢、趙葦錡、吳培郡、芮以理、胡彥廷、陳柏禕、楊朝允、謝豪聖、李佩潔、邱雅歆、洪昕妘、馬毓婷、許湘婷、蔡彣君、謝芷欣、吳苡睿、莊承秝、李思樊、古承裕、林均融、陳禹衡、陳雲亮、陳語霈、謝明家、龔子桓、古佳妏、周昕霏、程思昕、黃子馨、葉書妍、廖家宜、蔡函伃、蔡孟樺
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1dbc147267ced16de69b0d4952fce812",title:"《巴巴里海盜--2022大義國中管樂團成果發表會》"}],related:[],title:"2022 Da-Yi Junior High School Wind Orchestra Concert",cover:"5ba0768024435a5925975fe17d4dcdae",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Dayi Wind Ensemble and its affiliated percussion ensemble and brass quintet have won the finals of the National Student Music Competition and the Kaohsiung City Preliminary Competition with excellent results every year. They are often invited to public institutions, schools, communities, non-governmental public welfare organizations, Kaohsiung Wind Music Festival performances were well received. It is showing that the school's wind band is not only a school characteristic of Dayi Middle School, but also quite well-known in the district, attracting everyone's attention. This year's Wind Band will hold an annual performance at 7:30 pm on August 22, including Barbaresque, The Blade of Demon Slayer, Flying Against the Wind, My Neighbor Totoro, the Ninth Brass Rock, etc. You are invited to participate in the music feast!
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nProduction Team|Chen Jianxing, You Yishan, Wang Huixin, Huang Yucheng
\n\nPerformers|Huang Yucheng, Wang Bojun, Wu Yian, Qiu Huanfei, Shi Jinghao, Zhang Shijun, Mao Yujie, Tian Xinjie, Wu Yixuan, Li Yizhen, Lin Yuting, Lin Yiting, Lin Qiyue, Sun Zihui, Zhang Rongxin, Chen Ziting, Chen Yongxin, Liao Kaixin, Zhao Weiqi, Wu Peijun, Rui Yili, Hu Yanting, Chen Baiyi, Yang Chaoyun, Xie Haosheng, Li Peijie, Qiu Yaxin, Hong Xinyu, Ma Yuting, Xu Xiangting, Cai Yujun, Xie Zhixin, Wu Yirui, Zhuang Chengyu, Li Sifan, Gu Chengyu, Lin Junrong, Chen Yuheng, Chen Yunliang, Chen Yupei, Xie Mingjia, Gong Zihuan, Gu Jiagu, Zhou Xinfei, Cheng Sixin, Huang Zixin, Ye Shuyan, Liao Jiayi, Cai Handing, Cai Menghua
\n\n\n\n
\n',team:""},createdAt:1657713274,updatedAt:1660915082,updatedBy:"通泰系統管理員",host:!1},{_id:"62cec364869db00007228857",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660044600,discrete:[{time:1660044600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1545400689080033281"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6f54ccb956e008f0511c6e5432e8851b",title:"《2022 台灣青年節慶合唱團巡迴音樂會》"}],related:[],title:"《2022 台灣青年節慶合唱團巡迴音樂會》",cover:"003ff56c26f4b41d7a4db22384841ce4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「台灣青年節慶合唱團」正式邁入第十七年里程碑,我們很榮幸邀請美國西北學院音樂系主任 Thomas Holm 與美國南加州大學桑頓分校合唱音樂副教授暨指揮Cristian Grases擔任客席指揮,與福爾摩沙合唱團藝術總監蘇慶俊一同指導來自全臺灣各地愛唱歌的年輕學子,為培育全國各地合唱音樂人才,興盛臺灣合唱音樂文化紮根善盡心力: 「青」,是我們的名,我們是青年,所以大聲唱出年輕的希望!
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|蘇慶俊
\n\n客席指揮|Thomas Holm, Cristian Grases
\n\n演唱|2022 台灣青年節慶合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6f54ccb956e008f0511c6e5432e8851b",title:"《2022 台灣青年節慶合唱團巡迴音樂會》"}],related:[],title:"2022 TYFC Concert",cover:"003ff56c26f4b41d7a4db22384841ce4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Taiwan Youth Festival Choir aims to offer remarkable educational and social experiences in choral music to the youngsters, targeting love-choiring young singers between the ages of 15 and 22 from all over Taiwan, and around 120 young singers will be together singing as one each summer. This year we invite guest conductors: Thomas Holm, Cristian Grases, and the Formosa Singer's artistic director Ching-Chun SU to join us. It will be a fun and fantastic concert!
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Ching-Chung SU
\n\nGuest Conductor|Thomas Holm, Cristian Grases
\n\nChoir|2022 Taiwan Youth Festival Choir
\n\n\n\n
\n',team:""},createdAt:1657717604,updatedAt:1657871427,updatedBy:"林蔚行",host:!1},{_id:"62cfb2fe7d3750000747cc73",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1662188400,discrete:[{time:1662188400},{time:1662274800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a23830763f2577eb2e82251b01dd2bfd",title:"《武營秋浪漫 休揪看芭蕾》"}],related:[],title:"《武營秋浪漫 休揪看芭蕾》",cover:"8ca535f0574557dba0f0111efa4a1ab7",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
和風徐徐,初秋的午後
\n\n睽違兩年
\n\n台灣芭蕾舞團再次將芭蕾精緻藝術帶出劇院
\n\n\n\n
此次演出為戶外推廣演出,以古典小品以及本團創作為主,輔以芭蕾歷史、芭蕾訓練解析,並採互動式分享,讓民眾們近距離認識芭蕾起源與歷史,老少咸宜
\n\n✨休(show)揪(join)一起看芭蕾✨
\n\n\n\n
舞團介紹
\n\n台灣芭蕾舞團
\n\n2017年初華人古典芭蕾界崛起新能量!
\n\n由在台灣芭蕾舞蹈教育耕耘三十年的舞者、編舞家、芭蕾教師莊媛婷,發起創立的台灣芭蕾舞團,舞團計畫從台北到高雄落地深耕,藉由古典芭蕾的國際語言,堅持每年創作具有台灣底蘊的作品,我們積極創新、跨界破框,芭蕾搭配重金屬、臺灣民謠、原住民歌謠等,實踐「愈在地、愈國際」的溝通力量。
\n\n我們相信,舞蹈欣賞不應該侷限於社會中特定的階層和對象;秉持對芭蕾的熱愛以及對台灣芭蕾教育的堅持,我們期待以芭蕾藝術做為媒介,培養藝術欣賞人口。
\n\n\n\n\n\n
觀眾回饋
\n\n★諦聽古典音樂的優美,聆賞專業舞者的表現,沉浸藝術美學的洗禮。舞者台上專心、認真與投入的神情,,一顰一笑、一舉手投足, 牽繫著舞動芭蕾的夢想和圓自己土地的台灣藝術夢。 藉由他們分享自我成功與失敗的寶貴經驗中,鼓勵台下聆聽的每個人, 也能獲得正向、積極與勇於面對的生命力量。 期待始於在地的藝術團體【台灣芭蕾舞團】,在自己的土地上舞動、 分享、傳播的熱情能持續發散、影響並廣及更多的藝術力量。——台東新園國小校長 李惠敏
\n\n\n\n
「今天看了舞劇,很感動很精彩,真的是屬於臺灣的芭蕾舞。很希望這難得的表演可以場場爆滿,讓更多臺灣人也可以從舞蹈得到存在的力量!」——導演 魏德聖
\n\n\n\n
演出團隊
\n\n主持⼈|莊媛婷、洪嘉鈴
\n\n特邀舞者|青山由佳
\n\n舞者|陳玟樺、陳亭妤、翁佩姍、陳卉溱、杜筱琪、顧淑暖、呂思韻、謝芷嫻、胡育政
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a23830763f2577eb2e82251b01dd2bfd",title:"《武營秋浪漫 休揪看芭蕾》"}],related:[],title:"Romantic Autumn Ballet Afternoons at Weiwuying",cover:"8ca535f0574557dba0f0111efa4a1ab7",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
It's been two years since we've met in the windy afternoons of early autumn.
\nTaiwan Ballet Company is wince again bringing the exquisiteness of ballet out of the theatre.
\n
\nThis performance will be an outdoor promotional performance featuring short classical pieces as well as our original choreography. We will present ballet history as well as analysis of ballet training to allow the audience, young and old, to get to know the history and origins of ballet first hand.
\n
\nJoin us for an afternoon of ballet!
\n\n
\n",team:""},createdAt:1657778942,updatedAt:1661753025,updatedBy:"林蔚行",host:!1},{_id:"62d52312869db00007239eee",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660458600,discrete:[{time:1660458600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100],link:"https://www.opentix.life/event/1545295991699124226"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"344a64e1e9f793845434f248bfe2075c",title:"《2022 NTSO國際青少年管弦樂營成果音樂會》"}],related:[],title:"《2022 NTSO國際青少年管弦樂營成果音樂會》",cover:"ee90aed60052737d2f66522346c734bc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
國臺交為提供青少年正規管弦樂團之訓練與演出機會,自1992年開辦國際青少年管弦樂營,公開徵選國內音樂學子於暑假集訓並辦理成果展演,開啟國內夏令營優質教學環境之先河。今年是國際青少年管弦樂營第三度造訪衛武營,由廖國敏老師領銜指揮,除演奏葛令卡的《盧斯蘭與魯蜜拉》序曲、我國作曲家蕭泰然所著的《來自福爾摩沙的天使》,攜手加拿大籍小提琴家尼積‧喬伊共演蕭頌的《詩曲》及拉威爾的《吉普賽人》等炫技曲目外,並將演出 馬勒D大調第一號交響曲 ,帶領營隊學員共同挑戰古典音樂之巔峰。
\n\n\n\n
國臺交自1992年開辦國際青少年管弦樂營迄今第三度造訪衛武營,本次由新銳指揮家廖國敏帶領學員,將演奏 馬勒D大調第一號交響曲 等經典曲目。
\n\n\n\n
演出曲目
\n\n葛令卡:《盧斯蘭與魯蜜拉》序曲
\n\n蕭泰然:來自福爾摩沙的天使
\n\n蕭頌:詩曲,作品編號25
\n\n拉威爾:吉普賽人,作品編號76
\n\n馬勒:D大調第一號交響曲
\n\n\n\n
演出暨製作團隊
\n\n國立臺灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"344a64e1e9f793845434f248bfe2075c",title:"《2022 NTSO國際青少年管弦樂營成果音樂會》"}],related:[],title:"2022 NTSO International Youth Orchestra Camp Concert",cover:"ee90aed60052737d2f66522346c734bc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The International Youth Orchestra Camp presented by the National Taiwan Symphony Orchestra (hereafter referred to as the NTSO) offers an invigorating environment for outstanding young musicians to take lessons from professional musicians and most sought-after teachers, and to participate in the youth orchestra for performances in major concert halls. All faculty members are renowned musicians from the most elite conservatories and orchestras around the world. This year NTSO invite Kuok-Man Lio as the conductor of the orchestra and will lead the members of NTSO Youth Orchestra to perform the iconic "Titan"—Symphony No.1 composed by Rossini, hope to bring the positive power to the world to peak forward during the critical time of pandemic.
\n\nThis is the third time for the International Youth Orchestra Camp, presented by the National Taiwan Symphony Orchestra, to perform in the Weiwuying Concert Hall. Kuok-Man LIO will conduct the Symphony No.1 "Titan" by G. Mahler and other iconic pieces.
\n\n\n\n
Program
\n\nM. Glinka: Ruslan and Lyudmila Overture
\n\nTyzen Hsiao: The Angel from Formosa
\n\nE. Chausson: Poème, op.25
\n\nM. Ravel: Tzigane, m.76
\n\nG. Mahler: Symphony No.1 "Titan"
\n\n\n\n
Creative and Production Team
\n\nNational Taiwan Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1658135314,updatedAt:1658315992,updatedBy:"林蔚行",host:!1},{_id:"62dfa13e869db000072547a3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661167800,discrete:[{time:1661167800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1500],link:"https://www.opentix.life/event/1546792373804191749"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2293b2c380b6366bb3a726647be966f8",title:"《從古典到浪漫-歌劇的重唱世界》"}],related:[],title:"《從古典到浪漫-歌劇的重唱世界》",cover:"c41e0ef798c466bee0551b97b3de544d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
不同於獨吟的詠唱調,歌劇中最富戲劇光彩的時刻,都是眾角以歌聲交鋒的重唱片段。從莫札特的靈光、董尼采第的逗趣、威爾第的激昂到普契尼的多情,由高雄出身的眾聲樂家們,帶來經典歌劇的著名選段,呈現歌劇中最多彩、夢幻的時刻。
\n\n\n\n
演出曲目
\n\n◎莫札特:《魔笛》(Die Zauberflöte)
\n1. 詠嘆調〈我正是一個捕鳥人〉
\n2. 二重唱〈感受到愛情的男人們〉
\n3. 二重唱〈帕-帕-帕-帕帕基諾〉
\n
\n◎莫札特:《女人皆如此》(Così fan tutte)
\n4. 二重唱〈啊,看呀,妹妹〉
\n
\n◎董尼才悌:《愛情靈藥》(L'elisir d'amore)
\n5. 二重唱〈喔,阿笛娜,請聽我一語… 去問那討好人的微風〉
\n
\n◎董尼才悌:《巴斯瓜雷先生》(Don Pasquale)
\n6. 二重唱與終曲〈那醫生還不來… 我已經準備好了〉
\n
\n◎德利伯:《拉克美》(Lakmé)
\n7. 花之二重唱〈在那圓頂下〉
\n
\n◎比才:《採珠人》(Les Pêcheurs de perles)
\n8. 詠嘆調〈我彷彿又再聽見〉
\n9. 二重唱〈在那神殿深處〉
\n
\n◎古諾:《羅密歐與茱麗葉》(Roméo et Juliette)
\n10. 詠嘆調〈我願活在美夢之中〉
\n11. 詠嘆調〈小白鴿,你在做什麼呢?〉
\n
\n◎古諾:《浮士德》(Faust)
\n12. 詠嘆調〈向你致敬,貞潔的小屋〉
\n13. 詠嘆調〈天啊,這珠寶!…啊,我在鏡中笑看自己的美貌〉
\n
\n◎普契尼:《波西米亞人》(La Bohème)
\n14. 第三幕
\n\n
演出暨製作團隊
\n\n主辦單位|葡萄樹親子樂集
\n\n女高音|潘心心、謝宜倩 、蒲孝慈
\n\n次女高音|陳韻如
\n\n男高音|方偉臣、花恩智
\n\n男中音|陳集安
\n\n鋼琴合作|張詠舜
\n\n導聆|曹銘倉
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2293b2c380b6366bb3a726647be966f8",title:"《從古典到浪漫-歌劇的重唱世界》"}],related:[],title:"Opera Highlight",cover:"c41e0ef798c466bee0551b97b3de544d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert is designed for our guest to experlence drama and comedy in some of the most famous opera ensembles, including works of Mozart,Donizetti,Verdi and Puccini.
\n\n\n\n
Creative and Production Team
\n\nPerformers|
\n\nPAN hsin hsin、HSIEH yi chien、PU hsiao tzu、 CHEN yun ju、FANG wei chen、HUA en jhih、HSU yi sheng、CHEN chi an、CHANG yung shun
\n',team:""},createdAt:1658822974,updatedAt:1660915047,updatedBy:"通泰系統管理員",host:!1},{_id:"62e77b74869db0000727266d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661772600,discrete:[{time:1661772600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1551780023257509893"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"08ca43bf67d6ea7c811f43b5b0694974",title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團"}],related:[],title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團",cover:"640ce233c5cbd66c35e3a61fc3cd0e00",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'南科音樂營教師管樂團將在本(111)年度首次於衛武營國家藝術文化中心演出,本次演出除特別邀請台北青年管樂團音樂家們,更邀請知名管風琴演奏家-余曉怡老師一同攜手合作,演出動人的管風琴與管樂團協奏曲;期待在酷熱的8月,為高雄愛樂朋友們帶來一場專業度十足且與眾不同的音樂會。
\n\n南科音樂營創辦於2015年,每年暑期假臺南科學園區舉行,營隊辦理期間均邀請國內外知名音樂家們擔任講師,希望藉由各地不同師資教導,讓學生於營隊中習得不同以往的音樂專業知識及技巧;學生們更可於營隊中與他校學生進一步交流,共同切磋,以達學習音樂獨樂樂不如眾樂樂、共榮共好之目標。
\n\n除專業音樂課程安排,營隊同時與國立臺南藝術大學、東吳大學、實踐大學等國內音樂系所合作策劃演出節目;演繹經典曲目外,也致力於探究當代創新作品,合作對象包括Jose Ignacio Blesa Lull、Joe Burgstaller、Julie Desbordes、工藤重典、鈴木英史、陳威陵、蔡佳修、李胤含、陳雅菁、林薏蕙、陳淞瑋、賴俊諺、林志謙、莊維霖、莊凱圍、韓健峰等知名音樂家,多年來演出皆廣受好評。
\n\n本次演出團隊由南科實中管樂團指揮林裕錫擔任音樂營總監,台北青年管樂團藝術總監侯宇彪擔任常任指揮;演出團員為營隊期間所邀請國內外優秀器樂演奏家,希冀在教學外,亦能以實際演奏為音樂營學員樹立良好學習典範,並為當日聽眾帶來精采的音樂饗宴。
\n\n\n\n
演出曲目
\n\nAlfred Reed / Alleluia! Laudamus Te
\n\nMichael Daugherty / Niagara Falls
\n\nAdam Gorb / Yiddish Dances
\n\nEugène Gigout / Grand Choeur Dialogué
\n\nThomas Trachsel / Concertino for Organ and Symphonic Wind Band
\n\n\n\n
演出暨製作團隊
\n\n樂團|南科音樂營教師管樂團feat.台北青年管樂團
\n\n指揮|侯宇彪
\n\n管風琴獨奏|余曉怡
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"08ca43bf67d6ea7c811f43b5b0694974",title:"《管風齊鳴》余曉怡X台北青管X南科音樂營教師管樂團"}],related:[],title:"2022 TSB International Master Concert-Johan de Meij",cover:"640ce233c5cbd66c35e3a61fc3cd0e00",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The First Taipei Symphonic Band concert at Kaoshiung in 2022, the band will invite the famous Nanke Summer Music Camp Faculty Band to perform together, also the wonderful organist Hsiao-Yi Yu will perform an organ concerto with TSB.
\n\n\n\n
Program
\n\nAlfred Reed / Alleluia! Laudamus Te
\n\nMichael Daugherty / Niagara Falls
\n\nAdam Gorb / Yiddish Dances
\n\nEugène Gigout / Grand Choeur Dialogué
\n\nThomas Trachsel / Concertino for Organ and Symphonic Wind Band
\n\n\n\n
Creative and Production Team
\n\nBand|Nanke Summer Music Camp Faculty Band feat. Taipei Symphonic Band
\n\nConductor|Leonard Yu-Biau Hou
\n\nOrganist|Hsiao-Yi Yu
\n\n\n\n
\n',team:""},createdAt:1659337588,updatedAt:1660895469,updatedBy:"通泰系統管理員",host:!1},{_id:"62f08952e924a300074ccbed",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661859e3,discrete:[{time:1661859e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,200,300],link:"https://www.opentix.life/event/1554020053692203013"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a518a42c96dfd7498c0af3565fe81f59",title:"《大海蒼蒼,高山昂昂》南一中百年校慶X校友管樂團第53次音樂會"}],related:[],title:"《大海蒼蒼,高山昂昂》南一中百年校慶X校友管樂團第53次音樂會",cover:"1de5299e99e49fb8aca19be8d20888ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺南一中歡慶百年校慶,過去一年於衛武營國家藝術中心、臺南文化中心、南一中群英堂等舉辦多場百年校慶系列音樂會,場場廣受好評。其中,半年前由臺南一中校友管樂團擔綱演奏的《百年築緣》音樂會,更是唯一登上國家級場館衛武營音樂廳的演出,感動近千位觀眾。
\n\n今年夏天,臺南一中校友管樂團將於8/30再次登上衛武營音樂廳作為百年校慶的壓軸演出。音樂會以母校校歌歌詞「大海蒼蒼,高山昂昂」作為主題發想,策劃一系列與大海、高山呼應之曲目,以精彩的樂音慶祝臺南一中的一百年,歡迎各位南一中的朋友一同蒞臨音樂會!
\n\n\n\n
演出曲目
\n\n清水大輔:《傳說的南極遠征》
\n\n布爾基:《磁山》
\n\n朱雲嵩/編曲─林晉名:《魚姬傳說》
\n\n哈佐:《馳騁》
\n\n史巴克:《高地組曲》
\n\n岩井直溥:《日本風情畫七—糖果合唱團精選》
\n\n\n\n
樂團介紹
\n\n臺南一中校友管樂團
\n\n1993年的臺南,處暑方過,在竹園岡上,甫褪下高中制服的一群青年為了音樂與彼此的情誼,憑著青春熱血,在蘇榮苗老師的指導下,成立了臺南一中校友管樂團。隨著時間流逝,樂團逐漸成長茁壯,至今已近三十個年頭,每年寒暑舉辦的「竹園留聲」音樂會,讓橫跨卅屆的竹園學子齊聚演出,帶給各方愛樂者豐富的音樂饗宴。
\n\n自創立以來,臺南一中校友管樂團立下許多里程碑——臺南歷史最悠久的管樂團,臺南第一個經政府立案為演藝團體的校友管樂團,臺灣唯一每年推出兩檔大型演出之校友管樂團,臺南第一個登上國家音樂廳、且唯一兩度登上國家音樂廳的管樂團等。為了讓更多人聽到來自「竹園岡」的聲音,樂團足跡遍布臺灣各地,不斷拉近音樂與人之間的距離。
\n\n1996年至2015年,樂團由指揮家馮麗朱老師擔任常任指揮,在關鍵時刻伴隨樂團成長,帶領樂團至新的階段。除了馮老師之外,樂團也與各地指揮家、音樂名家、校友共同合作,迴響熱烈。2015年,馮老師卸下常任指揮一職後,樂團仍持續與各方客席指揮激盪出絢爛的火花,更與各種領域之藝術家合作,嘗試為音樂圈帶來更多可能性。
\n\n邁過四分之一世紀,臺南一中校友管樂團臻於成熟,音樂風格穩健豐富。除了追求更完美的音樂表演,樂團也將繼續向前,為管樂藝術帶來更多創新展演,並以成為臺灣最熱情的管樂團為目標,築夢踏實。
\n\n\n\n
指揮介紹
\n\n林晉名
\n\n“具有唯美與精確的技巧” (羅徹斯特愛樂交響樂團長笛首席Rebecca Gilbert)
\n\n“富音樂性、技術精湛、具領導魅力” (指揮家、作曲家 Eduardo-Alonso Crespo)
\n\n“真誠不做作,能將豐富的音樂與情感賦予樂團” (馬里蘭交響樂團音樂總監Elizabeth Schulze)
\n\n受父母啟發接觸音樂,台南家專音樂科主修鋼琴、副修打擊樂,東海大學音樂系主修鋼琴、副修國樂和指揮,後赴美取得卡內基美隆大學鋼琴演奏碩士,並選修指揮與作曲個別課,畢業獲頒Phi Kappa Phi、Pi Kappa Lambda兩項學術殊榮,再以全額獎學金攻讀路易斯安那州立大學音樂藝術博士學位,同時完成管弦指揮碩士並擔任管弦樂團助理指揮。曾獲選歐美數個重要的指揮大師班,如Eastman School of Music Summer Conducting Institute、American Symphony Orchestra League Donald Thulean Conducting Workshop、California Conducting Institute、Institute Musical de Provence-Aubagne(Fr.)、Rose City International Conductors Workshop、Conductors Guild Fredonia Training Workshop與著名指揮家和職業樂團近身學習。
\n\n回國後意外踏進陌生的管樂合奏領域,深知自己不足時常參與國內外相關研習,如Art of Wind Band Teaching Symposium(UMN)、Wind Conducting and Teaching Workshop(TU)、Rodney Winther Conducting Symposium Taipei、Douglas Bostock Conducting Masterclass(NTHU)等,進而投入管樂合奏教學與研究,除協助長榮大學建立管樂社和國樂社外,曾指導台南二中管樂社連續多年獲得全國音樂比賽特優佳績,並帶領樂團參與亞太管樂節、澳門管樂藝術節、嘉義國際管樂節、台南管樂藝術季和南瀛國際音樂節等音樂會演出,另受邀指揮教育部國教署南區高級中等學校管樂觀摩演練和嘉義市青年管弦樂團音樂營《合奏的理念與實踐》講師,並時常擔任全國音樂比賽評審。
\n\n曾於臺東大學音樂系教授管弦樂合奏及指揮主修碩士課程,並受邀指揮成功大學管樂團、逢甲大學校友管樂團、臺南一中校友管樂團、鳳山高中校友管樂團、薪傳介壽校友管樂團、高雄之音管樂團、高雄夢想家青年管樂團、嘉頌重奏團、臺東回響樂團和台南藝術大學音樂劇《荒之島國》等音樂會。國樂方面曾任中國醫藥大學國樂社和成功大學國樂研究社指導老師,指揮成功大學86週年校慶音樂會《中西交響詩》及高雄應用科技大學南區國樂聯盟《犇》、《祭》和《澐》系列音樂會。2015年起指揮臺南二中校友管樂團演出多場具學術價值之專題音樂會,2020年以指揮專長升等通過並將研究成果出版專書【誰殺了哥白尼―音樂會曲目分析與指揮詮釋】。目前為長榮大學通識教育中心專任副教授,致力於音樂教育的推廣與深化。
\n\n\n\n
演出暨製作團隊
\n\n樂團|臺南一中校友管樂團
\n\n客席指揮|林晉名
\n\n樂團團長|王浩宇
\n\n行政總監|吳銘基
\n\n音樂總監|楊子萱
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a518a42c96dfd7498c0af3565fe81f59",title:"The 53rd Concert of Tainan Alumni Band"}],related:[],title:"The 53rd Concert of Tainan Alumni Band",cover:"1de5299e99e49fb8aca19be8d20888ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
To celebrate 100th anniversary of National Tainan Senior High School, the 53rd Concert of Tainan Alumni Band will be held with splendid concert pieces according to the meaning of the school song.
\n\n\n\n
Program
\n\nTo My Comrades - Shacleton's Legendary Antartic Expedition / Daisuke Shimizu
\n\nThe Magnetic Mountain / Mario Bürki
\n\nThe Legend of Takrahaz / Yun-Song Zhu
\n\nRide / Samuel R. Hazo
\n\nSuite from Hymn of the Highlands / Philip Sparke
\n\nJapanese Graffiti VII - Candies Medley / Naohiro Iwai
\n\n\n\n
Creative and Production Team
\n\nPerformance Groups|Tainan Alumni Band
\n\nGuest Conductor|LIN Chin-Ming
\n\nBand Director|WANG Hao-Yu
\n\nAdministration Director|Wu Ming-Chi
\n\nMusic Director|YANG ZIH-SYUAN
\n\n\n\n
\n',team:""},createdAt:1659930962,updatedAt:1661134659,updatedBy:"林蔚行",host:!1},{_id:"62f49b1d9601d60007211ab3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662031800,discrete:[{time:1662031800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1554086847653105666"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b48f31dede2ad416d38c7506dfa00d9f",title:"《蔡佩娟2022鋼琴獨奏會》"}],related:[],title:"《蔡佩娟2022鋼琴獨奏會》",cover:"1e393ff1797315e47f750141478cc91d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
鋼琴家蔡佩娟將從精緻華美的巴哈揭開這場獨奏會的序幕、經過海頓、帶到史克里亞賓與李斯特,引領著聽眾進入一個長廊,進入一個無比浪漫、幻想馳騁的寬闊世界。整場音樂會在蔡佩娟的安排下,彷彿是個澄淨的四面體,光線透過四面體的不同角度會析出不同的顏色,光線顏色跳動變化,在有形的物體和無形的光之間,交織著光線色彩在這當中穿梭流動的自由與幻想,在音樂的框架中,樂音自由馳騁。
\n\n\n\n
演出曲目
\n\n巴赫 / 第二號C小調組曲
\n\n海頓 / 降E大調奏鳴曲
\n\n拉赫瑪尼諾夫 /音畫練習曲,作品39,第二號A小調
\n\n斯克里亞賓 / 第二號升G小調奏鳴曲,作品19
\n\n蕭邦 / 幻想波蘭舞曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|蔡佩娟
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b48f31dede2ad416d38c7506dfa00d9f",title:"《蔡佩娟2022鋼琴獨奏會》"}],related:[],title:"TSAI Pei-Chun 2022 Piano Recital",cover:"1e393ff1797315e47f750141478cc91d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
There is a kind of freedom that breaks out from the framework and discards the old model, and there is a kind of freedom that creates the maximum amount of flexibility within the framework.
\n\n\n\n
Program
\n\nJ. S. Bach / Partita no.2 in c minor
\n\nJ. Haydn / Sonata in E flat Major Hob.XVI:52
\n\nS. Rachmaninoff / Études-Tableaux Op. 39, No.2 in A-Minor
\n\nA. Scriabin / Sonata No.2 in G-sharp Minor, Op.19
\n\nF. Chopin / Poloniase-Fantasie op.61 in A-flat Major
\n\n\n\n
Creative and Production Team
\n\nPiano | TSAI Pei-chuan
\n\n\n\n
\n',team:""},createdAt:1660197661,updatedAt:1660620420,updatedBy:"通泰系統管理員",host:!1},{_id:"62f4a0b96f2d780008775912",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1662118200,discrete:[{time:1662118200},{time:1662273e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program Cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c1edfc30c0802cc9f15856f1e4ea6dae",title:"《蘇勒斯2022鋼琴獨奏會》"}],related:[],title:"「節目取消」《蘇勒斯2022鋼琴獨奏會》",cover:"c120e5fccffda543b2932220eb4b254e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂於2022年9月2日(五)19:30及2022年9月4日(日)14:30於表演廳演出之《蘇勒斯2022鋼琴獨奏會》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年9月15日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
蘇勒斯的曲目涉獵甚廣,曾與巴黎的室內樂團與聖馬洛室內樂團合作演出,在葡萄牙、柯隆、洛杉磯、巴黎、波昂等地參與音樂節。2008-2012年間,他在德國的魯爾音樂節舉行音樂會。2012年,蘇勒斯在第67屆日內瓦國際大賽中同時拿下首獎、寶璣特殊大奬「寶璣之愛」、觀眾票選獎、年輕聽眾的特別獎,以及法國航空KLM大獎。
\n\n\n\n
演出曲目
\n\n9月2日(五)
\n\n阿爾班尼士:伊貝利亞
\n\n第一冊
\n\n一、回憶
\n\n二、海港
\n\n三、聖禮節
\n\n第二冊
\n\n一、隆德納舞曲
\n\n二、阿美利亞
\n\n三、杜利亞納
\n\n──中場休息──
\n\n德布西:映像
\n\n第一冊
\n\n一、水之倒影
\n\n二、向拉摩致敬
\n\n三、動態
\n\n第二冊
\n\n一、林間鐘聲
\n\n二、月落古廟
\n\n三、金魚
\n\n\n\n
9月4日(日)
\n\n貝多芬:C小調主題與32首變奏曲,WoO 80
\n\n史卡拉第:F大調奏鳴曲,K. 6
\n\n史卡拉第:d小調奏鳴曲,K. 9
\n\n史卡拉第:G大調奏鳴曲,K. 13
\n\n法雅:貝提卡幻想曲
\n\n──中場休息──
\n\n阿爾班尼士:伊貝利亞
\n\n第三冊
\n\n一、阿爾拜辛
\n\n二、波羅舞曲
\n\n三、拉瓦比斯
\n\n第四冊
\n\n一、馬拉加舞曲
\n\n二、赫列斯舞曲
\n\n三、艾利塔奈
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|蘇勒斯
\n\n\n\n
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※The program has been cancelled. For more information, please contact +886-2-2941-2155. | \n\t\t
\n\n
In 2004, Lorenzo Soulès won the Piano Campus Competition in Pontoise. Two years later, he received the Ravel Prize in the context of the Saint-Jean de Luz Ravel Academy and in 2009, the Gen Re Special Prize. He plays with the Ensemble Orchestral de Paris, the Saint-Malo Chamber Orchestra, in festivals in Portugal, as well as in Cologne, Los Angeles, Paris, Bonn, Arras, etc. Between 2008 and 2012, he performed in concert at the Ruhr Klavierfestival in Germany. He won First Prize, the special Breguet Coup de Coeur prize, the People's Choice Award, the special "Young Audience" prize, and the special Air France KLM prize at the 67th Geneva International Music Competition in 2012.
\n\n\n\n
Program
\n\n9/2(Fri.)
\n\nIsaac Albéniz: Iberia
\n\nBook 1
\n\nEvocación
\n\nEl Puerto
\n\nFête-dieu à Seville
\n\nBook 2
\n\n1. Rondeña
\n\n2. Almería
\n\n3. Triana
\n\n-Intermission-
\n\nClaude Debussy: Images
\n\nBook 1
\n\n1. Reflets dans l’eau
\n\n2. Hommage à Rameau
\n\n3. Mouvement
\n\nBook 2
\n\n1. Cloches à travers les feuilles
\n\n2. Et la lune descend sur le temple qui fu
\n\n3. Poissons d’or
\n\n\n\n
9/4 (Sun.)
\n\nL.v. Beethoven: 32 Variations on an Original Theme in c minor, WoO 80
\n\nD. Scarlatti: Sonata in F major, K. 6
\n\nD. Scarlatti: Sonata in d minor, K. 9
\n\nD. Scarlatti: Sonata in G major, K. 13
\n\nM. De Falla: Fantasia Baetica
\n\n-Intermission-
\n\nIsaac Albéniz: Iberia
\n\nBook 3
\n\n1. El Albaicín
\n\n2. El Polo
\n\n3. Lavapiés
\n\nBook 4
\n\n1. Málaga
\n\n2. Jerez
\n\n3. Eritaña
\n\n\n\n
Creative and Production Team
\n\nPIano|Lorenzo Soulès
\n\n\n\n
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