【Kaohsiung Local Hi】La Lian
This performance takes place at the outdoor theater of the National Kaohsiung Center for the Arts (Weiwuying). Blending the uniqueness of the outdoor theater and the natural blue sky together as the main stage is one of the main attraction of this piece. In addition, the choreography, the music, and the plot were also composed in consideration of the laddered-stage. Unlike traditional theater works, this piece is conducted without the limitation of the frame, the broad view of the stage as a whole, provides spectacular conversations within different corner of the stage, the performers would perform both statically and dynamically from different angles and eventually unite together. In other words, the main visual experience is created by the contrast of changing formations on the unique stage.
In terms of action design, physical moves based on the traditional steps and stunts of lion dance, will be reinterpreted through the creative thinking of modern dance. In this way, not only the traditional characteristics of the lion dance is preserved, but also more possible expressions are diversely extended. On the other hand, the musicians could also present in a more poetic way of body expressions, in order to interact physically with lion dancers. What’s more, creating a conflict (and perhaps a fusion) between soft and hard impressions, differentiates the identities (characteristics) between the lion dancers and the musicians.
Music compositions in this work served more than melodic background. The changing of emotions, the setting of characters, the emerging of paragraphs were all mainly conducted with musical themes. That is to say, music plays the role of the main rationality of connecting each paragraph of the work. At the same time, in response to the diverse visual expression, multiple music styles and genres were used not only to fit the picture but also to enrich the work. In general, the work emphasizes not the narrative story lines, but the process of combining the reinterpretation from traditional lion dance with the creation of modern music. The interaction between visual experience and diverse music genre becomes the key feature of the performance.
Director｜Ya-Wei Chang
Currently studying her master degree at Taipei National University of the Arts: Dance School. Graduated from National Taiwan University of the Arts Dance Department in 2014. She often plays the role as a creator, dancer, actor, and action guide, rolling in the theater world. In 2015, she joined productions (as a dancer and a choreographer) of the Century Contemporary Dance Company, the 8213 Body Dance Theater, and the Little Things. She is now a regular member of Little Things, and the artist of the third season of the 2017 Treasure Hill International Art Village.
Performer｜TLBE Brass
Bringing laughter along with brilliant technique. TLBE Brass is Taiwan's only comedy brass ensemble formed in 2016. It is known for its diverse program, including movie soundtracks, classical, folk, pop, and rock music. Besides performing at a high technical level, the comedy integrated in the ensemble’s performances has attracted much attention from local audiences. Their unique style has gained popularity even among non-concertgoers. TLBE’s first concert in 2016 was an immediate success, and they continue to break box office records in many concert halls. TLBE Brass’s unique combination of comedy and classical music has successfully opened the door for many Taiwanese to the world of classical music. No other ensemble in Taiwan does what TLBE does: the initiative and passion of the ensemble members makes TLBE’s potential limitless.
Performer｜Kaohsiung Liang Kuang
Being one of the best traditional lion dance troupe, Kaohsiung Liang Kuang inherited the traditional Sha Ping Lu School’s art form. Formed in 1987, they have (until now) won numerous national and international competitions. In addition, they have also reached out to numerous local campuses, passing on their tradition and skills. Until now, they have become one of the biggest troupe in Kaohsiung to both perform and educate traditional lion dance form.
Creative and Production Team
Director and Choreography｜Chang, Ya-Wei
Writer and Composition｜TLBE Brass
Lion Dance Instruction｜Kaohsiung Liang Kuang
Music Direction｜Chang, Heng
Music Instruction｜Alexander Nyankin
Visual Design and Direction｜Lin, Shi-Yang
Costume Design｜Wu, Hung-Zhi
Sound Man｜Wang, Hsin-Ru
Stage Supervisor｜Liang, Yu-Chia
Sound Tech. Support｜Topsound
Multimedia Rec.｜Unity Art
Performers｜Heng Chang、Shao Chun Lu、Wei Ting Lin、Yung Chen Le、Yu Fan Lee、Shao Chia Hsu、Chi Hsien Lee、Ji Sheng Wang、Jen Yen Wang、Yin Ting Ho、Chia En Chen、Ching Lung Wang、Yu Kai Lin、Pei Ru Lee、Sheng Min Lin
Sponsor
【Kaohsiung Local Hi】La Lian
This performance takes place at the outdoor theater of the National Kaohsiung Center for the Arts (Weiwuying). Blending the uniqueness of the outdoor theater and the natural blue sky together as the main stage is one of the main attraction of this piece. In addition, the choreography, the music, and the plot were also composed in consideration of the laddered-stage. Unlike traditional theater works, this piece is conducted without the limitation of the frame, the broad view of the stage as a whole, provides spectacular conversations within different corner of the stage, the performers would perform both statically and dynamically from different angles and eventually unite together. In other words, the main visual experience is created by the contrast of changing formations on the unique stage.
In terms of action design, physical moves based on the traditional steps and stunts of lion dance, will be reinterpreted through the creative thinking of modern dance. In this way, not only the traditional characteristics of the lion dance is preserved, but also more possible expressions are diversely extended. On the other hand, the musicians could also present in a more poetic way of body expressions, in order to interact physically with lion dancers. What’s more, creating a conflict (and perhaps a fusion) between soft and hard impressions, differentiates the identities (characteristics) between the lion dancers and the musicians.
Music compositions in this work served more than melodic background. The changing of emotions, the setting of characters, the emerging of paragraphs were all mainly conducted with musical themes. That is to say, music plays the role of the main rationality of connecting each paragraph of the work. At the same time, in response to the diverse visual expression, multiple music styles and genres were used not only to fit the picture but also to enrich the work. In general, the work emphasizes not the narrative story lines, but the process of combining the reinterpretation from traditional lion dance with the creation of modern music. The interaction between visual experience and diverse music genre becomes the key feature of the performance.
Director｜Ya-Wei Chang
Currently studying her master degree at Taipei National University of the Arts: Dance School. Graduated from National Taiwan University of the Arts Dance Department in 2014. She often plays the role as a creator, dancer, actor, and action guide, rolling in the theater world. In 2015, she joined productions (as a dancer and a choreographer) of the Century Contemporary Dance Company, the 8213 Body Dance Theater, and the Little Things. She is now a regular member of Little Things, and the artist of the third season of the 2017 Treasure Hill International Art Village.
Performer｜TLBE Brass
Bringing laughter along with brilliant technique. TLBE Brass is Taiwan's only comedy brass ensemble formed in 2016. It is known for its diverse program, including movie soundtracks, classical, folk, pop, and rock music. Besides performing at a high technical level, the comedy integrated in the ensemble’s performances has attracted much attention from local audiences. Their unique style has gained popularity even among non-concertgoers. TLBE’s first concert in 2016 was an immediate success, and they continue to break box office records in many concert halls. TLBE Brass’s unique combination of comedy and classical music has successfully opened the door for many Taiwanese to the world of classical music. No other ensemble in Taiwan does what TLBE does: the initiative and passion of the ensemble members makes TLBE’s potential limitless.
Performer｜Kaohsiung Liang Kuang
Being one of the best traditional lion dance troupe, Kaohsiung Liang Kuang inherited the traditional Sha Ping Lu School’s art form. Formed in 1987, they have (until now) won numerous national and international competitions. In addition, they have also reached out to numerous local campuses, passing on their tradition and skills. Until now, they have become one of the biggest troupe in Kaohsiung to both perform and educate traditional lion dance form.
Creative and Production Team
Director and Choreography｜Chang, Ya-Wei
Writer and Composition｜TLBE Brass
Lion Dance Instruction｜Kaohsiung Liang Kuang
Music Direction｜Chang, Heng
Music Instruction｜Alexander Nyankin
Visual Design and Direction｜Lin, Shi-Yang
Costume Design｜Wu, Hung-Zhi
Sound Man｜Wang, Hsin-Ru
Stage Supervisor｜Liang, Yu-Chia
Sound Tech. Support｜Topsound
Multimedia Rec.｜Unity Art
Performers｜Heng Chang、Shao Chun Lu、Wei Ting Lin、Yung Chen Le、Yu Fan Lee、Shao Chia Hsu、Chi Hsien Lee、Ji Sheng Wang、Jen Yen Wang、Yin Ting Ho、Chia En Chen、Ching Lung Wang、Yu Kai Lin、Pei Ru Lee、Sheng Min Lin
Sponsor
