\n●Suitable for age 10+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n\n●【2020 Weiwuying TIFA - Contemporary Music Platform】ALL PASS sets are available, which allow visitors to enjoy all of the programs within the series and attend special private events. For ticket information, please see ALL PASS description
\n',description:" ",image:"6368c33b0923fd1d5d2cda65627f3b13",sessions:[1587814200],site:{link:"https://www.npac-weiwuying.org/venues/%E9%9F%B3%E6%A8%82%E5%BB%B3?mode=panorama?lang=en",name:"Concert Hall",siteLink:" https://www.npac-weiwuying.org/links/5b767081366d5900054717b5 ?lang=en"},sliders:[{title:"Erwan KERAVEC: SONNEURS ",introduction:"",type:"image",pc:"f6515c6702582ea7bdca8f4955e6bac6",mobile:"f6515c6702582ea7bdca8f4955e6bac6",film:{key:"f6515c6702582ea7bdca8f4955e6bac6",from:"image"},link:""}],tabs:[{title:"Programs",content:'※The performance have been cancelled . For more information please contact +886-7-2626669.
\n\nErwan KERAVEC wished to explore the possibility of extending his ambition further than his own instrument, i.e. of modifying a strong cultural origin. To achieve this, he has set up a piping quartet that brings together the four instruments of the Breton piping tradition, starting with the historic bombard and biniou koz and including the Scottish bagpipe, which has become Breton over the last century, and the trelombard, invented to act as a counterpoint to the bombard and bagpipe in bagadou (plural of bagad: Breton piper bands). With its culturally marked instruments, this quartet is characterized by its raw sound, rich tone colour, continuous biniou and bagpipe resonance, condensed spectrum and, obviously, powerful sound.
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Program
\n\nOtomo Yoshihide: Walk on by SONNEURS
\nZad Moultaka: Mélancolie du Diable
\nSusumu Yoshida: Ode Funèbre à Tristan
\nBernard Cavanna: To Air One
\nSamuel Sighicelli: Spas
\nWolfgang Mitterer: Run
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Erwan Keravec
\n\nErwan KERAVEC is a highland bagpiper, composer and improviser. In seeking out the more unusual sounds, and ways of playing and listening to his instrument, far from its original cultural setting, he is exploring improvised music, free and “noise” jazz, and establishing a repertoire of contemporary music for solo pipes, trio with solo voice and with choir. With an interest in movement and in settings associated with reinvention, he also writes, plays and improvises for dance.
\n\nHis music stems from traditional Breton music practice. In 1996, Erwan was part of the Ronsed Mor bagad. The band came to record with La Marmite Infernale, the big band of the jazz collective ARFI based in Lyon, and this collaboration set Erwan improvisation practice in motion. It hasn’t stopped since…
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Creative and Production Team
\n\nBagpipes|Erwan KERAVEC
\nBiniou koz|Mickaël COZIEN
\nBombard|Erwan HAMON
\nTrelombard|Guénolé KERAVEC
Photo by Atelier_Marge、Peter Gannushkin
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\n'},{title:"Programme Credits",content:'
Quartet pieces:
\n\n« Walk on by SONNEURS » by Otomo Yoshihide
\n\n\tCommissioned by Offshore, premiered on 11 January 2020 at Philharmonie de Paris
\n\n\tCo-produced by GMEM, national centre for musical creation in Marseille
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\nSolo pieces:
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*Offshore (www.erwan-keravec.eu) is an association subsidized by the Ministry of Culture and Communication (Regional Direction of Cultural Affairs / Brittany) and the Regional Council of Brittany.
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