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©Sukmu Yun
\n'},{title:"Intention Note",content:""2020 is an important moment. We are at a turning point : the first generation born in the third millennium is becoming adults. The future is theirs and they will be making the world what it will be tomorrow.
\n\nFor me, a body tells a lot, often more than words. It is the reflection of our personal history and, more largely of our way of life, of the way our societies function. At 20, body is changing fast. Menalities too. It is an age where ideas – the ones you inherit and the ones you build yourself - assert themselves to build a personality.
\n\nWorking with young dancers is an opportunity to see an energy, a purity – both physically and mentally, and through their body seize the reality of a country, of a continent.
\n\nI am Korean but I'm also Asian, and proud to be. Asia is a complex continent, gathering countries with different Histories, religions, societal models and traditions, that often confront each other but yet have a lot in common.
\n\nFor a long time, we've been looking up to the West as a model to follow and the source of modernity, on the economical as well as on the artistic level. But things have evolved and it is time to look at ourselves in the mirror.
\n\nIn the second half of 20th Century, the expressions 'the Four Asian Tigers' or 'the Four Asian Dragons' was used to refer to South Korea, Taiwan, Hong-Kong and Singapore, the developing countries of the region praised for their dynamism that became a model of success.
\n\nBringing together dancers from different countries, bringing together different bodies, my idea is to sketch a portrait of contemporary Asia and explore the dynamics running through the dance practice there to see what dance could become in the future.
\n\nAnd who knows? Maybe make some new dragons appear on stage.
\n\nDancing Dragons of course."
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Eun-Me AHN
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