Blog
Walk into the Light and Shadows of Weiwuying Art Gallery
Photo:This lady is watching a film of The Encounter.Dance Film
Written by CHOU Shu-yi Weiwuying Artist-In-Residence
A person encounters dance images and walks up and down Weiwuying Art Gallery with friends. What is the person so captivated by? What is so enchanting that drives the person to beckon others to join? Hiding nearby, I was filled with curiosity. Through light, shadow, and bodily movements, each expression is direct in its interpretation of the messages of the heart, enticing us to pause, to immerse ourselves and sink into contemplation, embracing the different stances of life.
At the end of the gallery, a person is swiping up and down the touch screen of "VR Stage", entering Weiwuying through different angles. The guide finds out that I am the dancer in the work and chuckles secretly, because I was hiding nearby as I observed the different reactions to the work. The guide that day was excellent, and many people are inspired to download the app and try it out for themselves; she even tells me that a teacher had the idea of asking her students to download the application after seeing the work and is thinking about adding the application to her curriculum as a way to let students unleash their creativity. I was happy to hear this, because it was another opportunity for dance to enter society, and for different groups of people to be exposed to performing arts. Open, public spaces such as this allows more people to interact with dance, allowing the exhibition to go on after Taiwan Dance Platform ends, enabling more possibilities for the future.
One viewer is sitting on the floor, quietly looking at an image work. The work is Siamoise, a self-directed work by HSU Hai-wen. Perhaps the viewer was attracted by the tranquility of the image, leading the viewer to appreciate the work while sitting on the ground. Siamoise is a work about the dialogues with the inner thoughts through the body, a process that requires solitude. A Weiwuying staff walks by and shares his thoughts on the work with me. He asks me, do I really feel there are two persons within me? I ask, what do you think? He replies: I think everyone, one of us needs to face the two different selves within us! This was another moving encounter. A work of art that can be shared and appreciated by all; any work can be relevant as long as it speaks to you.
Photo:The site view of The Encounter.Dance Film
The Encounter.Dance Film exhibition assembles works by artists both domestic and abroad. Each work is a dialogue between the body and the stories of life, creating another world with light and shadow. Each overhead sound installation is designed to cover a small scope of space, and the exhibition space is arranged to allow visitors to enjoy the works on their own and to gain a deeper understanding of themselves through dance images. The exhibition encourages dialogue through our bodies, something we all possess, unveiling our true selves and to achieve a life that is authentic and carefree through dance. Take a trip to Weiwuying, see a performance, have a cup of coffee, stroll in the park, or have an encounter with dance images. On days that you prefer to stay indoors, you can download the "VR Stage" app and waltz into Weiwuying at the comfort of your own home. The pandemic era has presented us with a new world of theater, and a new lifestyle that is filled with rapid changes.
Photo:Someone is using "VR Stage" to view Weiwuying through special angles
Learn More:
【2020 Taiwan Dance Platform】"Encounter.Dance Film" Exhibition
Top Hash Tags
You May Also Like
What Would Your Nutcracker Be in Taiwan?
Every dancer remembers their first Nutcracker. For some, it was "Spanish Hot Chocolate," and for others, it was being the second "Snowflake" from the left.
Selecting Flavors for Your Taiwan Dance Platform Sundae
This year’s Taiwan Dance Platform at Weiwuying is based on the concept of the body being a history of dance. The body’s history can be divided into two aspects, the first being the personal, such as where I grew up, where I lived later in life to develop my career, the schools I attended, and what kind of dance training I received. All these things are like accumulated layers of skin, each representing a part of my body’s history.