- For more offers, please visit the ticketing website.
- Weiwuying Co-organiser Program
- Duration is 85 minutes with a 20-minute intermission.
- Age guidance 7+
- Latecomers must follow staff instructions for entry and re-entry
- For more offers, please visit the ticketing website.
Angélique & Marc Mauillon - Li due Orfei
FLORENCE 1600 - Giulio CACCINI, Jacopo PERI: two virtuoso singers, two composers about to revolutionize the art of singing.
At the very end of the sixteenth century, the city of Florence organized magnificent celebrations for the wedding of Ferdinand de' Medici and Christine de Lorraine. The best singers and instrumentalists were brought together for an occasion that would give birth to a completely new work, both from a theatrical and musical point of view La Pellegrina. Emilio de' Cavalieri and his assistants Jacopo PERI and Giulio CACCINI strongly believed in a new musical style that would do away with polyphony in favor of monody so as to give precedence to text and expressivity.
The music of Giulio CACCINI and his Nuove Musiche and PERI's songs are well known, but it is interesting to set in parallel the genius of these two great musicians and to explore two worlds in which, however similar their language and compositional principles, their means of expressing sensitivity and emotions differ enormously.
In reaction to Renaissance polyphony, their music was written to be sung to the accompaniment of a single plucked instrument. Singers would often accompany themselves, but would also perform among and accompanied by family members.
Thus the familial duo of Marc and Angelique resonates very naturally with the heritage of those great musicians.
Pre-talk
2023/9/24(Sun)14:00 Recital Hall
Program
G. CACCINI(1551–1618): Dolcissimo Sospiro
J. PERI(1561–1633): Tu Dormi
T. MERULA(1595–1665): Follè Ben
G. CACCINI: A Quei Sospir Ardenti
G. CACCINI: Vedrò Il Mio Sol
C. MONTEVERDI(1567-1643): Perche Se M’Odiavi
L. LUZZASCHI(1545-1607): Toccata
G. CACCINI: Movetevi A Pieta
G. CACCINI: Torna, Deh Torna
J. PERI: Tutto Il Dì Piango
A. PICCININI(1566-1638) Aria Di Sarabanda
Giulio CACCINI: Pien D'Amoroso Affetto
S. L. CAMUS(1610-1677) : Je M'Abandonne A Vous
Anonyme: Sans Amour Et Sans Tendresse
B. d. BACILLY(1621-1690): J'Ai Voulu Suivre Une Autre Loy
S. L. CAMUS(1610-1677): Un Berger Plus Beau Que Le Jour
F. DUFAUT(1604-1670): Suite En Ré Mineur（Suite Harpe）
M. LAMBERT(1610-1696): J'Ai Juré Mille Fois
S. Le CAMUS: Il N'Est Rien Dans La Vie
M. LAMBERT: Laisse-Moy Soupirer
H. D’AMBRUIS(1660-1702): Le Doux Silence De Nos Bois
Creative and Production Team
Bariton｜Marc MAUILLON
Baroque Harp｜Angélique MAUILLON
Artists Introduction
Bariton｜Marc MAUILLON
The exploration of the relationship between words and music is at the heart of Marc MAUILLON's artistic approach. Exceptional vocal means have given him the possibility of taking on both baritone and tenor repertories, an immediately recognisable timbre, he puts his sense of colour and of diction at the service of his insatiable curiosity.
From Guillaume de Machaut to contemporary repertoire, from opera to recital, his career history is a reflection of an out of the ordinary eclecticism. His encounter with William CHRISTIE as part of the Jardin des Voix (2002), then with Jordi Savall, at first opened up for him a magnificent field of exploration of early music, which he later expanded.
Regularly invited to give Master-classes, internships or training in France and abroad, Marc Mauillon has been teaching since 2018 the interpretation of medieval secular music at the Sorbonne (Master of Interpretation of Ancient Music).
Baroque Harp｜Angélique MAUILLON
After studying the harp with Josette Rives and Christophe Truant, Angélique Mauillon decides to specialize in the interpretation of early music, under the supervision of Eugène Ferré at the CNSMD in Lyon and Mara Galassi at the Scuole Civiche in Milano.
She has also obtained a degree in Musicology of the Lyon II University. Angélique Mauillon interprets a vast repertoire ranging from the 13th to the 18th century: she plays medieval harp with ensembles Alla Francesca and Tasto Solo, and renaissance harp with ensembles Doulce Mémoire and Les Jardins de Couroisie.
On the triple harp, she collaborates with ensembles such as Le Concert d'Astrée, Le Poeme Harmonique, Pygmalion, Artaserse, Correspondances.
She performs regularly in recital alongside her brother, the baritone Marc Mauillon, with whom she also explores the repertoire of the fourteenth and fifteenth centuries, along with P. Hamon and V. Biffi.
She has participated, as soloist and continuo player in more than thirty recordings for the labels Alpha, ZIG-Zag territories, Eloquentia, Ricercar, etc ...
Holder of the Certificate of Aptitude, Angélique Mauillon teaches the early harps at CRR Tours and CNSMD Lyon.
Presenter: Formosa Baroque
Co-organiser: National Kaohsiung Center for the Arts (Weiwuying)
Angélique & Marc Mauillon - Li due Orfei
FLORENCE 1600 - Giulio CACCINI, Jacopo PERI: two virtuoso singers, two composers about to revolutionize the art of singing.
At the very end of the sixteenth century, the city of Florence organized magnificent celebrations for the wedding of Ferdinand de' Medici and Christine de Lorraine. The best singers and instrumentalists were brought together for an occasion that would give birth to a completely new work, both from a theatrical and musical point of view La Pellegrina. Emilio de' Cavalieri and his assistants Jacopo PERI and Giulio CACCINI strongly believed in a new musical style that would do away with polyphony in favor of monody so as to give precedence to text and expressivity.
The music of Giulio CACCINI and his Nuove Musiche and PERI's songs are well known, but it is interesting to set in parallel the genius of these two great musicians and to explore two worlds in which, however similar their language and compositional principles, their means of expressing sensitivity and emotions differ enormously.
In reaction to Renaissance polyphony, their music was written to be sung to the accompaniment of a single plucked instrument. Singers would often accompany themselves, but would also perform among and accompanied by family members.
Thus the familial duo of Marc and Angelique resonates very naturally with the heritage of those great musicians.
Pre-talk
2023/9/24(Sun)14:00 Recital Hall
Program
G. CACCINI(1551–1618): Dolcissimo Sospiro
J. PERI(1561–1633): Tu Dormi
T. MERULA(1595–1665): Follè Ben
G. CACCINI: A Quei Sospir Ardenti
G. CACCINI: Vedrò Il Mio Sol
C. MONTEVERDI(1567-1643): Perche Se M’Odiavi
L. LUZZASCHI(1545-1607): Toccata
G. CACCINI: Movetevi A Pieta
G. CACCINI: Torna, Deh Torna
J. PERI: Tutto Il Dì Piango
A. PICCININI(1566-1638) Aria Di Sarabanda
Giulio CACCINI: Pien D'Amoroso Affetto
S. L. CAMUS(1610-1677) : Je M'Abandonne A Vous
Anonyme: Sans Amour Et Sans Tendresse
B. d. BACILLY(1621-1690): J'Ai Voulu Suivre Une Autre Loy
S. L. CAMUS(1610-1677): Un Berger Plus Beau Que Le Jour
F. DUFAUT(1604-1670): Suite En Ré Mineur（Suite Harpe）
M. LAMBERT(1610-1696): J'Ai Juré Mille Fois
S. Le CAMUS: Il N'Est Rien Dans La Vie
M. LAMBERT: Laisse-Moy Soupirer
H. D’AMBRUIS(1660-1702): Le Doux Silence De Nos Bois
Creative and Production Team
Bariton｜Marc MAUILLON
Baroque Harp｜Angélique MAUILLON
Artists Introduction
Bariton｜Marc MAUILLON
The exploration of the relationship between words and music is at the heart of Marc MAUILLON's artistic approach. Exceptional vocal means have given him the possibility of taking on both baritone and tenor repertories, an immediately recognisable timbre, he puts his sense of colour and of diction at the service of his insatiable curiosity.
From Guillaume de Machaut to contemporary repertoire, from opera to recital, his career history is a reflection of an out of the ordinary eclecticism. His encounter with William CHRISTIE as part of the Jardin des Voix (2002), then with Jordi Savall, at first opened up for him a magnificent field of exploration of early music, which he later expanded.
Regularly invited to give Master-classes, internships or training in France and abroad, Marc Mauillon has been teaching since 2018 the interpretation of medieval secular music at the Sorbonne (Master of Interpretation of Ancient Music).
Baroque Harp｜Angélique MAUILLON
After studying the harp with Josette Rives and Christophe Truant, Angélique Mauillon decides to specialize in the interpretation of early music, under the supervision of Eugène Ferré at the CNSMD in Lyon and Mara Galassi at the Scuole Civiche in Milano.
She has also obtained a degree in Musicology of the Lyon II University. Angélique Mauillon interprets a vast repertoire ranging from the 13th to the 18th century: she plays medieval harp with ensembles Alla Francesca and Tasto Solo, and renaissance harp with ensembles Doulce Mémoire and Les Jardins de Couroisie.
On the triple harp, she collaborates with ensembles such as Le Concert d'Astrée, Le Poeme Harmonique, Pygmalion, Artaserse, Correspondances.
She performs regularly in recital alongside her brother, the baritone Marc Mauillon, with whom she also explores the repertoire of the fourteenth and fifteenth centuries, along with P. Hamon and V. Biffi.
She has participated, as soloist and continuo player in more than thirty recordings for the labels Alpha, ZIG-Zag territories, Eloquentia, Ricercar, etc ...
Holder of the Certificate of Aptitude, Angélique Mauillon teaches the early harps at CRR Tours and CNSMD Lyon.
Presenter: Formosa Baroque
Co-organiser: National Kaohsiung Center for the Arts (Weiwuying)
- For more offers, please visit the ticketing website.
- Weiwuying Co-organiser Program
- Duration is 85 minutes with a 20-minute intermission.
- Age guidance 7+
- Latecomers must follow staff instructions for entry and re-entry
- For more offers, please visit the ticketing website.
